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Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?
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Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Jan 18, 2016

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Piers Chandler
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Page 1: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Square Limit by M.C. Escher

• How are the fish in the middle of the design and the surrounding fish alike?

• How are they different?

Page 2: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Square Limit by M.C. Escher

• Escher used a pattern of squares and triangles to create Square Limit.

These two triangles are similar.

Similar figures have the same shape but not necessarily the same size.

Page 3: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

One way to create artwork with a smaller and smaller framework is to base it on an isosceles triangle with an apex angle whose measure divides 360º evenly.

Page 4: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

We have elected to base our artwork on an isosceles triangle with an apex angle of measure 45º where 360º/45º = 8. An octagonal configuration will result.

Page 5: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Select the midpoint of the base of the triangle.

Page 6: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Add a row of five similar smaller triangles by drawing line segments parallel to the slant sides of the triangle.

Page 7: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?
Page 8: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

The result is the basis of the shrinking repeating fundamental unit.

Page 9: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Add a continuous curve from vertex to vertex of one of the sides of the original triangle.

Page 10: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Rotate this curve about the apex of the original triangle to its congruent side.

Page 11: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Draw reductions of this curve from vertex to vertex of each of the four reduced line segments

Page 12: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

This is the shrinking tessellating unit.

Page 13: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Add interpreting interior features.

Page 14: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Continue the reduction algorithm indefinitely …

Page 15: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Continue the reduction algorithm indefinitely …

Page 16: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Continue the reduction algorithm indefinitely …

Page 17: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Continue the reduction algorithm indefinitely …

Page 18: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Continue the reduction algorithm indefinitely …

Page 19: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

Continue the reduction algorithm indefinitely …

Page 20: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

… then add the tessellating unit with its interpreting features and reductions thereof as required.

Page 21: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

… then add the tessellating unit with its interpreting features and reductions thereof as required.

Page 22: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?

… then add the tessellating unit with its interpreting features and reductions thereof as required.

Page 23: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?
Page 24: Square Limit by M.C. Escher How are the fish in the middle of the design and the surrounding fish alike? How are they different?