Oct 13, 2015
MB21458BCD
CD
I N C L U D
ED!CD
I N C L U D
ED!
CD
I N C L U D
ED!
MEL BAY PUBLICATIONS, INC. #4 INDUSTRIAL DRIVE PACIFIC, MO 63069
R
Mel Bay Presents
by
21458BCD-cover.indd 121458BCD-cover.indd 1 1/27/10 8:40:30 AM1/27/10 8:40:30 AM
2010 BY MEL BAY PUBLICATIONS, INC., PACIFIC, MO 63069. ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. B.M.I. MADE AND PRINTED IN U.S.A.
No part of this publication may be reproduced in whole or in part, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy, recording, or otherwise, without written permission of the publisher.
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CD contentsLos AngelesHavanaBuenos AiresMonterreySan JuanRio de JaneiroEl PasoValse EspanolaChihuahaCuba: Mambo CubanoAfrica: Afro GrooveCarribean: Jamaican Beach Party
Carribean: Reggae Dance PartyCeltic: Star of the County DownCuba: Cafe AmericanoIndian: Tea and SpicesJapan: Japanese Garden SongMexico: La BambaMiddle East: Circle DancePeru: El Condor PasaRussia: Gypsy Love SongSouth Africa: Festival AfricanaIndia: Street Dance
2IntroductionMusic has the power to reflect the spirit of a place in a unique way.
I believe in the axioms that if you want to learn about history - listen to the music of that time and place. Ifyou want to learn about the cultures of places around the globe, listen to the music from these places. Forthese reasons music educators have a unique ability to enhance students understanding of history and cultures,diversity, integration and ideally peace through music.
As the world changes so does its music. This book is a reflection of that process. The songs contained withinthese pages may be considered derivatives. When you hear them they will sound familiar because they havebeen derived from many of the best loved songs from around the globe. And yet, they are all strikingly origi-nal. In short they are classically crafted interpretations of the global-pop genre. Originally the material present-ed here was written for two books: Latin American Music Made Easy and World Music Made Easy. Uponreflection it was apparent that combining the two books would lead guitarists to Global Adventures forFingerstyle Guitar.
I have crafted these arrangements to be playable by students in my high school guitar classes. The clarity andsimplicity of the notation may be compared to the works of Fernando Sor (1778-1839), one if the great teach-ers of guitar in the early nineteenth century. The musical elements may be compared to works and styles ofCarlos Santana, Yanni, Sergio Mendes, Jose Feliciano, Mason Williams, the Beatles, the Eagles, Klezmer,Flamenco-pop, Mariachi, Celtic, Russian, Bollywood, Afro-Pop and others. The melodies are all lyrical andthe creative writer is invited to add words to them.
In addition to being guitar solos, the compositions in this book are all groove based and are built upon asteady and danceable beat. As such they work beautifully when accompanied by percussion or an entireensemble. If you use a guitar strap when you play, dont be surprised to find yourself dancing around thekitchen as you play.
Im certain you will enjoy your global adventure!
Steve Eckels
Table of ContentsIntroduction................................................................2Los Angeles................................................................3Havana ......................................................................8Buenos Aires ............................................................10Monterrey ................................................................13San Juan ..................................................................16Rio de Janeiro ..........................................................20El Paso ....................................................................23Valse Espanola ........................................................26Chihuaha ..................................................................30Cuba: Mambo Cubano ............................................32Africa: Afro Groove ................................................36Carribean: Jamaican Beach Party ............................38
Carribean: Reggae Dance Party ..............................40Celtic: Star of the County Down ............................42Cuba: Cafe Americano ............................................44Indian: Tea and Spices ............................................46Japan: Japanese Garden Song..................................48Mexico: La Bamba ..................................................50Middle East: Circle Dance ......................................52Peru: El Condor Pasa ..............................................54Russia: Gypsy Love Song........................................56South Africa: Festival Africana ..............................58India: Street Dance ..................................................60About the Author ....................................................63
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20
30
0 00 0
0
To Coda
2 43
4 2 02
0
El PasoTrack #7
24
&
TAB
# . j# B7
J
401
01
01
2 2 2
# 3 3
C B7
102
3 1 01
2 03 2
Emin
22
0 22 0
3
&
TAB
# ..
..
^
#(muted)
0 0 0 3 3 4
B #^ ...
j^A7
576
354
576
0 0 0 0 0 0 0 0
j#
^
576
354
354
354
0 0 0 0 0 0 0 0
&
TAB
# ..
..
1.
