Step by Step Beads September October 2004

8/3/2019 Step by Step Beads September October 2004

1/50


2/50

Someone jiu516tart~ out can compjcte rhls pn'ic(t.n d I x'h oJ 'f lY w illl . 1 1 . """,,110. 000 e : , 10'11' ,fl' rru I TF..~.Jm"- 'OIIA."who has ha d .r,,~=


3/50

48 E a sy C la sp S olution .0000Cr~ale yOiJfown mu~l (l1rarrl mllno~tnr.Pt' (1 t t .r :, . . .. , } ~ ' I-~ ~~

50 Ela,gant ly Casual .0000C(:tl l~, 1.)"'13'1',anJ rulll'A! t .'!\.d,)J:A IMlh mnl"1111l[\(1.,,,rll l(l '1l~ "(,Md II ! ~e, ,II" b~I~1, ~ " , I

54 Chr is tmas S tOck ings & E ll B oats ... 000Ilul llJ:>y Il l ir 1r,h'iUIII


4/50

Best O 'f CompetitionAphrod il e' s SOO~ I. ofJallllP- qiliNlbred~, seed

b ea ds , fH ! IDw a te .' p ellr ls . r ub b er llin~s.b r a ss . a u d I lI lI ra ~ o ede,( /e a 1 ed Y ' i ! } g ' p~1'0testilCh. o g 1 : l ' I ang1e\' l! ! .we. an d sNing.

2n lJ'~2~ x 2i\i' . Pb o te c P .h il PQpe

AV < t . 1 1 1 "In~r ~.h'


5/50

Gordon K. Uyehara.,Honudream

First Place. Clay lJeads5Nvf/ r IMw i: J'( fe ,m a de ~ I Ar t Clay , 1 1 v . e r , b o th r eg ula r day and > y -rrng~ t > j p . ! ! . 1'0pwd.uoe .~6r1e s il ver bea d . Slenci!:; , \w,e U5e~ toc r~ ~d Ih~ OU]Er H a l s ha pe s, a nd > yr in g:e -twe Ar t (lay sijm

VJ8S u~ ~ r ~h~)1 id a! e s ~i~ n; tile PUIri()ijt shape WoS from t .P la r;:e . G la ss B ea ds

r l r e J\'(~J; I ~mll "\ "i rk !! 'd am: ! s il v e, f tlm" ,(1 bead C !f ,"fle!reg la s s , s il l' E 'r l e a l, a nd @ na mell, ~~ 4" ~ 1 " x b".

P h . { J l j J i D < i ~ i ! l wtcl r t < 1 1 1 .

G o.rdon K . . L ! J y e l ' l a l r a , Horiudr;eamSec-o.nd Plate, Clay Beads;tliffi 8001j i l2; rna(le Q . f A r 1 CI~ ' I ~ i l~~ r . bo t t ) ~gu !a f d oy tjfpe-"nil ' ) ' I ' i l1(1e t yp e; c { lf k dar W8SU'>f 'd a s ilt~bu rnou t m a t c r la l,

1 ' 1 ; " x l " x 11'lG".

Terri (aspary S.;hmidf.'! Ca s pa r) ! L a mp W Q ' fC kSecond Ptafi.. . Grass Beads.

toM i'M, l am~.; \j r~~d bead ' oi : ; o t ! a l ime ~1a>:s ,1:& em ~ .3 emplhlt,,~Man' l~l'!f~i~!.


6/50

, I

iEri. l ' ; ; l lDruin, D.rt:J' inEnamelsFirst Place. other orMixed Meaia Bead

rrilll;lY, < ;I f1 3 K a nd 2 4 1 1 : ~ { l! d , f i n .e s i l~er , a n d e n a m e l . H a " c l ,(a i$e( lIlBllds 1 ' ,i l l12 41 : g C lM doisonne a n d b"~~~- t3 . i l le en 1 (1u sp en si o n ,

, 2 J , u " x - \, ~ ., P h C l t O : R i d la rd G o o c l lo o d 1 ,

SUSi'l!1 'SandersSecond P1Qfe, Other (JrMIMed Media Bead~ il la ~ i~ b ~ .f l o r Ol't" a nd ~ "iim . !s J a,p ers .1 % " x ' i ' ' ' " '

Christine Marie Nogl!JereFil'st PJace, Bead Bracelet

Apti~ooi!e~()[!f), m l! ~rl ) , te!~ t< ; I I!~~(Ji'ic;e0'linda r1l~~\15,;;ed ~~~d!,rc~hW~IN IX ln r ls , Wl l~~n

l o o . ~ d s ,~I


7/50

Corinne Floyd.Con-nne Floyd Metlii/'Smitn

f'i~t P'are., Bead NecklaceUtlidi,1"CfioruI ~edipkce, 01 sterl i og S i J~~fa r id 2:!.Kgold Il im!! 'i -al'la.K g J l r D ru~ IJoM ds , a nd a largE' bl

b e O O emNold r y . cl ..,I"r PCI''1lil s l il t l' i. co lot g~ I ... n, o o d!1F B Ja~fe l: 5J/;.. r.Q k i < l O l > : 16';, d ' h . o l o : Rob~ rt D Ianmn1 l' ,

Bead NecklaceF l o W t N ' Falllas)' C ! J l I I t I (O!~ m I ~1960sludte. I'intigE i l' Ie tI l. j ede, G rEE l ! [ fi Im l [ ,

cooso t lilead. A l r l C a n ~ r ad e beads , Q :ed l a nd ~ setdb ~ a t : I! .. d C l i (o l i S . a m i m a c r a m e . 1 1 1 ' x Z - . P I I o IO ; T Im l l 1 . : ! t,

Bobbie Willge, rSpcond Place. OCher Bedd Jewelry(jood


8/50

Fracture Patternl 'ngTechn iqueBY H ELEN 13RE nL

R6ccenr ly, 1 ' '11 ' b\lC'oo", fasc ina ted ""i~] 1 Iw inl!1J't',,;ting c ra ck le dfe lwt"1:through n p < , S L " TnochLr\(1,,lmWl~ing ' T . L ~ k l L W i p~.!!~rn' .'>tq.Jt, I b~ln w!'Tkit1.f; w . 1 ! h neT}'li" paints, bUll'Ii()Vcdmlto l , c m p O [ ' ~ [ l 'If!


