THE ENCODING OF MOTION EVENTS IN CHINESE: MULTI-MORPHEME MOTION CONSTRUCTIONS A DISSERTATION SUBMITTED TO THE DEPARTMENT OF EAST ASIAN LANGAUAGES AND CULTURES AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN CHINESE Jingxia Lin August, 2011
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THE ENCODING OF MOTION EVENTS IN CHINESE: MULTI-MORPHEME MOTION CONSTRUCTIONS
A DISSERTATION
SUBMITTED TO THE DEPARTMENT OF EAST ASIAN LANGAUAGES AND CULTURES AND THE COMMITTEE ON GRADUATE STUDIES
OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE
REQUIREMENTS FOR THE DEGREE OF
DOCTOR OF PHILOSOPHY IN CHINESE
Jingxia Lin August, 2011
http://creativecommons.org/licenses/by-nc/3.0/us/
This dissertation is online at: http://purl.stanford.edu/jm379cs8490
I certify that I have read this dissertation and that, in my opinion, it is fully adequatein scope and quality as a dissertation for the degree of Doctor of Philosophy.
Chao Sun, Primary Adviser
I certify that I have read this dissertation and that, in my opinion, it is fully adequatein scope and quality as a dissertation for the degree of Doctor of Philosophy.
Beth Levin, Co-Adviser
I certify that I have read this dissertation and that, in my opinion, it is fully adequatein scope and quality as a dissertation for the degree of Doctor of Philosophy.
Yoshiko Matsumoto
Approved for the Stanford University Committee on Graduate Studies.
Patricia J. Gumport, Vice Provost Graduate Education
This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file inUniversity Archives.
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ABSTRACT
This dissertation investigates Chinese verbal morphemes that express motion and their
distribution in motion constructions with multiple motion morphemes. For example, the
construction pǎo-jìn fángjiān run-enter room ‘run into the room’ is formed of two motion
morphemes pǎo ‘run’ and jìn ‘enter’. Multi-morpheme motion constructions (MMMCs)
are frequent in Chinese, but it seems difficult to formulate a generalization about the
relative order of the motion morphemes in these constructions. This dissertation argues
that the order is predictable. Drawing on recent work on “scale structure”, it proposes a
Motion Morpheme Hierarchy that can be used to predict the order of motion morphemes
and a More Specific Constraint that explains why the hierarchy emerges.
Unlike the traditional two-way classification of motion morphemes into manner-of-
motion morphemes and path morphemes (Talmy 1975), this study classifies Chinese
motion morphemes into four types according to the type of scale that each lexicalizes. A
path is composed of contiguous points that are ordered between the starting point of
motion and a reference object; the path can be understood as a scale because the ordered
points indicate measurement values on the dimension of distance (that is, the distance of
the starting point from the reference object) (Rappaport Hovav and Levin 2010). Motion
morphemes are first classified into scalar change motion morphemes (e.g., tuì ‘recede’,
depending on whether they lexicalize a scale or not. Scalar change motion morphemes
are then classified into open scale motion morpheme (e.g., tuì ‘recede’) and closed scale
motion morphemes (e.g., huí ‘return’, jìn ‘enter’) depending on whether the scales they
lexicalize have endpoints or not. Closed scale motion morphemes are further classified
into multi-point closed scale motion morphemes (e.g., huí ‘return’) and two-point closed
scale motion morphemes (e.g., jìn ‘enter’) depending on whether their scales have
multiple points or two points (the starting and end points). A set of independent tests is
proposed to identify which type each Chinese motion morpheme falls into, regardless of
whether the morpheme can be used as an independent verb or not.
This dissertation then argues that the order of Chinese motion morphemes in
MMMCs are predictable using a Motion Morpheme Hierarchy formed of the four types
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of motion morphemes. In this hierarchy, nonscalar change motion morphemes are located
at the farthest left, followed by open scale motion morphemes, and then closed scale
motion morphemes (including both multi-point and two-point closed scale motion
morphemes). In an MMMC, the motion morphemes are ordered from left to right
according to how their types appear in the hierarchy. Two extensive studies of MMMCs
based on corpora of recent Chinese novels show that the hierarchy is valid for a large
range of Chinese data.
In addition, the More Specific Constraint is proposed: in an MMMC, each morpheme
is more specific in terms of the scale it specifies than the morpheme to its left. For
instance, scalar change motion morphemes must follow nonscalar change motion
morphemes because the former specify the existence of a scale, whereas the latter do not;
closed scale motion morphemes must follow open scale motion morphemes because the
former not only specify the existence of a scale, but also the existence of an endpoint for
the scale. The constraint explains why the Motion Morpheme Hierarchy can be used to
predict the order of motion morphemes. This dissertation also examines a few special motion constructions where the
morpheme order is not predicted by the Motion Morpheme Hierarchy. These include
motion constructions ending with the deictic motion morphemes lái ‘come’/qù ‘go’, e.g.,
pǎo jìn-lái run enter-come ‘run into towards the deictic center’, and constructions
consisting of two synonymous motion morphemes, e.g., jìn-rù enter-enter ‘enter’.
However, evidence is provided to show that these constructions should not be considered
counterexamples to the Motion Morpheme Hierarchy or the More Specific Constraint.
This study provides new insight into the distribution of motion morphemes in Chinese
MMMCs and a more fine-grained analysis of the semantic relationships between the
morphemes in these constructions, and thus contributes to an increased understanding of
how motion events are expressed in Chinese. The findings of this study may also
illuminate the distribution of motion verbs in other languages, as well as constructions in
domains other than motion.
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Acknowledgements
When I started to write this section, I realized that it would be the hardest part to
complete. I worry that my words cannot adequately express my gratitude to the people
who have supported, helped, and accompanied me on my journey to the completion of
the degree. My appreciation for them is much deeper than the words below can show.
First and foremost I would like to thank my advisors, Prof. Chaofen Sun and Prof.
Beth Levin, to whom I am deeply indebted. Prof. Sun has taken me under his wing since I
came to Stanford. His office door has always been open to me whenever I have questions
or need help. His invaluable guidance, feedback, and support have not only aided in my
study and research but also in my job-hunting endeavors and life. I am also truly lucky to
have Prof. Beth Levin as my co-advisor. One of the first courses I took at Stanford was
her class on Lexical Semantics, through which I was led to the area of lexical semantics.
Prof. Levin is a wonderful advisor. She carefully read every single draft of all chapters of
the dissertation, helped me sort through many analyses, and corrected my English. I thank
both Prof. Sun and Prof. Levin for their many illuminating discussions, and for their
enormous patience, encouragement, and indulgence. This dissertation would not be what
it is without them.
I am also deeply grateful to Prof. John Wang, who has always treated me the way he
has been treating his own students with incredible patience, understanding, and
consideration. Prof. Wang had been serving on my dissertation reading committee until a
few weeks before my defense, when his travel abroad made him impossible attend the
oral defense. I also thank him for his insightful and inspiring literature classes.
My deepest thanks go to Prof. Yoshiko Matsumoto and Prof. Ban Wang for serving
on my committee, for their interest in my work, and for all insightful questions they have
raised. I am especially grateful to Prof. Matsumoto, who agreed to substitute for Prof.
Wang and read my dissertation draft carefully by re-arranging her tight schedule. I also
want to thank Prof. Amado Padilla for chairing my oral defense.
Many thanks go to Jeeyoung Peck. My dissertation has benefited much from our
conversations and from her continuous encouragement. Part of this dissertation will
appear in a joint paper with her in the journal Studies in Language. I am very grateful to
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her for “pushing” me hard when we were preparing the joint paper, which in turn
motivated me to think through all ideas in this dissertation more deeply and more fully.
Prof. Meichun Liu, Prof. Qianrui Chen, and Prof. Guofu Long in the Chinese
Linguistics Workshop have also offered me invaluable feedback after listening to my
presentations. I thank them all, especially Prof. Liu who has been so elegant, sweet, and
considerate.
I am immensely thankful to Prof. John Newman, my advisor at the University of
Alberta, Canada, and Prof. Zongjie Wu, my advisor at Zhejiang University, China. They
enthusiastically opened the door of linguistics to me with enormous encouragement and
patience.
During the years at Stanford, I am also truly fortunate to have been surrounded by
great friends. I especially want to thank my best friend Xiaoqiu Xu for sharing many
laughs together all these years and encouraging each other while working on our
dissertations. Without her, my writing experience would have been dimmer and lonelier.
I would also like to thank Fangqiong Zhan, Xiaoman Miao, Yu Zhang, Melvin Su,
Hisaaki Wake, Paul Ganir, Tingting Zhao, and many fellow students in the department as
well as Bin Liang, Jifeng Qin, Tao Li, Qiang Ma with whom I spent so much valuable
time together.
I am also very thankful to Richard Futrell, who has made great efforts helping me
with the language of the dissertation.
I cannot thank my husband Yang Qi enough for his unconditional and constant
support. He has always been there for me, taking care of almost everything so that I can
concentrate on study and research, listening to my complaints and excitement, and
offering suggestions and encouragement. I would never have been able to finish my work
without him.
Finally, my greatest thanks go to my parents Shunsen Lin and Yulian Chen for their
unchanging love, support, and wise advice throughout my life. I want to thank my
parents-in-law, You Qi and Yajie Liu, for their care of me these years, and my sister
Xiaoling and brother Jing for their continuous support.
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Table of contents
List of tables ...................................................................................................................... xii
List of figures ................................................................................................................... xiii
Abbreviations ................................................................................................................... xiv
1 Introduction .................................................................................................................... 1 1.1 Research questions and significance of this study ........................................................ 1
1.2 Motion events and the typology of motion constructions ............................................. 4
1.2.1 The notion of motion event used in this study ........................................................ 5
1.2.2 The typology of motion constructions .................................................................... 7
1.3 Background on Chinese ................................................................................................ 8
1.3.1 Key typological characteristics of Chinese ............................................................ 8
1.3.2 The range of Chinese motion constructions ......................................................... 11
1.3.3 The Chinese motion constructions to be investigated .......................................... 15
1.3.4 Sources of Chinese data ........................................................................................ 20
1.4 Major claims ................................................................................................................ 21
1.5 Overview of the dissertation ....................................................................................... 22
2 Previous Studies of the Ordering and Classification of Chinese Motion
Morphemes ...................................................................................................................... 23 2.1 Previous studies of the order of motion morphemes in Chinese MMMCs ................. 23
2.1.1 Motion constructions as a type of resultative verbal compound .......................... 24
2.1.2 Temporal sequence and word order ...................................................................... 29
5 Corpus Studies Verifying the Motion Morpheme Hierarchy and the Encoding of Motion Events in Chinese ............................................................................................. 145
5.1 Corpus study 1 ........................................................................................................... 146
5.1.1 Data sources ........................................................................................................ 146
5.1.2 Data selection ..................................................................................................... 147
5.1.2.1 MMMCs to be analyzed ............................................................................... 148
5.1.2.2 Motion constructions to be excluded from the analysis ............................... 149
5.1.3 Motion constructions found in the data sources ................................................. 151
5.1.4 Hypotheses and data coding ............................................................................... 153
In addition, Chinese allows two or more verbal morphemes to occur together in a
construction, so motion events in Chinese are also commonly expressed through multi-
morpheme constructions. As in (2), the construction zǒu-huí xuéxiào walk-return school
‘walk back to school’ is formed of two motion morphemes, zǒu ‘walk’ and huí ‘return’.
(2) 我一路茫然地走回学校
wǒ yílù mángrán de zǒu-huí xuéxiào
I one.way absent-minded MOD walk-return school
‘I walked back to school all the way absent-mindedly.’
(http://bbs.rednet.cn/thread-2165585-4-1.html)
However, when more than one motion morpheme appears in a construction, it seems
to be difficult to formulate a generalization concerning the order of these morphemes. For
instance, huí ‘return’ must follow jiànɡ ‘descend’ in (3), but must precede dào ‘arrive’ in
(4).
1 Chinese has two morphemes –le according to previous studies: the –le occurring after (or suffixed to) a verb functions as a perfective marker, whereas the –le in sentence-final position signals a “currently relevant state” (Li and Thompson 1981: 240, among others). However, there are situations in which the function of –le is hard to identify, especially when –le occurs after a sentence-final verb. A detailed discussion of –le can be found in Li and Thompson (1981). This
3
(3) a. 飞机起飞半小时后又降回昆明。
Fēijī qǐfēi bàn -xiǎoshí yòu jiàng-huí Kūnmíng
plane take.off half-hour again descend-return Kunming
‘Half an hour after the plane took off, it descended back to Kunming.’
but son always Sunday afternoon four-o’clock return-return school
‘But [my] son always returned to school at 4pm on Sundays.’
(http://www.sztyj.com/bbs/simple/?t72353_2.html)
Therefore, the following questions arise when multiple motion morphemes occur together:
Is the order of these morphemes just a matter of convention and totally unpredictable? Or
is there a generalization that can predict the order? If yes, what determines the order?
In order to answer these questions, this study explores Chinese motion morphemes
and the factors determining their order in multi-morpheme motion constructions
(hereafter “MMMCs”). Based on recent studies of “scale structure” (Kennedy and
McNally 2005, Rappaport Hovav 2008, Rappaport Hovav and Levin 2010, among others),
I classify Chinese motion morphemes into four types according to what kind of scale the
morphemes lexicalize, and propose a Motion Morpheme Hierarchy formed by the four
types of morphemes that can be used to predict the order of morphemes in motion
constructions, as well as a general principle, which I call the “More Specific” Constraint
that explains why the hierarchy emerges.
The significance of this study is threefold. First, it provides new insight into the
morphemes’ syntactic distribution in MMMCs and a more fine-grained analysis of the
semantic relationships between the morphemes in these constructions. Second, it furthers
our understanding of the nature of motion events as well as the way motion events are
conceived in the minds of Chinese speakers and reflected in their language. Third, the
generalization underlying the ordering of Chinese motion morphemes might be extensible
to serial verb motion constructions in other languages, e.g., Thai and Ewe, as well as to
other Chinese multi-morpheme constructions, e.g., resultative verbal compounds.
1.2 Motion events and the typology of motion constructions This section introduces the notion of motion event used in this dissertation as well as the
typological patterns that Chinese exhibits in describing motion events.
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1.2.1 The notion of motion event used in this study
A motion event in this dissertation refers to the kind of event in which an object moves
and changes its location with respect to another object. As illustrated in (6), the dog
moved with respect to the kitchen and changed its location from the outside of the
kitchen to the inside.
(6) The dog ran into the kitchen.
Such an event is called a “translational motion event” by Talmy (2000: 35, cf. Zlatev et al.
2005, Bohnemeyer et al. 2007, Beavers et al. 2010).2
Talmy (2000: 25) distinguishes four “internal” components that comprise a
translational motion event:
(7) Figure: the moving object
Ground: the reference object with respect to which the Figure moves
Motion: the presence of motion
Path: The course/route along which the Figure moves with respect to the Ground
For instance, (6), repeated as (8), describes an event in which the figure (the dog) carries
out its motion along a path with respect to the ground (the kitchen).
(8) The dog ran into the kitchen.
Figure Motion Path Ground
In addition to the internal components, a motion event can also have an “external” or
associated “co-event” (Talmy 2000: 26). One important co-event is the manner of motion,
2 Besides translational motion events, Talmy (2000: 25) also treats a situation in which an object is located with respect to another object as a kind of motion, as in (i). However, this study only examines translational motion events.
(i)The pencil lay on the table. (Talmy 2000: 26, (26))
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which specifies how a figure moves (Talmy 2000). For instance, the verb run in (8)
specifies that the motion is carried out in a running manner.
According to Talmy (2000: 27-28), translational motion events fall into three types
depending on the agentivity of the figure. The first type is agentive motion, in which a
figure is caused to move by some explicit external cause, and the figure has no control
over its motion, like the keg in (9), which is caused to move by I (ibid.).
(9) I slid/rolled/bounced the keg into the storeroom. (ibid.:28, (5f))
The second type is non-agentive motion, in which the motion of a figure occurs without
an obvious cause, and the figure has no control over its motion, such as the rock in (10)
(ibid.).
(10) The rock slid/rolled/bounced down the hill. (ibid.: 28, (5c))
The third type is self-agentive motion, in which a figure moves and has control over its
motion (ibid.). (11) describes such an event.3
(11) I ran into the storeroom.
This study is limited to motion constructions that describe self-agentive motion and non-
agentive motion. Agentive motion is only mentioned when necessary because it is
structurally different from the other two types in both English and Chinese. For instance,
in constructions describing agentive motion, the figure is usually expressed as the object,
like the keg in (9), whereas the figure in constructions of self-agentive and non-agentive
motion is usually expressed as the subject, like the rock, the napkin, and I in (10) and (11).
The next section introduces the various ways of expressing self-agentive and non-
agentive motion.
3 Linguists studying Chinese motion events, e.g., Lamarre (2003), Qi (1998) and Y. Liu (1998), use the Chinese term 致移 zhìyí ‘caused motion’ for agentive motion (9), and 自移 zìyí ‘self motion’ for non-agentive (10) and self-agentive motion (11).
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1.2.2 The typology of motion constructions Talmy (2000) proposes that languages can be divided into two major types, verb-framed
and satellite-framed, according to whether path information is characteristically encoded
in the verb or not. Verb-framed languages encode path in the verb; Turkish, Korean,
Japanese, and Tamil are some of the languages that belong to this type (ibid.: 60). (12) is
an example from Spanish.
(12) la botella entró a la cueva (flotando)
the bottle MOVED-in to the cave (floating)
‘The bottle floated into the cave.’ (Talmy 2000: 49, (29a))
Satellite-framed languages, in contrast, encode manner in the verb, while path is
expressed in a satellite to the verb, i.e. in nonverbal morphemes such as particles or verb
affixes (Talmy 2000: 102). Russian, German, and Warlpiri are languages belonging to
this type (ibid.: 60). (13) is an example from English.
(13) The bottle floated into the cave.
In addition, recent studies also find languages such as Emai, Thai, and Ewe which
express path and manner using morphemes with equivalent grammatical status, so a third
type of language is proposed: equipollently-framed languages (Slobin 2004, Zlatev and
Yangklang 2004, Ameka and Essegbey 2001, among others). For instance, (14) is a
monoclausal sentence of Thai, where both manner and path are expressed in main verbs
(Zlatev and Yangklang 2004).
(14) chán dɘɘn khâw paj
I walk enter go
‘I am walking in (away from the deictic center, into something).’
(Zlatev and Yangklang 2004: 165, (11))
8
However, recent work (e.g., Folli and Ramchand 2005, Filipović 2007, Beavers et al.
2010, Croft et al. 2010) argues that a language can have more than one way of expressing
a motion event. According to these studies, most languages show both verb-framed and
satellite-framed patterns, and some may have all three options for the encoding of motion
events.
1.3 Background on Chinese This section introduces some key typological charactistics of Chinese, the typological
patterns that Chinese conforms to in describing motion events, the motion constructions
that are to be analyzed in this study, as well as the data sources used in this study.
1.3.1 Key typological characteristics of Chinese Mandarin Chinese has been considered to be an isolating language because it has
relatively simple morphology (Li and Thompson 1981, Norman 1988, among others). For
instance, Chinese has no case markers on nouns to indicate grammatical functions such as
subject and object, and verbs have no agreement markers either (Li and Thompson 1981,
among others). The function of these morphemes, however, is indicated by word order in
Chinese (ibid.).
Chinese has basic VO word order; that is, a verb is usually followed by an object, as
illustrated in (15) (Sun and Givón 1985, Norman 1988, Ramsey 1989, Pulleyblank 1995,
Sun 2006, Loar 2011, among others, cf. Li and Thompson 1974a, b, Li and Thompson
1981, Xu 2006).
(15) 她写了一本书
tā xiě-le yī-běn shū
she write-ASP one-CLF book
‘She wrote a book.’
However, Li and Thompson (1981), among others, argue that Chinese also shows
features that Greenberg (1963/1966) associated with OV languages. For instance, they
point out that in typical VO languages, modifiers are preceded by their head, but Chinese
9
can have a head preceded by a modifier, which is a feature of OV languages. For example,
in dà zhuōzi big table ‘big table’, the adjective dà ‘big’ precedes the head noun zhuōzi
‘table’.
In addition, Li and Thompson point out that Chinese temporal phrases and locative
phrases also show variations that are not typical of VO languages. For instance,
according to them, the position of temporal and locative phrases with respect to a
predicate is determined by “consideration of meaning rather than of grammatical
functions” (ibid. 1981: 19). As illustrated in (16), the locatives phrase zài zhuōzi-shàng at
table-top ‘on the table’ can occur both before and after the predicate tiào ‘jump’:
(16) a. 她/他在桌子上跳
tā zài zhuōzi-shàng tiào (pre-verbal locative phrase)
s/he at table-top jump
‘S/he jumped (up and down) on the table.’ (Li and Thompson 1981: 22, (20a))4
b. 她/他跳在桌子上
tā tiào zài zhuōzi-shàng (post-verbal locative phrase)
s/he jump at table-top
‘S/he jumped onto the table.’ (Li and Thompson 1981: 22, (20b))
According to Li and Thompson, modifiers in preverbal position describe the location of
actions, but modifies in postverbal position describe the place where a person or entity is
located as a result of the action; thus, in (16a), the table is the place where the jumping
event occurs, whereas in (16b), the table has to be understood as the place where the
person can be found after the jumping action. However, other studies, e.g., Tai (1985,
1987) and Loar (2011), propose that the order of syntactic units in Chinese reflects the
temporal order of the events that these units denote. For instance, in (16a), the person has
to move up to the table before s/he jumps, so zài zhuōzi-shàng ‘on the table’ precedes
4 The original Chinese examples cited from previous studies may be glossed in different ways. In order to keep the format consistent in this dissertation, all examples, including cited data, are presented with Chinese characters and pinyin with tone marks.
10
tiào ‘jump’; whereas in (16b), the person is located on the table after his/her jump, so tiào
‘jump’ precedes zài zhuōzi-shàng ‘on the table’. Chapter 2 will come back to these
proposals in the context of a discussion of motion morphemes in a Chinese motion
construction. Nonetheless, (16) indicates that semantics may affect the choice of word
order of Chinese.
Another important characteristic of Chinese is that it allows multiple verb phrases or
clauses to occur in a sentence, with no overt markers to indicate the relationships between
these juxtaposed phrases or clauses (Li and Thompson 1981: 594, among others). For
example, both sentences in (17) have two verb phrases, but no morpheme is used to
indicate the relationships betweent the two phrases; and for this reason, Chinese is
considered a serial verb language (Li and Thompson 1981, among others).
(17) a. 他拿刀切面包
tā ná dāo qiē miànbāo
he hold knife cut bread
‘He held the knife to cut the bread./He cut the bread with the knife.’
b. 他请我吃晚饭
tā qǐng wǒ chī wǎnfàn
he invite I eat dinner
‘He invited me to have a dinner.’
In addition, Li and Thompson (1981, also Packard 2000, and others) claim that
Chinese is rich in compounds in which (two) morphemes combine to form one word.
They point out that there are two major types of verbal compounds: resultative verb
compounds in which the second verbal morpheme indicates some result brought about by
the first verbal morpheme, e.g., pò ‘break’ in dǎ-pò huāpíng hit-break vase ‘break the
vase by hitting it’; and parallel verb compounds, in which the two verbal morphemes
which “are either synonymous or signal the same type of predicative notion”, e.g., gòu-
mǎi buy-buy ‘buy’ (Li and Thompson 1981: 68). Both serial verb constructions and the
11
two types of verbal compounds are found in expressions of motion events. I will discuss
them in more detail in the following chapters.
This dissertation follows the diagnostics of previous studies (Li and Thompson 1981,
among others) in determining whether a given combination of motion morphemes is a
compound word or a serial verb construction: in a given combination, if the first motion
morpheme cannot be modified by perfective suffix -le, then the combination is treated as
a compound word. For example, jiànɡ-huí descend-return in jiànɡ-huí Kūnmínɡ ‘descend
back to Kunming’ is treated as a compound because -le cannot be inserted in between
jiànɡ ‘descend’ and huí ‘return’. In contrast, in zǒu jìn-lái run enter-come ‘walk in toward
the deictic center’, -le can be inserted in between zǒu ‘walk’ and jìn-lái enter-come, so
zǒu and jìn-lái are treated as two words (jìn-lái is treated as a compound because -le
cannot be inserted in between jìn ‘enter’ and lái ‘come’). A hyphen is used to connect
motion morphemes within a compound and each motion morpheme is glossed
individually, because the analysis of this study is based on the lexical semantic
information in each morpheme.
1.3.2 The range of Chinese motion constructions As mentioned in Section 1.1, Chinese can have more than one motion morpheme in a
motion construction. For instance, manner and path information is expressed by two
individual motion morphemes in each sentence in (18).
(18) a. 小猫跑过房间
xiǎomāo pǎo-guò fángjiān
small.cat run-cross room
‘The small cat ran across the room.’
b. 学生走进教室
xuéshēng zǒu-jìn jiàoshì
student walk-enter classroom
‘The student walked into the classroom.’
