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1 ADAHARAY” SRI LANKAN TRADITIONAL FOLK ART ARTWORK DESCRIPTION Submitted to fulfill one of the requirements for Master’s Degree (MA) Program in Art Creation and Studies, Majoring in Music Creation by: Pahanthihage Dilhari Prasangika 15211335 MASTER’S DEGREE PROGRAMS INDONESIAN INSTITUTE OF THE ART (ISI) SURAKARTA 2018
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sri lankan traditional folk art artwork description

Apr 06, 2023

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“ADAHARAY”

SRI LANKAN TRADITIONAL FOLK ART

ARTWORK DESCRIPTION

Submitted to fulfill one of the requirements for Master’s Degree (MA) Program in Art Creation and Studies,

Majoring in Music Creation

by:

Pahanthihage Dilhari Prasangika

15211335

MASTER’S DEGREE PROGRAMS INDONESIAN INSTITUTE OF THE ART (ISI)

SURAKARTA 2018

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FOREWORD

During my educational carrier one of the special comprehensible

event is the studying for the Master Degree. If there were no various

assistance received by me to complete the Degree successfully I would

not have completed this task alone. Therefore I take this opportunity

to give my heartfelt thanks to all those who helped me to complete

this endeavor.

1. First of all I thank my loving parents, my beloved brothers and

sisters for taking me to this position.

2. Specially I thank my Supervisor Mr.Prof. Dr. Rahayu

Supanggah, S.Kar for correcting and giving me valuable

guidance and advises in order to do a successful creation which

now I possess.

3. Further I tender my thanks to Mr Dr. Aton Rustandi, M.Sn for

giving me an opportunity to follow a Degree in this University.

4. Also my thank goes to Mr Prof. Dr. Pande Made Sukerta,

S.Kar., who always given me advises and giving lessons for the

subject ‘Studio’.

5. Also my thanks goes to all the lecturers of the Post Graduate

Educational section and the Staff.

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6. To all my friends who were in 2015 Music Poncipan class.

7. Also Mr. prpf.Ranjith Fernando, Mr.prof. Udayasir

Vidyapathirana, Ms. Mangalika Rajapaksha Mr. Ariyaratna

Lankasara including the teaching staff of the Faculty of Music

at the University of Visual and Performing Art.

8. Further I thank very much to my fellow students in the Music

Faculty of the University of Visual and Performing Arts.

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LIST OF IDI

COVER PAGE…………………………………………………….

ENDORSEMENT PAGE………………………………………..

APPROVAL PAGE……………………………………………….

PAGES OF ORIGINALITY……………………………………..

FOREWORD……………………………………………………….

TABLE OF CONTENTS………………………………………...

LIST OF FIGURES……………………………………………….

RECOUDING FOR READERS…………………………………

CHAPTER I

A.Backgrond ................................................................................ 9

B.Referral talks .......................................................................... 18

C.Purpose and steaders .............................................................. 22

CHAPTER II

A. Ideas of work .......................................................................... 25

B. Arable ............................................................................... 27

C. Form of work ......................................................................... 30

D. Media ............................................................................... 30

E.Serving description ................................................................. 35

F. Originality of art work ............................................................ 58

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CHAPTER III

A.Observation ............................................................................ 59

B.Process of work ....................................................................... 61

C.Obstaclesand solution ................................................... 63

CHAPTER IV

A.Sinopsis ............................................................................... 66

B.Description locate .................................................................. 66

C.The stage arrangement ............................................................ 69

D.Duration of work..................................................................... 71

E.Supporters of the work ............................................................ 73

LIST OF REFERENCE

Reference from book ................................................................... 77

List of research person ............................................................... 79

GLOSSARY ............................................................ 81

ATTACHMENT ........................................................ 83

CURRICULUM VITES .............................................. 92

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CHAPTER I

PRELIMINARY

A. Background work

Culture is a thing that hereditary to a country,to a component

and to a group of people.We called as the culture our religion,

habitats, customs and regulations ,technology and life style.There is a

main important thing in culture.It is traditional folk arts.Folk music is

promenade all the cultural elements witch are contained in a

culture.It is different from a breed to breed, country to a country .We

can measure about country about a breed by observing their folk

music.

Sri Lanka is country that have a nobel culture.Sinhalese has a

cogent culture among all the country of the world.As a Srilankan

citizen I’m really proud to be a Sinhaese.This is my mother country.So

Srilankan traditional elements are very close to my life.I tried to do my

creation with all the experiences that I got during my life time and the

information about our villager’s life style that I collected from my

researches.

