Vol. XCVII, No. 17 Monday, April 4, 2016 HE The Independent Student Newspaper of Boston College www.bcheights.com established Russell Simons and Meredith McCaffrey won the election with 1,137 votes, 442 more than the second place campaign team. Since April 1, students looking to study on weekend nights have a whole library at their disposal. The Office of Student Affairs and O’Neill Library have begun a pilot program that allows for O’Neill to remain open all night on Fridays and Saturdays. In conjunction with UGBC leader- ship, this initiative will allow students to study on the first floor of O’Neill over the next three weekends, until the library begins its end-of-semester exam hours. The 24-hour, seven-days-a-week initiative will differ operationally from regular hours. Jim Kreinbring, director FEATURES Conference comes at crossroads of healthcare and humanities, A10 BEATING HEARTS ARTS & REVIEW Robsham saw the return of the bOp! this last Friday night, B8 THE BOP! AWAKENS SPORTS The brothers Fitzgerald are right at the heart of BC’s National Championship chase, B1 FITZY FRENZY e Elections Committee announced Friday evening that Russell Simons, MCAS ’17, and Meredith McCaffrey, MCAS ’17, will be the 2016-17 Under- graduate Government of Boston College president and executive vice president. Simons and McCaffrey received 1137 votes, 442 votes above Matthew Ulrich, MCAS ’17, and John Miotti’s, MCAS ’17, team. Nikita Patel, CSOM ’17, and Joseph Arquillo’s, LSOE ’17, team came in third place with 668 total votes. Patel and Arquillo’s team was docked 70 votes because of unsolicited Facebook mes- sages concerning the election, Adam Rosenbloom, co-chair of the Elections Committee and MCAS ’16, said. “I think the students got a good op- portunity to hear a bunch of different ideas and really good ideas from very different teams,” Simons said. Both Simons and McCaffrey have been a part of UGBC in the past. Simons currently serves as vice president of student organizations in UGBC, while McCaffrey is a member of the Senate. Simons and McCaffrey, whose cam- paign slogan was “Strength in Unity,” focused their campaign on three goals: quality, inclusivity, and accessibility. Simons and McCaffrey hope to focus on day-to-day improvements for BC student life, while also continuing their support for diversity and inclusion pro- grams on campus. e duo also hopes to increase the transparency of UGBC in the coming year. “Going forward, we hope to engage the other candidates in greater conver- sation about how to accomplish our respective goals for next year, since we hope this will allow students to be more informed in their voting,” Simons said in an email. “We believe in our mission of ‘Strength in Unity,’ and are excited to continue sharing our ideas with the entire student body.” Ulrich and Miotti’s campaign would have worked to increase school spirit through different programming events, and they also wanted to increase conver- sation about mental health on campus. Patel and Arquillo’s team wanted to focus on financial aid reform, support for diversity programs, and create a campus of administrative services in the Office of the Vice President for Student Affairs, said that because only the first floor of O’Neill will be accessible during the pilot weekends, students must enter through the Maloney Hall side of the library in order to gain access. According to Kreinbring, while printers will be available and opera- tional on the library’s first floor, other library services—such as course re- serves and headphones—will not. Also, to placate concerns for the safety of students, the study area will be staffed by a security officer between the hours of 10 p.m. and 9 a.m. “The goal is to provide more late- night study space for students on week- end nights—a suggestion that came from UGBC,” Kreinbring said. Caroline Monnes, Senator on the Campus Improvements Committee and MCAS ’19, noted that UGBC began working on this initiative after reading a column published in November in The Heights, “A Call for Increased Weekend Study Hours and Locations at BC.” The author of the column, Mag- dalen Sullivan, argues that exams and papers are a weekly occurrence, and so students should have the option to study rather than be forced to deal with noisy dorms. “Right now, the library hours repre- sent a surrender of the University to the social life on campus—an acceptance of bad student habits as opposed to striving to fix it,” Sullivan wrote. “It’s not about active campaigning against drinking on the weekend—it’s about simply giving students the opportunity to opt-out.” Much like Kreinbring, Monnes’ goals with the pilot program focus on keeping students’ best interests in mind. Monnes said that this pilot will give students a quiet space on the weekends away from the noise of dorm rooms UGBC Elections <<< See UGBC, A3 Free expression, weight loss, and educa- tion for African immigrants were all high- lighted at this semester’s BC Talks. Modeled after TED Talks, the event was held Sunday night and featured eight Boston College students who were each given 20 minutes and an open platform to discuss issues that were important to them. Monica Coscia, MCAS ’17, started her talk, “e Deafening Silence: Repression of Free Expression at Universities,” with an introductory quote that set the tone for her speech. “I disagree with what you say, but I will defend to the death your right to say it,” Cos- cia said, quoting Evelyn Beatrice Hall. Coscia discussed the presence of free speech on BC’s campus. She referred to the Supreme Court case Tinker v. Des Moines, and highlighted the constitutional rights of students in public schools to free speech. “Free speech is seen the same as violence, to suppress and fear it,” Coscia said. She challenged the audience to break the silence on issues at BC like the Demonstra- tion Policy and Posting Policy, and to look at the movements UGBC is pushing to change these issues. “ere is a certain mode in society that you have to fit in,” Toluwase Oladapo, MCAS ’16, said to start her talk, “e Outer Body Experience: A Talk on Embracing Your Right NOW.” en, Oladapo spoke about her journey to lose 70 pounds the summer before com- ing to BC and her mindset and reasoning while losing the weight. She gave three reasons that she origi- nally tried to lose the weight: to be desirable, to stop being bullied, and to satisfy others. Once she came back to BC she gained back more than what she lost. Oladapo realized that her reasoning for losing the weight was superficial. She kept referring to her “desti- nation happiness.” Now, Oladapo focuses on ignoring society’s mold for women. “If you don’t start in the now, you can never hate yourself to love yourself,” she said. Shalin Mehta, CSOM ’16, began his talk, “Your Network is your Net Worth: Culti- vating Relationships and Discerning Your Passion,” by focusing on how everything revolves around relationships. He outlined four major takeaways that he has discovered in developing networks. First, your network is your net worth. Money, grades, and status come and go while relationships are con- stant. Second, it is never too early to begin making connections, and it will take time. ird, people should ask for help when it comes to relationships. By breaking down the walls of being too proud or too shy, one can develop their strongest self through AMELIE TRIEU / HEIGHTS EDITOR The Undergraduate Government of Boston College passed a resolution to encourage the administration to become more sex-positive, in part by allowing student groups to use funds to distribute sexual education materials or contraceptives. The Student Assembly (SA) debated the issue in its Sunday night meeting. The revised proposal that passed in the SA has two parts: first, the University ought to more publicly dis- seminate materials regarding sexual assault, and second, student groups should be able to use their own funds to provide contraceptives or materials on sexual education. While its proposal provided no concrete changes for the future of UGBC, Collin Pratt, class of 2017 senator, director of policy for the GLBTQ Leadership Council, and MCAS ’17, said the SA hopes to set a formal state for the institution that provides direction and stance for the future of the advocacy body. The debate opened with a statement from Pratt explaining the mission of the resolution and introducing its operative text. In his formal written proposal, Pratt stressed that “a large community, if not a majority of the student body” is sexually active and therefore in need of sexual resources, ranging from educational resources, safe spaces for dialogue, and contraception. Following Pratt’s initial presentation of its mission, the proposal’s co-spon- sors delivered a statement on the pro- posal. Both co-sponsors, Meredith Mc- Caffrey, MCAS ’17, and Connor Kratz, MCAS ’18, stressed that this motion did not conflict with the University’s Jesuit ideals. “This is not a debate about whether students should or should not have premarital sex,” Kratz said. “It’s an acknowledgement that it is happening at BC, and that we need to care about those student’s safety.” McCaffrey, the executive vice presi- dent-elect, echoed his sentiment, stat- ing that a large part of the Jesuit identity is caring for the whole person. “For a lot of people, that includes sexuality and being able to talk about sexual health,” McCaffrey said. In the meeting, senator Hagop Toghramadijan, MCAS ’17, proposed an amendment to the original resolu- See Library, A3 See Sexual Health, A3 See BC Talks, A10 JULIA HOPKINS / HEIGHTS EDITOR
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Vol. XCVII, No. 17 Monday, April 4, 2016
HEThe Independent
Student Newspaperof Boston College
www.bcheights.com
e s t a b l i s h e d
Russell Simons and Meredith McCaffrey won the election with 1,137 votes, 442 more than the second place campaign team.
Since April 1, students looking to
study on weekend nights have a whole
library at their disposal. The Office of
Student Affairs and O’Neill Library
have begun a pilot program that allows
for O’Neill to remain open all night on
Fridays and Saturdays.
In conjunction with UGBC leader-
ship, this initiative will allow students
to study on the first floor of O’Neill
over the next three weekends, until
the library begins its end-of-semester
exam hours.
The 24-hour, seven-days-a-week
initiative will differ operationally from
regular hours. Jim Kreinbring, director
FEATURESConference comes at crossroads of healthcare and humanities, A10
BEATING HEARTSARTS & REVIEWRobsham saw the return of the bOp! this last Friday night, B8
THE BOP! AWAKENSSPORTSThe brothers Fitzgerald are right at the heart of BC’s National Championship chase, B1
FITZY FRENZY
Th e Elections Committee announced
Friday evening that Russell Simons,
MCAS ’17, and Meredith McCaff rey,
MCAS ’17, will be the 2016-17 Under-
graduate Government of Boston College
president and executive vice president.
Simons and McCaff rey received 1137
votes, 442 votes above Matthew Ulrich,
MCAS ’17, and John Miotti’s, MCAS
’17, team. Nikita Patel, CSOM ’17, and
Joseph Arquillo’s, LSOE ’17, team came
in third place with 668 total votes. Patel
and Arquillo’s team was docked 70 votes
because of unsolicited Facebook mes-
sages concerning the election, Adam
Rosenbloom, co-chair of the Elections
Committee and MCAS ’16, said.
“I think the students got a good op-
portunity to hear a bunch of diff erent
ideas and really good ideas from very
diff erent teams,” Simons said.
Both Simons and McCaff rey have
been a part of UGBC in the past. Simons
currently serves as vice president of
student organizations in UGBC, while
McCaff rey is a member of the Senate.
Simons and McCaff rey, whose cam-
paign slogan was “Strength in Unity,”
focused their campaign on three goals:
quality, inclusivity, and accessibility.
Simons and McCaff rey hope to focus
on day-to-day improvements for BC
student life, while also continuing their
support for diversity and inclusion pro-
grams on campus. Th e duo also hopes
to increase the transparency of UGBC
in the coming year.
“Going forward, we hope to engage
the other candidates in greater conver-
sation about how to accomplish our
respective goals for next year, since we
hope this will allow students to be more
informed in their voting,” Simons said
in an email. “We believe in our mission
of ‘Strength in Unity,’ and are excited
to continue sharing our ideas with the
entire student body.”
Ulrich and Miotti’s campaign would
have worked to increase school spirit
through diff erent programming events,
and they also wanted to increase conver-
sation about mental health on campus.
Patel and Arquillo’s team wanted to
focus on fi nancial aid reform, support for
diversity programs, and create a campus
of administrative services in the Office
of the Vice President for Student Affairs,
said that because only the first floor of
O’Neill will be accessible during the
pilot weekends, students must enter
through the Maloney Hall side of the
library in order to gain access.
According to Kreinbring, while
printers will be available and opera-
tional on the library’s first floor, other
library services—such as course re-
serves and headphones—will not. Also,
to placate concerns for the safety of
students, the study area will be staffed
by a security officer between the hours
of 10 p.m. and 9 a.m.
“The goal is to provide more late-
night study space for students on week-
end nights—a suggestion that came
from UGBC,” Kreinbring said.
Caroline Monnes, Senator on the
Campus Improvements Committee
and MCAS ’19, noted that UGBC began
working on this initiative after reading a
column published in November in The
Heights, “A Call for Increased Weekend
Study Hours and Locations at BC.”
The author of the column, Mag-
dalen Sullivan, argues that exams and
papers are a weekly occurrence, and
so students should have the option to
study rather than be forced to deal with
noisy dorms.
“Right now, the library hours repre-
sent a surrender of the University to the
social life on campus—an acceptance
of bad student habits as opposed to
striving to fix it,” Sullivan wrote. “It’s
not about active campaigning against
drinking on the weekend—it’s about
simply giving students the opportunity
to opt-out.”
Much like Kreinbring, Monnes’ goals
with the pilot program focus on keeping
students’ best interests in mind.
Monnes said that this pilot will give
students a quiet space on the weekends
away from the noise of dorm rooms
UGBC Elections <<<
See UGBC, A3
Free expression, weight loss, and educa-
tion for African immigrants were all high-
lighted at this semester’s BC Talks. Modeled
after TED Talks, the event was held Sunday
night and featured eight Boston College
students who were each given 20 minutes
and an open platform to discuss issues that
were important to them.
Monica Coscia, MCAS ’17, started her
talk, “Th e Deafening Silence: Repression
of Free Expression at Universities,” with
an introductory quote that set the tone for
her speech.
“I disagree with what you say, but I will
defend to the death your right to say it,” Cos-
cia said, quoting Evelyn Beatrice Hall.