12
However, by not uniformly identifying the same motion morphemes (manner or path)
as the main verb in Chinese, previous studies (Talmy 2000, Lamarre 2009, Peyraube
2006, Tai 2003, Chen and Guo 2008, Hsiao 2009, among others) have made different
claims regarding which lexicalization pattern Chinese has, i.e. which encoding option
Chinese exhibits.
Talmy (2000) claims that the morpheme expressing manner (usually the first motion
morpheme) in Chinese motion constructions is the main verb, e.g., pǎo ‘run’ in (17a),
whereas the morpheme expressing path information is the complement to the main verb,
i.e. the path satellite, e.g., guò ‘cross’ in (17a). He identifies Chinese as a satellite-framed
language because the path is not expressed in the main verb. Talmy’s position is also
adopted by Lamarre (2009), Peyraube (2006), Ma (2006), among others.
In contrast to these researchers, Tai (2003) claims that what they have called path
satellites are main verbs because they can occur alone and be suffixed with the aspect
marker -le. For instance, guò ‘cross’ in (19b) expresses path information and is the only
motion morpheme; in contrast, the motion morpheme preceding guò ‘cross’, i.e. fēi ‘fly’,
cannot occur alone in (19c).5
(19) a. 约翰飞过英吉利海峡
John fēi-guò Yīngjílì-Hǎixiá
John fly-cross English-Channel
‘John flew across the English Channel.’
b. 约翰过了英吉利海峡
John guò-le Yīngjílì-Hǎixiá
John cross-ASP English-Channel
‘John crossed the English Channel’
5 It is true that guò ‘cross’ can occur as a main verb as in (18b). However, Tai (2003) does not provide evidence showing whether guò ‘cross’ is still functioning as a main verb when it co-occurs with fēi ‘fly’ in (18a).
13
c. *约翰飞了英吉利海峡
*John fēi-le Yīngjílì-Hǎixiá
John fly-ASP English-Channel (Tai 2003: 309-310, (30)-(32))
Chen and Guo (2009) take a third position. They propose that Chinese is an
equipollently-framed language. However, they do not provide direct evidence showing
that the morphemes expressing manner and path have equivalent grammatical status.
Rather, through a statistical analysis of the motion constructions used in Chinese novels,
they find that Chinese manner and path morphemes are used with the same frequencies,
whereas a typical satellite-framed language such as English uses manner-of-motion verbs
predominantly and a typical verb-framed language such as Turkish uses path verbs
predominantly (cf. Chen 2005, Slobin 1997, 2004). Therefore, Chinese does not align
with English or Turkish, but is a language in between them (Chen and Guo 2009).
Unlike previous studies, Hsiao (2009, cf. Beavers et al. 2006, Beavers et al. 2010: 357)
proposes that all three encoding options are available in Chinese. (20a-c) illustrate
Hsiao’s examples of satellite-framed, verb-framed, and equipollently-framed encodings,
respectively.
(20) a. 玛丽沿着海边散步
Mǎlì yán-zhe hǎibiān sànbù
Mary along-IMP seashore stroll
‘Mary strolled along the seashore.’ (Hsiao 2009: 211, (6a))
b. 瓶子进了洞穴去
píngzi jìn-le dòngxué qù bottle enter-ASP cave go
‘The bottle entered the cave.’ (Hsiao 2009: 210, (4b))
14
c. 瓶子漂进了洞穴去
píngzi piāo-jìn-le dòngxué qù
bottle float-enter-ASP cave go
‘The bottle floated into the cave.’
(Tai 2003, cited from Hsiao 2009: 209, (4a))
Hsiao points out that the choice of a particular type of encoding is associated with
different factors. For instance, according to Hsiao, Chinese tends to use the satellite-
framed pattern to describe a motion event without an endpoint (unbounded event), as in
(20a) where the manner-of-motion morpheme sànbù ‘stroll’ is the main verb; in contrast,
if a motion event has an endpoint (bounded event), Chinese typically expresses the event
via a verb-framed pattern, as in (20b) where no manner-of-motion morpheme is used, or
the equipollently-framed pattern, and (20c) where both the manner-of-motion morpheme
piāo ‘float’ and the path morpheme jìn ‘enter’ are used. Furthermore, context and a
speaker’s desire to express a particular piece of information about the event can influence
the choice of encoding (Hsiao 2009, cf. Beavers et al. 2010). For instance, according to
Hsiao, because walking is usually assumed to be the default manner for a person to move
up to the second floor, the morpheme expressing walking does not need to be explicitly
expressed if a person moves upstairs by walking, though the motion construction is still
understood as a description of a walking event, as illustrated in (21).
(21) 大伟上二楼去了
Dàwěi shàng èrlóu qù le
David ascend second-floor go ASP
‘David went up to the second floor [by walking].’ (Hsiao 2009: 212, (7))
However, as illustrated in (22), if the manner of motion is different from walking, a
speaker tends to specify the manner and thus uses the equipollently-framed encoding
(Hsiao 2009).
15
(22) 大伟跳上二楼去了
Dàwěi tiào-shàng èrlóu qù le
David jump-ascend second-floor go ASP
‘David jumped his way to the second floor/David jumped to the second floor (at
one single jump).’ (Hsiao 2009: 212, (8a))
In this study, I follow Hsiao (2009) and Beavers et al. (2010) in assuming that
Chinese, as well as other languages, may describe a motion event in various ways,
including using all three types of encoding mentioned above.
1.3.3 The Chinese motion constructions to be investigated The preceding section shows that previous studies disagree on the grammatical status of
the morphemes that express motion in Chinese. As will be shown in Chapter 3, the
approach based on the scale structure of motion morphemes adopted in this study can be
applied to morphemes with different kinds of grammatical status, including independent
motion verbs, path satellites, and even bound motion morphemes, i.e. motion morphemes
that cannot be used alone as main verbs in Modern Chinese. Therefore, this study uses
the term “motion morpheme” to cover all morphemes expressing motion in Chinese.
This section introduces the types of motion constructions that are to be analyzed in
this study. As mentioned above, different means are available in Chinese for expressing
the same event (cf. Hsiao 2009, Chu 2004, Lamarre 2008). For instance, (23) lists some
of the sentences that can describe an event in which a figure moves back to a room in a
running manner.
(23) a. (Motion morpheme + motion morpheme + noun)
他跑回房间了
tā pǎo-huí fángjiān le
he run-return room ASP
‘He ran back to the room.’
16
b. (Motion morpheme + motion morpheme + motion morpheme)
他跑回去了
tā pǎo huí-qù le
he run return-go ASP
‘He ran back.’ (if the speaker is outside the room)
‘He ran back from outside.’ (if the speaker is inside the room)
f. (Motion morpheme + noun + motion morpheme + noun)
他跑步回房间了
tā pǎo-bù huí fángjiān le
he run-step return room ASP
‘He ran back to the room.’
17
g. (Adverbial + motion morpheme + noun)
他跑着回房间了
tā pǎo-zhe huí fángjiān le
he run-IMP return room ASP
‘He returned the room in the manner of running.’
In order to analyze the relative order of motion morphemes, I focus on motion
constructions in which motion morphemes occur immediately adjacent to each other, e.g.,
pǎo-huí fángjiān run-return room ‘run back to the room’ in (23a), pǎo huí-qù run return-
go ‘run back away from the speaker’ in (23b), pǎo-huí-dào fángjiān run-return-arrive
room ‘run back into the room’ in (23c), pǎo-huí fángjiān lái run-return room come ‘run
back into the room towards the speaker’ in (23d), and pǎo-huí-lái run-return-come ‘run
back towards the speaker’ in (23e). These motion constructions are the multi-morpheme
motion constructions or MMMCs to be analyzed in this dissertation.
In contrast, (23f) consists of two verb phrases, i.e. pǎo bù run step and huí fángjiān
return-room. Such constructions are called “serial verb constructions” by Hsiao (2009: 9).
In (23g), the first motion morpheme is suffixed by the imperfective marker -zhe, and then
followed by another motion morpheme. Such “M1-zhe M2” constructions are called
“converb constructions” by Hsiao (2009: 9). This study does not discuss serial verb
constructions and converb constructions because their motion morphemes are not
immediately adjacent to each other.6
Hsiao (2009: 16) points out that there are two types of MMMCs (in her terms,
“direction verb compounds”) in Chinese. One is an MMMC such as (23a) which ends
with a ground NP, i.e. MMMCground; the other is an MMMC such as (23b) which ends
with a deictic motion morpheme lái ‘come’/qù ‘go’, i.e. MMMCdeictic. She argues that an
6 (22e) has two adjacent motion morphemes pǎo ‘run’ and huí ‘return’ and a deictic motion morpheme lái ‘come’ which does not occur immediately adjacent to the other two morphemes. In Chapter 4, I will argue that the deictic motion morphemes lái ‘come’ and qù ‘go’ are not typical motion morphemes when they occur at the end of a motion construction, like lái ‘come’ does in (22e), so a generalization over the order of motion morphemes in MMMCs is formulated only to describe the relative order of pǎo ‘run’ and huí ‘return’.
18
MMMCground cannot have a perfective marker -le inserted in between its motion
morphemes, but an MMMCdeictic can, as illustrated in (24).
(24) a. *他跑了回房间了 (MMMCground)
*tā pǎo-le huí fángjiān le
he run-ASP return room ASP
b. 他跑了回去了 (MMMCdeictic)
tā pǎo-le huí-qù le
he run-ASP return-go ASP
‘He ran back (away from the speaker).’
Therefore, she argues that an MMMCground is analogous to a verb-verb compound where
the two motion morphemes form a word; in contrast, an MMMCdeictic is analogous to a
serial verb construction, where pǎo ‘run’ and huí-qù return-go are two independent words.
However, an MMMCground and an MMMCdeictic share a common feature in that a
potential infix (-de ‘positive potential marker’ and -bù ‘negative potential marker’) can be
inserted in between the first and second motion morphemes, as in (25), cf. Hsiao (2009).
(25) a. 他跑得回房间 (MMMCground)
tā pǎo-de-huí fángjiān
he run-POT-return room
‘He can run back to the room.’
b. 他跑得回来 (MMMCdeictic)
tā pǎo-de-huí-lái
he run-POT-return-come
‘He can run back (toward the speaker).’
19
Compatibility with potential markers is treated as an important characteristic of
resultative verbal compounds in which the second morpheme expresses the result brought
about by its preceding morpheme (Chao 1968, Li and Thompson 1981, Parkard 2000,
among others). Therefore, according to previous studies, (25) indicates that the motion
morphemes in both MMMCground and MMMCdeictic are in a “main morpheme +
complement morpheme” relationship, i.e. pǎo ‘run’ is the main morpheme in both (25a)
and (25b), whereas huí ‘return’ in (25a) and huí-lái return-come in (25b) are result
complements (cf. Hsiao 2009). (More discussion of whether MMMCs should be treated
as resultative verbal compounds is found in Section 2.1.1 in Chapter 2.)
In addition to MMMCground and MMMCdeictic, Chinese has other types of MMMCs. For
instance, (23c) is an MMMC consisting of three motion morphemes without the deictic
motion morpheme lái ‘come’/qù ‘go’. This MMMC is distinguished from both the
MMMCground and MMMCdeictic mentioned above in that it does not allow the insertion of
the perfective marker -le or the potential marker –de/–bu, as illustrated in (26) and (27)
respectively.
(26) a. *他跑了回到房间了
*tā pǎo-le huí-dào fángjiān le
He run-ASP return-arrive room ASP
b. *他跑回了到房间
*tā pǎo-huí-le dào fángjiān le
He run-return-ASP arrive room ASP
(27) a. *他跑得回到房间
*tā pǎo-de-huí-dào fángjiān le
He run-POT-return-arrive room ASP
20
b. *他跑回得到房间
. *tā pǎo-huí-de-dào fángjiān le
He run-return-POT-arrive room ASP
As shown above, MMMCground, MMMCdeictic and MMMCs with three non-deictic
motion morphemes are not totally the same in structure. However, despite the possible
differences in these constructions, this study investigates all MMMCs whose motion
morphemes occur immediately adjacent to each other. Through exploring the semantic
factors that determine the order of motion morphemes in MMMCs, this study aims to
provide a unified account of the formation of all these MMMCs.
1.3.4 Sources of Chinese data This dissertation primarily focuses on the morphemes in the motion constructions of
Modern Mandarin Chinese. However, relevant data from earlier stages of Chinese is
occasionally referred to. I follow Sun (2006: xiv) on the periodization of Chinese, as
given in Table 1.1.
Table 1. 1 Major periods of the Chinese language
Periods Years
1. Oracle and Bronze inscriptions Sixteenth century to 771 BCE
2. Old Chinese 771 BCE to 220 CE
3. Middle Chinese 220 CE to 960
4. Early Modern Chinese 960 to 1900
5. Modern Chinese 1900 to present
The Modern Chinese data used in this study come from four major sources. The first
is the corpus of Modern Chinese constructed by the Center for Chinese Linguistics at
Beijing University (hereafter “PKU Corpus”). The corpus is available online at
http://ccl.pku.edu.cn/. Currently (4/2011), it has 307,317,060 characters as updated on
7/20/2009. Most of the data in this study is from this corpus. However, examples from
21
Google and Baidu searches are also used when necessary.7 Because internet language can
be nonstandard, the grammaticality of each example used in this dissertation is verified
with native speakers. In addition, four novels were selected for a corpus study to verify
the Motion Morpheme Hierarchy (see Chapter 5). These novels are Tàiyáng Chūshì ‘The
Sun was Born’ (by Chi Li, 1992), Dìqiú de Hóng Piāodài ‘The Earth's Red Flying
1985), and Tàiyánɡ Zhào zài Sānggānhé-shàng ‘The Sun Shines over the Sanggan River’
(by Ding Ling 1952). The size and diverse style of these novels provide a reasonable
basis for a comprehensive investigation of motion constructions. Detailed information
about these novels is given in Chapter 5. Finally, some examples are provided by the
author as a native speaker of Chinese. Such examples are mainly used for comparison
and tests of the distribution of motion morphemes.
1.4 Major claims
In this dissertation, I make the following claims about Chinese motion morphemes and
motion constructions; these claims will be justified in the following chapters:
a. Chinese motion morphemes, including both free morphemes and bound morphemes,
can be classified into four types based on the type of aspectual scale they lexicalize.
Analyzing the semantics of motion morphemes based on their scale structure provides a
more fine-grained classification of motion morphemes and better accounts for their
syntactic distribution.
b. The four types of motion morphemes form a Motion Morpheme Hierarchy that can be
used to predict the order of motion morphemes in Chinese multi-morpheme motion
constructions.
c. A sequence of motion morphemes conforms to a “More Specific Constraint”, in that
each morpheme is more specific in terms of the scale it specifies than the morpheme it
follows. 7 Baidu (www.baidu.com) is the largest search engine for the Chinese language in the world.
22
1.5 Overview of the dissertation The remainder of the dissertation is organized as follows:
Chapter 2 reviews relevant previous studies, including the ordering and classification
of Chinese motion morphemes. It shows how these studies fall short in providing a fuller
account of Chinese motion constructions.
Chapter 3 analyzes Chinese motion morphemes in light of recent studies of scale
structure. I propose that Chinese motion morphemes can be classified into four types
according to the different scales they lexicalize. A set of independent tests is proposed to
identify the four types each morpheme falls into. In addition, the tests can also identify
the kind of scale lexicalized in bound motion morphemes. A few Chinese motion
morphemes, e.g., dào ‘arrive’, guò ‘cross’, shàng ‘ascend’/xià ‘descend’, sometimes
behave differently from other motion morphemes with the same type of scale. These
motion morphemes are also discussed in detail.
Chapter 4 provides a comprehensive description of the types of multi-morpheme
motion constructions in Chinese. A Motion Morpheme Hierarchy is formulated to predict
the order of motion morphemes that occur together in a construction. In addition, this
chapter introduces the motion constructions that the hierarchy does not predict. For
instance, by analyzing the distribution and function of the deictic motion morphemes lái
‘come’ and qù ‘go’, I show that lái and qù are not typical motion morphemes when they
occur after another motion morpheme, which explains why their distribution is unusual in
Chinese.
Chapter 5 presents two corpus studies that verify the Motion Morpheme Hierarchy.
Furthermore, I discuss what the hierarchy tells us about the encoding of motion events in
Chinese, as well as why certain morpheme can or cannot occur together. Spefically, the
order of Chinese motion morphemes conforms to a “More Specific Constraint”: the
morpheme which is more specific about the scale in a motion event must precede the
morpheme with less specific information about the scale.
Chapter 6 summarizes the whole dissertation and reviews issues relevant to future
studies.
23
Chapter 2
Previous Studies of the Ordering and
Classification of Chinese Motion
Morphemes
This chapter introduces previous studies investigating the order of motion morphemes in
Chinese multi-morpheme motion constructions (MMMCs). It shows that these studies are
unable to provide a comprehensive account of the various types of MMMCs in Chinese.
Furthermore, this chapter examines previous studies of the classification of Chinese
motion morphemes and demonstrates that these classifications are not sufficiently
consistent or fine-grained to provide a general basis for predicting the order of these
morphemes in MMMCs.
2.1 Previous studies of the order of motion morphemes in Chinese MMMCs As illustrated in Section 1.1, the relative order of motion morphemes in Chinese multi-
morpheme motion constructions (MMMCs) seems difficult to predict. Two examples are
repeated in (1): the morpheme huí ‘return’ must follow jiànɡ ‘descend’ in (1a), but must
‘return’, shàng ‘ascend’, and jìn ‘enter’ are path morphemes (Chen and Guo 2009).
However, there are two problems with the two-way classification of motion
morphemes into manner-of-motion and path morphemes. First, no systematic criteria or
tests are presented in previous work to identify which type a particular Chinese motion
morpheme falls into. Instead, the morphemes are usually classified based on intuition,
and thus a motion morpheme is sometimes classified in different ways by different
studies. Second, the two-way classification is not fine-grained enough to account for the
distribution of motion morphemes in Chinese motion constructions. In this section, I
mainly focus on the first problem, and come back to the second one in Section 2.2.3.
In many previous studies, Chinese motion morphemes are classified primarily via an
intuition-based semantic grouping. For instance, according to Hsiao (2009: 53), path-of-
motion morphemes are those lexicalizing both motion and direction, so she identifies
“any non-path information as MANNER information”. Nonetheless, no systematic tests
have been proposed in previous work to determine which type a motion morpheme falls
into. Therefore, while there is no disagreement in identifying prototypical manner-of-
9 There are also studies that classify Chinese motion verbs in other ways. For instance, Cui (2005: 1-2) identifies more than 100 motion morphemes in the text shì shuō xīn yŭ (Middle Chinese, 420-581 CE) and classifies them into seven types according to their specific meanings, e.g., COME/GO type (lái ‘come’, guī ‘return’, qù ‘go’), ASCEND/DESCEND type (shàng ‘ascend’, shēng ‘ascend’, tiào ‘jump’, dēng ‘climb’), and EXIT/ENTER type (chū ‘exit’, chūyóu ‘travel out’, jìn ‘enter’, rù ‘enter’). 10 Path morphemes are equivalent to the “inherently directed motion verbs” in Levin (1995).
change motion morphemes are equivalent to manner-of-motion morphemes in Talmy
(2000), whereas the other three types are subtypes of Talmy’s path morphemes, each with
a different scale structure (ibid.). Figure 3.1 (a) and Figure 3.1 (b) illustrate the
classifications of English motion verbs based on Rappaport Hovav and Levin (2010) and
Talmy (1975, 2000), respectively. In the remainder of this section, I introduce each type
of motion morphemes and provide tests to determine which type a given Chinese motion
morpheme falls into.
55
Figure 3.1 Classification of English motion verbs
3.2.1 Nonscalar change vs. scalar change motion morphemes
Both manner-of-motion and path morphemes involve some kind of change (see Dowty
1979, Filip 1993/1999, Verkuyl 1989 for discussions of verbs that involve and do not
involve change). For the verbs that lexicalize different types of change, the most
fundamental distinction is whether or not a verb lexically specifies a scale of change
(McClure 1994, Rappaport Hovav 2008). Rappaport Hovav and Levin (2010) point out
that all manner-of-motion morphemes specify nonscalar changes, and all path
morphemes specify scalar changes.12
12 Rappaport Hovav and Levin (2010) argue that motion verbs conform to manner/path complementarity: a single motion verb can be classified either as a manner-of-motion verb or a path verb, but cannot have both manner and path component of meaning at the same time. See Chapter 2 for more details.
(a) Four-way classification of English motion verbs based on Rappaport Hovav and Levin (2010)
(b) Two-way classification of English motion verbs based on Talmy (1975, 2000)
56
As mentioned above, in the domain of motion events, a scale is composed of points
ordered along the path with respect to the ground, and a figure’s movement along the
path represents a type of scalar change (Rappaport Hovav and Levin 2010). For example,
the points on the scale associated with return are ordered in relation to a destination, and
for come, the ordering follows the direction towards a deictic center. Because each point
represents a value along the path with respect to a reference object, a figure’s movement
along the scale is measurable (Rappaport Hovav and Levin 2010). For instance, an event
of returning to a destination is half done if the figure moves halfway on the scale from the
starting point to the destination.
In contrast, according to Rappaport Hovav and Levin (2010: 32), manner-of-motion
morphemes do not involve scalar change because the change they specify cannot be
characterized in terms of a single dimension such as a scale represents; instead, these
morphemes involve complex changes, i.e. “a combination of multiple changes” (ibid.:
32). For example, they argue that jog involves movements of the arms and legs, but no
single one of the movements can be understood as “the necessary starting point of motion,
that is, one can start jogging by moving one’s left leg first or one’s right leg first” (ibid.:
32). Similarly, Rappaport Hovav (2008: 18, cf. Dowty 1979) points out that although
waltz involves three ordered steps, a person “is not considered to be waltzing when going
through a single sequence of three steps”. Therefore, the progress of a nonscalar change
motion morpheme cannot be measured in terms of scale (ibid.).
In the following subsections, I introduce three tests that can be applied to distinguish
nonscalar change motion morphemes from scalar change motion morphemes. Because
most manner-of-motion morphemes are nonscalar change motion morphemes, whereas
path morphemes are scalar change motion morphemes (Levin and Rappaport Hovav
2010), these three tests are also used to identify whether a motion morpheme is a manner-
of-motion morpheme or a path morpheme. The first two tests (Section 3.2.1.1 and
Section 3.2.1.2) were used in Chapter 2 to distinguish manner-of-motion morphemes
from path morphemes.
57
3.2.1.1 Compatibility with a variety of manners of motion
The motion expressed by a scalar change motion morpheme can be realized via different
manners of motion, so such a morpheme is compatible with phrases expressing different
types of manners of motion (also see Section 2.2.1 for a discussion of differentiating
manner-of-motion verbs from path verbs). For instance, the motion in a receding or a
returning event can take place by jumping or running, as illustrated in (1).
(1) a.他跑/跳着退
tā pǎo/tiào-zhe tuì
he run/jump-IMP recede
‘He receded by running/jumping.’
b. 他跑/跳着回学校
tā pǎo/tiào-zhe huí xuéxiào
he run/jump-IMP return school
‘He returned to school by running/jumping.’
In contrast, a manner-of-motion morpheme is a nonscalar change motion morpheme;
since it already specifies a particular manner of motion, the motion event it denotes
cannot be further modified by other manners of motion. For example, fēi ‘fly’ denotes
motion in the manner of flying, and thus the motion cannot be carried out by running or
jumping, as illustrated in (2).
(2) *他跑/跳着飞
*tā pǎo/tiào-zhe fēi
He run/jump-IMP fly
#‘He flew by running/jumping.’ (intended meaning)
3.2.1.2 Compatibility with a variety of result phrases This test was introduced in Section 2.2.1 in Chapter 2 to distinguish manner-of-motion
morphemes from path morphemes. It also can be used to identify whether a given motion
58
morpheme is a nonscalar change or scalar change motion morpheme. A nonscalar change
motion morpheme is compatible with a variety of result phrases, whereas a scalar change
motion morpheme is only compatible with result phrases that are consistent with the path
of the motion event it denotes. In this section, I provide an explanation of why the test
can be used.
A result phrase can contribute to delimiting an event (Goldberg 1991, Wechsler 2005,
among others). However, it has been observed in many previous studies that a predicate
cannot contain two phrases that delimit the event, unless the second phrase further
specifies the first one (i.e. the “Single Delimiting Constraint” of Tenny 1994: 79, also see
Gruber 1965, Simpson 1983, Goldberg 1991, Levin and Rappaport Hovav 1995, Filip
2004). A nonscalar change motion morpheme does not lexically specify change of state
or denote a delimited motion event, so it is compatible with any result phrases that
expresses the possible results brought about by the action denoted by the morpheme. For
instance, as illustrated in (18) in Chapter 2, repeated here as (3), pǎo ‘run’ allows bare XP
resultative complements and nonsubcategorized objects with result XPs predicated of
them, (cf. English manner-of-motion verbs in Rappaport Hovav and Levin 2001).