## ...j
^E7(13)
566
344
566
0 0 0 0 0 0 0 0
. j## ^
566
344
344
344
0 0 0 0 0 0 0
2.
jb j
j#C7(9) B7s9
J J J
332
332
332
332
333
3 3 3 3 2
&
TAB
# D.S. al Coda
2 43
4 2 02 0
&
TAB
# Coda . j# B7
J
401
01
01
2 2 2
# 3 3
C B7
102
3 1 01
2 03 2
25
&
TAB
# . j# B7
J
401
00
00
2 2 2
# 3 3
C B7
102
3 1 01
2 03 2
. j# B7
J
401
01
01
2 2 2
&
TAB
# (To Coda 2) # 3 3
C B7
102
3 1 01
2 03 2
J
22 2
0 22 0
30
j . J
00022
00022
0 0 0
&
TAB
# ..
..
..
..
jTL
(ad lib.) jTL
Em
.TR
JTR
JTR
TR
JTR
87
87
7 77 7
5
1, 2, 3.TL
TL
TL
TL
TR
JTR
JTR
# JTR
87
87
87
87
3 5 6 7
Last x D.S. al Coda
2 43
4 2 02 0
&
TAB
# Coda 2
22 4
34 2 0
2 0
bad lib. j .
U
2 02 1 0
3
wwwwwwgggggggEm
000220
TL = Tap Left - Hammer the notes with fingers 2 & 3 of the left handTR = Tap Right - Hammer the notes using the index finger of the right hand
Tapping...
26
&
TAB
b 43 ..
..
..
..
q = 136
A # A
.22
22
22
22
0
Bf/E
30
3
0
# A
.22
22
22
22
0
Bf/E
33 3 2 0
0
&
TAB
b ..
..
..#A
22
0 0 0 0
.6 5
0
B .. jA7
.35
68
56
0
.
35
68
56
0
.. 35
0 0 0 0
.56
35
0
&
TAB
b ..
..
.. jDm
.13
35
56
0
.56
35
13
0
..#A
02
0 0 0 0
1.
.6 5
0
2.
# .22
33
0
# A
.00
22
33
0
&
TAB
b .00
56
35
0
..Dm
.120
.. .Dm/C
123
..Bf
.
301
.
30
1
1/2 CI...#E7
.131
0
Valse EspanolaTrack #8
27
&
TAB
b ..
..
..
..
...#
1 3 131
0
e
% # A
.22
22
22
22
0
Bf/A
30
3
0
1. # A
.22
22
22
22
0
Bf/A
33 3 2 0
0
&
TAB
b2.
# .r e r
0222
0222
0222
0222
0
....# .e
02220
% ggggg2
D
Bfmaj7.
1323
1 1
1
ggggg
1323
3 5
1
ggggg A m7
.0102
0 0
0
&
TAB
b .0102
1 3
0
CIII
Gm
33
6 6
3
A7sus
.
.6 5 33
0
...
Dsus
580
..# .D
570
&
TAB
b Bf
33
3 3
1
..
#A7
3 1 02
0
Dm
12
1 1
0
..Dm/C
1 03
23
..# .nE/B
012
28
&
TAB
b ..
..
To Coda ..b .bBf7
011
..A
5
2
.. .
0
E
(three times)
#
A
5
0
5
06
0
&
TAB
b ..
..
#
5
0
5
06
0
Bf
.667
889
101010
0
101010
889
667
.
333
553
667
0
D.S. al Coda
667
555
355
6 5 3
&
TAB
b ..
..
..
..
Coda # A
.22
22
22
22
0
Bf/A
30
3
0
1, 2. # A
.22
22
22
22
0
Bf/E
33 3 2 0
0
&
TAB
b3.
# A
.556
556
556
556
0
rubato
Bf Am Gm
667
555
333
6 53
cadenza ad lib.
..U
p
G5
.
530
..UBf
.
301
..UA5
52
..A5
.
220
29
This page has been left blank to avoid awkward page turns.
30
&
TAB
# 44 ..
..
Introq = 108
G/D C/D
78
778
88
988
1010
0 0
D C/D
111010
88
988
78
0 0
j jG/D
Am
778
01 1
0340
0
&
TAB
# ..
..
..
..
1. D
54
03
04 0
2. .. D
.
5
A j jG C
J J
0 1 30 3 2
30 2 3
2 0
&
TAB
# ..
..
To Coda . j D C
. J
10
3
0 3 2
j jG C D
J J
0 1 30 3 2
3
30 2 3
2 0
1. .. j >.*
&
TAB
# ..
..
2. 230
30 2
* Tap guitar
B
j j
C
0
01
0 3 23
3 3
D
34
34
34
12
0 0
G Am
00
0 10
34
0 0
ChihuahaTrack #9
31
&
TAB
# D
54
03
04
5
G Am
3
00 1
5 3 23
30
j j j jD
01 3
412
00
0 0
j jG C/E
0
0 10 2
03 0
&
TAB
# ..
..
