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Telephone Mania Musical performances and derivative video on YouTube Agnese Vellar Department of Social Sciences Università degli Studi di Torino Workshop on Advanced Research Methods – Sep. 30th 2010 Department of Communication Studies – University of Urbino “Carlo Bo”.
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Page 1: Telephone

Telephone ManiaMusical performances and derivative video on YouTube

Agnese VellarDepartment of Social Sciences

Università degli Studi di Torino

Workshop on Advanced Research Methods – Sep. 30th 2010Department of Communication Studies – University of Urbino “Carlo Bo”.

Page 2: Telephone

Music cultures in the Web 2.0

derivative works

transmedia brand

appropriation

Recording industry

Music fans

grassroot promotion

Spreading: “consumers do not simply pass along static content; they transform the content so that it better serves their own social and expressive needs”.

(Jenkins et al., 2009)

music star

Page 3: Telephone

A case study on Telephone

derivative videos (70)

users’ profile

popular culture

Music(40)

Fashion(12)

Parody(18)

Lady Gaga Haus of Gaga (Lamerichs, 2008; Lange, 2008;

Burgess & Green, 2009)

Page 4: Telephone

Serial music short films as cult text

product placement

merchandise

Paparazzi(7’ 10’’)

"To Be Continued..."

Telephone (9’ 34’’)

cinematic quotation

Auterism, endessly deferred narrative, hyperdiegesis (Hills, 2002)

Page 5: Telephone

a) musicam

ateu

rse

mi-p

ropr

ofes

sion

al

Live medeley

(2)

“me singing” (8)

Coreography

(8)

Cover (11)acapella acustic instrumental

Pro (4/11)

Semi pro (7/11)

Remix (9)

mash-up (2)

Page 6: Telephone

From “Me singing” to “Cover”am

ateu

rco

mm

erci

al

fans

Independent getting attention online

expressing their

passions

#43 - Most Subscribed (All Time) - Musicians

karaoke

Page 7: Telephone

b) Parodyam

ateu

r

YouTube star

“spoof” (parody by imitation) “Bananaphone”

pro

Repetition based on difference and self-reflexivity. Create awareness of a cultural repertoire: moking at certain conventions reaffirm them (Lamerichs, 2008)

sem

i-pro

The telephone object as a spreadable logo

(appropriation + recreation in different versions)

Page 8: Telephone

YouTube Star#20 – Most subscribed (all time)

Behind the scenes

Vlogging:commenting comments

parody

paratexts

“Weekly musical comedy show spoofing celebrities, pop-culture and the latest internet memes.”

Page 9: Telephone

c) Fashionam

ateu

r remix tutorial

pro

make up tutorial

hair tutorial

Video blogging: dialogic model

Page 10: Telephone

Make up artist#17 - Most Subscribed (All Time) – (Gurus)

& EnKorinne

parody

vlogging

ibridation

Page 11: Telephone

Spreadable video

Music Parody Fashion

deriv

ativ

e vi

deo

Music(al) culture YouTube culture stardom/fandom

choreography look

humor + vlogging

Page 12: Telephone

“Performative consumption” in the Web 2.0

stardom

cult body

The mimicry and impersonation are intrinsic to the phenomenon of stardom; it is not only fans who impersonate their idols: the stars themselves also self-

consiusly borrow from prior celebrites (Hills, 2002, p. 164)

fandomcostuming - impersonation

culture and technological platform

New genre (spoof, make up tutoria, …)

+

More visibility (persistency replicability scalability searchability )

Page 13: Telephone

Getting pro

Page 14: Telephone

reinforce

parodic or emulative derivative video

Lady Gaga stardom

Telephone stardom

YouTube users gain visibility

stardom

previusly cult text and cult body

UGC

Page 15: Telephone

Thank you.

[email protected]

http://agneseh.wordpress.com

http://twitter.com/agneseh