Top Banner
RELI 2850 KAPOW!
63
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Superheroes

RELI 2850KAPOW!

Page 2: Superheroes

Zap

!

1. Definition2. History3. Genre4. Narrative Patterns5. Religious Themes6. Understanding Comic Books7. Methodology for Researching Comics

Outline

Page 3: Superheroes

Definition

Page 4: Superheroes
Page 5: Superheroes

Zap

!

Golden Age

• Dates 1938 to 1954-55• Begins with Superman in Action Comic #1• Ends with the Comic Code Authority• Superheroes were do gooders• Superman, Batman, and Wonder Woman are examples• Themes developed around fighting Axis and Cold War• 1950’s drop in sales – readers wanted mature themes• Frederic Wertham published Seduction of Innocent

linking comics to juvenile crime – est. CCA

Page 6: Superheroes

Zap

!

Silver Age

• Dates 1956 to 1985 some will argue that Silver age ends in 1968

• Older DC characters re-made• Marvel sets tone for this age• Scientific experiments cause superheroes • Superheroes struggled with human flaws• Socially conscious themes introduced like

drugs

Page 7: Superheroes

Zap

!

Bronze Age

• Date 1968-1985• Stan Lee challenges the CCA and wins• 1970’s superheroes started killing villains i.e.,

the Punisher• Marketing changed to create “fan” culture• Story Lines became intricate• New styles appeared which were dark, violent

and realistic

Page 8: Superheroes

Zap

!

Post Modern Age

• Dates 1985 to present (some call this bronze age)• Frank Miller’s Dark Knight Returns and Alan

Moore’s The Watchman epitomize age• Supernatural and Occult enter into storylines• Violence and mature themes• Y2K scare creates many apocalyptic storylines• Superheroes more violent, do not repress hidden

problems or sexual desires, and they kill

Page 9: Superheroes

Pow!

Broad Trends

Golden Age: Heroes stop bad guys

Silver Age: Heroes stop badness

Bronze Age: Heroes strive to stop badness

Post Modern Age: Heroes attack villains

Page 10: Superheroes

Zap

!

Genre

• Superhero– Mission– Powers– Identity

• Sidekicks• Supervillains

Page 11: Superheroes

Zap

!

Themes

• Underdog Theme• Ethical Theme• Justice over Law

Page 12: Superheroes

Zap

!

Origin Story

• Story that explains how the superhero got his/her powers

• Usually happens instantly with no hard work i.e., Spiderman

• Joseph Campbell’s Hero’s Journey fits with origin story

Page 13: Superheroes

1. Community is threatened2. A selfless hero emerges3. The hero renounces temptation4. The hero wins a victory (through super-

heroism)5. The hero restores harmony to the community6. The hero recedes into obscurity

American Mono-Myth

Page 14: Superheroes

1. The Israelites commit apostasy against God2. People fall into oppression by foreign power3. People repent and God sends a Judge (Hero)4. The foreign power is defeated and the people

are saved

Old Testament: Book of Judges

Page 15: Superheroes

Zap

!

New Testament: Book of Acts

• 1. Harmony: All believers are of one heart and soul; no one regards anything as there own; all things in common. (4:32-37)

• 2. Threat: Ananias and Sapphira lie about retaining some proceeds from a sale of property (5:1-2)

• 3. Resolution: Peter condemns them and they die - threat eliminated (5:3-10)

• 4. Restoration: Fear (Awe) comes upon the whole community (5:11)

Page 16: Superheroes
Page 17: Superheroes
Page 18: Superheroes
Page 19: Superheroes
Page 20: Superheroes

Pow!

Common Threads

1. Superheroes have super powers (mostly)2. They receive powers by accident or chance3. Superheroes wear costumes4. Many have no parents or parents are absent5. They experience a great tragedy, challenge or

responsibility that causes them to become a hero

6. They have an uneasy relationship with law authorities

7. Many superheroes mimic the god-man mythology such as noble origins, god-like powers and savior capabilities

Page 21: Superheroes

Zap

!

Return to Eden

• Angst for a Paradise Lost• Commissioned Savior/Messianic Hero• Apocalyptic Battle• Immortality in the New Eden

Page 22: Superheroes
Page 23: Superheroes

• Conventional, page operates as a neutral place for the narrative

• Rhetorical, the page changes to accommodate the needs of the narrative - to express it

• Decorative, page is a field of designed not constrained to the narrative

• Productive, design comes into existence of its own outside of the narrative

Page Layouts

Page 24: Superheroes
Page 25: Superheroes
Page 26: Superheroes
Page 27: Superheroes
Page 28: Superheroes
Page 29: Superheroes

Zap

!

READING

• Traditional right to left and up to down

• Artists will control the direction of the eye to regulate reading path

Page 30: Superheroes
Page 31: Superheroes
Page 32: Superheroes
Page 33: Superheroes

Pow!

Closure and Gutters

• Closure, the phenomenon of observing parts but perceiving the whole

• Gutters, the space between the panels

Page 34: Superheroes
Page 35: Superheroes
Page 36: Superheroes
Page 37: Superheroes

Moment to momentAction to actionSubject to subjectScene to sceneAspect to aspectNon-sequitur

Merging Closure and Gutters

Page 38: Superheroes
Page 39: Superheroes
Page 40: Superheroes
Page 41: Superheroes
Page 42: Superheroes
Page 43: Superheroes
Page 44: Superheroes

Zap

!

Time

• Comics composed of panels so seemingly quick to read, but as a whole takes time

• Japanese Manga takes 3.5 seconds to read one page where graphic novels may take several minutes

Page 45: Superheroes
Page 46: Superheroes
Page 47: Superheroes
Page 48: Superheroes
Page 49: Superheroes

Zap

!

Motion

• Several ways to show motion• Motion line most common• Multiple images may also be used

Page 50: Superheroes
Page 51: Superheroes

Zap

!

Senses and Emotions

• Speech and thought balloons capture and relate different emotions and a variety of senses

Page 52: Superheroes
Page 53: Superheroes

Pow!

Combining Words and Images

1. Word specific, pictures illustrate words2. Picture specific, words add sound track3. Duo-specific, words and pictures same

message4. Additive, words amplify or elaborate5. Parallel, words and pictures follow different

courses6. Montage, words treated as integral part7. Interdependent, words and pictures go

hand in hand to convey an idea

Page 54: Superheroes
Page 55: Superheroes
Page 56: Superheroes
Page 57: Superheroes
Page 58: Superheroes
Page 59: Superheroes
Page 60: Superheroes
Page 61: Superheroes
Page 62: Superheroes

Zap

!

Methodology: Mythic Criticism

• Researcher focuses on– What meanings are interpreted by audience– What meaning is constructed within the text

• Type of rhetorical criticism that looks for culturally symbolic meaning

• Researcher’s question: How key symbols in the text are addressing additional culture concerns (religious)

• Look for deeper meaning in the text (i.e., values)

Page 63: Superheroes

RELI 2850KAPOW!