TO LADY l\1ARY LYGON, MADRESFIELD. (THE GAVOTTE, A.D. 1700 & 1900) POR OR_CHESTRA COlVIPOSED BY EDWARD ELGAR (OP. IO, N 0. 3) FULL SCORE. PRICE FrvF SHILLINGS. LONDON: NOVELLO AND COMPANY, LIMITED. NF.w YoRK: THE H. Vv. GRAY CO., SoLE AGENTs t<OR THE U.S.A. Copyright, r8gg, by Novello & Company, Limited. The right of Public Representation rrnd Pcrformouce is reserved.
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TO
LADY l\1ARY LYGON,
MADRESFIELD.
(THE GAVOTTE, A.D. 1700 & 1900)
POR OR_CHESTRA
COlVIPOSED BY
EDWARD ELGAR (OP. IO, N 0. 3)
FULL SCORE.
PRICE FrvF SHILLINGS.
LONDON: NOVELLO AND COMPANY, LIMITED.
NF.w YoRK: THE H. Vv. GRAY CO., SoLE AGENTs t<OR THE U.S.A.
Copyright, r8gg, by Novello & Company, Limited.
The right of Public Representation rrnd Pcrformouce is reserved.
TO
LADY MARY LYGON, MADRESFIELD.
CONTRASTS (THE GAVOTTE, A.D. 1700 & 1900)
FOR ORCHESTRA
COMPOSED BY
EDWARD ELGAR (OP. IO, No. 3)
FULL SCORE.
LONDON: NOVELLO AND COMPANY, LIMITED.
NEW YORK: THE H. w. GRAY co., SOLE AGENTS FOR THE U.S.A.
Copyright, 18gg, by Novello & Company, Limited.
The right nf Public Representation and Performance is reserved.
Note: This piece may be effectively performed by an Orchestra consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 Bassoon, 2 Horns, 1 Trumpet. (Cornet), Drums and Strings. Any other instrument in the Score may be added with corresponding gain in effect.
10936
Copyright, 1899, by Novello ct Company} Limited.
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ORATORIOS. THE KINGDOM. For Soprano, Contralto, Tenor and Bass
Soli, Chorus, and Orchestra. (Op. sr.) (Tonic Sol-fa, Choruses
s. d.
and Words of Solos only, zs. 6d.) 5 o P.aper Boards, 6s.; cloth, gilt, 7s. 6d. Vocal Parts, IS 6d.
each; Full Score (in the Press). String Parts, zss. ; Wind Parts (on hire only). Book of Words, with Analysis by A. J. Jaeger, IS., or s8s. 4d. net per 100. \Vords only, 6d., or 33s. 4d. net per roo. An Interpretation of the Libretto by C. V. Gorton, M.A., Rector of Morecambe, IS. Vocal Score and Vocal Parts with German words (Deutsche Ubersetzung von Julius Buths), 5 Mark.
THE APOSTLES. For Soprano, Contralto, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 49.) (Tonic Sol-fa, Choruses and words of Solos only, 2s. 6d.) . . . . • • 5 o
Paper boards, 6s.; cloth, gilt, 7s. 6d.; Vocal Parts, rs. 6d. each; Full Score, £5 ss.; String Parts, 23s. ; Wind Parts, &c. (on hire only); Book of Words, with Analysis and over Ioo Musical examples by A. J. Jaeger, Is., or s8s. 4d. net per 100. Words only, 6d., or 33S· 4d. net per Ioo. An Interpretation of the Libretto by C. V. Gorton, M.A., Rector of Morecambe, IS. Vocal Score with German words (Deutsche Ubersetzung von Julius Buths), 8 Mark. Chorstimmen, 2 Mark each. Textbuch, 30 pf. Erlauterung von Max Hehemann, 50 pf.