..j
D/F#
. J 320
320
2 2 2
C .. j j jG C
. J J J53
53
53
53
53
3 33 3
0
3D
w3 5 7 5 3
.. j j jG Am
. J J J53 3
030
30
34
3 30 0 5
&
TAB
# D
J
54
03
04 0
.. j j jG C
. J J J53
53
53
53
53
3 33 3
0
3
3D
w8 7 5 3 2
. j j jC D
. J J J0
10 3 2
3 0 32 0
&
TAB
# . j J
10
3
0 3 2
j jC
J J
01
0 7 5
3 0 35 4
D.C. al Coda wDw (with repeat) &
TAB
# CodawwwwwwggggggggG
300023
ggggggggg
32
&
TAB
44Freely
A
Am
w
22
0 1 02
20
Am#5
w
32
0 1 02
30
# B7/A
w
12
0 1 02
10
&
TAB
..
..
U
gggggg
Am/E E
.
22
0 12
0122
0 0
q = 116
%muted bass
#B j
Am6
554
554
0
554
0
554
0
#j
554
554
0
554
0
554
0
#j
554
554
0
554
0
554
0
&
TAB
Fine
.
0
C
Am Em/G
21
02 0
00
0
F E
32
30
3 1 0 3
0
&
TAB
...j
Am
122
012
122
0
122
00 0
j
122
122
0
122
0
122
0
Am Em/G
21
02 0
00
0
~~~
Cuba: Mambo CubanoTrack #10
33
&
TAB
poco rit.
# F E
32
30 1 5
645 6
7
0
a tempo
#
Am6
. J 554
0
554
0
554
00 0 0
#j
554
554
0
554
0
554
0
&
TAB
...#muted
j A
556
556
00 0
b w7 5 3 1 0 3
0
..j
Dm6
32
102
00 0
j
102
102
0
102
0
102
0
&
TAB
Am G
*
01
23 0
01
03
# F E
2
00
10
33
1 0
To Coda .. j Am
33
12
00 0
&
TAB
..
..
....ggggg Am
.01220
* last time repeat measures 21-24 and take the Coda.
DD.C. al Coda Last X
G
00
00
00 3
30
#3
03
1 1 04
20
21
34
&
TAB
# C o C6
4
04
02
3
23
3 3
j Cmaj7 C6
0 0
3
2
3
23
Bm7b5
. J
323 3
23 6
2 2
&
TAB
j# #. j
3E
w56
45
45
45
13
01
0
ggggg
Am
. J 0122
0
122
0
122
00 0 0
j
22
22
0
122
00
b F
5453 3
54
5
3
&
TAB
..#j
3E
44
44
44
55
77
0 0
.. j Am
77
55
00 0
3 3
ww8 8 8 8 7 55
0
&
TAB
...gggggj 3
Dm
ggg102
1 1 03
0020
.gggggj
3Bm7f5
3 3 30 1
232
232
#gggggggE
... J . # .001220
2 3 1
D.S. al CodaD.S. al Coda
20
&
TAB
Codawwwww#gggggg
Am
05040
ggggg
6/9
35
This page has been left blank to avoid awkward page turns.
36
&
TAB
# # 44 ..
..
4/6 CII
muted
A
q = 160
A
02
24
22
0
D
02
34
23
0
A
22
25
22
2
&
TAB
# # ..
..
..
..
1.
D
43
22
32
4
2. jD
57
35
0
B j j
A
35 5
3 02
02
57
0 0 0
&
TAB
# # ..
..
j jD
75 2
323
35
0 0 0
1. j j
A
5
3 02
02
5
0 0 0
J JD
23
5 57
35
0
&
TAB
# #2. j j j jA
35
02
02 3
0 0 0
4/6 CII means to the barre 4 strings at the second fret.
D.C. endings and 3 D
42
300
j j j jA
35
35
02
02 3
0 0 0
3.
j
107
99
0
Africa: Afro GrooveTrack #11
37
&
TAB
## ..
..
C
j
jA
99 5
656
107
0 0 0
j jD
710 2
323
35
0 0 0
1.
j jA
5
3 78
78
57
0 0 0
&
TAB
## ..
..
j j
D
77
5 107
99
0
2. To Coda j jA
35 5
3 02
02 3
0 0 0
>D
0 42
30 4
&
TAB
## ..
..
4/6 CII
muted
D
A
22
2
02
22
D
42
3
02
34
1.
A7
52
2
02
25
&
TAB
## ..
..
D
42
3
02
34
2.
A
22
2
02
22
D.C. al Coda
ggggD
232
0 0
&
TAB
## Coda ggggggg D
31077
0 0
38
&
TAB
# # # 44 .. ..
.. ..
