Sound System Proposal Church of Edward · The budget required for this level of performance was medium-high With these goals in mind we have created this proposal for a sound system

Sound System ProposalFor

Church of Edward

Presented by:

4719 42nd Ave NRobbinsdale, MN 55422

612-789-2496

Prepared by Jeff Geisler for EMI Audio

Introduction

The sound system proposed here was designed taking into consideration theperformance, budgetary, and aesthetic factors unique to your facility. The designwas facilitated using Bose Modeler software, which accurately predicts anddocuments the performance of virtually any sound system in any environment.This introductory section will explain the basic steps we have taken to design thissystem, and will help you understand the data presented within and ultimately thepredicted performance of the system.

The first step in designing your sound system was the determination of three keyparameters through discussions with the facilities management team:

1. What kind of source material will be used?Sound systems can be "speech only," "speech and music," or "extendedbandwidth." (Extended bandwidth systems are those requiring exceptionallydeep bass).

Your facility calls for speech and higher energy music.

2. What is the required sound pressure level?Sound systems are rated by the highest level they are required toproduce, typically from 85 to 105 decibels sound pressure level (dBSPL).

Your system should reproduce 105 dB or more

2. What are the budgetary constraints?Every system, no matter how large or sophisticated, has budgetaryconstraints. We categorize systems as having "low," "medium," or "high"budgets.

The budget required for this level of performance was medium-high

With these goals in mind we have created this proposal for a sound systemimplementation.

To understand the data in this presentation it is helpful to know the four maincriteria by which we design and identify high quality sound:

1. Provide even coverage over the entire audience area.Sound should be distributed evenly over the entire audience, orlistener area. The designer uses the direct (line of sight) soundcoverage and adjusts the aiming of the loudspeakers to obtain evencoverage.

2. Provide the appropriate sound pressure level.The audience must be able to hear clearly over any ambient noise, andat a level which is appropriate for the type of program being presented.To check this, the designer computes the total sound arriving at alllistener areas.

3. Provide the highest possible speech intelligibility.Everyone should be able to understand speech played over the system.Modeler uses a new world-standard method of predicting speech intelligibility.

The design in this proposal is driven by these 3 goals, and compliance with thesecriteria will be demonstrated through the use of diagrams and charts relatingdirectly to your facility.

Acoustical Treatment:You shared an acoustical study with us showing what acoustical treatment wouldbe necessary for good Contemporary Music reproduction. We agree with thatfinding and have provided a quote for the acoustical panel installation.

System Overview

The system consists of two Bose RoomMatch arrays, each consisting of a Dual15” subwoofer, one 120 X 40 degree and two 90 X 20 degree speakers.

One Room Match Array with Subwoofer and three RoomMatch modules

Acoustical Panel Details

Even sound coverage

The first goal in creating a good sound system is ensuring even sound intensityover the entire audience area. An effective way to ensure this is to provide evendirect field sound coverage. The direct field is the sound that reaches thelistener’s ears directly from the speaker or speakers; it does not take into accountany reflections. The coverage map/s below shows the direct field coverage.Good direct field coverage appears as relatively even coloring of the audiencearea, without distinct dropout spots.

DirectCoverage Map (1-4 kHz)

The information in a coverage map can be condensed to a single figure of merit.The graph containing this figure, called a histogram, shows how often a givensound pressure level occurs in the model. Below is the SPL histogram of thedirect field coverage:

0 -1 -2 -3 -4 -5 -6 -7 -8 -9 <-9

Coverage Statistics

The frequency of occurrence (normalized) of a particular SPL is seen on the Y-axis of the graph while the X-axis shows the SPL in decibels. A room with idealcoverage would have the same SPL at any point in the room and would appearas a single spike at that SPL level. As coverage becomes less than ideal thecurve widens out to include other SPL levels.

The coverage data is processed in Modeler to yield two important numbers: themean SPL level and the standard deviation. For the purposes of determining thequality or evenness of the coverage, it is the standard deviation that is important.(Applying more power to the system will increase the mean SPL level but thecoverage pattern will be the same.)

As a rule, the following qualitative descriptors can be assigned to variousstandard deviation ranges:

0 15 30 45 60 75 90 105 1200.0

0.2

0.4

0.6

0.8

1.0

Level (dB-SPL)

Norm

aliz

ed

Pro

bability

Coverage Statistics (PDF) 1-4 kHz

Mean: 79.3 dB Standard Deviation: 1.7 dB

Excellent Good Fair

0.0 0.5 1.0 1.5 2.0 2.53.0

standard deviation of coverage (dB)

Appropriate sound pressure level

The next requirement for high quality sound is that the system achievesadequate volume level for its intended purpose and can overcome ambientbackground noise. System volume level is directly correlated to the combinationof direct and reverberant sound fields. The calculation of the direct plusreverberant fields represents all of the sound energy arriving to the listener bothdirectly and after one reflection. This combined level best corresponds to ourperception of loudness. As with direct field data, Modeler provides direct plusreverberant field data in a coverage map:

Sound Pressure Level

106 105 104 103 102 101 100 99 98 97 <97

To determine the overall sound pressure level that the system is capable ofachieving we can examine the System SPL graph:

The Max-SPL response graph shows us the following items:

The maximum sound pressure level for each octave-band. The overall balance between the octave bands. The expected frequency response for the seating area. The maximum SPL of the proposed sound system. A total SPL using typical program material will be 98.1 dB-SPL.

2000020 100 1000 1000070

75

80

85

90

95

Frequency (Hz)

Level(

dB

)

System SPL 31 Hz - 16 kHz

Mean: 104.9 dB Standard Deviation: 0.4 dB

High speech intelligibility

One of the most important ways a sound system is judged is by whether theaudience can understand reproduced speech. Modeler uses HEDC to predictthe Speech Transmission Index (STI) of a design. STI is a worldwide standard ofmeasure for speech intelligibility, and Modeler predicts STI with tremendousaccuracy. STI data can be displayed in a coverage map with an accompanyinghistogram.

The first example is with the measured RT-60 Time with no audience:

The STI value ranges from 0-1, with 0 being totally unintelligible speech, and 1being perfectly intelligible speech. These numbers correspond to qualitativedescriptors according to the graph below:

0.57 0.56 0.55 0.53 0.52 0.51 0.49 0.48 0.47 0.45

0.0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1.0

Questionable

Acceptable

Good - Very Good

Excellent

STI

Below is the STI histogram with no audience:

0.44 0.46 0.48 0.50 0.52 0.54 0.56 0.58 0.600

20

40

60

80

100

STI

Perc

ent(%

)ofS

am

ple

s

Coverage Statistics (CDF) - STI (1988)

Mean: 0.52 Standard Deviation: 0.02

The next example is with an audience of 560 people (approx. ½ full)

0.67 0.66 0.65 0.63 0.62 0.61 0.59 0.58 0.57 0.55

0.54 0.56 0.58 0.60 0.62 0.64 0.66 0.68 0.700

20

40

60

80

100

STI

Perc

ent(%

)ofS

am

ple

s

Coverage Statistics (CDF) - STI (1988)

Mean: 0.61 Standard Deviation: 0.02

Reverberation TimeReverberation Time is defined as the length of time it takes sound to decay 60dB in a given octave-band, and is a function of room volume, room materials,temperature, and humidity. In the case where the room exists the actual octave-band reverberation time of the room can be measured and then compared to thepredicted octave-band reverberation time in the Modeler design program. If theroom does not yet exist, it is necessary to work only with the prediction derivedfrom the model. This predicted reverb time is calculated with acousticaltreatment.

2000020 100 1000 100000

1

2

3

4

Frequency (Hz)

RT

60

(S)

RT60 (RDC)

4719 42nd AVE N

Robbinsdale, MN 55422

612-789-2496 Phone

612-789-2873 Fax

www.EMIAudio.com

Quoteq8392

Fri 12/28/2018 9:00AM

JEFF GEISLER

Status:Quote #:

Operator:

Quote To:

ST EDWARD CATHOLIC CHURCH

Customer #: 23497

952-835-7101 Phone

9401 NESBIT AVE S

BLOOMINGTON, MN 55437

Salesman: Jeff Geisler 612-767-5698 [email protected]

-

-

This quote would add 2592 square feet of 2" acoustical panels.

The panels may have square or beveled edges. They will be fabric covered with you choice of colors offered by Guilford of

Main FR7012100.

ItemsQty Each Price

$34,344.00$212.00162 ACOUSTICS FIRST SNR244 4'X4'X2" PANEL

$1,620.00$10.00162 MISC CABLE/CONNECTORS/FASTENER

$10,000.00$125.0080 LABOR EMI AUDIO

Begin at: 9:00:00AMFri 12/28/2018

$673.92$673.921 3225 SCISSOR LIFT 32FT WORKING

Quote valid for 90 days


Quote


Signature:

$46,637.92 Project Total:

Paid:

$46,637.92 Total:

Subtotal:

Sales:

$0.00

$46,637.92

$46,637.92

Contract-Params.rpt (4)Printed On Mon 12/31/2018 10:50:30AM Software by Point-of-Rental Software www.point-of-rental.com

Modification #2

4719 42nd AVE N

Robbinsdale, MN 55422

612-789-2496 Phone

612-789-2873 Fax

www.EMIAudio.com

Quoteq8393

Fri 12/28/2018 9:00AM

JEFF GEISLER

Status:Quote #:

Operator:

Quote To:


Customer #: 23497

952-835-7101 Phone

9401 NESBIT AVE S

BLOOMINGTON, MN 55437

Salesman: Jeff Geisler 612-767-5698 [email protected]

Speaker System:

The new speaker system will be a Bose RoomMatch system. There will be two arrays, custom designed so their coverage

matches the seating area of the room. (RoomMatch) Each array will consist of a Dual 15" subwoofer, a 120 X 40 degree, and

two 90 X 20 degree modules. This high performance speaker system will be calibrated exactly to cover all the seating areas

of the room evenly.