THE DREAM OF GERONTIUS. For Mezzo-Soprano, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 38.) (Tonic Sol-fa, Choruses only, IS. 6d.) • . . . . . . . 3 6
Paper boards, 4s.; cloth, gilt, ss.; Vocal Parts, ts. 6d. each; Full Score, £3 3s.; String Parts, 2os.; Wind Parts, &c. (on hire only). Book of Words, with Analysis and over 70 Musical examples by A. J. Jaeger, IS., or sos. net per 100. ·words only, 6d., or 25s. net per roo. Vocal Score, with German and English words (Deutsche Uhersetzung von Julius Buths), 6 Mark. Chorstimmen, each 2 Mark. Textbuch, 25 pf. Vocal Score with French words (Traduction fran<;aise de J. d'Offoel), fr. 7.50. Parties de Choour, fr. 2.50 each. Livret, fr, ---.so.
THE LIGHT OF LIFE ("Lux Christi"). A Short Oratorio. For Soprano, Contralto, Tenor and Baritone Soli, Chorus, and Orchestra. (Op. 29.) 2 6
Tonic Sol-fa, IS. Full Score, in the Press; String Pa,rts, 13s. 6d.; Wind Parts, &c. (on hire only); Words only, IDS, per 100.
CANTATAS. CARACTACUS. For Soprano, Tenor, Baritone, and Bq.ss
Soli, Chorus, and Orchestra. (Op. 35·) 3 6 Paper boards, 4s.; cloth, gilt, ss.; Vocal Parts, 1 s. 6d. each.
Full Score £3 3s.; String Parts, 24s.; \Vind Parts, &c. (on hire only). Tonic Sol-fa (Choruses and words of Solos only), IS. Book of \Vords, with Analysis by HERBERT THOMPSON, IS., or sos, net per 100; Words only, 6d., or 25s. net per 100.
KING OLAF. For Soprano, Tenor, and Bass Soli, Chorus, and Orchestra. (Op. 30.) . . 3 o
Paper Boards, 3s. 6d.; Cloth, gilt, 5s.; Vocal Parts, rs. 6d. each. Full Score, £3 3s. Strinr, Parts, 23s. Wind Parts, &c. (on hire only). Tonic Sol-fa (Choruses only), IS. 6d. Words only, 6d., or zss. net per roo. Book of ·words, with Analysis by JosEPH BENNETT, IS., or 50s. net per IOO.
THE BANNER OF ST. GEORGE. ForChorus(Soprano S'Jlo ad lib.) and Orchestra. (Op. 33-) . • . . . . . . I 6
Full Score, R U セ N String Parts, 8s. 6d.; Wind Parts, &c., 1gs. 6d.; Tonic Sol-fa, rs. Words only, 12s. 6d. per 100.
THE BLACK KNIGHT. For Chorus and Orchestra. (Op 25.) . 2 o
Full Score, 3 lS. 6d. ; String Parts, gs.; Wind Parts, &c. (on hire only). Vocal Parts, xs. each. ·words only, ss. per xoo.
ANTHEMS AND SERVICES. TE DEUM AND BENEDICTUS IN F. For Chorus
(s.A.T.B.), Orchestra, and Organ. (Op. 34) .. .. .. 1 o String Parts, 4s. 6d.; Wind Parts, &c., and Full Score, MS.
LIGHT OF THE WORLD ("The Light of Life"). s.A.T.B. o 3 SEEK HIM THAT MAKETH THE SEVEN STARS
("The Light of Life"). TenorSoloandChorusforT.T.B.B. o 6 DOUBT NOT THY FATHER'S CARE ("The Light of
Life"). Duet, s. and c. • • o 2 AVE VERUM Op. 2, No. I). Motet. English and Latin
Words. (Tonic Sol-fa, Id.) o 2
PART-SONGS AND CHORUSES. s d,
THE SNOW. For Female Voices (s.s.c.). With Accom-paniments for Two Violins and Pianoforte, or the Accompaniments arranged for Small Orchestra (Score, ss. ; String Parts, 2s. 3d.; Wind Parts, &c., 3s. 9d.). (Op. 26, No.1) o 6
(Tonic Sol-fa, rid.; Violin Parts, 6d. each.)