Coscia discussed the presence of free
speech on BC’s campus. She referred to the
Supreme Court case Tinker v. Des Moines,
and highlighted the constitutional rights of
students in public schools to free speech.
“Free speech is seen the same as violence,
to suppress and fear it,” Coscia said.
She challenged the audience to break the
silence on issues at BC like the Demonstra-
tion Policy and Posting Policy, and to look at
the movements UGBC is pushing to change
these issues.
“Th ere is a certain mode in society that
you have to fi t in,” Toluwase Oladapo, MCAS
’16, said to start her talk, “Th e Outer Body
Experience: A Talk on Embracing Your
Right NOW.”
Th en, Oladapo spoke about her journey
to lose 70 pounds the summer before com-
ing to BC and her mindset and reasoning
while losing the weight.
She gave three reasons that she origi-
nally tried to lose the weight: to be desirable,
to stop being bullied, and to satisfy others.
Once she came back to BC she gained back
more than what she lost. Oladapo realized
that her reasoning for losing the weight was
superfi cial. She kept referring to her “desti-
nation happiness.” Now, Oladapo focuses on
ignoring society’s mold for women.
“If you don’t start in the now, you can
never hate yourself to love yourself,” she
said.
Shalin Mehta, CSOM ’16, began his talk,
“Your Network is your Net Worth: Culti-
vating Relationships and Discerning Your
Passion,” by focusing on how everything
revolves around relationships. He outlined
four major takeaways that he has discovered
in developing networks. First, your network
is your net worth. Money, grades, and status
come and go while relationships are con-
stant. Second, it is never too early to begin
making connections, and it will take time.
Th ird, people should ask for help when it
comes to relationships. By breaking down
the walls of being too proud or too shy, one
can develop their strongest self through
AMELIE TRIEU / HEIGHTS EDITOR
The Undergraduate Government
of Boston College passed a resolution
to encourage the administration to
become more sex-positive, in part by
allowing student groups to use funds to
distribute sexual education materials or
contraceptives. The Student Assembly
(SA) debated the issue in its Sunday
night meeting.
The revised proposal that passed
in the SA has two parts: first , the
University ought to more publicly dis-
seminate materials regarding sexual
assault, and second, student groups
should be able to use their own funds
to provide contraceptives or materials
on sexual education. While its proposal
provided no concrete changes for the
future of UGBC, Collin Pratt, class of
2017 senator, director of policy for the
GLBTQ Leadership Council, and MCAS
’17, said the SA hopes to set a formal
state for the institution that provides
direction and stance for the future of
the advocacy body.
The debate opened with a statement
from Pratt explaining the mission of the
resolution and introducing its operative
text. In his formal written proposal,
Pratt stressed that “a large community,
if not a majority of the student body”
is sexually active and therefore in
need of sexual resources, ranging from
educational resources, safe spaces for
dialogue, and contraception.
Following Pratt’s initial presentation
of its mission, the proposal’s co-spon-
sors delivered a statement on the pro-
posal. Both co-sponsors, Meredith Mc-
Caffrey, MCAS ’17, and Connor Kratz,
MCAS ’18, stressed that this motion
did not conflict with the University’s
Jesuit ideals.
“This is not a debate about whether
students should or should not have
premarital sex,” Kratz said. “It’s an
acknowledgement that it is happening
at BC, and that we need to care about
those student’s safety.”
McCaffrey, the executive vice presi-
dent-elect, echoed his sentiment, stat-
ing that a large part of the Jesuit identity
is caring for the whole person.
“For a lot of people, that includes
sexuality and being able to talk about
sexual health,” McCaffrey said.
In the meeting , senator Hagop
Toghramadijan, MCAS ’17, proposed
an amendment to the original resolu-
See Library, A3
See Sexual Health, A3 See BC Talks, A10
JULIA HOPKINS / HEIGHTS EDITOR
THE HEIGHTS
On Monday, film director Hubert Sauper will be showing his new documentary, We Come as Friends, about colonial-ism, war, and business in Africa today, in Devlin Hall 101 at 5:30 p.m. A discussion and question-and-answer session will follow. 1
Kristin Heyer will talk about contributions that scripture and the Catholic social tradition offer the immi-gration dialogue on Tuesday. The event, which is sponsored by the Boisi Center for Religion and American Public LIfe, will be held on Tuesday at 12 p.m. on 24 Quincy Rd., Boisi Center. 2
Monday, April 4, 2016 A2
On Wednesday, Afaa Michael Weaver, a poet and playwright who writes about love and so-cial justice, will talk about his career path at 7 p.m. in Devlin 101. The lec-ture, which will address Weaver’s childhood poverty, is a part of the Lowell Humanities Series.
UGBC Senator Meredith McCaffrey hoped to open up a dialogue concerning sex on campus at the Student Assembly debate.
AMELIE TRIEU / HEIGHTS EDITOR
—Jim Kreinbring, director of administrative services in the Office of the Vice President for Student Affairs
O’Neill Library is now open all night on Fridays and Saturdays, beginning on April 1.SAVANNA KIEFER / HEIGHTS EDITOR
Simons and McCaffrey, whose campaign slogan was “Strength in Unity, focused their campaign on quality, inclusivity, and accessibility.
JULIA HOPKINS / HEIGHTS EDITOR
tive text, combining both sides of the
debate’s contributions in one final
argument.
The final proposal stated that sex
positivity is defined as the right to be
open about one’s own sexual choices and
the responsibility to respect other peo-
ple’s sexual choices. This includes every
individual and group being allowed to
promote and stand by their own beliefs
and choices about sexuality.
Pratt also included part of Toghra-
madijan’s proposal: the administration
should strengthen its efforts against
sexual assault and release a public state-
ment outlining the resources available
to survivors and the process in place for
addressing perpetrators.
Notably, the final version of the pro-
posal also encouraged the University to
allow student groups to use their own
funds to pay for materials on sexual
education.
The final amendment, and in turn the
proposal, passed unanimously among
non-abstaining members of the Senate.
“For too long UGBC has remained
silent on the topic of sexual health and
education and silently consented to the
values of the institution,” Pratt said.
THE HEIGHTS A4 Monday, April 4, 2016
KELSEY MCGEE / HEIGHTS EDITOR
Fifteen girls, two years, and one court.
A relatively new team on the Heights,
Boston College women’s club basketball is
ringing in its second year in considerable
style—a trip to nationals for the first time
later this month.
After going through the process of be-
coming an official club team last year, the
team is well into its second year and put-
ting up consistently strong performances.
Comprised of 15 girls, 12 of whom play
and travel with the team, it is a tight-knit
group on and off of the court.
“We have a lot of fun, probably too
much fun,” Jenn Cillis, team treasurer and
MCAS ’16 said. “We joke around a lot. It’s
intense but not too intense.”
Speaking to that intensity is the con-
siderably long season in which the team
is competitively active. Beginning with
tryouts in October every year, the team
practices continuously throughout the
winter and into the early spring, ultimately
culminating in April’s tournament season.
With sights set on the future, the potential
for a second round of tryouts early in the
second semester is currently under consid-
eration by the team’s executive board.
Though the season is long, spanning
practically the entire academic year, be-
ing one of the newest club teams at BC
makes for an active and fresh environ-
ment with a young group of players. The
potential for growth is huge, and as the
team gains momentum toward becoming
a well-established club sport, many of the
returning players continue to take on es-
sential administrative duties and expand
the e-board.
Current point guard Martha Veroneau,
CSON ’17, started the team alongside
Maria Ferrari, BC ’15, in the spring of
2014. It initially began as an intramural
team that went to the club tournament and
greatly exceeded expectations, ultimately
reaching the championship game. The
following semester, fall of 2014, the team
was granted club status and has continued
to grow in talent ever since. The level of
play is in between that of intramural and
varsity, and many of the girls involved
played competitively at the high school
level but have ambitions to continue play-
ing at a collegiate level.
Following the founding of the men’s
club basketball team the year before,
there was immediately an overwhelming
interest in expanding club basketball to
include a women’s team. The reception
was very positive, and the level of talent
that the team attracted was appropriately
quite high.
The competitive tone was set immedi-
PHOTO COURTESY OF CATHERINE VERONEAU
LAYLA ABOUKHATER
Ed. note: In 2014, Layla Aboukhat-
er, like many Syrians, packed up her
life and escaped from the violence of
her home city, Aleppo, in search of a
peaceful existence. This exodus led her
to the United States and ultimately to
Boston, where she quickly applied and
was accepted into the class of 2018 at
Boston College.
At 3:15 a.m. I woke up to the most
beautiful sound: beeping. That beep
beep beep of the washing machine
would go on every time the power
went back on. I knew there would be
at least another 45 minutes of electric-
ity. As opposed to other cities in Syria,
in Aleppo no one knew when the
power would come on or go out, but it
was always at the hour mark.
To say that I jumped out of bed
would be an exaggeration. Sleeping
over two woolen sheets and under
four thick blankets, it took me a while
to untangle myself from the blan-
ket fortress I usually slept in during
the colder months. I rushed to the
kitchen, put a pot of water over the
electric stove and hurried to look at
my electric to-do list for the day. I
was hoping to get everything done
as fast as possible, to use whatever
time that was left before the power
went out again to continue Game of
Thrones.
The day before, the power went out
just as I was 10 minutes into a Game
of Thrones episode—things were get-
ting intense, and my man Jon Snow
was in trouble. I tossed and turned
that night, not because of the nearby
shelling and ground-shaking missile
strikes—you get used to that. What
you don’t get used to is how many
times dear Jon ends up in near-death
situations, so I lay there worrying
about him, and about Bordeaux.
Bordeaux was where we usually
went to party, and we had a party
there the next night, and I desperately
needed some electricity to prepare
myself. So motivated by my need to
look on-point that night while also
having some extra time before the
power went out again to check on Jon,
I started plugging in all my electronic
devices to charge. Next I printed out
eight copies of “50 Shades of Mad-
Libs” for the sleepover after the party,
a fail-proof way to pee your pants
laughing. I turned on the electric
heater and directed it on an upturned
chair, on which my damp laundry
hung. Next: beautifying. I turned on
the flat iron in an attempt to straight-
en my wild hair for the upcoming
party, and attacked my constantly
growing unibrow with the tweezers
while the iron heated.
I usually don’t put myself through
the excruciating pains of hair straight-
ening, but that day I had calculated
that the party wasn’t going to be a hot,
sweaty one. It was December, freezing
outside, and whatever electricity the
generators were going to muster up
was going to be used for the lights, the
surround sound system, and mak-
ing sure that the bar was bright to
attract as many customers as possible
because the unenforced drinking age
was 18. No power would be wasted
on heating, which was perfectly fine,
because I knew that the masses of
YOLOers like me would warm the
place with body heat as we danced to
the usual mix of Arabic and English
music. One moment we’re singing
along with Mohamad Iskandar as he
exuberantly serenades the woman who
reigns his heart, next we join Sia as
she screams about being bulletproof.
Looking back, I’m glad ISIS didn’t take
us too literally.
As I straightened my hair, typi-
cally, my dad walked in just as Renly is
going down on Loras. I burnt myself
with the flat iron trying to switch off
the show quickly, but I don’t think I
was fast enough. After he turned on
the water pump, which I always forgot
to do, he awkwardly said goodnight
and went back to bed. I got to see
Arya rescue A Man, aka Jaqen H’ghar.
In retrospect, I wish she had left
him to burn. But the power went out
before I could see the last 10 minutes
of the episode, leaving me worrying
about Arya’s fate now—another sleep-
less night. Keeping up with the Starks
was taking its toll on me.
I accepted my defeat and decided
to call it a night. I went to get my
clothes hoping they had enough time
to dry, only to find that the cat and the
dog thought the makeshift drying rack
was a nest for them, so I pulled out my
now not only damp, but fur-covered
clothes from underneath their groggy
butts. The water was ice cold because
in my hurry I forgot to turn the stove
on, so I decided to skip the shower.
Besides, I could shower at my friend’s
house—she owed me three showers
so far. At this point my hair was half
straight, half electrical-shock style, my
laundry was soaking wet, covered in
fur, and smelled like wet dog, and my
dad thought I was into medieval gay
porn. Perfect.
I dug back into my blanket fortress,
hoping to sweat off the straight half
of my hair, and fell into a fitful sleep
dreaming about Jon Snow straighten-
ing his beautiful, messy, black locks
that caused The Wall to melt, and
The Islamic State of White Walkers
charged in and bombed everyone with
RPGs and wildfire.
But other than the bad dreams,
everything went well that Saturday
night: we partied—hard—my hair
was a mess (but let’s face it, that’s
just how I look), and we drank cheap
vodka mixed with pineapple juice. As
usual, we sang along with Iskandar
and Sia, peed our pants with laughter
during the sleepover, and Sunday was
morning Mass and then cramming for
upcoming tests—life just went on as
usual.
