THE CITY IN THE IMAGE ON THE ARCHITECTURE OF URBAN LANDSCAPE 09.09.2015 | DOMUS ACADEMY | MASTER IN URBAN VISION AND ARCHITECTURAL DESIGN
Jul 17, 2015
THE CITY IN THE IMAGEON THE ARCHITECTURE OF URBAN LANDSCAPE
28.10.2014 | DOMUS ACADEMY | MILAN
THE EVOLVING EYE
Rural Urban
Landscape means an area, as perceived by people, whose character is the result of the action and interaction of natural
and/or human factors.
European Landscape Convention, Florence, 20.X.2000, article 1: definitions.
Urban landscape means an urban area, as perceived by people, whose character is the result of the action and interaction
of natural and/or human factors.
GUSTAVE CAILLEBOTTE, Uomo alla finestra, 1875CASPAR DAVID FRIEDRICH, Il viandante sul mare di nebbia, 1818
Just as the landscape of our individual experience, in any moment and place, is necessarily limited by a
certain horizon, landscape in general is limited by the horizon of a certain vision of the world, which is
characteristic of a certain context, of a certain culture and of a certain epoch.
AUGUSTIN BERQUE, Come parlare di paesaggio?, 2009
JOACHIM PATINIR, Passaggio agli inferi, 1514-20
JAKOB VAN RUISDAEL, View of Haarlem, 1670
CIMABUE, Ytalia, 1280-90
GIOTTO, Rinuncia ai beni, 1299
ANONIMO, Citt ideale di Urbino, 1480-90
ANONIMO, Citt ideale di Baltimora, 1480-90
ANONIMO, Citt ideale di Berlino, 1480-90
SEBASTIANO SERLIO, Scena tragica, 1545
JAN VAN DER HEYDEN, Il Oudezijds Voorbugwal con la Oude Kerk, 1660-70
GASPAR VAN WITTEL, Il Molo, la Piazzetta e Palazzo Ducale, 1697
CANALETTO, Il bacino di San Marco verso est, 1740
FRANCESCO GUARDI, Gondola sulla laguna, 1780
GIOVANNI BATTISTA PIRANESI, Veduta dell'Arco di Tito, 1756
ROBERT ASTON BARKER, Panorama di Londra, 1792
THOMAS HORNOR, Panorama di Londra, 1828
LOUIS DAGUERRE, Boulevard du Temple, 1838
NADAR, Paris, 1858
ADOLPHE BRAUN, Il Ponte delle Arti, 1867
CLAUDE MONET, Carnevale nel Boulevard des Capucines, 1873
GUSTAVE CAILLEBOTTE, Il Ponte dEuropa, 1876-77
Church, tower, and cottages composed a charming picture, as quaintly effective, as full of
colour, and as delightful to look upon, as though the scene were designed by an artist. [...]
Why will not painters give us glimpses of some of the quaint
townscapes (to invent another word) of our romantic, unspoilt English towns, instead of everlastingly rushing off
to the Continent for such subjects?.
JAMES JOHN HISSEY, A Tour in a Phaeton Through the Eastern Countries, 1889
ROBERT DELAUNAY, Campo di Marte, 1911
PAUL CITROEN, Metropolis, 1923
NIKOLAUS PEVSNER, Map for walking tour of Queen's Lane, Oxford, 1950s
GORDON CULLEN, Townscape, 1961
GORDON CULLEN, Serial Vision (Townscape), 1961
GORDON CULLEN, Place (Townscape), 1961
GORDON CULLEN, Content (Townscape), 1961
IVOR DE WOLFE, KENNETH BROWNE, Civilia, 1971
IVOR DE WOLFE, KENNETH BROWNE, Civilia, 1971
IVOR DE WOLFE, KENNETH BROWNE, Civilia, 1971
KING VIDOR, The Crowd, 1928
JACQUES TATI, Play Time, 1967
WIM WENDERS, Wings of desire, 1987
ALEJANDRO AMENBAR, Abre los ojos, 1997
JON RAFMAN, The nine eyes of Google Street View, 2009
MISHKA HENNER, Dutch Landscapes, 2011
Google Glasses, 2013
MIGRATIONS
MVRDV, BLANCA LLE, Mirador, 2005
BALDASSARRE LANCI, Prospettiva teatrale, 1569
VIVIANO CODAZZI, Prospetto della Basilica di San Pietro, 1630
ANTONIO LOPEZ, Madrid desde Torres Blancas, 1976-82
JAMES TURRELL, Meeting, 1980
Paradox though it may seem [...] life imitates art far more than Art imitates life. []
Where, if not from the Impressionists, do we get those wonderful brown fogs that come creeping down our streets, blurring the gas-lamps and changing the houses into monstrous shadows?
Things are because we see them, and what we see, and how we see it, depends on the Arts that have influenced us. To look at a thing
is very different from seeing a thing. One does not see anything until one sees its beauty. Then, and then only, does it come into existence.
At present, people see fogs, not because there are fogs, but because poets and painters have taught them the mysterious loveliness of such effects. There may have been fogs for centuries in London.
I dare say there were. But no one saw them, and so we do not know anything about them. They did not exist till
Art had invented them.