FLY, SINGING BIRD. For Female Voiees (s.s.c.). With Accompaniments for Two Violins and Pianoforte, or the Accompaniments arranged for Small Orchestra (Score, ss.; String Parts, 2s. 6d.; Wind Parts, &c., 3s. 3d.). (Op. 26, No.2) o 6
(Tonic Sol-fa, i セ 、 N [ Violin Parts, 6d. each.)
AN EVENING SCENE. For s.A.T.B. (Tonic Sol-fa, 2d.)
MY LOVE DWELT IN A NORTHERN LAND. For s.A.T.B. {Tonic Sol-fa, I!d.)
WEARY WIND OF THE WEST. For s.A.T.B. (Tonic Sol-fa, r!d.)
0 4
0 3
0 3
0 HAPPY EYES. For s.A.T.B. (Op. t8.) (Tonic Sol-fa, rd.) o セ セ
SPANISH SERENADE ("Stars of the Summer Night''). For Chorus (s,A.T.B.) and Orchestra (or Pianoforte).. . . o 3
Full Score, ss.; String Parts. Is. 9d.; Wind Parts, &c., 2s. 6d. (Tonic Sol-fa, zd.)
THE CHALLENGE OF THOR ("King Olaf"). o 4 (Tonic Sol-fa, zd.)
THE WRAITH OF ODIN ("King Olaf'') o 4 (Tonic Sol-fa, 2d.)
AS TORRENTS ·IN SUMMER ("King Olaf'' 1 o 2 (Tonic Sol-fa, rd.)
AS TORRENTS IN SUMMER ("King Olaf.'') Arranged for A.T.B.B. .. .. .. .. .. .. .. ., O 2
A LITTLE BIRD IN THE AIR (Chorus from" King Olaf'') o 6 (Tonic Sol-fa, 3d.)
IT COMES FROM THE MISTY AGES ("Banner of St. George"). (Tonic Sol-fa, 2d.) .. • . .. .. o 4
BRITONS, ALERT! (" Caractacus ") o 3
LIT a セ y ("The Dream of Gerontius ").. o 2
BE m e r \ _ i f L セ l L BE GRACIOUS, LORD ("The Dream of Geronhus ) •• . . • • .. .. .. セ N o 3
GO f o セ t A L ヲ UPON THY JOQRNEY ("The Dream of Gerontlus ) . . . . • • • • • • . . • • • . o 4
PRAISE TO THE HOLIEST IN THE HEipHT. s.A.s.S,A.A. ("The Dream of Gerontius '1) • • • • • • 0 4
SOFTLY AND GENTLY, DEARLY RANSOMED SOUL (Finale from "The Dream of Gerontfus ") .. o 6
THE SPIRIT OF THE LORD IS UPON ME. (Prologue, from " The Apostles ") • , • , • • . . • • . . 0 6
GOD SAVE THE KING. Arranged for Solo, Chorus, Orchestra, and Military Band (ad lib,) • . . . • • . • o 3
Full Score, ss.; String Parts, 2s. 6d. ; vVind Parts, &c., 4s. 3d. 3. Contrasts (The Gavotte, A.D. 1700 and 1900).
Full Score, ss. ; String Parts, 2s. 6d.; Wind Parts, &c., ss. 3d. NoTE.-These pieces may be effectively performed by an Orchestra consisting of
I Flute, I Oboe, r Clarinet, r Bassoon, 2 Horns, r Trumpet (Cornet), Drums, and Strings. Any other instrument in the Score may be added with corresponding gain in effect.
INTERMEZZO (" Dorabella" from the Variations, Op 36), for Strings, \Vood-wind, and Drums.
Score, 3s.; String Parts, 2s. 3d.; Wood-wind and Drum Parts, Is. 6d.