A few days later, a funeral proces-
sion for a fallen soldier went through
our street, shooting their kalash-
nikovs into the air, and a kid got hit
with a cold bullet and died. A funeral
and two midterms later, the Aleppo
University bombings took place at the
architectural school down the street
from my home. We got off easy, some
of our windows and doors burst out of
their frames, and my mom and Roxy,
our lab, who were in the garden, were
able to run inside before the hail of
rocks and debris covered where they
had been. But the bombings killed at
least 82 people, including students
and children. For two days people
were searching for a Carmelite nun
and the kid who ran errands for the
local supermarket, both of whom
had disappeared around the time of
the bombing. People were hoping to
find them misplaced in a hospital or
to find their remains. But nothing
was found of the nun because there
nothing was left to be found— she
happened to be right at the detonation
spot. As for the boy, his remains were
found on the roof of a nearby build-
ing. This all happened on the first day
of final exams. They got pushed back
two weeks, but afterward we went to
another party celebrating the end of
the delayed exams—life just went on
as usual.
Back to the present, and it’s three
weeks until the season six premiere,
three more weeks filled with anxiety
about Jon Snow’s fate again. But this
time I’m in the States, where the pow-
er situation is more reliable, and I’m
actually looking forward to being able
to watch an entire bloody episode in
one sitting. I’m at Boston College now,
where most of the action in my life is
courtesy of drunk seniors setting Iggy
on fire every other week, Netflix, the
BC movie Web site and the Fenway
Regal theater, where I get my healthy
dose of violence, gun shooting, and
explosions from movies like The 13th
Hour and Deadpool, from the safety of
the very comfy reclining chairs.
So yes—compared to Syria, it is a
bit safer and, therefore, lame, but if
you take the danger thrill away, it’s
exactly the same—underage drink-
ing and sweaty kids crammed into an
overcrowded space with cheap vodka
and awesome music.
Strong underclassman talent and senior leadership make the women’s club basketball team a formidable force on the court.
ately at its inception as a club sport—35
extremely qualified girls tried out for only
18 spots. This initial competitiveness
continues to grow and develop as the
team does, and the team boasts a group of
extremely active athletes, many of whom
participate in intramural teams as well.
Among the nuances of being a new
club team, open tryouts attracted players
from all grades, noted Cillis. Being an up-
perclassmen and participating in a newer
sport with no definitive precedent to work
with was, in her words, unexpected. Being
a junior leader on a competitive team has
been a novel and learning experience.
“Not a ton of seniors are on the team,”
Cillis said. “And not a lot of people get to
do that junior year.”
Despite this unique structure of senior-
ity that is indicative of the team’s infancy,
the athletes on the younger end of the
spectrum show a remarkable amount of
promise. It is understood that the key to
longevity is underclassman talent, and in
this regard the future is bright.
“We have a really strong group, espe-
cially freshmen,” Veroneau said. “They are
all coming off of their senior seasons of
high school basketball.”
Also crucial to the the team’s hot start
and continued success is its leadership
on the coaching and administrative side
of the ball.
At the helm as coach is Margaret
Brown, BC ’12, an older sister to team
members Martha and Catherine Veroneau
known for her intense and highly motiva-
tional halftime speeches. Though this po-
sition is Brown’s first coaching experience,
her basketball resume boasts a plethora
of intramural basketball championships
during her time at BC.
Also on the administrative side of
things, the e-board consists of president
Amanda Dames, LSOE ’16, vice president
Shea North, CSON ’18, treasurer Jenn Cil-
lis, MCAS ’16, and secretary Kara Foley,
MCAS ’17, as well as a team of campus
representatives.
As is the case with many club teams,
however, this structure of administration
doesn’t necessarily translate to a hierar-
chy within the team. When it is out on
the hardwood, everyone has an equally
important role.
“We are there to formally organize
stuff,” North said. “It isn’t divided at all.”
In addition, tryouts occur annually, and
there are no guaranteed spots for return-
ing players, even for former members of
the e-board. This competitive atmosphere
and rate of turnover creates a fluid and
dynamic atmosphere in which everyone
is treated equally on the team.
As far as competition is concerned, the
team competes mostly locally—Boston
University, Harvard University, Northeast-
ern University, and similar schools in the
Boston area are their primary opponents.
This competition takes place within the
National Intramural-Recreational Sports
Association (NIRSA) league, a national
governing body for club-level intercol-
legiate athletics.
The team’s guaranteed spot in NIRSA
Nationals comes after a recent victory over
rival BU in the championship game of the
NIRSA Regional Tournament at BU this
past March.
Though this qualification for the na-
tional tournament is impressive, it merely
follows a precedent set by last year’s debut
team. Last year’s team was able to secure
a spot in the national tournament, but it
did not have the funding to make the trip
due to its insufficient budget as a small,
first-year club team.
This year, however, things are differ-
ent. Properly funded and determined to
make a name for themselves, all sights are
firmly set on NIRSA Basketball Champi-
onships.
The team will travel to Ohio State
University from April 22 through 24 to
represent BC on the national stage.
The goal, in short?
“We plan to reel in the hardware, all
while finessing,” North said.
THE HEIGHTSThursday, January 17, 2014 B5
COMMUNITYHELP WANTED
$$ SPERM DONORS WANTED $$Earn up to $1,500/month and give the gift of family through Cal i fornia Cryobank’s donor program. Convenient Cambridge location. Apply online: SPERM-BANK.com.
Personal Assistant Needed ASAP.Work three times a week,$650/weekly. Computer skills are a must, detailed oriented.Lil errand is required.Apply email:[email protected]
HIRING
THE HEIGHTSThursday, January 17, 2014 B5THE HEIGHTS Monday, April 4, 2016A6
THE HEIGHTS A7Monday, April 4, 2016
JULIA HOPKINS / HEIGHTS EDITOR
Ian Appel, assistant professor of fi nance
at the Carroll School of Management, is
fi ghting for the little guy. His most recent
paper, titled “Passive Investors, not Passive
Owners,” challenges the traditional percep-
tion of “passive investors” in the fi nancial
marketplace and is awaiting publication in
Th e Journal of Financial Economics. Co-written with the University of
Pennsylvania’s Wharton School of Business
faculty members Todd Gormley and Don-
ald Keim, the paper and its authors have
been recognized with signifi cant praise by
the Investor Responsibility Research Center
Institute (IRRCI).
The paper pushes back against the
traditional notion that people who invest
their retirement funds and other forms of
monetary wealth in large, passive institu-
tions like The Vanguard Group, which
hold trillions of dollars in assets acquired
through investors’ money and then invest
in other fi rms, hold little infl uence when it
comes to the corporate governance of the
fi rms that this money fi nds its way to.
“Th e paper is looking at these passive
investors,” Appel said. “Th ere’s a perception
among many people that these investors
don’t really matter in terms of how com-
panies are run, and so what we’re showing
in this paper is that they actually play an
important role.”
Appel explains that individuals who
invest their wealth in massive passive
institutions like Vanguard actually hold
more infl uence than traditionally thought,
and that this is a part of the reason why this
paper has gotten such liberal coverage and
positive attention.
“A big part of the jobs of me and my col-
leagues is doing research,” Appel said. “We
want to do really good research, and I think
it’s good for the school and so I think, not
just limited to this paper, that discoveries
and research like this are very important
to the University as a whole.”
Appel’s work has been nationally recog-
nized by professors at Harvard Law School,
Bloomberg, and the Wall Street Journal,among others, and has been presented at
many of the best business schools in the
nation.
Th ere are also broad implications that
this new method of thinking could have
around the world.
“Th ere is a growing trend towards lots
and lots of people investing their money
with institutions like Vanguard, and we
question what eff ect this has on the com-
panies that Vanguard invests in,” Appel said.
“And there’s this thinking that this could be
good for companies or this could be bad for
companies.”
Th ese passive investors were tradition-
ally believed to hold a lot less infl uence
than those who could buy and sell bigger
portions of stock in a fi rm itself, coined
“active investors.”
Appel explained that institutions’ con-
trol of assets worth almost as much as the
GDP of the world’s wealthiest nations has a
signifi cant impact that must be addressed.
“We’re showing that, at the end of the
day, there is a significant effect on the
corporate governance of how companies
are run because institutions like Vanguard
are playing an increasingly bigger role,” he
said.
CSOM Professor Ian Appel’s publication has received national acclaim for its comprehensive look at investor behavior.
KELSEY MCGEE / HEIGHTS EDITOR
Abrahamic religious texts—The
Bible, The Quran, and The Torah—are
often incorrectly cited to justify any
controversial action and give these ac-
tions a spot in the realm of “political
correctness.” Some behaviors, because
of common misconceptions rooted in
the improper citation and interpreta-
tion of the Abrahamic religious texts,
have developed a negative stigma.
Certain groups of people have been
mistreated and discriminated against
over interpretations of content within
the Abrahamic religious texts. Michael
Davidson, a Jesuit involved in Boston
College Campus Ministry, examines the
relationship between his fellow Jesuits
and the greater BC student body.
Born in Kingston, Jamaica, Davidson
was introduced to Catholicism by at-
tending church with other members of
his community, though his own family
was not religious.
We had a short conversation about
his job and his role campus ministry. I
cut the conversation off to progress to
an issue that has been close to my heart
for some time. I asked him about his
views on the LGBTQ community here
on campus. After countless encounters
with people who identify as LGBTQ,
I have listened to a plethora of heart-
wrenching stories, stories of hatred and
deprecation.
The LGBTQ community and the
Catholic community have historically
been at odds with each other, but Da-
vidson believes it is his role as a Jesuit in
the 21st century to serve as a mediator
between the two parties.
“Well, I think , like every other
student, they are students of Boston
College, and I don’t see them as any dif-
ferent,” Davidson said. “I mean, I don’t
care about people’s sexual preference.
I’m here to serve all people.”
This, to me, seemed like the proper
answer, the right answer. But it seemed
rehearsed. It was too politically cor-
rect. The dialogue of LGBTQ accep-
tance has been perpetuated for many
years, requiring tireless efforts and
even government intervention. Even
at acclaimed schools such as BC, many
refuse to respect the preferences of
others, using the content in religious
texts as their justification to degrade. I
wanted to know what Davidson really
thought about the LGBTQ community
here on campus.
“Our belief is founded in the Gospel,”
Davidson said. “Ignatius asked us to
find God in all things. And of course
there are some Jesuits who are liberal
and some who are conservative, but the
main fact is that all Jesuits are compan-
ions of Jesus.”
Davidson went on to explain that
this companionship with Jesus should
act as a bridge or facilitator for other
human relationships. Rather than alien-
ate people, this relationship with Jesus
is meant to unify—to lay a foundation
for fundamentally meaningful connec-
tions.
“When you’re a companion of Jesus,
you build a relationship, and that rela-
tionship helps you build other relation-
ships out of love,” he said. “It can’t be
built out of fear. It can’t be built out of
hate. It can’t be built on distrust. It can’t
be built on suspicion or judgement.”
Davidson, as well as other Jesuits, set
the example for the campus philosophy
as a whole. Davidson emphasizes that
Jesuits should not be confined to the
closed-minded stereotype to which they
often fall victim, just as he hopes that
other demographics are understood to
be a diverse group of individuals.
For those who currently struggle
with their sexual orientation and feel
negative external pressures, Davidson
has a message.
“I think that they have not come
to love themselves and to value them-
selves,” he said. “Like I said to you, you
cannot change other people—and if you
continue to let the people around you
not allow you to love yourself, then you
will live a very unhappy life. And God
didn’t call us to be unhappy. He created
us, and he wants us to be happy.”
Davidson used an analogy to sum up
how he believes the world should act in
light of disagreement or controversy,
effectively summarizing what Jesuits
and BC stand for and explaining why
love is a power.
“For example, [let’s say you don’t
like your boss],” Davidson said. “You’re
not going to sit there and say [‘I hate
my boss’]. You are going to say to your-
self, ‘All right, I can change me. I can’t
change him.’”
To Davidson, a healthy discourse
within oneself is crucial to building and
maintaining genuine and caring exter-
nal relationships with the people we
surround ourselves with. To be loving
in thought is just as important as it is
to be loving in action, and the two are,
undoubtedly, directly correlated.
“Making noise is feeding into that
particular [aggressive] type of behavior,”
Davidson said. “If he’s mean to me, I’m
not going to be mean to him.”
Davidson encourages people to
acknowledge when they are faced with
antagonism.
“I want to show him kindness. Love
begets love.”
To start, a quick PSA: if any col-
lege-aged student overhears his or
her parents talking about a long-haul
drive to Florida for the winter—shut
it down.
With the graduation of my younger
brother last year, I am most certainly
hearing these grumblings and, regret-
tably, I didn’t act fast enough.
This past winter, my parents made
the retirement-aged pilgrimage to
Southern Florida for what I thought
was a brief stint of three months.
Coming from a place where the
long-term Florida resettlement of
empty-nesters is as common as Equi-
nox memberships, I was aware of the
inherent dangers of this “trial” trip.
Countless friends who had ex-
perienced the reality of having their
parents vacate their childhood home
warned me of the long-term impli-
cations of this first foray into the
Sunshine State.
I can even remember the ignorant
bliss of helping my friend pack up his
childhood when his newly empty-
nester parents made the definitive
decision to permanently vacate his
local address and make the migration
to warmer climes.
For me, deciding whether to keep
or discard his childhood artwork was
an entertaining afternoon activity, but
I realize now that for him it was more
of a closing of a chapter in his life.
