SRI VIDYA PUJAN/ PRAYER VIDHI/METHOD GURU MANTRA Name of Guru Patni/wife Name of your Guru aiṁ hrīṁ śrīṁ aiṁ klīṁ sauḥ hamasaḥ śiva so'm hasakafreṁ hasakṣamalavarayūṁ hasauḥ sahakakṣamalavarayīṁ sahauḥ svarupa nirupṇā hetave svaguruve śrī Name of Guru Patni/wife āṁba sahitā śrī Name of your Guru ānanda śrī guru śrī pādukāma pujyāmi tarpayāmi namaḥ PANCADASI MANTRA ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ GANESH PUJAN om gaṇānāma tvā gaṇapati gama havāmahe kavima kavināma upamaśravastamam jyeṣṭha rājam brahmaṇām brahmaṇaspata ānaha śruṇuvan ūthabhīha sīdha sādhanama śrī mahā gaṇādhipataye namaḥ
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SRI VIDYA PUJAN/ PRAYER VIDHI/METHOD
GURU MANTRA
Name
of Guru Patni/wife Name of your Guru
aiṁ hrīṁ śrīṁ aiṁ klīṁ sauḥ hamasaḥ śiva so'm
hasakafreṁ hasakṣamalavarayūṁ hasauḥ sahakakṣamalavarayīṁ sahauḥ svarupa nirupṇā hetave svaguruve śrī Name of Guru Patni/wife āṁba sahitā śrī Name of your Guru ānanda śrī guru śrī pādukāma pujyāmi tarpayāmi namaḥ
aiṁ hrīṁ śrīṁ pancadaśī (ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ) namaḥ
Place a dot of sandal paste in the centre.
aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ
Place a dot of sandal paste at the corner facing you
aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ
Place a dot of sandal paste at the corner towards your right
aiṁ hrīṁ śrīṁ sa ka la hrīṁ namaḥ
Place a dot of sandal paste at the corner towards your left
VIRAJA HOMA
Take a deep breath Keep saying 'yam'
Imagine that your body is subject to decay ,it is going to be burnt , It has to become old, it has to merge with the elements, it has
happened,it placed on the funeral pyre, wind is coming and drying up your dead body .The wind is 'yam'. Release your breath. Take a deep breath again.Keep saying 'ram'
Your body has been lit up, you hear the crakling of the fire,the sparks fly, water vapors rise from the body,parts of the body are
sticking out and someone takes a stick and pushes them back into the fire, see the whole body going up in smoke.After the body is
gone, all those things associated with the body are gone too. There is nothing to be possessive of.'Ram' is the fire. At the end of the
fire, your body is reduced to ashes called vibhuti. Release your breath. Take a deep breath.Keep saying 'vam'.
Great clouds gather, a thunder and lightning occurs and an incessant rain falls. Theashes are wetted by` vam` the nectar The divine
body of Dev. is born out of these ashes. Thisdivine body is your body of Lalita.
PRANAYAMA
You do pranayama three times. Along with exhalation and recitation of Panchadasi, this the ball of light is going out and forming ball
outside, and when you inhale with Panchadasi, this light is dissolving and coming inside and forming a ball inside. An inside and
outside exchange is taking place with the breath. You are existing inside your body and outside your body. And the breath is the
connecting link between the two.The way to do pranayama is as follows. Recite Panchadasi once while inhaling, twice holding the
breath inside, once while exhaling, onceholding the breath outside. This constitutes one cycle of Pranayama. Also, the ball of light
goes where the breath goes. During inhalation, it is going in, with exhalation it is going out. Like this, you start with three rounds and
gradually increase to fifteen rounds.
Dealing with Obstacles to PUJA
apa sarpantu te bhutaḥ ye bhutaḥ bhuvisamasthitaha ye
bhutaḥ vighna kartāraḥ te naṣyantu śivajṇaya
All such elements which want to create obstacles to our worship and those which exist here may they be destroyed by the command of
Śivà. Clap hands 3 times and snap your fingers 3 times to your left to the bottom, middle and above.
Identification of Your Body, Sri Chakra and Dev. Through the Mantras of the Nine Enclosures -VAJRA PANJARA NYASAM
Each of the enclosure mantras has 3 seed letters. The first is placed in your body, the second in the Sri Chakram and the third, in
the body of Devi, Vajra panjaram means a diamond cage, Nyasa means to become aware of a particular region
Square Enclosure Feet and Hands
1 aiṁ hrīṁ śrīṁ aṁ namaḥ in your feet.
2 aiṁ hrīṁ śrīṁ āṁ namaḥ in the square enclosure of Sri Chakra.
3 aiṁ hrīṁ śrīṁ sauḥ namaḥ in Devis feet.
4 aiṁ hrīṁ śrīṁ aṁ madhyamābhyāṁ at the middle fingers.