(3) a. 他跑累了
tā pǎo -lèi le
he run-tired ASP
‘He was tired as a result of running.’
b. 他跑丢了鞋子
tā pǎo-diū-le xiézi he run-lose-ASP shoe
‘He lost his shoes as a result of running.’
c. 他跑到了学校
tā pǎo-dào-le xuéxiào
he run-arrive-ASP school
‘He ran to the school.’
59
In contrast, a scalar change motion morpheme specifies a change of location, which
can be understood as a kind of result; thus, such a morpheme cannot combine with a
variety of result phrases, but only those that are related to the path of motion denoted by
the morpheme, e.g., phrases which specify an endpoint to the path (Rappaport Hovav
2008). As illustrated in (19c) in Chapter 2, repeated here as (4a), huí ‘return’ can be
modified only by a phrase denoting the endpoint of the receding event, i.e. ‘the outside of
the pass’; although the figure can become tired or lose a weapon in an event of returning,
no phrases denoting such states are allowed to co-occur with huí, as in (19a, b) in Chapter
2, repeated here as (4b, c).
(19) a. 敌人回到了关外
dírén huí-dào-le guānwài
enemy return-arrive-ASP pass.outside
‘The enemy returned to the outside of the pass.’
b. *敌人回关外回累了
*dírén huí guānwài huí-lèi le
enemy return pass.outside return-be.tired ASP
#‘The enemy were tired as a result of returning to the outside of the pass.’
3.2.2 Open scale vs. closed scale motion morphemes
Scalar change motion morphemes can be classified into two types based on whether or
not the scale lexicalized by a given scalar change motion morpheme has an endpoint, i.e.
whether the scale is bounded or unbounded (cf. Rappaport Hovav and Levin 2010).13 For
example, come and return lexically specify a closed scale, whereas descend and rise
lexically specify an open scale (Rappaport Hovav and Levin 2010).
A scalar change motion morpheme with a bounded scale does not allow the figure to
progress beyond the bound, usually the point on the scale where the ground is located.
For instance, in He came to the school at 8am, the school is the bound of the event of
coming. Therefore, the coming event finishes when the figure arrives at the school.
Although the figure can move beyond the school, this further motion is no longer taken to
be part of the coming event. In contrast, a figure moving on an open scale does not have
an endpoint to arrive at. For instance, in an ascending event denoted by the verb ascend, a
figure can potentially move upward forever if there is no bound explicitly specified by
13 Rappaport Hovav and Levin (2010) first classify scalar change verbs into two types based on whether a given scalar change motion verb lexicalizes a multi-point scale or two-point scale, i.e. whether the directed motion denoted in the verb is durative or punctual. In this dissertation, scalar change verbs are first classified into open scale and closed scale motion morphemes based on boundedness, and then the latter are classified into multi-point and two-point closed scale motion morphemes (Levin p.c.); this better brings out the hierarchical organization among the subclasses of motion morphemes, as will be shown in Table 3.3. However, this difference in the presentation of the classes does not affect the classification of individual verbs.
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other linguistic elements or the context. Therefore, by looking at whether a scalar change
motion verb allows a figure to move on a scale without limitation, we can distinguish an
open scale motion morpheme from a closed scale motion morpheme.
In Chinese, comparison can be expressed by a gèng ‘more’ comparative followed by
degree adjectives/adverbs, e.g., gèng yuǎn more far ‘further’, gèng gāo more high
‘higher’. If a scalar change motion morpheme is compatible with the ɡèng comparative,
then the morpheme has an open scale in that it allows a figure to move further along the
scale; otherwise, it has a closed scale. As illustrated in (7), shēng ‘ascend’ and jiàng
‘descend’ allow the ɡèng comparative.
(7) a. 气球在 5分钟前就向上升了, 现在应该升得更高了
qìqiú zài 5-fēnzhōng qián jiù xiàng shàng shēng le
balloon in 5-minute before then toward up ascend ASP
xiànzài yīnggāi shēng de gèng gāo le
now must ascend MOD more high ASP
‘The balloon began ascending five minutes ago, now it must have ascended
higher.’
b. 飞机在 5分钟前就向下降了, 现在应该降得更低了
fēijī zài 5-fēnzhōng qián jiù xiàng xià jiàng le
plane in 5-minute before then toward below descend ASP
xiànzài yīnggāi jiàng de gèng dī le
now must descend MOD more low ASP
‘The airplane began descending downward five minutes ago, now it must have
descended more.’
In contrast, huí ‘return’ and qù ‘go’ in (8) are incompatible with the comparative; this
is because once the figure has reached the endpoint, the returning/going event is finished.
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(8) a. 他在 5分钟前就回家了, *现在应该回得更远了
tā zài 5-fēnzhōng qián jiù huí jiā le
he at 5-minute before then return home ASP
*xiànzài yīnggāi huí de gèng yuǎn le
now must return MOD more far ASP
‘He began returning home five minutes ago, #now he must have returned
farther.’ (intended meaning)
b. 他在 5分钟前就去学校了, *现在应该去得更远了
tā zài 5-fēnzhōng qián jiù qù xuéxiào le
he in 5-minute before then go school ASP
*xiànzài yīnggāi qù de gèng yuǎn le
now must go MOD more far ASP
‘He began going to school five minutes ago, #now he must have gone farther.’
(intended meaning)
Therefore, shēng ‘ascend’ and jiàng ‘descend’ are open scale motion morphemes,
whereas huí ‘return’ and qù ‘go’ are closed scale motion morphemes.
3.2.3 Multi-point closed scale vs. two-point closed scale motion verbs As mentioned, closed scale motion morphemes are further classified into multi-point and
two-point closed scale motion morphemes. According to Beavers (2008), the scale of a
two-point closed scale motion morpheme is associated with only two values, that is,
having or not having a property on a particular dimension, e.g., being alive or dead, being
at an endpoint or not. Beavers also argues that the transition from one point to the other is
usually understood as instantaneous. For example, the event of entering a room is often
punctual and does not take time. In English, arrive, depart, enter and exit are two-point
closed scale motion verbs (Rappaport Hovav and Levin 2010: 30).
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Unlike two-point closed scales, multi-point closed scales are composed of a minimum
and a maximum value as well as many values in between them (Rappaport Hovav and
Levin 2010). The starting point of a motion event is understood to be associated with the
minimum value, the endpoint with the maximum value, and the points in between the two
points are understood as the values that the motion event may have as the figure moves
along the scale. Therefore, although motion along a multi-point closed scale is alto telic,
the motion is gradual and takes time, and thus the event is durative (ibid.). Examples of
directed motion verbs describing gradual traversals of a closed path in English include
return, come, and go (ibid.).
To distinguish a motion morpheme with a two-point closed scale from a motion
morpheme with a multi-point closed scale, we can look at whether a given closed scale
motion morpheme allows durative adverbials. If the morpheme is compatible with a
durative adverbial, it lexicalizes a multi-point scale; otherwise, it has a two-point closed
scale.
As illustrated in (9), the closed scale motion morphemes jìn ‘enter’ and chū ‘exit’ do
not allow durative adverbials, which indicates that they are two-point closed scale motion
morphemes.
(9) *他进/出房间进了 20分钟
*tā jìn/chū fángjiān jìn/chū-le 20-fēnzhōng, she enter/exit room enter/exit-ASP 20-minute
#‘She has been entering/exiting the room for 20 minutes’ (intended meaning)
In contrast, the closed scale motion morphemes huí ‘return’ and qù ‘go’ allow a
durative adverbial, and can be understood in two ways: one is that a figure spends that
period of time returning/going to a location, and the other is that a figure returns/goes to a
location and stays there for that period of time.
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(10) a. 他回家回了 20分钟
tā huí jiā huí-le 20-fēnzhōng
she return home return-ASP 20-minute
‘She has been returning home for 20 minutes./She returned home and stayed
there for 20 minutes’
b. 他去学校去了 20分钟
tā qù xuéxiào qù-le 20-fēnzhōng
she go school go-ASP 20-minute
‘She has been going to school for 20 minutes./She went to school and stayed
there for 20 minutes.’
If a ‘but’ clause such as the ones in (11) is added, the sentences in (10) can only be
understood in the first meaning, i.e. spending a period of time in moving to a location.
(11) a. 他回家回了 20分钟,可是还没到家
tā huí jiā huí-le 20-fēnzhōng, kěshì hái méi dào jiā she return home return-ASP 20-minute but still NEG arrive home
‘She has been returning home for 20 minutes, but she has not arrived at home
yet.’
b. 他去学校去了 20分钟, 可是还没到学校
tā qù xuéxiào qù-le 20-fēnzhōng, kěshì hái méi dào xuéxiào
she go school go-ASP 20-minute but still NEG arrive school
‘She has been going to school for 20 minutes, but she has not arrived at school
yet.’
Futhermore, the ‘but’ clause indicates that a figure in a returning/going event does not
necessarily arrive at the desitination instantaneously; in other words, the motion
morphemes huí ‘return’ and qù ‘go’ lexicalize multi-point scales.
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As pointed out by Beavers (2011), in a motion event along a scale with multiple
points, a figure can stop for a while during its motion along the scale or even repeatedly
backtrack towards the starting point before it arrives at the endpoint. Therefore, we can
examine whether a given closed scale motion morpheme allows a figure to stop on the
scale before arriving at the endpoint, and thus determine whether the morpheme has a
multi-point scale. As illustrated in (12), the motions denoted by huí ‘return’ and qù ‘go’
allow a figure to stop on the scales of the events of returning and going:
(12) a. 他回宿舍回了一半,停下休息了一会儿,又出发了
tā huí sùshè huí-le yíbàn, tíngxià xiūxí-le yíhuìr, yòu chūfā le
he return dorm return-ASP half stop rest-ASP a.while again set.off ASP
‘He returned halfway to the dorm, stopped to rest for while, and then
continued returning to the dorm.’
b. 他去学校去了一半,停下休息了一会儿,又出发了
tā qù xuéxiào qù-le yíbàn, tíngxià xiūxí-le yíhuìr, yòu chūfā le
he go school go-ASP half stop rest-ASP a.while again set.off ASP
‘He went halfway to school, stopped to rest for while, and then
continued going to school.’
In contrast, for a closed scale motion morpheme lexicalizing only two points in its
scale, the change from one point to the other is instantaneous (Beavers 2008, Rappaport
Hovav 2008). In other words, there is no way for a figure to stop or backtrack during the
motion from one point to the other. As illustrated in (13), jìn ‘enter’ and chū ‘exit’ do not
allow the figure to stop, which again suggests that they lexicalize two-point scales.
change motion morphemes correspond to Talmy’s manner-of-motion morphemes,
whereas the three types of scalar change motion morphemes correspond to Talmy’s path
morphemes. Figure 3.2 (a) and Figure 3.2 (b) illustrate the classification of Chinese
motion morphemes based on Rappaport Hovav and Levin (2010) and Talmy (1975,
2000), respectively, cf. Figure 3.1.
14 The three features of scale, [+/- scale], [+/- bounded], [+/- punctual], give rise to eight possible combinations. Besides the four combinations presented in Table 3.3, the other four are (-scale, -bounded, + punctual), (-scale, + bounded, -punctual), (-scale, +bounded, +punctual), (+scale, -bounded, +punctual). This dissertation only discusses four of them because the classification of motion morphemes is assumes that some of these features are only relevant in the context of others, that is, only motion morphemes with the feature [+scale] are further classified according to whether they are [+bounded] and [-bounded], and only those with the features [+scale] and [+bounded] are further classified according to whether they are [+punctual] and [-punctual]. The other four combinations are not possible because their features and values do not follow the hierarchical order.
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Figure 3.2 Four-way and two-way classification of Chinese motion morphemes
3. 3 “Special” motion morphemes
Section 3.2 proposed a set of tests to identify whether a Chinese motion morpheme
lexicalizes a scale and if so, what kind of scale it lexicalizes. The morphemes associated
with the same kind of scale usually behave the same way in terms of their compatibility
with phrases expressing different manners of motion, gèng ‘more’ comparative, and
durative adverbials. However, despite these similarities, a few Chinese motion
morphemes do not align with other morphemes of the same scale type with respect to all
aspects of their distribution. These morphemes include dào ‘arrive’, guò ‘cross’, shàng
‘ascend’, and xià ‘descend’. In this section, I analyze them in more detail.
3.3.1 Dào ‘arrive’
According to the tests introduced in Section 3.2, dào ‘arrive’ is a two-point closed scale
motion morpheme like jìn ‘enter’ and chū ‘exit’. Dào is a scalar change morpheme in that
(a) Four-way classification of Chinese
motion morphemes based on
Rappaport Hovav and Levin (2010)
(b) Two-way classification of
Chinese motion morphemes based
on Talmy (1975, 2000)
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it does not allow a variety of result phrases, and an arrival event can be realized using
various manners of motion, as illustrated in (16) and (17), respectively.
(16) a. *她到累了
tā dào-lèi le
she arrive-tired ASP
# ‘She arrived tired.’ (intended meaning)
b. *她到丢了鞋子
tā dào-diū-le xiézi
she arrive-lose-ASP shoe
# ‘She lost her shoes as a result of arriving.’ (intended meaning)
(17) 她跑/跳/走着到了学校
tā pǎo/tiào/zǒu-zhe dào -le xuéxiào
she run/jump/walk-IMP arrive-ASP school
‘She arrived at school by running/jumping/walking.’
Furthermore, dào specifies a closed scale. As illustrated in (18), no gèng ‘more’
comparative is allowed; that is, it is not possible to express that the figure arrives at a
location further away than the location s/he has previously arrived at.
(18) 他在 5分钟前就到学校了,*现在应该到得更远了
tā zài 5-fēnzhōng qián jiù dào xuéxiào le
he in 5-minute before then arrive school ASP
*xiànzài yīnggāi dào de gèng yuǎn le
now must arrive MOD more far ASP
‘He arrived at school five minutes ago, #now he must have arrived farther.’
(intended meaning)
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In addition, an event of arriving at a location is usually understood to be
instantaneous; thus, the figure in such an event cannot stop for a while on the path to the
location (19); this suggests that the scale lexicalized by dào has only two points.
he arrive school arrive-ASP half stop rest-ASP a.while again set.off ASP
#‘He arrived halfway to school, stopped to rest for while, and then continued
arriving again.’ (intended meaning)
However, dào does not behave exactly like the other two-point closed scale motion
morphemes, jìn ‘enter’ and chū ‘exit’, with respect to some facets of distribution. For
example, jìn and chū must be accompanied by an explicit specification of the ground
(20a); they can be followed by a locative NP denoting a ground (20b); if no locative NP
is present, then they must be followed by the deictic motion morphemes lái ‘come’ and
qù ‘go’ (20c) and (20d) (cf. Ju 1992, Y. Liu 1998, Qi 1998, Lamarre 2008).15
(20) a. ?她进/出了
?tā jìn/chū le
she enter/exit ASP
b. 她进/出学校了
tā jìn/chū xuéxiào le
she enter/exit school ASP
‘She entered/exited the school.’
15 Chapter 4 provides a detailed discussion of the distribution and function of the deictic motion morphemes lái ‘come’ and qù ‘go’ when they occur after another motion morpheme.
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c. 她进来/去了
tā jìn lái/qù le
she enter come/go ASP
‘She entered [towards the speaker/away from the speaker].’
d. 她出来/去了
tā chū lái/qù le
she exit come/go ASP
‘She exited [towards the speaker/away from the speaker].’
Like jìn ‘enter’ and chū ‘exit’, dào ‘arrive’ usually do not occur alone without
explicitly expressed information about the ground (21a), but requires a ground NP (21b).
(21) a. ?她到了
?tā dào le
she arrive ASP
b. 她到学校了
tā dào xuéxiào le
she arrive school ASP
‘He arrived at school.’
For instance, in 185 instances of dào used as a motion morpheme randomly drawn from
the novel category of the PKU Corpus, there are only eight instances (4.3%) in which a
ground NP is not explicitly expressed. All eight instances appear in conversations where
the ground information can be retrieved from the context. Five instances occur in the
following dialogue where the speakers are talking about a journey to their hometown.
the hometown]; when not supposed to arrive, even if you are worried, you
cannot arrive.’’ (PKU Corpus)
However, unlike jìn ‘enter’ and chū ‘exit’, when the ground NP is absent, dào cannot
be followed by lái/qù directly (Ju 1992, Qi 1998, Lamarre 2008), as in (23), cf. (20c) and
(20d).
(23) *他到来/去了
*tā dào-lái/qù le
he arrive-come/go ASP
#‘He arrived [towards/away from the speaker].’ (intended meaning)
In addition, previous studies disagree about the morphological status of dào. Dào is
treated either as a motion verb, a directional complement (satellite, coverb), a postvebal
preposition, or an incorporated preposition (cf. Liu 1998, Lü 1980, Lamarre 2007, 2008,
2009, Poteet 1987, Peck 2008, among many others). For example, Lamarre (2007, 2009)
claims that dào is a postverbal locative preposition in (24a), but an independent verb in
(24b).
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(24) a. 推到屋里去
tuī-dào wū-lǐ qù
push-arrive room-inside go
‘Push [it] into the room.’
b. 到屋里去推
dào wū-lǐ qù tuī
arrive room-inside go push
‘Go into the room and push [it].’ (Lamarre 2009: 3, (3) and (3’))
Li and Thompson (1981) point out that dào in (25) can be a coverb with no verbal
meaning, or an independent verb that forms a serial verb construction with the other
independent verb qù ‘go’.
(25) 他到伦敦去了
tā dào lúndūn qù le
he arrive London go ASP
‘He went to London.’ (Li and Thompson 1981: 366, (42))
Peck (2008: 16-18) shows that preverbal dào is a preposition because it cannot take
aspect markers as affixes and the locative NP following dào cannot be stranded, as
illustrated in (26).
(26) a. *他到了伦敦去了
* tā dào -le lúndūn qù le
he arrive-ASP London go ASP (Peck 2008: 17, (2.16c))
b. *伦敦, 他到去了
*lúndūn, tā dào -qù le
London he arrive-go ASP (Peck 2008: 18, (2.17c))
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Although previous studies do not agree about which grammatical category dào should
fall into, it seems that dào is not always an independent motion verb in all its uses.
However, as shown in (16-18), when dào occurs as the only motion morpheme in a
sentence, dào is clearly functioning as a motion verb. In order to provide a more
comprehensive analysis, this dissertation includes dào as a motion morpheme in the
discussion when it occurs in MMMCs. More discussion of dào is given in Chapter 5.
3.3.2 Guò ‘cross’ According to Rappaport Hovav and Levin (2010), English verbs of traversal, e.g., cross
and traverse, are not typical scalar change motion verbs because although these verbs
lexicalize paths, they do not specify in which direction the points are ordered and thus,
without context, it is not possible to tell from which side of a ground a traversal event
starts. For instance, in John crossed that street, cross does not specify which side of the
street John started crossing from.
The Chinese motion morpheme guò ‘cross’ is similar to English verbs of traversal in
that it does not lexically specify in which direction the points are ordered along its path.
For instance, in (27), the starting side and ending side of the street are not identifiable
from the meaning of guò.
(27) 他过了马路
tā guò-le mǎlù
He cross-ASP street
‘He crossed the street.’
However, in this dissertation, I include guò ‘cross’ in the list of scalar change motion
morphemes for two reasons.
First, in a specific crossing event, there is always an end point, i.e. the other side of
the delimited entity to be crossed from the figure’s starting point. Although the exact end
point is not specified in the meaning of guò ‘cross’, it can be retrieved from the context.
In other words, the components of the scales are partially lexicalized in guò, and the
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order of the points along the scales is determined contextually. For example, as illustrated
in (28), we can infer from the context that the event of crossing the city wall starts from
the side where the speaker is located, and ends at the other side of the wall.
(28) 过城墙那边儿是城外
guò chéngqiáng nàbiānr shì chéng-wài
cross city.wall that.side is city-outside
‘[If you] cross the city wall; that side [of the city wall] is outside of the city.’
(PKU Corpus)
There are other scalar change motion morphemes that do not lexicalize all
components of their scales either.16 For instance, huí ‘return’ only specifies that a figure
will return to a destination in a returning event, but does not specify the exact destination
that the figure returns to. Rather, in each returning event, the information about the
destination is provided by the ground NP that follows huí, which then specifies the
direction in which the points along the scale of huí are ordered. For example, in (29a), the
points in huí’s scale are ordered in the direction of the figure’s home, whereas in (29b),
the points are ordered in the direction of the school.
(29) a. 他昨天晚上 8点回家了
tā zuótiān wǎnshang 8-diǎn huí jiā le
he yesterday evening 8-o’clock return home ASP
‘He returned home at eight o’clock yesterday evening.’
b. 他今天早上 10点回学校了
tā jīntiān zǎoshɑng 10-diǎn huí xuéxiào le
he today morning 10-o’clock return school ASP
‘He returned to school at ten o’clock this morning.’
16 As introduced in Section 3.1, only motion verbs expressing motion in the direction of gravity or against gravity, e.g., shēng ‘ascend’ and jiàng ‘descend’, fully lexicalize the direction of motion.
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Therefore, verbs of traversal and some other scalar change motion morphemes such as
huí ‘return’ can be understood as scalar change motion morphemes which partially
lexicalize their scales.
Second, guò ‘cross’ has a distribution similar to other closed scale motion morphemes.
(30) and (31) indicates that guò ‘cross’ is a nonscalar change motion morpheme: in (32),
the crossing event expressed by guò ‘cross’ can take place in a variety of manners of
motion; and in (33a), guò is not compatible with phrases denoting different directions,
whereas a nonscalar change motion morpheme such as pǎo ‘run’ in (33b) can denote
motion in various directions.
(30) 他跳/跑着过了街,到了对面的酒店
tā tiào/pǎo-zhe guò-le jiē, dào le duìmiàn de jiǔdiàn
he jump/run-IMP cross-ASP street arrive ASP facing REL store
‘He crossed the street jumping/running, and went into the hotel on the other side.’
(31) a. *他向前/后/左/后过了街
*tā xiàng qián/hòu/zuǒ/hòu guò-le jiē
he toward front/back/left/right cross-ASP street
# ‘He crossed the street in a forward/backward/left/right direction.’ (intended
meaning)
b. 他向前/后/左/后跑
tā xiàng qián/hòu/zuǒ/hòu pǎo
he toward front/back/left/right run
‘He ran in forward/backward/left/right direction.’
Furthermore, guò lexicalizes a closed scale. The locative NP taken by guò as its
complement denotes the ground to be crossed. Once the entire ground is crossed (e.g., as
indicated by a perfective marker -le in (32)), the traversal event is finished. Therefore,
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guò has a closed scale, and the length of the scale is determined by the length of the
ground. As illustrated in (32), guò does not allow a gèng ‘more’ comparative, because
after the bridge is crossed, the figure’s motion is no longer perceived as crossing.
(32) 他在 5分钟前过了大桥,*现在过得更远了
tā zài 5-fēnzhōng qián guò-le dàqiáo,
she in 5-minute ago cross-ASP big.bridge
*xiànzài guò de gèng yuǎn le
now cross MOD more far ASP
‘She crossed the big bridge five minutes ago, # and now she crossed further.’
(intended meaning).
So far, I have shown that guò can be understood as a scalar change motion morpheme,
and it behaves like a closed scale motion morpheme. However, it differs from other
closed scale motion morphemes in two respects.
First, most closed scale motion morphemes take goal or source NPs as their
complements, e.g., huí ‘return’ takes a goal NP as its complement and chū ‘exit’ takes a
source NP as its complement, but guò takes a route NP as its complement. Therefore, the
ground NPs following huí and chū help specify the direction of motion in each motion
event, but it is the context instead of the locative complement of guò that contributes the
direction of a crossing event.
Second, guò can take two different types of route NPs as its complements. One is an
NP denoting a long path/route with multiple points (“complex path”, Beavers in press: 18,
online version), e.g., a long bridge, an ocean; the other is a short, boundary-like path, e.g.,
a police line drawn on the ground. Depending on the kind of NP that guò takes as its
complement, guò behaves either like a multi-point or two-point closed scale motion verb.
For instance, guò can take dàqiáo ‘bridge’ as its complement. A bridge is a path that
usually takes a figure some time to cross, so guò in (33) is a multi-point closed scale
motion morpheme: it is compatible with a duration phrase and describes an event in
which the figure has been spending 20 minutes crossing the bridge.
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(33) 他过大桥过了 20分钟还没过完
tā guò dàqiáo guò-le 20-fēnzhōng hái méi guò-wán
he cross big.bridge cross-ASP 20-minute still NEG cross-finish
‘He had been crossing the big bridge for 20 minutes, but has not finished.’
Besides NPs denoting complex paths, guò can also take a boundary-like ground NP as its
complement, e.g., a police line, and in these instances, it behaves like a two-point closed
scale motion morpheme. For instance, because crossing a line is usually instantaneous,
guò jǐnɡjièxiàn ‘cross the police line’ does not allow a duration phrase, as in (34).
(34) *他过警戒线过了 20分钟
*tā guò jǐngjièxiàn guò-le 20-fēnzhōng
he cross line cross-ASP 20-minute
# ‘He has been crossing the line for 20 minutes.’ (intended meaning)
Therefore, guò is a closed scale motion morpheme, but it does not lexically specify
whether its scale is multi-point or two-point. When guò takes a ground NP with a
complex path as its complement, it behaves like a multi-point closed scale motion
morpheme like huí ‘return’, lái ‘come’, and qù ‘go’. In contrast, when guò takes a
boundary-like ground NP as its complement, it behaves like a two-point closed scale
motion morpheme like jìn ‘enter’ and chū ‘exit’.