Amplification:

New amplification will be provided for all the speakers in the system. A total of 4, eight channel, Bose PM-8500N amplifiers

will be installed to power the RoomMatch Arrays, the monitor outputs, the Lobby and the Sacristy. Digital signal processing

on the amplifiers will provide processing for each speaker zone. A stand alone DSP will be added to process the signals

being routed to other areas o the Church.

Mixer:

A new Allen & Heath D-live C-3500 mixing surface will be installed with a 32 X 16 mix rack at the Choir Area Rack and a

DX-32 expander in the amplifier rack. The mixer will be supplied with 62 total inputs but can be expanded to 128 inputs. An

Allen & Heath IP-8 compact mixing surface will be installed at the Sanctuary rack to allow for control for simpler Masses. The

IP-8 can be configured to operate as many or as few channels as you choose. There will not be a need to leave the main

console on or set on a specific preset. The D-Live has a new feature that allows you to see the wireless mic receiver display

directly on the mixer so the operator can be more aware of the conditions.

Monitor System;

We will provide 4 new ElectroVoice EKX-12 monitors. We will also provide 4 speaker outputs for your monitor system.

Monitor control can be by your sound operator and/or by an iPhone app that will allow your performers to control their own

mix. We can also add the Allen & Heath ME-1 to provide an in-ear monitor mix. The ME-1s will run $700 per unit with an

earphone. I have not quoted them in this project. They can be added at any time.

Wireless mics:

We will install 6 channels of Shure QLXD digital wireless mics. 3 Beltpack systems and 3 handheld system are included. The

beltpack systems will come with the highest quality DPA earset mic. The Handheld will be a Beta 87C. Rechargeable

batteries and drop-in charging docks are included for the 6 transmitters. The mic receivers will be connected to a network

switch to allow you to monitor the condition of the wireless mic systems on the mixer.

Microphones:

We will provide a high quality DPA microphone kit for your Grand Piano and three DPA lectern style mics for the Ambo and

two Cantors. Two overhead ambient mics will be installed for your recordings and streaming.

Power Sequencing

Six Furman CN-1800S power sequencers will be installed to turn the system on and off in the correct order.

Furniture:

I have included an Oak Roll-top desk to house your mixing console and an Oak rack for the Music area to house the Stage

Mix rack. I have also included a rack to house your amplifiers and other pieces of equipment that can be located in a back

stage area.

Hearing Assistance:

We will install a Listen Technologies hearing assistance system that will include a transmitter, Rack mount, remote antenna, 4

digital receivers with rechargeable batteries and earphones and two hearing loop adaptors.

Training:

Two 4 hour sessions are included for training of your staff on the operation of the new equipment.

Service:


Modification #2

Page 2 of 3ST EDWARD CATHOLIC CHURCHq8393Quote #:

The EMI Audio Install Guarantee

Any installation work that EMI Audio performs is warranted for one year. All EMI Audio systems come with a lifetime rush

repair and free loaner guarantee. Should any of the equipment that you purchase from EMI Audio need to be repaired, your

equipment will be rushed to the front of our repair schedule. Should that item not be repairable immediately, a free loaner will

be provided.

ItemsQty Each Price

$6,598.00$3,299.002 BOSE RMS215 ROOMMATCH SUBWOOFER

$585.00$292.502 BOSE RMSFLY RMS215 FLY KIT

$12,835.40$3,208.854 BOSE RM9020 ROOMMATCH SPEAKER

$6,407.70$3,203.852 BOSE RM12040 ROOMMATCH SPEAKER

$2,847.16$1,423.582 BOSE RMAFLG LARGE ARRAY FRAME

$1,999.98$999.992 BOSE RMXLNG

$1,910.00$955.002 Room Attachment hardware

$14,173.20$3,543.304 BOSE PM-8500N 8 CHANNEL AMP W/NETWORK

$1,069.78$1,069.781 BOSE POWERSHARE PS-602 AMP

$2,925.00$2,925.001 BOSE EX-1280C CONFERENCING PROCESSOR

$876.00$876.001 MIDDLE ATLANTIC ERK-3525

$56.50$56.501 MIDDLE ATLANTIC ERK-ST

$180.00$180.001 MIDDLE ATLANTIC CBS-ERK25

$2,249.82$374.976 FURMAN CN-1800S 15A SEQUENCER

$13,999.00$13,999.001 ALLEN & HEATH DLIVE C3500 SURFACE

$6,763.75$6,763.751 ALLEN & HEATH CDM-32 MIXRACK

$2,999.00$2,999.001 ALLEN & HEATH DX-32 EXPANDER I/O CHASIS

$1,647.00$549.003 ALLEN & HEATH M-DX-IN-A 8 CHANNEL MODULE

$499.00$499.001 ALLEN & HEATH M-DX-OUT-A 8CH LINEOUT MOD

$1,169.00$1,169.001 ALLEN & HEATH IP-8 CONTROLLER

$2,919.00$973.003 SHURE QLXD14 WIRELESS REC & BELTPACK

$1,099.00$1,099.001 SHURE QLXD24-BETA 87

$1,080.16$540.082 UA844+SWB ANTENNA DISTRIBUTION SYSTEM

$262.50$262.501 SHURE SBC200-US DROP IN BATTERY CHARGER

$384.00$192.002 SHURE SBC-200 CHARGER W/O POWER SUPPLY

$675.00$112.506 SHURE SB-900A LITHIUM ION BATTERY

$5,789.00$5,789.001 HSA INSPIRE HI RISE EXTENDED ROLLTOP

$1,399.00$1,399.001 HSA ROLL RACK 16 SPACE OAK

$1,239.95$1,239.951 DPA 4099P PIANO MIC KIT D:Vote

$1,977.00$659.003 DPA 4098DL-G-B01-045 LECTERN MIC

$2,039.85$679.953 DPA 4266-OC-F-FOO-ME SINGLE EARSET

$1,119.90$559.952 DPA 4098-DL-G-W00-015 CHOIR MIC MICRODOT

$198.00$99.002 DPA CM-22100W00 MICRODOT CABLE

$115.00$115.001 DPA DAD-6001 MICRODOT TO XLR CONNECTOR

$1,996.00$499.004 EV EKX-12 PASSIVE SPEAKER

$164.97$164.971 LUXUL XWR1200 WIRELESS ROUTER

$169.00$169.001 LUXUL XWR600

$1,922.40$1,922.401 LISTEN TECH LS-55-072 iDSP HEARING ASSIS

$240.00$0.60400 KRAMER UNIKAT CABLE

$1,920.00$0.962000 WEST PENN 227 12-2

$500.00$0.252000 WEST PENN 291 22-2

$180.00$0.90200 WEST PENN 25812 RG-58

$250.00$250.001 MISC CABLE/CONNECTORS/FASTENER

$775.00$775.001 3225 SCISSOR LIFT 32FT WORKING

$16,500.00$125.00132 LABOR EMI AUDIO

Begin at: 9:00:00AMFri 12/28/2018



Modification #2

Page 3 of 3ST EDWARD CATHOLIC CHURCHq8393Quote #:


Quote


Signature:

$126,705.02 Project Total:

Paid:

$126,705.02 Total:

Subtotal:

Sales:

$0.00

$126,705.02

$126,705.02


Modification #2

Bose Professional Systems Division

Design I Performance I Support

Best possible tonal balance and breakthrough scalability.

The Bose® RoomMatch™ array module loudspeakers are engineered to deliver the best possible tonal balance regardless of system con-figuration or room characteristics. Each module uses RoomMatch waveguide technology to direct sound more precisely and reduce unwanted reflections. The new EMB2 extended mid-band high frequency compression driver features a titanium diaphragm and a patented bridged phase plug design. This new design reduces the resonant modes, so there is less distortion without the use of complex signal processing. It also provides improved vocal clarity and intelligibility. Multiple RoomMatch array modules increase the SPL without impacting the overall tonal balance.

Progressive Directivity Array. Available in 20 different coverage patterns.

Five vertical and four horizontal waveguide patterns allow for even coverage across virtually any listening area. With the RoomMatch loudspeaker, you simply choose from 20 different coverage patterns and assemble them to form a Progressive Directivity Array – a new category of curvilinear array from Bose – so it delivers the coverage you need while behaving as a single loudspeaker. The result is the best tonal balance for nearly any room configuration.

Continuous-Arc Diffraction Slot. A truly seamless continuous source.

The loudspeaker’s design includes a Continuous-Arc Diffraction Slot manifold. Available only from Bose, this advancement merges the acoustic output of six separate EMB2 drivers into a single opening. This enables good vertical control while also giving you the ability to scale the SPL of multiple loudspeakers independent of coverage requirements and without creating phase cancellations between modules.

RoomMatch™ array module loudspeakers

Engineered for the best possible tonal balance, scalability and arrayability.

RoomMatch™ RMS215 subwoofer module loudspeaker

The RoomMatch™ RMS215 subwoofer array module extends the response of RoomMatch arrays down to 40 Hz, with dual Bose 15-inch high-excursion woofers and a proprietary port design that minimizes distortion and improves perceived transient impact. The durable Baltic-Birch plywood enclosure with 2-part polyurethane coating allows reliable ground-stack applications. Optional rigging accessories allow the RMS215 subwoofer to be integrated with other RoomMatch modules in suspended arrays, including cardioid bass configurations.

