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If you liked this evening’s concert, you may also enjoyattending one of the following events:

Music of the 21st Century: Roberto Sierra, guest composer

Wednesday, February 25 at 10:20 a.m.: Student Recital Hour! ursday, February 26 at 7:30 p.m.: Chamber Concert

Friday, February 27 at 7:30 p.m.: Gala Ensemble ConcertGreen Center for the Performing Arts

DePauw University Jazz EnsembleSteven Snyder, director

Wednesday, March 4 at 7:30 p.m.Green Center, Kresge Auditorium

Faculty Select Series: Dieter Hennings, guitar and Molly Barth, ! ute

! ursday, March 5 at 7:30 p.m.Green Center, ! ompson Recital Hall

Living Composers Festival: Jason Robert BrownSaturday, March 7 at 2 p.m.: Student Cabaret

Saturday, March 7 at 5 p.m.: Guest Artist ConcertGreen Center, ! ompson Recital Hall

Green Guest Artist Concert: Maya Beiser, celloSaturday, March 14 at 7:30 p.m.

Green Center, Kresge Auditorium

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OUT OF RESPECT FOR THE PERFORMERS, AUDIENCE AND RECORDING TECHNICIAN, ALL PHOTOGRAPHY AND AUDIO/VIDEO RECORDING ARE PROHIBITED DURING THE PERFORMANCE. PLEASE DISENGAGE ALL ELECTRONIC EQUIPMENT BEFORE THE BEGINNING OF THE CONCERT.

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THE KING’S SINGERS

David Hurley, countertenorTimothy Wayne-Wright, countertenor

Julian Gregory, tenorChristopher Bruerton, baritoneChristopher Gabbitas, baritone

Jonathan Howard, bassTHE GREAT AMERICAN SONGBOOK

Celebrating Harold Arlen and George GershwinHarold Arlen and Ted Koehler, arr. Paul Hart Get HappyGeorge Gershwin, arr. Richard Rodney Bennett Love Is Here to StayHarold Arlen, arr. Alexander L’Estrange I’ve Got the World on a StringHarold Arlen and Ira Gershwin, arr. Richard Rodney Bennett It’s a New WorldGeorge and Ira Gershwin, arr. Bob Chilcott Oh! I Can’t Sit DownTraditional American SpiritualsTraditional, arr. Keith Roberts Little David, Play on Your HarpTraditional, arr. Peter Knight Swing Low, Sweet ChariotTraditional, arr. Philip Lawson Down to the River to PrayTraditional, arr. Bob Chilcott Steal AwayTraditional, arr. Andrew Price-Jackman Stand Still, Jordan" e Magic of Cole PorterCole Porter, arr. Alexander L’Estrange Begin the Beguine

I’ve Got You Under My Skin It’s De-lovely

Night and DayLet’s Misbehave

~ INTERVAL ~" e Great American Songbook (all arr. Alexander L’Estrange)Jerome Kern and Oscar Hammerstein I Won’t DanceRichard Rodgers and Lorenz Hart Bewitched, Bothered and BewilderedCy Coleman and Carolyn Leigh ! e Best Is Yet to ComeArthur Hamilton Cry Me a RiverCharles Trenet and Jack Lawrence Beyond the SeaVictor Young and Edward Heyman When I Fall in LoveIrving Berlin Cheek to CheekRichard Rodgers and Lorenz Hart My Funny ValentineRichard Rodgers and Lorenz Hart ! e Lady Is a Tramp

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" e DePauw University School of Music thanks the Inn at DePauw for its support of the 2014-15 Green Guest Artist series. A full-service boutique hotel located on the DePauw University campus, the Inn features a newly remodeled lobby with classic lines rede# ned. Two award-winning restaurants within the Inn o$ er menus to please any palate. " e Fluttering Duck  features pub-style fare, while 2 West o$ ers an upscale dining experience.

The Inn at DePauw

“Pinpoint precision, total rapport, crisp diction, faultless tuning and a seemingly e= ortless ability to switch between di= erent stylistic

requirements.”—! e Times, London

Acclaimed for their life-a> rming virtuosity and irresistible charm, ! e King’s Singers are in global demand. ! eir work—synonymous with the best in vocal ensemble performance—appeals to a vast international audience. ! ey perform over 120 concerts each year, touring regularly to Europe, the United States, Asia and Australasia. ! e King’s Singers are admired for their musical excellence and recognized as consummate entertainers—a class act with a delightfully British sense of humor. ! eir generous spirit and magical ability to move audiences have remained constant since the group’s foundation in 1968.

