The Angel Two

8/14/2019 The Angel Two

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THE ANGEL TWO

by

Harry J. Chong

Harry J. Chong60 Carey CrescentMarkham, OntarioL3R 3E5CANADA(905) 475-5427

[email protected]


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FADE IN:

INT. EMPTY BEDROOM - DAY

JOHNNY is speaking to someone, its not known who.

JOHNNYYou dont know how badly Ivewanted to tell you. The truth aboutmy life has been buried inside mefor so long -- I didnt even knowif it existed anymore -- but thatswhy I have to tell you.

(glances left, right)Cornelius, Danica. Im not who youthink I am.

(deep breath)Im an angel. Im part of this

secret religious organizationcalled the Vatican Brigade.

Johnny shows his Vatican Brigade lapel pin, the cross wedgedbetween a V.

JOHNNY (CONT'D)Remember this? Well its ourspecial seal. Were basically a biggroup of crime fighters. We use ourspecial talents and abilities tofight evil.

(lowers head)

I know. Its crazy, huh?

The sound of a DOOR opening is heard. DANICA enters the emptyroom, sees Johnny looking into a full length mirror.

DANICAJohnny?

JOHNNY(turns)

Oh! Danica. You scared me.

DANICAReally? Is there something about meto be afraid of?

JOHNNYNo, I just --

DANICACould you bring that mirror down?We need to sell it.


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JOHNNY(glances back)

Uh, sure. No problem.

DANICA

Thanks.

Danica leaves. Johnny grabs the mirror.

EXT. CORNELIUS HOUSE - DAY

There is a swath of people on the DRIVEWAY.

They are browsing, buying, and haggling at CorneliusGARAGE SALE.

Danica is at the cash table, talking to a large muscular bald

man wearing a dark denim vest. BERNARD. He is holding up anold looking book with strange symbols on the front.

THE BOOK OF THE DEAD.

BERNARDHow much is this dusty old book?

DANICAIm sorry that books not for sale.

BERNARDIt has to be. Why is out here then?

DANICAI dont know. It musta been amistake. It shouldve been packedup with the other boxes.

BERNARDCome on, sell it to me.

DANICAIm sorry. Its not my book. Itbelongs to my dad. Hes a real avidcollector of books. Boy, if I gaveit away... I dont know what heddo to me.

BERNARDYoure not giving it away. Youreselling it.

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DANICASorry. I cant. Is there anythingelse you --

BERNARD

Ill give you a hundred bucks.

Danica shakes her head, no.

BERNARD (CONT'D)Two hundred.

DANICAUh...

BERNARDThree hundred.

DANICAUm...

BERNARDFive hundred dollars!

DANICANo! Its not mine. I cant sell it.

BERNARDOkay. I know youre playinghardball.

(takes out thick wad of

cash)Ten thousand dollars.

DANICAYou really want that book dontyou?

Bernard nods with a salacious look on his face.

DANICA (CONT'D)The more reason not to sell it.

Danica grabs the book back.

BERNARD(angry)

I need that book.

DANICAMister, if you want a photocopy, Ican photocopy it for you.

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But I cant sell it unless I get mydads permission... And he is NOThere.

Bernard puts his money away, he pushes over the cash table.CRASH. Everyone looks.

DANICA (CONT'D)Hey, what the heck is wrong withyou?!

BERNARDGive me the book.

CORNELIUS appears.

CORNELIUSHey! You better back off, buddy.

BERNARD(cracks knuckles)

Why dont you make me?

CORNELIUSOkay.

Cornelius looks behind and grabs a baseball bat from theground.

CORNELIUS (CONT'D)Hows this?

DANICA(low voice)

Cornelius put the bat away!

CORNELIUSIve got this under control,Danica.

(to Bald Man)Look here, baldy. If you dont getoff my property, Im gonna haftastart swinging. And when I swing, Idont stop.

BERNARDTry me.

CORNELIUSReally? I was just bluffing. Imnot a violent --

BERNARDHIT ME!

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DANICA (CONT'D)


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Cornelius shrugs, he swings his bat. It breaks off on theBernards thick head.

CORNELIUS(surprised)

You are a freak!

As Bernard pulls back his fist, Johnny appears with the fulllength mirror.

JOHNNYHey, Cornelius where do you want meto --

A loud WHACK is heard. Cornelius crashes into the mirror,shattering it into a dozen pieces. He slumps to the ground.

The NEIGHBOR standing beside Johnny looks down.

NEIGHBOROh no -- thats seven years badluck!

Johnny puts the broken mirror aside.

JOHNNYCornelius, are you okay?

CORNELIUS(groans)

Sure, why not!

JOHNNYDont move. Ill be back.

Cornelius gives a thumbs up. He flops his head over andpasses out. As Johnny marches over to Bernard, Danicadiscreetly dials 911 on her cell-phone.

BERNARD(folds arms, smirks)

Whatcha gonna do, boy?

Johnny puts up his dukes like an old school Irish boxer.

JOHNNYCome on...

Bernard pulls back his fist.

WHACK!

Johnny lands beside Cornelius.

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CORNELIUS(wakes, looks at Johnny)

Welcome to the club.

As Danica closes her cellphone, the sound of police SIRENS

are heard. A squad car stops in front of the house. COP #1and COP #2 step onto the driveway with their guns out.

COP #1Put your hands where we can seeem!

BERNARDI think theres a misunderstandinghere, I was just --

COP #2Shut up and put your hands in the

air!

Bernard puts up his hands. He looks at Danica holding theNecronomicon in her arms.

COP #1Now turn around!

Bernard turns the other way. Then suddenly he grabs the tableand chucks it the COP #1 and COP #2. They duck to the ground.It crashes into the windshield of their squad car.

Bernard grabs the Necronomicon from Danica.

DANICAHey thats --

He jumps onto the house roof with a single bound.

DANICA (CONT'D)(surprised)

Whoa.

Bernard glances back.

Cop #1 and Cop #2, in their rage, blindly fire their pistols.Johnny and Cornelius stand to look, they watch as Bernardleaps up and disappears into the CLOUDS.

MATCH CUT TO:

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EXT. CORNELIUS HOUSE - NIGHT

Dropping down from the clouds, eyes are brought back toCornelius house, in front of a wide illuminated window

covered in fancy white curtains.

SUPER IMPOSE TITLE: THE ANGEL TWO

INT. EMPTY LIVING ROOM - NIGHT

Johnny, Cornelius, and Danica are all seated on the hardwoodfloor in an empty living room. There is a half-eaten box ofpizza and several open cans of soda.

CORNELIUSI know, I know. But I still cant

believe what I saw... Tom Cruisewent completely bonkers! He IS thedefinition of manic.

DANICAOh hes just got a lot of energy,thats all.

CORNELIUSTom Cruise climbs mountains andflies airplanes. I dont think youcan attribute that behavior to justa lot of energy.

JOHNNYDid anyone not notice that guyjumping onto the roof anddisappearing into the sky?

CORNELIUSJohnny... Theres a lot of crazythings that go on in New York. Youcant always believe everything yousee.

JOHNNYI think youve been reading toomuch Skeptic magazine.

CORNELIUSIts a really good publication.

JOHNNYIs not.

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CORNELIUSIs too.

JOHNNYIs not!

CORNELIUSIs too!

DANICAFELLAS! Can we not argue? I mean,were not gonna be able to spendmuch time with each other anymore.Lets enjoy the moments. Okay?

JOHNNYIm sorry.

CORNELIUSIm sorry too. Lets hug.

JOHNNYWhat?

CORNELIUSIts a very emotional moment. Ithink we should hug.

JOHNNYAw, come on. Ill see you every nowand then, right? Every week?

CORNELIUSNot likely.

JOHNNYWhaddaya mean? I thought you hadyour own personal jet.

CORNELIUSNot anymore.

JOHNNYWhat happened?

CORNELIUS(sighs)

Recession.

JOHNNYIts not that bad is it?

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CORNELIUSThe companys in the proverbialred.

JOHNNY

So I wont get to see you once youmove to California?

Danica folds her arms, What about me?

JOHNNY (CONT'D)And Danica?

CORNELIUSWhat can I say? People dont liketo buy gold plated car accessoriesanymore.

JOHNNYDo I at least get to see you beforeyou get on the airplane?

CORNELIUSOf course... Homeland Securityisnt that evil.

DANICA(sighs, looks around)

I sure will miss this place. Idont even really wanna move.

CORNELIUSIts for the better. Dads gettingback with mom. Were gonna be onebig happy family.

DANICAFor you maybe.

CORNELIUSWhats that supposed to mean?

DANICAShes YOUR mom, not mine.

CORNELIUSHey... Chin up, Danica. Maybedadll become a polygamist. Then wecan all be together.

DANICAActually, I think thats why he gointo trouble in the first place.

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CORNELIUSNooo, its because hes awork-a-holic... Or is thatalcoholic. Eh! Potato, potawto!

EXT. AIRPORT - DAY

The airport is busy. Planes fly in and out.

INT. TERMINAL GATE - DAY

Johnny in standing in front of Danica and Cornelius. He looksat them all doe-eyed, then spreads out his arms and givesthem a hug.

JOHNNY

Dont forget about me guys. I wontforget about you.

DANICAWe wont.

Johnny lets go.

JOHNNYOh. I almost forgot.

He reaches into his jacket and takes out two smallgiftwrapped packages. He hands one each to Danica and

Cornelius.

JOHNNY (CONT'D)Going away presents.

CORNELIUS(glances)

Thanks.

Cornelius pats Johnny on the shoulder. Then he and Danicawalk into the jet bridge. Johnny waves goodbye.

EXT. SKY - DAY

An AIRPLANE flies smoothly in the sky.

INT. PLANE - DAY

Danica and Cornelius have their gifts out from Johnny.

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DANICAWhat do you think it is?

CORNELIUSI dunno. Lets find out.

Cornelius and Danica tear off the giftwrapping from theirpresents. The gifts are mini bibles attached to key chains.

INT. AIRPORT BAR - DAY

Johnny takes a seat on a stool. The BARTENDER has his backturned toward him, drying some glasses with a towel. Johnnyloudly CLEARS HIS THROAT.

The Bartender puts down his towel and faces Johnny.

BARTENDERHow may I whet your whistle?

JOHNNY(recognizes)

Hey, youre...

BARTENDERWhat can I get yah?

JOHNNYUh, beer?

BARTENDERBut you dont drink.

JOHNNYHow do you know?