9/50

'th!/ paml-uadJ:e ...-iden, If the sheet starts gelling lr,,' Itou,bclore ~'tlU"'" dd'i,\.-Vcd Ib.: results you're happy w!ilh. backthe pa in tEd she.;~ with another laycr of the same color cLl';,.set "("IT pasta machmc back to a thicker selting. ~nd ~1" " f',rc~f'l't.this ~Ii r print ne ck l ce Is prim' necklace. I t~ose rl hlfP1-gf(!SS 'lJaratnene " 1 1 -i'!lh. This !~kfl! l [hi! blcek from dlllllC sl1lln,. Inte"s~r~-Ing the eeler, aM oddlnli: l.o1hc olie1811ctl~l. I'm DD ie fa n of !Flo nlM,ll,gloss vnI'a1licn!!'~ljnlsh i",1tl th,sl~tnniqW!;.

-'--lEl F'i ioer~lue. radiating-l ines pinshown on page 18. I used thl;! FieatQ Satin \Jam-ljiIene'" because, in lhis case, I liked the matte lin-ish_ You can d'ecide far yourself, but please nme.it 's fmpalt,mt to prote()t me tempel


10/50

fRACTURe; PATIEIRNING IDEASPL.!.STIC CA~1JI'S "r L' : Jhis pattern was made w i 1 ; l 1a VI-mesh plastic Cer-O" 'Gb


11/50

C 51I"'U R" T"TFlNm LA"'T ~ "-ET:lluswas made wnth a . oirwlClr patterned plaslic canvassheet. using mixtures of orange- ond pc;ul cia)' wnh rO O andgo!i;Ilem,..re, This creates a large patlem!>(!) yo~ wouldne!Mil lo use yo~ r sh~(l'1(,111 large piece of Clay,

WA V Y ( I: rhis on" W e -w[e G, bul ~Q~ WOlJI~~~I'eknow It. I ~IITIO$!Wfe\\" IN s ene'M Iv IY organIC and inl tlmsti !1i l :;uffoce effect .

HleA Brei!j .1 1i\1:>i'1"t1ll\,d'11 j\'\\, 'h- ~'IIl'll. f( 'I lmdmg 11"Il.o'fTli'.;r~ I .~h\~~I~llhl'm Otll , lM " " " " P f i m l ' T 1.:1"t - t u l l t C .m d" IluiI."uibt"r til Ln... l 'd ,nadhtn I~.U11' I' '-1J .11.11 i~11,_1t:llIoyn 11 ' i i . " " I , ~rulllJ. Slit: l : o - ,01 .u;] t l, lnm.I . iI : iJ1 ;t ! : wr l tL.!r tor~~-;ot~u.r~l fCAFLmiLa;i1!Zmt: '. J . I 1 I I : I h a s b e vu {t lL 'o rilli ~jc.....cl r j - ; ')nd lint! w"f"dfli ~t~ rr,r "'p"rJlt1:l'i~m~C ' I ~ ' . ( ,y('d.r~. YOtt tan cnntiJd her b ~~~m';I H i l < lhbreW~ymr;~lioC').L."ilI.

I.. , ... ! t o r w" " H r t ., li( I l r l ""Ir ITor O" ," ,lr t. jr"..;.lc, "t Y e ' 1 : 1 L"", rnu~

s . ..e lL "S(~" i Nlrts T),CtL'- i .Lvef ~1~l~ '-U""',

-c DiL"0s~h/!t rj . L _ 1 - ~ L"!l}l~1 ' -Ute. ,1:'.~.:{s. - . - i 1'.0.."'85.> ~'I'lil W[ I"

. . : P '

i\lww.BeadsandPieces ..com

: R I l us toll rree.~9 .. 1(.'100) 65-5EADS$ fa;:o{701) 765-298}J ):;'I'J Cem.m"'f(~ 'it, 5ul lI (J - [ ' . . ~(lb ~

~llJff'I .. ,0\ g ' i I ! g : ! ! i 1 t i

MIQflE' PRO,/ECTS @ STEPSYSTEPJEI'IELA'f_COI'II 19


12/50

P 'otym er CI~ in colorSDI your CltOic~,

A m a ro's P 'r ff!1! \@ ijWire'pxtn, +16" pattcm

.Pa~ nlaDilirle

f ractu:r'8patternedSh'8 ' , t p.attemed. p81ymer clay.. .. . H Y H E LE N B~E JL

This p.mject fm't lH;o, j I'm ~h. p.'terni!d crackle e f-fecI s hown i1' !he pendant on p ag ; l 21..For ; \dCi l i t ion-C ;P .- ,l e-tm~ p"ttemi:ng Tocbniquc" Of'< page i6.'Lllii' ter1(1i,Cl'":; ;;"oh'e(i from ilbasic crackle ef-

fel"t .1ct.i~NI by '