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When I talking about Srilankan Sinhala people today we can

see some changes are outcroped.Today society is very busy because of

this tidy schedule and the modernization of the world.Today we can

see educated society.There is a different between the society that I’m

going to conjure from my creation and today’s society. Today so many

cultural elements are fading away from our lives because of this

modernization and globalization.All the people are money minded.So

our cultural and essential values also fading away from our lives.

In ancient times Srilankan people had a nobel folk

music.Sinhalese follw customs and regulations from their birth to

deth.We can see customs and regulations witch are related with folk

music.Today also we can these customs a following by people, but

today they don’t using the folk music witch are related to this cutoms.

Today Srilankan folk music has divided in to some parts by

academicians. They are ;

-Mehe Gee (It is a thing that singing during they engaging to a

activity)

-Samaaja Gee (These are the songs that related with day today

life activities.)

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-Keli Gee (These songs are singing only for appreciation.)

When we are talking about the things that under number 01

Mehe Gee , it has a wide range of information.Mehe gee is a thing that

sung by people while they were engaging with an industry.These

songs based on several desiderata.Our main economical industry was

agriculture.From ancient times our Srilankan people did chena

cultivation and agriculture.So there were so many folk songs wich is

related to cultivating paddyfields.

There is a process witch is related to cultivating paddyfields.

Such as ; preparing the soil, planting rice plants , weeding , reaping ,

and threshing the paddy field.Our peasantry did this process

collectively by helping to each others.They sing folk songs while they

working in the paddy field.Provinsionaly these folk songs has several

names.As an example the folk songs wich are singing during weeding,

it called as “Nelum Kavi”. During cultivating paddy field, it called

as “Goyam Kavi”.During farmers looking after their chena

cultivation to protect it from harmful animals such as

elephants…etc..in the chalet that they build up it on a top of a tree,

they sung folk songs to avoid from sleeping and tiredness,We called as

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“ Pel Kavi”.We called as “Adahera” the folk songs wich are sing

during threshing paddy.These songs are different from melody ,

rythem , length and musical interval.

And there are some folk songs witch are coming under the topic

of Mehe Gee.They are bullock cart songs, raft songs ,mine songs and

Bambara Kavi.Our ancient people used carts for their

transportation.And they used carts for transport their economical

goods.It was very arduous thing.Because it’s really hard to walk alone

the gravel narrow roads.When they transporting through copse, they

sung cart songs to avoid from tiredness and lonlyness.

There is a folk songs called raft songs.In ancient times villagers

doesn’t have bridges to walk through rivers. Our villagers used rafts

as a bearer to transport through the river.This thing also very

dangerous.And also it’s a grueling activity.There was persons to ride

the rafts.This person sung raft songs during the transportation.We

can see mining also in Sri Lanka from ancient times.Today also we

can see it in Sri Lanka in a developed level.We can devided in to two

parts.They are black lead and gems.We called as mine songs , “Pathal

Kavi” ,the folk songs witch are sung by villagers during they working

in the mine.

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We can introduce our second variety as social songs.There are some

varieties under social songs.

Lullabies(These songs are sing to sleep babies)

Thunsarane Kavi (These songs are related to

Buddhism)

Welapum Kavi (These songs are sung during

sorrowful times)

Ceremonial Dances(This thing is doing to cure

diseases)

Lullabies is a thing that universal to the whole world.Because

every mother feel the same feeling about her baby.It is love and

kindness.Our past people sung songs witch are about their loving

feelings about their babies.We called it as lullabies.We can introduce

lullabies as a thing that coming from ancient times and a thing that

existing today also.The next thing that I’m going to demonstrate is

Thun Sarane Kavi.It is related to Buddhism.There are 75% Buddhist

people among Srilankan people.In ancient times our Buddhist

devotees walked into several sacred places to worship.During their

pilgrimage they sung thun sarane kavi.We can learn to spend a pure

lifestyle by observing these songs.

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The other thing that I’m going to clarify is Welapum Kavi.Welapum

Kavi is a thing that sung during cadaverous situations.In ancient

times these songs sung in funeral houses.These songs are getting a

sorrowful coquetry.These song’s belles lettres is Lord Buddha’s 550

egos.As examples ; Sandakinduru Jathakaya, Wessanthara

Jathakaya ,and Yashodharaawatha. I think they tried to realize the

thruth of life.