..
..
4/6 CIIq = 152
A
4 times
A
02
24
22
2
% B
A
. 22
34
56
34
22
0 0
D
. 23
45
56
45
23
0 0
&
TAB
# # # E
. 45
57
79
57
44
0 0
.. j A E
56
01
00 0
A
. 22
34
56
34
22
0 0
&
TAB
# # # ..
..
n# # D
w23
45
57
45
23
0
3 3
E
w05
05
05
03
02
00
0
To Coda ....gggggjggggg
ggggg A
. J
0222
0222
0222
0 0 0
&
TAB
# # ..
..
..C j 3D
57
57
57
35
23
00
. J 570
0 2 2 0
.. j 3
57
57
57
35
23
00
Carribean: Jamaican Beach PartyTrack #12
39
&
TAB
# # ..A
. J 23
02
00 2 2 0
3 3
7 7 7 7 5 3000
00
0
3 3
7 0 2 3 2 0000
00
0
&
TAB
# # ..
..
# # #~~~~~~~~~~~~~
1. .. j D
02
23
00 0
J J
0 00 2 2 0
2.ggggg D
. J 2320
0 2 2 0
D.S. al Coda
gggggggg#
E7susE 7
002020
001020
&
TAB
# # # .. ..
.. ..
Coda 4 times
A
02
24
00
2
nggggg 3
Dm
... 1 1 1 1020
0
w
23
0 1 3 5 7
0
&
TAB
# # # wwA
. J 990
0 0 0
wwnDm/A. J
10100
0 0 0
wwwA. J
1210110
0 0 0
4/6 CII
ggggw2222
0
40
&
TAB
# # 44 ..
..
4/6 CIIq = 144
A . . D
02
3
22
3
00
2 0
0 3
2
3
0
. . A
02
22
20
2 0
&
TAB
# # ..
..
0 2
2
2
0
B D
w
5 75
5 75
0
Em
www3 3 3 2 000
0
&
TAB
# # ..
..
..
..
D
w0 2
23
0 2
0
A D
02 3
045
..C j D
57
23
0 0
&
TAB
# # ..
..
2 3A 7 D
*
35
57
78
57
00
D
0 2
23
0 2
0 0
To Coda A D
0
2 3
045
Carribean: Reggae Dance PartyTrack #13
41
&
TAB
## 3
* 2 optional measure
354
576
787
576
00
3 3
w
* optional measure
57
57
57
57
35
23
0
&
TAB
## D
D
2 23 23 2 23 0 0
A
2 02 02 2 02 0 0
D
2 23 23 2 23 0 0
&
TAB
## ..
..
..
..
A D
2 02 232 0 0
E D
.*
57
57
57
35
23
0
Em/D
.35
35
35
23
02
0
&
TAB
## ..
..
Dw23
23
23
03
0
D.C. al Coda 0
2 3
00
fi gggg 3 3
D
w232
2 2 2 03
0
rit.
D
02 3
00
45
DA A
42
&
TAB
# 43q = 120
This arrangement has been fingered to support ad lib picking during a repeat.
3 2
A Em
...0 000
0
C
..
03
003
G.
300
3
3
D.
532
3 5
0
&
TAB
# Em
...7 5 300
0
C
.010
0
3
..Bm
.
342
.
34
3 2
2
C
00
00
3 2
Am
010
30
0
&
TAB
# 4G
...
3 300
3
D
.532
3 5
0
Em
...7 5 300
0
ggggg
Bm
...0
32
54
022
..Em
.54
0
&
TAB
# 02 4.
0 754
0
gggggG . ..
10 108010
2
10 788
9100
D
.532
5
0
Em
.700
3 5
0
Celtic: Star of the County DownTrack #14
43
&
TAB
# ...7 5 300
0
C
.010
0
3
..Bm
.
342
.
34
3 2
2
C
00
00
3 2
Am
.010
30
0
&
TAB
# gggg G
.300
3
3
gggg
D
.532
3 5
0
Em
.7
05
03
0
0
2 ...Bm
030
22
.ggggggg
.....
Em
54220
&
TAB
# ..
..
.ggggggg
.....054220
j2 2.Em
*
40
00
20
j .C
20
10
03
j .D
40
30
45
&
TAB
# ..
..
1, 2, 3...
5
* measures 34-37 may also be used as introduction.
4.
5 3 5
7 5 35 3 1
030
2 0
...gggggAadd9
..
00220
...ggggg ..
00220
44
&
TAB
44 ..
..
..
..
q =120
A
muted
Play 3 times
Am
. J
02
12
3 3
12
2 20 3 3
#E7
. J 031
23 2 0
3 2
b 3
Am F7
12
12
12 2
121
01 1
&
TAB
..