3.3.3 Shàng ‘ascend’ and xià ‘descend’
Shàng ‘ascend’ and xià ‘descend’ denote motion in the same direction as shēng ‘ascend’
and jiàng ‘descend’, respectively. As shown in Section 3.2, shēng ‘ascend’ and jiàng
‘descend’ are classified as open scale motion morphemes. Shàng and xià lexicalize open
scales, too. As illustrated in (35), both shàng and xià are compatible with a gèng
comparative.
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(35) a. 想问下上墙怎么才能上得更高
xiǎng wèn-xià shàng qiáng zěnme cáinéng shàng de gèng gāo
want ask-DEL ascend wall how can ascend MOD more high
‘[I] want to ask, how can I ascend a wall higher?’
(http://tieba.baidu.com/f?kz=939318261)
b. 太阳慢慢地从本来就不高的位置下得更低了
tàiyáng mànmànde cóng běnlái jiù bù gāo de wèizhi
sun slowly from originally already NEG high MOD position
xià de gèng dī le
descend MOD more low ASP
‘The sun descended lower from its original position which was already not high’
However, as (36) and (37) illustrate, while shēng/jiàng and other open scale motion
morphemes usually cannot be followed by ground NPs immediately, 17 shàng and xià
usually require explicitly expressed ground NPs;18 thus, they behave like closed scale
motion morphemes such as huí ‘return’, dào ‘arrive’, jìn ‘enter’ and chū ‘exit’.
17 Shēng ‘ascend’ and jiàng ‘descend’ are occasionally immediately followed by a ground NP. But most of these instances involve fixed phrases such as shēng-tiān ascend-sky, which is often used to mean ‘die and go to paradise’. 18 According to Lamarre (2009), xià ‘descend’ can take either a source NP or a goal NP as its complement. For example, èrlóu ‘second floor’ in (i) and hǎi ‘sea’ in (ii) are understood as source and goal, respectively.
(i) 下二楼到大厅里 xià èrlóu dào dàtīng-lǐ descend second.floor arrive hall-inside ‘go down from the second floor and go in to the hall’ (ii) 下海 xià hǎi descend sea ‘go down into the sea/go into business’
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(36) a. *气球升了天空
*Qìqiú shēng-le tiānkōng
balloon ascend-ASP sky
a'. 气球升到了天空
Qìqiú shēng-dào-le tiānkōng
balloon ascend-arrive-ASP sky
‘The balloon went up to the sky.’
b. *气球降了地面
*Qìqiú jiàng-le dìmiàn
balloon descend-ASP ground
b'. 气球降到了地面
Qìqiú jiàng-dào-le dìmiàn
balloon descend-arrive-ASP ground
‘The balloon went down to the ground.
(37) a. 他上/下了山
Ta shàng/xià-le shān
she ascend/descend-ASP hill
‘She went up/down the hill.’
However, xià hǎi is usually used as a frozen phrase meaning ‘go into business’ rather than showing its literal meaning ‘go into the sea’. A small corpus investigation also shows that when xià takes a goal NP, it usually does not encode physical descending motion. Of the first 1,000 instances of xià from the novel category of the PKU Corpus, there are 42 instances in which xià is used as the only morpheme in a motion construction. Of these 42 instances, 29 instances of xià takes a source NP, e.g., huǒchē ‘train’, shù ‘tree’, qìchē ‘car’, lóu ‘floor’, and shān ‘mountain’. Of the 13 instances in which xià takes a goal NP, the motion is figurative, e.g., xià fán ‘(a god) descended to the world’, xià dìyù ‘go to hell’, xià dì ‘go to the fields and work’. Therefore, it is possible that in Modern Chinese, a goal NP is less preferred following xià than a source NP.
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b. *他上/下了
*Tā shàng/xià le
she ascend/descend ASP
In addition, because shàng/xià can take a ground NP as complement directly, if the
NP can be understood as an endpoint of a motion event, then the ascending/descending
event can be understood as bounded. For example, in (36), shān ‘mountain’ is the NP
following shàng/xià. Because a mountain is a delimited entity, the ascent or descent is
delimited in this specific event. However, further study is necessary to explore why
shàng/xià requires explicitly expressed information about the ground.
3.4 The four types of Chinese motion morphemes according to their scale structure
Sections 3.1 and 3.2 introduced the notion of scale structure in the motion domain as well
as a set of independent tests for determining what kind of scale a Chinese motion verb
lexicalizes. In Section 3.3, I discussed several Chinese motion verbs that do not behave
exactly the same as other verbs that lexicalize the same types of scale. It is beyond the
scope of this dissertation to test the scale structure of every existing motion morpheme in
Chinese. However, the tests are expected to determine which type an individual motion
morpheme falls into, and thus to be able to classify all Chinese motion morphemes into
the four types based on their scale structure.
As shown in Section 3.2, four types of motion morphemes are identifiable in Chinese:
nonscalar change morphemes, open scale, multi-point closed, and two-point closed scale
motion morphemes. Of these four types, the first two are open classes with many
different morphemes, whereas the other two are closed classes with a limited number of
morphemes.19 Table 3.4 presents examples of Chinese motion morphemes of each type.
19 According to Levin and Rappaport Hovav (2010), scalar change motion verbs are fewer in number than nonscalar change motion verbs and the other type of scalar change verbs, i.e. change of state verbs; this is because location is the only dimension available for spatial scales, as opposed to the many dimensions such as temperature, length, width, and depth available for change of state scales.
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Table 3.4 Examples of Chinese motion morphemes classified according to their scale
structure
Types Nonscalar
change motion
morphemes
Open scale
motion
morphemes
Multi-point closed
scale motion
morphemes
Two-point closed
scale motion
morphemes
Inventory pǎo ‘run’
fēi ‘fly’
zǒu ‘walk’
chōng ‘rush’
etc.
shēng ‘ascend’
jiàng ‘descend’
luò ‘fall’
tuì ‘recede’
shàng ‘ascend’
xià ‘descend’
etc.
huí ‘return’
lái ‘come’
qù ‘go’
guò ‘cross’
jìn ‘enter’
chū ‘exit’
guò ‘cross’
dào ‘arrive’
Among these verbs, shàng ‘ascend’ and xià ‘descend’ are identified as open scale motion
morphemes, although they behave differently from other open scale motion morphemes
in that they take a locative NP directly as complement. Guò ‘cross’ is polysemic, so it is
listed both among the multi-point closed scale motion morphemes and two-point closed
scale change motion morphemes. In addition, although dào ‘arrive’ does not always
function as an independent motion verb, when occurring alone in a motion construction,
dào behaves like a two-point closed scale motion morpheme. Therefore, dào is listed in
the same category as jìn ‘enter’ and chū ‘exit’.
In addition, the classification and tests also apply to Chinese motion morphemes
which cannot be used as full verbs, i.e. bound motion morphemes. I introduce these
morphemes in the following section.
3.5 Bound motion morphemes and their scale structure
In Chinese, there are motion morphemes which only function as independent verbs, for
instance, fēi ‘fly’, gǔn ‘roll’, piāo ‘float’ and motion morphemes which can function
either as independent verbs or as path satellites, e.g., shàng ‘ascend’, huí ‘return’, jìn
‘enter’, dào ‘arrive’ (see Chapters 1 and 2). Because these morphemes can still function
as independent verbs, they are called “free morphemes” in this study (cf. Sun 2006,
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Packard 2000). In addition to free morphemes, Chinese also has morphemes which
cannot occur alone as an independent verb. For instance, rù ‘enter’ denotes the same type
of motion as the free morpheme jìn ‘enter’, but it can only occur in combination with
another morpheme, whereas jìn ‘enter’ can either occur alone or with another morpheme,
as illustrated in (38).
(38) a. 她*(跑)入了房间
tā *(pǎo)-rù-le fángjiān
she run-enter-ASP room
‘She ran into the room.’
b.她(跑)进了房间
tā (pǎo)-jìn-le fángjiān
she run-enter-ASP room
‘She entered the room (by running).’
Motion morphemes such as rù that cannot occur alone as independent verbs are called
“bound motion morphemes” in this study (cf. Sun 2006, Packard 2000). However, their
scale structure can also be identified via the tests proposed in Section 3.2. In this section,
I first give an introduction to Chinese bound motion morphemes, and then show how they
can be classified into the four previously introduced types according to their scale
structure.
3.5.1 Introduction to Chinese bound motion morphemes The inventory of scalar change motion morphemes in earlier stages of Chinese was much
larger than that in Modern Chinese (Ma 2008). However, many verbs used in the past
have undergone changes in their grammatical status or meaning, and some verbs are no
longer used. For instance, according to Ma (2008: 36-54), there were a variety of motion
verbs in Old Chinese (771 BCE – 220 CE) that denoted events of arrival, going or
zhǒng ‘follow’, 趋 qū ‘rush, chase’, 及 jí ‘arrive’, 即 jí ‘approach, arrive’. Two examples
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are given in (39), in which诣 yì ‘arrive’ and适 shì ‘go’ are used as main verbs to denote
motion in the historical text Shǐjì (104 BCE- 91 BCE).
(39) a. 于是秦王大怒,益发兵诣赵 (史记)
yúshì qínwáng dà nù, yì fā bīng yì zhào
then Qin.King big angry more dispatch soldier arrive Zhao
‘Then the King of Qin flew into a fury and dispatched more soldiers to Zhao.’
(Old Chinese, Shǐjì, cited in Ma 2008: 51)
b. 孔子适周, 将问礼于老子 (史记)
kǒngzǐ shì zhōu jiāng wèn lǐ yú Lǎozi
Confucius go Zhou intend ask rites to Laozi
‘Confucius went to Zhou, and intended to ask Laozi about rites.’
(Old Chinese, Shǐjì, cited in Ma 2008: 39)
However, these verbs either have completely lost their motion meanings (e.g., 如 rú
‘go’, 适 shì ‘go’, 之 zhī ‘go’) or have disappeared (e.g., 蹱 zhǒng ‘follow’) in Modern
Chinese.20 In addition, some motion verbs in earlier stages of Chinese are still used in
Modern Chinese, but not as independent verbs. These verbs are of two types. One type
includes the verbs which only function as prepositions in Modern Chinese. For instance,
从 cóng denoted an event of following, but in Modern Chinese, it is only used as a
preposition equivalent to English from, as in cóng Běijīng ‘from Beijing’ and cóng
zǎoshana ‘from morning’. The other type includes verbs that now can only occur as
bound morphemes in combination with another morpheme, such as rù ‘enter’ in (38).
These bound morphemes still maintain the manner or the spatial directions associated
with the motion they denoted in the past. For most of these bound morphemes, there are
corresponding independent motion verb(s) in Modern Chinese. Table 3.5 lists some
20 A few of these verbs may appear in idioms or frozen phrases and are used in Modern Chinese, e.g., 趋 qū in 趋之若鹜 qū-zhī-ruò-wù rush-it-like-wild duck ‘a group of people scramble for something which is bad according to normal standards’.
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bound morphemes and the corresponding independent verbs lexicalizing the same
manner or directions of motion.
Table 3. 5 Bound motion morphemes and the corresponding free morphemes in Chinese
Motion Free morpheme Bound morpheme
‘run’ 跑 pǎo 奔 bēn
‘fly’ 飞 fēi 翔 xiáng, 翱 áo
‘arrive’ 到 dào 至 zhì, 达 dá
‘enter’ 进 jìn 入 rù
‘return’ 回 huí 归 guī, 返 fǎn
‘cross’ 过 guò 越 yuè
‘ascend’ 升 shēng 起 qǐ 21
‘apart, go away’ ? 开 kāi, 走 zǒu 22
21 When qǐ ‘rise’ was an independent verb denoting spontaneous motion, it usually did not denote motion involving the figure’s displacement in space, but rather positional change from a kneeling/lying/sitting position to a standing position. However, in Modern Chinese, when qǐ is a bound morpheme, it can occur in motion constructions where the figure carries out motion that involves displacement, as in (i); so qǐ ‘rise’ as a bound morpheme is discussed in this study.
(i) 太阳升起了 tàiyáng shēng-qǐ le sun ascend-rise ASP ‘The sun arose.’
22 Kāi ‘away’ and zǒu ‘away’ can also be used as free morphemes in Modern Chinese. However, when they are free morphemes, they function as nonscalar change motion morphemes (i.e. manner-of-motion morphemes): kāi denotes a motion event in a driving manner, and zǒu denotes a motion event in a walking manner. For instance, kāi and zǒu are the only motion morphemes in (i), and specify the manner of motion. (i) a. 我在酒店的院子里开一辆小面包车
wǒ zài jiǔdiàn de yuànzi-lǐ kāi yí-liàng xiǎo miànbāochē I at hotel POSS yard-inside drive one-CLF small bread.car ‘I drove a small microbus in the yard of the hotel.’ (PKU Corpus)
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Some of these bound morphemes can combine with a variety of motion verbs. For
instance, rù ‘enter’ can follow diverse motion verbs, as shown in (40).
(40) a. 它便马上跳入水中或钻入洞中
tā biàn mǎshàng tiào-rù shuǐ-zhōng huò zuān-rù dòng-zhōng
it then right.away jump-enter water-inside or dig-enter hole-inside
‘It [mudskipper] then immediately jumps into the water or digs into the hole.’
(PKU Corpus)
b. 已有一半陷入地下
yǐ yǒu yíbàn xiàn-rù dì-xià
already have one.half sink-enter ground-below
‘[Some wooden houses] have sank into the ground halfway.’ (PKU Corpus)
b. 他每天在公园里走一圈
tā měitiān zài gōngyuán-lǐ zǒu yì quān he everyday at park-inside walk one circle ‘He walked around the park once every day.’ (PKU Corpus)
When they function as free morphemes and specify a manner of motion, they are not
compatible with adverbials denoting another manner of motion. For instance, the sentences in (ii) are unacceptable because a driving/walking event cannot be carried out in a running manner.
(ii) a. *他跑着开了 b. *他跑着走了.
*tā pǎo-zhe kāi le * tā pǎo-zhe zǒu le he run-IMP drive ASP he run-IMP walk ASP # ‘He drove by running.’ # ‘He walked by running.’ (intended meaning)
In contrast, when kāi and zǒu occur immediately after a manner-of-motion morpheme, e.g., pǎo ‘run’, they function as complements and specify deictic directions, as in (iii), cf. (ii).
(iii) a. 他跑开了 b. 他跑走了 tā pǎo-kāi le tā pǎo-zǒu le he run-away ASP he run-away ASP ‘He ran away.’ ‘He ran away.’
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c. 贺龙率领剩下的人退入湘西
hèlóng shuàilǐng shèngxià de rén tuì-rù xiāngxī
He.Long lead rest REL people recede-enter Xiang.west
‘He Long lead the rest people and receded into the west of Xiang [Hunan
Province].’ (PKU Corpus)
Such bound morphemes are called “productive bound motion morphemes” in this study.
In contrast, there are also bound morphemes which are relatively unproductive. For
instance, -fā ‘set off’ in (41) is a bound morpheme following the free morpheme chū
‘Columbus led the fleet and set off from Spain.’ (PKU Corpus)
However, -fā can only co-occur with a very limited set of morphemes to denote a directed
motion, as in chū-fā (lit.) ‘exit set out’ and jìn-fā (lit.) ‘enter set out’. It is usually not
productively compounded with other morphemes, e.g., *fēi-fā (lit.) ‘fly set off’, *tuì-fā
(lit.) ‘recede set out’, as opposed to other relatively more productive bound motion
mrophemes, e.g., -rù ‘enter’, as in jìn-rù ‘enter enter’, fēi-rù ‘fly enter’, tuì-rù ‘recede
enter’. Non-productive bound morphemes are not discussed in this dissertation.
This study discusses only productive bound motion morphemes for two reasons. First,
they still lexically specify manners or directions in Modern Chinese. As illustrated in (42),
the verbs fēi ‘fly’, piāo ‘drift’, and pǎo ‘run’ are nonscalar change motion morphemes
that do not specify a direction of motion, so it is the bound morphemes, rù ‘enter’, qǐ
‘rise’, kāi ‘apart’ that contribute the directional interpretation in the motion constructions
in (42).
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(42) a. 飞机飞入云层中
fēijī fēi-rù yúncéng-zhōng
plane fly-enter cloud-inside
‘The plane flew into the cloud.’
b. 湖面飘起烟雾
húmiàn piāo-qǐ yānwù
lake.surface drift-rise fog
‘Fog drifted up from the lake.’
c. 小猫跑开了
xiǎomāo pǎo-kāi le
little.cat run-apart ASP
‘The kitten ran away.’
Second, these productive bound motion morphemes were independent verbs denoting
directed motion in earlier stages of Chinese. A study of their distribution in Modern
Chinese may shed light on other motion morphemes such as dào ‘arrive’, lái ‘come’, and
qù ‘go’ in Modern Chinese which are claimed by previous studies to be in the process of
grammaticalization, that is, changing from more lexical morephemes to more
grammatical morphemes. In addition, Chapter 4 will discuss the constraints on the
ordering of motion morphemes in multi-morpheme motion constructions. The discussion
will be more comprehensive and consistent if it covers the ordering of these bound
morphemes as well. In the next section, I show how the scale structure of productive
bound motion morphemes can be identified via the tests proposed in Section 3.2.
3.5.2 Identifying the scale structure of productive bound motion morphemes The scales asscociated with bound motion morphemes can be identified via the tests
introduced in Section 3.2. In this section, the scale structure of four bound morphemes, -
dēng ‘climb, mount’, -kāi ‘away’ (lit.) ‘drive’, -yuè ‘cross’, and -rù ‘enter’ are analyzed
as examples.
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The first test is to determine whether these four morphemes lexicalize a scale. As
illustrated in (43), only -dēng ‘climb, mount’ is incompatible with a variety of manner-of-
motion morphemes.
(43) a. *飞/飘/跳登
*fēi/piāo/tiào-dēng
fly/float/jump-climb
#‘climb by flying/floating/jumping’ (intended meaning)
b. 飞/飘/跳开
fēi/piāo/tiào-kāi
fly/float/jump-away
‘move away by flying/floating/jumping’
c. 飞/飘/跳越
fēi/piāo/tiào-yuè
fly/float/jump-cross
‘move across [a ground] by flying/floating/jumping’
d. 飞/飘/跳入
fēi/piāo/tiào-rù
fly/float/jump-enter
‘move into [a ground] by flying/floating/jumping’
Therefore, -dēng ‘climb, mount’ lexicalizes a manner of motion, whereas -kāi ‘away’ (lit.
‘drive’), -yuè ‘cross’, and -rù ‘enter’ lexicalize a scale.
Then, it is necessary to identify what kind of scale is lexicalized in kāi ‘away’ (lit.
‘drive’), yuè ‘cross’, and rù ‘enter’. Because these morphemes do not occur alone, they
are tested in combination with a nonscalar change motion morpheme, e.g., fēi ‘fly’. A
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nonscalar change motion morpheme does not have scale, so it will not interfere with the
interpretation of the scale structure lexicalized by the bound morpheme.
The gèng ‘more’ comparative test is used to determine whether the three morphemes
lexicalize open scales. As shown in (44), fēi-kāi ‘fly away’ is compatible with the gèng
comparative, but fēi-yuè ‘fly-cross’ and fēi-rù ‘fly-enter’ are not, which indicates that kāi
lexicalizes an open scale, whereas yuè and rù lexicalize closed scales.
(44) a. 小鸟 5分钟前飞开了, 现在飞开得更远了
xiǎoniǎo 5-fēnzhōng qián fēi-kāi le,
little.bird 5-minute before fly-away ASP
xiànzài fēi-kāi de gèng yuǎn le
now fly-away MOD more far ASP
‘The little bird flew away five minutes ago, and now it flew further away.’
b.飞机 5分钟前飞越国境了, *现在飞越得更远了
fēijī 5-fēnzhōng qián fēi-yuè guójìnɡ le,
plane 5-minute before fly-cross nation.boundary ASP
*xiànzài fēi-yuè de gèng yuǎn le
now fly-cross MOD more far ASP
‘The plane flew across the national boundary five minutes ago, #and now it
flew across further.’ (intended meaning)
c.飞机 5分钟前飞入旧金山机场了, *现在飞入得更远了
fēijī 5-fēnzhōng qián fēi-rù Jiùjīnshān jīchǎng le ,
plane 5-minute before fly-enter San.Francisco airport ASP
*xiànzài fēi- rù de gèng yuǎn le
now fly-enter MOD more far ASP
‘The plane flew into the San Francisco Airport five minutes ago, #and now it
flew further. ’ (intended meaning)
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Finally, we need to determine whether yuè ‘cross’ and rù ‘enter’ lexicalize multi-
point or two-point closed scales. As illustrated in (45), fēi-yuè ‘fly-cross’ allows the
durative adverbial in (45a), where the ground hǎixiá ‘channel’ has a complex path (with
multiple points, see Section 3.3.2); but it is incompatible with the durative adverbial in
(45b), where the ground guójìng ‘national boundary’ is understood to be associated with
must today rush return-go late-ASP afraid will PASS employer dismiss
‘[I] must go back today; [if] I am late, I am afraid I will be dismissed by the
employer.’ (PKU Corpus)
Furthermore, as illustrated in Chapter 3, when a ground NP is not explicitly expressed
in a motion construction, lái ‘come’/qù ‘go’ occurs immediately after a motion
morpheme, as in (7); when a ground NP is expressed, lái ‘come’/qù ‘go’ must occur after
the NP, as in (8).
(8) a. 一个年轻人跑进宫来
yí ɡè niánqīng rén pǎo-jìn ɡōng lái one CLF young person run-enter palace come
‘A young man ran into the palace (towards the speaker).’ (PKU Corpus)
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b. 所有人都已退回屋外去了
suóyǒu rén dōu yǐ tuì-huí wū-wài qù le
all person all already recede-return house-outside go ASP
‘All people have already receded back to the outside of the house.’
(PKU Corpus)
However, such MMMCs will be treated as two-morpheme MMMCs in this dissertation
because lái ‘come’/qù ‘go’ in the final position of a motion construction is no longer a
typical motion morpheme. Further discussion about lái ‘come’/qù ‘go’ will be given in
Section 4.4.
4.1.3 Motion constructions consisting of more than three motion morphemes Motion constructions consisting of four motion morphemes are also found in the PKU
Corpus. However, these constructions usually end with lái ‘come’/qù ‘go’: lái ‘come’/qù
‘go’ either occurs immediately after a motion morpheme if there is no ground NP (9a), or
after the ground NP if there is a ground NP (9b).
(9) a. 周遭如同雪花的花瓣又纷纷飘落回去
zhōuzāo rútóng xuěhuā de huābàn yòu fēnfēn piāo-luò huí-qù
around like snowflake REL petal again in.succession drift-fall return-go
‘The petals which are like snowflakes around [him] drifted and fell back
whole person then almost slide-fall-arrive floor-on.top.of go
‘The whole person then almost slid and fell onto the ground (away from
speaker).’ (PKU Corpus)
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Like the MMMCs ending with lái ‘come’/qù ‘go’ mentioned in Section 4.1.2, the
four-morpheme MMMCs ending with lái ‘come’/qù ‘go’ will be treated as three-
morpheme MMMCs in this dissertation because lái ‘come’/qù ‘go’ in these constructions
is not real motion morphemes. (See Section 4.4 for a detailed discussion of lái ‘come’/qù
‘go’.)
Motion constructions consisting of more than four motion morphemes (including lái
‘come’/qù ‘go’) are not found in the corpus, although it might be possible that such
constructions are occasionally found in Chinese.
There are cases in which more than four motion morphemes are used together in a
sentence. For instance, (10) has five motion morphemes occurring together.
(10) 普希金跳出来走进了路旁的一家小旅店
Pǔxījīn tiào chū-lái zǒu-jìn-le lù-páng de yì-jiā xiǎo lǚdiàn
Pushkin jump exit-come walk-enter-ASP road-side REL one-CLF small hotel
‘Pushkin jumped out; walked into a small hotel on the roadside.’ (PKU Corpus)
However, this study does not treat the five morphemes in (10) as one motion construction.
Rather, they form two motion constructions: tiào chū-lái jump exit-come ‘jump out
towards the speaker’ and zǒu-jìn… lǚdiàn walk-enter … hotel ‘walk into the hotel’, and
thus express two motion events. The reason is that the two constructions can be separated
by a pause, as in (11a), or connective, as in (11b).
(11) a. 普希金跳出来,走进了路旁的一家小旅店
Pǔxījīn tiào chū-lái, zǒu-jìn-le lù-páng de yì-jiā xiǎo lǚdiàn
Pushkin jump exit-come, walk-enter-ASP road-side REL one-CLF small hotel
‘Pushkin jumped out; walked into a small hotel on the roadside.’