The other thing that coming under the topic of social songs

ceremonial dances.From ancient times our villagers had face different

types of diseases and accidents.Our villagers believed that these

things are happeninig because of imperceptible forces.They believed

that they can avoid from these things by having ceremonial dances.So

here they held ceremonial dances for the patient.They performed

dances,singings and recticals also.They held this thing to get blessing

of the god too.

After social songs, I’m going to describe about Keli Gee.We can

introduce keli gee as a elaborate thing in Srilankan culture.Because it

is circumstantial event mixed with dancing,singing and rectical.Keli

Gee is a thing that singing during playing games.These songs are

created only for appreciation.They sung these songs during the period

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of Sinhala and Hindu new year and the festival of aluthsahal

mangalya.Aluth Sahal Mangalya is a festival that celebrating by

villagers to celebrate the happiness of cutting harvest and offering it

to Lord Buddha.They normally held this event in the paddy field,witch

is cut down their harvest.This festival is specially for young fellows

and children.In this occasion we can see several folk dances such as ;

kolam (masquerade), nadagam , and giridevi dance.

Festival.Such as ankeliya , kamba adeema , kottapora ,riding

boats ,olinda keliya and riding carts…etc.. And our Sinhala new year

is celebrating by people on the month of April.They are celebrating

distinctly this Bak Maha Ulela.We can so many competitions in this.

They sing songs during this competitions.And there are so

many circumstantial items also.They swinging with swings, playing

tambourines and singing raban kavi and onchili waaram.And we can

see lee keli dancings , kalagedi dancings , kulu dancings and etc..in

this festival.

When I’m talking about above mentioned singings and cultural

events, they are different from circumstance of singings and

applicable workings.There some main important objectives of this

singings.They are ; to avoid from tiredness and loneliness and avoid

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from the arduous of working.As an example we can introduce mehe

gee.The other thing that the objective of performing this folk songs ,

they want to aegis their own lives.As examples they used these songs

to avoid from harmful animals who are coming to their cultivation and

to be safety when they are travelling through wild jungles.They passed

messages by using these pal kavi.As an example when villagers

working at the cultivation in night,if they had to face to an accident,

they pass the message to their wife and family members by using this

kind of pal kavi.It’s a good communication method.And family

mambers make sure about their family member by hearing these

songs in night.Specially about his safety.

These folk songs has a literary and musical background.When

I’m talking about it these songs are created by our villagers.The

things that underlying of these folk songs are the feelings of our

villagers.They have created their own feelings witch are coming their

day today life into folk songs.So these folk songs are created by a very

simple language style.When I’m talking about these song’s melody, it’s

created into short melodies.These folk songs has 5 words oftenly

.each line.They sing each line on a same strain.But sometimes they

sing it on several strains. It has created in different kind of rythems

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and tempo.From ancient times people used different kind of drums

and an instrument called bummediya.

As I mentioned before, I have created a creation with my

information that I collected from my researches.As a result of that I

have created a new creation with dancing items , singing items and

recitcal.

There are few meanings to the word of “Adaheraya”.This word

is coming from our Sinhala folk society.”Adaheraya” is a thing that

presenting a happening chain by a song.Our ancient people called

this as Adaheraya.And also in ancient times our villagers use Adahera

to pass messages to villagers.And our villagers communicate with

cattles while they were working at the paddyfield.It also called as

Adaheraya.When everyone hearing this word , suddenly they

remember our Srilankan culture which are related with our folk

society and folk arts.So my creation also combinding with so many

folk arts in Sri Lanka.I used the name of Adaheraya for my creation.

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B.Conversation Referral

I have to do researches in different areas to create this

creation.I was born in the Sinhala society also.So this traditional art

is not unfamiliar to me as a Srilankan.As an example the stanzas

wich are related to Buddhism,i usualy sing this stanzas and i can

hear these things also.So there are so many experiences that i have

get from this society and culture.

But I should research about our traditional folk music. Because

it already fade away from our lives.As a graduate i hav done so many

researches about our folk music industry. We collect information

before we went to the research area.We are conforming to the society

that we are researching and we collect the most correct information.

So i also in accordace with several societies and collected most

correct informtion.

I was really interested in folk music from my childhood. I have

participated so many cultural festivals because of my interesting.

Actually it is one of my hobbies. I have participated for festivals wich

are related to Buddhism. As an example I have participated for

perehera and bakmaha ulela it is known as Sinhala and Hindu new

year.I inqure about their folk musics, folk dances while I watching

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these kind of things. Sometimes I went to their houses to meet that

people and probe about their performances. I have so many

information that i have collected by intrviewing the people and

researching about their lives.