But again, I was pretty fearless
at the time—my parents had it too
good back home, and the dog, who
had more of a say in this matter than
my brother and me combined, would
definitely never approve.
So it came to pass, and between
semesters my brother and I found
ourselves thoughtlessly packing a
winter’s worth of clothing and gear
into the family car for a nearly 1,300-
mile journey south.
As we affixed the bike rack and
picked up the dog’s Xanax prescrip-
tion from the pharmacy (no, actually),
I can confidently say that the thought
of our days in Connecticut beginning
to be numbered never occurred to us.
As the mile markers and exits on
I-95 became less familiar and the air
around us slowly became warmer, I
started to think back to the uninhabit-
ed house that had long since departed
from our rearview mirror.
For the next three months, the only
activity within those walls in which I
grew into myself would be the product
of timers on lamps and the heat set on
a low hum.
Almost like a life-support system
for a house, the heat would be just
warm enough to prevent the pipes
from freezing.
The twice-a-day flick of the lights
and the low purr of the boiler were
finally starting to hit me. The thought
that this year those walls would miss
out on birthday cakes from our favor-
ite bakery and brightly colored Easter
pants began to haunt me.
It occurred to me that our mail
forwarding would mean that even the
mailbox would spend three months
without human touch. The same
mailbox in which I received my first
report card, or my first paycheck,
or even my acceptance letter to my
dream school would remain cold and
empty for the first time in my 20 years
of existence.
At that moment, the big envelope
from BC that arrived three years ago,
the envelope that began the slow two-
person exodus from the house, began
to seem more like a death sentence.
This train of thought was inter-
rupted by a fit of rhythmic highway
sleep, and, looking back, the same fit
of sleep kept it off my mind for the
duration of my short stay in Florida
with my family.
The warm sun and wide spectrum
of bright colors that Connecticut
lacked at the time kept me woe-
fully unaware of the life I was leaving
behind, and the rhythmic waves of the
ocean lulled me into a trance.
I flew out of the small local airport
and watched paradise shrink below
me, and with that ascension I woke
from this trance and remembered my
life, past and future, just a few degrees
of latitude north.
Though now, my mind a little more
tanned and a little more salt-washed,
had never felt farther away.
For the time being, my childhood
house is in the clear. The Florida
experiment was merely a rental, and,
like my brother and I, my parents with
their bike rack and my dog with her
Xanax made the trek back to those
empty walls. For one more spring and
summer, there will be lights and cakes
and flip-flops.
I suppose that all of these things
exist where family is, but still, the
sentimentalist in me cannot help but
wonder—whose report cards and
paychecks and acceptance letters will
inhabit that mailbox this time next
year?
THE HEIGHTS Monday, April 4, 2016A8
HEIGHTSTh e Independent Student Newspaper of Boston College
THE
“Those who dream by day are cognizant of many things which escape those who dream only by night.”
-Edgar Allen Poe, Eleonora
QUOTE OF THE DAY
Th e Heights reserves the right to edit for clarity, brevity,
accuracy, and to prevent libel. Th e Heights also reserves the
right to write headlines and choose illustrations to accom-
RT Numbers to Know ACC Football Standings Quote of the Week
Getting on the southbound
bus to Virginia, Boston College
lacrosse knew it was in for a
fight, as it is with most confer-
ence adversaries. This week’s
opponent: the Virginia Cavaliers,
a team that, like BC (6-5, 1-4
Atlantic Coast), has struggled
to find conference wins this
season.
As the season begins to reach
its final stretch, this was a great
opportunity for both teams to
notch a conference win. No. 10
BC had its opportunity to add
its second conference win of the
season on Saturday but failed.
The Eagles came into the
game fresh off of a loss at home
in a barnburner to the UNC
Tar Heels, and looked to re-
gain some momentum against
No. 15 Virginia (6-6, 1-4) in
Charlottesville, Va. Winning in
Klockner Stadium is a tall order
under any circumstances, and
BC had to fight hard to keep the
game close.
In this high-scoring shoot-
out, BC found itself playing
catch-up from the beginning,
as the Cavaliers struck early
and often in each half to extend
their lead. And while the Eagles
battled back fiercely, UVA held
on just enough to seal the vic-
tory, beating the Eagles by a
score of 15-14.
The scoring started very early
on in this matchup, with UVA
drawing first blood a mere 13
seconds into the game with a
goal from Maggie Jackson. Seven
minutes passed before Jackson
notched her second goal of the
game for the Cavaliers, giving
UVA a 2-0 lead. Caroline Mar-
golis responded for BC three
minutes later, scoring her first
goal of the game. UVA and BC
then exchanged goals, keeping
the score close at 3-2. BC also
posted two more goals in the
half, but only to be outdone by
three UVA goals that brought
an end to the half, with a score
of 6-4.
The second half featured
an offensive breakout by both
teams. UVA again struck first,
posting the first three goals of
the half. But the Eagles broke the
Cavalier’s 4-0 run with a goal by
Kenzie Kent. This didn’t disrupt
the UVA offense, however, and
the Cavaliers poured on another
three goals to lengthen their lead
to 12-5.
But BC came alive and began
its response with three goals,
two of which came off the stick
of Kate Weeks. Jackson scored
again for the Cavaliers, but the
Eagles then went on their biggest
run of the game, scoring four
straights goals. Sarah Mannelly
scored two unassisted goals dur-
ing the streak to bring BC within
one goal of tying the game, set-
ting the score at 13-12.
But two more UVA goals
followed, the second following
the first by only 51 seconds,
and the latter goal would prove
to be the game winner for the
Cavaliers. But BC also posted
two more goals before the end
of the game, courtesy of Tess
Chandler and Mannelly to set
the score at 15-14. BC couldn’t
notch an equalizer goal to send
the game to overtime.
BC has had some trouble
winning conference games this
season, posting a 1-4 record on
the year. ACC competition is
tough annually, and so the Eagles
will need to work on starting
games off with more intensity
to find success.
The team has also struggled
when playing away from Newton,
with a current road record of 3-4.
The Cavaliers have struggled in
conference play as well, and the
win over the Eagles is their first
ACC win of the year. Though BC
put together a solid comeback
bid in the second half, it wasn’t
enough to overcome the Cavalier
lead that they had built early in
the game.
LACROSSE
movement, conservative think
tanks hopped onboard the train
of skeptics. So did the media.
Marc Morano, climate deni-
alist talking head and Rush Lim-
baugh protege, made 30 TV ap-
pearances between 2009-2014,
once even claiming that climate
scientists “deserve to be publicly
fl ogged.” A pattern of granting
equal coverage to illegitimate
claims bred biased reporting.
Today, despite increasing sup-
port for an international agree-
ment regulating greenhouse gas
emissions, the U.S. remains one
of the least concerned nations
regarding global climate change.
What does this all have to do
with football?
Well, it appears as if the
corporate attack on science has
found a new battleground on
the gridiron.
New data gathered by the
New York Times has revealed
that the NFL skewed concussion
data to whitewash the severity
of the problem, omitting over
100 diagnosed concussions be-
tween 1996 and 2001. To make
matters worse, the league shared
lawyers, consultants, and lobby-
ists with the grandfather of fake
science: Big Tobacco.
Th ese fi ndings support
Mark Fainaru-Wada and Steve
Fainaru’s assertions in League
of Denial, that the NFL repeat-
edly discredited independent
concussion studies in favor of its
own distorted data.
Th e news should hit close to
home for Patriots fans who wit-
nessed the Defl ategate scandal—
a controversy regarding the air
pressure of footballs during the
2015 AFC Championship game
against the Colts—and the ensu-
ing Wells Report that accused
Tom Brady & Co. of cheating.
But a closer look at the
investigation raises questions
about its validity. Ted Wells, the
attorney tasked with leading the
“independent” evaluation, has a
history of defending high-profi le
clients and major corporations
in messy scandals, including
tobacco giant Philip Morris. For
research, he hired Exponent,
Inc., a consulting fi rm accused
of generating results benefi -
cial for its clients. In 1989, it
defended Exxon in the Valdez
oil disaster.
More recently, the company
argued that unloading oil waste
in the Ecuadorian rain forest
does not increase cancer rates.
Exponent’s largest shareholder
was also a member of the board
of Chevron Corp., which com-
missioned the study.
Perhaps worst of all, the fi rm
helped perpetuate the myth that
secondhand smoke does not
cause cancer.
As environmental consultant
Cindy Sage told the Los Angeles
Times in 2010, “Th e fi rst thing
you know is that when Exponent
is brought in to help a company,
that company is in big trouble.”
Th e NFL is in big trouble. For
decades, the league has waged a
war on science, with an aim of
profi ting from misleading the
public. Not only has the ploy
been a disservice to fans, but it
has purposefully slowed prog-
ress in the fi eld of concussion
research by disguising the NFL’s
phony fi ndings with a cloud of
legitimacy.
But while Big Tobacco’s
marketing eff orts and Big Oil’s
battles against climate change
felt their appropriate blowback,
the multi-billion dollar industry
that is the NFL has remained
rich as ever, despite the con-
troversy. What’s worse, public
opinion of the league doesn’t
seem to be taking a bit hit.
I don’t sense a wave of anger
toward the NFL that is deserved
during a scandal of this mag-
nitude. I don’t think the public
realizes how much they’ve been
duped, and how many lives
are at risk because of it. And I
believe that the pattern of busi-
nesses attempting to discredit
science for monetary gain—and
succeeding—is one of the sad-
dest traditions in this country.
Granted, there’s only so
much we can do. Maybe
recent events will open the
door for more lawsuits against
the league. I wish boycotting
Goodell & Co. was as tangible as
spurning cigarettes or choosing
more eco-friendly alternatives,
but I’m not sure that changing
the channel from NFL RedZone
on Sundays solves the problem
(plus, it may very well be part
of my future job description
to regularly watch football).
Most of the troubles lie within
the league’s leadership, not the
sport itself.
Are we accessories to the
crime by supporting a corrupt
industry with our fandom?
I don’t know. But if history
has shown anything, it’s that
more than a legal slap on the
wrist is needed to reform an
organization like the NFL. It has
taken decades of activism and
a collective movement to make
any dent in the profi ts of the
tobacco and fossil fuel indus-
tries. Th e same may be needed
to eff ect change in the most
dangerous sport in America.
When it comes to concus-
sions in the NFL, the league’s
policy has been, “If the facts
don’t fi t the theory, change the
facts.” It’s time for America’s
favorite sport to change its ap-
proach to prioritize player safety
and save lives.
Instead of, as Big Oil and Big
Tobacco would say, establishing
confi dence in its industry, the
NFL needs to establish some-
thing far more important: the
truth.
ABBY PAULSON / HEIGHTS EDITOR
The NFL’s concussion cover-up campaign has been exposed at last. Where’s the appropriate wave of anger?
THE HEIGHTSMonday, April 4, 2016 B3MEN’S HOCKEY
Ryan
goals
23
JULIA HOPKINS / HEIGHTS EDITORJULIA HOPKINS / HEIGHTS EDITOR
survive a Duluth onslaught in the game’s waning
minutes, moving on to the Frozen Four with a 3-2
victory.
BC couldn’t have gotten to this point without
Fitzgerald. But Ryan couldn’t have gotten the glory
without his little brother, Casey.
Maybe it’s just a matter of luck that the younger
Fitzgerald, a freshman defenseman, is on the ice at
the same time as Ryan. Yet on both of those critical
goals, the play began on Casey’s stick. In fact, fi ve
of Ryan’s goals this season have begun with an assist
from his brother. Th at’s more than any other BC
defenseman, and only behind Ryan’s two linemates
for most of the season: Colin White and Matthew
Gaudreau (eight assists each on Ryan’s goals).
Two of those fi ve goals were Ryan’s game-win-
ners in the playoff s. But, never to be outdone, Casey
has found the back of the net with Ryan’s help twice
this year. One came in the Beanpot opener against
Harvard. Th e second was in a 5-5 tie in North An-
dover, Mass. against Merrimack, just minutes after
Casey had assisted Ryan on a goal of his own.
When they’re not creating clutch plays for each
other, they’re doing it for their teammates. Twice
this season, Ryan and Casey have assisted on goals
scored by another Eagle. Both have come in the
playoff s, most notably J.D. Dudek’s game-tying—and
fi rst-career—goal in the third game against Vermont
that helped put BC into overtime.
Casey believes their chemistry comes naturally.
Th e two took to the streets to play hockey while
growing up in North Reading, Mass., alongside
their younger brothers Brendan and Jack. Th ey also
played together at Malden Catholic, where they won
the Super Eight Tournament together in 2011-12.
When both are on the ice, the two seem to mesh in
a big way for BC.
“He’s a pretty good player, so I try to get the puck
to him and see him get the job done,” Casey said.
It’s certainly not a surprise that the Fitzgerald
brothers are contributing big minutes and plays
for the Eagles in the 2015-16 season. But how far
they are exceeding their preseason expectations
has been a key reason for BC’s jump from border-
line contender to a nation’s-best 25th trip to the
Frozen Four.
Start by taking a look at the younger Fitzgerald.