Bose® Modeler® sound system software is an acoustic design and analysis program for sound system designers or acoustical consultants. The recent release of V. 6.7 features the RoomMatch array design tool, which allows you to easily create a complete RoomMatch loudspeaker array using an interactive array design tool. View coverage maps, array aiming and cluster construction side by side, as coverage maps update in real time when array changes are made. The Modeler software manages mechanical configuration and device spacing, allowing you to focus on the system design. Key performance metrics and an automatic array creation function are included.

Bose ControlSpace® Designer™ software is a graphical user interface tool for the design configuration and control of systems consisting of ESP-88/00, PowerMatch™ configurable professional amplifiers and Bose control centers. ControlSpace Designer also configures the power output of PowerMatch amplifiers. Three new signal processing functions are included in the latest release of ControlSpace Designer: RoomMatch Array EQ, Loudspeaker PEQ and a new Peak/RMS limiter. Each of these functions provides signal processing for the RoomMatch loudspeakers in large systems that only employ the engineered sound processor.

ControlSpace® Designer™ software RoomMatch processing support

PowerMatch™ configurable professional power amplifier

The Bose PowerMatch™ PM8500 is a configurable professional power amplifier delivering concert sound quality for fixed-installation sound reinforcement systems. Building on the ruggedness proven by 20 years experience building Class D power amplifiers for the automotive market, the PM8500 adds numerous new Bose patented technologies to simultaneously provide class-leading power, efficiency, sound quality and reliability. The PM8500N adds Ethernet connectivity for network control and monitoring of multiple

“N” version amplifiers using ControlSpace Designer. RoomMatch array modules perform best when

paired with PowerMatch amplifiers; however, these products are versatile and are suitable for nearly any fixed-installation sound system application.

Modeler® RoomMatch array design tool

For more information:

p r o . B o s e . c o m

All information subject to change without notice. ©2012 Bose Corporation.

PRO.BOSE.COM 1 OF 5

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TECHNICAL DATA

ControlSpace® EX-1280C conferencing processor

Product DescriptionThe ControlSpace EX-1280C conferencing processor includes 12 mic/line analog inputs, 8 analog outputs, 8 AmpLink digital outputs, 12 acoustic echo cancellers (AEC), 64x64 Dante™ and a flexible, open architecture signal processing to meet the needs of a wide variety of integrated-microphone audio conferencing applications. The open architecture design is configured using ControlSpace® Designer™ and features drag and drop programming and allows limitless design possibilities.

Key Features• All-in-one design supports simultaneous VoIP, PSTN and USB soft codecs in a

single 1RU model

• 12-channel advanced AEC routes to both analog and Dante™ inputs. Multiple references allow one EX-1280C processor to support multiple rooms, or AEC-sharing across multiple processors. Each AEC channel includes adaptable noise cancellation, non-linear processing and comfort noise to enhance the clarity and intelligibility of the meeting

• 2-line VoIP supports all popular codecs. A VoIP web interface allows IT personnel to configure VoIP parameters without audio system design file access or integrator involvement

• PSTN connection (RJ-11) for worldwide POTS/analog telephone systems worldwide. It includes compliance certification for most countries including US, Canada, Mexico, Europe, Japan, and Australia

• USB connection facilitates easy integration with PC soft codecs

• Dante™ audio networking supports 64 x 64 audio channels for connection to other Dante-enabled products, including native Dante-integrated microphones

• Bose® AmpLink port provides an uncompressed, low-latency digital audio connection to AmpLink-equipped Bose amplifiers via a shielded CAT 5 cable

• Front-panel interface features a large OLED display and rotary encoder for setting network parameters and monitoring channel activity

• GPIO (5 in/5 out) for external connections including microphone pushbuttons or driving microphone LEDs

ApplicationsDesigned for a wide range of applications, including:

• Boardrooms

• Medium/large conference rooms

• Courtrooms

• Distance learning

• Auditoriums

• Multi-purpose spaces

PRO.BOSE.COM 2 OF 5

Technical SpecificationsINTEGRATED DSP

Signal Processor/CPU 32-bit fixed/floating-point DSP 456 MHz/ARM Cortex-A8 600MHz

Maximum Calculation 3.6 GIPS / 2.7 GFLOPSDelay 43 sAudio Latency 1.05 ms (analog in to analog out, without AEC)A/D and D/A Converters 24-bitSample Rate 48 kHz

ANALOG AUDIO INPUTS

Input Channels 12 balanced, mic/line level

Connectors, Input 3.81 mm detachable Euroblock, 6-pin

Input Impedance 12 kΩ @ 1 kHz (with or without phantom power active)

Maximum Input Level +24 dBu

Equivalent Input Noise -118 dB at 44 dB gain setting

Phantom Power +48 VDC, 10 mA, software selectable per input

Gain Settings 0/14/24/32/44/54/64 dB

ANALOG AUDIO OUTPUTS

Output Channels 8 balanced, line level

Connectors 3.81 mm Euroblock, 6-pin

Output Impedance 200 Ω

Maximum Output Level +24 dBu

AUDIO PERFORMANCE SPECIFICATIONS

Frequency Response 20 Hz to 20kHz (+0.3 dB/-0.1 dB)

THD+N 0.002 % at +4 dBu (A-weighted/20 Hz – 20 kHz)

Channel Separation (Crosstalk) < -105 dB at +4 dBu input and output level, 1 kHz

Dynamic Range > 115 dB, A-weighted 20 Hz – 20 kHz, analog input to analog output

AUDIO OVER IPDante™ 64x64, primary/secondary

DIGITAL AUDIO OUTPUTS

AmpLink 8 low latency (< 21 μs,) 48kHz. Requires shielded CAT 5/6

COMMUNICATION PORTS

USB Device Micro-B type, stereo in/out

VoIP RJ-45; 2 lines

PSTN RJ-11; 1 line, Tx/Rx

USB Host Type A. For future use

CONTROL INPUTS

Inputs (Control) 5 analog or digital inputs, 2 kΩ internal pull-up resistor to 5 V, 3.81 mm detachable Euroblock, 6-pin

Analog Input Voltage Range 0 V to 3.3 V (maximum 5 V)

Digital Input Voltage Range 0 V to 3.3 V (threshold voltage = 1.6 V)

CONTROL OUTPUTS

Outputs (Control) 5 digital outputs, 3.81 mm detachable Euroblock, 6-pin

Output Voltage High: 8 V (open circuit), 2.5 V @ 10 mA Low: < 1 V @ 100 mA, push-pull

INDICATORS AND CONTROLS

Display 256 x 64 OLED with rotary encoder

LED Status Indicators Power/Status

Audio Signal Indication On Display

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TECHNICAL DATA


ELECTRICAL SPECIFICATIONS

Mains Voltage 85 VAC-264 VAC 50/60 Hz

AC Power Consumption 35 W typical at 40 °C (104 °F) ambient

Mains Connector IEC 60320-C14 (Inlet)

Power Dissipation 60 W (205 BTU, 52 kcal)

PHYSICAL

Dimensions 44 mm x 483 mm x 282 mm (1.7” x 19” x 11.1”)

Net Weight 3.6 kg (7.3 lb)

Operating Temperature 0°C - 40°C (32°F - 104°F)

Cooling System 2 variable speed fans, side venting

GENERAL

PC Configuration Software ControlSpace® Designer™ software version 5.0 or later

Network Control Ethernet (RJ-45), 1Gb

RS-232/485 ports RS-232 (DTE) and Bose CC-16 (RS-485 master) - 3.81 mm detachable Euroblock, 3-pin

Audio Channel Capacity 166 channels (20 analog, 8 AmpLink out, 64x64 Dante, 4 VoIP, 4 USB, 2 PSTN)

COMPLIANCE

Safety UL60065 (8th edition), CAN/CSA-C22.2 No.60065 (8th edition), IEC/EN60065 (8th edition)

EMC EN 55032:2015, EN 61000-3-2:2014, EN 61000-3-3:2013, EN 55103-2:2009FCC Part 15B Class A, ICES-003 Class A, CNS13439, GB13837, GB17625.1, GB17625.2 25.2, CISPR13

Telephone:

Country Standard

CE ETSI ES 203 021-1 V2.1.1 (2005-08), 203 021-2 V2.1.2 (2006-01), 203 021-3 V2.1.2 (2006-01)

Japan JATE, ORDINANCE CONCERNIG TERMINAL FACILITES ETC., MIC Notices NO. 99

HK HKTA 2011 ISSUE 6 MAY 2010

Australia AS/ACIF S002: 2010+AMANDMENT 2012 NO.1(only reports)

Taiwan NCC: PSTN01, EMI CNS13438, Safety: CNS14336

New Zealand PTC200-May 2006, PTC220-May 2008

UAE TRA

India TEC: TEC-IR-TX-PST-01-02-MAR-15

USA FCC Part68

Canada CS-03 Part I, Issue 9, Amendment 5, March 2016

China CCC: GB/T9254-2008;GB9254-1998;GB9254-2008;GB4943.1-2011;YD/T993-1998;

China Telecom

Mexico NOM-196-SCFI-2016 (IFT-004-2016)

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PRO.BOSE.COM 4 OF 5

q Front-panel OLED Display and Encoder – 256 x 64 display for metering and network infoRotary/press knob for IP setup

q Balanced Analog I/O – 12 inputs (routable to AEC), 8 outputs

w GPIO – 5x5 expandable general-purpose control

e ControlSpace Network Port – Interfaces with Bose and 3rd party control

r Dante Network Port – 64 x 64 channel, 1 Gbps (routable to AEC)

t 2-Line VoIP – SIP 2.0-Compliant IT web configuration page

y USB Port – Micro-B USB for PC soft codecs with stereo input and output

u Bose® Amplink – 8-channel uncompressed, low latency digital audio

i Serial Port – 3-wire RS-232C (DTE) serial interface connection

o CC-16 – Supports Bose® CC-16 user controls

1) PSTN (RJ-11) – Supports worldwide analog telephone connections

q

q w er t y u i o 1)

PRO.BOSE.COM 5 OF 5

Mechanical Diagrams

PROFESS IONAL

Product CodesControlSpace® EX-1280C Conferencing Processor

US-120V 772234-1110

EU-230V 772234-2110

JP-100V 772234-3110

UK-230V 772234-4110

AU-240V 772234-5110

AccessoriesControlSpace® EX-UH USB/Headset Dante® endpoint 771784-0110

ControlSpace® EX-4ML mic/GPIO Dante® endpoint 771783-0110

ControlSpace® EX-8ML mic/GPIO Dante® endpoint 772045-0110

TECHNICAL DATA


All information subject to change without notice.® 2018 Bose CorporationAll trademarks are those of their respective owners.