BARTENDERYou think I dont recognize you,the only person in the Saucy Tartwho didnt drink alcohol?

JOHNNY(to self)

Thats true.(to Bartender)

By the way, what happened to thatbar of yours?

BARTENDERRats.

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JOHNNYIt shut down because of rats?

BARTENDERNot real rats mind you.

JOHNNYWhatre we talking about then?

BARTENDER(leans in)

Skinheads.

JOHNNYYou mean --

BARTENDERNazis! Neo-nazis.

JOHNNYI guess they were bad customers,huh?

BARTENDERNo, they were great customers.Tipped very well. But I didntwanna serve them.

JOHNNYSo thats why youre here?

BARTENDERYup. And you?

JOHNNY(sighs)

I had to see some friends off.

BARTENDERThey will return though?

JOHNNYNo. Its not a vacation.

BARTENDERThats tough. Tell yah what.Drinks on me.

The Bartender spins around and stirs a glass of strawberrymilk. He turns back to Johnny and gives him the glass.

JOHNNYThanks. I really appreciate it.

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Johnny takes a sip. The Bartender looks at him with pity.

BARTENDER...Youll make new friends.

JOHNNYI dunno. I just finished collegelast year. And Im not much of ananimal for parties -- I mean,where would I meet anyone?

BARTENDERYou finished college last year?

JOHNNYDid the whole thing in one year. Iknow. Im a nerd.

BARTENDERNo. Its very impressive. I didnteven go to college. I got my degreeon the streets, if yah know what Imean.

JOHNNYSociology?

BARTENDERYou could say that.

Johnny and the Bartender smile.

EXT. CHURCH - DAY

Johnny goes into the church.

INT. CHURCH - DAY

He walks around the pews and knocks on a door on the eastside.

FULLERTON (OS)Come in!

Johnny lets himself inside the room.

INT. CHURCH ROOM - DAY

Father FULLERTON is on a chair reading a book. Johnny goesover and stands in front of him.

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FULLERTON(puts down book)

Hello, Johnny. Have a seat.

Johnny sits down on a chair.

FULLERTON (CONT'D)What can I do for you?

JOHNNYI cant do this anymore.

FULLERTONOh no! Youre not switchingreligions are you?! Because wereally --

JOHNNY

No, no, no, no. Its nothing likethat. Im talking you know...

FULLERTONOh!

JOHNNYI gotta quit.

FULLERTONWhy? Is it not enough money?

JOHNNY

Father, I would do this for free --but I cant. I literally cant. Icant get up anymore.

FULLERTONThats what she said!

Johnny rolls his eyes.

FULLERTON (CONT'D)Just kidding... So what exactly doyou mean by that?

JOHNNYMy wings wont come out.

FULLERTONPerformance anxiety?

JOHNNYNah, I dont think thats it.

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FULLERTON(snaps fingers)

I know! Your wings only come outwhen you or someone else is indanger. Therefore in order for you

to get your powers back, you haveto put yourself in danger.

JOHNNYUh, what kind of danger?

Fullerton gets a wide grin on his face.

EXT. ROOFTOP - DAY

Johnny stands on the edge of the roof. He looks below andtakes in a deep breath.

JOHNNYOkay. Its do or die.

Johnny leaps off.

EXT. SIDEWALK - DAY

A mom and her DAUGHTER are going down the sidewalk whenJohnny falls from the rooftop and lands in front of them.

KATOOSH!

The mom shrieks. Johnny groans with his face sunk into thesidewalk. He pulls his head up and looks at the mom with herdaughter.

JOHNNYBelieve it or not, this isnt thefirst time thiss happened.

A SHRILL SCREAM is heard.

Johnny turns his head toward the noise. He sees a woman witha purse being held at gunpoint by a ROBBER.

ROBBEREmpty your goddamn purse!

Johnny gets up and goes over to help.

DAUGHTERBe careful!

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The Robber pulls back the hammer on his six shooter. Hepresses it into the womans forehead as she trembles.

ROBBERHurry up!

The woman slowly starts unzipping her Louis Vuitton.

JOHNNY (OS)Sucker punch!

The Robber turns his head.

ROBBERWhat?

Johnny punches him in the chin with a swift jab. He stumblesback with his gun, eyes half-close.

JOHNNY(to woman)

The audacity of these criminals.Robbing a person in broad daylight!

As Johnny turns his head and looks at the Robber, his gunjolts with a misfire. A bullet lodges into Johnnys forehead.He falls onto his back with arms out... THUD!

The woman screams with panic and runs away.

Closely looking at Johnnys forehead -- the bullet is pushingout of his skull. It surfaces past the layers of skin andfalls out to the ground.

Plink!

The wound heals over with flesh instantaneously. Johnnyseyes flash open as his white feathered wings pop out frombehind his back.

EXT. OVER LOS ANGELES - DAY

CALIFORNIA with a soaring bird's-eye view over the city ofLos Angeles.

MUSIC UP: DANI CALIFORNIA

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EXT. HOLLYWOOD BOULEVARD - WEST - DAY

Johnny struts down the sidewalk, taking in the sights andsounds, as the Chili Peppers play in his head. When the

song elevates he starts to lip-synch and sway his body to therhythm. Then, with the music, he suddenly stops.

EXT. GRAUMAN'S CHINESE THEATRE - DAY

Johnny tilts his head and looks up with wide-eyes. In frontof him is a large sign which reads,

PREMIERE: ALIEN VS KING KONG

INT. GRAUMANS CHINESE THEATRE - DAY

Johnny is sitting in the middle of a near empty theatre. Hesmiles and eats popcorn as bangs and flashes go across hiseyes.

INT. CALI HOUSE - LIVING ROOM - DAY

A late afternoon...

Cornelius is at a corner table, engorged, reading a book.Danica is sitting lethargically on the couch watchingtelevision.

CORNELIUSAccording to this book, it saysHitler didnt die in 1945.

DANICANo?

CORNELIUSApparently he faked his death. Hekilled a body double with a cyanidepill, then shot him in the head tomake it look like a suicide.

DANICA(yawns)

Thats very interesting.

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CORNELIUSAnd get this -- Hitler stowed awayon a boat and escaped to America --where he made a living as aprofessor of German history!

DANICAIs that so?

CORNELIUSAnd he died in 1969 at the age ofeighty in a retirement home! Thesame year Denton Cooley implantedthe first artificial heart!

DANICACan I see that book for a second?

CORNELIUSSure!

Cornelius stands up and hands Danica the book,

Conspiracies of World War 2

DANICAThanks.

Danica takes the book, and with the flick of her wrist,throws it across the room into a wastebasket in the corner.

CORNELIUSHey!

Cornelius runs to get his book. The PHONE on the stand besideDanica rings. She leans to the side and picks it up.

DANICA(on phone)

Hello?

JOHNNY (VO)(filtered)

Danica is that you?

Cornelius picks up his book from the wastebasket. Theressome kind of nasty goop on it.

CORNELIUSEw...

He throws it back in.

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DANICAWho is this?

Cornelius takes a seat beside Danica and leans on thearm-rest, bored.

JOHNNY (VO)Its me!

DANICAMe who?

JOHNNY (VO)Johnny!

DANICAOh my God! How are you?

JOHNNY (VO)Im good, Im good. What about you?Hows Cornelius?

DANICAEh, were doing alright. Kind ofboring though. Not like New York.

JOHNNY (VO)Trust me. Its boring here too.

CORNELIUS(to Danica)

Who is that?

DANICA(to Cornelius)

Its Johnny.(back to phone)

Yeah, so --

Cornelius grabs the phone from Danica.

CORNELIUS(on phone)

Eh! Johnny boy!

JOHNNY (VO)Cornelius?

CORNELIUSWhats up?

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JOHNNY (VO)Not much, not much. Just being atourist.

Danica leans over and listens in on the conversation.

CORNELIUSSo are you gonna come and visit usor what? You know the address,right?

JOHNNY (VO)Yeah. I got your e-mail.

CORNELIUSCool. Come over whenever you wantthen.

JOHNNY (VO)Ill be over in a New York minute.

Johnny hangs up. Click.

CORNELIUSHello?

DING DONG! DING DONG!

Cornelius and Danica get up.

INT. CALI HOUSE - MAIN FOYER - DAY

Cornelius and Danica get into the main foyer as theDOOR BELL rings excitedly. They open the door.

Johnny smiles and waves in front of them.

DANICAJohnny!

EXT. CALI HOUSE - DAY

Danica rushes toward Johnny and wraps her arms around him.She hugs him tightly.

DANICAI missed you so much.

JOHNNYIt hasnt even been a week yet.

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JOHNNYI, I do alotta miscellaneousthings. Odd jobs. Mostly odd jobs.

DANICA

Thats what you said last time.

JOHNNYWell its true.

CORNELIUSIs it something bad? Are youworking for the mafia?

JOHNNYOkay, Ive given you guys the runaround long enough. Ill tell youthe truth...

The restaurant seems to go quiet as Johnny slowly leansforward.

JOHNNY (CONT'D)Im a superhero. I can fly. I havesuper strength. And --

CORNELIUSYoure allergic to kryptonite!

JOHNNYHuh?

CORNELIUSAh, Johnny. You dont have topatronize us. If you really dontwanna tell us, we understand. Itsprobably an embarrassing job,right? Like cleaning up dog crap orsomething.

JOHNNYYes. Thats exactly it.

DANICAYou dont clean up dog crap -- doyou?

JOHNNYI clean up something.

CORNELIUSNuff said...

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Johnnys CELL-PHONE start vibrating in his pocket. He reachesin and pulls it out.

JOHNNY(to Cornelius, Danica)

Sorry. I gotta take this.

He hunches over and answers it, whispering.

JOHNNY (CONT'D)(on phone)

Hello?

Cornelius and Danica continue eating.


Right now? Are you serious? Im in

the middle of something? Okay. Illbe there. Bye!

Johnny puts his cell-phone away.

CORNELIUSWho was that?

JOHNNYNobody. Nobody important... Hey, Igotta go to the bank for a second.I left my wallet at your place.

DANICAYou didnt leave it on my bed didyou?

CORNELIUSYou were on my sisters bed?

JOHNNYI just sat down for a second ortwo. Nothing naughty.

CORNELIUSOh really?

DANICAHey, even if we were doingsomething naughty -- its notreally your business, Cornelius.

CORNELIUSIsnt it?

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Johnny pushes back his chair and stands.