..
# ,E
10
0
0
% ..B j Am
55
012
0 0 3
Bm7b5 E7
2
30
3 1 0 3
20
.. j Am
( )
12 2
20 0
0
( )
&
TAB
b # 3
F7 E
21
21
21
10
0
1 0
.. j Am
55
012
0 00
To Coda
Bm7b5 E7
2
30
3 1 0 1
20
&
TAB
..
..
1.3 3 Am G
22
20
20 1
03
3 # F E
2
1 01
0
1 0
2.
Am
. J 22
0
22
0
22
00 0 0
Track #15 Cuba: Caf Americano
45
&
TAB
j
22
22
0
22
00
gggggC
3Dm6
. 564
564
564
564
00
3
w
65 7 8 7 5
0
&
TAB
#ggggg 3
.
Am6
0504
0504
0504
0504
00
#
45
00
0 0
ggggg 3... J
Dm6
5 5 5 5640
3
&
TAB
# 3
B7
12
0 1 02
2
rit.
# # E7 E7aug
. J 01
76
50
0 0
D.S. al Coda ww
U
0
&
TAB
..
..
..
..
Coda
muted optional
Am
02
12
3 3
12
2 2
Play 3 times #
rit. last time
E7
. J 031
24 2 0
3 2
#U
gggggAm69
w5504
0
46
&
TAB
44 ..
..
6 = D
75 6
Rubato
ad lib.
..ggggggggg
mA
Dm
www1010
89
67
000
ggggggg .wwww
5 6 55000
2 3gggggggg b www
89
67
55 7
8570
00
&
TAB
..
..
bggggg
- -
-
3 5 3 78
57
355
00
0
ggggb .www
2 3 2 0 2000
1.
Um
ggggg www
23 5 6
000
2.
wwwwm
2000
&
TAB
.. ..
.. ..
q = 108%gggggad lib.Tempo - 3 timesB
b>
5 7 7 7 5 7 800
00
00
00
00
sim.
*
2 75 6
700
..ad lib.
C Dm
. J 1010
89
67
0 0 0
gggggggg .w
. J 5 6 55
0 0 0 0
&
TAB
.. ..
.. ..
ggggggggg b
. J 89
67
55 7
857
0 0 0
* optional strum strings 6,5,3 during this section.
.b n b
. J w
3 5 3 78
57
35
00 0
5
To Coda 3 timesD
^ b>
5 7 7 7 5 7 800
00
00
00
Finegggg
5 7 7 7 5 700
00
00
India: Tea and SpicesTrack #16
47
&
TAB
..
..
.E
muted
C
3
10
0 2 010
3
10
0 2
.
3
10
0 2 010
3
10
0 2
.ggg
Dm
ww
032
2 3 032
032
2 300
&
TAB
..
..
..
..
.ggg ww
032
2 3 032
032
2 300
..F
Am
.
12
33
00
00
02
.. . 12
33
00
00
0 0
&
TAB
..
..
..
..
.. Dm
. 67
55
33
33
00
..
. 67
55
33
33
00
..G b
Am
.
00
12
33
33
02
.. b .
00
12
33
33
02
&
TAB
..
..
.. Dmin
. 56
35
13
13
00
D.S. al Coda.. .
56
35
13
13
00
&
TAB
Codaggggg
rit.
5 7 7 7 0 200
00
00
Cadenza ad lib.
b
U
U 03300
3200
0 0
~~~~~~~~
~~~~~~~~~
48
&
TAB
# 44 ..
..
q = 112
dolce-pont.
A Em
w7
87
85
75
7
0
w3
53
52
32
3
0
w3
53
52
32
3
0
&
TAB
# ..
..
..
..
w0
00
00
0
B 2 2 Em Bm
w 5 0 3
02 4
0
45
2
P
Em
w45
45
0
&
TAB
# ..
..
..
..
Am
ww
78
55
77
34
00
00
gggggg2 ggP
2
Em
w545
55
0
C Em Am
w30
030
021
021
0
0
&
TAB
# ..
..
n Emin Am
w00
000
021
021
0
0
Em Am
w30
000
021
03
0
To Coda Em
w ( )0
00
00
0 0( )
Japan: Japanese Garden SongTrack #17
49
&
TAB
..
..
..
..
gggggD
Am Gm/D
.p cresc. 012
1 323
023
00
Am Dm/A
. 122
2023
00
ggggg
Am Dm/A
. 0122
1 323
023
00
ggg Am
220
22
0 0
&
TAB
..
..
E Am Em
55
0 30
53 5
00
2
0 02
2 0 Am
w5
06
05
03
0
ggggg gg
Am Dm
w01220
1 323
01
0
&
TAB
..