PowerMatch® PM8500 / PM8500Nconfigurable power amplifier

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Bose Professional Systems Division 1 OF 7


Product OverviewThe Bose® PowerMatch PM8500 configurable professionalpower amplifier provides concert-quality sound with a highlevel of scalability and configurability. The PM8500 offersmultiple channel and power options, an integrated audioDSP, front panel interface and USB connection. Ethernet-equipped versions enable network configuration, control andmonitoring. An expansion slot supports inputs from optionaldigital accessory cards. PowerMatch amplifiers utilizenumerous Bose technologies to deliver an unprecedentedcombination of performance, efficiency, and ease ofinstallation—all in a reliable, proprietary design. Availablein two versions, the PM8500 provides USB connection forsingle-unit setup and control using Bose ControlSpace® V3.0or higher software. The PM8500N adds Ethernet connectivityfor network control and monitoring of multiple “N” versionamplifiers.

ApplicationsDesigned for a wide range of applications, including:

• Auditoriums

• Performing arts venues

• Theaters

• Houses of worship

• Arenas

• Hospitality venues

Key Features• QuadBridge™ Technology – Allows each 4-channel

loudspeaker block to be configured as Mono, V-Bridge, I-Share or Quad modes, allowing the total available powerof the amplifier block to be allocated to one or more outputchannels. The amplifier is capable of driving both lowimpedance and 70/100V loudspeaker loads directly.

• Bose® ControlSpace® Designer™ software – PowerMatchamplifiers can be fully configured using ControlSpaceDesigner software via the onboard front panel USBconnection, or the rear panel Ethernet connection (networkmodels only). Using ControlSpace Designer software youcan access additional features including: Parametric EQstages, load sweep of each output channel and auto standby.ControlSpace Designer software is also used to integratenetwork model PowerMatch amplifiers into larger control andmonitoring systems comprised of Bose ESP processors andCC control centers.

• Auto-Standby/Auto-Wake function – When enabled, thisfunction automatically enters/exits Standby Mode, allowing thesystem to consume less power.

• Dual voltage and current feedback loop – Proprietarydesign combines Class-D efficiency with a unique currentand voltage feedback loop circuit that continuously monitorsand controls both the current and voltage delivered to theloudspeaker load. Independent of power level and loadimpedance, the amplifier consistently delivers the widestpossible dynamic range, frequency response and lowestpossible distortion.

• PeakBank™ power supply – Regenerative 4-quadrant powersupply enables higher power density while allowing the re-use of energy from reactive loads that is normally wasted inconventional Class-D designs. This highly efficient amplifierdesign delivers sustainable and repeatable low frequencyresponse.

• Fast-tracking power factor correction (PFC) – Efficientlymanages the current drawn from the AC mains, allowing theamplifier to drive loudspeakers to maximum output longerwithout power fluctuation. PFC provides superior transientresponse and functions at peak burst power much longerthan conventional Class-D amplifier designs to satisfy therequirements of even the most demanding program material.


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Technical SpecificationsPower Rating

THD for Power Rating2 Ω 4 Ω 8 Ω 70 V 100 V< 0.1 % < 0.1 % < 0.1 % 1 % 1 %

Mono Mode 450 W 500 W 300 W See footnote 3 See footnote 3V-Bridge Mode 450 W2 1000 W 1000 W 800 W 1000 WI-Share Mode 1000 W 500 W2 300 W2 Not available Not availableQuad Mode 1000 W2 2000 W 1000 W2 1600 W 2000 WMaximum Rated Power 4000 W (500 W x 8 channels at 4 ohms)Peak Output Voltage 71 / 142 V (Mono / V-Bridge, I-Share, and Quad modes)Voltage Gain 36 / 42 / 36 / 42 dB (Mono / V-Bridge / I-Share / Quad modes)Audio Performance SpecificationsFrequency Response 20 Hz - 20 kHz (at 1 W and +/- 0.5 dB)Signal-to-Noise Ratio, Analog Input > 102 dB (1 dB below rated power, A-weighted)THD < 0.4 % (at 1 W, 20 Hz to 20 kHz)Intermod Distortion - SMPTE < 0.4 % (60 Hz, 7 kHz)Channel Separation (Crosstalk) > 65 dB (adjacent channels, at 1 kHz)Damping Factor > 1000 (10-1000 Hz, 4 ohms, at amplifier output)Integrated DSPA/D and D/A Converters 48 kHz / 24-bitTotal Latency (Analog In - Amp Out) < 0.95 msInput to Output Signal Routing 8 x 8 matrixLoudspeaker Presets Bose ProfessionalInput EQ 5-band PEQ (+/- 20 dB), notch, shelving, high pass, low passBandpass Filters (Crossover) Butterworth, Bessel, or Linkwitz-Riley, up to 48 dB/octaveLoudspeaker EQ 9-band PEQ (+/- 20 dB), shelving, high pass, low pass, 2-band RoomMatch® array EQMaximum Output Delay 3 sOutput Limiter Peak and RMS voltageAudio Inputs

Input ChannelsAnalog Digital (Optional Card)8 (balanced line level) 8

Input Impedance > 100 kΩ N/ASensitivity 0, +4, +12, +24 dBu, selectable Digital: 0, -12, -20, -24 dBFS, selectableMaximum Input Level +24 dBu (at 24 dBu sensitivity setting) N/AConnectors, Input 3-pin Phoenix Contact® (green color; part # 1776168) Card DependentAudio OutputsOutput Channels 2 to 8 (configurable)Connectors, Output 8-pin Phoenix Contact® connectors (part # 1778120), supports 10-24 AWG wireIndicators and ControlsLED Status Indicators Signal, limit, clip, faultUser Interface Controls Mute, input sensitivity, output configuration, output attenuation, EQ on/off, preset select. 240 x 64 LCD. Additional controls available w/

ControlSpace® Designer™ softwareElectrical SpecificationsMains Voltage 100-240 V (50/60 Hz)Mains Circuit Recommendation 20A (120 V) or 16A (230 V)Mains Connector IEC 60320-C20 (Inlet)Minimum AC Line Voltage 80 V (reduced output power)Maximum Inrush Current 15.4 A (230 VAC, 50 Hz)Maximum RMS Current Draw 15 AEfficiency, 1/3 Rated Power > 75 % (pink noise input signal)Output Stage Topology Class-DOverload Protection High temperature, DC, HF, short, voltage limiter, current limiter, inrush current, mains circuit breaker protectionPhysicalDimensions 3.5" H x 19" W x 20.7" D (88 mm x 483 mm x 525 mm) - 2 rack spaceNet Weight 28.4 lb (12.9 kg) Shipping Weight: 34.5 lb (15.7 kg) Mounting Depth 21" (533 mm) Operating Temperature 32 °F - 104 °F (0 °C - 40 °C) Cooling System Microprocessor-controlled, variable-speed fans, front to rear airflow


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GeneralSetup and Configuration Software ControlSpace® Designer™ software V3.2 or greaterPC Interface Connection USB (Network version adds Ethernet RJ-45, 100 Mb)Fault Notification Output NC/NO Relay Contact (1 A, 30 VDC), 3-pin Phoenix Contact® connector (orange color; part # 1976010)

Footnotes:1 Output power is measured per channel, all channels driven, using test signals at 1 kHz.2 Configuration not recommended / not optimal.3 Limited use available. Tap 70V loudspeakers 2x the desired power. Tap 100V loudspeakers 4x the desired power.4 Measured at +24 dBu sensitivity unless otherwise specified.


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1. LED Indicators - Fault, Clip, Limit and Signal indication2. LCD Display - Detailed graphical backlit display3. Navigation Soft Key - Front panel interface navigation key4. Rotary Encoder - Scroll to move LCD display cursor, push to select option5. Menu Soft Keys (1 – 5) - Five pushbuttons mapping to onscreen selections6. USB connector - Type B USB port for use with a PC running ControlSpace® Designer™ software7. Front airflow vents - Filterless intake cooling for the amplifier8. Front rack-mount ears - For use when securing into rack-mount enclosures

1. Analog Input connectors - Line-level balanced input connectors (+24 dBu max)2. Fault-Notification Output - 3-pin normally open or normally closed contact closure fault connection (1A, 30 VDC max)3. Ethernet network connector (network versions only) - RJ-45 connection supporting ControlSpace Designer software and Serial

over Ethernet communications4. Rear airflow vents - Exhaust venting5. Digital expansion slot cover - Supports optional ESPLink and digital audio network cards6. Output connector - Loudspeaker connections (10 - 24 AWG)7. AC Mains receptacle - Power cord connection (IEC 60320-C20 Inlet)8. AC Mains retention clip - Secures the power cord to the amplifier9. Power switch - ON/OFF AC power switch. Also serves as resettable circuit breaker

10. Rear rack-mount support tabs - Accommodates rear brackets for rear rail mounting


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Mechanical Diagrams

Back View

Front View Right View

19.0”[483mm]

17.1”[435mm]

3.0”[76mm]

3.5”[88mm]

18.5”[470mm]

20.7”[525mm]

21.0”[533mm]


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All information subject to change without notice.® 2015 Bose Corporation

All trademarks are those of their respective owners.