OSCAR WILDE, The Decay of Lying, 1891
WOODY ALLEN, Midnight in Paris, 2011
CASPAR VAN WITTEL, la Piazzetta e il Palazzo Ducale, 1697
WILLIAM TURNER, Stamford, 1828
Driving into Stamford, a place we had never visited before, we were struck by the familiarity of the townscape presented to us; it seemed to greet us like an old friend, whose face we
had often seen.
JAMES JOHN HISSEY, Over Fen and Wold, 1898
EDWARD HOPPER, Gas, 1940
WIM WENDERS, Pina, 2011
Our eye, even when we think of it as poor, is rich and saturated of an abundance of latent models, rooted and therefore beyond
suspicion coming from painting, literature, cinema, television, commercials, etc. - which act unconsciously in
order shape our experience, perceptive or not. they
ALAIN ROGER, Short Treaty on Landscape, 1997
ERIC ROHMER, Il segno del leone, 1962EUGENE ATGET, Un coin du quai de la Tournelle, 1911
EDWARD HOPPER, Nighthawks, 1942HERBERT ROSS, Pennies from Heaven, 1981
LUCIE AND SIMON, Times Square, 2011ALEJANDRO AMENBAR, Abre los ojos, 1997
SAUL STEINBERG, The New Yorker, 1976 BOLLES+WILSON, Landscaping Hotel New York, 2006
GIOVANNI BATTISTA PIRANESI, Prospettiva delle rovine dell'acquedotto, 1756
DAVID ROBERTS, Acquedotto di Segovia, 1837
LUDWIG HILBERSEIMER, Citt Verticale, 1924
LE CORBUSIER, Plan Obus, 1933
Muro di Berlino, 1961
ARCHIZOOM, Parallel districts in Berlin, 1969
SUPERSTUDIO, Monumento Continuo, 1969
REM KOOLHAAS, ELIA ZENGHELIS, Exodus, 1971
DANIEL LIBESKIND, Potsdamer Platz, 1991
DOGMA, Field of wllas, 2012
BENIAMINO SERVINO, Agganciandosi alle utopie degli altri C+S Architetti, Casa della Giustizia di Venezia, 2012
GESTALTUNG (construction)
configuration of matter already present in the external environment, in virtue of
a human intervention.
VORSTELLUNG (imagination)
internal representation or idea we form when we perceive a selected part of
the Earth surface.
DARSTELLUNG (representation)
artistic representation that crystalizes the scenery of imagination in reference to a selected part of the Earth surface.
THE THIRD CITY
The materiality of an inhabited center isn't just the manifestation of a congregation of individuals, more
or less linked by family bonds or intentions, but physically represents the conscious collective will to
build a political subject. []
The fact that the civitas and the urbs are united just as the palm and the back of a hend, changes the very
nature of the visible city.
MARCO ROMANO, L'estetica della citt europea. Forme e immagini, 2005
AMBROGIO LORENZETTI, Effetti del Buon Governo in Citt, 1340
URBS
CIVITAS
IMAGO
URBS
CIVITAS
IMAGO(images)
URBS(form)
CIVITAS(structure)
AES Group, Islamic Project, 1996-2003
Brooklin Greenpoint Landing, 2013
RENZO PIANO BUILDING WORKSHOP, Intesa San Paolo tower, 2007
NEGOZIO BLU ARCHITETTI ASSOCIATI, Edificio residenziale in via Riberi, Torino, 2011
NEGOZIO BLU ARCHITETTI ASSOCIATI, Edificio residenziale in via Riberi, Torino, 2011
NEGOZIO BLU ARCHITETTI ASSOCIATI, Edificio residenziale in via Riberi, Torino, 2011
Hudson Yards development (New York)
Wangjing SOHO and Galaxy SOHO developments (Pechino)
Trump Towers development (Rio de Janeiro)
Freemont Street (Las Vegas)
Main Street (Disneyland)
Qianmen Street (Pechno)
Sky City (Hanghzou)
Huis Ten Bosch (Nagasaki)
IMAGO(images)
URBS(form)
CIVITAS(structure)
IMAGO(images)
URBS(form)
CIVITAS(structure)
INTENSITY
Sanchinarro (Madrid)
IMAGO(images)
URBS(form)
CIVITAS(structure)
INTENSITY DENSITY
San Blas (Madrid)
IMAGO(images)
URBS(form)
CIVITAS(structure)
INTENSITY DENSITY
DIVERSITY
Sesea (Madrid)
SIMONA ROTA, Placelessness, 2012
SIMONA ROTA, Placelessness, 2012
SIMONA ROTA, Instant Village I: Tenerife, 2011
SIMONA ROTA, Instant Village II: Fuerteventura, 2011
SIMONA ROTA, Instant Village II: Fuerteventura, 2011
JULIA SCHULZ-DORNBURG, Ruinas Modernas, 2012
JULIA SCHULZ-DORNBURG, Ruinas Modernas, 2012
JULIA SCHULZ-DORNBURG, Ruinas Modernas, 2012
Bubblescapes, 2014
Bubblescapes, 2014
Bubblescapes, 2014
Bubblescapes, 2014
Bubblescapes, 2014
Bubblescapes, 2014
Bubblescapes, 2014
FRANCESCO JODICE, San Paolo, 2006
Every urban landscape is the spatial image of a specific society in a specific historical period.
To design the urban landscape means to make possible the existence of a certain kind of society by constructing the
network of social, physical and visual fragments of the city it occupies.
In synthesis, the project of the urban landscape is the project of the city itself.
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