! e King’s Singers have premiered more than 200 new works, including landmark compositions by Luciano Berio, György Ligeti, James MacMillan, Krzysztof Penderecki, Toru Takemitsu, John Tavener and Eric Whitacre, and commissioned thrilling arrangements of everything from jazz standards to pop chart hits.

! e double Grammy® Award-winning artists were honored in 2009 for their Signum Classics release, Simple Gifts, and again in 2012 for their contribution to Eric Whitacre’s Light & Gold album on Decca. In June 2013, they were chosen as one of only two vocal ensembles to enter the Gramophone Hall of Fame, in recognition of their unique discography of over 150 albums.

Highlights of the group’s 2014–15 season include: two performances in the Amsterdam Concertgebouw and a Christmas performance in Washington National Cathedral; a visit to the Grand Philharmonic Hall of St. Petersburg; an invitation to perform at the American Choral Directors Association annual conference in Salt Lake City, where they will give the world premiere of a new work by Jake Heggie; and their second residential Summer School in the UK.

Visit www.kingssingers.com for the ensemble’s latest news, blog entries, videos, Tweets and YouTube updates.

ABOUT THE KING’S SINGERS PROGRAM NOTESDespite being a quintessentially English group, ! e King’s Singers have always enjoyed performing American music, from the close harmonies of ! e Yale Song Book to the wonderful repertoire of spirituals, not forgetting the huge canon of folk songs. Back in the early 1990s, we recorded an album of jazz standards with the English-born, New York-based pianist George Shearing, largely devoted to the songs of George Gershwin and Harold Arlen. In more recent years, we have been inspired by the incredible variety of American music from the middle years of the 20th century. Recent terminology has grouped these songs together as ! e Great American Songbook, and the craftsmanship of the melodies, harmonies and lyrics are indeed the standard by which all other popular songs should be measured. ! is concert program is our homage to this wonderful body of work.

From the 1920s, the emergence of the radio as the common form of in-home entertainment and the growth of the recording industry allowed the big bands of the day to swing right into people’s living rooms, and popular music was never the same again. ! e in? uence of jazz was also strongly felt on the Broadway stage, which was just evolving in New York’s “Melting Pot.” Combining elements of Vaudeville and the Yiddish theatre with the popular jazz rhythms, chords and orchestrations heard on the radio, musical plays were transformed into “the Broadway musical.” ! is became possibly the most universally popular form of live musical entertainment the world has ever known, and it is the source of many of the greatest popular songs ever written.

Classic melodies by such composers as Arlen, Gershwin, Richard Rogers, Jerome Kern, Cole Porter and, later on, Stephen Sondheim and Cy Coleman, among many others, were introduced on Broadway and continue to be much loved around the world. With the rapid growth of the motion picture industry from the 1930s, many of these composers headed west to Hollywood, where their musicals were made into movies, and where they composed music especially for the screen, creating a new genre that has also yielded a wealth of American popular songs through the following decades. ! e classic tunes from this era have stood the test of time, with countless performances and recordings over the next half-century con@ rming their greatness.

TEXTSGET HAPPY Hallelujah! Hallelujah!Come, you sinners, gather round.Hallelujah! Hallelujah!All you sinners, I have foundA land where the weary forever are free.Come, you sinners, and just follow me.

Forget your troubles and just get happyYou better chase all your cares away,Sing Hallelujah, come on get happy,Get ready for the judgment day.

! e sun is shining, c’mon get happy,! e Lord is waiting to take your hand,Shout Hallelujah, come on get happy,We’re going to the Promised Land.

We’re heading ’cross the riverWash our sins ’way in the tideIt’s all so peacefulOn the other side.

Forget your troubles and just get happyYou better chase your cares away,Shout Hallelujah, come on get happy,Get ready for the judgment day.

LOVE IS HERE TO STAYIt’s very clearOur love is here to stay;Not for a year But ever and a day.

! e radio and the telephoneAnd the movies that we knowMay just be passing fancies,And in time may go.

BE!INSPIRED.

Every Sunday at 6 pmTune in each week to Music for Life for interviews, stories and performances featuring DePauw School of Music students and faculty, along with many of the world’s most important artists.

