Top Banner
PDF provided by www.animationmeat.com 1 Part 1
35

storyboards_bradbird_chrisroman (1)

Mar 24, 2016

Download

Documents

Yoni Salmon

PDF provided by www.animationmeat.com 1 PDF provided by www.animationmeat.com 2 3 PDF provided by www.animationmeat.com Part 1 4 PDF provided by www.animationmeat.com Part 1 Use lower angles and remember to make sure characters aren’t parallel to each other. Break things up! Part 1 6 PDF provided by www.animationmeat.com Part 1 7 PDF provided by www.animationmeat.com Part 1 Does your composition have a nice silhouette? Make sure things read clearly. Part 1 9 PDF provided by www.animationmeat.com Part 1
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com

1

Part 1

Page 2: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com 2

Part 1

Page 3: storyboards_bradbird_chrisroman (1)

3PDF provided by www.animationmeat.com

Part 1

Page 4: storyboards_bradbird_chrisroman (1)

4PDF provided by www.animationmeat.com

Part 1

Page 5: storyboards_bradbird_chrisroman (1)

5PDF provided by www.animationmeat.com

Use lower angles andremember to make surecharacters aren’t parallelto each other. Breakthings up!

Part 1

Page 6: storyboards_bradbird_chrisroman (1)

6PDF provided by www.animationmeat.com

Part 1

Page 7: storyboards_bradbird_chrisroman (1)

7PDF provided by www.animationmeat.com

Part 1

Page 8: storyboards_bradbird_chrisroman (1)

8PDF provided by www.animationmeat.com

Does your composition havea nice silhouette?Make sure things readclearly.

Part 1

Page 9: storyboards_bradbird_chrisroman (1)

9PDF provided by www.animationmeat.com

Part 1

Page 10: storyboards_bradbird_chrisroman (1)

10PDF provided by www.animationmeat.com

Part 1

Page 11: storyboards_bradbird_chrisroman (1)

11PDF provided by www.animationmeat.com

PDF provided by www.animationmeat.com

Part 2

Page 12: storyboards_bradbird_chrisroman (1)

12PDF provided by www.animationmeat.com

Part 2

Page 13: storyboards_bradbird_chrisroman (1)

13PDF provided by www.animationmeat.com

Part 2

Page 14: storyboards_bradbird_chrisroman (1)

14PDF provided by www.animationmeat.com

Part 2

Page 15: storyboards_bradbird_chrisroman (1)

1515PDF provided by www.animationmeat.com

Part 2

Page 16: storyboards_bradbird_chrisroman (1)

1616PDF provided by www.animationmeat.com

Part 2

Page 17: storyboards_bradbird_chrisroman (1)

1717PDF provided by www.animationmeat.com

Part 2

Page 18: storyboards_bradbird_chrisroman (1)

1818PDF provided by www.animationmeat.com

Use perspective to your advantage.Tryget some depth into your comps!

A lower horizon line really sets yourcharacters into the composition.

Part 2

Page 19: storyboards_bradbird_chrisroman (1)

1919PDF provided by www.animationmeat.com

Once again, lowering thehorizon really helps!

Try make your compositionsmore dynamic.

Be aware of how the eye flowsaround the comp, and whatyou want the eye drawn to.

Part 2

Page 20: storyboards_bradbird_chrisroman (1)

2020PDF provided by www.animationmeat.com

Part 2

Page 21: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com

By Chris Roman

Storyboarding the Simpsons Way 1

Page 22: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 2

Page 23: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 3

Page 24: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 4

Page 25: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 5

Page 26: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 6

Page 27: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 7

Part 2 by Chris Roman

Page 28: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 8

Page 29: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 9

Page 30: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 10

Page 31: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 11

Page 32: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 12

Page 33: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 13

Page 34: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 14

Page 35: storyboards_bradbird_chrisroman (1)

PDF provided by www.animationmeat.com Storyboarding the Simpsons Way 15