After committing to BC in his freshman year, Casey
played with the U.S. National Development Program
(USNTDP). In 57 games for the U-18 team, Casey
notched 25 points (nine goals, 16 assists) and had
the highest plus/minus of any player during the
United States’ gold-medal-winning campaign in
the 2015 IIHF U-18 Men’s World Championships.
Nevertheless, at only 5-foot-11, 185 pounds, Casey
went undrafted as an undersized defenseman.
Th e fact that NHL teams weren’t looking to take
a fl yer on Casey caused some alarm at BC, where
it was anticipated that minimizing shots aimed
toward Demko would be the team’s Achilles heel
in 2015-16. After losing Noah Hanifi n and Mike
Matheson to the allure of the NHL, the Eagles were
depleted among the defensive ranks. Th ey’d return
three stalwarts in Ian McCoshen, Scott Savage, and
Steve Santini. Teddy Doherty’s status was uncertain
given that he shuffl ed between forward and defense
last season. Th at left Travis Jeke to break in the two
freshmen: Casey and Josh Couturier.
Yet when Brendan Silk went down in the fi rst
game of the season, Jeke had to move up and take his
place on the fourth line. Casey, who didn’t expect to
play much, was now thrown fully into the fi re. Head
coach Jerry York moved him onto the fi rst defensive
pairing with McCoshen, and Casey thrived. He and
the defense became one of the country’s tough-
est units. Casey believes that everyone telling the
defense that it couldn’t do it without Hanifi n and
Matheson only drove it to work harder.
“We just looked around and said, ‘You know
what? We’re a pretty good D corps,’” Casey said.
“We can do it without them.”
Ryan isn’t shocked at Casey’s fast development.
He believes that Casey was merely limited with
the USNTDP and needed a bigger chance to play.
Even Casey didn’t see this much success coming. He
loves to keep the off ense in the front of his brain,
citing puck movement to BC’s excellent forwards
as his most polished skill. Th at’s certainly proven
true—Casey’s 26 points (four goals, 22 assists) lead
the team’s defensemen.
“Yeah, I’m having a pretty good year, I would say,”
Casey said with a laugh.
While Casey’s rise was necessary to keep BC func-
tioning, Ryan’s jump from a good second- or third-line
player to one of college hockey’s most feared goal scor-
ers has propelled BC to sunny and scenic Tampa.
Th at’s not to say he wasn’t performing before
this season. Ryan had steady production in his fi rst
two years. As a freshman under the guidance—or
in the shadow—of Johnny Gaudreau, Kevin Hayes,
and Bill Arnold, Ryan quietly compiled an impres-
sive campaign with 13 goals and 16 assists, the most
out of BC’s freshmen. In his sophomore year, Ryan
became more of a force on the Eagles. He led the
team with 17 goals and earned his reputation as a
high-quantity shot producer, with 125. During that
season, he earned his mark as a clutch performer
with BC’s most recent hat trick and an overtime-
winner against Harvard in the consolation game of
the 2015 Beanpot.
Yet, according to Casey, Ryan said that this
year was going to be his year. He worked hard this
off season, both at home with his brother and at the
development camp for the Boston Bruins, the team
that drafted him in the fourth round back in 2013.
Now, Ryan has become the complete player that he’s
always wanted to be.
Th ough he primarily plays left wing, Ryan has
showed his skill as a center. On JY1K Night against
New Hampshire, Ryan’s linemate, White, had to leave
with an upper-body injury. Th e situation was not ex-
actly ideal for the Eagles: a faceoff in their own zone,
up by one, 10 seconds remaining, and two of Hockey
East’s most dangerous scorers—Andrew Poturalski
and Tyler Kelleher—on the ice. Instead of going with an
established master off the draw, like Austin Cangelosi,
York rode the hot hand in Ryan Fitzgerald.
Ryan’s left-handed shot allowed him to perfectly
win the puck and dish it to safety, giving BC a victory.
It’s just one of many faceoff wins in a secret skill for
the left winger. He has 170 wins to only 128 losses,
a .588 success rate that’s 26th-best in the nation and
second on the Eagles only to Cangelosi.
It’s his scoring that elevated Ryan to the All-
Hockey East and All-New England First Teams.
With one (or, ideally for BC, two) games remaining,
Ryan leads the Eagles with 23 goals and 23 assists.
His 23 goals are eighth-most in the country. Ryan’s
15 goals in Hockey East play were the most in the
conference, and his 31 points in HEA play overall
had him tied with White behind only Poturalski,
BU’s Danny O’Regan, and Northeastern’s Zach
Aston-Reese. His fi ve game-winning goals and three
shorthanded goals each lead the team. And, with
that game-winner against Duluth, Ryan now has 100
points for his career. To Casey, it was only fi tting.
“Th ere’s no better time to get your 100th point,”
Casey said.
Most notably, Ryan ranks fi fth in the country in
shots, with 160. BU’s Ahti Oksanen, Robert Mor-
ris’ Greg Gibson, Vermont’s Mario Puskarich, and
Michigan’s Tyler Motte all have more than him.
But of those top fi ve in players who take aim at the
net, Ryan is the best at actually getting the puck on
the goaltender. At a 62-percent clip, Ryan creates
scoring attempts with rebounds more eff ectively
and more frequently than any player in the nation.
When informed of that stat, Ryan laughed and said
he was pleased to hear it.
“I try to only take smart shots,” Ryan said. “I’m
not just shooting to shoot.”
But it all comes back to succeeding in the most
important situations. Between Ryan’s two goals
against UMass Lowell that earned BC the No. 1
overall seed in the Hockey East Tournament and
clinched a share of the conference’s regular season
title, or his game-winners in the playoff s, the Fitzger-
alds merely want to win. After all, it runs in their
blood. Th eir father, Tom, was an integral part of the
Florida Panthers during their run to the Stanley Cup
in 1995-96 and now works in the front offi ce of the
New Jersey Devils. Keith Tkachuk, one of the best
U.S.-born hockey players, is a cousin, as well as his
son, Matthew, who Casey has played alongside on
the USNTDP. Th eir other cousins, Kevin and Jimmy
Hayes, have won national championships at BC.
Now, it’s their turn. After Ryan took a backseat
in 2014, he has the fi re to get another star on the
BC sweater. And it all starts with a business trip to
the Amalie Arena.
“You grow up watching BC win all the national
championships, and you want to be a part of it,” Ryan
said. “My freshman year we came up short, and you
kind of have that feeling in the back of your mind
that you know what it takes to win it the second
time around.”
ROUND UP BY ANNABEL STEELE | ASST. SPORTS EDITOR
Women’s rowing took on Massachusetts Institute of Technology on Saturday, where every Eagles’ boat fi nished before every MIT boat. BC’s varsity-8 boat beat MIT’s by almost eight seconds, while the fi rst boat in the second varsity-8 defeated MIT by more than 20 seconds. Th e margin of victory in the varsity-4 race was highest, however, as BC beat MIT by exactly 50 seconds.
Boston College golf traveled down to Salem, S.C., for the Clemson Invitational this
weekend. Th e men had a rough start and fi nished the fi rst day with a score of 302, earning
them 10th place out of 12 teams. Th e Eagles could not improve, fi nishing the tournament
still in 10th place after shooting 57 above par. BC fi nished with a score of 921—meanwhile,
fi rst-place Clemson was three below par with a score of 861. Th e women also failed to
succeed early, falling to 12th place after one day. BC dropped to 13th out of 14 teams after
the tournament’s end with a score of 916, good for 52 above par. ROW
ING
Boston College sailing had a busy weekend, competing in four regattas over several days. On Saturday, the Eagles had strong, second-place fi nishes in the 35th Annual Lynne Marchiando Trophy Team Race Regatta and the Central Series 3 Fleet Race. In the Lynne Marchiando Re-gatta, the Eagles were unable to defeat Yale, while in the Central Series race BC was three points away from fi rst-place Tufts. Sailing also competed in the Boston University Trophy Fleet Race, and the women raced in the Dellenbaugh Women’s Trophy competition. Th e Eagles fi nished seventh out of 16 teams in the BU race and seventh out of 18 in the Dellenbaugh race.
GO
LF
SAIL
ING
Boston College men’s tennis couldn’t overcome Clemson University in a close match on Friday. Victories from the doubles teams of Aidan McNulty and Alexandre Th irouin and Jeff Melvin and Kent Mukai gave BC the doubles point. On the singles side, Mukai and Kent Workman picked up matches of their own, bringing the Eagles a total of three points on the day. Alex Favrot, Luke Johnson, Robert Dudley, and Arturo Pinazo won singles matches for the Tigers to clinch the 4-3 victory.M
. TEN
NIS
W. T
ENN
IS
Women’s tennis was able to claim a 4-3 victory over the University of Pittsburgh on Friday.Th e Eagles dropped the doubles point after Wan-Yi Sweeting and Heini Salonen were the onlyteam to win its match, but BC made up for it in the singles matches. No. 86 Asiya Dair, No.113 Lexi Borr, Emily Safron, and Jackie Urbinati each defeated their Panthers counterparts tosecure the victory for BC. Dair and Safron won in straight sets. Sweeting and Salonen eachforced her singles match to a tiebreak before ultimately losing to Pittsburgh’s Gabriela Rezendeand Amber Washington, respectively.
casey
assists
23points
46goals
4assists
22points
26
Women’s track and fi eld headed to Stanford, Calif., to compete in the Stanford University Invitational this weekend. Several runners qualifi ed for the ACC Championships after strong performances at Stanford. Liv Westphal, Isabelle Kennedy, Molly McCabe, and Danielle Winslow each earned berths in the ACC Championships in the 5000-meter event, 800-meter event, and steeplechase, respectively. TR
ACK
Fitzgeralds, from B1
THE HEIGHTS Monday, April 4, 2016 B4
After Florida State took a 1-0 lead in
the fifth inning, Boston College catcher
Nick Sciortino punched back, scorch-
ing a line drive
down the right-
field line for a
double to begin the bottom of the fifth
inning. The hit energized the Eagles,
providing hope against one of the best
teams in the country.
The next play, however, sent head
coach Mike Gambino and the Eagles’
bench into a frenzy. The leadoff hitter,
Jake Palomaki, sent a bunt down the
third-base line that pitcher Mike Comp-
ton fielded and fired to third baseman
John Sansone. After Sansone sold the
play and recorded the out, Gambino
furiously chewed into the third-base
umpire. He obviously disagreed with the
questionable call and let the umpire hear
about it for a few tense minutes as the
Eagles faithful let out roars of disgust.
The next batter, Joe Cronin, flied out
to right field on a play that would have
easily scored Sciortino from third base
to tie the game, further antagonizing
the Eagles.
“It’s a tough one,” Gambino said.
“You saw the discussion that I had with
the umpire afterwards. I obviously dis-
agreed. It could have gone either way.
That’s one of the ones you wish you could
look on replay. It didn’t end up costing
us the game, obviously.”
No. 7 Florida State (19-6, 7-1 Atlantic
Coast) sent its ace, Mike Compton, to
the mound in the first game in a three-
game series in Chestnut Hill. The senior
entered the game with a 3-1 record in
six appearances. The Eagles (14-10, 3-7)
countered with the team’s own ace, Mike
King. Yet, while the junior pitched well,
it wasn’t enough in a 3-0 BC loss.
Unsurprisingly, this game was a
pitchers’ duel, with both aces allowing
contact but efficiently recording outs.
Both starters recorded only one strike-
out, but they kept their pitch counts in
good shape and trusted their defenses to
make plays. Compton lasted five innings
after throwing 69 pitches and surrender-
ing only three hits and three walks. King
allowed the Eagles’ bullpen to rest for
longer, recording all but two outs after
tossing 101 pitches.
The Seminoles had the first opportu-
nity of the game to score and it came in
the third inning, as the team had a runner
on third base with two outs. To keep the
game scoreless, shortstop Johnny Adams
nabbed a tough chopper, and first base-
man Mitch Bigras scooped the throw
out of the dirt to record the final out of
the inning. BC’s first legitimate chance
at a run came in the fourth inning, as
the Eagles had the bases loaded with two
outs after one single and two walks.
The rally ended with a soft ground
ball up the middle that Florida State
shortstop Taylor Walls handled with
ease.
Starting pitchers usually have more
trouble later in the game because batters
have had a couple opportunities to see
what the pitcher is throwing and make
adjustments, and that was the case in this
game. Both teams posted exciting fifth
innings as each hitter faced the start-
ing pitcher for his second or third time.
Florida State got on the board first due
to a two-out rally.
As King looked to record a 1-2-3 fifth
inning, Matt Henderson laced a ground
ball in between the first and second base-
man. Bigras managed to glove the ball,
but he could not complete the toss to
King, as the speedy Henderson pressured
him into releasing the ball quickly. Walls
made the Eagles pay—he lined a ball
deep into left center for a double, allow-
ing Henderson to score from first base. In
the bottom of the fifth inning, the Eagles
nearly responded, but the controversial
call hampered the team’s efforts.
After that heartbreaking fifth inning,
the Eagles could not muster another hit
for the rest of the game, and Florida
State relief pitchers Jim Voyles and
Tyler Warmoth dominated for the final
four innings. The Seminoles added two
insurance runs in the ninth inning after
doubles from Jackson Leuck and Ben
DeLuzio and an error by Cronin.