JOHNNYI really hafta go. I need to drawout some money from the ATM.

DANICATheres an ATM in the lobby.

JOHNNYYes, but its not the one I need.

CORNELIUSJohnny, you dont have to pay foryour food. This is our treat.Youre our guest.

JOHNNY

Regardless, I still need a bit ofspending cash. You know theressome many cool tchotchkes that Iwant.

CORNELIUSOkay. Fine. But be back as quick aspossible, okay?

JOHNNY(thumbs up)

Just call me Speedy Gonzales.

Johnny leaves.

EXT. BANK - NIGHT

There is a dark nondescript van by the curb-side.

INT. BANK - NIGHT

Moving through the bank floor. There are several deadsecurity guards lying on the ground. Over by the far end aretwo thieves trying to bust into the big steel vault.

THIEF #1 is using a heavy duty blowtorch on the door. Thereis a duffel bag by his feet. He slowly circles around withthe flame while THIEF #2 stands guard with a shotgun.

THIEF #1This is gonna be sweet.

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THIEF #2Hurry up...

THIEF #1Shaddup, Im going as fast as I

can.

Thief #1 completes a small circle on the vault door. It glowsa flaming orange. He takes a crowbar and pulls it out. Thepiece falls to the floor and spins around like a coin.

Thief #1 takes out a canister from his duffel bag. He shakesit up, making that distinctive RATTLING sound.

THIEF #1 (CONT'D)Explosives please.

Thief #2 hands Thief #1 a square of C-4 with triple LED

lights on the front; it is connected to electronics. Thief #1takes it and uses his canister to foam it in place within thecircle.

THIEF #1 (CONT'D)We better distance ourselves.

Thief #1 and Thief #2 take their equipment and sneak over toa desk. They flip it over and hide behind.

THIEF #1 (CONT'D)Ready?

THIEF #2Ready.

Thief #1 takes out a remote detonator. He pulls up an antennaand pushes a button. The LED lights on the C-4 light up. One,two, three.

Then... KABOOM!

An explosion rocks the bank, throwing up pieces of debris.The thieves peak out from behind the table. The blast hascreated a beach ball sized hole on the vault, half a circleon the door and half on the wall.

Thief #1 and Thief #2 scamper back to the vault. Togetherthey pull open the door and go inside.

THE VAULT is huge. Its walls are lined with hundreds of bankboxes, from floor to ceiling.

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THIEF #1(searching)

Which one is it in again?

THIEF #2

Ninety fifty four.

Thief #1 spots the box in the middle: 9054. He points witheagerness.

THIEF #1Ah, and there it is.

THIEF #2How do we get to it? Should weblast it open?

THIEF #1

No, this needs a more delicateprocedure. We have to pick thelock...

Thief #1 grabs Thief #2s shotgun.

THIEF #2Hey!

He pumps it and shoots at the box, popping it open.

Thief #1 looks inside and takes out a Ziploc bag with a pieceof mouldy bread in it. Thief #2 scratches his head.

THIEF #2 (CONT'D)What is that? You said wed becoming here to get an ancientrelic.

THIEF #1This IS the ancient relic, stupid.Its a piece of bread from the LastSupper.

Thief #1 holds up the bag in front of Thief #2s face andmockingly shakes it.

EXT. BANK - NIGHT

Thief #1 and Thief #2 come out of the bank. They rush intothe van on the curb-side and quickly drive off.

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EXT. VINE STREET - NIGHT

The van speeds down the street.

INT. VINE STREET - VAN - NIGHT

Thief #1 is behind the wheel driving, while Thief #2 is inthe passenger seat beside. His arm hanging out over the wounddown window. He look in the side-view mirror.

The ANGEL is trailing behind.

THIEF #2Looks like we got company.

Thief #1 glances in his side-view mirror. He sticks his head

out the window and shouts back.

THIEF #1We know youre there yah bastard!

(to Thief #2)Load the cannon.

EXT. VINE STREET - NIGHT

The back doors of the van swing open. Thief #2 lights thefuse on a cannon facing outward. The Angel has a look ofshock on his face as the cannon fires off.

A big iron ball hurdles toward him. It nails him in the gutand sends crashing onto the pavement.

The van turns a corner and disappears.

The Angel wheezes. He pushes the cannonball off his tatteredmidsection; it rolls away and stops on a sewer grate. Thereis a NAZI symbol on front. A grinning skull -- a TOTENKOPF.

INT. JAPANESE RESTAURANT - NIGHT

Johnny walks into the restaurant, he goes back to his tablewith Cornelius and Danica. They look at his tattered shirtwith the hole in the middle.

CORNELIUSWhat happened to your shirt?

JOHNNYUh... Steam pipe explosion.

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CORNELIUSBut there arent any steam pipesaround here.

JOHNNY

(unsure what to say)...Thats what she said! Woo!

CORNELIUSHuh?

Johnny sits down like everything is completely normal. Danicaputs a piece of sushi into her mouth.

INT. PSYCHIATRISTS OFFICE - DAY

A Newtons cradle motions back and forth on a faux wooden

desk. Over by the couch, Danica is lying down being examinedby a PSYCHIATRIST. She is a leggy lady holding a note-pad andpen. Her body is slightly angled, legs firmly crossed.

DANICAI dunno... I dunno, doc! I dunnowhat it is, but I just cant stopthinking about him.

(deep breath)Its killing me inside.

PSYCHIATRISTWell, he is your brother.

DANICAI know! But does he have to be sodamn annoying and inconsiderate?!

PSYCHIATRISTLook, I think I know what yourproblem is -- youre too stressedout, Danica. You gotta relax. Getused to the city. Go out and enjoyyourself. Get stimulated. Ask yourboyfriend to take you somewhere.

DANICAUm, I dont have a boyfriend.

PSYCHIATRISTThere has to be someone you like.

Danica bites her lower lip, thinking of someone.

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EXT. CALI HOUSE - BACKYARD - NIGHT

Crickets chirp on the cool summer night, resting between theblades of grass. Voices are heard off screen, not too far

away.

Cornelius and his mother, MRS. MCQUEEN.

MRS. MCQUEEN (OS)Check mate.

CORNELIUS (OS)You cheated.

MRS. MCQUEEN (OS)Did not!

CORNELIUS (OS)Fine! Lets start over again.

As two hands on opposite ends start collecting back thepieces on a chess board, a third voice is heard.

Cornelius dad, MR. MCQUEEN.

MR. MCQUEEN (OS)Cornelius!

Cornelius looks up from the deck. There is a figure in theshadow of an open window, the floor above.

CORNELIUSWhat?

MR. MCQUEENWhere is your sister?

Mrs. McQueen scoots forward on her chair -- but we have yetto see her face.

CORNELIUSShouldnt you know?

MR. MCQUEENDont you gimme lip! I ask you aquestion you answer me! Youreunder my roof, Im the boss!

CORNELIUSCurrently I am not under your roof!

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MR. MCQUEENJust answer the question!

CORNELIUSIs this your idea of being

concerned about your children?

MR. MCQUEENDont make me come down there!

CORNELIUSPut on your pants first!

The silhouette of Mr. McQueen rolls up its sleeves.

MR. MCQUEENWhy I oughta --

CORNELIUSRelax, dad! Shes at a dance clubor something!

MR. MCQUEENOne of those dirty dancing clubs Ibet you!

CORNELIUSI dont know! Ive never been therebefore!

MR. MCQUEENAh! You lazy kid! Keep an eye onyour sister next time!

CORNELIUSOkay! Can I go back to playingchess now?!

Mr. McQueen slams his window close. Cornelius turns back tohis mom, Mrs. McQueen.

CORNELIUS (CONT'D)Now where were we?

She rests her chin on her hand.

EXT. CLUB ASTARD - NIGHT

Johnny and Danica are in line, waiting to get into a hot newclub. After the couple in front of them is waved inside, theyare greeted by the BOUNCER holding the clipboard.

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He is wearing a shirt which says Club Astard.

BOUNCERNames?

DANICADanica McQueen and Johnny Wallace.

BOUNCER(looks on clipboard)

Not on the list... NEXT!

JOHNNYWait!

BOUNCERWhat?

JOHNNYWhy do we have to have our names ona list to get inside the club?

BOUNCERI dunno. Its cool.

JOHNNYHow is that cool?

BOUNCERBy being exclusionary and picky wemake this look like the place to

be. Supply and demand. Its thebasic law of economics... To behonest with you this club isnteven that great. It smells likesweat and aftershave inside.

DANICA...Sooo can we get in or not?

BOUNCERThat all depends on you baby. Doyou have what it takes to club itup like Paris Hilton?

DANICANo.

BOUNCERWell, who cares. Im quittingtomorrow.

The Bouncer swings the door wide open.

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BOUNCER (CONT'D)(waves)

Everyone get the hell on in!

The waiting people rush into the club.

INT. CLUB DANCE FLOOR - NIGHT

Disco balls, go-go dancers, and loud music. The clubs inswing, packed with hot sweaty people. Johnny and Danica takeshelter from the frenzy in a dark corner.

They stand facing each other, nervous about being alonetogether. Their bodies barely moving, they hold their drinksin front of them -- a sort of pseudo-shield.

JOHNNY

I just think that the educationsystem needs to be fixed. Theresnot enough focus on science, mathand physical education. Thestandards have very much beenlowered. As a nation were fallingbehind.

DANICA...Are we going to dance?

JOHNNYUh, sure. Why not.

Johnny spreads out his legs and starts motioning his arms,doing some weird chopped up form of a Fred Astaire dance.Danica takes a gulp of her drink.

INT. CLUB BASEMENT - NIGHT

Danica walks down the metal staircase. Her steps echo witheach foot set down. She gets to bottom. There are severalways to go.

DANICA(looking)

Now where did he say the bathroomwas again?

(thinking)Hug the wall to the right. Take twoturns left, then another right. Gostraight for a minute, take a left,take a right -- you cant miss it.

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Danica looks reluctant. She steps forward and takes the pathto the very right.

INT. CLUB HALLWAY - NIGHT

As Danica walks through the dingy hallway, she hears MUMBLINGvoices. She follows the sound and comes up to a door with asign on front which reads, Restricted Area.

Danica puts her ear against the door and listens.

INT. RESTRICTED AREA - NIGHT

Inside a dimly lit room are several skinheads standing arounda cheap square table with a Ouija board on top. Amongst thegroup is Thief #1 and Thief #2.

They watch intently as the punky skinhead named KRIEPENZTOPmoves around a planchette.