WGRE 91.5 FM, iTunes and www.depauw.edu/music

! at’s why the lady is a tramp.

She goes to Margate—the beach is divine.She loves the cricket—aren’t England just @ ne?She follows Stephen Fry and retweets ev’ry line,! at’s why the lady is a tramp!

I like to hang my hat where I please,I sail with the breeze,No! Heyho! She loves Michael Bublé,She thinks he’s a champ,! at’s why the lady is a tramp!

Recordings by ! e King’s Singers are available in the lobby during intermission, following this evening’s performance and at www.kingssingers.com.

But, oh my dear,Our love is here to stay.Together we’reGoing a long, long way

In time the Rockies may crumble,Gibraltar may tumble,! ey’re only made of clay,But our love is here to stay.

I’VE GOT THE WORLD ON A STRINGI’ve got the world on a stringSitting on a rainbowGot the string around my @ ngerWhat a world, what a life—I’m in love

I got a song that I singI can make the rain goAny time I move my @ ngerLucky me, can’t you see—I’m in love

Life is a beautiful thingAs long as I hold the stringI’d be a silly so-and-soIf I should ever let it go

IT’S A NEW WORLDHow wonderful that I’m beholding.A never, never land unfolding.Where we polish up the stars...And mountains we move...In a place where all the pleasures we will prove.

It’s a new world I see.A new world for me.! e tears have rolled o= my cheek.And fears fade away every time you speak.

A new world, though we’re in a tiny room.What a vision of joy, and blossom, and bloom.

A new found promise...One that will last.So I’m holding on.And I’m holding fast.

You brought a new world to me.And that it’ll always....Always be.

OH! I CAN’T SIT DOWNOh I can’t sit downGotta keep a goin’ like the ? owin’ of a songOh I can’t sit downGuess I’ll take my honey and her sunny smile along

Today I am gay and I’m freeOh just a-bubblin,’ nothin’ troublin’ meOh I can’t sit downI can’t sit down

Happy feelin’ in my bones a-stealin’, No concealin’ that it’s picnic day!Yeah I’m feelin’ happy, I’m feelin’ happy, so happy, that it’s picnic day!Sure is dandy, got my liquor handy, Me an’ MandyWe are on the way because it’s picnic day!

Oh I can’t sit downGotta keep a-jumpin’ like the thumpin’ of a drumOh I can’t sit downFull of locomotion like an ocean full of rum!

Today I am gay an’ I’m freeOh just a-bubblin’ nothin’ troubblin’ meOh I can’t sit downI can’t sit down

Oh baby I can’t sit downOh baby I can’t sit downGotta keep agoin’Keep agoin’ like a song’ Oh baby I can’t sit down,

MY FUNNY VALENTINEMy funny valentine,Sweet, comic valentine,You make me smile with my heart.

You looks are laughable, unphotographable,Yet, you’re my favourite work of art.

Is your @ gure less than Greek?Is your mouth a little bit weak?When you open it to speak, are you smart?

Don’t change a hair for me,Not if you care for me.Stay, little valentine, stay!

Each day is Valentine’s Day.

THE LADY’S A TRAMPShe’s wined and dined on Mulligan stewAnd never wished for turkeyAs she hitched and hiked and grifted, too,From Maine to Albuquerque.Alas, she missed the Beaux Arts Ball,But what is twice as sad,She was never at a partyWhere they honored Noel Ca’ ad.But social circles spin too fast, you see.Her Hobohemia is the place to be.

She gets too hungry for dinner at eightShe likes the theatre, but never comes late,She never bothers with people she hates, ! at’s why the lady is a tramp!She don’t like crapgames with barons and earls,Won’t go to Harlem in ermine ’n’ pearls,She won’t dish the dirt with the rest of those girls,! at’s why the lady is a tramp!She likes the free fresh wind in her hair;Life without care,She’s broke; that’s okay!Hates California, it’s cold and it’s damp,

WHEN I FALL IN LOVEWhen I fall in love it will be foreverBut I’ll never fall in loveIn a restless world like this isLove is ended before it’s begunAnd too many moonlight kisses Seem to cool in the warmth of the sunWhen I give my heart it will be completelyBut I’ll never fall in loveTill the moment that I feel that you feel the same way tooIs when I fall in love with you.