The Eagles will face the Seminoles
again on Saturday, and Gambino comi-
cally stated that the revised game plan
was to “score more runs.” As for King,
he’s still proud of his team’s effort, yet
knows that the Eagles will need more of
it going forward.
“I think we set the tone that we are
not going to go away easy, and it’s not
going to be an easy series for them,” King
said. “They are obviously a great team so
they can win on talent alone … we just
have to keep firing at them.”
Florida StateBoston College
30
BASEBALL
FOR DAILY UPDATES,
GET YOUR BC
NEWS ONLINE AT
BCHEIGHTS.COM.Directions: The Sudoku is played over a 9x9 grid. In each
row there are 9 slots, some of which are empty and need to be filled.Each row, column and 3x3 box should contain the numbers 1 to 9. You must follow these rules:· Number can appear only once in each row · Number can appear only once in each column · Number can appear only once in each 3x3 box· The number should appear only once on row, column or area.
MICHAEL SULLIVAN / HEIGHTS EDITOR
After his double put the Eagles in scoring position, Nick Sciortino (7, top left) attempted to take third on a Jake Palomaki bunt (N.P.), but when a bang-bang throw nailed him at third, manager Mike Gambino (5, top right) exploded.
THE HEIGHTS B5Monday, April 4, 2016
Director Richard Linklater has
a knack for creating films that harken
back to a different era, but nonetheless
explore universal sentiments. Dazed and Confused (1993) fleshed out
the vicious cycles of high school in
the mid ’70s, as students old and
new grappled with transitioning to
a new place and a fresh sea of faces.
Boyhood (2014) attempted to capture
that same sentiment of change and
transition for one boy over 12 years.
In his latest endeavor, Everybody Wants Some!!, Linklater hits many
of the same notes of his previous
films, while philosophizing during
some of the small moments of life,
between batting practice and bong
rips. Growing up is rough in any
capacity. The world continues to
shift and shape itself around us as we
hastily crawl into new chapters of our
lives. It is a game of catch up, all about
getting there. But where is there?
Set in the last days of the
summer of 1980, Everybody Wants Some!! follows Jake (Blake Jenner),
a collegiate freshman baseball
pitcher, as he moves in and meets
his teammates in their shared team
house. As the team begins to bond,
the freshmen begin to enter the fold.
Through antics at various clubs, in
the house, and about the town, Jake
and the other newbies set to establish
themselves in college. Delving into
the treacherous grounds of lust
and love, Jake and others find their
insatiable libidos and fascination with
girls hard to quell. Going after women
makes for a challenge as exhilarating
as their penchant for competition
in baseball. Everyone in the film
searches for who he is, what he wants,
and where he is going. Everybody
wants some. But what is some?
The setting and characters hit
the proverbial nail on the head for the
this film’s intentions. To its very core,
Everybody Wants Some!! oozes an ’80s
vibe. From the moment the viewer
gets a glimpse of Jake sporting long
sideburns, cruising down a college
town road seeing high-waisted jeans,
big hair, and cars of the era dotting
the streets, the audience is almost
sucked into the ’80s. Coupled with its
soundtrack which continually pumps
out the hits and latest jams of the age,
the look of the film creates a complete
atmospheric feel.
The performances are excellent,
and each character evinces his own
status within the team dynamic. As
each guy chases success and a good
weekend, his respective methods and
personality shine through and the
dynamic of the team is felt strongly
in every scene. Viewers will be able
to feel the friendship and tension at
play.
As the film begins to extend
its reach deeper into characters’
personalities, the existentialism of
Everybody Wants Some!! comes into
view. A refreshing aspect of the film
lies in the characters’ responses to all
the big talk of their life plans. They do
not change. In spite of all the things
discussed, plans and dreams that had
not come to fruition, the guys remain
more or less themselves.
As one night transitions from a
disco club to a county bar, Finnegan
(Glenn Powell), expresses concern
about their identities shifting so
quickly. Had the disco fever really
fallen away that fast? Who were they?
Are they country boys now?
“So you’re not coming,” one of
the guys adds, as the gang is about to
leave the disco to go to the country
bar. “That’s not what I said,” Finnegan
replies. The next shot is of him riding
a mechanical bull.
This scene illustrates the
capacity to question and choose. In
their pursuit of a good time, did the
characters compromise who they
were, or did they become adaptable,
evolving entities? When you let the
good times roll, you better keep up
for fear of getting left behind.
This kind of philosophizing
does not bog down the film, but plays
right into the existential crux it seeks
to extrapolate. As characters explore
a different, more transcendent reality
through drugs and big ideas, the
film offers a beautiful counterpoint
to the seemingly mindless pursuits
of fun and hedonism. Sitting on
the carpet, bong in hand, the
stoner pitcher Willoughby (Wyatt
Russell), proselytizes to the group
as his shaggy, blonde hair whips
about his head with each eccentric
movement. Music quietly playing
in the background, Willoughby
explains that the music does not
mean anything. He continues stating
that the artists only give you the
notes to songs and that you must
find the meaning that lies in between
them. Projecting that same kind
of mentality into the actions of the
characters, their quests seem a little
less mindless. Party-crazed. Sex-
crazed. Life-crazed.
The film really is a big sign
reading “Who the hell are you?”
The characters, just as we do, search
for the answer, but never let it get
in the way of living. Growing up
anytime is rough. We have a lot of
questions and a lot of them can never
really be answered. Everybody Wants Some!! does a great job of asking the
question, while ecstatically saying all
at once, like shagging fly balls, “Go
get it!”
THE HEIGHTS Monday, April 4, 2016B6
Arguably, the most Californian band
of all time is the Beach Boys. Sunny and
carefree, it’s like you can hear the rushing
ocean in the Beach Boys’ immaculate vo-
cal harmonies, and their luscious string
arrangements seem to mimic the feel of
sand between your toes. Many bands have
tried to recapture that sunny feeling, but
few have succeeded, in large part because
they forget that under that sunny facade
was sadness—a sadness that stemmed
from being told what to do or having your
girl leave
you.
I t i s
because
o f t h i s
under-
lying
sadness
that the Beach Boys’ co-founder Brian
Wilson’s most direct heir might be—
gasp—an East Coaster: Weezer’s lead
vocalist and guitarist Rivers Cuomo.
Although Cuomo is from Connecticut,
he has always been a little Hollywood,
with songs like “Buddy Holly” and “Island
in the Sun,” that showcase his knack for
bright melodies and his love of Califor-
nian themes.
For Weezer’s new album, Weezer
(White Album), Cuomo returns to the
surf grunge sound that produced some
of the band’s biggest hits, like the afore-
mentioned “Holly.” But this time, he revs
up the West Coast themes, like the engine
of a T-bird, with nearly every song on
the record referencing something in the
Golden State. Cuomo does, however, also
manage to imbue the songs with both an
East Coaster’s stresses and a millennial’s
social anxieties (Cuomo went on Tinder
dates to get ideas for songs).
This mix of anxieties and happiness is
best exemplified in the first track, “Cali-
fornia Kids,” Cuomo describes the wor-
ries of everyday life—”When you wake
up / Cobwebs on your eyelids / Stuck in
rigor mortis”—over muted guitar chords.
Then, in the chorus, the music explodes
with hopefulness and so do the lyrics, as
Cuomo assures listeners that, “It’s gonna
be alright / If you’re on a sinking ship /
The California kids / Will throw you a
lifeline.” It’s the perfect opener to what
Cuomo called “a beach album.”
On “Thank God for Girls,” Weezer
proves that even the Beach Boys can be
musically updated, adding together a
crunchy, drum-machine beat and a light
piano melody. While Weezer shows that
it can revamp the Beach Boys’ sound,
it fails to prove that it can do the same
with the Beach Boys’ themes. Cuomo,
singing so staccato on the verses he is
nearly rapping, muses on gender roles,
which, according to him, haven’t changed
much since the ’60s: “And when you
come home, she will be there / Waiting
for you with a fire in her eyes / And a big
fat cannoli to shove in your mouth / And
that’s why you / Thank God for girls.”
While Cuomo did say the song inten-
tionally played with gender stereotypes,
it is still a little cringeworthy. And yet,
the lyrics prove just what a sharp—and
weird—wordsmith Cuomo can be, even
when riddled with anxiety.
“(Girl We Got A) Good Thing” is
seemingly devoid of angst. Shamelessly
borrowing nearly everything from a
Beach Boys song—the jangly tambourine
and otherworldly strings at the begin-
ning—Cuomo sings about having such
a good thing, he “doesn’t see it ending.”
That is, of course, until the bridge, when
he declares the woman he’s singing
about, “scares [him] like an open win-
dow.” So, he “chalks it up to Stockholm
Syndrome.”
The one thing that holds this entire
album together, other than its lyrical
themes, is Cuomo’s ability to create a
nearly irresistible melody. If you didn’t
listen to the lyrics, you’d be sure this
was a happy album. Even when the lyr-
ics take a more explicitly dark tone—like
on “Jacked Up,” during which he laments
“why do my flowers always die”—it is
hard not to sing along when he gets to
the high note at the beginning of the
refrain.
Cuomo is not afraid to make things
catchy, but he is also not afraid to be
sad or anxious, even at the beach. It
is because of this deep melancholy
that Weezer’s White Album cements
Cuomo’s claim to Brian Wilson’s surf-
rock crown. After all, Wilson was so
riddled with mental woes that he never
learned to surf.
“Mama never told me there’d be days like
this / It all started out with a little kiss.”
Th e fi rst lines off of Cheap Trick’s latest
album, Bang, Zoom, Crazy...Hello, much like
the title, speak to the nature of the album as
a whole. Cruising on the basslines, with a kiss
of its past,
Cheap
Trick
starts with
a bang on
“Heart On
Th e Line,”
which
dusts off the boots of the aged pop-guitar
champions. Zooming about, creating new
sounds foreign to Cheap Trick, the album
leads to an end that sees listeners right to the
door. As the band prepares to be inducted into
the Rock and Roll Hall of Fame, this album
seems to say, “Hello, Cheap Trick is here.”
Bang, Zoom, Crazy...Hello is the fi rst al-
bum in the history of the band without iconic
cigarette-smoking drummer Bun E. Carlos.
1
BIG MACHINE RECORDS
TITLE WEEKEND GROSS WEEKS IN RELEASE
1. BATMAN V SUPERMAN 52.3 2
2. ZOOTOPIA 20.0 5
3. MY BIG FAT GREEK WEDDING 2 11.1 2
4. GOD’S NOT DEAD 2 8.1 1
5. MIRACLES FROM HEAVEN 7.5 3
6. ALLEGIANT 5.7 3
7. 10 CLOVERFIELD LANE 4.7 4
8. MEET THE BLACKS 4.0 1
9. EYE IN THE SKY 4.0 4
10. DEADPOOL 3.5 8
SOURCE: New York Times
1. FOOL ME ONCEHarlan Coben
2. PRIVATE PARISJames Patterson
3. THE NEST Cynthia D’Aprix Sweeney
4. PROPERTY OF A NOBLEWOMANDanielle Steel
5. ALL THE LIGHT WE CANNOT SEE Anthony Doee
6. THE GIRL ON THE TRAIN Paula Hopkins
7. SUMMER BEFORE THE WARHelen Simonson
8. THE NIGHTINGALE Kristin Hannah9. OFF THE GRID C.J. Box10. THE GANGSTER Clive Sussler
HARDCOVER FICTION BESTSELLERS
3
UNIVERSAL PICTURES
THE WHITE ALBUMWeezer
Weezer embraces surfer grunge tones on the ‘White Album’, as Cuomo crafts melodies that are irresistably catchy and infectious.
ATLANTIC RECORDS
WEEKEND BOX OFFICE REPORTWARNER BROS. PICTURES
2 3
WALT DISNEY STUDIOS
and infectious chorus, again sounding
markedly diff erent from the rest of Cheap
Trick’s repertoire.
On a slower note, “Sing My Blues Away”
showcases Zander’s vocals more heavily and
off ers up, arguably, the most interesting lyr-
ics of the album (“It’s a long way home in the
dark”). It is an emphatic bluesy rock melody
that will demand multiple listens as it washes
over listeners. Th e backing lyrics are a high
point and perfectly complement Zander’s
drawling voice.
Bang, Zoom, Crazy...Hello is a safe album,
but this does not detract at all from its overall
eff ect, because it’s masterfully executed at the
hands of a band whose work spans over four
decades. As Cheap Trick looks to the future,
it looks not like an aged, dying group, but a
continually evolving one. Th is album, as tes-
tament, proves Cheap Trick will not become
stale, but will rather pump freshness and
variety into the air waves. For fans of the band,
the changes may seem strange. But hey, Cheap
Trick has always seemed a little weird.
Even with an immense musical library, Cheap Trick puts forth a succinct and distinct album.
BANG, ZOOM, CRAZY...HELLO
Cheap Trick
HBO
use their programs to have meaningful po-
litical discussions that these hosts take rather
seriously. When Maher goes off on a crusade
to get Democrats to use the phrase “Islamic
Extremists” to describe terrorists, he needs to
acknowledge that he is trying to have a credible
voice in political discourse.