KRIEPENZTOPIs your spirit in the room with usright now?

The planchette moves over on the Ouija board to YES.

KRIEPENZTOP (CONT'D)Is it true you did not actually dieon April 30th?

Yes.

KRIEPENZTOP (CONT'D)And you died on a later date --much later?

Yes.

KRIEPENZTOP (CONT'D)Have you been watching us?

Yes.

KRIEPENZTOP (CONT'D)Do you know what we are trying todo?

Yes.

THIEF #1Ask about the location...

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KRIEPENZTOPAre we on the right track tofinding you?

No.

KRIEPENZTOP (CONT'D)Then where are you located?

The Ouija board starts to rumble. The lights flicker as theplanchette zips across to several letters, spelling out:

DEATH VALLEY

KRIEPENZTOP (CONT'D)Death Valley? Is this correct?

The Ouija flies off the table by an unseen force.

INT. CLUB HALLWAY - NIGHT

As Danica removes her ear from the door, skinhead Bernardsuddenly appears from behind. He grabs her and wraps histhick hand around her mouth.

INT. CLUB DANCE FLOOR - NIGHT

Cornelius awaits for Danicas return. He reaches into hispocket and takes out his cellphone. He looks at the time,

3:00 AM.

EXT. HIGHLAND AVENUE- NIGHT

A dusky looking 18 WHEELER honks its horn as it runs througha red light.

INT. 18 WHEELER TRAILER - NIGHT

Danica is tied to a chair. She is surrounded by the skinheadsfrom earlier before, along with head honcho, Bernard. Seatedat the end of the trailer, he is silent like a statue.

DANICAI dunno who you creeps think youare, but I assure you, I am NOTgoing down without a fight! Youeven touch me -- Ill bite it off!

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KRIEPENZTOPRelax. Were not those type ofpeople.

THIEF #1

Were a lot worse.

DANICAWhatre you talking about?

THIEF #2Who is historys most hated person?

DANICAGeorge W. Bush?

THIEF #2George W. -- NO! Think worse.

DANICAI cant think of anybody worseexcept for...

Danicas face goes pale.

DANICA (CONT'D)Wait-a-minute, you guys are --

Kriepenztop lifts his sleeve and shows Danica his SWASTIKA.

DANICA (CONT'D)

Nazis!

KRIEPENZTOPNeo-Nazis to be exact.

DANICAOoh you little...

Danica swings her foot out and kicks Kriepenztop in thetesticles. He clutches his stomach and wheezes in pain.

KRIEPENZTOPYou bi-bi-bitch!

Kriepenztop grabs Danica by the shirt and pulls back his armto slap her.

BERNARDKriepenztop!

Kriepenztop pauses and looks at Bernard.

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BERNARD (CONT'D)Sit down.

KRIEPENZTOPTheres nowhere to sit.

BERNARDFine a place.

Kriepenztop pushes the other skinheads out of the way. Hesits down on the floor, opposite to Danica. He mumbles tohimself incomprehensibly.

Bernard stands up and walks over to Danica. He takes out ablindfold.

BERNARD (CONT'D)Time for the fun to begin.

And wraps it around her eyes.

DANICAWhatre you going to do to me?

As Bernard grins the lights suddenly go out.

BERNARDWhat the hell?

We hear the sound of the 18 wheeler screeching to a halt anda set of bodies falling to the floor, Augh! Then the

creaking of doors opening as a dark blue light and shadowyfigure with wings enters through the back.

The doors shut behind. Blackness again, followed by violentnoises inside: BAM! WHAM! SLAM! WHACK! POW!

Then the place is dropped into silence.

DANICA (OS)...Hello?

ANGEL (OS)Dont move.

The sound of ROPE SNAPPING is heard. The back doors of thetrailer kick open. And in his arms, the Angel takes Danicaout into the dim radiance of the night.

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JOURNALISTThe LAPD is already bloated as itis! We dont need more cops handingout traffic tickets for revenue!What we need is crime prevention!

Getting to the root of the problem!

CHIEFWe are working on that.

JOURNALISTAnd what about the hate crime, hmm?Thats gone up 50% since last year-- the exact time you opted to hiremore police officers! Is that nothighly coincidental?!

CHIEF

I dont know what is up your ass,but youre getting on my nerves!

The Journalist holds up a B&W photo of a clean-cut lookingteenage boy.

JOURNALISTMordechai Steinberg! My dear nephew-- beat to a bloody pulp last yearby anti-Semites! And what has thepolice done since then? NOTHING!You havent even caught the littleHitlers!

The crowd erupts, yelling and screaming. The Chief tries tospeak.

CHIEFPlease, I --

But is drowned out by the noise. He snaps to the side as atomato is thrown in the ruckus.

END OF ACT ONE

INT. CALI HOUSE - CORNELIUS ROOM - DAY

Cornelius is sitting at a desk, writing something on acomputer. He tries to concentrate as his parents argueoutside his door.

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MRS. MCQUEEN (OS)I work my fingers to the bone tokeep this household together -- andyou cant even help me out once aweek?!

MR. MCQUEEN (OS)(emphatic)

I am the breadwinner! I make allthe money -- which YOOOU spend! Soif I wanna relax on the weekend,that is my goddamn prerogative!

MRS. MCQUEEN (OS)...Youre selfish! You are aselfish, selfish man! All you cando is think about yourself! Thereare more things important than

money!

MR. MCQUEEN (OS)Yeah?!

MRS. MCQUEEN (OS)YEAH!

Cornelius sighs as he sinks down in frustration. He turns offhis computer and starts moving toward the other side of theroom.

MR. MCQUEEN (OS)

You know what your problem is,Mariam?!

MRS. MCQUEEN (OS)No! What is my problem, GERALD?!

MR. MCQUEEN (OS)Youre old! Youve got the PMS!Thats why youre always so cranky!

Cornelius starts climbing out the window, he steps onto a thethick tree branch jutting toward his room. As he leaves aloud SLAP is heard.

EXT. CALI HOUSE - BACKYARD - DAY

Cornelius climbs down his tree. He exits the backyard throughthe wooden gate.

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EXT. NEARBY STREET - DAY

Cornelius is walking down the street. He pauses and squintswhen he sees two young clean-cut men in white shirts and ties

coming toward him... MORMONS.

CORNELIUS (VO)(thinking)

Mormons!

Cornelius tries to avoid them by going to the right -- butthey do too. So Cornelius goes left. They do too. He goesright. Same thing again.

The zigzagging continues till Cornelius tries to boltforward -- but the fast-footed Mormons step in his way andstop him.

Two twins named BARRY and LARRY smile at Cornelius.

BARRYGreetings! Im Elder Barry!

Barry grabs Cornelius hand and shakes it.

LARRYAnd Im Elder Larry.

Larry does the same.

BARRYWere from the Church of JesusChrist of Latter-day Saints!

CORNELIUSFellas, I really dont --

LARRYDo you know about Jesus?

CORNELIUSYes, but I --

BARRYJesus is our saviour! The only onewho can save us from our sins!

CORNELIUSGuys, if you would just --

LARRYIf we dont listen to Jesus --

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CORNELIUSWILL YOU MORMONS SHUT UP!

(deep breath)

Let me speak for a moment.

Barry and Larry look scared.

BARRYOkay...

LARRYOkay...

CORNELIUS (CONT'D)First I wanna say, I respect yourreligion. BUT I am not interested.I dont believe in that stuff. Idont believe in God and I dontbelieve in Jesus. So anything you

try to tell me -- youre justwasting your breath.

LARRYBut what about the world?

CORNELIUSWhat about it?

BARRYIts so beautiful and so complexand wonderful.

LARRYHow could this just be one of thosethings?

BARRYSomebody mustve created it.

LARRYLike an artist making a sculpture.

BARRYNo details were overlooked.

CORNELIUS...Fellas. The world is notbeautiful. It is a hostile, uglyplace.

LARRYWell, I wouldnt --

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CORNELIUSHave you ever been to the Sahara orthe Antarctic Circle? All it is, issand and snow -- everywhere! Andyoure telling me that those two

things are Gods wonderfulcreations created just for man?Jesus H. Christ, man! If you stayedthere for more than half an houryoud be dead! Now is that part ofthe plan or what?

BARRYUm...

LARRYUm...

Barry and Larry turn their heads to the sound of a car.Danica appears behind in a convertible. She brakes beside.

DANICACornelius!

CORNELIUS(to Barry, Larry)

Sorry, gotta go.

Cornelius hops into the convertible. He and Danica take off.Cornelius smiles as he waves goodbye to the Mormons.

EXT. 2ND STREET - DAY

Cornelius talks to Danica as she drives the convertible.

DANICAWhy are you staring at me?

CORNELIUSI dunno, something about you looksdifferent.

DANICAI am different.

CORNELIUSWhaddaya mean by that?

DANICAIm not the same person I wasyesterday -- or the day before, orthe day before that. Everyday Iwake up Im a different humanbeing. But you just haventnoticed, Cornelius.

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CORNELIUS(confused)

...How long are we gonna be at thepolice station again? Cause, uh, Ihave a job interview this

afternoon.

DANICAOh stop worrying. Itll only be acouple minutes.

CORNELIUSAnd would you mind stopping on theway for ice cream?

Danica rolls her eyes, Ugh!

INT. LINEUP ROOM - DAY

Cornelius eats an ice-cream cone as Danica is spoken to bythe police officer, WILKINS. She looks through a one-waymirror, at the lineup of suspects.

WILKINSCan you identify the mainperpetrator?

DANICAAre you sure they cant see me?

WILKINSAbsolutely. Its 100% safe.

Danica scrutinizes the suspects. Theyre all bald, wearingraggedy clothes. Its hard to choose.

DANICAHmm...

CORNELIUSWill you hurry up, Danica?

WILKINSKeep it down, son. Let her take hertime.

CORNELIUS(imitating Wilkins)

Keep it down, son!

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DANICA(looking)

I cant decide... Do I have tochoose a suspect?

WILKINSNo maam. This is not a multiplechoice question.

Cornelius bites into his ice cream cone.

EXT. STREET TO THE PIZZERIA - DAY

In the convertible, Danica is driving Cornelius to his jobinterview at the pizzeria.

CORNELIUS

Im sorry, Danica...

DANICAAbout what?

CORNELIUSNot being able to help you. Notbeing able to do more.

DANICAIts not your fault.

CORNELIUS

I know, but I should be moresupportive. Youre going throughsomething right now and I donteven understand it... But maybe Ishould.

