Storyboard 2

StoryboardTom and Conor

1

- The BryAnton Ident will first come on the screen, then fading into black, with punching noises playing whilst black.- Will then go into a POV shot and close ups of two men punching the agent, who is tied to a chair.- There will be 3 punches and with every punch there is a question interrogating him.- The two men will be wearing ski masks and dark coats, agent in chair will be wearing shirt and tie or suit.- Will be very dim lighting and little camera movements, use of POV, close ups and mid shots used but not so you can

see the agents face.- After the 3 punches there will be a black out an then the title screen.-

2

-From the punch in the scene before, screen will go black then go into the title sequence where we see a car driving down a country road.-Will be a montage of shots showing car driving down the road, with a variety of different shots and camera movements.-Out door lighting and non diegetic fast pace music building.-Still and panning shots.

3

-From the punch in the scene before, screen will go black then go into the title sequence where we see a car driving down a country road.-Will be a montage of shots showing car driving down the road, with a variety of different shots and camera movements. --Out door lighting and non diegetic fast pace music building.-still and panning shots

4

-From the punch in the scene before, screen will go black then go into the title sequence where we see a car driving down a country road. The car then pulls up next to a field. -Will be a montage of shots showing car driving down the road, with a variety of different shots and camera movements.-Out door lighting and non diegetic fast pace music building.-Panning and still shot

5

-After the montage of the car and title sequence we see the car pull up at the side of a road and then 5 masked men with guns open the boot of the car which has a man tied up in there. -Out door lighting and non diegetic fast pace music building.-Close ups, extreme close ups, mid shots included here.-Still shot

6

-Then masked men then drag the man out of the boot of the car and carry him on the shoulder of a guard to the field. -Out door lighting and non diegetic fast pace music building.-Close ups, extreme close ups, mid shots included here.- Tracking/ panning/ still shot

7

-Then masked men then drag the man in the suit out of the boot of the car and put him on his knees and hold a gun to his head. -Out door lighting and non diegetic fast pace music building.-Close ups, extreme close ups, mid shots included here.- Still shot

8

-We then see men on a motor bike going down the country road towards the car the masked men have got out off. The man in the shirt and tie on the back jumps off and runs towards the men on the field.-Out door lighting and non diegetic fast pace music building.-Close ups, extreme close ups, mid shots included here.-Panning shot

9

-The man in the shirt and tie runs over and shoots all 3 guards. Then runs over to the other agent on the floor. -Out door lighting and non diegetic fast pace music building.-Close ups, extreme close ups, mid shots included here.-Still shot

10

-After shooting all the masked men he runs over to the man on the floor, picking him up then walking awaya-Out door lighting and non diegetic fast pace music building.-Close ups, extreme close ups, mid shots included here.- Still shot

11

-After shooting all the masked men he runs over to the man on the floor, picking him up then walking away.-Out door lighting and non diegetic fast pace music building.-Close ups, extreme close ups, mid shots included here.- Tracking shot