Top Banner

of 25

SP 472, Week 8, 2011

Apr 08, 2018

Download

Documents

Eileen White
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
  • 8/7/2019 SP 472, Week 8, 2011

    1/25

    Drama

    The function of the cinema is

    to bring to light certain

    details that the stage would

    have left untreated.

    Andre Bazin

    The Birds

  • 8/7/2019 SP 472, Week 8, 2011

    2/25

    Drama

    Stage vs. Screen

    West Side Story

  • 8/7/2019 SP 472, Week 8, 2011

    3/25

    Time, Space & Language

    Time

    Scene vs. Shot

    Theatrical continuous

    time

    Temporal dislocation in

    film

    Run Lola Run

  • 8/7/2019 SP 472, Week 8, 2011

    4/25

    Time, Space & Language

    Space Limits of theatrical space

    means usually dealswith closed forms

    Long and Medium Shots Film frame masks ask

    objects & people onlytemporarily

    Extreme close-ups toextreme long shots

    Touch of Evil

  • 8/7/2019 SP 472, Week 8, 2011

    5/25

    Time, Space & Language

    Space

    Stage player interacts

    with viewers - audience is

    active

    Adjusts to audience

    Contemporize older

    material

    Alfie

  • 8/7/2019 SP 472, Week 8, 2011

    6/25

    Time, Space & Language

    Space

    Film - audience is passive:The details have beenprovided bycinematography, mise en

    scne, movement, editing,sound, sets & costumes

    Plays are language basedwhile film is visual

    Adaptation of plays toscreen & vice versa

    Opening it up Close-ups & non-

    synchronous visuals

    Romeo & Juliet

    1996, 1936, 1968

  • 8/7/2019 SP 472, Week 8, 2011

    7/25

    Autuer theory

    Dominance of the director

    as opposed to theatre

    which the writer is

    dominant

    Precision of film is not

    doable on stage

    The Little Foxes

    The Director

  • 8/7/2019 SP 472, Week 8, 2011

    8/25

    Autuer theory

    Dominance of the director

    as opposed to theatre

    which the writer is

    dominant

    Spike Lee, Quentin Tarantino, Stanley Kubrick

    The Director

  • 8/7/2019 SP 472, Week 8, 2011

    9/25

    The Director

    Film director has more

    control

    Camera can go anywhere

    Each shot is a differentspace

    Clarity in scenes as

    opposed to shots

    The Third Man

  • 8/7/2019 SP 472, Week 8, 2011

    10/25

    Setting & Decor

    Set & Dcor is a part of

    mise en scne or an

    extension of theme &

    characterization

    Set is not constant as in a

    play

    Babel

  • 8/7/2019 SP 472, Week 8, 2011

    11/25

    Setting & Decor

    Reality vs. Stylization

    Some genres require

    deliberate unreality i.e.

    musicals, horror

    Not a hard & fast rule

    Seinfeld vs. Midnight Cowboy

  • 8/7/2019 SP 472, Week 8, 2011

    12/25

    Setting & Decor

    The Sound of Music& Mary Poppins

  • 8/7/2019 SP 472, Week 8, 2011

    13/25

    Setting & Decor

    Realism & Formalism -

    not absolute but most

    films tend to one or the

    other

    Kinds of realism - poetic

    & documentary

    The Last King of Scotland

    Barton Fink

  • 8/7/2019 SP 472, Week 8, 2011

    14/25

    Setting & Decor

    Formalist treatment of a

    realistic set

    Amarcord

  • 8/7/2019 SP 472, Week 8, 2011

    15/25

    Setting & Decor

    Production Designer: Responsible for designing the overallvisual appearance of a movie.

    The Art Director: Oversees the artists and craftspeople whobuild the sets.

    Set Designer: Responsible for translating a productiondesigner's vision of the movie's environment into a set whichcan be used for filming - The set designer reports to the artdirector.

    Set Decorator: A person who has total charge of decorating theset with all furnishings, drapery, interior plants, and anything

    seen on indoor or outdoor sets. Set Dresser: A person who maintains the set per the Set

    Decorator's requirements, placing elements such as curtainsand paintings, and moves and resets the set decoration toaccommodate camera, grip and lighting setups.

  • 8/7/2019 SP 472, Week 8, 2011

    16/25

    Setting & Decor

    Checklist for Setting &

    Dcor Analysis

    Exterior or Interior Style

    Studio or Location

    Period

    Class

    Size

    Decoration

    Symbolic Function

    Drawing for Scarletts Bedroom in Gone

    with the Windby William Cameron Menzie

  • 8/7/2019 SP 472, Week 8, 2011

    17/25

    Setting & Decor

  • 8/7/2019 SP 472, Week 8, 2011

    18/25

    Costumes & Makeup

  • 8/7/2019 SP 472, Week 8, 2011

    19/25

    Costumes & Makeup

    Period

    Class

    Sex

    Age

    Silhouette

    Fabric

    Accessories

    Color

    Body Exposure Function

    Body Attitude

    Image

    Roxanne

    Cyrano de Bergeracx 2

  • 8/7/2019 SP 472, Week 8, 2011

    20/25

    Costumes & Makeup

    Period

    Class

    Sex

    Age

    Silhouette

    Fabric

    Accessories

    Color

    Body Exposure Function

    Body Attitude

    Image Roxanne

    Cleopatra 1934

  • 8/7/2019 SP 472, Week 8, 2011

    21/25

    Costumes & Makeup

    Caesar & Cleopatra 1945

    Cleopatra 1999

    Cleopatra 1963

  • 8/7/2019 SP 472, Week 8, 2011

    22/25

    Drama

    Midnight Cowboy, 1969

    Directed by John Schlesinger, 1926-

    2003

    Starring Dustin Hoffman, Jon Voight,Sylvia Miles

    First X-rated film to win Best PictureOscar it seems tame today though

    Also won Best Director & BestScreenplay

    Dustin Hoffman (his 2nd film afterThe Graduate) Jon Voight & SylviaMiles were also nominated

    American Film Institute ranked this asthe #43 Greatest Movie of All Time

  • 8/7/2019 SP 472, Week 8, 2011

    23/25

    Drama

    One studio executive sentdirector John Schlesinger amemo stating, "If we could cleanthis up and add a few songs, it

    could be a great vehicle for ElvisPresley."

    All shot on location for ultra-realism with cameos by Viva andUltra Violet from Andy WarholsFactory

    Im walkin here in thefamous taxi-slamming was an adlib as there was no permit toclose down the street and thescene was shot from a vanacross the street

  • 8/7/2019 SP 472, Week 8, 2011

    24/25

    Drama

    Jon Voight, 1938-

    Coming Home (Oscar), TheOdessa File, Transformers,Conrack, Ali, Deliverance

  • 8/7/2019 SP 472, Week 8, 2011

    25/25

    Drama

    Dustin Hoffman, 1937-

    7 Best Actornominations, 2 wins

    Tootsie, Kramer vsKramer(Oscar), StrawDogs, Marathon Man,The Graduate, All thePresidents Men, Lenny,Wag the Dog, Rain Man(Oscar)