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b. 普希金跳出来 , 然后走进了路旁的一家小旅店
Pǔxījīn tiào chū-lái,
Pushkin jump exit-come
ránhòu zǒu-jìn-le lù-páng de yì-jiā xiǎo lǚdiàn then walk-enter-ASP road-side POSS one-CLF small hotel
‘Pushkin jumped out; then walked into the small hotel on roadside.’
A typical MMMC, e.g., tiào chū-lái jump exit-come or zǒu-jìn… lǚdiàn walk-enter …
hotel, does not allow the insertion of a pause or connective, as in (12) and (13).
(12) a. *普希金跳 , 出来
*Pǔxījīn tiào, chū-lái
Pushkin jump exit -come
#‘Pushkin jumped; came out.’ (intended meaning)
b. *普希金跳 , 然后出来
*Pǔxījīn tiào, ránhòu chū-lái Pushkin jump then exit -come
#‘Pushkin jumped; then came out.’ (intended meaning)
(13) a. *普希金走,进了路旁的一家小旅店
*Pǔxījīn zǒu, jìn-le lù-pánɡ de yì-jiā xiǎo lǚdiàn
Pushkin walk enter-ASP road-side REL one-CLF small hotel
#‘Pushkin walked; entered a small hotel on the roadside.’ (intended meaning)
b. *普希金走,然后进了路旁的一家小旅店
*Pǔxījīn zǒu, ránhòu jìn-le lù-pánɡ de yì-jiā xiǎo lǚdiàn
Pushkin walk then enter-ASP road-side REL one-CLF small hotel
#‘Pushkin walked; then entered a small hotel on the roadside.’
(intended meaning)
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Therefore, this study does not treat sequences of motion morphemes such as the one in
(10) as a single motion construction.
To summarize, Chinese motion constructions can be composed of two or three
motion morphemes; there are also four motion morphemes occurring in a motion
construction, but the last morpheme is usually the deictic morpheme lái ‘come’/qù ‘go’.
(I will come back to the distribution of lái ‘come’/qù ‘go’ in the following sections.)
Motion constructions consisting of different number of morphemes are not used with
equal frequencies in Chinese. Their frequencies in selected corpora will be presented in
the two corpus studies presented in Chapter 5.
4.2 Motion morphemes can occur in various positions in Chinese MMMCs As shown in Section 4.1, a motion construction in Chinese can consist of different
numbers of motion morphemes, and these morphemes can be associated with the same or
different scales. In this section, I focus on the order of motion morphemes in Chinese
motion constructions and present examples which might suggest that a generalization
over the morpheme order in the constructions cannot be easily formulated.
In a two-morpheme MMMC consisting of a nonscalar change motion morpheme and
a scalar change motion morpheme, the morpheme order is usually fixed: the nonscalar
change motion morpheme must precede the scalar change motion morpheme, as
1990 year 10 month Cheng.Jie again one-CLF come-arrive Beijing
‘Cheng Jie came to Beijing (towards the speaker) again in October, 1990.’
(PKU Corpus)
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b. 去到车站,车子老不来23
qù-dào chēzhàn, chēzi lǎo bù lái
go-arrive station car always NEG come
‘[I] went to the station, [but] the car always did not come’ (PKU Corpus)
In contrast, dào ‘arrive’ cannot immediately precede lái ‘come’/qù ‘go’ (26); rather, it
must be followed by a ground NP before preceding lái ‘come’/qù ‘go’ (27), cf. (25).
(26) *到来/去24
*dào-lái/qù
arrive-come/go
‘arrive (at a location) towards/away from the speaker’ (intended meaning)
23 However, qù-dào go-arrive is much less frequently used than lái-dào come-arrive, as shown by the PKU Corpus. There are about 30,000 instances of lái-dào, but only about 600 instances of qù-dào in the corpus. 24 Dào-lái arrive-come is found in the PKU Corpus. However, there is no instance in which dào-lái is used as a verbal compound and denotes physical arrival at a deictic center. Instead, it usually refers to non-physical motion, as in (i). (i) 我一生中最伟大的时刻到来了 wǒ yìshēng -zhōng zuì wěidà de shíkè dào-lái le my one.life-inside most great REL moment arrive-come ASP ‘The greatest moment in my life came.’ (PKU Corpus) In addition, unlike the motion morphemes in MMMCs, dào-lái has become a compound in that it does not allow the potential markers –de/bù, e.g., (ii). (ii) *最伟大的时刻到得来
*zuì wěidà de shíkè dào-de-lái most great REL moment arrive-POS.POT-come # ‘The greatest moment can come.’ (intended meaning)
Dào-lái is understood as physical motion only when it is used as a noun, as in (iii).
(iii) 中方工作人员鼓掌欢迎国王夫妇的到来 zhōngfāng gōngzuò rényuán ɡúzhǎng huānyíng ɡuówáng fūfù-de dàolái Chinese work staff applaud welcome king couple-POSS arrival ‘The Chinese working staff applauded to welcome the arrival of the King and the Queen.’ (PKU Corpus)
In contrast, dào-qù arrive-go is not allowed either as a verbal construction or a noun.
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(27) a. 我这次到北京来,去一个朋友家
wǒ zhè-cì dào Běijīng lái, qù yí-gè péngyou jiā
I this-time arrive Beijing come go one-CLF friend house
‘This time I came to Beijing, I went a friend’s house.’ (PKU Corpus)
b. 她大概先到车站去了
tā dàgài xiān dào chēzhàn qù le
she probably in.advance arrive station go ASP
‘She probably has gone to the station in advance.’ (PKU Corpus)
In constructions consisting of more than two motion morphemes, the morphemes
must appear in a certain order as well. As illustrated in (28), piāo ‘drift’ must be followed
by luò ‘fall’, and then by dào ‘arrive’.
(28) a. 一枚雪花从空中飘落到地面
yì méi xuěhuā cóng kōng-zhōng piāo-luò-dào dìmiàn
one CLF snowflake from sky-inside drift-fall-arrive ground
‘A snowflake drifts and falls on the ground from the sky.’ (PKU Corpus)
constructions consisting of the open scale motion morphemes tuì ‘recede’ and shànɡ
‘ascend’/xià ‘descend’, (c) motion constructions ending with lái ‘come’/qù ‘go’, and (d)
motion constructions consisting of morphemes denoting exactly the same motion events
(“juxtaposed motion synonyms”). In this section, I introduce each of them and show that
(a) and (b) are MMMCs whose order is not predicted by the Motion Morpheme
Hierarchy, whereas (c) and (d) should not be treated in the same way as the other
MMMCs discussed in this study, thus they should not be considered exceptions to the
hierarchy.
4.4.1 Constructions with closed scale motion morphemes and dào ‘arrive’
As shown in Section 3.3.1 in Chapter 3, dào ‘arrive’ is a two-point closed scale motion
morpheme. Like other two-point closed scale motion morphemes such as jìn ‘enter’ and
chū ‘exit’, dào ‘arrive’ can follow a nonscalar change motion morpheme as in (38) or an
open scale motion morpheme as in (39), and it cannot precede these morphemes. This
pattern is consistent with the Motion Morpheme Hierarchy.
(38) a. 那群小鸟飞到树上
nà qún xiǎoniǎo fēi-dào shù-shàng
that group little.bird fly-arrive tree-on
‘That group of birds flew onto the tree.’ (PKU Corpus)
b. *到飞树上
*dào-fēi shù-shàng
arrive-fly tree-on.top.of
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(39) a. 球员退到了场外
qiúyuán tuì-dào-le chǎng-wài
player recede-arrive-ASP court-outside
‘The players receded outside of the court.’ (PKU Corpus)
b. *到退场外
*dào-tuì chǎng-wài
arrive-recede court-outside
However, unlike other two-point closed scale motion morphemes which usually do
not co-occur with closed scale motion morphemes, dào ‘arrive’ can also follow multi-
point closed scale motion morphemes as in (40), and two-point closed scale motion
morphemes, as in (41) and (42); again, it cannot precede these morphemes.
(40) a. 我们回到树村
wǒmen huí-dào Shùcūn
we return-arrive tree.village
‘We returned to Tree Village.’ (PKU Corpus)
b. *到回树村
*dào-huí Shùcūn
arrive-return tree.village
(41) a. 新娘由女媒人陪同进到屋内
xīnniáng yóu nǚ méiren péitóng jìn-dào wū-nèi
bride by female matchmaker accompany enter-arrive room-inside
‘The bride went into the room, accompanied by the female matchmaker.’
(PKU Corpus)
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b. *到进屋内
*dào-jìn wūnèi
arrive-enter room-inside
(42) a. 大家又出到神厅外面来坐25
dàjiā yòu chū-dào shéntīng-wàimiàn lái zuò
everyone again exit -arrive shrine-outside come sit
‘Everyone came outside of the shrine to sit.’ (PKU Corpus)
b. *到出神厅外面
*dào-chū shéntīng-wàimiàn
arrive-exit shrine-outside
25 The two-point closed scale motion morpheme chū ‘exit’ in Modern Mandarin Chinese usually takes a source NP as its complement, whereas dào ‘arrive’ takes a goal NP as its complement. Therefore, dào is not expected to follow chū and share one locative NP, e.g., ?chū-dào fángzi-wài exit-arrive house-outside. However, some examples of chū-dào followed by a locative NP are found the PKU Corpus, such as (42). In these examples, the locative NP is understood as the goal of the arrival event, but not the source of the exiting event. In other words, the source NP is not explicitly expressed, although it can be inferred from the context. For example, the source of the exiting event in (42) is shrine.
Levin et al. (2009:16) observe that in English as well as some other languages, prepositions such as in and on can have a directional goal reading when they occur after some manner-of-motion verbs, e.g., jump on the bed (ibid.). They propose that the reading does not come from the manner-of-motion verb, but from the context, and usually is only possible when the length of the motion event is short. For instance, only if the moving object is standing right besides the bed, can on in jump on the bed have the meaning of onto.
Levin et al.’s proposal can also be applied to explaning the interpretation of the NP after chū-dào. When chū and dào occur together and take a locative NP, the length of the path from exiting a source location to the arrival at the goal location is very short. The goal is usually right outside the source of the exiting event. For example, (i) is much more acceptable than (ii). This explains why chū-dào is occasionally found in the PKU Corpus.
(i) ?(从房里)出到房外 ?(cóng fáng-lǐ ) chū-dào fáng-wài from house-inside exit-arrive house-outside ‘exit (the house) and arrive at the outside of the house’ (ii) *(从家里)出到学校
*(cóng jiā-lǐ) chū-dào xuéxiào from house-inside exit-arrive school # ‘exit (the house) and arrive at the school.’ (intended meaning)
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Therefore, dào ‘arrive’ is special in that it can follow any type of motion morpheme in
Chinese. In this study, I treat MMMCs consisting of closed scale motion morpheme and
dào ‘arrive’ as a special type of construction. Such MMMCs will be further investigated
in the corpus studies in Chapter 5, and its behavior will be discussed there.
4.4.2 Constructions with the open scale motion morphemes tuì ‘recede’ and shàng ‘ascend’/xià ‘descend’
Although shàng ‘ascend’ and xià ‘descend’ usually require explicitly expressed
information about the ground, they lexicalize open scales according to the tests in
Chapter 3. Furthermore, as predicted by the Motion Morpheme Hierarchy, shàng/xià can
motion morphemes (44a-b), and two-point closed scale motion morphemes (45a-b).26
(43) a. 它也随之飞上天空
tā yě suí zhī fēi-shàng tiānkōng
it also follow them fly-ascend sky
‘It [the bird] also followed them and flew up to the sky.’ (PKU Corpus)
b. 一只大黑乌鸦飞下来27
yì zhī dà hēi wūyā fēi xià-lái
one CLF big black crow fly descend-come
‘A big black crow flew down (towards the speaker).’ (PKU Corpus)
26 However, the number of attested instances of shàng/xià followed by closed scale motion morphemes that denote motion events is very small both in the PKU Corpus and the internet. Further study is necessary for their low frequencis of occurrence. 27 There is more discussion of lái ‘come’/qù ‘go’ as the final morpheme of an MMMC in Section 4.4.3.
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(44) a. 斐邂一进家门立即打算上回房间去
Fěixiè yí jìn jiāmén lìjí dǎsuan shàng-huí fángjiān qù
Feixie one enter house.door instantly plan ascend-return room go
‘Once Fei Xie entered the door, he instantly planned to go up and
‘If there is no sling, to ascend and go into the room is even more difficult than
to climb the sky.’ (http://www.17k.com/chapter/55124/2472620.html)
b. 雨下进心里了
yǔ xià-jìn xīn-lǐ le
rain descend-enter heart-inside ASP
‘The rain fell into our hearts.’ (http://www.xici.net/#d5917593.htm)
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However, shàng and xià are special in that they can follow the open scale motion
morpheme tuì ‘recede’, which is not predicted by the Motion Morpheme Hierarchy, as in
(46).
(46) a. 车退上斜坡后
chē tuì-shàng xiépō hòu
car recede-ascend slope after
‘After the car receded up to the slope’ (http://edwin1230.blog.163.com/)
b. 过几天水就会退下去
guò jǐ tiān shuǐ jiù huì tuì xià-qu
pass few day water then will recede descend-go
‘After a few days, the water will then recede down away.’ (PKU Corpus)
The two morphemes in (46) lexicalize different motion information. For instance in (46a),
tuì ‘recede’ describes backward motion in an event, whereas shàng ‘ascend’ describes
ascending motion in an event. The two directions are compatible because a moving object
can move in a backward and ascending direction at the same time.
Tuì ‘recede’ is the only motion verb in the class of open scale motion morphemes that
co-occurs with shàng/xià and lexicalizes a direction different from the direction in
shàng/xià. Shàng/xià can occur with other open scale motion morphemes, e.g., shēng-
shàng ascend-ascend, jiàng-xià descend-descend, diào-xià fall-descend. However, the
morphemes in each of these pairs express exactly the same motion type, i.e. an ascending
or descending event. This study treats them as “juxtaposed motion synonyms” and
distinguishes them from tuì-shànɡ/xià ‘recede up/down’. More discussion of such co-
occurring pairs will be presented in Section 4.4.4.
Although tuì and shàng/xià belong to the same class of motion morphemes, when
they co-occur, their relative order is fixed, that is, tuì precedes shàng/xià, and the order is
not predicted by the Motion Morheme Hierarchy. This dissertation treats tuì-shàng/xià
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‘recede up/down’ as a special type of MMMC. Further discussion of tuì-shàng/xià and its
relation to the Motion Morpheme Hierarchy is given in Chapter 5.
4.4.3 Motion constructions ending with the deictic morpheme lái ‘come’/qù ‘go’
Lái ‘come’ and qù ‘go’ are multi-point closed scale motion morphemes as identified in
Section 3.2 in Chapter 3. As predicted by the Motion Morpheme Hierarchy, lái ‘come’/qù
‘go’ can occur after a nonscalar change motion morpheme as in (47) or an open scale
motion morpheme as in (48).28
(47) 跑来学校
pǎo-lái xuéxiào
run-come school
‘run to school towards the speaker’
(48) 退去北京
tuì-qù Běijīng
recede-go Beijing
‘recede to Beijing away from the speaker’ 28 Lái ‘come’/qù ‘go’ can occur before a motion morpheme (e.g., pǎo ‘run’) or other types of morphemes, and functions as a purpose marker. For instance, the first part of (i) is said by a senior person who wants to run to show others that he is in good health, whereas the sentence in the parentheses is an aside describing the actions done by the senior person and the audience around him.
(i)“我来跑一下给大家看!”(非常快速地原地跑,全场鼓掌) “wǒ lái pǎo yíxià gěi dàjiā kàn!” (fēicháng kuàisù de yuándì pǎo, I come run a.bit give everyone see very fast MOD on.site run
quánchǎng gŭzhǎng) full.court applaud
‘“Let me run and show you!” ([He] ran very fast on the spot; the whole audience applauded.) (http://www.chinajilin.com.cn/zhuanti/content/2008-08/07/content_1336939.htm)
In (i), lái ‘come’ does not describe a real event of coming because the figure moves on the same spot; rather, lái ‘come’ functions as a purpose marker indicating that the figure ran in order to show the audience that he could. This study does not discuss lái ‘come’/qù ‘go’ as a purpose marker in detail.
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However, lái ‘come’ and qù ‘go’ are special in that they can also occur after all
closed scale motion morphemes, which is inconsistent with the Motion Morpheme
Hierarchy. (49) and (50) are examples in which lái/qù occurs after a multi-point closed
scale motion morpheme (huí ‘return’) and a two-point closed scale motion morpheme (jìn
‘enter’).
(49) 回来/去
huí-lái/qù
return-come/go
‘return to/away from the speaker’
(50) 进来/去
jìn-lái/qù
enter-come/go
‘come in/go out’
(49)-(50) seem not to accord with the Motion Morpheme Hierarchy because the
hierarchy is intended to predict that two closed scale motion morphemes do not co-occur.
However, I argue that when lái and qù occur after another motion morpheme, as in (47)-
(50), they are no longer typical motion morphemes. Rather, they have been
grammaticalized and have lost part of their meanings. Specifically, although they specify
directions towards or away from a deictic center, they no longer show boundedness, nor
are they specific about whether the scales they lexicalize are multi-point.
I classify motion constructions with such uses of lái/qù into three types: (a)
constructions where lái/qù occurs after a nonscalar change motion morpheme; (b)
constructions where lái/qù occurs after an “intransitive” scalar change motion morpheme;
(c) constructions where lái/qù occurs after a “transitive” scalar change motion morpheme.
In the rest of this section, I introduce these three constructions and present evidence
showing that lái/qù does not behave like a multi-point closed scale motion morpheme in
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these constructions. Before that, I introduce the notion of transitivity as it applies to
motion morphemes in this study.
A motion morpheme is said to be transitive in this study if it can take a ground NP
(e.g., source, desitnation, route NPs) as its complement. All nonscalar change motion
morphemes (e.g., zǒu ‘walk’, pǎo ‘run’) are intransitive because they usually cannot take
a ground NP as their complement. However, some scalar change motion morphemes are
transitive, whereas others are intransitive. For instance, huí ‘return’ is transitive; it
cannot occur alone, but needs an explicitly expressed ground NP, as in (51).
(51) a. *敌人回了
dírén huí le
enemy return ASP
b. 敌人回关外了
dírén huí guān-wài le
enemy return pass-outside ASP
‘The enemy returned to the outside of the pass.’
In contrast, tuì ‘recede’ is intransitive in that it can occur alone and usually cannot be
followed by a ground NP directly, as in (52).
(52) a. 敌人退了
dírén tuì le
enemy recede ASP
‘The enemy receded.’
b. *敌人退关外了
*dírén tuì guān-wài le
enemy recede pass-outside ASP
#‘The enemy receded to the outside of the pass.’ (intended meaning)
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4.4.3.1 Lái/qù following a nonscalar change motion morpheme
When lái ‘come’/qù ‘go’ occurs after nonscalar change motion morphemes, e.g., zǒu
‘walk’, pǎo ‘run’, and fēi ‘fly’, it can be followed by a goal ground NP, as in (53).
(53) a. 一家人突然跑来书房内喊道
yì jiārén tūrán pǎo-lái shūfáng-nèi hǎndào
one servant suddenly run-come study-inside shout
‘A servant suddenly ran to the study [towards me] and shouted.’ (PKU Corpus)
‘The starting center [player] of the Blazers [of NBA], walk to the substitute
bench.’ (PKU Corpus)
In addition, a “nonscalar change motion morpheme + lái/qù” sequence can be preceded
by a ‘toward’ PP, as in (54).
(54) a. 他们向我走来,压低声音问…
tāmen xiàng wǒ zǒu-lái, yā dī shēngyīn wèn
they toward me walk-come press low voice ask
‘They walked toward me and lowered their voices, asking…’ (PKU Corpus)
b. 一个穿着拖鞋的人向电梯走去
yí gè chuān zhe tuōxié de rén xiàng diàntī zǒu-qù
one CLF wear IMP slippers REL person toward elevator walk-go
‘A person who is wearing slippers walked toward the elevator.’ (PKU Corpus)
A ‘toward’ PP is usually only compatible with an unbounded event (Lamarre 2009, Hsiao
2009, among others), as in (55a).
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(55) 他向教室里跑
tā xiàng jiàoshì-lǐ pǎo
he toward classroom-inside run
‘He ran towards the classroom.’
A ‘toward’ PP cannot co-occur with motion morphemes which describe bounded motion
events. For instance, huí ‘return’ denotes a bounded event, and it is not compatible with
the ‘toward’ PP xiàng jiàoshì-lǐ ‘toward the classroom’, as shown in (56).
(56) *他向教室里回
tā xiàng jiàoshì-lǐ huí
he toward classroom-inside arrive
#‘He returned towards the classroom.’ (intended meaning)
The reason for this restriction is that such a PP does not entail the figure’s arrival at the
endpoint of the path of motion at the end of a motion event; rather, the figure can stop at
any position in the path.
As illustrated in (57), when lái/qù is the only motion morpheme in a motion
construction, it does not allow a ‘toward’ PP, which indicates that the coming/going
event expressed with lái/qù is bounded.29
(57) *他向学校来/去了
*tā xiànɡ xuéxiào lái/qù le
he toward school come/go ASP
# ‘He came/went toward the school.’ (intended meaning)
29 According to Rappaport Hovav and Levin (2010), English deictic verbs can have atelic uses. For instance, come in (i) can co-occur with a towards PP.
(i) One of them came towards us and spotted that we were machine gunners. (http://www.aftermathww1.com/interviews1.asp, cited from Rappaport Hovav and Levin 2010: 32, (20))
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However, the compatibility of “nonscalar change motion morpheme + lái/qù” with
‘toward’ PPs in (54) indicates that the sequence denotes an unbounded motion event: the
figure is not entailed to arrive at the endpoint of the scale, but can stop at any place while
s/he is moving towards the endpoint. For instance, in (54b), the sequence zǒu-qù walk-go
co-occurs with the PP xiàng diàntī ‘towards elevator’, but the figure is not entailed to
arrive at the elevator.
Furthermore, “nonscalar change motion morpheme + lái/qù” sequences are frequently
found with ‘toward’ PPs. For instance, in the first 100 instances of zǒu-lái walk-come and
the first 100 instances of zǒu-qù walk-go in the PKU Corpus, 42 instances of zǒu-lái and
92 instances of zǒu-qù occur with a ‘toward’ PP, e.g., (54).30 In contrast, both zǒu-lái and
zǒu-qù each have only one instance in which a goal ground NP is explicitly expressed, as
in (53). The remaining 57 instances of zǒu-lái and seven instances of zǒu-qù do not
explicitly indicate whether the motion expressed by zǒu-lái/qù is telic or not. However,
most instances of zǒu-qù do not imply an endpoint. For instance, zǒu-qù in (58) can co-
occur with the modifier yìzhí ‘continously’, which indicates that the motion does not have
any endpoint.
(58) 他…随着这道光明,一直走去
tā … suí-zhe zhè dào guāngmíng, yìzhí zǒu-qù
he follow-IMP this CLF brightness continuously walk-go
‘He followed this brightness, walked away from the speaker continuously.’
(PKU Corpus)
The high frequency of co-occurrence with ‘toward’ PPs indicates that zǒu-lái/qù can
express motion with unbounded paths. In other words, although lái and qù must express
bounded events when they occur alone, as in (57), they do not function as closed scale
motion morphemes when they occur after a nonscalar change motion morpheme.
30 In the PKU Corpus, there are 3,968 instances of the sequence zǒu-lái walk-come and 6,803 instances of zǒu-qù walk-go in total.
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4.4.3.2 Lái/qù following an intransitive scalar change motion morpheme
As mentioned in Section 4.4.3, an intransitive scalar change motion morpheme in this
study refers to a morpheme that cannot take a ground NP directly as its complement. In
Chinese, most open scale motion morphemes (e.g., tuì ‘recede’, shēng ‘ascend’, jiàng
‘descend’, luò ‘fall’) are intransitive scalar change motion morphemes; the exceptions are
shànɡ ‘ascend’ and xià ‘descend’ (see Section 3.3.3 in Chapter 3).
Lái and qù can occur after intransitive scalar change motion morphemes, but they do
not contribute closed scales either. For instance in (59), tuì-lái recede-come and shēng-qù
ascend-go occur with a ‘toward’ PP; both sentences describe unbounded motion events in
that the figures are not entailed to move to the endpoint of the scales.
(59) a. 但是众人迎面又向她退来
dànshì zhòngrén yíng miàn yòu xiàng tā tuì-lái but everyone meet face again towards her recede-come
‘But everyone again receded towards her, facing her.’ (PKU Corpus)
Therefore, when lái and qù occur after intransitive scalar change motion morphemes,
they lose information about the boundedness of their scales, i.e. they become unspecified
as to whether the motion they denote is bounded or not.
4.4.3.3 Lái/qù following a transitive scalar change motion morpheme Previous studies (e.g., Y. Liu 1998, Liang 2007) observe that a ground NP is required by
‘return’, and jìn ‘enter’. If these morphemes are not followed by a locative NP, they must
be followed by lái/qù (Ju 1992, Y. Liu 1998, Qi 1998, Lamarre 2008), as in (62).