..
..
..
ggg Am
220
220
.
F Am E7
. 85
85
76
00
^
. Am E7
. 55
55
76
00
Am E7
85
5 76
8
00
&
TAB
..
..
D.C. al Codagg ggAm
w555
555
0
&
TAB
harm. Coda
2
12 3
12 5
5 2
12 3
12
1212
5
1212
< >< >
< >< >
< >
6
5 12
5
121212
< >
< >< >< >
50
&
TAB
44 ..
..
..
..
q = 138
Play 4 times muted
A
C F
30
12 3
21
3
1, 2, 3.
G
00
20
00
4. G
w1 1 1 1 0
30
3
&
TAB
..
..
..
..
jB j j j
C F G
Play 4 times
1
0 20
12
00
31
1, 2, 3.
w1 1 1 1 0
301
3
4.
ww
00
3 3 3 3 30 2
&
TAB
..
..
C ..
jC F G
. J*
102
20 003
1 3
j ..
00
32
0 3 3 2 0
.. jC F G
. J010
10 30
3 1 3
&
TAB
..
..
# # ..
..
..
..
j ..
30
32
0 3 3 2 0
* see optional measure
%To Coda
Play 4 times
D
G
02
3
2 3
03
0
1, 2, 3.
j ..A
22 3
4
00
0 0
Mexico: La Bamba(Vera Cruz Folk Song)
Track #18
51
&
TAB
# # ..
..
..
..
4.
w
3 3 3 3 2 0 2
0
j j j j
Play 4 times
E
D G
32
00
00
220
3
1, 2, 3.
w
A
3 3 3 3 2 0 2
0
&
TAB
# # ..
..
22
0 0 0 0 0 2 4
F .. j0 1
D G A7
. J32
00 200
30
j
200 3
20 0
4 2
&
TAB
# # ..
..
..j0
1
D G A
. J23
30
02
0 3
0
D.S. al Codaj
02
0 42
0 04 2
&
TAB
# # Coda
j
02
2 34
00
0 0
&
TAB
# # ..
..
..
..
j
j4 j4
D G
J . J232
232
30
30
52
0 03
0
j j 4 4
A G A
52
52
30
52
30
wwwwgggggggD
10775
...j
* optional measure
102
1
20
00
343
* optional measure
52
&
TAB
44 .. ..
.. ..
..
..
mute
A
# j 4 times
E
01
01
3
01
2
01
0
gggno mute ad lib.
B
# E
ww
2 2 31 1 2
20
#ggggg # www
01
00
12
44
12
220
&
TAB
..
..
wwww#gggggg . J
01220
3 2 3
.j
03 3 2
gggggg
C
3F/E
w1233
gggggg0 1 0 1 0
2
0
ggggg
3
ww23
20
23
0 1 0
30
&
TAB
ww#gggggE
.. J
1220
3 3 2
.j
03 3 2
ggggggg #3F/E
w0233
1 02
02 1
0
# 3
ww23
1 2 1 2 13
30
&
TAB
..
..
ggggE
. J
22
E
03 3 2
#ggggggg
ggggggg j
01022
0002
0
020
..D j ..# jE
79
445
2
0 0 0 0
j# j3
Dm/E E
13
100 7
0 0 0 0
Middle East: Circle DanceStart slowly and gradually get faster
Track #19
53
&
TAB
Bass sim.
j j Dm
w56
7 8 7 5
0
... j#.....
j
E
. J 754
00122
00022
4
0 0 0
... j ...j# j
w754 4
45
2
0
&
TAB
..
..
... j# Dm/E
132
0
100
jgggggg j wwww#
0 1 3 1 01220
1.ggg....gggggg
jAm
22
0122
gggggg 30 0
2. D.C. Am
22
22
0 0
&
TAB
E
>
>
02
02 3 2
0 0 0 0
>
>
022
022
33
33
22
0 0 0 0
#>
>
0
12
0
12
23
12
0 0
#>
>
0
012
0
012
123
123
012
0 0 0 0
&
TAB
~~~~~~~~~~~~~~#>
>
0
001
0
001
112
001
0 0 0 0
j#
354
454
565
565
354
0 0 0 0
.j#
rit.
w
79
810
78
0
U
#Dm6 E
2
01 0
0122
cadenza ad lib.
00
54
&
TAB
# 44q = 104
muted
A
Em
20
0
20
02
00
00
0
C
32
0
32
03
20
22
0
&
TAB
#
Am
02
0
02
00
20
3
Em
02
00 2
20
02
00 2
20
&
TAB
# ..
..