Architects’ and Engineers’SpecificationsThe amplifier shall contain all solid-state circuitry, using MOSFEToutput devices employing Class-D topology and a current andvoltage feedback loop circuit. The amplifier shall incorporatea switch-mode power supply with fast-tracking power factorcorrection (PFC) that will allow full-rated power from AC outletsranging from 100 - 240 V, 50/60 Hz. The amplifier shall have anIEC 60320-C20 16/20-amp electrical power inlet and shall beequipped with a removable power supply cord. The amplifiershall include protection from shorted and open loads, generaloverheating, DC, high-frequency overloads, under/over voltageand internal faults.

The amplifier shall contain eight independent amplifier channels,which can be configured to allocate the 4000 watts total ratedoutput power between 2 and 8 channels. The amplifier shallcontain variable speed fans, which are automatically controlledto minimize acoustic noise. Fan airflow direction will be from thefront panel to the rear panel and should not require air filtering.Rack mounting of multiple amplifiers shall be possible withoutextra rack spacing for ventilation. The amplifier shall be capableof continuous operation at 1/3 of rated power into 4-ohm loads,in ambient temperatures up to 104° F (40° C). The typical currentdraw at 1/3-rated power shall be 15 amps with 120 VAC and 7.5amps with 230 VAC.

The power amplifier shall meet or exceed the followingperformance specifications:

• Analog input sensitivity for rated output: 0, +4, +12 and +24dBu, user selectable

• Rated output power, per channel, with all channels drivenless than 0.1% THD, typical (1 kHz): Mono mode with up to 8channels, 500 watts into 4 ohms and 300 watts into 8 ohms. V-Bridge mode with up to 4 channels, 1000 watts into 4 ohms, 8ohms, or with 100V lines (at 1% THD), 800 watts with 70V lines(at 1% THD). I-Share mode with up to 4 channels, 1000 wattsinto 2 ohms. Quad mode with up to 2 channels, 2000 watts into4 ohms or with 100V lines (at 1% THD), 1600 watts with 70Vlines (at 1% THD)

• Frequency Response (±0.5 dB at 1 watt): 20 Hz to 20 kHz• Signal-to-Noise Ratio (below rated power, A-weighted with +24

dBu analog input sensitivity) >102 dB• Total Harmonic Distortion (1 watt from 20 Hz to 20 kHz): less

than 0.4%• Intermodulation Distortion (SMPTE 60 Hz and 7 kHz): less than

0.4%• Channel Separation (adjacent channels at 1 kHz): greater than

65 dB• Damping Factor (10 – 1000 Hz, 4 ohms, measured at amplifier

output): greater than 1000

The amplifier shall incorporate eight balanced analog inputs, withrear-panel mounting and utilizing 3-pin terminal block connectors.The analog inputs shall support up to +24 dBu input signals. Theamplifier shall support a digital expansion slot capable of receiving8 digital audio channels using optional digital expansion cards,available in proprietary and industry-standard protocols. Theamplifier outputs shall terminate with 8-pin, high-current, terminal-block connectors, which accept 10-22 AWG cables.

The amplifier shall include digital signal processing (DSP)optimized for loudspeaker processing, with 24-bit, 48 kHzoperation. The total latency (analog input to amplifier output) shallbe less than 0.95 milliseconds. The fixed-block signal processingshall include the following elements for each of the eight channels:5-band parametric input EQ, array EQ, bandpass (crossover)filters, 9-band parametric output EQ, delay, output peak andRMS-average limiter. An 8x8 matrix mixer shall be included forrouting and attenuation of any input/output combination. A signalgenerator supporting tone, noise and sweep functions shall beincluded, which shall also enable the amplifier to measure, record,and store automated impedance sweeps on any output channel.

The amplifier front panel shall contain a user interface with a 240x 64 LCD primary display, with LED indicators for signal present,input clipping, output limiting and fault. Functions accessible fromthe front-panel interface shall include output configuration, faultlogging, mute, input sensitivity selection, output attenuation, EQon/off per channel and loudspeaker processing preset recall.

The amplifier shall contain a PC interface with a front-panel USB connection, which will allow full amplifier setup, configuration and monitoring using Bose ControlSpace® Designer™ software (PM8500N model only). The network version amplifier shall also contain a rear-panel Ethernet interface available from an RJ-45 connector to allow serial over Ethernet communications and network control/monitoring of multiple network version amplifiers when using a PC running Bose ControlSpace Designer software.

The amplifier chassis shall be constructed of steel with a durableblack finish. The dimensions of the amplifier shall allow for 19-inch(483 mm) EIA-310 standard rack mounting. The amplifier shall be3.5 inches (2RU, 88 mm) in height, and 20.7 inches (525 mm) indepth. The amplifier shall weigh 28.4 pounds (12.9 kg).

The amplifier shall be the Bose PowerMatch® PM8500(PM8500N) configurable professional power amplifier.

Safety and Regulatory CompliancePowerMatch configurable professional power amplifiers complywith CE requirements, are cUL listed according to UL60065(7th edition) and CAN/CSA C22.2 No. 60065-03; CB approved,according to IEC60065 (7th edition), including group and nationaldifferences. These models also comply with FCC Part 15B ClassA, Canadian ICES-003 Class A, EN55103-1, EN55103-2, andCISPR13 requirements.

Product CodesPowerMatch® PM8500

PowerMatch PM8500 - US 343547-1110PowerMatch PM8500 - AU 343547-2110PowerMatch PM8500 - JPN 343547-3110PowerMatch PM8500 - EU 343547-4110PowerMatch PM8500 - UK 343547-5110PowerMatch® PM8500N

PowerMatch PM8500N - US 343546-1110PowerMatch PM8500N - AU 343546-2110PowerMatch PM8500N - JPN 343546-3110PowerMatch PM8500N - EU 343546-4110PowerMatch PM8500N - UK 343546-5110Expansion Cards

PowerMatch ESPLink card 349898-0110PowerMatch Dante™ network card 359844-0020


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All information subject to change without notice.® 2015 Bose Corporation

All trademarks are those of their respective owners.



PowerMatch CobraNet® network card 345975-0110PowerMatch® AES3 input card 638301-0010

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pro.Bose.com

PowerShare PS602 adaptable power amplifier

Product DescriptionBose PowerShare PS602 adaptable power amplifier delivers 600 watts for fixed-install applications. Through patented technology, total amplifier power is shared across all output channels, allowing installers the freedom to utilize power where needed. With support for both low- and high-impedance loads up to 100V, PowerShare amplifiers adapt to a wide range of applications. Onboard configurable loudspeaker processing and direct access to zone controllers eliminate the need for an additional signal processor in many installations, while outstanding audio performance and reliability are assured with patented technologies inherited from the field-proven PowerMatch® line. This unique set of features and technologies makes PowerShare one of the most versatile high-performance amplifiers available.

Key Features• PowerShare Technology – Patented PowerShare technology allows the total

600 watts of power to be shared asymmetrically across all outputs, as each output is capable of delivering full power. Instead of selecting amplifier power based on the needs of the largest zone, installers now have the freedom to use total amplifier power in the application. This enables more flexibility during the initial design, or later on-site when making unplanned changes that take advantage of surplus power.

• Load-Independent Outputs – Each channel can be configured for lowimpedance (4-8 Ω) or high-impedance (70/100V) applications without bridging, use of jumpers, or software settings.

• DFL™ System – The Dual Feedback Loop system, inherited from the field-proven Bose PowerMatch® amplifier line, improves performance and reliability through continuous monitoring and control of both the current and voltage delivered to each output load. This combination provides improved linearity and lower distortion, while protecting loudspeakers.

• Integrated Loudspeaker Processing with Optional PowerShare Editor Configuration – For applications requiring additional signal processing the PowerShare Editor Software offers real-time selection and control of Bose loudspeaker EQs, 9-band PEQs, standard mixing, crossover, delay, and mute/output polarity through a USB connection. For basic setups without a PC, rear-panel settings allow installers to recall Bose loudspeaker equalization and protection per output channel. These features eliminate the need for an external signal processor in many applications.

• ControlCenter Zone Controller Accessories – Bose ControlCenter CC-1 zone controllers can be directly attached for remote adjustment of amplifier outputs further extending stand-alone amplifier applications.

• Auto-Standby – Designed to save power consumption when not in use. PowerShare amplifiers can be configured to automatically enter standby mode when the audio signal falls below a set threshold, then wake when audio returns.