DANICAHey -- lets not get melodramatic,okay?

CORNELIUSSure...

EXT. PIZZERIA - DAY

Danica slows down the convertible and stops in front of thepizzeria.

DANICAHere we are...

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Cornelius gets out of the car, he walks toward the pizzeria.

DANICA (CONT'D)Good luck, Cornelius! I really hopeyou get that job!

Cornelius looks back.

CORNELIUSThanks.

He opens the front door.

CORNELIUS (CONT'D)(to self)

I should.

EXT. LONELY ROAD - DAY

As Danica drives her convertible down a lonely road, her carstarts to sputter. It slows down and stops. Danicas eyesgazes toward the dashboard. Shes empty on gas.

DANICACrap.

Danica puts her car into neutral. She gets out and goes tothe back of her car and starts pushing against the bumper.The convertible starts rolling.

EXT. PARK - DAY

Danica is tired. Shes sweaty and breathing heavy. She stopsin front of a park and takes a break, sitting angled on thecurb. She looks across the street, at the buildings.

In the reflection of the glass there is a PRETTY LADY beingstalked by a group of men. She looks Latino or of some otherSouth American ethnic mix.

Danica turns back and looks more closely.

DANICAThis looks a job for 911.

She takes out her cell-phone. She tries to power it on, butthe screen shows: NO BATTERY, PLEASE RECHARGE

DANICA (CONT'D)Damn it!

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Danica goes into the park. She sneaks behind a tree.

DANICA (CONT'D)I gotta do something... but what?

One of the men bumps the Pretty Lady on her shoulder. As shegets a nervous look on her face, two of them get in front ofher and block her way. She tries to walks away but becomesencircled.

THUG SLIM grabs the Pretty Lady by the chin and staressalaciously into her eyes.

THUG SLIMDid anyone ever tell you how prettyyour eyes are?

PRETTY LADY

Dont even think about it buster.

The Pretty Lady knees Thug Slim in testes. She turns to run.The men push her back into an irate Thug Slim who smacks herhard across the face, putting her to the ground.

Danica comes out from behind the tree. Angry, she puffs outher chest as she walks toward the men.

The Angel drops down from the sky. Danica stops and gets backbehind the tree. The Angel grabs two of the men and throwsthem back. He gets into the circle and swings his arms out tothe sides, knocking out the others.

He marches toward the only one left, Thug Slim.

THUG SLIMWho the hell are --

The Angel kicks Thug Slim back 300 style. Thug Slim fliesback and crashes out cold into a bench. The Angel helps thePretty Lady off the ground.

THE ANGELAre you hurt?

PRETTY LADY(Spanish)

Im fine. Thank you.

Danica looks in awe, her jaw hangs low.

DANICANo way, man...

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The Angel flies up and disappears. The Pretty Lady puts herhands over her chest. She is completely stunned.

INT. CALI HOUSE - MAIN FOYER - DAY

Danica is sitting on the front steps of the stairs whenJohnny enters.

JOHNNYOh hey, Danica. Whatre you doingon the stairs?

Danica just gives him silence.

JOHNNY (CONT'D)Are you okay?

DANICAHow long have we known each otherfor?

JOHNNYA couple years?

DANICAAnd you like me, right?

JOHNNYYeah.

Danica stands.

DANICAIm not talking about as a friend.

She gets closer to Johnny.

JOHNNYUh... Do I have to answer that?

DANICAIf you love somebody you tell themthe truth. You dont hide secrets --even if you dont think they canthandle it.

Johnny tries changing the subject.

JOHNNY(stammering)

...So! That Cornelius! What a go-getter!

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You know he got that job as managerat the pizzeria. In fact thats whyhes not here right now. Yep, hesworking late. Oh boy! What a hardworker! Dont you think hes a hardworker, Danica?

DANICADont try and change the subject.Im trying to talk to you.

JOHNNYWhat is it you want from me?

Danica gets really close to Johnny.

DANICAYou and me, Johnny. We havesomething -- but we cant get to it

because theres a wall. A big brickwall between the two of us. And youput it up there... Why?

JOHNNYYou know a wall is for protection,right?

DANICAJohnny! Tell me the truth!

JOHNNYAlright! Ill tell you the truth...

Im a homosapien. I like guys.There! Are you happy now?

DANICAJohnneeeee! Be serious!

JOHNNYDanica, please. Youre putting mein a tight spot.

DANICAI know where those feathers comefrom. Theyre not from your pillow.

Johnny turns his back, he bites on his finger.

INT. CALI HOUSE - DANICAS ROOM - DAY

Johnny and Danica are standing by the window. Its wide open.

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JOHNNYIf I show you, Danica... You canttell anybody about this.

DANICA

I promise.

Johnny steps back. He runs forward and leaps out the window.Danica looks outside, leaning down. She can only see theBACKYARD DECK.

DANICA (CONT'D)Johnny?

Danica hears a WHOOSH. She looks up. Her eyes follow theANGEL as he descends in front of her.

ANGEL

Whaddaya think?

Danica touches the Angel, gently stroking his feathers.

DANICAOh my God.

ANGELIm sorry I had to hide this fromyou for so long.

DANICAIts okay.

ANGELI just wanna be normal likeeveryone else. I dont wanna be thenail that sticks out on the board.I dont wanna be the freak withwings.

DANICAWhy would they call you a freak?Youre a hero.

ANGELIm not a hero. A hero is afireman. A hero is a scientist. Ahero is a doctor. A hero is anordinary person who fightsextraordinary odds. Me? Uh-uh. Igot these powers. And if I didnthave em, what would I be doing?The answer would not make me ahero.

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DANICAYoure too hard on yourself,Johnny... And why dont you wear amask? You know if you wore a maskwe wouldnt be in this awkward

situation.

ANGELSuperman doesnt wear a mask.

DANICAYou cant compare yourself toSuperman, hes a fictionalcharacter.

ANGELI tried the mask, Danica. Itssweaty, its sticky and it blocks

my vision. I am NOT wearing a mask.

Danica looks at the Angel. She smiles and puts her leg outthe window.

ANGEL (CONT'D)Hey whatre you --

EXT. CALI HOUSE - BACKYARD - NIGHT

Danica goes outside and steps on the Angels feet. She wrapsher arms around his waist.

ANGELOh, I see.

DANICAI know you dont have a car rightnow, but why dont you take me fora spin?

The Angel rises up into the air.

EXT. SKY - NIGHT

Danica looks down as she hangs onto the Angel. She looks downand squeals, both excited and scared.

DANICAEverything looks so small from uphere.

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The man gets to the bar area at the end. He takes a seat onone of the empty stools. The EVIL BARTENDER cleaning theglasses in front of him pauses to look.

EVIL BARTENDER

...That is some costume, buddy.

The man puts his arm forward onto the counter. The EvilBartenders eyes move along from his hand to his upper-armwhere there is a NAZI SYMBOL on his clothing.

From the Nazi Symbol his eyes continue to move over to themans face, revealing the man to be -- Adolf HITLER.

EVIL BARTENDER (CONT'D)What can I get yah?

NOTE: Hitler ONLY SPEAKS IN GERMAN, except where indicated.

HITLERA pint of your finest German beer,please.

EVIL BARTENDERIm sorry. Could you say thatagain? I didnt understand.

HITLER(slowly)

A. Pint. Of. Your. Finest. German.Beer.

EVIL BARTENDERUh?

Hitler violently bangs his fists down on the counter.

HITLER(English)

BEER! BEER! DO YOU KNOW WHAT BEERIS?!

EVIL BARTENDERI dont know you think you are, youfreak -- but if you pull that crapagain, Im gonna kick your assoutta this bar.

HITLERThat is no way to talk to yourfhrer -- YOU MUST BE DISCIPLINED!

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Hitler punches the Evil Bartender in his face, knocking himflat to the ground. Then he jumps over the counter and startskicking him in the ribs.

A skinhead with a cue stick named BALDY, goes over to the bar

and confronts Hitler.

BALDYHey what the Frick is going onhere?!

Hitler stops kicking the Evil Bartender. He hops back over tothe other side, he walks toward Baldy with a grimace. Baldysteps back... Then suddenly he swings his cue stick!

Hitler ducks and grabs the cue stick. He counters with a one-two kick, causing Baldy to careen over in pain. At the sametime another skinhead comes up to Hitler, but this one is

a lot bigger and stronger; a real hulk of a man.

CRUSHER, he is holding a bottle of beer in his hand.

CRUSHERThat was my brother!

HITLERThe rat shouldve minded his ownbusiness.

Crusher throws his beer bottle at Hitler. Hitler catches itand takes a swig. He throws it back. As Crusher raises his

fist in anger, Hitler intercepts him and smashes off the cuestick on his skull.

Hitler gives Crusher a heavy roundhouse kick, lifts him overhis head and throws him into a table... CRASH!

Everyone takes notice. They stand up and surround him in asemi-circle. The MOOK in front points his finger.

MOOKYou cant just come in here andscrew around with our bar!

HITLERIs that so?

Hitler spits on the Mooks shoes.

The Mook charges with the other skinheads behind him. Hitlerreleases his fists of fury, he punches and kicks the on-comers, knocking them out like Chuck Norris.

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The skinheads from the back get up and swarm in. One of themlunges and gets around Hitlers waist. Hitler clamps hishands together and pounds down his fists. At the same time,he dodges a haymaker; he grabs that skinhead and tosses himaside like nothing.

After knocking off a couple more guys, Hitler marches forwardagainst a line of irate skinheads. He throws wild punches,knocking each down as they try to attack. He gets to the end.

The last skinhead in the tavern cowers and falls down. Heleans back on his arms and shakes. Hitler dismisses thethreat with a wave of his hand, he walks past and simplyleaves.

EXT. QUIET NEIGHBORHOOD STREET - DAY

Johnny is whistling and walking down the sidewalk when hesees TIMMY the little neighborhood boy looking up under atree.

TIMMY(calling)

Heeeeere kitty, kitty, kitty!Heeeeere kitty, kitty, kitty!Heeeeere --

JOHNNYTimmy?

TIMMY(turns)

Oh! Hello, Mr. Johnny-sir! Howsyour vacation going? The weathersreal swell in californee, huh?

JOHNNYYes, uh... Now what is going onhere?

TIMMYOh, my kitty cat is up in the tree.

Johnny looks up into the tree. The cat sitting on the branchmeows.

