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the day the MUSI C DIDNT DIE saving MIT’s analog music sound Peter Munstedt Cate Gallivan Tricia Patterson
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The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

Jan 02, 2016

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Page 1: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

the day theMUSICDIDN

T DIEsaving MIT’s

analog music sound

recordings

Peter MunstedtCate Gallivan

Tricia Patterson

Page 2: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

My Presentation For NEMLA

It’s Awesome

Page 3: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

HISTORICAL PERSPECTIVEThe Lewis Music Library’s collection accumulated over time as formats

went extinctThe Institute Archives and Special Collections have curated collections

Page 4: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

COMBINING TWO GREAT COLLECTIONS INTO ONE PROJECT

Pooling staff resources, donor resourcesUse one system to capture inventory information

Use one workflow to digitize items from both collections

Page 5: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

THE LEWIS MUSIC SPECIAL COLLECTIONSSome prep work was necessary before the inventory could begin:1. Determine which recordings were out of the scope of this project2. Organize materials by performing group3. Label shelves so that individual items could be located

Page 6: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.
Page 7: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.
Page 8: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

HOW THE INVENTORY WAS WON

Page 9: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

TOOLS OF THE TRADEiPad with Logitech keyboard for capturing inventory information on site,

taking photos of items, email, internet, Candy Crush

Page 10: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

BARCODES TO TRACK INDIVIDUAL ITEMS

Page 11: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

BARCODES ON THE REELS, NOT THE HOUSING

Page 12: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

Screenshot of FileMaker inventory

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Page 14: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.
Page 15: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.
Page 16: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.
Page 17: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.
Page 18: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

FEELING OVERWHELMED2,776 individual audio items to evaluate for digitization

How do we track items once they’ve left the shelf?What kind of digital files do we need?

How do we check for digitization quality? Content quality?How do we share our digital files?

Page 19: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

GIANT SOLUTIONSINTRODUCING … THE WORKFLOW

(obligatory Giant Squid slide)

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PEACE RETURNS TO THE PROJECT, BALANCE TO THE WORLD

Page 21: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

ANALOGDIGITAL

from

TO

And beyond

Page 22: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

Goals : WHATDocument workflow

for digitizing analog

audio

Document workflow

for Managing digital

audio

Evaluate access

platforms for

streaming digital

audio content

Page 23: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

GOALS : WHYClarify roles and

responsibilities

Illuminate where

workflow could be

automated / more

efficient

Clear foundation to

move through

larger batches

Leverage for

additional funding

Transparency

among disparate

departments

FACILITATE

SUSTAINABLE

ACCESS

Page 24: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

work

flow

: H

IGH

LE

VEL

P

A

D

Page 25: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

work

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Page 32: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

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Page 39: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

Workflow Resources

dpmworkshop.org/workshops/

management-tools

Page 40: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

Audio streaming platform

comparative review43

2

1

0

bare essential

showstopper

Required, but flexible

Desired, not required

Might be nice

Page 41: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

Audio streaming platform

comparative review

Page 42: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

Where we areWhere we’re going

Generalize the workflow to accommodate general

collections, special collections, archives

Digital audio use

caseDcm workflow

documentation

Finish review

Page 43: The day the MUSI C DIDNT DIE saving MIT’s analog music sound recordin gs Peter Munstedt Cate Gallivan Tricia Patterson.

Peter munstedt

[email protected]

Cate Gallivan

[email protected]

Tricia patterson

[email protected]

Questions

?