I went to village areas and having interviews with villagers and I

collected information about their culture. Meemure is a village that

not modified and globalised.It’s a very rural village. And it’s very

difficult to go there. Because there are no roads to drive the vehicle.

Their main occupation is agriculture.They are doing chena

cultivation, paddyfield cultivation. They are doing dry farming. They

are travelling by carts and they travell their harvest by cart.They

haven’t electricity also. They allow our village customs and traditions

in today also. These people are singing while they are working at the

paddyfield. I recorded these singings and I collected so many

information by having interviews with this people.

I met a special person while I’m doing my research in this

village. His name is Ukkubanda.He is a farmer since 50 years.He has

so many experiences in farming.He has so many cow calls. I was able

to learn about the rythem,beats and about the singing from him. I will

use some cow calls that i learned from him for my creation.

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And also this people sing Pal Kavi during the night time,while

they are protecting their harvest by satting on a truss on the top of

the trees.They singing this to beware from sleep. I was able to learn

some pal kavi also from this person. I have heard this pal kavi

before.But I never haven’t heard this type of singings.

I went to Bogala graphite mine for my researches. This is a very

huge mine and it commings from our ancient times. These people’s

occupation is graphite industry. They doing this industry traditionaly.

This mine is spreaded inside in to the earth. Actually it is a risky job.

These people are trying to evade their tiredness by singing folk songs.

I feel that the young generation who working in this mine,they haven’t

appropriate knowlage about Pathal Kavi. But the older generation

who working in this mine has a huge knowlage about pathal kavi. I

collected so many information about Pathal Kavi (mine songs) by

having interviews with them.

I went to the villege named Udagama wich is located in Kandy

district in Sri Lanka to collect information about our Srilankan

hereditary tambourine playing methods. So there were so many

traditional tambourine players and tambourine makers. These people

are comming from our ancient tambourine players who worked at the

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royal palace. They so many raban kavi and raban pada with them. I

was able to get so many information about playing tambourines and

folk music by having interviews with very old ladies Dingiri Manike

and Kamalawathi.

I discussed with some persons about some problems. Because I

wanted a more clarification about how to this creation,how to imitate

our singing parts and how to performe and socialized these original

folk songs comforming to our modern society. I discussed with Mr.

Saman Panapitiya who is a lecturer of the University Of Visual And

Performing Arts.

And also I discussed with Mr.Mahinda Alupana, he is a

researcher of folk music industry. I discussed with him about the

places wich i’m going to conduct my researches. I collected

information about their life style,occupations and customs and

traditions from him. Because it will help me to comforming to the

society that i’m going to research. So I created my creation So I

created my creation Adaheraya with the help of my researches in

serveral areas in Sri Lanka.

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C.Target and Stability

As Srilankan Sinhalese we have a proud ancient history because

of our great people.My hope to protect our traditional art,music

and tradition wich are protected by our ancient ansectors from

generation to a generation.Because our future generation should

know about our traditional things.

And also i hope to introduce our traditional art to the world by this

creation.That is my main concept.Because there are so many

hereditary things in our traditional music industry.By doing this

kind of creation i can publish our traditional music in all arround

the world.Then all the members will pay their attention for our

traditional folk musical industry.

Today Sri Lanka also a devoloping country as the countries of the

world. Some of our villages in Sri Lanka also has devoloped. So our

educational status also in a high level in today.So our traditional

folk music have fade away from our lives.However from our

traditional evolution our traditional folk song has been fade away

from our lives.It has been fade away from our day today

usage.Nowadays folk music is just a subject.So this concert would

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be a great place to disclose our traditional folk music to this

generation.

Sometimes we can see our essential values are declined in this

modern society.Because in this modern busy society people have

reclegeted their essential values and good habitates.Helping to

each others, respecting each others,protecting our religious values,

respecting to our parents are our essential values,but today our

modern and globalised people are declined these things.But our

ansectors are the people who protected our values from a

generation to nother generation.Our customs and traditions,our

essential values are contained in our traditional folk songs.So my

intention is to spread our essential values and make our humanity

in to a noble status.

And the children who living in our modern society haven’t any idea

about their essential values or our tradition.They have addicted to

new generation’s music.But they don’t know anything about our

ancient valubale traditional music. So my intention is to teach our

children about our folk music,folk dancing,and our traditional

customs.

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And my next intention is to do a new creation with my musical

knowlage by adding several musical theories and different kind of

folk musical theories.