13/50

pa ttem ed polym e rpen,dantWhJ') i cmPL 'l" 11 p .1 h1 .l j" n , p p U i l'o i ! . " po;ly

mer cI.,),. Ih"", !,~s9,:d !h1'U~'ghGp.!"~; Im',hJlil e, j~ tiM;;1N,)ft11::; "f[udul'L'd" inh. 'Ip;tll~m,Tho: f ti ll p i " " " " , of m y p",,",dant W,a;&al:ilC..,d 1L.m:g;hJS rechru'll"'" Instrtl-diUl'$ fur the rl>K'l.un'-pat.~ sheet used in this 'pendant J I'C "n P"&e 20,

Once Y0i!lWear yOU[ d,meluni'patil'me.:i pc~-d:rutt I gIlilT,'ntee you"ll hawe f:lifunds < l I I > O ! t .>mi l} 'dslYng'~"hill i~ that mode 4wi it l g -I i I' .' ""II f""8g~;'JiI,; for ,~fo QJIl"laWls lliaw f~rl'j'1J i ,< : i, / i- , l; . . ~ P"t2 ~6 .

'. Sm,,11h;m!! IiIII With~'L'b it

2mm IJUnao o m ill ~iredler1g1h

Oecotalive bun"" 0< o~hermnMII~

2 rod n"ta gne l:!l, 1 \, ' , 11mo t a ll uOO be~~, to !oi~i .mum 01 ' 1 1 . " lone VljUl11~'d '! !m ! llc r o pe n,,'t i H o t 1Il~'r1


14/50

pattemed polymerpendant

Cre


15/50

-Sanding the ring.e " V I ! fO!.JndUlai II t ile surface is unblemished a n d .....thout- I'ingerpriffiS, I ca n start san\Jlng ll,alo~ cl1l at . ElQ(J.grit:[!;OI;ne\r!llle5 8(0), With other c!a~s. Q!' If JIlll ~.,..e any lrnper-tEClim~ on m e ~I[rf~ce, ytiu'll fl.el1d 10start 1 7 1 ) circlo (;IjT!l:'fS. \'011mlgnt w~nt toIJ : ; .om' !J.Cmpcl"y 10 j}l llCUW C "ullIng 10 0 spirt bo lWOO t lIII ~rrde h lv s, biliorc you dill 11011 your p;illi!rnlld,h ct,

FO r the I lr s t ~n rJ Itl II be ~Iuec!(Oel;iLher laler.Ce!lter iIle p.;llleme! il circle on 1;11(1i T I l : ~a & , ; 1 ' I 1 J ) r

pat down me edges ISO they sit neatly down on mering), " " , h , r e I


16/50

ed pol~msr pendant

I)is.oolve from ttHt Volr~thal!~, This is oFnly with1I1igl1lli1id am pe ne d pie ce of ch ee se cloth a nd conce n-t (ate en getting a s 1 'lm () OU i1 a '~ n ish as !lo5Srbl'e. Puton a minimum ofZ coots I~nd LIPto 4 'C\)~ts), de-pending on , I 1 ( 1 1 W thick the coals are and what yo uI!oo' pl'e

Q ra ti v< ! i iem til$I; )C\Jre it tnen

bake '1o,20 minutesat the manufacturer's leo0111-

mended t emp ~r at OJ re . Y ou ll1 i, gf 1l w a ntlQ supergltle L I 'l e deco -' rn1 :l\ 1e tem In plaoo af ter ti ak ing . Jus t to be sure (t's soeure.

Cording.G To o1:~kea dQUbIe-;)ol tied nacklace, cut four pleces of ,I)t .ma eord..If ) 'Qlj' (! m


17/50

ter opening_ If ! ')(',ir);1l doubte cording, lt's a tight '~t.mto beadsof 1 ; 1 1 is $IZ-e ~ but it doos work.Fill thetube opening ""iU, !black clay_ Push a ~ .. roo mag

tI~t i1'110ne end of eech b~oo (ltld baK~ in the wa$lOf owenfor appro~ij'!1a,t~~)'30 minutes, After o:.~ol"~g,th e m agn e1 is wi IIf 1 e o e - d to be glued i,11'i91l1ai)~t" erlSul'e they're secure. 'u~ amore po\vlHfl . l1 ,hagnet to pull them QU~ () f th e be ad ends,Scratcli We side;s of the magl'lf)ts to create a better bOi'ldlngSllrfac@~\'l'n $~pI'he\l1Qr l'6lJ' f'(: U$inlg 5iu'l.!lleor

d'ouble COming, Slid .. the O-r ings onto the. ounacord, glue'he COi'(:l(SJ into !lie tulie bead, and U1lln slcde ttie O-rln~flus,1)against the bead,HeF_< '1t}U se e Ih'e f ii i~sM d cl'a s~" tlw . roo I'nagnel alone, and

a side view of the ffi@gf1eteriil>edded iF ! the malol tube bead.

R\!S{)u'rce~: t).ling.~ (optiOh~l)


18/50

IH K A TE M dC I1 \fN O N

v ine of Qea risbrace le t

y~I''''n, ke Lh1s v i l ' l . . bracelet n.' d,'lk~c or full ... .Y O II I d O < Q ;it .ill


19/50

To oreats 'lhe "IIrre'wr)3p;~ p~~I1!>"Wine a seed beat! amipeal! {Impyour Ilea~ l'in.