Maher is the master of his unique pro-
gram. He understands how to guide his
panel’s conversation and how to challenge
guests into critically thinking about the
topic at hand.
Especially with the 2016 election right
around the corner, the types of discussions
happening on Maher’s program are neces-
sary and substantive. Th ough his opinions
are clear and he doesn’t shy away from say-
ing what’s on his mind, Maher never lets his
personality take over a conversation, at least
for too long. In today’s confusing, debilitated
political apparatus, Real Time remains a
haven for honest political debate, thanks to
the range of opinions invited to participate
in the conversation.
Host Bill Maher opens up the conversation to the many opinions in American politics.
REAL TIME WITHBILL MAHER
HBO
Watching commentators from the power-
houses of the 24-hour news cycle (CNN, MS-
NBC, and FOX News), it is often easy to gloss
over the many factors belonging to any issue
at hand. Shows like Th e O’Reilly Factor and
Th e Rachel Maddow Show are imbued with
a certain opinion by their hosts. Th e hosts of
these shows speak well and with authority,
making
i t e a s y
for view-
ers to be
sucked
i n t o a
certain
w a y o f
thinking without critically analyzing issues
themselves. With this thought in mind, it’s
becoming more important for news outlets
and commentators to facilitate a discussion
between analysts holding a wide range of
beliefs and ideals. Real Time with Bill Maher
has long been such a program and continues
to adapt itself to fi t in the volatile political
landscape. No conversation, on the other
hand, is without its fl aws.
As a host, Maher is one of more intricate,
intriguing fi gures in late-night programming.
Maher, a Libertarian, often appears to side
with the liberal-leaning view on most topics
the panel discusses, but he also has views that
go against more conventional liberal ideals. For
example, Maher is extremely against religion.
Sure, he would say that you should be able to
practice whatever you want, but he attacks
the idea of organized religion at least once on
every episode, usually in a very aggravated
tone. Maher is also extremely against political
correctness and has recently spent segments
of his program bashing examples of social
hypersensitivity, talking with Jerry Seinfeld
about avoiding performing for sensitive col-
lege students or lampooning kids that felt
threatened by Donald Trump supporters at
their school.
Th ese biases that Maher manifests can
be expressed in blunt, inaccessible terms,
and Maher’s guests often disagree with his
thinking. This conflict leads to intriguing
discussions that a less opinionated host
would never fi nd himself in. Late-night hosts
like Trevor Noah or Stephen Colbert cannot
really delve into religion’s role in the confl ict
in the Middle East, and though one might
not agree with Maher’s views on the subject,
his thinking introduces the topic to a panel
of critical, sophisticated analysts that further
the conversation in a meaningful way. Th at’s
what’s so interesting about Real Time—no one
has to agree with Maher to walk away from the
program with some meaningful insight.
Taking a brief moment of his program
to address the recent brouhaha in the media
over Ted Cruz and Trump’s “attacks” on each
other’s wives, Bill Maher said that the media
exhibits, “a complete lack of self-awareness
that they are the problem.” Th ough he only
focused on the Cruz/Trump debacle for a
minute or two, Maher tried to clarify why
his program could discuss similar issues but
programs on MSNBC and CNN shouldn’t.
“Th ey’re news networks,” Maher stated, “this
is an entertainment program.”
Th is scene is emblematic of a problem that
has spread throughout the late-night political
satire programs. Maher and other comedians
(Jon Stewart and Colbert) hide behind their
satirical set-up when they see fi t, but often
After a lawsuit stipulating his removal, the
band replaced him with Daxx Nielsen, son
of guitarist Rick Nielsen. Th ough Carlos is
still offi cially a member of the band, he is not
allowed to contribute to the recording process
or play on tour. His absence had caused some
fans to wonder if the album would lose some
of the quintessential Cheap Trick fl avor it
garnered with Carlos behind the kit. Bang,
Zoom, Crazy...Hello would suggest Cheap
Trick can make do without him, and delve
into new musical territory.
After the bumping beats and guitar
shredding of “Heart On Th e Line” fade away,
“No Direction Home” off ers up a decidedly
diff erent feel. Th e uppity track is a simple and
unchallenging piece, but it leaves a lasting
impression of fun and mounting excitement.
It seems a very inoff ensive radio song that
encapsulates catchy movement and fl ow.
“When I Wake Up Tomorrow” is a song
unlike any other Cheap Trick song. As many
of the older bands enter into their later years,
it is interesting to see it adopt similar elements
and strike resoundingly similar tones. “When
I Wake Up Tomorrow” is tonally similar to
much of David Bowie’s fi nal album, Blackstar.
Its darker lyrics—“Please be here when I wake
up tomorrow”—and equally somber, simple
chord progression make this song stand out
on the album as such.
“Long Time No See Ya” and “Th e Sun
Never Sets” have upbeat rhythms that exude
a more fast-paced feel, erring on the side of
rock rather than pop. “Th e Sun Never Sets”
feels like the album’s rock ballad, as its catchy
chorus and elevated harmonies bring the song
into a full and gripping sound. Th ese kinds of
diff erences see Cheap Trick showing more
signs of speeding up its music rather than
slowing down.
Th ese kinds of fast pieces use Robin
Zander’s more aged and worn vocals in a
more nuanced and sleek way. Th is creates
music that fi ts the style of the voice, ef-
fectively elevating its strengths and hiding
its weaknesses.
Songs that show more variety and
distinction from the rest of Cheap Trick’s
discography are “Do You Believe Me?” and
“All Strung Out.” Each brandishes its own
types of guitar rips and riff s courtesy of
Rick Nielsen. “Blood Red Lips” off ers up
another fun and safe chord progression
THE HEIGHTSMonday, April 4, 2016 B7
’16, on trumpet, gave the audience a
performance that was easy on the ears
and exemplified another style of jazz
music that contributed to BC bOp!’s
rich display of the night.
Of course, one cannot have a jazz
concert without more traditional jazz
pieces as well, and BC bOp! delivered
with numbers like “Emancipation
Blues” and “Billie’s Bounce.” With
performances from Marie Peduto,
MCAS ’18, on saxophone, Zack Downey,
MCAS ’16, on trumpet, and Christian
Wilson, MCAS ’18, on the vibraphone,
the band achieved vibrant and zestful
renditions of these classic pieces and
showcased the dynamic quality of the
ensemble as a whole.
“Jazz Wars: the bOp! Awakens”
displayed everything from classic jazz
music, to innovative takes on modern
pop tunes, and everything in between.
From the colorful performances of all
of the group’s vocalists and talented
musicians, the audience was treated to
a memorable exhibition of jazz music
in all of its spirited glory.
Following enthusiastic shouts of “Make
us proud, dude!” and “Hey everyone,
that’s my roommate!” bellowed by some
hyped-up members of the audience, Josh
Behrens, MCAS ’18, gave a brief salute
to his supporters and sauntered up to his
spot at the microphone. Once the cheers
and lighthearted laughter had subsided,
Behrens quietly cleared his throat. Behind
him huddled the remaining members of
the Boston College Acoustics, keeping
their eyes trained on president Matt
Michienzie, MCAS ’17, to give them
their cue.
On Saturday night, McGuinn 121
played host to the annual Acoustics Spring
Cafe, its theme a witty wordplay on the
absurd 2006 action-thriller Snakes on a Plane. The co-ed a cappella group regaled
its audience with debut performances,
entertaining covers of popular songs
and comical skits strewn throughout
the night’s rather extensive program.
Thanks to the high-energy atmosphere
provided by the fun-loving group, “Stix
on a Plane” was this weekend’s must-see
music event.
A debut duet of The Civil Wars’ song
“Barton Hollow” kicked off the show with a
comforting, folksy vibe. The soulful vocals
of Keri DiBattista, MCAS ’17, and Alex
Rougeau, MCAS ’18, made for a perfect
opening performance that established
the mellow tone necessary to silence a
chatty audience and captivate everyone’s
attention. The duet invited the audience
to sit back, relax, and settle in for a night
of powerful vocal riffs and infectious
background beats.
The show was strewn with special
performances of popular songs that
encouraged audience members to sing
along with the skilled a cappella crooners.
The “Girls’ Project,” a medley of Miley
Cyrus’ greatest hits complete with
blonde wigs and wacky costumes, was
an entertaining interpretation of Cyrus’
transformation from innocent country
sweetheart to the wild and rebellious pop
star she is today. Not to be outdone, the
guys in the group matched their female
counterparts’ efforts to create an inventive
medley all their own—this time, however,
the performance featured a collection of
theme songs from America’s most beloved
television series.
The debut performances won the
night, for the the fresh, new songs sung
by various Acoustics members showcased
the group’s vocal diversity and impressive
versatility. The chosen tracks perfectly
complemented each featured singer’s
unique style. Margaret Dauer, CSON ’18,
quieted the room with an empowered
rendition of Sara Bareilles’ “Bright Lights
and Cityscapes” that showed off the
sophomore’s impressive vocal range. Hailey
Reinhart’s “Hit the Ground Runnin’” was
yet another impressive debut. The yearning
tone and emotion-heavy performance by
Kayley Okst, MCAS ’19, was met with
thunderous applause and a series of hugs
from her fellow Acoustics.
Dispersed throughout the performance
were short skits meant to break up some of
the somber songs with a little comic relief.
Following along with the night’s Snakes on a Plane theme, the skits playfully poked
fun at some of BC’s other a cappella crews,
as well as at the Acoustics themselves.
One of these scenes features a visibly
shaken Michienzie, who slips into his
best George Bush-turned-commercial-
pilot impression and frantically informs
Snakes actor Samuel L. Jackson (played
by Rougeau) of some shady shenanigans
onboard. “There’s a Yankee a cappella
group from up north causing trouble on
this plane,” Michienzie shouts, “and I need
you to save the day.”
Of a l l the impress ive covers
and medleys, Behrens’ enthusiastic
performance of Billy Joel’s classic “Piano
Man” perfectly encompassed everything
the a cappella crew is about. Swinging
the microphone stand around the stage
in a flurry of exaggerated emotion and
genuine enjoyment, Behrens seemed
as though he was having the time of his
life. Enthusiastic, teeming with talent,
and just plain fun, Behrens’ performance
perfectly embodied the jubilant Acoustics
spirit—one that fuses the passion and
lightheartedness so integral to the a
cappella group’s identity.
The Acoustics delivered an array of
eclectic performances, each song vastly
different from those that came before it. The
group tends to jump drastically from genre
to genre, bravely treading into virtually every
musical genre imaginable. “We ‘Stix’ pride
ourselves on the diversity of our repertoire,”
the group’s facebook description proclaims,
explaining their style accurately as “wailing
away on ’70s rock, ’80s pop, ’90s jams, and
millennial miscellany.”
And boy, does this group deliver.
would have been incredibly complicated
considering all the other running plotlines
in the show, and killing Lexa was the easiest
way to avoid that problem.
Yet I have to believe there was
another way to solve that problem without
destroying all of the progress The 100 had
made within the queer community in one
fell swoop. The writers got lazy and fell into
an outdated trope without realizing how
harmful that cliche is to the demographic
it entails. Jason Rothenberg, the show’s
executive producer, admitted in a statement
that the episode was, “the perpetuation of
the disturbing ‘Bury Your Gays’ trope.” He
then apologized, saying, “our aggressive
promotion of the episode, and of this
relationship, only fueled a feeling of betrayal.”
While many fans packed up and
quit watching after Lexa’s death, I’m still
watching. Recent episodes have felt nearly
apologetic—a new gay couple has been
introduced, and Clarke is still in contact
with Lexa’s “soul,” but I’m still disappointed.
After The 100 made such strides for LGBT
inclusivity and positivity, Lexa’s death
destroyed the fragile progress that the show
had made. Now I really am just watching for
the plot, reluctantly stuck wondering what
path the show will take next.
AMELIE TRIEU / HEIGHTS EDITOR
WARNER BROS. TELEVISION
Jazz Wars, from B8
Guest performances from the female Taiko drumming team, Genki Spark, and j-pop group AAA deliniated from the show’s more serious moments.
SAVANNA KIEFER / HEIGHTS EDITOR
‘The 100’ made huge strides for LGBT characters, but made a fatal mistake with one death.
The Jazz Ensemble returned to Robsham with an eclectic setlist and an enthusiastic spirit.
After a year of resisting my friends’
requests to start watching the series, and
constantly scrolling past photos of the
main characters on Tumblr, this month I
finally caved and started watching The 100.
Immediately after I started the first season,
I came down with a terrible sinus infection,
leaving me with no choice but to binge-
watch the two seasons available on Netflix
and download the iTunes season pass for the
third season currently airing. I was on bed
rest—I really didn’t have a choice.
While I started watching The 100
simply for the plot, I was struck by the
progressive nature of the show concerning
its characters’ sexualities. The main
character of the series, Clarke Griffin, has
a variety of love affairs with both males
and females, yet her sexuality is never
even addressed as significant—and in
the post-apocalyptic version of Earth her
people inhabit, there’s no need for it to be
discussed. Prejudices are set aside as the
human race struggles to survive in this
hostile environment, and as Clarke and a
slew of other LGBT characters find love,
their choices of partners are considered
unquestionably valid.