02
00 2
20
0
0
B # Em
0
40 2 3 2 3 5
0 0
. 4
0
0
7 12 10
50
00
00
0
&
TAB
# G
7 12 12 10
50
00
00
0
7 7 5 3
50
00
00
0
Em
w
7 5 30
0
00
0 20
0
0
Peru: El Condor Pasa(Andes Mountain Song)
Track #20
55
&
TAB
# ..
..
..
..
0
0
00
0 20
0
0
0
C
C
0
32
03
12
03
12
00 2
3
32
03
12
03
12
03 0
&
TAB
# ..
..
G
3
00
3
30
0
3
30
00
3
3
1. 0
00
3
00
0
3
0
3 3 3
2. 0
00
3
00
00
2 0
3 3 3
&
TAB
# Em Em/D
20
02
00
00
00
00
C C/B
30
1
30
1
0 20
1
0 20
1
&
TAB
# C C/B
30
1
30
1
0 20
1
0 20
1
ggggggg
Am C/B Em
00
1
0 20
1000220
ggggggggg
56
&
TAB
44q = 132
A
.
Intro
J Am
02
01
32
01
22
0 32
. J
02
01
32
01
22
0 32
. J Dm
03
1
33
12
0 32
. J
03
1
33
12
0 32
&
TAB
E
. J#
0
00
00
04
0
10
. J#
0
00
00
04
0
10
.....gggggg
j Am
01220
ggggggg 3 2 0 3 2
# .
04
0
0
&
TAB
B # E7
w1
01
0 00
10
0
# w
04
0
0
Dm/A Am
w1
12
0 01
21
0
w0 0 5
0
&
TAB
# E7
w5
34
4 43
43
0
w
0 7 8
0
Am
w7
55
5 55
55
0
w0 8 10
0
Russia: Gypsy Love Song(Dark Eyes)
Track #21
57
&
TAB
Dm
. 8
67
76
70
0
w
67 8
0
Am
. 7
55
55
50
0
# 0
40
0
&
TAB
# E7
w1
01
0 00
10
0
w
0 7 8
0
... j Am
w555
60
35
0
0
. jgggggg gggggg
201220
01220
&
TAB
..
..
..
..
# muted
E
. J
0
10
30
02
03
# . J
0
10
30
02
03
1, 2, 3.
#
Am6
(repeat only twice first through)0504
0504
0504
0004
0
#
0504
0504
0504
0504
0
&
TAB
4. ....gggggj #
Am
w0122
04
04
0
0
rit.
#
6 5 10 9
U U
13 1213 12
wwwww#ggggggg
55040
58
&
TAB
44 ..
..
43 44 43 44Slow
P
A
F
C
-
0103
1023
G7
12
00
30
03 2
010
102
3 3
G
00
10
30
30 2
&
TAB
44 43 ..
..
C
010
102
3 3
G7
12
00
30
03 2
...C
.0103
... .
&
TAB
..
..
..
..
In Tempo q = 160
B
muted
%
C
30
12
01
G
3
02
00
0
C
30
12
01
G
30
20
00
&
TAB
..
..
C C
.0
10
10
23
G
.1
00
03
0
3
C
.0
10
10
23
G
.0
01
03
0
3
South Africa: Festival AfricanaTrack #22
59
&
TAB
..
..
C
.0
10
10
23
.G
00
00
30
3
. .C
10
20
00
30
. .G G
10
0
30
0
1 3
&
TAB
..
..
.D
C
31
00
10
0
F 5 7 8
3 5 7
C
.3
10
01
03
G
.3
00
01
0
3
&
TAB
..
..
C
.3
10
01
03
F 5 7 8
3 5 7
C
. .3
10
00
03
0
D.S. al Fine
. .
10
0
30
0
1 3
&
TAB
44 43 44 43 44E
C
010
102
3 3
Slow
G7
12
00
30
03 2
C
010
102
3 3
G
00
10
30
30 2
&
TAB
44 43 C
010
102
3 3
G
23
02
00
2
00
32
87
..C
89
Fine...ggg .102
gggg 3
60
&
TAB
44 .. ..
.. ..
q = 116
#7 timesmutedA
> n >. .
With each D.S. play the First ending: 1-2,1-3,1-4,1-2
6 797 7 7 6 7 7 7 7
0 0 0 0 0 0 0 0
# j###.
6 7 7 7 7 7
00344
ggggggg0 0 0 0 0
~~~~~~&
TAB
..
..
~~~~~~~~~~
~~~~~~~~~~16th note feel
% .....##
B(riff)
>strum ad lib.
. > ###
F#
03442
B
01344
ggggggg
......#
> . > #.
2
00122
ggggggg2
&
TAB
..
..
~~~~~~~~~
...... >
. >
E
000220
00022
ggggggg
1. ......# >
. ###.
