This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Vegan Sans LightVegan Sans Light ItalicVegan Sans RegularVegan Sans ItalicVegan Sans MediumVegan Sans Medium ItalicVegan Sans SemiboldVegan Sans Semibold ItalicVegan Sans BoldVegan Sans Bold ItalicVegan Sans BlackVegan Sans Black Italic
vegan sans light, vegan sans light italic — 18/22 pt
vegan sans — specimen 5 / 25
This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha rede-signed the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts.Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also
vegan sans light, vegan sans light italic — 12/16 pt
This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alterna-tive characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.
vegan sans light, vegan sans light italic — 8/12 pt
This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font in
2014 with aim for more contemporary feel. The new styles include energetic italics and many alternative characters,
for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly
geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size
thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large
This modernist grotesque was originally drawnby Stanislav Maršo in the 1960s. Vojtěch Říha rede-signed the font in 2014 with aim for morecontemporary feel. The new styles include energet-ic italics and many alternative characters,for example the lowercase ‘a’, ‘j’ and ‘g’.The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude.
vegan sans regular, vegan sans italic — 12/16 pt
This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alterna-tive characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also worksin almost any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large headlines, functionalin text and tiny footnotes.
vegan sans regular, vegan sans italic — 8/12 pt
This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font in
2014 with aim for more contemporary feel. The new styles include energetic italics and many alternative characters,
for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly
geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size
thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large
vegan sans medium, vegan sans medium italic — 18/22 pt
vegan sans — specimen 11 / 25
This modernist grotesque was originally drawnby Stanislav Maršo in the 1960s. Vojtěch Říha rede-signed the font in 2014 with aim for morecontemporary feel. The new styles includeenergetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphiccontrasts. Not exactly geometric or humanist,but always blending any boundaries with bold
vegan sans medium, vegan sans medium italic — 12/16 pt
This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and manyalternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size thanks to a neutral medium weight. Vegan isa workhorse with light, surprising details. It is crystal clear in largeheadlines, functional in text and tiny footnotes.
vegan sans medium, vegan sans medium italic — 8/12 pt
This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font
in 2014 with aim for more contemporary feel. The new styles include energetic italics and many alternative
characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts.
Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost
any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in
large headlines, functional in text and tiny footnotes.
vegan sans semibold, vegan sans semibold italic — 18/22 pt
vegan sans — specimen 14 / 25
This modernist grotesque was originally drawnby Stanislav Maršo in the 1960s. Vojtěch Říharedesigned the font in 2014 with aim for morecontemporary feel. The new styles includeenergetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’.The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist,but always blending any boundaries with bold
vegan sans semibold, vegan sans semibold italic — 12/16 pt
This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and manyalternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometricor humanist, but always blending any boundaries with bold aitude. It also works in almost any size thanks to a neutral medium weight. Vegan isa workhorse with light, surprising details. It is crystal clear in large head-lines, functional in text and tiny footnotes.
vegan sans semibold, vegan sans semibold italic — 8/12 pt
This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font
in 2014 with aim for more contemporary feel. The new styles include energetic italics and many alternative
characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts.
Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost
any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear
in large headlines, functional in text and tiny footnotes.
vegan sans bold, vegan sans bold italic — 18/22 pt
vegan sans — specimen 17 / 25
This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říharedesigned the font in 2014 with aim for more contemporary feel. The new styles includeenergetic italics and many alternative charac-ters, for example the lowercase ‘a’, ‘j’ and ‘g’.The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold
vegan sans bold, vegan sans bold italic — 12/16 pt
This modernist grotesque was originally drawn by Stanislav Maršo inthe 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude.It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.
vegan sans bold, vegan sans bold italic — 8/12 pt
This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned
the font in 2014 with aim for more contemporary feel. The new styles include energetic italics and many
alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with
calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold
aitude. It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light,
surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.
vegan sans black, vegan sans black italic — 18/22 pt
vegan sans — specimen 20 / 25
This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned the font in 2014 with aim for more contemporary feel. The new styles includeenergetic italics and many alternativecharacters, for example the lowercase ‘a’, ‘j’and ‘g’. The font combines drawn details with cal-ligraphic contrasts. Not exactly geometric or hu-manist, but always blending any boundaries with
vegan sans black, vegan sans black italic — 12/16 pt
This modernist grotesque was originally drawn by Stanislav Maršoin the 1960s. Vojtěch Říha redesigned the font in 2014 with aim for morecontemporary feel. The new styles include energetic italics and many alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’.The font combines drawn details with calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold aitude. It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light, surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.
vegan sans black, vegan sans black italic — 8/12 pt
This modernist grotesque was originally drawn by Stanislav Maršo in the 1960s. Vojtěch Říha redesigned
the font in 2014 with aim for more contemporary feel. The new styles include energetic italics and many
alternative characters, for example the lowercase ‘a’, ‘j’ and ‘g’. The font combines drawn details with
calligraphic contrasts. Not exactly geometric or humanist, but always blending any boundaries with bold
aitude. It also works in almost any size thanks to a neutral medium weight. Vegan is a workhorse with light,
surprising details. It is crystal clear in large headlines, functional in text and tiny footnotes.