Applications Designed for a wide range of applications, including:

• Performing arts venues

• Houses of worship

• Conference centers

• Retail stores

• Restaurants and bars

• Hospitality venues

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pro.Bose.com

PowerShare PS602 adaptable power amplifierTechnical Specifications

Power RatingAmplifier Power 2 x 300 W (THD+N < 0.04%, 1 kHz, 4-8 Ω, 70/100V)Maximum Power per Channel 600 W @ 4-8 Ω, 70/100VGain (Low-Z mode) 44 dB, RCA (unbalanced) inputs; 32 dB, Euroblock (balanced) inputsGain (70V mode) 47 dB, RCA (unbalanced) inputs; 35 dB, Euroblock (balanced) inputsGain (100V mode) 50 dB, RCA (unbalanced) inputs; 38 dB, Euroblock (balanced) inputsAudio PerformanceFrequency Response 4-8 Ω: 20 Hz – 20 kHz (+/- 0.5 dB @ 1 W)

70/100V: Same as 4-8 Ω with 50 Hz high-pass filterChannel Separation (Crosstalk) > 85 dB @ 1 kHz, > 65 dB @ 20 kHzSignal to Noise Ratio 100 dB (at rated power, A-weighted)

Audio InputsInput Channels 2 unbalanced, 2 balancedConnectors Stereo RCA, 3-pin EuroblockInput Impedance 10 kΩ (RCA), 20 kΩ (Euroblock)Maximum Input Level 20 dBu (at 12 dBu sensitivity setting)Sensitivity -10 / -2 dBV, RCA inputs; 4 / 12 dBu, Euroblock inputs (low / high sensitivity)

Audio OutputsOutputs 2Connectors 2-pin inverted Euroblock

Integrated DSPA/D and D/A Converters 24-bit / 48 kHzProcessing Functions Standard mixer, loudspeaker EQ, 9-band PEQ, Vpeak/Vrms limiters, delay, band pass, mute/output polarity inversionLoudspeaker Presets Flat, DS16, DS40, DS100, FS3B, 402, 802, MA12EX, RMU105 and RMU108Audio Latency 1 ms (any input to speaker output)Indicators and ControlsPower LED Solid green: Power is on. Blinking green: Unit is in standby mode. Solid amber: Thermal fault. Solid red: Supply fault.Input Signal LED Green: Signal present. Amber: Input is near clipping. Red: Input is clipping. Solid red: Indicates a fault.Output Limit LED Amber: Amplifier limiting an output. Blinking red: Amplifier muted. Solid red: Indicates a fault.Controls, Front Panel Power On/OffControls, Rear Panel Amplifier mode DIP switches, loudspeaker EQ dials, output attenuators

ElectricalMains Voltage 100 VAC – 240 VAC (±10%, 50/60 Hz)AC Power Consumption 120 VAC: 79 W (Standby), 124 W (Max) 230 VAC: 88 W (Standby), 184 W (Max)Mains Connector Standard IEC (C14)Maximum Inrush Current 14.14 A (230 VAC / 50 Hz), 8.04 A (120 VAC / 60 Hz)Protections High temperature, output short, extra high frequency (EHF), excessively low or high AC line voltage

PhysicalDimensions (H x W x D) 44 mm x 483 mm x 414 mm (1.7” x 19.0” x 16.3”)Shipping Weight 6.9 kg (15.3 lb)Net Weight 5.5 kg (12.2 lb)Cooling System Microprocessor controlled, variable speed fans, left to right air flow

GeneralInputs (Control) RJ-45 remote input for volume control using the CC-1 ControlCenter zone controllers, or for connection to the CV41. USB input for

configuring the amplifier with PowerShare Editor software. Mute input control.

For additional specifications and application information, please visit pro.Bose.com. Specifications subject to change without notice

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pro.Bose.com

PowerShare PS602 adaptable power amplifier

1 2 3 4

. POWER switch – ON/OFF AC power.

3 Power LED • Solid green LED indicates the unit is ON. • Blinking green LED indicates the unit is in low-power mode. • Solid amber LED indicates an over-temperature fault. • Solid red LED indicates a power supply fault.

$ INPUT 1 & 2 SIGNAL LED – Each LED operates independently. • Green LED indicates signal is present. • Amber LED indicates signal is near clipping. • Red LED inciates clipping. • LEDs will display solid red if a power supply fault is detected.

/ OUTPUT 1 & 2 LIMIT LED – Each LED operates independently. • LED is amber when the amplifier is limiting the corresponding output due to exceeding the specified loudspeak Vpeak or Vrms limits. • If the sum of the amplifier outputs exceeds 600 watts, then the amplifier will limit all outputs equally, and all LEDs will show limiting simultaneously. • LEDs will display solid red if an amplifier, power supply, or EHF fault is detected. • LEDs will blink red when all outputs are muted.

1 2 3 4 5 6 7 98

. INPUT 1 & 2 – Balanced 3-pin Euroblock and unbalanced RCA line-level input connectors.

3 USB – Connect the amplifier to a PC using a USB connection. This allows you to use the PC-based PowerShare Editor software to configure the advanced features of the amplifier.

$ CHANNEL 1 & 2 EQ – Each dial provides loudspeaker equalization presets per channel: DS 16, DS 40, DS 100, FS3B, 402, 802, MA12EX, RMU105, and RMU108. Use the Flat setting for FS3 Systems.

/ CONTROL CENTER – RJ-45 input connector for Bose CC-1 ControlCenter zone controllers or CV41 4-to-1 converter only.

1 MUTE – Contact closure connection where a short across the mute connector will mute all outputs. Mute polarity can be inverted with the PowerShare Editor software.

4 DIP SWITCHES – A bank of switches used to set amplifier configuration.

2 OUTPUT ATTENUATION 1 & 2 – Output attenuators for each output. Turn the controls clockwise to decrease attenuation and counter-clockwise to increase attenuation.

( OUTPUT – Two inverted 2-pin Euroblock connectors for loudspeaker connections. Each channel can deliver up to 600 watts regardless of load into 4 Ω, 8 Ω, 70V, or 100V. Outputs are not bridgeable.

, AC Inlet – Removing the AC cord when the amplifier is on is equivalent to powering down using the front panel power switch, and is an acceptable power-down method.

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pro.Bose.com

PowerShare PS602 adaptable power amplifierAC Current Draw and Thermal Dissipation InformationAmplifier rated channel power is 600 W, distributed across two outputs for the PS602.

PS602 AC Current Draw and Thermal Dissipation (120 VAC, 60 Hz)

Test Signal & Power Level Load Configuration (All channels driven)

Total Audio Output, W

Line Current, A

Thermal Dissipation, MaxWatts BTU/hr kCal/hr

Power On, Idling 0 0.7 79 270 681/8th Rated Power IEC286 Bandlimited Pink Noise 4-8 Ω 75 1.5 110 374 94

1/8th Rated Power IEC286 Bandlimited Pink Noise 70/100V 75 1.4 91 312 79

1/3rd Rated Power IEC286 Bandlimited Pink Noise 4-8 Ω 200 2.7 124 433 107

1/3rd Rated Power IEC286 Bandlimited Pink Noise 70/100V 200 2.7 122 415 105

PS602 AC Current Draw and Thermal Dissipation (230 VAC, 50 Hz)

Test Signal & Power Level Load Configuration (All channels driven)

Total Audio Output, W

Line Current, A

Thermal Dissipation, MaxWatts BTU/hr. kCal/hr.

Power On, Idling 0 0.4 88 301 76

1/8th Rated Power IEC286 Bandlimited Pink Noise 4-8 Ω 75 0.8 106 361 91

1/8th Rated Power IEC286 Bandlimited Pink Noise 70/100V 75 0.8 99 339 85

1/3rd Rated Power IEC286 Bandlimited Pink Noise 4-8 Ω 200 1.4 123 420 106

1/3rd Rated Power IEC286 Bandlimited Pink Noise 70/100V 200 1.7 184 628 158

Mechanical Diagrams

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pro.Bose.com

PowerShare PS602 adaptable power amplifierSafety and Regulatory ComplianceThe PowerShare PS602 adaptable power amplifier complies with CE requirements and is UL listed according to UL60065 (7th edition) and CAN/CSA C22.2 No. 60065-03; CB approved, according to IEC60065 (7th edition), including group and national differences. This model also complies with FCC Part 15B Class A (10-1-2014), EN55103-1:2009 +A1:2012, EN55103-2:2009, and CISPR 13: Ed. 5.0 (2009-06) requirements.

Product CodesPowerShare PS602 adaptable power amplifier

US-120V 743375-1410

EU-230V 743375-2410

JP-100V 743375-3410

UK-230V 743375-4410

AU-240V 743375-5410

AccessoriesControlCenter CC-1 zone controller

US-Black 768932-0110

US-White 768932-0210

EU-Black 768932-2110

EU-White 768932-2210

JP-Black 768928-3110

JP-White 768928-3210

ControlCenter CV41 4-to-1 converter 768928-0010

PowerShare Editor software

RF Carrier Frequency Range 470–937.5 MHz, varies by region

Image Rejection >70 dB, typical

Latency <2.9 ms

RF Sensitivity -97 dBm at 10-5 BER

Working Range 100 m (328 ft.) line-of-sight Note: Actual range depends on RF signal absorption, reflection and interference.

Audio Frequency Range 20 Hz to 20 kHz Note: Dependent on microphone type.

Audio Dynamic Range >120 dB, A-weighted, typical (System Gain @ +10)

Total Harmonic Distortion <0.1% (−12 dBFS input, System Gain @ +10)

Operating Temperature Range -18°C (0°F) to 50°C (122°F) Note: Battery characteristics may limit this range.

Dimensions 41 mm x 197 mm x 151 mm (1.63 in. x 7.75 in. x 5.94 in.)

Weight 777 g (1.71 lbs.), without antennas

Housing Steel

Power Requirements 12 V DC @ 0.4 A, supplied by external power supply (tip positive)

Spurious Rejection > 80 dB, typical

Antenna Connector Type BNC

Antenna Impedance 50 Ω

Gain Adjustment Range -18 to +42 dB (in 1 dB steps)

Configuration ¼" (6.35 mm): Impedance balanced (Tip = audio, Ring = no audio, Sleeve = ground ) XLR: balanced (1= ground, 2 = audio +, 3 = audio −)

Antenna Impedance ¼" (6.35 mm): 100 Ω (50 Ω Unbalanced) XLR: 100 Ω

Full Scale Output ¼" (6.35 mm): +12 dBV XLR: LINE setting = +18 dBV, MIC setting = -12 dBV

Mic/Line Switch 30 dB pad

Network Interface Single Port Ethernet 10/100 Mbps

Network Addressing Capability DHCP or Manual IP address

Dimensions QLXD1: 86 mm x 65 mm x 23 mm (3.38 in. x 2.57 in. x 0.92 in.) without antenna QLXD2: 256 mm x 51 mm (10.1 in. x 2.0 in.) L x Dia.

