The Garden

D E S I G N

R E P O RT

Ishma Roosyida (1006685310) Stella Ajeng W (1006685494)

Yohana P F Silitonga (1006685544)

S P A C E

I N - B E T W E E N

TABLE OF CONTENTS /BRIEF:  THE  GARDEN  /SEQUENCE  FRAMING  /MAPPING            //2D  SEQUENCE  TRACING            //3D  SEQUENCE  TRACING            //  POSITION  MAPPING                  //DYNAMIC            //POINTS  /EXPLORATION  MODEL            //PHOTOGRAPHS            //THE  MATERIALS    

THE GARDEN DANCER:  COURTNEY  &  MARK  (SO  YOU  THINK  YOU  CAN  DANCE  SEASON  4)  

A  contemporary  jazz  rouHne  brought  in  a  dance  compeHHon,  So  You  Think  You  Can  Dance.  Choreographed  by  Sonya  Tayeh,  this  rouHne  tells  about  a  baSle  between  two  lovers  –  a  baSle  of  love  and  hate  –  with  

a  sense  of  vintage  French  burlesque.  The  rouHne  is  raw,  dark,  and  aggressive  as  the  dancer  once  said.    

DARK  

AGRESSIVE  

LUSTY  

SEXY   RAW  

LOVE-­‐HATE  

POWERFUL  

FIERCE  

The  rouHne  was  chosen  because  of  its  unique  movements,  giving  some  complexity  on  finding  the  space  in-­‐between  the  dancers.  The  way  the  dance  telling  the  story  gives  the  rouHne  a  whole  of  different  kind  of  flow  –  running  away  from  each  other,  then  approaching  each  other  to  fight,  jumping  up,  crawling  down.  The  whole  sequence  had  interests  us  to  explore  and  study    the  space  in-­‐between  made  in  the  dance  and  to  make  a  form  from  it.  

SEQUENCE FRAMING

1. CRAWL 2. JUMP OVER

5. BUTT-KICK

6. WALK AROUND 7. LIFT AND SPIN

4. ROLL-BEND 3. HEAD SPIN

8. STOP

MOVEMENTS EXPLORATION MODEL *FIRST  3seconds  

Showing  the  steps  of  the  movements  Pink  threads:  Space  in-­‐between  

MOVEMENTS EXPLORATION MODEL *FIRST  3seconds  

The  steps  of  movements  

2D SEQUENCE TRACING

2D SEQUENCE TRACING

3D SEQUENCE TRACING

POSITION MAPPING

2  

5  

4  

1  

3  

7   8  

6  

POSITION MAPPING

2  

5  

4  6  

1  

3  

7   8  

MOTIONS’ DYNAMIC MAPPING

/  Small  movements  /  Short  duraHon  /  Dynamic  

M O V E M E N T   C A T E G O R I E S  

2   5  4   6  1   3   7   8  

/  Long,  conHnuous  movements  /  Medium-­‐long  duraHon  /  Powerful  but  smooth  

/  Slamming  movements  /  Short  duraHon  /  Extremely  powerful  

2  

5  

4  

6  

1  

3  

7   8  

MoHons  dynamic  mapping  on  posiHon  map  

POINTS MAPPING

Lines  pulled  down  from  the  dancer’s  nodes  to  represent  the  space  in-­‐between  created  during  the  rouHne.  

POINTS EXPLORATION MODEL

FINAL FORM

POSITION  MAPPING  

MOTIONS’  DYNAMIC  MAPPING  

POINT  MAPPING  

THE MATERIALS

RED  &  BLACK  REPRESENTING  LOVE  AND  HATE  BETWEEN  THE  DANCERS  

EXPRESSING  THE  DANCING  DYNAMICS  

BAMBOO  STICKS  REPRESENTING  THE  RAW  AND  POWERFUL  MOVEMENTS  OF  THE  DANCE  

BLACK  STOCKINGS  EMPHASIZING  FLOW  AND  SPACE  –  PLIANT  BUT  SHOWINGNG  POWER  WHEN  STRETCHED  

POWER  IS  ONE  OF  THE  MAIN  ATTRACTION  OF  THE  DANCE