5 aiṁ hrīṁ śrīṁ āṁ anāmikābhyāṁ at the ring fingers.
6 aiṁ hrīṁ śrīṁ souḥ kaniṣṭhikābhyāṁ at the little fingers.
7 aiṁ hrīṁ śrīṁ aṁ aṁguṣṭābhyāṁ namaḥ at the thumbs.
8 aiṁ hrīṁ śrīṁ āṁ tarjanābhyāṁ namaḥ at the forefingers.
9 aiṁ hrīṁ śrīṁ sauḥ karatala kara prūṣdhābhyāṁ namaḥ
around the palms.
16-Petalled Enclosure . Thighs
1 aiṁ hrīṁ śrīṁ aiṁ namaḥ in your thighs
2 aiṁ hrīṁ śrīṁ klāṁ namaḥ in 16-petalled lotus
3 aiṁ hrīṁ śrīṁ sauḥ namaḥ in Deviis thighs
4 mahā tripura sundari in your thighs.
5 ātmānaṁ in the shri Chakra.
6 rakṣa rakṣa in the two thighs of Devii
8-Petalled Enclosure Muladhara
1 aiṁ hrīṁ śrīṁ hrīṁ namaḥ at Muladhara
2 aiṁ hrīṁ śrīṁ klīṁ namaḥ at the 8-petalled enclosure.
3 aiṁ hrīṁ śrīṁ sauḥ namaḥ earth
4 devī ātma āsanāya namaḥ at muladhara, 8-petalled
Samanya argyaa 1 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ hṛdayāya namaḥ śrīṁ 2 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ śirase svāhā śrīṁ 3 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ śikhāyai vaṣaṭ śrīṁ 4 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ kavacāya huṁ śrīṁ 5 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ netrābhyāṁ vauṣaṭ
śrīṁ 6 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ astrāya phaṭ śrīṁ
7
aiṁ hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka ha
la hrīṁ namaḥ
Visesarghya 1
aiṁ hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka ha la hrīṁ namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ namaḥ śrīṁ 3 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ namaḥ śrīṁ 4 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ namaḥ śrīṁ 5 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ hṛdayāya namaḥ śrīṁ 6 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ śirase svāhā śrīṁ 7 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ śikhāyai vaṣaṭ śrīṁ 8 aiṁ hrīṁ śrīṁ ka e ī la hrīṁ kavacāya huṁ śrīṁ 9 aiṁ hrīṁ śrīṁ ha sa ka ha la hrīṁ netrābhyāṁ vauṣaṭ
śrīṁ 10 aiṁ hrīṁ śrīṁ sa ka ha la hrīṁ astrāya phaṭ śrīṁ
śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa
ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ Offer gandham (scent), akshata (turmeric rice), pushpa (flowers),and dipa (lights) to maa Lakshmi, born out of the
clockwise and anticlockwise rotation of Meru Parvatam in the ocean).While waving the lights, you may recite the
You should visualize here, the ardhanaariishvara form of Devi. At the heart, the right half is white, with a blue dot and the left (female part) is yellow with a red dot).
9 aiṁ hrīṁ śrīṁ|ka e ī la hrīṁ| kulasundarīyai namaḥ śrīṁ
10 aiṁ hrīṁ śrīṁ|ha sa ka ha la hrīṁ| nityeyai namaḥ śrīṁ
11 aiṁ hrīṁ śrīṁ|sa ka la ha hrīṁ| nīlapatākeyai namaḥ śrīṁ
12 aiṁ hrīṁ śrīṁ|sauḥ| vijayeyai namaḥ śrīṁ
13 aiṁ hrīṁ śrīṁ|aiṁ| sarvamaṅgaleyai namaḥ śrīṁ
14 aiṁ hrīṁ śrīṁ|klīṁ| jvālāmālinīyai namaḥ śrīṁ
15 aiṁ hrīṁ śrīṁ|hrīṁ| citreyai namaḥ śrīṁ
16 aiṁ hrīṁ śrīṁ|śrīṁ| mahānityeyai namaḥ śrīṁ
17
aiṁ hrīṁ śrīṁ| srīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ| parameśvara parameśvarīyai namaḥ śrīṁ
Salutations to Gurus
1 aiṁ hrīṁ śrīṁ mitreśamayīyai namaḥ śrīṁ
2 aiṁ hrīṁ śrīṁ ṣaṣṭiṣamayīyai namaḥ śrīṁ
3 aiṁ hrīṁ śrīṁuḍḍīśamayīyai namaḥ śrīṁ
4 aiṁ hrīṁ śrīṁcaryānāthamayīyai namaḥ śrīṁ
5 aiṁ hrīṁ śrīṁ lopāmudrāmayī namaḥ śrīṁ
6 aiṁ hrīṁ śrīṁ agastyamayī namaḥ śrīṁ
7 aiṁ hrīṁ śrīṁ kālatāpaśamayī namaḥ śrīṁ
8 aiṁ hrīṁ śrīṁ dharmācāryamayī namaḥ śrīṁ
9 aiṁ hrīṁ śrīṁ muktakeśīśvaramayī namaḥ śrīṁ