TIMMY (CONT'D)Can yah help me get im down?

JOHNNYI guess Im not too busy... Sure,Ill do it!

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Johnny rolls up his sleeves and gets into the tree. As hestarts climbing up the cat begins to scuttle away, goinghigher up through the branches.

JOHNNY (CONT'D)

No, no, no, nooo -- dont go uphigher!

TIMMY...Are you sure you know whatyoure doing?

JOHNNYIve been getting cats outta treessince before you were in the womb,boy!

A CRAZY GUY appears behind Timmy. He looks up at the tree.

CRAZY GUYWhatre we looking at here?

TIMMYMy kitty cats stuck in the tree.

CRAZY GUYAw, thats easy to solve! Yah justgotta scare im out!

The Crazy Guy takes a pistol and points up. Timmy looks.

TIMMYWhatre you doing?

CRAZY GUYTrust me. Im an expert.

Up in the tree, Johnny gets to the kitten.

JOHNNY(beckoning)

Come on little fella, dont bescared.

As the kitten jumps into Johnnys arm, a bullet bounces off atree branch... PANG!

JOHNNY (CONT'D)What was --

Another bullet... PANG!

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Johnny looks down, sees the Crazy Guy. BELOW the tree Timmyis pulling on the Crazy Guys shooting arm, trying to stophim.

TIMMY

Stop! Youre gonna kill my kittycat!

CRAZY GUYSuccess is too close for us to stopnow!

Crazy Guy shoots one more bullet. A SNAPPING noise is heard.Johnny suddenly falls to the ground. He lays on his back withthe kitten in his arms and a broken branch beside.

CRAZY GUY (CONT'D)See! We did it! Scared em right

out!

Timmy grabs his kitten and hugs it.

TIMMYOh! Mr. Fluffy! I was so worried!

Johnny gets up.

CRAZY GUYI must be going now!

The Crazy Guy leaves.

TIMMYThanks so much for helping me out,Mr. Johnny-sir! I really appreciateit, I really do!

JOHNNY(rubbing head)

Sure. No problem.

Johnnys CELL-PHONE rings. He reaches into his pocket andpicks it up.

JOHNNY (CONT'D)Hello?

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CUTAWAY TO - CHURCH LIBRARY

Father Fullerton is on the phone, at the same time looking atthe IRONIC DAILY NEWSPAPER in his hand with a photo of Hitler

on the front which reads,

Hitler Impersonator Wreaks Havoc

FULLERTONJohnny. Its Father Fullerton,whereve you --

Fullerton suddenly SNEEZES and drops the paper to the floor.A little green hand reaches out and grabs it.

JOHNNY (VO)Bless you.

GOBBY the Imp stretches his arm and gives the paper back toFullerton.

FULLERTONThank you.

RETURN TO SCENE

The PHONE conversation continues.

JOHNNY...So whats up?

FULLERTON (VO)I want you to meet with some peopletoday.

Johnny sits under the tree.

JOHNNYLike who?

FULLERTON (VO)A friend of mine, Rabbi Rabinowitz.

JOHNNYThats a catchy name.

FULLERTON (VO)Yes. I suppose.

JOHNNYSo why do you want me to meet withhim? Isnt he Jewish? Obviously...

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FULLERTON (VO)The organization extends beyond theVatican. There are all types ofreligious groups who help usprotect the world against evil...

After all were all in the sameboat.

JOHNNYRight.

FULLERTON (VO)Ill text you the location of thesynagogue.

JOHNNYOkay, and you said Id be meetingwith people. Who are these other

people?

FULLERTON (VO)Hes a young fellow about your age.Very intelligent and sharp. Hesgoing to help you out.

JOHNNYI dont need help.

FULLERTON (VO)Johnny, you got a good heart -- butyoure clumsy and youre goofy. You

need some help.

JOHNNYGee, thanks for being so gentle.

FULLERTONJust go to the synagogue and seeRabinowitz, alright?

JOHNNYWhats it about?

FULLERTONHell fill you in.

EXT. SYNAGOGUE - DAY

Johnny goes into the synagogue.

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61/107

RABINOWITZ (OS)Johnny! Is that you?

Rabbi RABINOWITZ appears. Johnny and Cornelius turn theirattention toward him.

RABINOWITZ (CONT'D)(walking)

It is a pleasure to meet you! And Isee youve already met yourpartner!

JOHNNYRabbi Rabinowitz, I dont think weshould be talking about this here.

Johnny tilts his head pointing to Cornelius.

JOHNNY (CONT'D)If you get my drift.

RABINOWITZNo, its okay! No secrets required!Its only me, you, and your partnerhere!

JOHNNY(looking around)

I dont see anybody here except foryou, me, and my friend Cornelius,I...

Rabinowitz joins Johnny and Cornelius by the benches. Hepoints at Cornelius.

RABINOWITZYes. This is him. This is yourpartner.

Johnny looks at Cornelius with disbelief.

JOHNNYWhat? Youre kidding me.

RABINOWITZI tell no jokes.

JOHNNYBut, but hes an atheist.

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RABINOWITZI know, but hes good. We need him.Hes the best ancient weapon andrelics expert around.

JOHNNY(to Cornelius)Waaait a minute! You mean to sayyou knew about me this whole time?

CORNELIUSYou tried so hard to keep yoursecret. I just didnt wanna spoilit for you. All that effort.

Johnny is mortified, he rubs his forehead like hes getting aheadache.

JOHNNYOh my God...

RABINOWITZAre you over your shock now? Can Itell you what to do?

JOHNNYAlright, Im listening.

RABINOWITZThere is a crisis going on.Important relics from around the

world are going missing. Some moreimportant than others. But the bigthing is the bread of the LastSupper, which went missing a coupledays ago.

JOHNNYWhats so big about it?

CORNELIUSIt can be used to resurrect thedeceased.

RABINOWITZAnd we also believe they haveobtained the book of the dead.

JOHNNYAre they connected?

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RABINOWITZWe believe so. We think they mightbe resurrecting someone who cantranslate the book.

JOHNNYAnd if its translated?

RABINOWITZWere not sure.

CORNELIUSEither way its gotta be somethingbad. Werent those items stolen byskinheads?

RABINOWITZYes. Those manure-eating Nazi

bastards.

JOHNNY...So what do you want us to do?

RABINOWITZFind out whats going on. Try tostop it.

EXT. FIELD - NIGHT

The skinheads are gathered around in a large grassy field.

They are mesmerized, watching Hitler on stage, making animpassioned speech of 100% pure evil. He is standing behind apodium plastered with the swastika on front.

HITLERMore than 60 years ago, I tried totake over the world. I tried tobuild Germany into the great empirethat it deserved to be. But Iultimately failed. The reason why --I WAS NOT TOUGH ENOUGH! I heldback! I restrained myself! But nowthat I have returned and learnt mylessons -- WE WILL HAVE A NEW WORLDORDER!

The skinheads cheer.

HITLER (CONT'D)No mercy for anyone! Death to everyvile insect who stands in our way!

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EITHER YOU ARE WITH US OR YOU AREAGAINST US!

The skinheads cheer some more. Hitler lifts the Book of theDead above his head.

HITLER (CONT'D)Once I have translate this book wewill rule ONCE AGAIN!

More cheering. Saluting. SOME SKINHEAD shouts out.

SOME SKINHEAD (OS)Heil Hitla!

EXT. HILLTOP OVERLOOKING FIELD - NIGHT

The skinhead gathering is being watched through BINOCULARS.

JOHNNY (OS)Is that really him?

CORNELIUS (OS)Hes got the moustache.

Johnny puts down his binocular. He and Cornelius are on thehilltop, sheltered behind a rock, carefully watching thegathering.

JOHNNYI dunno if this is such a good

plan.

CORNELIUSDont wuss out on me now.

Cornelius picks up a longbow from the ground and loads in anarrow.

CORNELIUS (CONT'D)We have to kill him.

Cornelius aims the longbow.

CORNELIUS (CONT'D)Hes a big jerk.

JOHNNYGee, thats an understatement.

CORNELIUSOkay. Quiet. I need concentration.

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HITLER (CONT'D)


65/107

Cornelius puts HITLER INTO HIS SIGHT.

CORNELIUS (CONT'D)Here we go...

Bernard appears on the hilltop beside Johnny. He grimaces andgrowls in a low tone.

JOHNNYUh, Cornelius?

CORNELIUS(aiming bow)

In a second!

Johnny throws a punch at Bernard. Bernard catches his fistand gives him a head-butt. Johnny stumbles back and fallsonto Cornelius.

The longbow lets go of the arrow and shoots.

EXT. FIELD - NIGHT

Hitler gestures wildly with his arms on stage.

HITLERNow is the time to act! We mustgather our resources and --

The arrow lands on stage, between Hitlers boots... THUNK!

Hitler and the skinheads turn around and look up at thehilltop. They see Cornelius, Johnny, and Bernard rustlingaround.


Cornelius rushes toward Bernard, he winds up and throws ahaymaker. Bernard blocks and retaliates with a gut punch, anda pounding elbow smash on the back.

Cornelius falls to the ground unconscious. Bernard kicks himaway like nothing, rolling him off elsewhere.

JOHNNYYou son of a.... AGHHHHH!

Johnny charges at Bernard.

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EXT. FIELD - NIGHT

Hitler grabs an RPG launcher from behind the podium. He jumpsinto the crowd. The skinheads part and clear a path. Hitler

gets on bended knee and looks through the sight, aiming atthe hilltop.


Johnny attacks Bernard with a heavy left and right hookpunch. Bernard counters with a sharp jab to his chin. Johnnyfalls to the ground -- but he gets back up.

BERNARDYou dont know when to lay down doyou?

JOHNNYPersistence is the key to success!

Johnny strikes at Bernard with a straight punch followed byspinning back fist. But Bernard just shakes it off. He grabsJohnny by the skull and gives him one, two, THREE punches!

BANG! BANG! BANG!

Johnny staggers back.

Bernard runs at him and gives a super upper-cut!

Johnny flies up and falls to the ground... THUD! Bernardjumps on top of him, placing a hand around his throat. Hesqueezes Johnnys face red.

BERNARDIm going to make this verypainful...

As Bernard raises his fist an EXPLOSION knocks him back.

EXT. FIELD - DAY

Hitler looks out from behind his RPG launcher.

HITLERShit! I missed!

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Johnny picks up Cornelius. He spreads out his wings andtransforms into the Angel as another RPG hits the ground and

explodes.