Using J \ OVAe j nose {llill!rs. IV ;P tile h (l~ !l,n \fI"' a boV e 1 1 )1 ;):O pof ~O t l r btl:ao. Bllmlllle head pin lQ a 9W!lr1g1e. Rotate th epi ierS $r :l C a lJ !S le t t' S' (I { lu ! )I&I 'f I< 1 'DPM; an d:wl ui o l "Qu$n~ the oore. the Sll~rp edge of ) 'cm cutter will 11010 0 0 01 ('(1 0 ( he p ea fl. 1 ("S o a si er to m ake a cl(lan cutam i d a le S l ii l" !r is ~ d 81 li lll, li in g U l e s o: lt s ur fa c e o f thepearl. I us e i lai$ Wl1Jppillg ! ecHmhwe 1o! a l llV i r( l< ! . II R1.eI\ISInil", art' 1'4-glXugt wi re OTline~With a oeMIhat has a lilomlaisize(ll'lOi~. I reoor l i rnen)120'f!llugj;!sterling lwadp il 1!S . W' rap, .he coil only , on ce ilnd snipIt off =t t I ' t e base.o0i'Ice )I'OUve comJ)le~ed yOU! handFul of wire! '[ rapped pea ;I s ./ !l eads, $~rillt aCil~mr l te rn } 'O \ l l like

onto Y 9 U l ' beading wire. A '~wite pa'ttemof mine is:~d b:elld. !ca f, s ee (! cead.le';l. secll 2 \il'tles, S ~~ie-l ' Ir


20/50

S 1 e r fl T lQ S I I\ o . . r FltlS ~I;;lII;k"but ~onolliu ll ~ no Iil!h!ly o r l'Ou r b~elCI iiiII 1 M rigid. Com-press m C rim p /) oa !l w i I n , orirnllllng pll~ I II '" , . .. l'j,p"'~~I'I'I "J. !C.ih~.lJIf1 L", rt1.ld:IL1d ~lh1 her t-Yrob !'!![II:t.".tV"W\'V'JmLL"m.cld riTu:n' .,:(Im. or ~ .._m.l.il,.r"tclll!.lll"'l1dlllll~iII-'II1-

l IEARN,1Tl OVEl lL VE IT


21/50

nstant recacuff & earringsIIej"

BilMIIIi,,; gil' !) 6 C t ._ > C i h . .. _. ._. .0000" AS 0< rOtI-l'i'lL-d( I> Ppr o . 2 5 0> -2 7 51

ile m' ""D illilOe Men&.., W it 1m 1 ,'1 . . d'~,G)'5'j

64 1m?!! bmS5 I1lJl 'JKI~ Round nv,. ;) pi '15Uuwwruc - ! li or c " I! I' 1C1~1 Wilt cult~ I I1 l IJ t I W . . re

1>11lf~ VI1


22/50

~Ilstantrecall

~'i1OJ)Iwj{i;.~ shaw.a!~elJ~~.sp (iii/! o~l'c


23/50

&ff1rrg$e Usingj_elry wire c~ers, cut r: O f [he' brass. wtre.Thread 7 seed beads, :1 ~argebrass nugget,


24/50

1t - - _

I ' < J rfavorite :;OUJ(l~ iNl'reciau'l MeL!ICI.ly prod~,I j ;_ Volurnepocm!;!WlPMQ, P C~"PM!: Sundilrg,anQ PMCGold Greatpnt~i on tool'>, a(~ !lmt(~nes.. and ~i"'er "h. ins,Vi,it our we' lor, it t! to Q!elr order ,,""nc. ~iew our 9dU~Y . andI~~m ~ni~Ul! l l! dm lGL JI >S . S11IRl iER 11m ,p,Vl'lllABLD

T~HI ~'QJLTUAEoD' FJt~5HWATEiAI'lLSEI.HPPECLOU5 STONESSW~~ICRYST~L'6~ASSBEADS

'f ~wwagems.com _AZ GE,MS, INC.

1368lnd",lfial Pal l< Av~. Aedl~nd5, CA ' . l ' ~14TeI_ I-I i'96-J05l' FlOC too9) 7!1!1--3&l7

N ~ i . . I : > o ! D l i m 1 ;81705ov1h Unr.el'Siiyb60rd Ceotennl"l, (080122i 'hGne, 7~49J...!367""roP SERII10E STAR BY YAHOO RATING'

; -S ,77-(iEM IS IN rC(1877-43&-7462)

O PE N fO R P I-iO NE QF1DE AS1 OA~SA WEEK1QAI_ 5 PM M o n d a y Fr iday (PSl)125PMW~ki!rnls t'S"I1

www.az.g.lemsillcom A Y;I>HOO ONW .E ~ \JOWM E D I& C()U .-..rT S r REOOE .NT I ;! ll'I ER C iiSCOU ,j rs FULl_REF'1IIIID!'OR AETuAtl5 t jO QU[;SfLON5 ASKED

instant recall

Ilbow It t! ) b ern wi Fe a nd 1m : 01l'lenjjj'!;l 10010"" IL f'I @ tv ll) t helJ!Jn'l1N1~lIpDllldOVCf'M OP~b'lo'lIIItpil rs Rc>m -'Itl pitors so II.O~ lll'!l PDral l l l l !()your . - o 1 i 1 \ sorreec lind cont In!,Illw ra ppi ng t ne WIre arount l , C10s:;1open lIle bollM1lOOpof )'Our ,eami1g filldin,g. Slip ~r oo;adeli e~l'Iin,g011,00

the: firloing aM 1 : : 1 1 ' 1 ~ m


25/50

si lver on copper beads

SI!III r . o - . o . e l, __000

5" lel1gth ,0111 4 " dlame-le t ~af'[I"r l lI ' t>i~f !