Now, queer representation isn’t
necessarily the problem in modern
television—it’s the reduction of queer
characters to only their sexuality. Glee’s Kurt
Hummel, played by Chris Colfer, served as
a perfect example. Every episode central to
his personal plotlines revolved around his
sexuality in some fashion, stressing either
his love life, his strained relationship with his
father, or the bullying he faced as a result of
being gay. While other characters did have
similar concerns with relationships—it is a
high-school drama, after all—at least some
episodes revolved mainly around grades,
sports, or other pursuits outside of glee club
that had nothing to do with their sexualities
whatsoever.
The 100 bypasses the over-involved
version of queer representation for a realistic
one, making LGBT interactions such a
non-event that the viewer questions their
own surprise. For two and a half seasons,
The 100 garnered a huge LGBT following
and was for many a sign of long-awaited
progress. The show also made huge strides
in promoting bisexual visibility, with a
bisexual main character that has never been
portrayed as “going through a phase.”
Unfortunately, The 100 is too good
to be true. In the seventh episode of
season three, Commander Lexa, played
by Alycia Debnam-Carey, is killed by a
stray bullet meant for Clarke. Lexa has
been described as one of the best female
characters on current television—she is
incredibly brave and powerful, without
being unrealistically cold, and openly gay.
Universally respected by her subjects, she
still maintains her femininity and personal
relationships in a way that is often sacrificed
in order to present strong women as
infallible. Lexa’s death came as a huge blow
to the community watching The 100 for
its portrayal of women—especially since
the bullet flew in the very same episode
that Clarke and Lexa finally admitted their
feelings for each other and consummated
their relationship.
This was especially painful for the
queer community, as the “lesbian death”
trope becomes almost inescapable. TV and
media Web sites call it the “Bury Your Gays”
trope when describing the phenomena,
almost always in a tone of disappointment.
In modern media, LGBT characters are
not allowed a happy ending, often dying
immediately after pursuing an LGBT
relationship or dying in a heroic sacrifice to
save a straight character. The most common
method of death? A stray bullet. Lexa was
far from the first to suffer her fate—in Buffy the Vampire Slayer, Tara Maclay died at
cause of a stray bullet, and in The Walking Dead, Alisha felt the same at the hands of
a 12-year-old girl. Social media sites such
as Tumblr and Reddit have exploded with
recognition of this trend within the past
few weeks, as Lexa’s death finally lit the
waiting fuse of outrage in response to this
discriminatory trope.
Seeing the writers kill Lexa in such
a tragically stereotypical and borderline
offensive way was awful, especially after
a full season of tension between her and
Clarke had finally been alleviated. Truly,
it felt like a cop out—figuring out a way to
maintain Lexa and Clarke’s relationship
LEIGH CHANNELL
excited when Ken Leszkowicz, MCAS
’16, walked onto the stage. As co-
president of JCBC, Leszbowicz is a
well-known figure in the community.
His mid-range croon captivated the
audience and brought out bursts of
cheer and laughter.
One of the night’s highlights came
from guest performers Genki Spark.
This multi-generational, pan-Asian
women’s collective performed Japanese
Taiko drumming. The performance was
uncompromisingly powerful. Harkening
back to Kwan’s earlier sentiment, Genki
Spark was outspoken in regards to
claiming and embracing its members’
cultural narratives. The group was
started and served as an avenue for both
Asian and women’s empowerment.
Many of the members discussed
feelings of alienation and separation
growing up in American society. Genki
Spark started as a way to take back
control and become more active in the
shaping of the multicultural American
experience. This mission statement
went well with the actual content
of the performance. The drumming
sounded like undiluted power. It wasn’t
something that the performers could
hide behind. Rather, each of the women,
while positioned behind her drums,
seemed to brim with self-confidence
and poise. After a few songs and
demonstrations, the group sought out
audience participation.
Genki Spark seemed to capture the
theme of the night: building a broader
community of cultural acceptance.
While the night was dedicated to
exploring and displaying Japanese
culture, it also sought to acknowledge
the multicultural condition of BC’s
campus . Many of the performers
came from a wide, often multicultural
background.
AMELIE TRIEU / HEIGHTS EDITOR
On Saturday nIght, the Boston College Acoustics gave their audience an entertaining a cappella show to remember with “Stix on A Plane,” a performance of hilarious skits, dazzling duets, and a slew of powerful vocals.
JCBC, from B8
Boston College’s jazz ensemble, BC bOp!,
returned to Robsham Theater last Saturday
with its Star Wars-themed, “Jazz Wars: the
bOp! Awakens.” The show offered roughly 20
high-energy, entertaining performances that
were immensely enjoyable even if they weren’t
clearly related to the program’s intergalactic
theme. With a nice mix of old favorites and new
performances, BC bOp! brought viewers a spirit-
lifting spectacle that had the audience tapping
its feet all throughout the show.
The show began with grand, swinging tunes
like “Almost Like Being in Love” with vocalist
Amber Glavine, MCAS ’17, and “Corner Pocket”
that quickly immersed viewers in the snazzy
world of jazz music. From there, the concert
progressed into a sprawling piece, “Moanin’,”
artfully arranged by drummer Sanjay Pamaar,
MCAS ’16, which showcased the talents of
numerous musicians including Justin Solle,
MCAS ’16, on the piano, Lucas Allen, MCAS
’16, on the guitar, and Isaiah Anderson, MCAS
’17, on bass.
BC bOp! has an aptitude for covering
mainstream chart-toppers, as it did at the
concert with its cover of Ariana Grande ft. Iggy
Azalea’s “Problem.” The lovely vocal talents
of Marian Wyman, MCAS ’18, and BC bOp!’s
artful reinterpretation transformed the song
into a version that was arguably more enjoyable
than the original. Another cover appeared with
Nina Simone’s crowd-pleaser, “Feeling Good,”
in which jazz vocalists including Adam Fung,
MCAS ’16, created a sensational presentation
offering a fantastic version of the well-known
tune.
One of the most fun performances of the
night appeared with “Mack the Knife,”when the
audience clapped joyfully along with the band
from the very first moments of the song. Vocalist
Michael Mastellone, MCAS ’18, brought the
whole song to life, and his spirited rendition had
the audience on its feet in a standing ovation.
Another playful song came with “Oh, Lady
Be Good,” which featured amazing vocals from
Greta Ritzenthaler, MCAS ’17, and Ryan Silva,
MCAS ’17, and was all over the map in the most
entertaining, jazziest way possible. Later in the
show, “Dangerous Precedent” featured some
stellar solos from Kyle Murray, CSOM ’16, on
guitar, Max Warwick, CSOM ’16, on drums, and
Matt Passanante, MCAS ’17, on saxophone, all
of whom showed that the musical range BC bOp!
can reach is beyond its crowd-pleasing yet more
traditional jazz songs.
BC bOp!’s concert also included some
performances that took a break from its
energetic, blaring numbers. “Kiss From a
Rose” showcased soft vocals and a stunning
melody. The group also presented an a cappella
performance with “I’ll Be Seeing You,” featuring
the beautiful vocals of Anne Wilder, CSOM
’16, in a way that granted the concert a smooth
interlude in the midst of its other, louder
performances. Additionally, another wonderful
song appropriately titled “In a Mellow Tone” and
showcasing the talents of Paul Schwartz, CSOM
&MONDAY, OCTOBER 19, 2015
INSIDEARTS ‘Everybody Wants Some!!’Th e latest period piece from director Richard
Linklater hit theaters this weekend, B6THIS ISSUE
‘Real Time with Bill Maher’Th e HBO talk show is more relevant than ever
with the upcoming 2016 election, B6
Weekend Box Offi ce Report.........................B6Hardcover Bestsellers....................................B6Th e Acoustics..................................................B7
We have all thought, maybe for just a
moment, that it would be cool to live in
another time. We glorify the past and how
things used to be. As we look at our favorite
music, television, and movies from times
past, our beliefs seem to confi rm themselves.
Sometimes we wonder what life would be
like if we had grown up in a diff erent time.
To experience Star Wars on opening night,
to see the long-since-disintegrated band
live, or to live among a culture that has been,
temporally, completely obliterated. Th ough
a manner of speaking may have fallen away,
hairstyles have died, movies have been
made, and records have been released, the
memory of these times call out to us and
bring us to a diff erent time and place.
We have the remnants of time always
before us. Our libraries span time. As we
look back at the ’80s, we imagine Ash slaying
demons in Th e Evil Dead and David Lee
Roth belting out “Hot for Teacher” off of Van
Halen’s latest album, 1984. Maybe in the late
1970s we’d tune into the original Battlestar Galactica and relish in the “state of the art”
special eff ects and recognize its topical Cold
War undertones. Maybe we would like to
sit in a club just outside of Hollywood in the
1940s, listening to Frank Sinatra sing “You’ll
Never Know” with a cigar and newspaper
in hand. Th ese things take us places, places
we may have never been. Th ese small pieces
hold enough to paint a picture of a place, or
at least a part of one.
Today, turning on the television and
watching fi lms would have us believe that
the past was the place to be. It may seem
at times that everything and everyone who
was anyone had already had his or her time
in one way or another. Mad Men displays
an old-school style of force and chauvin-
ism. Th at ’70s Show may have us reeling
at the styles of the time, while trailers for
the upcoming Th e Nice Guys fi lm have us
taken aback at that same style and tenacity.
Something is fascinating about another time.
While we look at the future with uncertainty
and wonder, sometimes we look back at
times past with the same amount of wonder-
ment.
Th is idea is an interesting one mostly
because we have no idea what kind of rabbit
hole we may enter when we look back to the
past. Th ough living in the Roaring Twen-
ties would surely be a trip, would we have
the capacity to live in the time? Could you
sound the bee’s knees? What would life be
like amid the counterculturalism of the ’60s?
How would we react to Th e Beatles embark-
ing to America and the “British Invasion.”
Could we grasp, cope, or comprehend the
bizarre styles of the ’70s?
I had always been a fan of ’90s music
and culture. It was not the most foreign or
out-there, and its similarities to the current
age were more apparent than styles of other
decades. It shares enough in common with
the modern age to remain mostly relatable.
I seemed to just miss living in the time by a
decade or so. But the more I think about it,
I only comprehend a sliver of what the time
was all about. For the most part, I ignore or
am ignorant of the faults of the era because I
have been able to cherry-pick its best parts. I
get to take it. Not live it.
Moreover, as an individual, I am a prod-
uct of my environment. Nature and nurture.
Changing any of that would certainly change
who I am and what I like. Th at makes all
that happens now, though it might not be
all we hoped it would be, our time. Th e time
is now. Th ough we long for a fashion that
is long gone and though we may wish we
could have lived in another age, we would
do well to appreciate what is happening all
around us.
So go see that movie while it is still in
theaters. Remember that new song while it
is still new. Turn it up. Before we turn into
antiquity, we ought to make memories about
this time. Who knows? Maybe someone in
the future will wish to live in our time.
Instead of wishing for another day, we
could all make time for today. We only get
one shot at it.
Bob Dylan, a man from another time,
says as much in “Open the Door, Homer.”
“Take care of all your memories / For you
&MONDAY, APRIL 4, 2016
ARTS REVIEWB8
See Jazz Wars, B7
The Japan Club of Boston College’s
annual Harumatsuri, a Japanese spring
festival, was a nightlong celebration of
culture and art. Before the performers
took to the stage, JCBC’s culture chair
Yoyo Kwan, MCAS ’18, asked a simple
question.
“How many of you in the audience are
Japanese?”
About a third of the 150 or so audience
members raised its hands. While a sizeable
group, it was obvious that perhaps a
majority of the attendees came from a
variety of cultural backgrounds. According
to Kwan, the night’s event was not just
for those of Japanese descent. Rather, the
event catered to all individuals who have
been touched or infl uenced by Japanese
culture. Kwan advocated for individuals
to become cultural allies, or persons
who support and foster growth within
a community—Japanese heritage isn’t a
requirement for JCBC membership. Th e
club exists to help all individuals claim
their personal narratives and explore the
intersection of traditional culture and the
American experience.
Th e fi rst performance of the night was a
Kabuki theatre rendition of six scenes from
Th e Lion King. Kabuki is a genre of Japanese
drama that involves highly stylized dance
sequences, songs, and body movements.
Although the performance lacked dialogue,
the intensity of the drama was portrayed
through exaggerated gestures and forceful
vocal expressions, and the choreographed
dancers moved across the stage with ease
and fl uidity. With this style, the performers
thrilled the audience with renditions of
famous scenes such as the death of Mufasa
and “Hakuna Matata.”
Another crowd favorite was a rendition
of “Sound of Love and Rainy Skies” by the
popular J-pop group AAA. Th e performance
was full of energy and enthusiasm. It started
with a single vocalist on stage, and with the
addition of each verse came the entrance
of another singer. Th e backdrop included
a lyrics sheet written in English, so non-
Japanese speakers could follow along with
the music. Th e crowd seemed particularly
SAVANNA KIEFER / HEIGHTS EDITOR
See SASA, B7
AMELIE TRIEU / HEIGHTS EDITOR
The Japanese Club of Boston College’s fifth annual spring festival, Harumatsuri, invited the school’s broad demographic base to join in a night of Japanese dances, songs, and performances.