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The Emergence Of Musical Theatre PART ONE MS. LIRETTE
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Page 1: The Emergence Of Musical Theatre PART ONE MS. LIRETTE.

The Emergence Of Musical TheatrePART ONE

MS. LIRETTE

Page 2: The Emergence Of Musical Theatre PART ONE MS. LIRETTE.

Vocab

chassé : (sha-SAY) “to chase”

A triple step gliding movement (step, close, step)

pas de bourrée  : (pah duh boo-RAY) A sideways movement or transition step where a person steps behind, to the side, and then steps to the front.

Page 3: The Emergence Of Musical Theatre PART ONE MS. LIRETTE.

What is A Musical?

A performing art Form that combines Singing Spoken Dialogue Acting Dancing

There is an Emphasis on the Music, hence “Musicals”

Page 4: The Emergence Of Musical Theatre PART ONE MS. LIRETTE.

When did we start calling them musicals?

What was the first musical?

What makes a musical unique from other performing art forms?

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Roots: Ancient

5th Century BCE Grecian Theatre

amphitheaters

comedies and tragedies

Greek Chorus

Aeschylus and Sophocles

Linda Lirette
notice the spelling
Page 6: The Emergence Of Musical Theatre PART ONE MS. LIRETTE.

Roots: Ancient

3rd Century BCE Roman Theatre

Plautus’s comediesSabilla = tap shoes!

Flinn, Denny M. (c. 1997). Musical! : a grand tour : the rise, glory and fall of an American institution. New York: Schirmer Books.

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Roots: Western Europe

Medieval Christianity

Liturgical chant Mystery plays Pageant Wagons

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Roots: Western EuropeRenaissance

Commedia dell’Arte

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Roots: Western Europe18th and 19th Century

Opera Buffa

intermezzo

“Enlightenment”

from La Serva Padrona (Pergolesi) Premier September 5, 1733

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Eastern roots and branchesChinese Opera BoatsTaiwanese OperaIndian DanceSanskrit Drama

Replica of a Cantonese Red boatFrom late 19th early 20th century

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Roots: 19th-20th century Europe

Ballad OperasComic OperasOperetta

W.S. Gilbert and Arthur Sullivan14 comic operas between 1871 and 1896

The MikadoH.M.S. Pinafore

Pirates of Penzance

Page 12: The Emergence Of Musical Theatre PART ONE MS. LIRETTE.

“I’ve Got a Little List”

from The Mikado

Patter song

As some day it may happen that a victim must be found,I've got a little list — I've got a little list

Of society offenders who might well be underground,And who never would be missed — who never would be missed!There's the pestilential nuisances who write for autographs — All people who have flabby hands and irritating laughs — All children who are up in dates, and floor you with 'em flat — All persons who in shaking hands, shake hands with you like that — And all third persons who on spoiling tête-á-têtes insist — They'd none of 'em be missed — they'd none of 'em be missed! 

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America! What was being performed?

Burletta

Minstrel shows

Music halls/saloons

Burlesque

Pre-cursors to Vaudeville

musical comedies featured characters and situations taken from the everyday life of New York's lower classes and represented a significant step from

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Emergence of a new art form?

September 12, 1866

Musical comedy

Linda Lirette
five-and-a-half hours long, 474 performances
Linda Lirette
five-and-a-half hours long, 474 performances
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What makes a musical a musical?

Emphasis

Stephen Sondheim said, "I really think that when something plays Broadway it's a musical, and when it plays in an opera house it's opera. That's it. It's the terrain, the countryside, the expectations of the audience that make it one thing or another.”