10 aiṁ hrīṁ śrīṁ dīpakalānāthamayī namaḥ śrīṁ
11 aiṁ hrīṁ śrīṁ viṣṇudevamayī namaḥ śrīṁ
12 aiṁ hrīṁ śrīṁ prabhākaradevamayī namaḥ śrīṁ
13 aiṁ hrīṁ śrīṁ tejodevamayī namaḥ śrīṁ
14 aiṁ hrīṁ śrīṁ manojadevamayi namaḥ śrīṁ
15 aiṁ hrīṁ śrīṁ kalyāṇadevamayī namaḥ śrīṁ
16 aiṁ hrīṁ śrīṁ vāsudevamayī namaḥ śrīṁ
17 aiṁ hrīṁ śrīṁ ratnadevamayī namaḥ śrīṁ
18 aiṁ hrīṁ śrīṁ śrīrāmānandamayī namaḥ śrīṁ
Avarana 1
ANANDA BHAIRAVI---- KamalambaSamrakshatu
The First Enclosure This is technically named Bhupur and is called
'Deluder of the Realms' or Trailokya Mohana Chakra. It has petals
in four directions, which contain esoteric knowledge to be
transmitted. There are actually six gateways to this enclosure if we
take a three-dimensional view of it, the four obvious dvaras and
those 'above' and 'below'. The Eastern gate is the way of the
mantras. The Southern gate is the way of devotion or bhakti. The
Western gate is for the performance of rites and rituals, or karma-
kanda. The Northern gate is the way of wisdom, or Jnana. The gate
'below' is the 'path of words' while the gate 'above' is the way or
'road of liberation'. These are located at the Southern and Northern
gate, respectively, i.e. 'above' is north, 'below' is south. Each of
these gates also stands for one of the six primary chakras in the
body.'Below' is the root or Muladhara Chakra; the Eastern gate to
the sacral or Svadhishthana Chakra; the Southern to the navel or
Manipura Chakra; the Western corresponds to heart or Anahata
Chakra; the Northern to the throat or Visuddha Chakra, and the
'above' to the brow or Ajna Chakra. The devotee or seeker is still
operating at the level of desire here.
The 3 lines of the 1st Avarana & the position of the various deities The outermost 3 lines known as Bhupura form the first Avarana
of the Sri Yantra. This is known as the Trilokya Mohana Chakra and the worshiper knowing its inner secrets can mesmerise the 3
worlds. It is ruled by a Yogini Devi called Prakata Yogini. The Deity of this is Tripura. The beeja of this Avarana is Am Aam Sauh.
The gem is topaz. The time is 24 minutes (360 breaths).The mudra to be shown is Kshobha Mudra.
The 1st line: The Outer line (of the 3 lines) has 10 Devis known as Siddhi Devis. Their luster is like that of molten gold, they hold the
goad in their right hands and the noose in their left hands. They are very auspicious and bestow heaps of gems and jewels to the
worshiper. They are placed as shown in the above picture. They are:
aiṁ hrīṁ śrīṁ | śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | prakaṭa yoginī namaḥ śrīṁ
This is technically named Shodashal and is called the 'Fulfiller of all Hopes' or Sarva Ashapurak Chakra. Since frustrated desire is the strongest obstacle to spiritual progress,the next stage is wisely concerned with satisfying them. Only he who has experienced can renounce. The values of virtue,wealth and pleasure are granted at this stage. The petals are representations of 16 sacred vowels, each one starting from the east in an anti-clockwise direction. Each of the 16 vowels corresponds to the divine Feminine Energy or Shakti. The Shaktis manifest their powers in the Five Elements, the 10 senses of perception or Indriyas (being further divided into five organs of action and five sense organs) and the Mind. This stage, too, corresponds to the Muladhara Chakra and is the second part of Emanation. Progress towards long-term objectives is achieved here.