From my researches i have found so many rare folk music.So i can

publish these things also through my creation

Srilanka community began rarely listen to folk songs, especially

through television media that have not raised the local values in its

programs. The existence of this work, is expected to encourage a

television station in Sri Lanka that are interested in introducing

and developing a local value, particularly people in particular.

Educational institutions in Sri Lanka has not positioned the arts

area became the main subjects. It can be seen from those who only

get one chance to know the local arts throughout the week. So, the

main purpose of the making of this work is to spread the folk arts

to the public in Sri Lanka.

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CHAPTER II

EMPOWERMENT

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CHAPTER III

THE PROCESS OF THE CREATING WORKS

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CHAPTER IV

PERFORMANCE OF WORKS

A. Synopsis

This work, entitled "ADAHARAY" which means the delivery of

messages through song. The main story is presented is about events

or community activities Sinhala sequentially from birth to death

based on the story of an old tradition.

Social reality can be translated from the spirit of the community

with a rural background in the Sinhala community. Besides this work

presents the idioms of traditional music or art that has existed in Sri

Lanka. The combination of new elements with the intention of

presenting the variety and novelty of the old art.

B. Arrangement of the stage

The creation that i have mentioned above is flow like a drama.

But it has gaetherd to each one. Our traditional villager’s life style is

spresding by my creation. So i selected a place witch is just like our

traditional village,but actually it is an artificial village. Ape Gama wich

is located in Battharamulla premisess is the place that i’m using for

this.Ape Gama created in Colombo because,people can come and visit

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this and get ideas about our ansectors life style.We can see houses

that build by clay,bridges,carts and so many village life style’s

things.So i also thaught to performe my creation in the outdoor.I will

use all the spaces arround this area for my creation,sutch as;Attaala

,it is a house that have build up on trees,carts and paddy fields.I hope

to use the space that arrounded us as the stage for my creation.I wish

to use 6 drums,2 flutes,2 violens,1 chellow,1 sitar.1 esraj and 1

tabilow for my mucical group and i will resrve a place to sit them from

the begining to last.

Singing crew also have a place to performe.But some of them

are comming from differnt areas when they are performing their

creation.As an example some of our members are singing on the

Attala ,the houses wich are build on the top of trees,in carts and in

paddy field .They act these things as their actual life.So i’m not doing

heavy decorations on the stage because i think it is not compulsary

for my creation,and i hope to do some small decorations.And i hope to

performe this creation in the evening.So lightning is a main thing that

i should pay my attention.

I hope to kindle torchs in the area.Because our ansectors didn’t

use the electricity,they only used the torchs and lamps.but here i

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wish to use lightning system also.Because we need laghtning system

to acute our moments.Because it will assist to do it.And i will do the

lightning without any disturbing to the village enviorenment.

Our next importent thing is as this is a musial program,we

should pay much attention to our sound system,We should use

crystal sound clear system.So i think Sanka Sounds can do it in a

better way.Because Sanka Sound is a company that is took a major

part in our Srilankan outdoor musical performences.They are using

high quality microphones,mixers,monitors and speackers for their

productions.They use follow implements also;

Me and sound administrator went to the place that i’m going

to performe my creation and discuss about the creation and my

plans.

When i’m talking about my creation;i selected all the costumes

to maching to my theme.I’m using our traditional sutch as

sarong,redda and hattaya , some of them are modified.Because i have

selected it in several colors wich are maching to the stage.And also i

hope to use lounge wair for costumes.And also i will use our

Srilankan traditional wair kandiyan saree.And i will wair

bangles,earrings and necklaces as accssoriesI will do the dressins and

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makeup to maching to our perfomences and stage.And the members

of the dancing crew will dressed by our traditional costumes.

In my creation i hope to do all the stage decorations,dressing

and makeup,costumes and everything in a correct path.

C. Description Location

I hope to performe my creation in Sri Lanka.I have to think

about a place to performe my creation when i’m thinking about the

topic of my creation and the structure of my creation.My creation is a

thing that spreding our traditional values.It just like drama that

about our villagers day today life style.So i wish to performe this

creation in outdoor because of this case.Because i can performe it

acutely in outdoor.

So i think ‘Ape Gama’ wich is located in the Capital city of Sri

lanka Colombo district,Battharamulla would be the best place to

performe my creation.It is spreded in 20 acres.It was created by our

Ministry Of Traditional Affairs in Sri Lanka.In this place our past

villager’s life style has recreated.The main aim of this thing is our

traditional life style has fade away from our lives today,because of this

globalization.So Ape Gama is a good place to get a knowlage about

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our past ansector’s day today life style and it is a good place to get the

feeling of living in a village for our busy people.So i think this would

be the greatest place to performe my creation.Because in this place all

the things that i have intend about my creation are reflecting in this

place.