The Angel glares out below.

ANGELWell be back...

He zooms off into the sky.

INT. HOSPITAL ROOM - DAY

Johnny and Danica stand around Cornelius who is in a coma,

hooked up to a medica ventilator.

JOHNNYThis is all my fault... I causedthis.

DANICAHow is it your fault? What did youhave to do with it?

JOHNNYWe... work together. You know whatIm talking about, Danica...

DANICAHes part of it too?

JOHNNYThey told me I had to take himalong.

DANICAHow could you, Johnny? He doesnthave the same abilities as you. Youknew he would get hurt.

JOHNNYThey said he was the best!

Cornelius eyes open. He speaks with a raspy voice.

CORNELIUSI am the best.

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DANICA(surprised)

Cornelius!

Danica hugs Cornelius.

CORNELIUSUgh, too tight.

DANICASorry.

She lets go.

JOHNNY(annoyed and relieved)

You -- you were listening thiswhole time werent you?

CORNELIUSI liked when you said I wasawesome.

JOHNNYIm so sorry about what happened.

CORNELIUSIm okay, man. Theres no need toget all emotional. Im fine. Itcomes with the territory.

DANICAWho did this to you?

CORNELIUSThe Nazis.

DANICANazis??

CORNELIUSThe skinheads.

JOHNNYTheyre planning on something big.Some kind of new world order.

DANICAThat sounds serious.

CORNELIUSYou dont know the half of it.

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INT. UNDERGROUND LAIR - DAY

Hitler sits by a table reading the BOOK OF THE DEAD in hisunderground lair, a cold devoid place, with dark colors, and

uninspired decor. The very opposite of his vision for what hebelieves Nazism should be.

He mumbles to himself while taking notes.

HITLERUnder the solar eclipse is when theritual should be performed... It isthen when the earth will trembleand the beast will arise... For athousand years world will be --

Kriepenztop suddenly appears in front of Hitler.

KRIEPENZTOP(interrupts)

WHATRE YOU DOING THERE ADOLF?!Almost got the book of the deadtranslated, hmm?

HITLERIm sorry. I cannot hear you. Wouldyou please come a little closer?

Kriepenztop gets closer to Hitler.

KRIEPENZTOPAre you almost done translating thebook?

HITLERI still cannot hear you. Comecloser.

Kriepenztop gets even closer.

HITLER (CONT'D)Closer.

He leans in. Hitler grabs his ear and twists it.

HITLER (CONT'D)DONT INTERRUPT ME!

KRIEPENZTOPAugh! Let go! Let go!

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Hitler lets go of Kriepenztop. He stumbles back and propshimself up against a wall.

HITLERPrepare the men for the Blitzkrieg.

Kriepenztop rubs his reddened ear.

EXT. STREETS OF LA - DAY

A small group of people WATCH THE TELEVISIONS in theelectronics shop.

There is a female NEWS REPORTER standing with a mic in frontof a camera, reporting about the SKINHEAD RALLY taking placebehind her.

The skinheads have placards with vicious vitriolicstatements, offensive to all races, religions and types ofpeople.

NEWS REPORTERWhat makes this skinhead, slash,Nazi rally so incredible -- is thecomplete and utter ignorance of thecontributions of immigrants andpeoples of other races.

The news camera zooms in on a placard which reads,

Go Home You Native Indians!!!

Turning away from the electronics shop we go over to theactual event which is taking place live only a few feetaway...

The News Reporter stops SOME SKINHEAD to speak with him.

NEWS REPORTER (CONT'D)Excuse me sir, could you tell mewhat this rally is really allabout?

SOME SKINHEADIts about showing the world who weare and what weve done forsociety. This country is ours! Itbelongs to the white people! Wemade place what it is!

(Nazi Salute)Heil Hitla!

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NEWS REPORTER(whispers)

What an idiot.

The skinheads march past the News Reporter. Theyre being

carefully watched by Policemen.

The CHIEF of police wanders along the street and accidentallybumps into the News Reporter.

CHIEFExcuse me.

The News Reporter grabs the Chief on the shoulder.

CHIEF (CONT'D)Chief Fandino! Could we talk for aminute?

The Chief turns to the Camera and stands face to face withthe News Reporter.

CHIEF (CONT'D)Okay. Just make it quick.

NEWS REPORTER...What are you doing here?

CHIEFWhat else? I love Hitler.

NEWS REPORTERAre you serious?

CHIEF(folds arm)

What do you think?

NEWS REPORTERYou know even for a joke thats notfunny.

CHIEFSo sue me, Im not much of acomedian.

Suddenly a COMMOTION of noise captures the attention of thecameraman. He turns away from the News Report and Chief andfocuses on the rally where the skinheads are turning violent.

Theyre throwing rocks and various debris, anything they canpick up, at the line of riot control officers behind theirshields.

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EXT. STREETS OF LA - DAY

The Angel lands on the Panzer IV and grabs Hitler by thecollar.

ANGELGame over Hit --

But finds it is only dummy, a Hitler look-alike.

ANGEL (CONT'D)What the?

Another Panzer IV appears from behind. It swings its turretand aims its cannon. Before the Angel can even half-contort alook of shock, the REAL HITLER smiles as a SHELL SHOOTS OUTslow-mo.

It explodes and pushes the Angel into the smoke, where thetwo Panzer IVs then disappear into.

EXT. ROOFTOP OVERLOOKING STREETS OF LA - DAY

Danica covers her mouth in shock.

EXT. STREET OF LA - DAY

The two Panzer IVs come out on the OTHER SIDE of the teargas

cloud. They go straight and pause in front of a large whitestoney building -- a MUSEUM.

EXT. STREETS OF LA - MUSEUM - DAY

The Panzer IVs move up the steps.

INT. MUSEUM - DAY

The Panzer IVs crash through the front. Broken glass andmetal spritzes across the wooden floor.

Hitler and his men -- which include Kriepenztop, Thief #1 andThief #2 -- get out of their tanks. Hitler leads them aheadthrough a long corridor filled with various curiosities. Thegroup gets to the end.

There is a golden mechanical STOPWATCH resting on a velvetpillow in a tall glass case.

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There is an inscription on the front which reads,

Teslas Chronometer

Hitler takes out a LUGER P08 and pulls on the toggle joint.He fires at the case, shattering the glass. He grabs the

stopwatch and declares...

HITLERTime to go!

As Hitler and his men begin to leave, the Angel -- with hisnow charred hair and burnt wings -- is seen following,cautiously skulking between the museum displays.

He sneaks behind a life-size figure of a Teutonic Knight

ANGEL(whispers to Knight)

Forgive me for breaking the 8thcommandment, but I really needthis.

And borrows its sword and belt.

When Hitler is within close proximity, the Angel jumps outwith a warriors scream. He swings the Knights sword, butHitler avoids the attack.

So he tries again.

Hitler quickly presses his stopwatch. The Angel becomes

frozen midway in his assault -- almost as if time hasstopped.

HITLER(looking, amazed)

It works...

THIEF #1Its a time stopper.

THIEF #2Then why arent we frozen too?

HITLERIt knows... It knows what I want.

KRIEPENZTOPLets kill im already!

Kriepenztop takes out a pistol and points it at the Angel. Ashe squeezes the trigger, Hitler double presses his stopwatch.Kriepenztop and the bullet freeze midair.

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76/107

MR. MCQUEENWere not going to stop for food.

CORNELIUSWhy not?

INT. HOSPITAL ELEVATOR - DAY

Mr. McQueen and Mrs. McQueen stand beside Cornelius in hiswheelchair.

MRS. MCQUEENYour father and I are taking abreak from each other.

CORNELIUSWhat?

MR. MCQUEENYou and I, and your sister, will beheading back to New York next week.

CORNELIUSNo... No! Everything was workingout so great! Whats wrong with youtwo?! Cant you even get along?!

MRS. MCQUEENDont get upset, honey. We justgotta work some things out. Thats

all.

CORNELIUSCant you work these things outwhile living together? I dontunderstand why you have to be soseparated. I mean, why? Whatsthe point?

MR. MCQUEENSon. Youre an adult. You shouldunderstand these things by now.

CORNELIUSIs it me? Is that it? Ive beenreal immature about things, haventI? But, but you know what? I canchange. NAY! I will change! Fromthis day forward its a new,Cornelius McQueen!

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MR. MCQUEENSon! You were an accident.

MRS. MCQUEEN(whispers)

Whatre you doing, Gerald?

MR. MCQUEENMariam. He has to know. He has togrow up.

(to Cornelius)Cornelius. Your mother and I didnot meet in college. We met in abar. One too many drinks... and tomake a story short, you wereconceived in a bathroom.

CORNELIUS

Dad, this isnt funny.

MR. MCQUEENIm not trying to be funny... Youwere a mistake, Cornelius. Yourmother and I stayed togetherbecause of you. Thats the onlyreason why were here.

CORNELIUSOh screw off.

The elevator doors open. Cornelius bursts out and wheels

himself into the lobby, rushing to leave.

MRS. MCQUEENCornelius! Come back!

EXT. HOSPITAL - DAY

Cornelius hops down a ramp in his wheelchair and rolls alongthe sidewalk.

CORNELIUS(grumbling, mumbling)

They think theyre so -- argh! Idont need them. I dont need thosepeople. Im just fine on my own.Yeah! Ill go solo. Thats whatIll do, Ill...

He stops when he hears the sound of old-timey airplanes. Veryclose. Getting increasingly loud.

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CORNELIUS (CONT'D)Why do I hear the sound of Bf 109s?Those are from world war --

ZHRRRRRRRRR!

A Bf 109 flies past Cornelius. The wind from it knocks himback. Three more of the same planes follow.

EXT. SKY - DAY

The Bf 109s are travelling in a diamond formation over thecity of Los Angeles. Hitler is in front, leading:Kriepenztop, Thief #1, and Thief #2.

INT. HITLERS PLANE - DAY

Hitler addresses his men over the radio.

HITLERHow is everyone doing?

INT. THIEF #1S PLANE - DAY

Thief #1 gives a thumbs-up.

THIEF #1Ready.


So does Thief #2.

THIEF #2Ready.

INT. KRIEPENZTOPS PLANE - DAY

Kriepenztop scratches his head.

KRIEPENZTOP...Whats the plan again?

Hitler growls over the radio.

HITLER (VO)Shut up and follow my lead.

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EXT. SKY - DAY

All four planes swoop down.

