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STAGING AMERICAN SOUNDS International conference
UNIVERSIDAD COMPLUTENSE DE MADRID 9-10 MAY 2013
PROGRAMME
THURSDAY 9 MAY
9.00-9.30 Registration
9.30- 11.00 Panel Session 1: Soundscapes (Chair: Noelia Hernando Real, UCM)
Dídac Llorens (UNED)
The Sounds of The Turn of the Screw: From the Page to the Opera House
Annika Eisenberg (Johannes Gutenberg-University Mainz) “I, too, sing America” – Poetic Soundscapes of New York City in Jazz Poetry
Esther Sánchez-Pardo (Universidad Complutense de Madrid) Documenting Protest: Muriel Rukeyser and the Radio Poem
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11.00-11.30 Coffee Break 11.30-13.00 Keynote Lecture
(Chair: Fabio L. Vericat, UCM)
Professor Garrett Stewart (University of Iowa)
The Inner Stage of Voice: Barbra Streisand, Toni Morrison, and “Secondary Vocality”
13.00-14.15 Lunch break
14.15-15.45 Panel Session 2: Singing Americas (Chair: Noelia Hernando Real, UCM)
Claude Chastagner (Université Paul Valéry, Montpellier 3)
From the Back Door to Center Stage: The Music of the Tejanos
Delia Poey (Florida State University) To the Beat of their Own Drum: Women in Salsa
Anne Stefani (Université Toulouse II-Le Mirail)
Sounds of Freedom: Music in the 1960s Southern Civil Rights Movement
15.45-16.15 Coffee break
16.15-18.00 Panel Session 3: Voice Matters (Chair: Ana Fernández-Caparrós, UCM)
Elizabeth Micakovic (University of Exeter)
Laboratory Voices: American Modernismʼs Phonographic Curatorship
Fabio L. Vericat (Universidad Complutense de Madrid) “No such thing as a voice pure and simple”: American Elocution and the Enunciation of
the Literary Text in Henry James's The American
Srijani Ghosh (Michigan State University) Talkinʼ that talk: The American Vernacular in Anita Loosʼs Gentlemen Prefer Blondes
Valerie M. Joyce (Villanova University)
(Dis)Embodied Voices: Developing Dialects for Distinctive Characters
20.30 Conference Dinner: RESTAURANTE PARRILLA DEL MAGO
C/ San Agustín 13, Madrid
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FRIDAY 10 MAY
10.00-11.00 Panel Session 4: American Dramas (Chair: Matthew Roudané, Georgia State University)
Annalisa Brugnoli (Unversità Caʼ Foscari Venezia)
Breaking the Fourth Wall through Silence: Suzan-Lori Parksʼs Topdog/Underdog
Carla Della Gatta (Northwestern University) Singing Racial and Ethnic Conflict: U.S. Shakespearean Productions in Britainʼs 2012
Cultural Olympiad 11.00-11.30 Coffee Break 11.30-13.00 Panel Session 5: The Sounds of Ethnic Diversity
(Chair: Fabio L. Vericat, UCM)
Nathalie Dessens (Université Toulouse II-Le Mirail) The Sounds of Babel: Staging American Ethnic Diversity in Early Nineteenth-Century
New Orleans
Soizic Croguennec (Université Toulouse II-Le Mirail) Colonial Justice and Dramatization: Castas and Spaniards Before the Judge
(Zacatecas- first half of the 18th century)
Patricia Alves de Carvalho Lobo (Universidade de Lisboa) Todas las voces que me hablan simultáneamente: Chicana Voices from the
Borderlands
13.00-14.15 Lunch break
14.15-15.45 Panel Session 6: Musical Imagery (Chair: Esther Sanchez-Pardo, UCM)
Candice Lemaire (Université Toulouse II Le Mirail)
Songs of the Wave: Frostian Poetics of Resurgence
Jefferey Simons (Universidad de Huelva) The Incidence of Dickinsonʼs Ear
Eulalia Piñero Gil (Universidad Autónoma de Madrid)
“Music evoked pictures in her mind”: The Emotional Effects of Artistic Synaesthesia in Kate Chopinʼs The Awakening
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16.00-17.00 Panel Session 7: Sound Technologies
(Chair: Ana Fernández-Caparrós, UCM)
Brooks E. Hefner (James Madison University) Race in the Age of Mechanical Reproduction: Recording Technology and the Sounds
of Minstrelsy at the Turn of the Century
María Goicoechea (Universidad Complutense de Madrid) The Mechanic Ear: American Sound Poetry in the Digital Age
17.00-18.00 Closing words and round table on future perspectives
CAÑAS & TAPAS Enjoy Madridʼs nightlife!
DEPARTAMENTO DE FILOLOGÍA INGLESA II
All sessions will take place in room A-217
Scientific and Organizing Committee: Ana Fernández-Caparrós, Noelia Hernando-Real, Fabio L. Vericat