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Technical Theatre Behind the curtain
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Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Jan 18, 2016

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Irene Burke
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Page 1: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Technical Theatre

Behind the curtain

Page 2: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.
Page 3: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Producer

In charge of the $$ - raising or providing it. Because they take the most risk they make the most money (if the show is successful) and make the major decisions about who is hired and how much should be spent in each area.

Page 4: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Director

In charge of the artistic “look” of the show. Usually considered 2nd in commend of a production. Makes decisions like who will be cast and what color scheme will be.

Page 5: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Technical Director

In charge of the technical elements of the show. Makes sure they happen on time, under budget, and safely. Will consult with the director frequently.

Page 6: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Vocal Director

In charge of any singing that happens. Makes sure the performers know the music and lyrics and “style” of the song.

Page 7: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Conductor

In charge of the rehearsal and performance of the instrumental musicians in the “pit”. Will lead the orchestra during the production’s actual performance.

Page 8: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Choreographer

In charge of any dance (sometimes also called “traffic patterns”) in a production.

Page 9: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Business Manager

In charge of keeping track of the $$. How it is spent, in what categories, pays bills, and runs payroll.

Page 10: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Designers (Set/Costume/Lighting/Sound/Hair/Make-up/Properties)

In charge of the creating the “look” of items on the stage. Director will have the final say of whether designs are going to “fly” or not.

Page 11: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Production Stage Manager

In charge of taking any technical notes during rehearsal. Assistant to the Technical Director.

Page 12: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Company Stage Manager

In charge of the actors during rehearsal process. Assistant to the Director.

Page 13: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Musicians

In charge of playing musical accompaniment during a production.

Page 14: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Dance Captain

Assistant to the Choreographer. Makes sure the dances stay “clean” and the actors are moving correctly.

Page 15: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

House Manager

In charge of the audience’s comfort during a performance and in charge of tickets before a performance.

Page 16: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Publicity Manager

Makes sure audience members are aware a production is being shown: time, price, etc.

Page 17: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Master Carpenter

In charge of building the set (with crew)

Page 18: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Master Electrician

Hangs and focuses the lights, as well as putting lighting cues into the lighting board.

Page 19: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Sound Engineer

In charge of all sound equipment (mics, cd player, speakers, etc) and sound cues.

Page 20: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Properties Manager

Buys, borrows, rents, or builds all “props” used in the production. Organizes and maintains them throughout the production.

Page 21: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Wardrobe Mistress

Builds, borrows, rents, or buys all costumes (and accessories) needed in a production. Will also maintain (wash) or repair costumes throughout show’s run.

Page 22: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Make-up/Hair Manager

Designs and helps actors to re-create (each night) the necessary make-up and/or hair applications.

Page 23: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Cast/Actors

Learns lines, blocking, and characterization necessary to fulfill character(s) hired to play.

Page 24: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Ushers

Takes tickets and assists seating audience in proper seat. Will also deal with minor audience issues.

Page 25: Technical Theatre Behind the curtain. Producer In charge of the $$ - raising or providing it. Because they take the most risk they make the most money.

Running/Crews

Builds