Tube euuer ~ S -W 'II" , pElllI'

Ille ~l.Il lk~~e is aU(Ju~~" thIGIo\.T i l l s is @ ~i'Cl11r ; ; "d 'y b i :l J fiOP"' f10! i ~na is no IO nil, CI III I nel)rcP


26/50

silver on copper beads

Slip Ute \'fOrI! well to tiord the bc~d

while I'O~ ~c~_ II illli:i f


27/50

Making 3 p;;I't. of;;;ml~.G) WI1en USj~ tIiIe l!ll>.-er oo3d~rn jeW'llIl'j!. I like to use spae-er boods to hl(!e me oop;;Jeredgjng_ Slip your pattern onto

ahead pim.Wfth round nose P~eT$, ~~ lrte Wire o r 1M he,a~ pinooo~ the I t I S ! . bead ~ aoo rend the 'III,,, to a 00'

8llgle.

GrOiSpl~~ tip of the wne '1lI round nose plle!s anti rotatet im pllors IOl'llam" lhe bei lO. Cleatif li1 and elos Ing ;;J 100)).

e SI'gh'lly h"SI )'lIIir hc...:J pirllOoJ)!M1Il Cflill" noserJIICr'l; to opan. TlIlr t ttilhc open (lnclOIllI& !h~ txll

tom loop of your F'~nC'h NT ,.,~r~; 1',riSlU'ie roop toeiose. You're oomplel!ed your filSt ,erurtll~ R~pi:lat

8~rlog a m i j I G n 1 n g , l.JraI:o(!Jc!1 oock~ using ~II th . ..other beens you'~~ mild' r n . m CO ! ' l a C " ~ mekemore for yGlJr fneoosl

Marc lJ(omblLiIl1, 8 a gl!l~dJlIst Irom B u rl m t; lD J I . . VC D I IO f tl ,. buill a h(}l gl~studto for the pnxlu


28/50

Whlmsh:al peyote stitch bracelet.BY K IM Z FRbNKLrN


29/50

Any ;rrlil'l1~I II)"cr '" ill 5Ii~~ltdelight al t ! ' l i s et~~rmh\t, lCit:t'j'b r m ' ; l l () r , 'l'hC'rU ~N' Iwo cl",,~r bi. 'ali cllll'p'" I'v~ $ Nw ' , " I ' ~ iQ , I D c : U ' S kj t;,t:fl'

" I i . < l I ! 8 : e ' &lt l~ f ls!\ I)~ail (o:rOtMr ~ 1 )1 ~heJ?j) I < 3 l\ ~M s , 1 'i' \r O M ic elils.p..~' ' 1j., 21'


30/50

cafs meow !\fte!' exiting thls eml1)",00. z lg


31/50

BAC!< LEGS TOGGLE J

. , W O rk 1 n g in , i lC lW l< l51[ 1 :. 01 '1 ,f la t 'I e1 ~ I I) rigI1~

lb!rilflletilllil < tO O.m~r e);Jlfng rnis 0000,tlg.~rIlJ;):ughS(!\I'Cf;;l!,

Dea(l(>and ~n~ 1jh(>d\ma~,

TAIL

I I " "O - I !I oi ')0 -

Add the beads lor.tile1;il.gg,I'~a, I~"" pomtbe-

iweel"! t~e back paws,S!ritlg Mo ;}4mm ro~M~ea(lS, one 1~r)1.eishQ_e~d 'o r 1 :5 - ,l Smm , rp!Jml~~" and one 3-41i\mlr oU I lID be a d . T'a\(e~ MOl\ :H~;Oll! ' l t! tlili' fiiS!;b e1 iQ (o r~arge bead) ;3n~' both 2-'rtlFluo~ni;l R.e@~. ~e< l 1 'l I e t h e th!eaq! by 'Wag-1iJ)g ! l 1 roqghs!l;ie~sl~);!ad I~IH I$ ~'


32/50

(J FoU ow~nah~ ' s roPh .c o 1 o r cll~nga-s . 'M I d WOrll '. . . . - I n a ! : l 1 r< t) c L l o l1 s as in(llc~n

cd, o o m l n u c i ) . c Q d In i l . lileh e ad . O e cfc a:> (Jw lie re lnt l iQat~d.

cats meow

H E A D

., Z igzag yQ~r wa yII)fOUgh $~"""f~1 beads I;(>

begin the ear at this point.Peyole(he ear, cha~glngcolors and decreasing asmdiceted, ((he change inlh r'e a (J e c to r 1 '5 OrJI} ' toSllOW !h e ( 1 I r r C ' { ( l ( j C " Dt,)!WOOF l ttrr~'llcl [W Ill! ;.) '"

Arter eJCi~~lg~Iii> ooad,Ir aw L L lu 't JiJ gl1 b l'l< 'K JS 1 0

tile .s1


33/50

FACIAL EMBELUSHMENTSe foliO'""", U'le gfaph as!iIlocmll, b eg)n h ere 10 e re - _

41\ It. ! lOse and I l1Outh.

6) A.l1meoJllng lhts beoo, ~I baol!up thro~~ ill!! ncar! 1'10)0 biimnrrd (llllln~ beads to the to~.Sl:llGh the nose and moult! 11'1[0 po!'''1100. Iln.lIctn'lg Iha lOp { ; i f I i 1 t n~Se,jU!r( i1bovi'! Itle hNor. oosebead. Mdth e n aL bath s id es of mouth.e T r a v e r l h,a u g h Ihc Sl2E

11beads m the head,woJkJif\g iO wa rd s e itO OFSft:le of lilt! nose ,flerethe eyes will go. Pick !lpon e 2.3l!1ffi rU tm d . ...m tee~~bea!l.then vne blacksiil' H :reed i l o o o : I . rmvelll'aDk lliro~!!II1he wliJl.ee~C*fI(j Stilchlhe!leads , 1 ' 1 to tho ~ I~ O O ll il se-CUre Lhtl cCS in pI~_

Aft~{ alLacl;tjng 1!'Ievmiske:os, Imve-I throughl"'e face 10 e edlg.ebeads_ Pos , bon the tare

on tile "loop enC!of me boCy mild bqin stitchingthe edge o.:ads 1. 0 he beads III th.e body ~r1ti1ttlehe ad is SC'C:U'Il ! . lig,zag iJ';~ seli1!11111 oo: ,d 's ontho bod~. then ena lhe threp li er s. g np tile lip of O Ile e nd o r Ihe wire.