(62) a. *他回了
tā huí le
he return ASP
b. 他回学校了
tā huí xuéxiào le
he return school ASP
‘He returned to school.’
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c. 他回来/去了
tā huì-lái/qù le
he return-come/go ASP
‘He came/went back.’
The constraint is also true when these morphemes are preceded by a manner-of-motion
morpheme.
(63) a. *他跑回了
tā pǎo-huí le
he run-return ASP
b. 他跑回学校了
tā pǎo-huí xuéxiào le
he run-return school ASP
‘He ran back to school.’
c. 他跑回来/去了
tā pǎo huí-lái/qù le
he run return-come/go ASP
‘He ran back to the speaker/away from the speaker.’
These directional morphemes are called “transitive scalar change motion morphemes” in
this dissertation. The set of transitive scalar change motion morphemes include closed
scale motion morphemes and the open scale motion morphemes shàng ‘ascend’ and xià
‘descend’.31 (62)-(63) indicate that lái/qù is required when a transtive motion morpheme
is not immediately followed by a ground NP.32
31 Although dào ‘arrive’ is also a transitive motion morpheme, unlike other transitive motion morphemes, dào cannot be followed by lái/qù immediately when a locative NP is absent (as discussed in Chapters 2 and 3). Instead, dào must be immediately followed by a ground NP before it is followed by lái/qù (see Section 4.1). However, because dào can be used as an
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Lamarre (2008: 77-78, 85) proposes that the use of lái/qù after transitive motion
morphemes is a reflection of a “tendency for monosyllabic words to develop into
disyllabic words” in Chinese (cf. Lü 1963, Feng 1998, among others). All transitive
so the addition of the monosyllabic lái/qù after these morphemes makes the whole form
disyllabic.
However, I argue that the co-occurrence of a transitive scalar change motion
morpheme and lái/qù cannot be simply ascribed to the tendency towards disyllabic words
in Chinese. Two reasons are presented here. First, transitive motion morphemes are not
always followed by a monosyllabic morpheme in these instances and thus the two
together do not form a disyllabic word. For instance in (62b), huí ‘return’ and xuéxiào
‘school’ together have three syllables. Second, only when no ground NP is present is a
transitive motion morpheme immediately followed by lái/qù, as in (64a); in contrast,
when a ground NP is present, the NP must be inserted in between the morpheme and
lái/qù, as in (64b-c).
(64) a. 他跑进来了。
tā pǎo jìn-lái le
he run enter-come ASP
‘He ran in towards the speaker.’
b. 他跑进学校来了。
tā pǎo-jìn xuéxiào lái le
he run-enter school come ASP
‘He ran into the school towards the speaker.’ independent verb and takes a ground NP as complement, this dissertation treats dào as a transitive motion morpheme. 32 Lái/qù is optional after an intransitive scalar change motion morpheme. As illustrated in (i), no lái/qù is necessary after tuì ‘recede’ and shēng ‘ascend’, cf. (58-59). (i) a. 向她退 b. 向天上升 xiàng tā tuì xiàng tiān-shàng shēng toward her return toward sky-on.top.of ascend ‘return toward her’ ‘ascend up to the sky’
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c. *他跑进来学校了。
*tā pǎo jìn-lái xuéxiào le
he run enter-come school ASP
In other words, when a ground NP is present, the transitive motion morpheme and lái/qù
must be separated as the NP occurs in between them. Therefore, there must be some other
reason other than the syllabic account for a transitive scalar change motion morpheme to
require lái/qù when there is no explicitly expressed ground NP. I propose that the
function of lái and qù after these transitive motion morphemes is to satisfy their
requirement for ground information.
As shown above, some scalar change motion morphemes such as chū ‘exit’, huí
‘return’ and jìn ‘enter’ require explicitly expressed information about the ground in a
motion event. Besides direction of motion, the deictic verbs lái and qù also lexically
specify information about the ground (the deictic center indicated by lái/qù). Therefore,
as illustrated in (62), repeated here as (65), when a ground NP is absent, lái/qù must be
present.
(65) a. *他回了
tā huí le
he return ASP
b. 他回学校了
tā huí xuéxiào le
he return school ASP
‘He returned to school.’
c. 他回来/去了
tā huì-lái/qù le
he return-come/go ASP
‘He came/went back.’
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However, when a ground NP is used after the motion morpheme, since the NP expresses
ground information, the ground information indicated by a co-occuring lái/qù is no
longer needed, but only understood as additional information. Therefore, lái/qù becomes
optional, as illustrated in (66).
(66) 他回学校(来/去)了
tā huí xuéxiào (lái/qù) le
he return school (come/go) ASP
‘He returned to school (towards/away from the speaker).’
(65) and (66) suggest that the use of lái/qù after a transitive scalar change motion
morpheme is determined by the presence of a locative NP: lái/qù is required if an NP is
absent, and optional if the NP is present.
Like the lái/qù occurring after nonscalar change motion morphemes and intransitive
scalar change motion morphemes, lái/qù occurring after a transitive scalar change motion
morpheme no longer lexicalizes a closed scale. Instead, the boundedness and duration of
the motion event is determined by the telicity and duration of the motion morphemes
preceding lái/qù.
The motion event is bounded if the transitive scalar change motion morphemes
lexicalize closed scales. For instance, huí ‘return’ and chū ‘return’ denote bounded events;
and when they are followed by lái/qù, e.g., huí-lái return-come and chū-qù exit-go, they
still denote bounded events and do not allow ‘toward’ PPs, as in (67).
(67) a. *向房里回来
*xiàng fáng-lǐ huí-lái
toward room-inside return-come
b. *向房外出去
*xiàng fáng-wài chū-qu
toward room-outside exit -go
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In contrast, if lái/qù occurs after shàng ‘ascend’ and xià ‘descend’, which are open
scale motion morphemes, the motion events are unbounded. As in (68), chōng shàng-lái
‘rush up’ and fēi shàng-qù ‘fly up’ are compatible with ‘toward’ PPs.
Zheng 1964, Chen and Yu 1979, Packard 2000, among others).
Therefore, this study distinguishes juxtaposed motion synonyms from MMMCs and
does not treat them as exceptions to the Motion Morpheme Hierarchy, even though the
hierarchy cannot predict the order of their constituent morphemes. This study does not
discuss the order of morphemes in these compounds in detail. A brief introduction is
given in the next section to previous studies of the order of morphemes in juxtaposed
synonyms in the motion domain, as well as other domains.
4.4.4.2 Previous studies of the order of morphemes in juxtaposed synonyms
Although the two morphemes in juxtaposed motion synonyms express exactly the same
motion event, their order is usually fixed: for instance, *xiáng-fēi fly-fly, *luò-zhuì fall-
fall, *guò-chuān cross-cross, *rù-jìn enter-enter. Only a few instances are found in which
the two morphemes can occur in either order, for instance, fǎn-huí return-return and huí-
fǎn return-return in (22).33
33 However, even though both fǎn-huí return-return and huí-fǎn return-return are found in the PKU Corpus, fǎn-huí is much more frequent than huí-fǎn: there are more than 7,000 instances of fǎn-huí, but only about 100 instances of huí-fǎn.
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Two major explanations of the order of morphemes in juxtaposed synonyms are
proposed in previous studies. One explanation is based on phonetics and phonology.
According to Chen and Yu (1979), among others, the order of the juxtaposed morphemes
is to a large extent determined by the tones of these morphemes.34 Specifically, if the
juxtaposition was formed in earlier stages of Chinese, when voiced initials and the
entering tone still existed, the left-to-right order of its morphemes follows the tonal
hierarchy from left to right in (77).35
(77) high even > low even > high rising > low rising > high departing > low
departing > high entering > low entering
If the juxtaposition was formed later, i.e. when voiced initials and the entering tone
disappeared from Modern Chinese, the left-to-right order of its morphemes follows the
tonal hierarchy in (78) from left to right:
(78) high even > low even > rising > departing
For example, in Modern Chinese, the tone of bēn is even, whereas the tone of pǎo ‘run’ is
rising, so bēn must precede pǎo, but not vice versa.
Unlike Chen and Yu (1979) and others, Mao (2008) proposes that the more
commonly used morpheme precedes the less commonly used one if two synonyms occur
together to form a combination. For instance, she finds that途 tú ‘road’ (which has a low
even tone in Modern Chinese) appeared in oracle bone scripts (ca. 16th – 11th century
BCE), whereas its synonym 路 lù ‘road’ (which has a departing tone in Modern
Mandarin Chinese) appeared later in Western Zhou (11th century – 770 BCE). When tú
and lù were juxtaposed to form a combination, tú preceded lù, which follows the tonal
34 Chinese also has combinations consisting of two antonymous elements, e.g., chí-zǎo late-early ‘sooner or later’, ài-hèn love-hate ‘love and hate’, hǎo-huài good-bad ‘no matter what’, shēng-jiàng ascend-descend ‘rise and fall’. Chen and Yu’s proposal also aims to explain these juxtaposed antonyms; however, this dissertation limits its discussion to juxtaposed synonyms. 35 Entering tones are not typical phonetic tones; rather, they are syllables that end in a stop consonant, e.g., p, t, k, or glottal stop.
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hierarchy. However, in later periods, the reverse order, lù-tú road-road ‘road’, came into
use and gradually replaced tú-lù road-road ‘road’, and finally only lù-tú ‘road’ is used in
Modern Chinese. Mao claims that the tonal rule was unable to explain why the order of lù
and tú reversed while their tones remained the same. Instead, she proposes that it is
because lù became more commonly used than tú that lù-tú replaced tú-lù.
However, counterexamples to both explanations can be found. For example, in the 89
instances of juxtaposed synonyms found in the text 朱子语类 Zhūzǐ Yǔlèi (1270,
Southern Song Dynasty), there are 28 instances (31%) whose order of morphemes
violates the tonal rule (Mao 2008). Mao’s explanation also is unable to account for a
comprehensive range of data. There are many juxtaposed synonyms that
counterexamplify it in Modern Chinese: they consist of a less commonly used morpheme
(especially a bound morpheme) occurring before a more commonly used morpheme, e.g.,
disease ‘disease’, 颠倒 diān-dǎo stumble-stumble ‘stumble’. If Mao’s proposal were
correct, we would expect the morphemes in these combinations to occur in the reverse
order in Modern Chinese.
To summarize, it is likely that more than one constraint determines the order of
juxtaposed synonyms. This dissertation will leave this issue for future study.
4.5 Summary
In this chapter, I showed what kinds of motion morphemes can occur together to form an
MMMC. In addition, the Motion Morpheme Hierarchy was proposed to predict the order
of motion morphemes lexicalizing different types of scales. In addition, I also illustrated
four types of motion constructions that are not covered by the hierarchy. Two of these
types are treated as special MMMCs and will be discussed in more detail in Chapter 5:
these are constructions where dào ‘arrive’ follows closed scale motion morphemes, and
constructions where the open scale motion morphemes shàng/xià ‘ascend/descend’ and
tuì ‘recede’ co-occur.
Furthermore, this chapter shows that the deictic morphemes lái ‘come’ and qù ‘go’
are no longer functioning as multi-point closed scale motion morphemes when they occur
after another motion morpheme, but simply indicate deictic direction and ground
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information. Finally, this chapter introduces a special type of motion construction,
juxtaposed motion synonyms. Such constructions are syntactically and semantically
distinct from the other motion constructions discussed in the study, so the morpheme
order in these constructions is left for future study.
In the reminder of the dissertation, I focus on regular MMMCs composed of motion
morphemes of different types, and the special MMMCs consisting of closed scale motion
morphemes and dào ‘arrive’, as well as tuì-shàng/xià recede ascend/descend. Two corpus
studies will be presented in Chapter 5 to verify the hierarchy in (28), followed by further
discussion of the hierarchy.
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Chapter 5
Corpus Studies Verifying the Motion Morpheme Hierarchy and the Encoding of Motion Events in Chinese
In Chapter 4, I proposed the Motion Morpheme Hierarchy that is used to predict the order
of motion morphemes in Chinese MMMCs. This hierarchy was formulated based on
limited data, so this chapter verifies the hierarchy by investigating a larger amount of data.
To do so, two corpus studies are carried out in which MMMCs are collected from natural
Chinese data and the order of their motion morphemes is investigated to determine
whether the hierarchy is valid. The two corpus studies and their results are presented in
Section 5.1 and Section 5.2. Chapter 4 also recognizes two types of special MMMCs
which are not predicted by the Motion Morpheme Hierarchy: MMMCs consisting of
closed scale motion morphemes and dào ‘arrive’, and MMMCs with the open scale
motion morphemes tuì ‘recede’ and shàng ‘ascend’/xià ‘descend’. These MMMCs are
also investigated in the corpus studies.
Section 5.3 discusses why the hierarchy is valid and what it implies about the
encoding of motion events in Chinese. I propose that the order of motion morphemes in
Chinese MMMCs conforms to a “More Specific Constraint”: that the morpheme which is
more specific about the scale in a motion event must precede the morpheme with less
specific information about the scale. The constraint is able to provide a unified account of
morpheme order in both two- and three-morpheme MMMCs, of why two closed scale
motion morphemes typically do not co-occur in Chinese, and of why tuì ‘recede’ can co-
occur with the other open scale motion morphemes shàng ‘ascend’/xià ‘descend’. Section
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5.4 discusses the reason why dào ‘arrive’ can occur after other closed scale motion
morphemes and the function of such instances of dào ‘arrive’.
For convenience, the motion morphemes in an MMMC are labeled M1, M2, M3, etc.
according to their left to right order in the MMMC. As mentioned in Section 4.4.3,
motion construction final lái ‘come’/qù ‘go’ is not treated as a motion morpheme and not
taken into account in the corpus studies. For instance, in zǒu-huí xuéxiào lái walk-return
school come ‘walk back to school towards the speaker’, zǒu ‘walk’ is M1 and huí ‘return’
is M2, while lái is ignored.
5.1 Corpus study 1
In this corpus study, I collected all MMMCs from selected chapters of four recent
Chinese novels. Then, the motion morphemes in these MMMCs were investigated to see
whether they occur in the order predicted by the hierarchy.
5.1.1 Data sources Information on the four Chinese novels used to collect MMMCs is given in Table 5.1.
Table 5.1 Novels selected for Corpus study 1
Novel Author Year Selection
analyzed
Number of
characters
Tàiyáng Chūshì
(The Sun was Born)
Chí Lì 1992 Entire novel 35,433
Dìqiú de Hóng Piāodài
(The Earth's Red Flying Ribbon)
Wèi Wēi 1988 First six
chapters
34,108
Kōngzhōng Xiǎojiě
(Flight Attendant)
Wáng Shuò 1985 Entire novel 29,185
Tàiyáng Zhào zài Sānggānhé-shàng
(The Sun Shines over the Sanggan
River)
Dīng Líng 1952 First twelve
chapters
28,935
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All four novels in Table 5.1 have great popular appeal in China. Among them, Dìqiú de
Hóng Piāodài (The Earth's Red Flying Ribbon) and Tàiyáng Zhào zài Sānggānhé-shàng
(The Sun Shines over the Sanggan River) are legacies of Chinese revolutionary literature,
whose language is accessible to workers and soldiers.36 In contrast, Tàiyáng Chūshì (The
Sun was Born) and Kōngzhōng Xiǎojiě (Flight Attendant) are based on the lives of
urbanites in two large cities in China, Wuhan and Beijing, and thus the language is closer
to that of urbanites. The novels are of different length. In order to keep the number of
words considered relatively balanced among the four novels, only the first six chapters
were selected from Dìqiú de Hóng Piāodài (The Earth's Red Flying Ribbon), and the first
twelve chapters were selected from Tàiyáng Zhào zài Sānggānhé-shàng (The Sun Shines
over the Sanggan River). Given their differences in content and style, these four novels
represent a reasonable diversity for the purpose of this study.
For convenience, in the rest of this dissertation, Tàiyáng Chūshì (The Sun was Born)
is referred to as Chūshì, Dìqiú de Hóng Piāodài (The Earth's Red Flying Ribbon) is
referred to as Hóng Piāodài, Kōngzhōng Xiǎojiě (Flight Attendant) is referred to as
Xiǎojiě, and Tàiyáng Zhào zài Sānggānhé-shàng (The Sun Shines over the Sanggan River)
is referred to as Sānggānhé-shàng.
5.1.2 Data selection
Although all motion constructions were initially collected from the novels (see Table 5.2),
only motion constructions with multiple motion morphemes, i.e. MMMCs, were selected
and examined for purposes of verifying the Motion Morpheme Hierarchy. In this section,
I introduce the motion constructions that were included and excluded from the analysis.
36 These two novels were also used by Chen and Guo (2009) in their investigation of Chinese motion constructions. However, Chen and Guo only examined motion constructions in twenty randomly selected “episodes”. An episode is defined as “movement of a major protagonist, beginning from a stationary position and continuing to move until arriving at another stationary position where a plot-advancing event occurs” (Özçalışkan and Slobin, 2003:260). However, in this dissertation, I select all MMMCs that appear in the selected chapters of these two novels, and thus the number of MMMCs investigated in this dissertation is larger than that in Chen and Guo’s study.
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5.1.2.1 MMMCs to be analyzed
The MMMCs to be analyzed include “general MMMCs” and the two special types of
MMMCs, i.e. MMMCs consisting of a closed scale motion morpheme and dào ‘arrive’,
and MMMCs with the open scale motion morphemes tuì ‘recede’ and shànɡ ‘ascend’/xià
‘descend’. I introduce them briefly in this section.
General MMMCs
“General MMMCs” refers to MMMCs consisting of multiple motion morphemes
lexicalizing different types of scale (again construction final lái ‘come’/qù ‘go’ is not
counted as a motion morpheme). For instance, the construction in (1) consists of two
motion morphemes, zǒu ‘walk’ and chū ‘exit’, and thus was included for analysis.
(1) 她走出了院子
tā zǒu-chū-le yuànzi
she walk-exit-ASP yard
‘She walked out of the yard.’ (Sānggānhé-shàng)
The motion construction in (2) contains two motion morphemes and construction
final lái ‘come’, but only the order of M1 and M2, kuà ‘stride’ and jìn ‘enter’, is taken
into consideration.
(2) 张裕民走在她的前面跨进房来
Zhāng Yùmín zǒu zài tā-de qiánmian kuà-jìn fáng lái Zhang Yumin walk at she-POSS front stride-enter house come
‘Zhang Yumin walked in front of her, and strode into the house towards the
speaker.’ (Sānggānhé-shàng)
The Motion Morpheme Hierarchy is intended to predict the order of motion morphemes
in general MMMCs.
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Special MMMCs: MMMCs with a closed scale motion morpheme and dào ‘arrive’
As presented in Section 4.4.1 in Chapter 4, there are motion constructions in which dào
‘arrive’ can follow closed scale motion morphemes (both multi-point and two-point), e.g.,
huí-dào xuéxiào returen-arrive school ‘return to school’, jìn-dào fángjiān enter-arrive
room ‘enter into the room’. The morpheme order in these constructions is not predicted
by the Motion Morpheme Hierarchy, and thus the constructions were treated as special
MMMCs.
However, the Motion Morpheme Hierarchy predicts that dào ‘arrive’, like other
closed scale motion morphemes, should follow a nonscalar change motion morpheme,
e.g., kuà ‘stride’ in kuà-dào yuànzi-lǐ stride-arrive yard-inside or an open scale motion
morpheme. e.g., tuì ‘recede’ in tuì-dào fáng-lǐ recede-arrive room-inside. Therefore,
motion constructions containing dào ‘arrive’ and nonscalar change/open scale motion
morphemes were not treated as special MMMCs, but as general MMMCs.
Special MMMCs: MMMCs with tuì ‘recede’ and shàng ‘ascend’/xià ‘descend’
As mentioned in Chapter 4, the open scale motion morphemes shàng ‘ascend’ and xià
‘descend’ can follow the open scale motion morpheme tuì ‘recede’, e.g. tuì-xià shān
recede-descend mountain. Such constructions are not predicted by the Motion Morpheme
Hierarchy either, and thus were treated as special MMMCs in the analysis.
5.1.2.2 Motion constructions to be excluded from the analysis
The following types of motion constructions were excluded from the analysis.
Motion constructions with only one motion morpheme This study examines the relative order of motion morphemes in MMMCs. Therefore,
motion constructions with only one motion morpheme were excluded. For instance, (3)
was excluded from the study because it has only one motion morpheme, qù ‘arrive’.
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(3) 我们一起去笕桥机场
wǒmen yìqǐ qù jiǎnqiáo jīchǎng
we together go Jianqiao airport
‘We went to the Jianqiao Airport together.’ (Xiǎojiě)
In addition, as discussed in Section 4.4.3, construction final lái ‘come’ and qù ‘go’ were
not treated as motion morphemes, so motion constructions consisting of a motion
morpheme and construction final lái/qù, e.g., (4), were considered to be constructions
with only one motion morpheme, and thus were not included for analysis.
(4) 可是一出来
kěshì yì chū-lái
but once exit -come
‘But once [she] came out [towards the speaker].’ (Sānggānhé-shàng)
Juxtaposed motion synonyms
As shown in Section 4.4.4 in Chapter 4, juxtaposed motion synonyms (e.g., fēi-xiánɡ fly-
fly ‘fly’, jìn-rù enter-enter ‘enter’) are structurally different from MMMCs, so they were
excluded from the study.
Others exclusions: Conventionalized or highly lexicalized motion constructions
There are also motion constructions that have been conventionalized or highly lexicalized
in Chinese. A few examples are given in (5).
(5) a. 蜂拥而下
fēng-yōng-ér-xià
bee-crowd-and-descend
‘[a crowd] swarm down like bees’ (Xiǎojiě)
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b. 跑来跑去
pǎo-lái-pǎo-qù
run-come-run-go
‘run back and forth’ (Chūshì)
c. 登山临水
dēng-shān-lín-shuǐ
climb-mountain-face-water
‘travel around’ (Xiǎojiě)
Although such constructions contain more than one motion morpheme and are used as a
single motion construction, this study did not include them because the motion
morpheme sequence has become highly lexicalized, and thus less analyzable. For
example, the first three elements in (5a) are fixed so that none of them can be replaced by
other elements, even synonyms. As illustrated in (6), the meaning of the verb jǐ is similar
to that of yōng in (5a), i.e. to crowd, but jǐ is not allowed to replace yōng.
. (6) *蜂挤而入
fēng-jǐ-ér-rù
bee-crowd-and -enter
5.1.3 Motion constructions found in the data sources Table 5.2 lists all types of motion constructions found in the novels, including those that
were excluded for purposes of evaluating the Motion Morpheme Hierarchy.
A total of 926 motion constructions were found in the novels and grouped into “MMMCs
to be analyzed” and “Non-MMMCs to be excluded”. Among the non-MMMCs, motion
constructions with only one motion morpheme (253 instances) or a single motion
morpheme followed by a construction final lái/qù (317 instances) form the biggest group
(570 instances) in the data. They make up 61.6% of the motion constructions.
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Table 5. 2 Motion constructions found in the data sources
Chūshì Hóng piāodài
Xiǎojiě Sānggānhé-shàng
Total
With construction final lái/qù
No Yes No Yes No Yes No Yes
MMMCs to be analyzed (28.4%)
General MMMCs 18 9 44 28 35 23 41 34 232 (25.1%)
Special MMMCs: Closed scale + dào
6 0 9 1 11 0 4 0 31 (3.3%)
Special MMMCs: tuì + shàng/xià
0 0 0 0 0 0 0 0 0 (0%)
Non-MMMCs to be excluded (71.6%)
MCs with only one morpheme
16 105 51 117 110 40 76 55 570 (61.6%)
Juxtaposed motion synonyms
5 0 34 1 19 0 3 0 62 (6.7%)
Others 7 0 6 0 11 0 7 0 31 (3.3%)
Total 52 114 141 150 185 63 124 97 926 (100%) 166
(17.9%) 291 (31.4%)
248 (26.8%)
221 (23.9%)
MMMCs to be analyzed represent 28.4% of the total. Table 5.3 lists the number of
instances of each type of MMMCs. (For each type, the MMMCs with lái/qù and without
lái/qù are combined in Table 5.3).
Table 5. 3 MMMCs found in the novels MMMCs to be analyzed
Chūshì Hóng piāodài
Xiǎojiě Sānggānhé-shàng
Total
General MMMCs (+ lái/qù)
27 72 58 75 232 (88.2%)
Special MMMCs: Closed scale + dào (+ lái/qù)
6 10 11 4 31 (11.8%)
Special MMMCs: tuì + shàng/xià (+ lái/qù)
0 0 0 0 0 (0%)
Total 33 (12.6%)
82 (31.2%)
69 (26.2%)
79 (30%)
263 (100%)
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Of the different types of MMMCs to be analyzed, general MMMCs (88.2% of the
MMMCs to be analyzed, and 25.1% of the total number of motion constructions, see
Table 5.2) represent the type whose motion morphemes should occur in an order
predicted by the Motion Morpheme Hierarchy if the hierarchy is correct. The other two
types of MMMCs in Table 5.3 are not predicted by the hierarchy. There are 31 instances
in which dào ‘arrive’ follows a closed scale motion morpheme (11.8% of the MMMCs to
be analyzed, and 3.3% of the total number of motion constructions, see Table 5.2).