CHEEK TO CHEEKHeaven, I’m in heaven And my heart beats so that I can hardly speak And I seem to @ nd the happiness I seek When we’re out together dancing cheek to cheek Heaven, I’m in heaven And the cares that hung around me through the week Seem to vanish like a gambler’s lucky streak When we’re out together dancing cheek to cheek

Oh I love to climb a mountain And to reach the highest peak But it doesn’t thrill me half as much As dancing cheek to cheek

Oh I love to go out @ shing In a river or a creek But I don’t enjoy it half as much As dancing cheek to cheek

Dance with me I want my arm about you ! e charm about you Will carry me through to...

Heaven, I’m in heaven And my heart beats so that I can hardly speak And I seem to @ nd the happiness I seek When we’re out together dancing, out together dancing Out together dancing cheek to cheek.

LITTLE DAVID PLAY ON YOUR HARPLittle David play on your harp,Hallelu, Hallelu!Little David play on your harp, Hallelu!Little David play on your harpHallelu, Hallelu!Little David play on your harp, Hallelu!

David was a shepherd boy,He killed Goliath and shouted for joy.

Little David play on your harp,Hallelu, Hallelu!Little David play on your harp, Hallelu!Little David play on your harpHallelu, Hallelu!Little David play on your harp, Hallelu!

Joshua was the son of Nun,He never would quit till his work was done

Little David play on your harp, Hallelu, Hallelu!Little David play on your harp, Hallelu!Little David play on your harpHallelu, Hallelu!Little David play on your harp, Hallelu!

SWING LOW, SWEET CHARIOTSwing low, sweet chariot,Coming for to carry me home,Swing low, sweet chariot,Coming for to carry me home.

I looked over Jordan, and what did I see?Coming for to carry me home,A band of angels coming after me,Coming for to carry me home.

Swing low, sweet chariot,Coming for to carry me home,Swing low, sweet chariot,Coming for to carry me home.

DOWN TO THE RIVER TO PRAYAs I went down in the river to pray Studying about that good old way And who shall wear the starry crown Good Lord, show me the way!

O sisters let’s go down, Let’s go down, come on down, O sisters let’s go down, Down in the river to pray. As I went down in the river to pray Studying about that good old way And who shall wear the robe and crown Good Lord, show me the way!

O brothers let’s go down, Let’s go down, come on down, Come on brothers let’s go down, Down in the river to pray.

As I went down in the river to pray Studying about that good old way And who shall wear the starry crown Good Lord, show me the way!

O fathers let’s go down, Let’s go down, come on down, O fathers let’s go down, Down in the river to pray.

As I went down in the river to pray Studying about that good old way And who shall wear the robe and crown Good Lord, show me the way!

O mothers let’s go down, Come on down, don’t you want to go down, Come on mothers let’s go down, Down in the river to pray.

As I went down in the river to pray Studying about that good old way

CRY ME A RIVERNow you say you’re lonely;You cried the whole night throughWell, you can cry me a river, I cried a river over you.

Now you say you’re sorryFor bein’ so untrueWell, you can cry me a river, I cried a river over you.

You drove me, nearly drove me out of my headBut you never shed a tearI remember all that you saidTold me love was too plebeianTold me you were through with me an’

Now you say you love meNow prove you doCome on and cry me a river, cry me a riverI cried a river over you.

BEYOND THE SEASomewhere beyond the sea,Somewhere, waiting for me,My lover stands on golden sandsAnd watches the ships that go sailing;

Somewhere beyond the sea,She’s there watching for me.If I could ? y like birds on high,! en straight to her arms I’d go sailing.

It’s far beyond a star,It’s near beyond the moon,I know beyond a doubtMy heart will lead me there soon.

We’ll meet beyond the shore,We’ll kiss just as before.Happy we’ll be beyond the sea,And never again I’ll go sailing!

Lost my heart, but what of it? She can laugh but I love it.Although the laugh’s on me,I’ll sing, I’ll bring spring,And I’ll long for the day when I’ll cling to her.Bewitched, bothered and bewildered am I.

THE BEST IS YET TO COMEOut of the tree of life I just picked me a plumYou came along and everything’s started to humStill, it’s a real good bet, the best is yet to come.

! e best is yet to come and babe, won’t that be @ ne?You think you’ve seen the sun, but you ain’t seen it shine.

Wait till the warm-up’s underwayWait till our lips have metWait till you see that sunshine dayYou ain’t seen nothin’ yet.