Rotaie Ihe pir~J5 ftlRrurr!1,'" loon, ~djust the Plfersin tho IOGilpin d rOlil1e them. aea~irrg a FI[oo SPI -t a l . Grasp toc! Wlf(! ,n I1Ie IIwe 01 th~ Pliers, abou ll;,rl/,j" below Ihe spiFal.lkPd ~ "


34/50

5 I < 1 i t [ I ; o ~ , J > I'.[0000

.01A be3Illrlg rim < ' > S1W.~f 'cnmp re005, 4 stMirIg t r e ad ! i H l 1 ' i ', 2-2&gaug~

3Dmm la~,~~.1%'1 ;),h o1 e, s pa ce J' b ar

'. 11.2~i!...e, heishi S~fl''. Ii S_Oi;SilJe".

A01 II1 d roDs;'; ~bEreWI;l!~r5e.~11M~ soobl ~ CI~l!I1ltl:pe IMI>~1l Srot:cr."'r,lIpt;!

Create your own multi-strand connector.BY BO NN IE CLE WA N S

Multi-strand bracelets can prcsentmil1ny a_gi~fiil(( problems,Tlv""",,tril'ld connectors are frNjunily used ~,~lh loggJe ( Im ; - artdrirtg)

LilY out your beoo p~tH'm ' tor each orme'iJ'lI~ SIMMS. F t cmcm~ r . ! J 1~cllls~ end s pa cer b < lf od ! \hIS in lD a c oo ~ n,.T hre ad one 31M1 ~tcom) belle ~rld ho1stLi

5pacer onto l)h~~d pin.Tilre Q u \< .' h~ l~.. I ~ 3 -hol! l (m u I t ! -9 tF ol HO ) s p\lC e r Q 1 lI r"lh e nadd another mel~hispaterarid Bmm bicallElbead.


35/50

US ing rou i' id nose Dl le fS . g ra sp lf le head p in abo ll J t- \f a "above lime l[l~'of the last bead added thei l l b e n o . l ti'le wiie to

Br ing lhI: wire bock O1 raU {lll th e 4rnm I:)lo~m:,bead.cl1m,o.Md ",,~I lew bead:; II I tl1~pattorn. Uslf'18fl~fIor ch a In nos.e ptle f'S .. C . C C F i t l y ~~jl nh e whl'lJ!e b . r J ~ & I f f l >beads rOfl,ct!1cr.Ocml~re.:;5 LJj" crl!llp l'l ilh crlmPlng~ners o r chain oose pliers lind lrim ~ 0\CCS~ wire.I) Repeat Step 9 fur the remaining errand. Ch~

the hracele around yOur wrist. and add ~r reme>rebead's from !he 1iapeC end 10 adjU$t th~ s~.

Thrc-ad the (1M of the rnlddl~ wi rc ihlough 1Mt'Cn!(lt !lO re on th e s.cOOruJspacer tim ~nd fll'l~s.hns~o~ dIUl~ SieI' 8. At1.8i:ll \lit: O\liu( L\\,"oeuter ~lruOOS

through Ihclr rC:l!,p!:'C1e wropll4XIl()OpS !!~a nf'!is~ lISyo~ ~idIn Ste~ 9.

tf Y(j!J prerer a wider bracelet. you c:an LIS;: ! a 5-hole $~


36/50


37/50

eeoant .Y'-CasuaThe dc-sign for this piece evolved OVer tunc. While if' Tucson this pasl1'(bru.TIY for the- gem. mineral, ;ewdry, and bead shows, [ bought allthese wondcef ".1gemstone beads and pearls. J didn't know whatI was go-ing to do with them at the time, but kne ..v they wouldn't go to ' ' ' < 1 S t I . ' .

T he ido"'a fina lly c am e- a .E te t finishing a ""c khlc e fof m y nunf. S ho :>h ad abell buckle thal she wanted to lise 115 a pendant, Tl \c loops on. the beltbuckle were on the sides thougn. not on 'h~ LOp. Since lcouldn't diangetJ,~ belt buckle !d,ar;goo the traditional concept of ~ hanging pendant. Ilook ru b b " cordi ng a nd added 8 hook (trom 0 hook a nd ey~ crira fi clasp)te l ~"di ,,,,d ..I Ih~ r ub ber (,,,din~;.. I t b~ 'f1 linked ~ h " h< :> ok 1 . ' . 1 1 ( ; 1 5 O"~, th(,loops' on the back tll th~ buckle - instant necklace, 800 ho ...'