INT. CALI HOUSE - DANICAS ROOM - DAY

Danica is asleep in bed wearing large D.J. style headphones.

INT. CALI HOUSE - GUEST ROOM - DAY

Johnny is in front of a mirror with his sword. He twirls itaround and holds it at the neck of an imaginary opponent.

JOHNNYIm sending you back to hell! Yaw!

Then he makes a slicing noise and moves the blade across --decapitating.

JOHNNY (CONT'D)Now your head is on the floor!Whatre you gonna do, Hitler?!

Johnnys CELL-PHONE rings. He puts his sword away into hissheath and picks it up.


Hello? Yeah. Im on my way. Imjust getting some --

A loud WHRRRRRRRRR noise interrupts the conversation. Johnnylooks at the window and slowly moves toward it, following thePLANE ENGINE SOUNDS which gets louder and louder.

FULLERTON (VO)(filtered)

Johnny?

As he gets to the window, it shatters from a sudden hail ofbullets. Johnny falls to the floor and drops his cell-phone.It slides across the floor and explodes from a hit.


The Bf 109 planes circle around the house like sharks.

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Hitler has an unsettling smile on his face.

HITLERCome out and play, you treacherousgentile!


The Angel rushes out through a window, he goes up into thesky, followed by the four Bf 109s.

EXT. SKY - DAY

He climbs through the clouds with the planes close on histail. He tries to outmaneuver them by turning and weaving,but the skinheads stick close by mimicking his every move.

The Angel in a straight chase, suddenly stops. He tucks intoa ball and rolls back. He withdraws his sword and as theplanes rush past underneath, he slices the wing off the backBf 109.

Kriepenztop and his plane fall into a twirling nosedive.

EXT. QUIET HOUSE - DAY

A man in a robe comes out his house. As he yawns and bendsdown to pick up his newspaper, Kriepenztops Bf 109 crashesand lands in front of him.

The man quietly goes back inside.

EXT. SKY - DAY

With three planes left, the Angel starts to pulls up. Itlooks like hes going into a loop, but before he completesthe move, he dives straight down.

He spins as he descends.

EXT. CAR TUNNEL - DAY

Hitler and the planes follow the Angel inside a tunnel.

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INT. CAR TUNNEL - DAY

They fly over the speeding cars, only inches above.


A cockpit view shows Hitler chasing the Angel.

HITLERYoure mine!

He presses the gun trigger on his control stick.

INT. CAR TUNNEL - DAY

Bullets shoot out from underneath the wing of Hitlersairplane -- TAKA! TAKA! TAKA!

They barely miss the Angel, skinning him on his shoulders,and spitting into the concrete walls beside.

EXT. BUNKER HILL - DAY

The Angel leads the Bf 109s out onto a street in Bunker Hill.

As he banks left at a large building the planes shoot andknock out several panes of glass. The shards fall onto a

person below.

Down ANOTHER STREET into slow moving traffic, the Angelswerves around a huge gas truck which a big sticker on theback which reads,

DANGER! HIGHLY EXPLOSIVE!

The driver inside sticks his head out the window and looks atthe Angel; his eyes then shift to the side-view mirror wherehe sees the oncoming planes.

He quickly sticks his head back inside as the side-viewmirror explodes from a bullet shot. The planes pass by at topspeed.

And the chase continues.

The Angel goes past a green traffic light, which suddenlyturns red for Hitler and the others. They blast it out,causing a three way car crash.

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The Angel looks back. The planes are still on him. He CIRCLESaround a HIGH RISE BUILDING till he takes the Bf 109s backinto the sky.

EXT. SKY - DAY

The Angel and flies up straight, fast as he can. The chasingplanes struggle in the vertical climb. Their engines sputterlike a beat up old truck.

They pop up through a cloud against a picturesque backgroundof a clear blue sky and a gleaming yellow sun.

Up here time seems to slow down...

Then suddenly Thief #1 and Thief #2s Bf 109s stall out.


Thief #2 has a look of horror of his face as he listens tothe silence of his plane.

THIEF #2Aw shit.

EXT. SKY - DAY

The two fall through the cloud below them and DROP DOWN in

unison.


Thief #1 screams as he spins around, trying to regaincontrol, pulling on his control stick.

THIEF #1I cant gain control!

EXT. SKY - DAY

As Thief #1 and Thief #2 descend together, their planesviolently smash into each other.

KABOOOOOM!

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EXT. HOLLYWOOD SIGN - DAY

The flaming remains of the two Bf 109s fall from the sky andcrash into the famous Hollywood Sign. One letter destroyed

for each airplane.

Two Ls gone spelling,

HO YWOOD

EXT. SKY - DAY

The Angel angles down as Hitler chases in his Bf 109,shooting a steady stream of bullets.


Hitlers moustache trembles as he laughs maniacally.

HITLERYou cant escape, Angel!

EXT. MALL - DAY

The Angel descends toward the mall and smashes straightthrough a piece of glass. Hitler follows him inside; hisplane just barely fitting into the building.

INT. MALL - DAY

The mall shoppers dive down as the Angel and Hitlers planenarrowly pass over them.


Hitler watches the Angel from inside.

INT. MALL - DAY

Hitler shoots at the Angel. As dozens of bullets traveltoward him, the Angel does a spinning move and deflects themaway with his wings.

The bits of metal scatter into the walls. One of them causesa shopper to shriek when it pops her soda can.

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Hitler clenches his fist.

HITLERDamn it!

INT. MALL - DAY

Hitler and the Angel fly toward the BRIDGE ahead.

As the Angel swoops underneath and gets to the other side,Bernard suddenly appears from above and jumps down. He wrapshis SPIKED ARMS around the Angels neck and brings him facedown to the floor.

BERNARDMiss me?

Hitlers plane passes by and leaves.

ANGELNot really, no.

The Angel jumps up with Bernard on his back and smashes himinto the ceiling above.

SMASH!

The two separate and drop down to the floor. They jump totheir feet and face off. The Angel charges at Bernard. Hethrows a pair of wild punches, each which miss.

Bernard pulls his arm back, his spikes grow longer. He swingsforward and knocks the Angel into the air. The Angel lands infront of a bench, in front of a cuddling couple. He looks atthem.

ANGEL (CONT'D)I think you better get out of here.

The couple get off the bench and flea.

The Angel gets up as Bernard marches toward him. He takes outhis sword and stands in a real Samurai pose; blade held high,back of the body, ready to defend.

BERNARDYou think that silly little swordis gonna help you?

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86/107

Carrying shovels, Rabbi Rabinowitz and two priests wearingthe Vatican Brigade lapel pin, walk over to a white unmarkedcross.

RABINOWITZI hope its not too late.

The three of them start digging into the paupers grave likecrazy. Rabbi Rabinowitz wipes the sweat above his thick brow.

RABINOWITZ (CONT'D)This is taking too long.

Rabinowitz climbs out of the ditch. Priest PETER looks back.

PETERWherere you going? We dont havetime!

RABINOWITZTake five!

The priests stop and rest. As they lean on their shovels thesoil begins to rumble, like a tank moving across the ground.Rabinowitz returns with a DIGGER MACHINE.

The priests jump out as he lowers the scoop/bucket into theditch.

CUT TO:

EXT. PLAINVIEW CEMETERY - DAY

Rabinowitz and the two priests jimmy opens a cheap lookingcoffin on the grass. Johnny is lying inside, all cold lookingand pale. His lips are blue.

PETER(staring)

Look at this face -- hescompletely dead. Theres no way wecan bring him back.

RABINOWITZNobody truly dies, Peter. We justmove from place to place.

Rabinowitz sticks out his hand.

RABINOWITZ (CONT'D)The holy water, please.

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The other priest hands Rabinowitz a bottle of holy water.Rabinowitz unscrews it and opens Johnnys mouth. He pours itin. Nothing seems to be happening.

PETER

Hes not awakening. You said hewould awake.

RABINOWITZPatience...

Rabinowitz balls his hand into a fist and hammers down onJohnny in the solar-plexus. Johnny awakes with a shock andspits up the holy water onto the priests. He puts his handson the edges of the coffin. He breathes deeply like hesoutta breath.

RABINOWITZ (CONT'D)

Shalom!

INT. HOLLYWOOD HOTEL - LOBBY - DAY

A hotel GUEST chit-chats with a CLERK at the FRONT DESK.

GUEST(major lisp)

Ill be honest with you. I reallythought Hollywood was gonna be alittle more exciting. I didnt evensee any celebrities. Yeah okay, I

saw Paris Hilton -- but it was sooounderwhelming. She just kept goingon about macroeconomics and howglobal lending policies affectdeveloping nations. I had no ideawhat she was talking about.

CLERKI understand where youre comingfrom. Yah see the movies and yahthink the place where the movies ismade is gonna be just as exciting.Well, that is where you tourists gowrong. This is a place of business.Its all a big fricking illusion toprop up the souvenir industry.Nothing ever happens here. ItsDullsville, sir. You wantexcitement? Go to Canada. I hearthose guys are completely crazy.Why do you think they call theirmoney the loonie?

86.


88/107

GUESTWelp, I got a week more here withthe family. Something is bound tohappen.

The Clerks slaps his hand on the desk and leans forward,staring into the Guests eyes.

CLERKNOTHING is going to happen.

The Clerk glances over his shoulder amidst the awkwardsilence.

CLERK (CONT'D)See?

The Guest backs away, disturbed.

GUESTOookay. I think Ill be going now.I, uh, have to -- use the ATM.

He heads toward the exit.

CLERKYoure going the wrong way, man!

(points with thumb)ATMs back here!

GUEST

Uh -- no, its not!

The Clerk looks behind. Theres no ATM.

CLERKOh. Hes right. Its not.

As the Guest gets closer to the exit, the revolving doors, aPanzer IV tank suddenly CRASHES through the front. The Guestfalls to his bottom. He crawls away scared as Hitler,Bernard, and his crew of skinheads enter the hotel.

THREE Security guards appear in front and point their guns.The HEAD SECURITY GUARD screams.

HEAD SECURITY GUARDFreeze!

Hitler and the skinheads look at each other like, Is this ajoke? Then they keep walking forward. The Head SecurityGuard gets antsy.

87.


89/107

HEAD SECURITY GUARD (CONT'D)I said, FREEZE!

He shoots his gun.

The bullet lodges into Bernards muscular shoulder. Hitlerand the skinheads stop. The whole place is silent, staringquietly.

Bernard plucks the bullet out and flicks it to th

The Angel Two

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