ORGAN. '· d.
INTRODUCTION to Part II. of "The Apostles" I 6
CANTO POPOLARE (In Moonlight), arranged from the Concert-Overture "In the South" (Op. so) . . 2 o
SOLEMN MARCH ("The Black Knight") r o
MEDITATION ("TheLightofLife") r o
IMPERIAL MARCH (Op. 32) . • 2 o
TRIUMPHAL MARCH (" Caractacus ") 2 o
PRELUDE AND ANGEL'S FAREWELL ("Gerontius") 2 o
FUNERAL MARCH ("Crania and Diarmid"; Op. 42) 2 o
CHANSON DE NUIT (Op. 15, No. r) 2 o CHANSON DE MATIN (Op. r.s. No. 2) 2 o
MILITARY BAND. s. d.
IMPERIAL MARCH (Op. 32).. 9 ° CHANSON DE NUIT (Op. 15, No. r) 3 6
CHANSON DE MATIN (Op. 15, No. 2) 3 6 MAZURKA (Op. ro, No. r) 5 o SERENADE MAURESQUE (Op. ro, No. 2) 5 o CONTRASTS (The Gavotte, A.D. 1700 and 1900) (Op. ro,
No.3) 5 o MEDITATION,from"TheLightofLife'' 5 o
PIANOFORTE SOLO. IN THE SOUTH (" Alassio''). Concert-Overture (Op. so) 3 o
CANTO POPOLARE (In Moonlight), arranged from above 2 o VARIATIONS ON AN ORIGINAL THEME (Op. 36) 3 6 INTERMEZZO (" Dorabella ")from the above 2 o FROISSART (Op. Ig). Concert-Overture 2 6 THREE PIECES (Op. ro) :-
r. Mazurka 2 o 2. Serenade Mauresque 2 o 3· Contrasts (The Gavotte, A.D. 1700 and 1900) 2 o
MEDITATION ("The Light of Life'').. 2 o IMPERIAL MARCH (Op. 32) . . 2 o CHANSON DE NUIT (Op. rs, No. r) r 6 CHANSON DE MATIN (Op. 15, No. 2) r 6
PRELUDE ANDANGEL'SFAREWELL("Gerontius") 2 o FUNERAL MARCH(" Crania and Diarmid ") 2 o
PIANOFORTE DUET. IN THE SOUTH ('' Alassio "). Concert-Overture (Op. so). 5 o VARIATIONS ON AN ORIGINAL THEME (Op. 36). 6 o
INTERMEZZO (" Dorabella ")from the above 2 o INTRODUCTION AND ALLEGRO for Strings (Op. 47). 4 o
VIOLIN AND PIANOFORTE. CANTO POPOLARE (In Moonlight), arranged from tl1e
Concert-Overture "In the South" (Op. so) 2 o
CHANSON DE N UIT (Op. 15, No. r) r 6
CHANSON DE MATIN {Op. rs, セ ッ N 2) 2 o
MAZURKA (Op. 10, No. r) 2 o
VIOLA AND PIANOFORTE. CANTO POPOLARE (In Moonlight), arranged from the
Concert-Overture'' In the South" (Op. so) セ 0
CHANSON DE NUIT (Op. rs, No. r) 6
VIOLONCELLO AND PIANOFORTE. CANTO POPOLARE (In Moonlight), arranged from the
Concert-Overture "In the South " (Op. so) 2 o CHANSON DE NUIT (Op. rs, No. r) r G
CHANSON DE MATIN (Op. 15, No.2) 2 c
CLARINET AND PIANOFORTE. CANTO POPOLARE (In Moonlight), arranged from the
Concert-Overture "In the South" (Op. 50) 2 o
LONDON: NOVELLO AND COMPANY, LIMITED.
NEw YoRK: THE H. W. GRAY CO., SOLE AGENTS FOR THE U.S.A.