In this place we can see the houses wich are used b y our

ansectors,their occupational industries,their plantations,our ancient

travelling methods.I hope to use a part of this Ape Gama to performe

my creation.

Picture no:06 The place of “ape gama”

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Picture no:07The place of ape gama

D. Duration Work

My full creation will one half hours.My new creation just like a

drama.There are dancing items,singing items are contained in this

drama.And i have contained some dialogs in this play.And sometimes

time duration will be change.Our Sinhala trditional folk music ,folk

art repulsioning with in one and half hours is actually not

sufficient.But i have created it to cover all the things.My creation is a

only story from the begining to the end.But i have devided it to six

parts.Because it is the easiest way to peforme and explain about our

folk music.Every part has a precise time duration.I have created these

six parts with our viilager’s day today works.

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“Kubura ha Jeewithaya” (25menit)

“Gamay Pansalay” (15 menit)

“Dukka” (15 menit)

“Bakmaha Senakeli” (25 menit)

“Anithya" (15 menit)

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A. Supporting works

The list of orchestra of University of Visual and Performing Art :

Keybord - Rangana Senadeera

Serpina - Nishsanka Madhura

Violin - Samidu Thennakon

Viola - Saumya Ekanayaka

Flute - Upul Soysa

Flute - Nishadi Dilmika

Drum - Mayuta Prasanna

Drum - Niroshan Bandaranayaka

Drum - Mayura Nishan

Drum - Sagara Dinesh

Thabla - Namdana Sumudu

Esrak - Kusum Kanthi

Sithar - Taniya De Silva

Panther - Nalinda Ekanayaka

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Glock - Kumudu Kalhari

Guitar - Nalaka Pieris

Guitar - Nalina Kasmira

The list of the dancers

Nishadi Ekanayaka

Kamani Lanka

Nilushi Sangeethika

Lalani Ekanayaka

Jayamini Kariyawasam

Bhagya Piumali

Surani Inoka

Thusitha Chandani

Chamila Ilangarathna

Hashini Poornima

Pasidu Chamara

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Sugath Yasidu

Namal Akila

Isuru Nalaka

Saliya Sampath

Ranga Jayasinghe

Umesh Nishara

Sampat Ekanayaka

The list of the singing group

Anushka Madhushani

Piumi Nanayakkara

Srimali Kawindi

Pujani Wimansa

Wasana Nishadi

Chathurika Kamkanamge

Anusha Chandimali

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Viraj Bhathiya

Pamuditha Heart

Yohan Bihendra

Sashika Makala

Narmada Priyadarshani

The list op production management and artistic helper

Manajer produksi - Sriyani Kariyawasam

Tim produksi - Chanaka Malitha

Tim produksi - Palith Sunil

Tim artistic - Lalith Ekanayaka

Tim artistic - Malinga Karunarathna

Sound system - Sanka Sound and Creation Company.

Lighting system - Sagara Lightning.

Tim pengambilan video:

Seluruh video yang mendukung pertunjukkan disutradarai,

diliput, disunting, dan diproduksi oleh Tharidu Video Crea

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List of references

1. List of books

Akurugama,Widanegama.Shanthikarma ha Sinhala Jana Samajaya.Colombo: M.D Hunasena, 1975.

Amaradasa,Weerasinghe.Sinhala Janasrutiya Hederima.Kotuwa:

P.Weerasinghe Publikasi,1997.

Anuradha,Senawirathna.Sanskruthiya Ha Kala Shilpa.Maradana: Pradeep Publikasi,1990.

Baddegama ,Wimalavansha Himi.Ape Sanskruthiya.Colombo: M.D Gunasena,1964.

Chanasara,Peeris.Sri Lankiya Jana Samajaye Adahili HaWisvasa.Nugegoda: Wasana, 2009.

Chanasara,Peeris.Shanthi Karma Ha Abichara Widi.Maradana:

Wasana, 2006.

Disanayaka, J B.Sinhala Gayana Ha Sirith Wirith.Maradana: S

Godage, 2005.

Ediriweera, Sarachchandra.Sinhala Gemi NatyayaSanskruthika Katayuthu. Kegalla: Departhumenthuwa, 1968.

Jayasena,kottegoda.Pahatha Rata Shanthikarma Sahithya.Anuradhapra: Ruhunu Book,1995.