Motion constructions in which the special motion morphemes shànɡ/xià follow tuì
‘recede’ are not found in the novels.
In addition, there is only one instance with three motion morphemes, given in (7).
(7) 生怕她滑落到地上
shēngpà tā huá-luò-dào dì-shàng
fear she slide-fall-arrive floor-on.top.of
‘[They were] afraid that she would slide and fall onto the floor.’ (Chūshì)
The motion construction in (7) contains dào ‘arrive’ as well as a nonscalar change motion
morpheme huá ‘slide’ and an open scale motion morpheme luò ‘fall’, so it is included
among the general MMMCs in Table 5.3.
Because most instances of general MMMCs consist of only two motion morphemes,
the hierarchy is tested based on two-morpheme MMMCs (231 instances). The MMMC
consisting of three motion morphemes, i.e. (7), is discussed separately. Motion
constructions in which dào ‘arrive’ follows a closed scale motion morpheme are analyzed
separately, too.
5.1.4 Hypotheses and data coding
As shown in Chapter 4, the Motion Morpheme Hierarchy consists of four types of motion
morphemes which are identified by three features, i.e. existence of a scale, boundedness
of the scale, and punctuality of the scale. The hierarchy is repeated here as (8a); features
of each type of motion morpheme figuring in the hierarchy are illustrated in (8b).
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(8) a. Motion Morpheme Hierarchy
b. Features of each type of motion morpheme figuring in the Motion Morpheme
Hierarchy
Based on the tests introduced in Chapter 3, each motion morpheme can be described
in terms of the three features. For instance, fēi ‘fly’ is a nonscalar change motion
morpheme, so it is coded as [-scale]. In addition, a motion morpheme that is not
associated with a scale denotes motion that is usually durative and has no endpoint, so fēi
is also coded as [-bounded] and [-punctual]. Tuì ‘recede’ is an open scale motion
morpheme, so it has a scale and the scale is unbounded. Therefore, tuì is coded as
([+scale], [-bounded], [-punctual]). Huí ‘return’ is a multi-point closed scale motion
morpheme, so it is coded as ([+scale], [+bounded], [-punctual]).
Therefore, to evaluate the Motion Morpheme Hierarchy, we can examine whether the
features of motion morphemes are distributed in MMMCs in the way suggested by (8b)
rather than by examining the morphemes themselves. The evaluation can be carried out
separately in terms of each of these features. Specifically, in order to verify the hierarchy
in (8a), three hypotheses can be tested. These hypotheses are laid out in (9), with
examples and a further interpretation given in (10).37
37 According to the hierarchy, punctuality does not affect the order of motion morphemes because a multi-point closed scale and a two-point closed scale motion morpheme are not expected to co-occur. However, in order to test whether the hierarchy is correct about punctuality, I examine whether there are MMMCs in which two closed scale motion morphemes occur together.
As discussed in Chapter 3, shàng ‘ascend’ and xià ‘descend’ behave differently from
other open scale motion morphemes in that they usually require explicitly expressed
information about the ground, and in that they can occur after an other open scale motion
morpheme, tuì ‘recede’. Therefore, although shànɡ ‘ascend’ and xià ‘descend’ are the
two most frequently used open scale motion morphemes, the third most frequently used
open scale motion morpheme, tuì ‘recede’, is also included in this study. Multi-point and
two-point closed scale motion morphemes are grouped together as closed scale motion
morphemes in the hierarchy because, with the exception of dào ‘arrive’, motion
morphemes of these two types do not co-occur (see Chapter 4). The most frequently used
multi-point closed scale motion morpheme is huí ‘return’ (37 instances), and the most
frequently used two-point closed scale motion morpheme is chū ‘exit’ (51 instances).
In addition, because dào ‘arrive’ behaves differently from other two-point closed
scale motion morphemes, and it occurs very frequently with other motion morphemes (86
instances in Corpus Study 1), dào was also searched for in the PKU Corpus.
All MMMCs were collected in the same way as in Corpus Study 1 (see Section 5.1.2).
5.2.3 Hypotheses and data coding
The corpus study is intended to examine the relative order of a particular morpheme (the
ones in (17), “key morphemes” hereafter) and the motion morphemes it co-occurs with.
For each key morpheme that belongs to a certain type of motion morpheme, the Motion
Morpheme Hierarchy (repeated here as (18)) predicts what types of motion morphemes
can precede or follow the key morpheme. In other words, if the hierarchy is correct, then
a nonscalar change motion morpheme (zǒu ‘walk’, pǎo ‘run’) can only precede an open
or closed scale motion morpheme; an open scale motion morpheme (shàng ‘ascend’, xià
‘descend’, tuì ‘recede’) can follow a nonscalar change motion morpheme and precede a
closed scale motion morpheme; and a closed scale motion morpheme (huí ‘return’, chū
‘exit’) can follow the other two types of motion morphemes.
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(18)
Furthermore, as mentioned above, there are two special types of MMMCs that are not
predicted by the hierarchy: MMMCs with the open scale motion morphemes tuì ‘recede’
and shàng ‘ascend’/xià ‘descend’, and MMMCs with closed scale motion morphemes
and dào ‘arrive’. The use of these MMMCs is also analyzed in this study.
Because we already know what kind of scale each key morpheme lexicalizes, we can
directly investigate the distribution of key morphemes and their co-occurring motion
morphemes, and then determine whether their relative order follows the Motion
Morpheme Hierarchy. To do so, each motion morpheme that co-occurs with the key
morpheme was also classified according to what kind of scale it has (i.e. nonscalar
change, open, and closed) using the tests introduced in Chapter 3. Then, I examined
whether the relative order of the key morpheme and the morphemes it co-occurs with is
consistent with the hierarchy.
5.2.4 Results
As shown in Table 5.5, 1,242 MMMCs were collected in the search.38 Among them,
1,231 (99.1%) are MMMCs with two motion morphemes (with or without construction
final lái/qù), and 11 (0.09%) are MMMCs with three motion morphemes.39 In what
38 The first 1,000 instances of each key morpheme searched for in the PKU Corpus were collected, so there were in total 8,000 instances for the eight key morphemes. However, not all 8,000 instances are MMMCs, e.g., some key morphemes occur as the only verb in a construction, and some key morphemes are used as nouns instead of verbs, so the final number of MMMCs selected for analysis (1,242 instances) is much less than 8,000. 39 There are cases in which the same MMMCs appeared in the search results of different key morphemes. For instance, the MMMC tuì-chū wŭchǎng recede-exit ballroom ‘recede from the ballroom’ was found in both the searches for tuì ‘recede’ and chū ‘exit’. However, the number of repeated MMMCs is not large. For example, in the first 1,000 instances of tuì, there are 80 instances of MMMCs consisting of tuì and chū, but in the first 1,000 instance of chū, there are only three instances consisting of tuì and chū, so only three repeated MMMCs are found in the searches for these two morphemes. For convenience, this study did not delete the repeated MMMCs, but included them in the results for each key morpheme.
Furthermore, the corpus finds that xià occurs with the other open scale motion
morpheme investigated, tuì, to form MMMCs. As shown in Figure 5.5 one of such
MMMCs is found with xià as the key morpheme, whereas in Figure 5.6, 19 instances are
found of such MMMCs where tuì is the key morpheme. In all 20 instances, tuì always
precedes xià, as in (20).
(20) 潮水一批批退下去
cháoshuǐ yìpīpī tuì xià-qù
tide one.CLF recede descend-go
‘The tides receded down (away from the speaker) one by one.’ (PKU Corpus)
However, no instances of tuì-shàng recede-ascend are found, although as illustrated in
Chapter 4, these two morphemes may occur together.
Nonetheless, the occurrences of tuì-xià recede-descend suggest that open scale
motion morphemes show some properties that are not predicted by the hierarchy in (18).
Further discussion will be provided in Section 5.3.
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Figures 5.7-5.8 display the distribution of multi-point closed motion morpheme huí
‘return’ and the two-point closed motion morpheme chū ‘exit’.
Figure 5.7 Huí ‘return’
Figure 5.8 Chū ‘exit’
Figure 5.7 indicates that huí ‘return’ may be preceded by both open scale motion
morphemes, e.g., tuì ‘recede’ in tuì huí-lái recede return-come and nonscalar change
motion morphemes, e.g., gǎn ‘rush’ in gǎn-huí Hángzhōu rush-return Hangzhou, and
followed by dào ‘arrive’, as in huí-dào jiā-lǐ return-arrive home-inside. In addition, huí
does not co-occur with other closed scale motion morphemes.
As illustrated in Figure 5.8, chū ‘exit’ is also preceded by both open scale motion
morphemes, e.g., tuì ‘recede in tuì-chū wŭchǎng return-exit dancing-court, and nonscalar
motion morphemes, e.g., chōng ‘rush’ in chōng-chū jiàshǐshì rush-exit operating-room
36
4
119
79
0
20
40
60
80
100
120
140
M preceding huí (33.6%)
huí 'return' M following huí (66.4%)
dào ‘arrive’
closed scale
open scale
nonscalar change
82
0
3
85
0
10
20
30
40
50
60
70
80
90
M preceding chū (100%)
chū 'exit' M following chū (0%)
dào ‘arrive’
closed scale
open scale
nonscalar change
170
and fēi ‘fly’ in fēi-chū cháo fly-exit nest. In addition, similar to huí ‘return’, chū ‘exit’ is
not found to co-occur with closed scale motion morphemes, including dào ‘arrive’. The
distribution of huí ‘return’ and chū ‘exit’ is thus consistent with the hypothesis.
Figure 5.9 shows the distribution of dào ‘arrive’. All three types of motion
morphemes are found before dào ‘arrive’, whereas no motion morpheme is found to
follow dào ‘arrive’.
Figure 5.9 Dào ‘arrive’
5.2.4.2 Three-morpheme MMMCs Besides the two-morpheme MMMCs, 11 three-morpheme MMMCs are found in the
study. Three types of morpheme order are observed in the 11 attested MMMCs. The first
type is “nonscalar change + open scale + dào ‘arrive’”. One instance is found of this
order, as illustrated in (21).
(21) 鸭舌帽从病床无声地滑落到水泥地上
yāshémào cóng bìngchuáng wúshēng de huá-luò-dào
peaked.hat from sickbed silently MOD slide-fall-arrive
shuǐnídì-shàng
concrete.floor
‘The peaked hat slid and fell onto the concrete floor silently.’ (PKU Corpus)
38
45
56
139
0 0
20
40
60
80
100
120
140
160
M preceding dào(100%)
dào ‘arrive’ M following dào (0%)
dào ‘arrive’
closed scale
open scale
nonscalar change
171
The order of the three morphemes in (21) is consistent with the Motion Morpheme
Hierarchy. The second type is “nonscalar change + closed scale + dào ‘arrive’”. Six
instances are found in this order, with one example given in (22).
(22) 一步一步地踱回到……办公台旁
yí bù yi bù de duó-huí–dào …. bàngōngtái-páng
one step one step MOD stroll-return-arrive office.desk-side
‘[He] strolled back to the office desk, one step by one step.’ (PKU Corpus)
The third type is “open scale + closed scale + dào ‘arrive’”. Four instances are found in
this order, with one example in (23).
(23) 默默地退回到自己的床上
mòmò de tuì-huí-dào zìjǐ-de chuáng-shàng
silently MOD recede-return-arrive self -POSS bed-on.top.of
‘[She] returned to her own bed silently.’ (PKU Corpus)
Both the second and third type of three-morpheme motion constructions have dào ‘arrive’
following a closed scale motion morpheme, which is an exception to the hierarchy.
However, the non-dào ‘arrive’ motion morphemes, i.e. M1 and M2, in both types occur
in the order predicted by the hierarchy.
5.2.5 Summary The results of Corpus Study 2 are consistent with those of Corpus Study 1. This study
again shows that the Motion Morpheme Hierarchy can predict the order of motion
morphemes of different types in both two-morpheme and three-morpheme MMMCs. It
also shows that MMMCs with tuì-shànɡ/xià recede-ascend/descend and MMMCs with a
closed scale motion morpheme and dào ‘arrive’ exist in Chinese in addition to the types
of MMMCs predicted by the Motion Morpheme Hierarchy.
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5.3 The encoding of Chinese motion events
The two corpus studies in Sections 5.1 and 5.2 show that the Motion Morpheme
Hierarchy, repeated in (24), is able to account for a large range of MMMCs in Chinese.
(24)
In this section, I discuss what the Motion Morpheme Hierarchy implies about the
encoding of motion events in Chinese as well as related issues, including why other
closed scale motion morphemes do not co-occur, why dào ‘arrive’ can follow all other
types of motion morphemes, as well as why the open scale motion morphemes shàng
‘ascend’/xià ‘descend’ and tuì ‘recede’ can occur together.
5.3.1 The Motion Morpheme Hierarchy and the “More Specific Constraint” Both corpus studies presented in Section 5.1 and Section 5.2 show that most Chinese
MMMCs consist of only two motion morphemes (not including construction final lái/qù).
A total of 1,505 MMMCs were analyzed in the two studies (263 in Corpus Study 1 and
1,242 in Corpus Study 2), but only twelve of them were three-morpheme motion
constructions. The small number of occurrences of three-morpheme MMMCs indicates
that motion events are primarily expressed with two motion morphemes in Chinese. In
addition, when two morphemes occur together in an MMMC, their relative order must be
one of the three orders allowed by the Motion Morpheme Hierarchy:
In contrast, the More Specific Constraint is able to provide an explanation for (26c)
and (26d). The constraint assumes that all Chinese scalar change motion morphemes
express result meanings, and can be further classified into different types based on the
kind of associated scale. Both luò ‘fall’ and jìn ‘enter’ are scalar change motion
morphemes. However, luò ‘fall’ lexicalizes an open scale, whereas jìn ‘enter’ lexicalizes
a scale with an endpoint, so jìn ‘enter’ is a type of scalar change motion morpheme that
provides more specific information about the scale than luò ‘fall’ does. When luò ‘fall’
and jìn ‘enter’ occur together, the More Specific Constraint requires the motion
morpheme with more specific information about the scale to follow the morpheme with
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less specific information about the scale. Therefore, jìn ‘enter’ must follow luò ‘fall’, and
not vice versa.
5.3.1.2 The More Specific Constraint vs. the temporal iconicity account Chapter 2 presents an account that relates word order in Chinese to the temporal order of
the events denoted by the words (Tai 1986, Y. Li 1993), i.e. the temporal iconicity
account. This account predicts that a morpheme denoting a temporally later event cannot
precede a morpheme denoting a temporally earlier event. However, it cannot explain the
order of morphemes denoting events that occur simultaneously. For instance, a person
can be running and ascending at the same time if s/he was standing at the lower end of
stairs before starting to run up them. However, only the morpheme denoting running (pǎo
‘run’) can precede the morpheme denoting ascending (shàng ‘ascend’), but not vice versa,
(27).
(27) a. 他跑上楼梯
tā pǎo-shàng lóutī
he run-ascend stairs
‘He went up the stairs running.’
b. *上跑楼梯
*shàng-pǎo lóutī
ascend-run stairs
The More Specific Constraint is able to explain the order of morphemes in
such MMMCs: the open scale motion morpheme shàng ‘ascend’ is more specific
than the nonscalar change motion morpheme pǎo ‘run’ in that it has an associated
scale, so shàng ‘ascend’ must occur after pǎo ‘run’.
176
5.3.1.3 The More Specific Constraint accounts for three-morpheme MMMCs
The More Specific Constraint can also be applied to three-morpheme MMMCs, although
the two corpus studies in Sections 5.1 and 5.2 show that three-morpheme MMMCs are
not frequent in Chinese. In a three-morpheme MMMC consisting of morphemes
lexicalizing different types of scale, the order of morphemes must conform to the More
Specific Constraint; that is, the morphemes must be ordered according to how much
information about the scale they specify. The morpheme denoting the least specific
information about the scale must occur as the leftmost of the three morphemes, whereas
the morpheme denoting the most specific information about the scale must occur as the
rightmost. As schematized in (28), huá ‘slide’, which does not specify a scale, is followed
by luò ‘fall’, which specifies an open scale, which is then followed by dào ‘arrive’, which
specifies a closed scale.
(28) 生怕她滑落到地上
shēngpà tā huá-luò-dào dì-shàng
fear she slide-fall-arrive floor-on.top.of
‘[They were] afraid that she would slide and fall onto the floor.’ (Chūshì)
5.3.1.4 The incompatibility of two closed scale motion morphemes in an MMMC As shown in previous sections, unless one of the two morphemes is dào ‘arrive’, two
closed scale motion morphemes typically do not occur together in an MMMC. In this
section, I focus on closed scale motion morphemes other than dào ‘arrive’, which I will
come back to in the next section.
Both multi-point closed scale motion morphemes (e.g., huí ‘return’) and two-point
closed scale motion morphemes (e.g., jìn ‘enter’) are associated with a bounded scale.
Although the two types of motion morphemes differ from each other in whether they
lexicalize a multi-point or two-point scale, morphemes of either type are able to express a
Nonscalar change
Open scale
Closed scale
177
single delimited motion event in which a moving object moves along a path in a certain
direction to an endpoint. For instance, both huí ‘return’ and jìn ‘enter’ independently
specify a delimited motion event: huí ‘return’ denotes an event in which a figure moves
back to the location it comes from, whereas jìn ‘enter’ denotes an event in which a figure
crosses a boundary and moves into an enclosed region. A motion construction consisting
of both huí ‘return’ and jìn ‘enter’ would describe two delimited events with two
independent directions, paths, and endpoints, which thus is a violation of the Single
Delimiting Constraint (Tenny 1994) (see Section 3.2.1.2). Therefore, a motion
construction cannot involve two co-occurring closed scale motion morphemes.
In terms of the degree of specification of a scale, a two-point closed scale motion
morpheme is not more specific than a multi-point closed scale motion morpheme, or vice
versa: both specify the existence of a scale and the existence of an endpoint for the scale.
In this sense, the More Specific Constraint does not predict the relative ordering of two
closed scale motion morphemes.
As mentioned above, the two-point closed scale motion morpheme dào ‘arrive’ is a
special motion morpheme that can occur with closed scale motion morphemes. I will
provide possible reasons for why dào ‘arrive’ is able to do so in Section 5.4.
5.3.1.4 Tuì-shàng/xià is consistent with the More Specific Constraint Both shàng ‘ascend’/xià ‘descend’ and tuì ‘recede’ lexicalize open scales, so the
existence of motion constructions in which they co-occur is not predicted by the Motion
Morpheme Hierarchy or the More Specific Constraint. However, in this section, I explain
why shàng ‘ascend’/xià ‘descend’ can follow tuì ‘recede’ in an MMMC such as (20),
repeated here as (29), and argue that their co-occurrence is not a counterexample to the
constraint, but supports it.
(29) 潮水一批批退下去
cháoshuǐ yìpīpī tuì xià-qù
tide one.CLF recede descend-go
‘The tides receded down (away from the speaker) one by one.’ (PKU Corpus)
178
As shown in Section 3.3.3 in Chapter 3, shàng and xià can be distinguished from
other open scale motion morphemes in that they require explicitly expressed information
about the ground.40 Therefore, shàng and xià cannot occur alone, but have to be either
followed by a ground NP (30b) or by the deictic morpheme lái ‘come’/qù ‘go’ (30c).
(30) a. *他上/下了
*tā shàng/xià le
he ascend/descend ASP
b. 他上二楼了
tā shàng èrlóu le
he ascend second.floor ASP
‘He went up to the second floor/he went down from the second floor.’
c. 他下来了
tā xià-lái le
he descend-come ASP
‘He went down (towards the deictic center).’
Because shàng and xià are always specific about ground information, the
ascending/descending events denoted by shàng and xià are usually specific in terms of
boundedness. For instance, although an ascending event is by default understood as an
unbounded event, in which a figure can ascend without limitation, the ground NP èrlóu
‘second floor’ required by shàng ‘ascend’ in (30b) delimits the ascending event, so it
ends at the second floor; similarly, the deictic morpheme lái ‘come’ in (30c) delimits the
descending event at the deictic center. In other words, the ascending event stops when the
figure moves to the second floor, and the descending event stops when the figure arrives
at the deictic center. In this sense, “shàng/xià + ground NP/lái/qù” can be understood as a
combination that specifies both that a scale exists and that it is bounded. Thus, when the 40 As mentioned in Chapter 3, this dissertation leaves the reasons why shàng ‘ascend’/xià ‘descend’ requires explicitly expressed information about ground for future study.
179
combination is in an MMMC preceded by tuì ‘recede’, as in (29), the combination
denotes more specific information about the scale of motion than tuì, which only
specifies the existence of scale. Therefore, the fact that shàng/xià not only can co-occur
with tuì but also must follow tuì further supports the More Specific Constraint: the
morpheme with more specific information about the scale must follow the one with less
specific information about scale.
Because tuì ‘recede’ is the only motion morpheme in the class of open scale motion
morphemes that denotes non-vertical motion, tuì-shàng/xià recede-ascend/descend is the
only motion construction in which shàng/xià may follow an open scale motion
morpheme.41 However, according to the More Specific Constraint, if Chinese were to
have other non-vertical open scale motion morphemes, shàng/xià should be able to co-
occur with and follow them.
5.4 The two-point closed scale motion morpheme dào ‘arrive’ As shown in Chapter 4 and previous sections of Chapter 5, the two-point closed scale
motion morpheme dào ‘arrive’ can follow other closed scale motion morphemes, as in
huí-dào fángjiān return-arrive room ‘return to the room’, jìn-dào fángjiān enter-arrive
room ‘enter the room’, whereas other two-point closed scale motion morphemes such as
jìn ‘enter’ cannot follow another closed scale motion morpheme, as in *huí-jìn fángjiān
return-enter room and *lái-jìn fángjiān come-enter room. In terms of the degree of
specification of scale information, dào ‘arrive’ is as specific as other two-point closed
scale motion morphemes, i.e. they all specify the existence of a scale, as well as the
existence of an endpoint for the scale. Therefore, the fact that dào ‘arrive’ can follow
closed scale motion morphemes represents an exception to the Motion Morpheme
Hierarchy and the More Specific Constraint.
In this section, I suggest why dào ‘arrive’ is able to do this, and explore the function
of dào ‘arrive’ when it occurs after closed scale motion morphemes.
41 Shàng ‘ascend’/xià ‘descend’ can follow other semantically compatible vertical motion morphemes, e.g., shēng ‘ascend’ jiàng ‘descend’, zhuì ‘fall’, chén ‘sink’. This study treats such combinations as instances of juxtaposed motion synonyms rather than as instances of MMMCs as tuì-shàng/xià recede-ascend/descend is. See Section 4.4.4 in Chapter 4.
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5.4.1 A possible reason that dào ‘arrive’ follows closed scale motion morphemes
Chapter 3 has shown that dào ‘arrive’, jìn ‘enter’ and chū ‘exit’ all denote bounded and
instantaneous events and are two-point closed scale motion morphemes. However, dào
‘arrive’ differs from jìn ‘enter’ and chū ‘exit’ with respect to the degree of specification it
provides about the ground and path involved in the motion event (Lin 2011). I propose
that this difference makes it possible for dào ‘arrive’ to follow other closed scale motion
morphemes.
Both jìn ‘enter’ and chū ‘exit’ are highly specific about the ground and path: jìn ‘enter’
expresses a boundary-crossing motion event involving motion from the outside to the
inside of an enclosed region, whereas chū ‘exit’ expresses a boundary-crossing motion
event involving motion from the inside of an enclosed region to the outside (Lin 2011).
For instance, jìn and chū only select NPs expressing enclosed regions (e.g., house, but not
table) as their complements, as in (31a), cf. (31b).
(31) a. 他进/出房子了
tā jìn/chū fángzi le
he enter/exit house ASP
‘He entered/exited the house.’
b. *他进/出桌子了
*tā jìn/chū zhuōzi le
he enter/exit table ASP
In addition, both jìn ‘enter’ and chū ‘exit’ are specific about the path of motion, and thus
express a very precise spatial relationship between the figure and the ground, e.g., for jìn,
whether the figure moves into the ground and is located there at the end of an entering
event. Thus, localizers that express spatial relationships (e.g., -lǐ ‘inside’) need not co-
occur with an NP taken as complement by jìn and chū (Lin 2011). As illustrated in (31a),
although a localizer such as -lǐ ‘inside’ is not explicitly expressed, it is understood that in
an event of entering denoted by jìn ‘enter’, the figure moves from the outside to the
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inside of an enclosed region, whereas in an event of exiting denoted by chū ‘exit’, a
figure moves in the reverse direction.
In contrast, dào ‘arrive’ is not specific about the ground and the path of the motion it
denotes (ibid.). First, dào does not specify what kind of ground is involved in the motion
event, so it is able to take any kind of ground NP as its complement. As (32) illustrates,
both fángzi ‘house’ (enclosed region) and zhuōzi ‘table’ (non-enclosed region) can be the
complements of dào, cf. jìn ‘enter’ in (31).