Weight QLXD1: 138 g (4.9 oz.), without batteries QLXD2: 347 g (12.2 oz.), without batteries

Housing QLXD1: Cast aluminum QLXD2: Machined aluminum

Battery Type Shure SB900 Rechargeable Li-Ion or AA batteries 1.5 V

Battery Runtime (@ 10 mW) Shure SB900 rechargeable: up to 10 hours alkaline: up to 9 hours

RF Output Power 1 mW or 10 mW

Occupied Bandwidth < 200 kHz

Modulation Type Shure proprietary digital

Mic Offset Range 0 to 21 dB (in 3 dB steps)

QLXD4 Receiver

System

QLXD1 Bodypack TransmitterQLXD2 Handheld Transmitter

QLX-D™ Digital Wireless Specifications (Note: All specifications are subject to change.)

QLX-D™ Digital Wireless Systems

Powerfully refined wireless

AL25255 5Kwww.shure.com

Asia, Pacific:Shure Asia Limited22/F, 625 King’s RoadNorth Point, Island EastHong Kong

Phone: +852-2893-4290Fax: +852-2893-4055Email: [email protected]

United States, Canada, Latin America, Caribbean:Shure Incorporated5800 West Touhy AvenueNiles, IL 60714-4608 USA

Phone: +1 847-600-2000Fax: +1 847-600-1212 (USA)Fax: +1 847-600-6446Email: [email protected]

©2014 Shure Incorporated

Europe, Middle East, Africa:Shure Europe GmbHJakob-Dieffenbacher-Str. 12,75031 Eppingen, Germany

Phone: +49-7262-92490Fax: +49-7262-9249114Email: [email protected]

05/14

Shure #103456QLX-D Outside 05.06.14CYAN MAG YELL BLK

An ElevatedStandard.

QLX-D™ Digital Wireless Systems

Shure QLX-D™ Digital Wireless is the clear choice for exceptionally detailed

wireless audio in widely diverse and demanding environments. A highly

flexible system featuring streamlined setup and operation, QLX-D boasts

impressive RF efficiency to get more channels on air using less spectrum,

while the rugged all-metal construction withstands the rigors of constant use.

From corporate seminars to music clubs, classroom lectures to houses of

worship, Shure QLX-D Digital Wireless has it covered — delivering confident

performance, no matter what the venue.

Transparent 24-bit digital audio.incredibly efficient wireless.Powerful networking.rugged, secure systems.

QLXD1 Bodypack TransmitterQLXD2 Handheld Transmitter

• Rugged metal construction

• Backlit LCD with easy to navigate menu and controls

• 2 x AA batteries provide up to 9 hours of runtime

• Optional Shure SB900 lithium-ion rechargeable battery provides up to 10 hours of runtime

• External charging contacts for docked charging

• Multiple microphone cartridges available, including the legendary SM58® (QLXD2)

QLXD4 Receiver

• Transparent, 24-bit digital audio

• 20 Hz – 20 kHz frequency range*

• 120 dB dynamic range

• 64/72 MHz overall tuning bandwidth**

• 17 compatible channels per 6 MHz TV channel

• More than 60 pre-set compatible channels per frequency band**

• AES 256-bit encryption

• Ethernet networkable receivers

• Network Scan finds clean frequencies for networked receivers

• AMX/Crestron control system ready

• ShurePlus™ Channels mobile app compatible

• Wireless Workbench® control software compatible

System Components

*Microphone dependent **Region dependent

systems available with:

HandheldInterchangeable SM, Beta, and KSM microphone cartridges

LavalierMiniature and subminiature lavalier condenser microphones

WL93 Miniature Lavalier

MX150 MicroFlex® Subminiature Lavalier

WL183/WL184/WL185 MicroFlex® Lavalier

InstrumentMicrophone and cable options for instrument and line input

WA305 Premium Instrument Cable

WB98H/C Clip-On Instrument Microphone

HeadsetComfortable over-the-ear design

MX153B MicroFlex® Headset Microphone

SM35 Headset Microphone

Shure #103456QLX-D Inside 05.06.14CYAN MAG YELL BLK

Beta® 87ABeta® 87C

KSM9KSM9HS

SM58®

SM86 SM87A

Beta® 58A

w w w . d p a m i c r o p h o n e s . c o m / d f i n e

Features

Introducing the new

88 & 66 Headset MicsThe versatile d:fine™ Headsets are now available with the legendary 4088 directional and 4066

omnidirectional capsules. Both headsets are made for the stage and with the d:fine 88 featuring

high isolation from background noise and the d:fine 66 allowing for high frequency response

modifications we have a headset that suits all your needs.

• Pristine audio quality

• Dual-ear mounting for active situations

• Minimal visual impact

• Adapts to all pro wireless systems

Directional characteristics: Omnidirectional or DirectionalPrinciple of operation: Omni: Pressure – Cardioid: Pressure gradientCartridge type: Pre-polarized condenserFrequency range: 20 Hz - 20 kHzFrequency range, ± 2 dB: Omni: Soft boost grid: 20 Hz – 20 kHz, 3 dB soft boost at 8 – 20 kHz. Optional High boost grid: 20 Hz – 20 kHz, 10 dB boost at 12 kHz.Cardioid: (Near field 2-3 cm (0.8-1.2 in)) 100 Hz - 20 kHz with 3 dB soft boost at 8 - 20 kHzSensitivity, nominal, ± 3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/PaEquivalent noise level, A-weighted: Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A)) Equivalent noise level, ITU-R BS.468-4: Typ. 38 dB (max. 40 dB) S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): Typ. 68 dB(A) Total Harmonic Distortion (THD): <1 % up to 123 dB SPL peak; <1 % up to 120 dB SPL RMS sineDynamic range: Typ. 97 dB Max. SPL, peak before clipping: 144 dBOutput impedance: From MicroDot: 30 - 40 Ω. From XLR adapter: 100 Ω.Cable drive capability: Up to 300 m (984 ft) XLR adapterOutput balance principle: Signal balanced XLR adapter

Common Mode Rejection Ratio (CMRR): > 60 dB from 50 Hz to 15 kHz with XLR adapterPower supply (for full performance): Min. 5 V to max. 50 V through DPA adapter for wireless systems. 48 V phantom power ± 4 V with XLR adapter.Current consumption: Typ. 1.5 mA (microphone). 3.5 mA with XLR adapter.Connector: MicroDotWeight: Single Ear: Microphone boom: 1 g (0.035 oz). Earhook: 1 g (0.035 oz). Cable: 8 g (0.28 oz). Total: 10 g (0.35 oz) Dual Ear: Microphone boom: 1 g (0.035 oz). Earhook: 3 g (0.1 oz). Cable: 8 g (0.28 oz). Total: 12 g (0.42 oz)”Microphone housing size: Length: 10 mm (0.4 in), Diameter: 5 mm (0.2 in)Capsule diameter: 5.4 mm (0.2 in)Boom length (omni): 90 and 110 mm (3.5 and 4.3 in)Boom length (directional): 100 and 120 mm (3.9 and 4.7 in)Cable length: 1.25 m (4.1 ft)Earhook and mic boom color: Black, beige, brownCable color: Black, beige, brownCable diameter: 1.6 mm (0.06 in)Polarity: +V at MicroDot pin for positive sound pressure (and pin 2 on XLR adapter)Electro Magnetic Compatibility (EMC): Fully compatibleTemperature range: -40 °C to 45 °C (-40 °F to 113 °F)Relative Humidity (RH): Up to 90%

Specifications

Frequency Response (omnidirectional)

Frequency Response (directional)

5

4 kHz

250 Hz

125 Hz

20 kHz 16 kHz

8 kHz 2 kHz 1 kHz

500 Hz

80 Hz

Polar Pattern (omnidirectional)

Polar Pattern (directional)

Headset Microphones

dpi-dfine-f

SC4098 Supercardioid MicrophoneFor podium/table/hanging/floor stand applications

Key features• Outstanding audio quality – clarity of voice

• Highly directional – very isolated

• High rejection of radio frequency interference

• Sturdy and sleek Scandinavian design

• Wireless capability

• Rejection of handling noise

The d:screet™ SC4098 Supercardioid Microphone is available in many variants.

Color: black or white

Connector: XLR or MicroDot

The MicroDot connector can be used with a wireless adapter to connect with a professional wireless system. Choose from our extensive range of adapters to find the right fit. The DAD6001 adapter connects the MicroDot connector to an XLR connector.