Mudiyanse, Disanayaka.Kayka Manasika Suwaya Sadaha Lankawe Yanthra Manthra. Colombo: S godage Publikasi,

2004.

Moratuwagama, M M.Lankawe Sanskruthika Urumaya:Colombo

S Godage, 2006.

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78

Nandasena, Rathnapala. Janasrathi Widyava. Colombo: S Godage,

1995

Nandasena, Wijesekara.Lanka Janathava. M,D Gunasena Saha Puthrayo Publikasi:1987.

Nimal , S Gamage.Sinhala Jana Kaviye Sahithyamaya Anga Saha Sanskruthika Lakshan. Colombo: Jathika

Pusthakala Mandalaya, 1986.

Nimal Sirisena, L A.Gemi Sahithya Wicharaya.Kandy :M D Gunasena Saha Samagama, 1963.

Noman,Siripala.Gowigedara Janakawi.Negambo: JathikaPusthakala Mandalaya,1990.

P,Weerasinghe.”Jana Kavi Sahithyaya”Colombo. Jathika Pusthakala

Mandalaya :1986.

Palliyeguru, Chandrasiri.Sanskruthiye Samaja Muhunuwara.Kurunagala:Pubudu, 1990.

Suwarna , Ilangama.Pedura Ha Sinhala Jana Jeewithaya.Colombo: S

Godage 1997

Sriyani, Rajapaksha.Saman Dewala Puda Sirith Ha Sanskruthiya.Kandy Publikasi, 2004.

Thissa, Kariyawasam. Shanthikarma ha Sinhala Jana Samajaya.

Colombo: 7 Pradeepa, 1976.

Yanusha, Lakmali.Kavi. Baththaramulla: fast publikasi, 2014.

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2. List of sources

Name : Podi Appuhami

Age : 61 Years Old

Profession : Farmer

Address : No.31/2,Kahathuuwa Para,Horana

b. Name : S. M somawathi

Age : 52 yers

Profession : House wife

Address : No 06,Hatale Weda Medura,Panwila,Kandy

c. Nama : Kusumawati

Age : 64 yers

Profession :House wife

Alamat : Panni Pitiya,Mela Wtta,Hokandara

d. Name : Saman Panapitiya

Age : 55 Years Old

Profession : Lecture of the Univesitas Visual And Perporming Art

Address : No:35, Kahatuduwa ,Horana

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e. Name : Mangalia rajapaksha

Age : 56 Years Old

Profession : Lectureof the Univasitas Visual And Performing Art

Address: Gostel Abuldeniya,Nugegoda.

f. Name: Ranjith pranandu

Age : 62 Year

Profession : Professor Universitas Visual And Performing Art

Address : No 60/3,Galkissa Road,Dehiwala

g. Name: Nilmini Tennakon

Age : 42 Years Old

Profession :School teacher

Address : no 31,Meda Widiya,Aniwatta,Mahanuwara

h. Name : l.P lansakara

Age : 51 Years Old

Profession: Seanear lecture of the university of visual and performing art

Address : No 178/4.hin Landa Para,Penideniya

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Glossary

A

Andaheraya : The folk songs wich are sing during

threshing paddy

Ape gama : wich is located in the Capital city of Sri

lanka Colombo Distric the place of had my

performance

Attala : It is a house that have build up on

trees,carts and paddy fields.I hope to use the space that arrounded us as the stage

for my creation.I wish to

B

Bummediya : It is instrument making by mad,and play in thr paddy field when there working

with paddy field

D

Darunelawili : These songs are sing to sleep babies

Geta beraya Dawla : Dawla is a musical instrument that is how

it is played using sticks and hands

G

Geta beraya : Is a musical instrument that resembles a drum (ketipung) but has a longer form.

H

Horanewa : Typical Sri Lankan ethnic instruments

that have characteristics Such as oboe

M

Mehe gee : It is a thing that singing during they

engaging to a activity.

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N

Nelum kawi : It is are songs wich singing During

cultivating paddy field.

P

Pathal kawi : The folk songs witch are sung by villagers

during they working in the mine.

T

Thammettama : Thammettama is a musical instrument played with two sticks. This device

consists of two parts, each of which has a

character of low noise and high.

Thunsarane kawi : Thase songs are related to Buddhism.

U

Udekkiya : It is sri lankan traditional small drum.spacial thing is that drum tiuning

and playing same time.

W

Welapum kawi : These songs are sing during sorrowful time.