(32) a. 他到房子里了
tā dào fángzi-lǐ le
he arrive house-inside ASP
‘He went into the house.’
b. 他到桌子上了
tā dào zhuōzi-shàng le
he arrive table-on.top.of ASP
‘He went onto the table.’
Second, dào ‘arrive’ is not specific about the path along which a figure moves to the
ground, and thus provides no information about the precise spatial relationship between
the figure and the ground at the end of a motion event. For instance, when dào is
followed by the bare NP fángzi ‘house’, it does not indicate whether the figure arrived at
the outside or the inside of the house, and thus dào fángzi arrive house is usually not
allowed in Chinese, as shown in (33).
(33) *他到房子了
*tā dào fángzi le
he arrive house ASP
Instead, a localizer such as -lǐ ‘inside’ must be explicitly expressed to specify the figure’s
final location, as in (32a).
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Therefore, when dào ‘arrive’ occurs with another closed scale motion morpheme, it
does not add new information about the ground or path that may be different from or
incompatible with the information denoted by the co-occurring motion morpheme. This
may explain why dào ‘arrive’ can co-occur with other closed scale motion morphemes,
whereas jìn ‘enter’ and chū ‘exit’ cannot. For instance, huí ‘return’ in (34a) denotes a
returning event, and when it is followed by dào ‘arrive’, the sequence huí-dào return-
arrive still denotes an event of returning, as in (34b); similarly, both (35a) (without dào
‘arrive’) and (35b) (with dào ‘arrive’) denote an event of entering a classroom.
(34) a. 他回教室了
tā huí jiàoshì le
he return classroom ASP
‘He returned to the classroom.’
b. 他回到教室了
tā huí-dào jiàoshì le
he return-arrive classroom ASP
‘He returned to the classroom.’
(35) a. 他进教室了
tā jìn jiàoshì le
he enter classroom ASP
‘He entered the classroom.’
b. 他进到教室了
tā jìn-dào jiàoshì le
he enter-arrive classroom ASP
‘He entered the classroom.’
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In contrast, as illustrated in (36), huí ‘return’ is usually not allowed to be followed by the
two-point closed scale motion morpheme jìn ‘enter’, while still expressing an event of
returning.
(36) ?他回进教室了
tā huí-jìn jiàoshì le
he return-enter classroom ASP
Table 5.6 lists the number of occurrences of huí-dào return-arrive and huí-jìn return-
enter taking a selection of different ground NPs in the PKU Corpus. It suggests that dào
‘arrive’ frequently follows multi-point closed scale motion morphemes, but it is very rare
for the other two-point closed scale motion morpheme, jìn ‘enter’, to do so.
Table 5.6 Number of occurrences of huí-dào and huí-jìn in the PKU Corpus
X + Locative NP X = huí-dào return-arrive X = huí-jìn return-enter
X + fángjiān ‘room’ + (localizer) 137 1
X + jiā ‘home’ + (localizer) 2,668 1
X + xuéxiào ‘school’ + (localizer) 129 0
X + chē ‘car’ + (localizer) 94 1
Total 3,028 3
5.4.2 The function of dào ‘arrive’ after closed scale motion morphemes As shown above, dào ‘arrive’ does not express a more specific scale than the closed scale
motion morpheme that precedes it. However, the information about motion denoted by
dào ‘arrive’ does not contradict the information about motion denoted by the closed scale
motion morphemes preceding dào, so dào is able to co-occur with such morphemes. In
this section, I discuss the function of dào ‘arrive’ when it occurs after closed scale motion
morphemes. Specifically, I suggest that dào ‘arrive’ helps reinforce the endpoint of a
motion event when it occurs after a multi-point closed scale motion morpheme such as
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huí ‘return’, but it is redundant when it occurs after a two-point closed scale motion
morpheme such as jìn ‘enter’.
Chapter 3 shows that a multi-point closed scale motion morpheme such as huí ‘return’
lexicalizes a bounded scale consisting of multiple points, and thus motion along such a
scale usually has duration. Therefore, a multi-point closed scale motion morpheme
indicates the existence of an endpoint for the path of motion, but does not always entail
that the moving object has reached the endpoint. For instance, (37) may have two
interpretations: on one, the figure is located at school at 8am; and on the other, the figure
started to return to school at 8am and was on the way to school at speech time (cf.
MacDonald 2008: 100).
(37) 他早上八点回学校了
tā zǎoshang bā-diǎn huí xuéxiào le
he morning eight-o’clock return school ASP
‘He returned to school at 8am.’
‘He started to return to school at 8am.’
In contrast, a two-point closed scale motion morpheme such as jìn ‘enter’ lexicalizes a
scale with only two points, and thus the motion events it is used to describe are usually
instantaneous. Therefore, when an event of entering happens, a figure must have moved
into an enclosed region. For instance, the figure must be located inside the school at 8am
in the event described in (38).
(38) 他早上八点进学校了
tā zǎoshang bā-diǎn jìn xuéxiào le
he morning eight-o’clock enter school ASP
‘He entered the school at 8am.’
When dào ‘arrive’ follows a multi-point closed scale motion morpheme such as huí
‘return’, it reinforces the arrival of the figure at the endpoint of the motion event, and thus
only one interpretation is possible for the returning event, the one where the figure must
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have returned to the endpoint. For instance, (39) can only be understood as expressing
that the figure was located at school at 8am, cf. (37).
(39) 他早上八点回到学校了
tā zǎoshang bā-diǎn huí-dào xuéxiào le
he morning eight-o’clock return-arrive school ASP
‘He returned to school at 8am.’
However, as illustrated in (38), jìn ‘enter’ denotes instantaneous motion which entails a
figure’s arrival at the endpoint, so regardless of the presence or absence of dào ‘arrive’,
the moving object must be at school at 8am, as illustrated in (40), cf. (38).
(40) 他早上八点进到学校了
tā zǎoshang bā-diǎn jìn-dào xuéxiào le
he morning eight-o’clock enter-arrive school ASP
‘He entered school at 8am.’
(40) indicates that jìn ‘enter’ or other two-point closed scale motion morphemes do not
need to be followed by dào ‘arrive’ in order to reinforce the attainment of the endpoint of
motion. In other words, the use of dào ‘arrive’ after jìn ‘enter’ is redundant, although the
two morphemes are compatible in a motion construction. The different functions of dào
‘arrive’ may also explain why the number of occurrences of huí-dào return-arrive (79
instances) is much higher than jìn-dào enter-arrive (1 instance) in the first 1,000 instances
of huí ‘return’ and jìn ‘enter’ found in the PKU Corpus.42
To summarize, dào ‘arrive’ is compatible with closed scale motion morphemes and
follows them in an MMMC because it is unspecific about the ground and the path
involved in the motion. When dào ‘arrive’ occurs after a multi-point closed scale motion
42 Hsiao (2009) has also observed that huí-dào return-arrive (696 instances) occurs much more frequently than jìn-dào enter-arrive (26 instances) in the Academia Sinica Corpus 4.0 (7.95 million characters), although she does not explicitly point out that their difference in frequency of occurrence could be ascribed to the different contribution that dào ‘arrive’ makes in huí-dào return-arrive and jìn-dào enter-arrive.
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morpheme, it contributes to the description of the motion event in that it reinforces the
moving object’s arrival at the endpoint of the scale; in contrast, because a two-point
closed scale motion morpheme always entails instantaneous arrival at the endpoint, the
use of dào ‘arrive’ with such a morpheme is redundant. Accordingly, dào ‘arrive’ is
frequently used after multi-point closed scale motion morphemes, but is relatively less
frequent after two-point closed scale motion morphemes.
5.4.3 Dào ‘arrive’ vs. English to Tenny (1994: 79) proposes the Single Delimiting Constraint: the event described by a
verb can only be delimited once unless the second delimiting expression further specifies
the endpoint of the event (also Gruber 1965, cf. Goldberg 1991, Levin and Rappaport
Hovav 1995, among others). For instance, (41a) has two to PPs to delimit the event of
transferring the book: although New York in the first to PP can be understood as the
endpoint for the path of book transfer, Bill, who is located in New York, is more specific
than New York as the endpoint for the path, and thus it is possible for a second to PP to
occur (Gruber 1965, Tenny 1994).
(41) a. John sent the book to New York to Bill.
b. *John sent the book to Bill to New York.
(Gruber 1965, cited in Tenny 1994: 78)
In other words, the second to PP in (41a) functions to further specify the endpoint for the
scale of sending. In contrast, (41b) is not allowed because the second to PP is less
specific than the first to PP in specifying information about the endpoint.
However, as discussed in the Section 5.4.1, dào ‘arrive’ does not further specify the
endpoint for a motion event because dào ‘arrive’ is the ground and the path. On the
contrary, the closed scale motion morpheme preceding dào ‘arrive’, e.g., jìn ‘enter’, is
more specific than dào ‘arrive’ in terms of information about the endpoint. For instance,
jìn ‘enter’ specifies that the endpoint of an event of entering must be the inside of an
enclosed region. Therefore, although both dào ‘arrive’ and English to PPs can occur in a
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construction that has a preexisting expression specifying the endpoint, they do not have
the same functions (cf. Poteet 1987, among others).
In summary, this section discusses the two-point closed scale motion morpheme dào
‘arrive’, which can occur after other closed scale motion morphemes and represents an
exception to the Motion Morpheme Hierarchy and the More Specific Constraint.
However, although dào is equally specific in terms of scale to other closed scale motion
morphemes, it is unspecific about the ground and the path involved in the motion denoted
by dào. Therefore, the addition of dào after another closed scale motion morpheme does
not add information about motion that would be incompatible with the information
denoted by the co-occurring closed scale motion morpheme. The special meaning and
distribution of dào, however, may also lead to another question: is the dào in an MMMC
a typical motion morpheme or has it been grammaticalized, behaving like the dào in
expressions of non-motion events such as kàn-dào look-arrive ‘see’ and xiǎng-dào think-
arrive ‘come up with (a thing/idea)’? I treated dào in MMMCs as a motion morpheme,
but further study of this morpheme is necessary.
5.5 Summary This chapter presented two corpus studies that verified the Motion Morpheme Hierarchy
that is used to predict the order of motion morphemes in Chinese MMMCs. It shows that
that the two types of special MMMCs, MMMCs with closed scale motion morphemes
and dào ‘arrive’, and MMMCs with the open scale motion morphemes tuì-shàng/xià
recede-ascend/descend, exist in addition to the types of MMMCs predicted by the Motion
Morpheme Hierarchy.
Furthermore, this chapter proposed that Chinese MMMCs conform to a More
Specific Constraint: a motion morpheme lexicalizing more specific information about the
scale of a motion event occurs after the one lexicalizing less information about the scale.
This constraint can provide a more unified account of the distribution of motion
morphemes in Chinese than the RVC account or the temporal iconicity account proposed
in previous studies. In addition, it explains why two closed scale motion morphemes
(with the exception of dào ‘arrive’) do not co-occur, and why the open scale motion
morphemes tuì ‘recede’ and shàng ‘ascend’/xià ‘descend’ can occur together.
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Chapter 6
Conclusions
This chapter provides a summary of the dissertation and reviews issues for future
research. The summary is given in Section 6.1. Section 6.2 introduces possible directions
for future study that are suggested by the results of this study.
6.1 Summary of the findings
Motion constructions consisting of two or more motion morphemes, i.e. MMMCs, are
used frequently in Chinese. This dissertation raised key questions regarding MMMCs: Is
the order of the motion morphemes in an MMMC predictable? If yes, what is the
generalization over the order of the morphemes? And what underlies the generalization?
By analyzing the scale structure associated with motion morphemes, I classified
Chinese motion morphemes into four types: nonscalar change motion morphemes (e.g.,
This dissertation proposed that in an MMMC, the motion morphemes are ordered from
left to right according to how their types appear in the hierarchy. The hierarchy was then
verified by two extensive studies of MMMCs based on corpora of recent Chinese novels.
In addition, I proposed the More Specific Constraint: in an MMMC, each morpheme
is more specific in terms of the scale it specifies than the preceding morpheme. The
constraint explains why the Motion Morpheme Hierarchy emerges: an open scale motion
morpheme follows a nonscalar change motion morpheme because it specifies a scale,
whereas the latter does not; further, a closed scale motion morpheme follows an open
scale because it specifies a scale and an endpoint of the scale, whereas the latter does not.
The constraint also explains why certain motion morphemes can or cannot occur together.
For instance, a multi-point and a two-point closed scale motion morpheme (except dào
‘arrive’), usually do not occur together because closed scale motion morphemes are
equally specific about the scale they specify, that is, both a multi-point and two-point
closed scale motion morphemes specify the existence of a scale and the existence of an
endpoint on the scale.
I also discussed certain special motion morphemes that do not behave exactly like
other motion morphemes having the same type of scale, as well as motion constructions
whose morpheme order is not predicted by the hierarchy. For instance, shàng ‘ascend’
and xià ‘descend’ lexically specify open scales, but they require explicitly expressed
information about the ground involved in the motion events they denote, taking locative
NPs or lái ‘come’/qù ‘go’ as their complements. In this way they behave like closed scale
motion morphemes. Also, shàng/xià can follow the open scale motion morpheme tuì
‘recede’, which is not predicted by the Motion Morpheme Hierarchy. However, the
existence of the sequence “tuì + shàng/xià + ground NP/lái/qù” is consistent with the
More Specific Constraint, because in terms of the degree of specification of a scale, tuì is
less specific than shàng/xià +ground NP/lái/qù.
In addition, this dissertation argued that when lái ‘come’/qù ‘go’ occur at the end of a
motion construction, they have been grammaticalized and no longer function as the lái
‘come’/qù ‘go’ when they occur alone (See Section 4.4.3 in Chapter 4).
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Furthermore, the special two-point closed scale motion morpheme dào ‘arrive’ was
discussed in detail. Dào can occur after all types of motion morphemes including other
closed scale ones, but this distribution is not predicted by the Motion Morpheme
Hierarchy or explained by the More Specific Constraint. However, I tried to provide an
alternate explaination: although dào is equally specific in terms of scale as other closed
scale motion morphemes (it lexically specifies the existence of a scale and an endpoint
for the scale), dào is unspecific about the path of motion and what kind of ground a figure
arrives at. Therefore, the addition of dào after another closed scale motion morpheme
does not add information about motion that would contradict the information denoted by
the given closed scale motion morpheme. The special meaning and distribution of dào,
however, may also lead to another question: is the dào in an MMMC a typical motion
morpheme or has it been grammaticalized in a different function, behaving like the dào in
expressions of non-motion events such as kàn-dào look-arrive ‘see’ and xiǎng-dào think-
arrive ‘come up with (a thing/idea)’? Although I treated dào in MMMCs as a motion
morpheme, an alternate analysis may hold that even in MMMCs, dào has been
semantically bleached and functions as an attainment marker. However, this dissertation
leaves that issue for future study.
Besides MMMCs, this study also found that two synonymous motion morphemes can
occur together and form a parallel verbal compound, e.g., jìn-rù enter-enter ‘enter’ and
chè-tuì recede-recede ‘recede’. Such compounds were not treated as MMMCs because
the two types are structurally and semantically different (see Section 4.4.4 in Chapter 4),
and the order of motion morphemes in these compounds may be determined by factors
other than scale structure.
In sum, this dissertation proposed a generalization that can be used to predict the
order of motion morphemes in a large range of MMMCs in Chinese, and provided a more
unified and comprehensive explanation of morpheme order. Meanwhile, it also dealt with
a few special motion morphemes and their distribution in motion constructions, and
indicated that while most motion morphemes fall into the four types of motion
morphemes defined by the structure of scales, a few may behave like the morphemes of
the adjacent type on the Motion Morpheme Hierarchy.
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6.2 Directions for future study
I now review some possible directions for future study, including the historical
development of Chinese motion morphemes and constructions and the application of the
scale structure approach to the distribution of motion verbs in other serial verb languages
as well as to the distribution of verbs in other domains.
6.2.1 The historical development of Chinese motion morphemes and constructions Not all motion morphemes in earlier stages of Chinese had exactly the same distribution
as the morphemes of Modern Chinese. For instance, as mentioned in previous chapters,
scalar change motion morphemes such as chū ‘exit’ require explicitly expressed
information about ground in Modern Chinese, but in Old Chinese, they did not
necessarily take ground NPs or deictic motion morphemes as their complements, as
illustrated in (2a), cf. (2b) and (2c).
(2) a. 晏子出,见之曰 (Old Chinese)
yànzi chū, jiàn zhī yuē
Yanzi exit cause.to.meet him say
‘Yanzi went out [from the room], asked him [Yueshifu] to meet, and said…’
(Yànzi Chūnqiū)
b. *晏子出 (Modern Chinese)
*yànzi chū Yanzi exit
c. 晏子出了房间 (Modern Chinese)
yànzi chū-le fángjiān
Yanzi exit-ASP room
‘Yanzi went out of his room.’
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In addition, as discussed in Chapter 2, some manner-of-motion verbs such as táo
‘escape’ and bēn ‘rush’ in earlier stages of Chinese could take a ground NP directly as
their complement (Ma 2008), but cannot in Modern Chinese. An example of táo ‘escape’
is given (3).
(3) a. 伍子胥逃楚而之吴 (Old Chinese)
Wǔzǐxū táo Chǔ ér zhī Wú
Wuzixu escape Chu then arrive Wu
‘Wuzixu escaped from Chu and went to the State of Wu.’
(Zhànɡuócè, cited in Ma 2008: 29)
b. *伍子胥逃楚国而到了吴国 (Modern Chinese)
*Wŭzǐxū táo Chŭguó ér dào-le Wúguó
Wuzixu escape Chu.state then arrive-ASP Wu.state
Chapter 2 argues that it is possible that the ground NP is introduced by a hidden
directional preposition 于/於 yú instead of the manner-of-motion verb táo ‘escape’ in Old
Chinese. However, a comprehensive study is necessary to provide a systematic account
of the change in the distribution of manner-of-motion verbs.
Furthermore, the Motion Morpheme Hierarchy was used to predict that two closed
scale motion morphemes (other than dào ‘arrive’) usually do not occur together in
Modern Chinese. However, instances can be found in earlier stages of Chinese where two
closed scale motion morphemes do occur together, as illustrated in (4).
(4) a. 回进内房 (Early Modern Chinese)
huí jìn nèifang
return enter inner.room
‘[He] went back [to the house] and entered the inner room.’
(Shuōyuè Quánzhuàn)
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b. ??回进里屋 (Modern Chinese)
??huí jìn lǐwū
return enter inner.room
Therefore, a study is necessary to investigate Chinese motion morphemes and
constructions from a diachronic perspective and find out how and when the Motion
Morpheme Hierarchy came into being as a generalization over the distribution of Chinese
motion morphemes. Furthermore, such an investigation can also shed light on why some
motion morphemse are special in Modern Chinese, for instance, how and why the deictic
motion morphemes lái ‘come’ and qù ‘go’ grammaticalized and lost their basic meanings
of boundedness and duration (see Chapter 4).
6.2.1 The distribution of motion verbs in other serial verb languages Like Chinese, many serial verb languages, such as Thai, Ewe and Akan, allow multiple
motion verbs to occur in a motion construction (Thepkanjana 1986, Muansuwan 2000,
Zlatev and Yangklang 2004, Ameka and Essegbey 2001, among others). Therefore, it is
interesting from a cross-linguistic perspective to investigate whether the scale structure
approach and even the Motion Morpheme Hierarchy are extensible to these languages. In
this section, I give a brief introduction to serial verb motion constructions in Thai
drawing on previous studies, and suggest that given the “complexity” of Thai motion
constructions, an alternate approach might be to analyze Thai motion verbs based on their
scale structure, and to see whether a generalization similar to the Motion Morpheme
Hierarchy can be drawn over the order of Thai motion verbs.
According to Thepkanjana (1986), Thai is a serial verb language in which up to six
motion verbs can occur together in a motion construction:
(5) Khăw wìŋ troŋ yɔ́ɔn klàp khâw pay he run go.straight reverse return enter go
‘He ran along straight back in (away from the speaker).’
(Thepkanjana 1986: 136-137, (8))
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Thepkanjana proposes a constraint, as given in Table 6.1 (adapted from Thepkanjana
1986: 136), that when multiple motion verbs co-occur, their left-to-right word order must
follow the order of their types in the constraint.
Table 6.1 Linear order of Thai motion verbs 1
Manner-of-
motion verbs
(or “initial
verb”
Thepkanjana
(1986: 136))
2
Geometric
shape of the
path
3
Direction with
respect to the
previous path
4
Direction with respect to the
outside world
5
Direction
with respect
to speech
act
participants
4a
Diection with
respect to an
object located
in the outside
world
4b
Direction
resulting from
interaction
between the
path and the
outside world
Examples:
wiŋ ‘run’
dɘn ‘walk’
Examples:
won ‘circle’
troŋ ‘go
straight’
Examples:
jɔ ́ɔn ‘reverse’
thɔ ̌ɔj ‘retreat’
Examples:
lɘɘj ‘pass’
khâam ‘cross’
klàb ‘return’
Examples:
khâw ‘enter’
Ɂɔ ̀ɔk ‘exit’
hkw ̂n ‘ascend’
loŋ ‘descend’
Examples:
paj ‘go’
maa ‘come’
For instance, (5) has six motion verbs, each instantiating a type of motion verb in Table
6.1, and the verbs follow the order as predicted by the constraint, as illustrated in (6).
(6) Khăw wìŋ troŋ yɔ́ɔn klàp khâw pay he run go.straight reverse return enter go
(1) (2) (3) (4a) (4b) (5)
‘He ran along straight back in (away from the speaker).’
(Thepkanjana 1986: 136-137, (8))
Thepkanjana (ibid: 137) points out two representations of violating the linear order in
Table 6.1. The first is that sentences with such verb orders are unacceptable, as in (7).
195
(7) *Khăw pay loŋ khâam saphaan
he go descend cross bridge
(5) (4b) (4a)
#‘He went to go down to cross the bridge.’ (intended meaning) (ibid: 138, (10c))
The second is that to the extent such sentences are acceptable, they differ from serial verb
constructions in their structure and meaning: they go from expressing “a single complex
movement” to expressing “separate motion” (ibid: 137). For instance, according to
Thepkanjana, the motion verbs in (8a) follow the linear order in Table 6.1 and express a
single movement, ‘cross the bridge down’, whereas in (8b), the three motion verbs do not
follow the constraint, but are understood to occur in two constructions expressing two
movements, and the verbs within each construction follow the linear order constraint.
(8) a. Khăw khâam saphaan loŋ pay
he cross bridge descend go (4a) (4b) (5)
‘He crossed the bridge down (away from the speaker’s center of attention).’
(ibid: 137, (10a))
b. Khăw loŋ pay khâam saphaan
he descend go cross bridge
(4b) (5) (4a)
construction 1 construction 2
‘He went down to cross the bridge.’ (ibid: 137-138, (10b))
However, Muansuwan (2000a, 2000b, 2002) argues that Thai motion verbs do not
necessarily follow the linear order proposed by Thepkanjana (1986). For instance, the
motion verbs in (9) may occur in three different orders and all three orders express the
same motion event.
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(9) a. Piti jɔ́ɔn khâam saphaan troŋ Ɂɔ̀ɔk paj Piti reverse cross bridge go.straight exit go
(3) (4b) (2) (4b) (5)
b. Piti troŋ Ɂɔ̀ɔk jɔ́ɔn khâam saphaan paj
Piti go.straight exit reverse cross bridge go
(2) (4b) (3) (4b) (5)
c. Piti Ɂɔ̀ɔk troŋ khâam saphaan jɔ́ɔn paj Piti exit go.straight cross bridge reverse go
(4b) (2) (4b) (3) (5)
= ‘Piti went back straight, crossing the bridge, out away from the speaker.’
(Muansuwan 2002: 55, (36a-c))
Rather, Muansuwan classifies Thai motion verbs into three types—manner-of-motion
verbs, non-deictic path verbs, and deictic path verbs—and proposes an alternate
constraint on the order of Thai motion verbs: the manner-of-motion verb must be the first
verb, the deictic verb must be the final verb, while the non-deictic path verbs occur in
between manner-of-motion verbs and deictic verbs; if there are multiple non-deictic path
verbs, their relative order is flexible as long as they are located in between the manner-of-
motion verb and the deictic verb.
Unlike Thepkanjana and Muansuwan, Zlatev and Yangklang (2004: 164) take a third
position. They argue that the order among non-deictic path verbs is neither as strict as
Thepkanjana (1986) proposes, nor as free as Muansuwan claims it to be. For instance,
both khâw ‘enter’ and jɔ́ɔn ‘reverse’ are non-deictic path verbs, but their order is not
flexible (ibid.):
(10) *chán khâw jɔ́ɔn hɔ́ɔŋ
I enter reverse room
(4b) (3) (Zlatev and Yangklang 2004: 164, (6))
197
Furthermore, Zlatev and Yangklang (2004: 167) argue that in addition to manner-of-
motion verb and path verb, Thai has a type of motion verb which lexicalizes both manner
and path, i.e. a “MP verb” (also see Chapter 2). They propose that the order of motion
verbs in a serial verb clause follows the sequence in (11), where the asterisks indicate that
multiple verbs of a given type may occur together.