The Distortion of Reality, Construction of History, and Intertextuality in Maxine Hong Kingston’s The Woman Warrior.

The Distortion of Reality, Construction of History, and

Intertextuality in Maxine Hong Kingston’s The Woman Warrior

While some existing critiques sees The Woman Warrior as a token Asian text which perpetuates exotifying and Orientalist notions of Asian identity, I am arguing that the text must be understood in its own tradition, counteracting the reductionist appropriation of the text as part of the multicultural American academy. Further, I argue that a metafictional reading of The Woman Warrior creates space for and is closely linked to an Asian American feminist perspective of the themes in The Woman Warrior.

1. Introduction2. Overview

Addressing Existing Critique

3. Metafiction4. Intertextuality5. Distortion of Reality6. Construction of History7. Conclusion

Chapter 2, “White Tigers,” focuses on the popular Chinese folklore of Fa Mu Lan.

Fiction versus memoir?

Textual evidence[clouds as “an ink wash,” “distant peaks as if shaded by pencil,” rocks like “charcoal rubbings,” and a bird as “two black strokes”( 20)].

Dismantling binaries

Subverting familiar stereotypes

Creating a complex representation of Asian women

A metafictional reading of The Woman Warrior creates space for and is closely linked to a feminist analyses of its themes.