38/50

e legantly casua l

a CuI bbl.,dill~ w i r L ' 3" Itlrignr 111Mthe dol.cr!l' li~ctIIcrntli1 s 01 e ach s tr;J iid : tne e)l;i%1lwiil give y ou room

10 cn allge y uu r < les !g ll o r rooln f or e r ro r.Tt!! ' (>


39/50

~Iate IJ\ClliliW sg qoejawl? above t:M ~e[~.to\1jijl ,an~me 6Wer jnw i~MIQ~'l it. atlllg In~ ~erll c W ~ r R (lfu't I f ~ P pve_r

an(j, 3M1M tl1(: IOpja\v Gj. 1M p~ets,~, l h ll ! J eg i s b ll !r 'l d ing~ OW I 1 H ~ .a b O li ! a 45" < '~ '8 ie. '

'Rota te lM p!r< !1'$So ther


40/50

SI@LIi!rJ I!! I000

.. t~mp",o~lI)g ooroh Mdl'etti i:tlEtre r;II;IS~,mea ' l iml r e~ spe:(:iall\\4S2.la.5S greel le 1P3.t e l 1 I :2 1 L ,6 ,< lAd " f li I \' lIe pas-~I ~1iInger ,tI204

% 2 '" stainless S~eeJMv1)dt~l 'S ( C I ~ ~ ~ 1 t ! 1 i di a m e t l ! ! r l ' di~~ ill ~~r e J e o r s e

fI.,a d 1'II~"Si}. I r~rn1'f1{!r1dFostrj;jr:e ~IarFO,lrnul!l bl'.aiJ'Oe It's~Od q~fi th~ ,e~.ru ! a . ~~1{)cKli1g?

I lI ,ma rv er , !lil~ l Je loTCn mO / Jr il eC '0; I,on!! MIll!

$ - t a rn 1 e ss $ t< l' l ! ! 1 ~J ! 1 m ! ) : "s,tM pick (a dlm""l tool~~~al~l)(nls1iCl) Kiln 'Io.r .a rn~eanng

s t o c ~ R g s m s& 8 , l f oootsHolliday Ilampwol'ked beads.

BY ROl IN J . FOSTER

"111~rcal (hillllg,1J. iont l IXlking !his 'Ch~i$ltll~s swcking 'bead i~, pr't)~i,.:fton l"n:'l ~'ired! LlI'~lP",1I>db.lll1fS "",an a~sO!t!(l, Ihis,bead.l!'.ictlll'c inO\"''I'I'.nd how a ~~' looks ~vhen W~ H'mngnng:- ~lInlpyand WITte-l~hilt uneven, jusl walw]g for Sa.lln 1'0Cl:>m~> } l '9"d fill i! with fnll ~Ul"priS6! So dun'j worl)' .,~"'!ll li1klng ih", p"~fe'Cr bead - jllst rehix rum!h'M;) (,11l_ Alall,g Ih~ way. }fOu'li natural]y ~~ble' across your ,own V


41/50

\,,1Me)lOU1 bea(] '5 s till f ai ~ly hot rll10 Icoks nkI;! il hasSQ~ inner glow [bwUsfI'! gloWing I.:nightly). rotate the tube

~y agaID: l1 the rnarver to smooth it out. Re~ U11sprocess Im.!11 y.gu ntNe a tube )I1liiJ"re MpP } ' With. If II'S IWtpBl' fecrly SffiOOUlIME'S Ok8Y,

' N I Q 'H thee 1lJb!;; b ea d to cool slightly - it 8ho~ld haveserne rnner gJ_ bur not be glowing brightly. !!it thiS stege,

keep yDUr be.afI cut ln the tip 0 IUle ftame, pre\len~in,g [hebeO Hllm m cooling La o m ucnane IJ(Issibl), C faC k, ng I rC D I'!1 li lerrl'm~$~. I!!t thc s{Jmc urne, hoot the red rod urnll ~r.l4Jll : iavc[J p~iJ!oSi~ 1 l iD 1 l K '

R P r r n f"IK tl'oil Me .l liim p , pmM.:he r.e~~nther ilflTilY onto one Md Qf lhe Wj)~t.hennxr.-e m e m a nd re I QUIckly d 'ownw~rd (lOW.ards !he !.ablE!-lOp), som e boca " is ~!owlhe level of tne 'fi~mc. ulli up Oilinc rO O and pulr it sl~wIy back throu,gh the ftarne te melt off!.he excess glass, Let t ! l i 1 8 glass stum p or setue dowil omo!h e Moe r r e o o , .

Fl)m;log tho lila I..rnp,e The toe lumpSI8il5 o ff ex a c ll y

'Ik e th e hool ltim p, b~t tspla ce d ~ th e tube opposltc11"1a'h~ll'1. Add a gather of redglass ancf then add ~ightom lop, 00 !J1e toe lurnp i~ ICnl!1,~f'lJ'nanthet nee l lump .

Acl'dl9g lim white ,polka dots U S ill,fl'W nlt!O l Slrif\Nc' j ,l \I r e a d 3S you m e'lt th ~m 1 1'I l,wI1lchts w hy O \l wan t 10 start smoll. m gN lifter ltl'Udlling~GWn to place-:I'our dot, pull the >ltriliJger till ~I:hIO~gh th e f l ame to m e!! off tne S triW lil,e r eM, a lS l>k~_n 00 f1

name, FIlel~~glnr


42/50

stOc:k ings and e lf b octs

Adding the' gleen liIeel FOim a pea-size g,8trnerof grass g"eQna'~d plac,e

it . firmlY "n t~p m ~heM(li Il.(ll1p_Mel t off the roo!'Is.n S1e~4.

~ t_ t ;I1" glass sl,urnp or seflle down onto the heelI U f ' J 1 J ' .