0
00344
ggggggg0~~~~~~
&
TAB
..
..
2. ......
,
001272
1220
0
..#C j
F#/E E
34
01
01
01
0 0 0 0 0 0 0 0
..# j# #F#/E E
34
01
01
44
0 0 0 0 0 0 0 0
India: Street Dance
. . . .
. . ..
.
Track #23
61
&
TAB
..
..
To Coda ..# j #
F#/E E
23
01
01
44
0 0 0 0 0 0 0 0
Btowith 3rd ending..# j
F#/E E
23
01
01
01
0 0 0 0 0 0 0 0
3. ......#
E
001220
0220
7
E
&
TAB
..
..
..# j# F#/E E
D
67
79
79
79
0 0 0 0 0 0 0 0
..# j# #F#/E E
67
79
79
11
0 0 0 0 0 0 0 0
..## j# F#/E E
911
79
79
11
0 0 0 0 0 0 0 0
&
TAB
..
..
86 ..
..
Btowith 4th ending..## j#
F#/E E
911
79
79
79
0 0 0 0 0 0 0 0
4. ......#
001220
0220
E
Slow - getting faster
4
# F#
3
&
TAB
# F#
43
00
03
4 3
# E
74
00
04
#
74
00
04
3
#4
# F#
86
00
06
.
.
62
&
TAB
..
..
..
..
# # Fs
86
00
06
3
4
# 0
0
B
98
00
08
Slowing
4 3
# 0
0
B
98
00
08
Play 3 timesF
Slower - getting faster
C#m
9
90
00
9
&
TAB
..
..
.. ..
.. ..
#
B
7
80
00
8
# #
A#m
6
60
00
6
# U
G#m last x
4
40
00
4
Much
nrit.
* (3 times)
G
3
00
00
0
&
TAB
e = e cadenza ad lib.
2 3 2 2 3
4to with CodaB
B
#muted
# # > 0
Slower 0 0 0
U..>
U j####Gmaj7s11
2 3 5 3 2 03
63
03
60
70
0 2 0 220
01344
~~~~~~~~~~~~~
&
TAB
44 Coda
>
Slower
# > >U
>#
####gggggUad lib.
3
Fs
23
0 0 03442
ggggggg
&
TAB
44 .. ..
.. ..
In tempoad lib.
B
B
#7 times
A
B
C
D
E F
G
B
B
.
6 7 7 7 7 6 7 6 7 120 0 0 0 0 0 0 0
Slowing
# # > > >U
6 4 4 6 4 2 2 2
##
U U
U
003440
003440
003440
~~~~~~
This is the Groove
Keep returning to between variations: repeat as many times as you wish with strumming flourishes.
Variation #1 then return to
Variation #2 then return to
Bridge sections
Transition
Recap
Coda
FormOverview:
63
About the AuthorGuitarist, Steven Zdenek Eckels, is perhaps the most significant representative of American folkloric national-ism of the late twentieth and early twenty first century. For his unsurpassed contribution to the body of pub-lished guitar literature, he is known as The Lion of Fingerstyle Guitar. The arrangements that form the coreof his concert repertoire include American classics in genres such as Gospel, Blues, Stephen Foster,Appalachian Ballads, Cowboy Songs, and Native American Music.
Eckels has spent the majority of his career, creating concert arrangements of American traditional music forMel Bay Publications and developing classroom-teaching techniques for guitar in the public schools. WhenMel Bay Publications needed an author for its' new series A Modern Method for Fingerstyle Guitar Eckelswas chosen. Eckels was also asked by the Music Educators National Conference to write a classroom guitar-teaching manual which was published in 2009. This landmark publication is the first classroom-teaching man-ual written by an educator who is also a virtuoso guitarist. It will influence the future of music education bymaking classroom guitar pedagogy available for the core curriculum for music educators.
Of the more than twenty books he has written for Mel Bay Publications, several of them are historic firstsincluding Cowboy Classics, Gregorian Chant for Fingerstyle Guitar, Native American Music for FingerstyleGuitar and a folio and recording of the music of Stephen Foster. His contributions to American guitar literaturehave earned him the nickname of The Fernando Sor of Americana.
During his formative years, Eckels lived in the foothills of the Appalachian Mountains in Virginia where hewas listened to Afro American rhythm and blues, folk, bluegrass, and Southern Gospel music. After highschool, he received his formal training in Boston Massachusetts at Berklee College of Music and NewEngland Conservatory, where he graduated with a Masters Degree in guitar. Later, he was to receive musiceducation certification, and for the past ten years, he has been the high school guitar instructor for theKalispell public schools in Montana. He recently received his National Teaching Certification by the NationalBoard of Professional Teaching Standards.