! e best is yet to come and babe, won’t it be @ ne?! e best is yet to come, come the day you’re mine.

Come the day you’re mineI’m gonna teach you to ? yWe’ve only tasted the wineWe’re gonna drain the cup dry.

Wait till your charms are right for these arms to surroundYou think you’ve ? own before, but babe you ain’t left the ground.

Wait till you’re locked in my embraceWait till I draw you nearWait till you see that sunshine placeAin’t nothin’ like it here, no!

! e best is yet to come and babe, won’t it be @ ne?! e best is yet to come, come the day you’re mine.

And who shall wear the starry crown Good Lord, show me the way!

O sinners let’s go down, Let’s go down, come on down, O sinners let’s go down, Down in the river to pray.

As I went down in the river to pray Studying about that good old way And who shall wear the robe and crown Good Lord, show me the way!

STEAL AWAYSteal away, steal away, steal away to Jesus!Steal away, steal away home,I ain’t got long to stay here.

My Lord, He calls me,He calls me by the thunder;! e trumpet sounds within my soul,I ain’t got long to stay here.

Steal away, steal away, steal away to Jesus!Steal away, steal away home,I ain’t got long to stay here.

STAND STILL, JORDANStand still JordanStand still JordanStand still JordanLord, I can’t stand still.

I got a mother in heavenI got a mother in heavenI got a mother in heavenLord, I can’t stand still.

When I get up in gloryWhen I get up in gloryWhen I get up in gloryLord, I can’t stand still.

Stand still JordanStand still JordanStand still JordanLord, I can’t stand still.

When that river gonna stand still? Jordan riverJordan riverJordan river is chilly and cold.

It will chill-a my bodyIt will chill-a my bodyIt will chill-a my body, but not my soul.

Stand still JordanStand still JordanStand still JordanLord, I can’t stand still.

BEGIN THE BEGUINEWhen they begin the beguineIt brings back the sound of music so tender,It brings back a night of tropical splendor,It brings back a mem’ry ever green.I’m with you once more under the stars,And down by the shore an orchestra’s playingAnd even the palms seem to be swayingWhen they begin the beguine.

To live it again is past all endeavour,Except when that tune clutches my heart,And there we are, swearing to love forever,And promising never, never to part.What moments divine, what rapture serene,Till clouds came along to disperse the joys we had tasted,And now when I hear people curse the chance that was wasted,I know but too well what they mean;So don’t let them begin the beguine.

Let the love that was once a @ re remain an ember;Let it sleep like the dead desire I only remember.

I won’t dance! Don’t ask me;I won’t dance, madame, with you. My heart won’t let my feet do the things they should do! Honestly darling, won’t you dance?You know what? You’re lovely,

And so what? I’m lovely!

But oh! What you do to me! I’m like an ocean wave that’s bumped on the shore; I feel so absolutely stumped on the ? oor!

When you dance you’re charming and you’re gentle! ’Spec’lly when you do the Continental.

But this feeling isn’t purely mental; For heaven rest us, I’m not asbestos. And that’s why I won’t dance! Why should I? I won’t dance! How could I? I won’t dance! Merci beaucoup! I know that music leads the way to romance: So if I hold you in my arms, I won’t dance.

BEWITCHED, BOTHERED AND BEWILDEREDShe’s a fool and don’t I know it? But a fool can have her charms,I’m in love and don’t I show it? Like a babe in arms.

Love’s the same old sad sensation,Lately, I’ve not slept a wink,Since this crazy situationGot me on the blink.

I’m wild again, beguiled again A whimpering, simpering child again.Bewitched, bothered and bewildered am I.

Couldn’t sleep, wouldn’t sleep,! en love came and told me I shouldn’t sleep.Bewitched, bothered and bewildered am I.

Let’s be outrageous; let’s misbehave!

When Adam won Eve’s hand,He couldn’t stand for teasin.’He didn’t care about those apples out of season.

! ey say that spring means just one little thing to little lovebirdsWe’re not above birds; let’s misbehave!

If you’d be just so sweet and only meet your fate, dear,It would be the nineteen twenty-eight, dear.

It’s getting late and while I waitMy poor heart aches onWhy keep the brakes on? Let’s misbehave!

I feel quite sure a= aire d’amourWould be attractiveWhile we’re still active, let’s misbehave!

You know my heart is trueAnd you say you for me care...Somebody’s sure to tell,But what the hell do we care?