DYl1ln~", bee.1por~ol1 of the OOa~ in and Q~t ofll1e -~arrle, melting in the gree~ eq@8s '

., Add thQ @'Q"n ~ ( ) E o t~~ S~~M wa y you added the~(at least one hour ,Inen r am p , t he lemP.Bf


43/50

C D PI


44/50

Adding snver orgold foil cutoutsto enamel beads-

BY PA M "E A:5T

sltll]a~VEla, __000"" "'" ~"' "~ '~ ""' " " '~ 'U "" n''"'~I,What you lIeed I l"

"",, I' ."" '

for e'l"IIafl'elreads: T r c i& J e'" S li H I pru~~e torch or I'lolh",;d(L Llk~ ,tll~BBm.OmQtic'll TS4000)

Torch h otnerj %>-.mc~11 enamel I n bold opaqueCO~Qr:;

DttPP"F tublng ('l'i.6" M.djC! % :"refrigeraliontubing)

Frr>!e~lin~uisl1er S~lmy gl"~,Sscs Du& maskF t ; E l f f ' Q ! : ~ ~m~!lIt'~~ OO ... 2 0C>O C le a .- for S,IV(lr 8Q.rn~~henamel {alsOc kI10WJl as "flLl~)

G e nL JII1 ~ ~F1e sl IO!lr !011 orn-: 'N.Kgold loll

' .' T y p il lg pl'lper'Ii!' Sc:i5 ;St1r5'. crattpuncnes (hearts. stars,or whatever you lil\e)

Tw~el$SF ur 1t1aiffif~~:'.' ;] head p,ns. Pair of ~fY"H!#1ckear .....res. Spacer beads.' R{lu~d nose pliers'. WireO",rl~(';

In my ~E~'y En"", , , , , ,1 H>",,,d~"p," ,+d ,n tho; ; S pr i "8 2 t lO J i""ue" I: ,hc)w11,MOR t o r di,e ~ d wiN be built with ~hl'jl-m ~~ h enam els , You 'Uo,,!? ~k","T M,)ld (~old [oil is "sually 22-ML i t t l E ) . DtI,'j'~m " " ' { i iH X foil~ 0 '" ~lfmfiwt!JI. No matter how pl'


45/50

H:a~dling !lllts,.Fojl is weI)' Ir,gt lLarK! dellcare snd rnust be h~~dled \: sJJeet "mk5 I,ell.

lie hack long hair"_ Wearcotloo Of~nilt1'Jrnl firerclothillg: you don'twanl a spar!< to ~Ii!l SG Ille W Ill 0 0 < n iM . )'O u r "'(J~ i lma I think v eu rn .. y IJ Jl.urprjt>l..-tlltl II1< l 'QI.II~ e m Ul1y oT Ilht.: 'U)oOl' 11'1youll 110m 1 , , , 1 I d O m , _ , . , UJII 'I


46/50

fun with foils

'e S ec up the torch. Tiletorch h~eto protect your table.Ma.king the bead.e usung pliers. place a piece ot copper lUi)il')g on th e man-drel tip and 1i'ghtt~nitdown. You d'on't want YOUIcopper

pieoJe10 loosen on the mandre l while you're makirlg, yourbe ad or It coul


47/50

1M ! . l e a > : ! 10 U1e11 t 1me~Mmeti ti1e onamel untd i~'s

I g i> o w J I' l g . 1 1 .1 (0 l l 1 e mandre lSMlvl~1' lOprel't r ' l l the enam e l " 0 0 1 ' 1 1 1 (I!i.ppi nt oft.Once~rte cnaml';l is melled. ~i


48/50

Bar i nsplraton511",e lJeaoe J earring;:..BYTA 'lARAL HONAMAN,Editor- ill" 'hjefAller ti1..1.killg 2U pair "f ""mnw IQr le'iKOO sifts, I gut Ver)'

bored wlth lll(' d"'ign I had t-SI U,..jllg. To help break W bon"-durn spt'lt, 1pulled out scm.. b~d~ .>ndfinding;> f hadn't l , , , , , d inu while. I Iound Ifl-"pirdtlan;n ii!.ili b M ds I. ha d ,,1;t ,w cd. dWilY 1!J1''0fdoocping d;,;" tot' my " ' - ' l : ' 1 . " 1 ' I i mWt'-

TI", 1""'11 j m e nl c ir clc . in t h O ' Ral; to.d.b, "r-O'ctcb". 2004


49/50

Grip tE1ewire with fQi.!nd nose pliers, just above the I'~slspacer added, SerlO the wi re down to a 90' angie. Rotate

the plfers so one jaw IS ,,])o,'e lhe bent wire and the DlhE"j~w ts ~IOVI nt . B~ng the be m wire (title !!'!g) over and aroundthe top jaw of the pl"~r$ so ,he les ls bend ing down to @hmlla 45" angle.

Rolal@ the plIers so Iller are parallel to th@W ( > f f i surface.8ri~~ the leg aJI the way dQWO.around. li1M ijetqind the wtrejust below tne orIginal bend.

USing chain nose pileI 'S, sliglltiy Open the loop yQu\~ justcreated, then sli~' on the ri~. of one ball post earring.

Wl1ile Mfding tile cha,n n()se pliers in )'Our non-dominanthand, grip the IOQPso it closes and' captures th'" earlIng lind-lllg, USiilg ilhoo.

Set this piece aside, Threoo one 5mm round' BalllJoead and one 3mm

stBdirlg bead onto a heed pin, Using round nosepliers; grip tho wire j~sl at)ove tne last bead addedand !)em! Ille Wiffi to a 90" angle,

MO,A:E PFlOJ'ECTs @' ~nr-:PRys.TEPJEWEI.RY.COM 63


50/50

B a l i Insp Ira tion

U S Ii"\8. W lr" e utte rs , lrirn the W ire to OO Dut ;)9" f romthe bend,

Gnp the lip of ,he wire with round nose pliets. R(>-ta lC'1tIo pliers to create a loop.

Relle'BI ~nli' you ll.1WiIsi - lIa rl '- bead i d roM>.' Add ene ~ulim S "U bc:ld Il1 1dSI 3mm ~terlin"

bj)ads onUl a htl1lej I 'll r~.Creall ! II kJ6p 01'1he 'Mt>lUle wl,~

Step by Step Beads September October 2004

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