The 2nd Avarana: is the 16 petals circle known as Sarvaash Paripooraka Chakra meaning the fulfiller of all desires.The presiding
form of Lalita in this Avarana is Tripureshi. She is ornamented with all gems, carries a book and a rosary. The Yogini residing here is
calledGupta Yogini. The 16 Devis of this Avarana are called the Nitya Kalas, also Nitya Devis, also Akarshana Devis and also Gupta
Yoginis. They are of red hue and each holds a noose, a goad, pot of nectar and make the sign of giving boons. They rule the 16
Sanskrit vowels from a to ah. By worshiping them one gets power over mind, ego, sound, touch, sight, taste, smell, intellect, steadiness,
memory, name, growth, etheric body, rejuvenation, and physical body.The 16 Yoginis represent the 16 vowels of Sanskrit language,
and areworshipped with the 16 vowels as their beeja mantras.The gem of this Avarana is sapphire. The dhatu is chyle (the first
product of the disintegration of food by the biological fires). The time is three hours (2700 breaths). The beeja mantra is Aim Klim
Sauh. The Mudra of this Avarana is the Dravini Mudra.
aiṁ hrīṁ śrīṁ | śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ matiḥ rūpiṇī guptatarayoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | patmā rūpiṇī sampradāya yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ kāntimat bhāsitāṅkā rūpiṇī kula kaula yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ kṛpāmayī rūpiṇī nigarbhayogini namaḥ śrīṁ
aiṁ hrīṁ śrīṁ śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ mahālakṣmī guṇānvidā rūpiṇī rahasya yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ māṁgalya bījā mahimā rūpiṇī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ rūpiṇī parā para rahasyayoginī namaḥ śrīṁ
This is the central point or Bindu and is aptly called 'Filled with
all Bliss' or Sarva Anandamayai Chakra. Since it is too minute to
be clearly seen, the Primary Triangle exists as a manifestation of
this bindu. This point is the actual spot where the Mother resides
though, to make matters interesting, this point is supposed to
pervade all creation too! This, in a temple, would be the sanctum
sanctorum,with all the other circles or enclosures representing
various parts of the temple as you move inwards. Every classic
temple has this nine-enclosure design to enable the mind to be
successively purified and focused, by the time it getsthe actual
vision of the deity. By this point, the seeker should be in mystical
union with the God-field. The point is also called the 'Field of
Deliberation', the spot wherein takes place the indissoluble union
of the individual soul with the divine. The Ninth Enclosure is the
ultimate gathering up of Emanation and represents Absorption-
Absorption, 'filled with all bliss' as bliss - Ananda - is defined as
'Resting in Oneself'. This point corresponds to the Sahasrara
Chakra, the aperture on the crown of the head.It is the culmination
of the inner journey, a return to Godhead. The reverse process is
the unfolding of the Universe. These two processes alternate
eternally in the process known as Vyapta-Vyapta, Manifest-
Unmanifest, creation by emanation, dissolution, absorption and
then emanation again.
The 9th Avarana: This Avarana is the Bindu - the Cosmic Union
of Shiva & Shakti as Kameswari & Kameswara. It is called
Sarvanandamaya Chakra. The Yogini is the Queen of Queens,
Rajarajeshvari, Her Transcendent Majesty Lalita Maheshvari
Mahatripurasundari.The beeja is ka e i la hrim. The gem is
ruby. The dhatu is hair. The time isyear. The mudra of this
Avarana is Yoni Mudra. Some Sri Yantras have a further
division within the bindu space, three dots arranged in a
triangle and standing for the three creative fires: the Fire of the
Moon, i.e. the dot representing it is red in color and it also
stands for the ida channel for the prana on the left (lunar) side
of the body; the Fire of the Sun is a white dot, and represents the
pingala channel for the prana on the right side of the body; the
Fire of Agni, sacred flame, is of mixed colors and stands for the
central channel, the sushumna. In such cases, of course,the
actual bindu will be infinitely small and enclosed within the
triangular space formed by these three dots.
aiṁ hrīṁ śrīṁ mahāsiddha lakṣmī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ śrī śrī mahā bhaṭṭārike parapramātmaka śakti śrīmahātripurasundarī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ rūpiṇī śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ divya lakśmī rūpiṇī parāparātirahasya yoginī namaḥ śrīṁ
aiṁ hrīṁ śrīṁ|ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ|mahā tripurasundarī namaḥ śrīṁ
10
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā maheśvarīyai namaḥ śrīṁ
11
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā rājñīyai namaḥ śrīṁ
12
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā śakteyai namaḥ śrīṁ
13
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā gupteyai namaḥ śrīṁ
14
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā jñānapteyai namaḥ śrīṁ
15
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā maha ānandeyai namaḥ śrīṁ
16
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā skandheyai namaḥ śrīṁ
17
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā śayeyai namaḥ śrīṁ
18
aiṁ hrīṁ śrīṁ| śrīṁ hrīṁ klīṁ aiṁ sauḥ om hrīṁ śrīṁ ka e ī la hrīṁ ha sa ka ha la hrīṁ sa ka la hrīṁ sauḥ aiṁ klīṁ hrīṁ śrīṁ | mahā mahā śrī cakra nagara sāmrājñīnīyai namaḥ śrīṁ