! ey say that bears have love a= airsAnd even camelsWe’re merely mammals; let’s misbehave!!!

I WON’T DANCE! ink of what you’re losing By constantly refusing to dance with me. You’d be the idol of France with me!

And yet you stand there and shake Your foolish head dramatic’lly. While I wait here so ecstatic’lly You just look and say emphatic’lly Not this season! ! ere’s a reason!

I won’t dance! Don’t ask me;

When they begin the beguine.O yes, let them begin the beguine, make them playTill the stars that were there before return above you,Till you whisper to me once more, “Darling, I love you!” And we suddenly know what heaven we’re in,When they begin the beguine.

I’VE GOT YOU UNDER MY SKINI’ve got you under my skin,I’ve got you deep in the heart of me,So deep in my heart, you’re really a part of me,I’ve got you under my skin.

I tried so not to give in;I said to myself, this a= air never will go so well.But why should I try to resist?When, Darling, I know so well,I’ve got you under my skin.

I’d sacri@ ce anything, come what mayFor the sake of having you near,In spite of the warning voice that comes in the nightAnd repeats and repeats in my ear:

Don’t you know, little fool, you never can win,Use your mentality, wake up to reality,But each time I do, just the thought of youMakes me stop before I beginCause I’ve got you under my skin.

IT’S DE-LOVELYI feel a sudden urge to sing the kind of ditty that invokes the spring So, control your desire to curse while I crucify the verse.! is verse I’ve started seems to me the “Tin Pan-tithesis” of melody,So to spare you all the pain, I’ll skip the darn thingAnd sing the refrain.

! e night is young, the skies are clear,And if you want to go walkin’, dear,It’s delightful, it’s delicious, it’s de-lovely!

I understand the reason why You’re sentimental, ’cause so am I It’s delightful, it’s delicious, it’s de-lovely.

You can tell at a glance what a swell night this is for romance You can hear, dear Mother Nature murmuring low, “Let yourself go!”

So please be sweet, my chickadee,And when I kiss ya, just say to me,“It’s delightful, it’s delicious, it’s delectable, it’s delirious, It’s dilemma, it’s de limit, it’s deluxe, it’s de-lovely.”

Time marches on, and soon it’s plainYou’ve won my heart,It’s delightful, it’s delicious, it’s de-lovely.Life seems so sweet, that we decide,It’s in the bag to get uni@ ed!It’s delightful, it’s delicious, it’s de-lovely.

See the crowd in that church,See the proud parson plopped on his perch,Get the sweet beat of the organ, sealing our doom.

How they cheer and how they smile,As we go galloping down that aisle,It’s divine dear, it’s de-veen, it’s de-wunderbar,It’s de-victory, it’s de-valop, it’s de-vinner,It’s de-voiks, it’s de-lovely!

It’s de-settle down as man and wifeTo solve this riddle called “married life” Oh life is sweet, we have no cares,We’re just a couple of honey bears.All’s as right as can beTill one night at the window I see:An absurd bird with a bundle on his nose;Get baby clothes.

! ose eyes of yours are @ lled with joyWhen nurse appears and cries, “It’s a boy!”He’s delightful, he’s delicious, he’s delectable, he’s delirious, He’s dilemma, he’s de limit, he’s deluxe, he’s de-lovely!

NIGHT AND DAYLike the beat, beat, beat of the tom tomWhen the jungle shadows fall,Like the tick, tick, tock of the stately clockAs it stands against the wall.Like the drip, drip, drip of the raindropsWhen the Summer showers through,So a voice within me keeps repeating You, you, you.

Night and day, you are the one.Only you beneath the moon and under the sunWhether near to me or far, it’s no matter where you areI think of you, day and night, night and dayWhy is it so that this longing for you Follows wherever I go?In the roaring tra> c’s boom an’ in the silence,I think of you, night and day, day and night.Under the hide of me, there’s an oh such a hungry yearning Burning inside of me!And this torment won’t be throughTill you let me spend my life making love to you,Day and night, night and day.

LET’S MISBEHAVEYou could have a great career,Yes you could;And you should.Only one thing stops you dear:You’re too good;Way too good!

If you want a future, darlin’,Why don’t you get a past?’Cause that fateful moment’s comin’ at last...

We’re all alone, no chaperoneCan get our number! e world’s in slumber; let’s misbehave!

! ere’s something wild about you, child,! at’s so contagious