Y

Yak beraya : The instrument yak beraya Yak beraya is

the core instrument normally used to

accompany dance in Sri Lanka

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ATTACHMENT

Pictures of “andaheraya”performance

Picture no:08Work of paddy field and singing

Picture no:09Work of paddy field and singing

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Pictureno:10Budhisom culcur

Picture no:11 The singing group

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Picture no:12The sri lankan traditional dance of “wadiga patuna”

Picture no:13The taditiona “raban” dance with rotating raban

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Picture no:14Sri lankan fiuneral moment

Picture no:15 Sri lankan traditional drums creation

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Picture no:16 The sri lankan traditional dance of “Gini sisila”

Picture no:17 Sri lankan traditional dance of “Thelme”

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Picture no:18 Sri lankan traditional dance of “Naga raksha”

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Picture no:19 Lighting oil lamp

Picture no:19 Institut of seni indonisia surakartha gave to a aplaque

to university of the visual and performing art.

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Picture no:20 The poster of “Andaheraya”

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Picture no:21 The paper article about “Andaheraya”

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CURICULAME VITAIE

P.T.DILHARI PRASANGIKA

Hatale Estate, Panwila

Tele : 077-5473383

E-mail : [email protected]

PERSONAL DETAILS

Name In Full - Pahan Thihage Dilhari Prasangika

Name With Initials - P.T.D.Prasangika

Nearest Police Station - Panwila

Date of Birth - 26th July 1987

Gender - Female

Civil Status - Single

Religion - Buddhist

Nationality - Sri Lankan

National Identity Number - 877061362v

School Attendant - Girls High School, Kandy

Passport Details - N3440487 - Issued -2013.03.20

Ex: 2023.03.20

EDUCATIONAL QUALIFICATION

Have passed the following examinations of Sri Lanka

General Certificate of Education Ordinary Level (O/L)

Examination

General Certificate of Education Advance Level (A/L)

Examination

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Higher Education Qualifications

Have achieved Bachelor of Performing Arts (Special) Degree /

Including Music Second Class (Upper Division) Honors of

University of the Visual & performing Arts in Sri Lanka

Have Successfully Completed Indonesian Traditional (Gamilan)

Music Course Conducted by Indonesian Embassy in Sri Lanka.

OTHER ACCADEMIC QUALIFICATIONS

Have Successfully Completed a Computer Course, Basic & MS

Office and English Language Course.

SPECIAL ACHEIVEMENTS

Vocalist

Familiar with Musical Instruments (Piano, Thabla, Guitar)

Narrator

Drama Player

DAHAM SCHOOL EDUCATION

Have studied up to the final examination at Sasanawadadena

Pirivena, Mirigama.

SOCIAL ACTIVITIES

Have held several leading positions in several associations.

Treasurer of Ethno Musicology Foundation of the university.

Special skills organizing.

Ability of joint effort in musical entertainments and any type of

social activities.

Experiencing in Music

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1. Participating at the International Folk Music festivalheld in Sri Lanka

in the year 2010.

2. Participating in the all island MakuloluwaCompetition and

successfully won it.

3. Engaged as a member in the vocalist group of the Drama ‘NariBena’

in 2011.

4. Successful in the vocalistSection of the ‘Lionel Edirisingha

Competition’ organized by the Aesthetic University in the year 2011.

5. Successful in the folk vocalist section of the All Island Arts Institute

Competition in the year 2011.

6. Participated in the ‘Mathra’ Concert organized by the Ministry of

Cultural Affairs in the year 2012.

7. Awarded merits for new creations connected with best folk songs at

the ‘Youth Merit Festival in the year 2012.

8. Received merits at the ‘Kavitha’ Competition held on behalf of the

students in Universities for recomposing in folk songs section in the

year 2013.

9. Participated at the ‘Miyasiya’International Arts Festivalin the year

2014.

10. Participated in the ‘Gatam’ festival organized by the High

Commission of India in the year 2014.

11. Worked as the Music Director of the stage drama ‘Sammatha-

Asammatha’in the year 2015.

12. Received merits for the compiling the best tune connected with

folk songs in the GemiLee’competitionorganized by the Ministry of

Cultural Affairs in the year 2015

13. Participated with the ‘Sri Mara’International Music Group

‘Sumbawa’ at the first ‘Geethampuni’ Music festival held in Sumatra

Islands.

14. .Participated with the ‘Sri Mara’International Music Group ‘Sri

Mara’ at the musical fiesta held in ‘Sumbawa’ in the year 2016.

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