Configurations

Specifications Directional patternSupercardioidPrinciple of operationPressure gradientCartridge typePre-polarized condenserFrequency range20 Hz - 20 kHzFrequency range, ±2 dB, 20 cm (8 in) distance80 Hz – 15 kHz with 3 dB soft boost at 8-15 kHz)Sensitivity, nominal, ±3 dB at 1 kHz16 mV/Pa; -36 dB re. 1 V/PaEquivalent noise level, A-weightedTyp. 23 dB(A) re. 20 μPa (max. 26 dB(A))Equivalent noise level, ITU-R BS.468-4Typ. 35 dB S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL)Typ. 71 dB(A)Total harmonic distortion (THD)< 1% up to 125 dB SPL peak Dynamic rangeTyp. 102 dBMax. SPL, peak before clipping135 dBOutput impedanceFrom MicroDot: 30 - 40 Ω. From DAD6001 adapter or XLR variant: 100 ΩCable drive capabilityUp to 300 m (984 ft) with DAD6001 adapter or XLR variantOutput balance principleSignal balanced with DAD6001 XLR Adapter or XLR variantCommon mode rejection ratio (CMRR)>60 dB from 50 Hz to 15 kHz with DAD6001 XLR Adapter or XLR variantPower supply (for full performance)Min. 5 V to max. 50 V through DPA adapter for wireless systems. 48 V phantom power ±4 V with DPA XLR adapter or XLR variantCurrent consumptionTyp. 1.5 mA (microphone). 3.5 mA with DAD6001 XLR adapter or XLR variantPolarity+V at MicroDot pin for positive sound pressure (and pin 2 on DAD6001 XLR Adapter or XLR variant)Temperature range-40°C to 45°C (-40°F to 113°F)Relative humidity (RH)Up to 90%

Coverage area

Typical on- and off-axis response of a d:screet™ SC4098 Supercardioid Microphone measured at 20 cm (8 in)

Typical directional characteristics of a d:screet™ SC4098 Supercardioid Microphone



19

5

5,65

15

6

55,6

55,

6

6

0

182 ±2

300 ±5

0

450 ±5410 ±5

260 ±5

140 ±2

750 ±5 750 ±5

1200 ±5 1200 ±5

Dimensions drawing (in mm)

Optional accessories

Accessories included

DUA0580B Foam Windscreen, black or DUA0580W Foam Windscreen, white

For podium/table/hanging/floor stand applications• DUA0580B Foam Windscreen, black • DUA0580W Foam Windscreen, white • Adapters for wireless applications (for MicroDot variants only)• DAD6001-BC MicroDot to 3 pin XLR adapter (for MicroDot variants only)• CM2250B00 MicroDot Extension Cable, 2.2 mm (0.09 in) diameter, 5 m (16.4 ft), black• CM22100B00 MicroDot Extension Cable, 2.2 mm (0.09 in) diameter, 10 m (32.8 ft), black• CM22200B00 MicroDot Extension Cable, 2.2 mm (0.09 in) diameter, 20 m (65.6 ft), black• CM2218W00 MicroDot Extension Cable, 2.2 mm (0.09 in) diameter, 1.8 m (5.9 ft), white• CM2250W00 MicroDot Extension Cable, 2.2 mm (0.09 in) diameter, 5 m (16.4 ft), white• CM22100W00 MicroDot Extension Cable, 2.2 mm (0.09 in) diameter, 10 m (32.8 ft), white• CM22200W00 MicroDot Extension Cable, 2.2 mm (0.09 in) diameter, 120 m (65.6 ft), white

DUA0580 Foam Windscreen

KM29376 K&M Table Base

Adapters for wireless applications DAD6001-BC MicroDot to 3 pin XLR adapter

CM2218B00 MicroDot Extension Cable TSM4001Table Shock Mount

SC4098-BX-FGS SC4098-BX-FJSCMX2218B00 Miniature MicroDot Cable

*See drawing on page 6

Floor Stand with 120 cm (47 in) Boom Floor Stand with 75 cm (30 in) Boom

For podium/table/floor stand applications only

• TSM4001Table Shock Mount *See drawing on page 6• KM29375 K&M Table Base with switch • KM29376 K&M Table Base • CMX2218B00 Miniature MicroDot Cable for Table Shock Mount (TSM4001)• SC4098-BX-FGS Floor Stand with 120 cm (47 in) Boom• SC4098-BX-FJS Floor Stand with 75 cm (30 in) Boom

Connector

MicroDot Black

16 cm (6 in)

20 cm (8 in)

28 cm (11 in)

32 cm (13 in)

43 cm (17 in)

47 cm (18 in)

77 cm (30 in)

77 cm (30 in)

122 cm (48 in)

122 cm (48 in)

Black

White

White

MicroDot

XLR-3M

XLR-3M

Color Length of a d:screet™ SC4098 Supercardioid Microphone

SC4098 Supercardioid Microphone SC4098 Supercardioid MicrophoneFor podium/table/hanging/floor stand applications For podium/table/hanging/floor stand applications

XLR MicroDot

TSM4001

Dimension drawings (in mm)

The Table Shock Mount is a fixed microphone mount that offers the best shock rejection available of any integrated podium/table

mount. It is optimized for the weight and dimensions of our d:screet™ and d:dicate™ Microphones and mic boom poles.

Vertical softness absorbs handling vibration. Horizontal movements are controlled to prevent the podium boom from touching the

mount.

The Table Shock Mount is designed to match the sleek Scandinavian look of our d:screet™ and d:dicate™ Microphones.

Table Shock Mount

Hole/drill size

Listen Technologies Corporation * 14912 Heritage Crest Way * Bluffdale * Utah 84065-4818 U.S.A.

+1.801.233.8992 * +1.800.330.0891 North America * +1.801.233.8995 Fax

Listen Technologies Corporation All rights reserved 91407 - Created March 9, 2016

Listen iDSP Prime Level III Stationary RF System (72 MHz) Page 1 2

LS-55-072

Listen iDSP Prime Level III Stationary RF System (72 MHz)

Configuration:

LS-55-072 Listen

iDSP Prime

Level III

Stationary RF

System (72

MHz)

Product Overview:

The LS-55 comes equipped with the LR-4200-072 receiver, Listen's new generation of personal listening products, iDSP or Intelligent Digital Signal Processing. The iDSP

72MHz receiver revolutionizes how an RF system works, offering precise clarity with 20 dB less hiss than other RF receivers.

The new integrated neck loop improves the experience for people who have hearing aids and cochlear implants with telecoils. Sleek and small, the iDSP receiver has a field

replaceable, non-proprietary rechargeable Lithium-ion battery, making obsolete the use of alkaline and NiMH batteries. Battery life is eight hours, with a 2.5-hour charge

time.

The result is an innovative personal listening technology and solution that delivers an exceptional listening experience for end users and an optimal experience for the

venues that provide listening devices.

Great for larger venues to deliver an optimum range of up to 1,500 ft. (457.2m). Includes the LA-381 drop-in charging/dispensing station for the Listen iDSP products. It is

engineered for streamlined dispensing, collecting and care of the iDSP LR-4200 RF listening devices. The charging tray can be mounted several ways; wall, drawer, rack, or

table top- all for easy dispensing. An optional cable management system can be ordered to keep the dispensing station looking neat and organized.

The included integrated neck loop/lanyard and signage ensures the system meets the minimum legislative requirements for veunes with a capacity up to 100.

Highlights:

• Advanced DSP SQTM noise reduction technology delivers 20 dB less noise and hiss than any other listening device

• Integrated neck loop / lanyard with DSP loop driver improves the listening experience for T-coil users

• Smallest device of its kind makes it easier to wear and for venues to dispense, store and maintain

• Limited Lifetime Warranty with hassle-free support

• Advanced green battery technology dramatically reduces costs of ownership and hassles while reducing the number of batteries in the landfill

• Includes drop-in charging/dispensing station for streamlined dispensing, collecting and care of up to (12) iDSP RF listening devices

• Ensures public venues deliver an exceptional listening experience while meeting new legislative requirements for assistive listening

Includes:

One (1) LT-800-072-01 Stationary RF Transmitter (72 MHz)

One (1) LA-122 Universal Antenna Kit (72 MHz and 216 MHz)

One (1) LA-326 Universal Rack Mounting Kit

Four (4) LR-4200-072 Intelligent DSP RF Receiver (72 MHz)

Four (4) LA-401 Universal Ear Speaker

Two (2) LA-430 Intelligent Earphone/Neck Loop Lanyard

One (1) LPT-A107-B Dual RCA to Dual RCA Cable 6.6 ft. (2 m)

One (1) LA-381-01 Intelligent 12-Unit Charging Tray

One (1) LA-304 Assistive Listening Notification Signage Kit

Architectural Specification:

Furnish and install an RF wireless assistive listening system for use by the hearing-impaired. The assistive listening system (ALS) shall be capable of broadcasting on 57

channels and be frequency agile. The RF receiver shall be capable of receiving on 57 wide and narrow band channels. The device shall tune to a single channel and user shall

not be able to change the channel. The receiver shall have a signal-to-noise ratio of 80 dB or greater and shall have an audio frequency response of 50 Hz - 15 kHz (±3 dB).

The device shall employ a unique DSP SQTM noise reduction technology. The unit shall have a programmable squelch circuit. The unit shall incorporate a multi-functional

display that indicates battery status, inventory number and channel. The device shall have the option of being lanyard or belt clip worn and the lanyard shall have the option of

an integrated DSP driven neck loop that automatically senses and sends optimized audio signals directly to hearing aids and cochlear implants equipped with telecoils. The

neck loop shall have a field strength of 400 mA/m (+/- 3dB) and frequency response of 100Hz to 5kHz (+/- 3 dB ref 1kHz). The device shall have a USB connector used for

inventory control, set up, charging and firmware upgrades. The device shall incorporate automatic battery charging circuitry and use a non-proprietary lithium ion battery. The

device shall have additional charging contacts to allow multiply charging options. The ALS system shall have 80dB SNR or greater, end-to-end. Listen Technologies

Corporation products are specified.

Furnish and install the following:

Listen Technologies LT-800-072-01 Stationary RF Transmitter (72 MHz) (Qty: 1 ea.)

Listen Technologies LA-122 Universal Antenna Kit (72 MHz and 216 MHz) (Qty: 1 ea.)

Listen Technologies Corporation * 14912 Heritage Crest Way * Bluffdale * Utah 84065-4818 U.S.A.

+1.801.233.8992 * +1.800.330.0891 North America * +1.801.233.8995 Fax

Listen Technologies Corporation All rights reserved 91407 - Created March 9, 2016

Listen iDSP Prime Level III Stationary RF System (72 MHz) Page 2 2

LS-55-072

Listen iDSP Prime Level III Stationary RF System (72 MHz)

Listen Technologies LA-326 Universal Rack Mounting Kit (Qty: 1 ea.)

Listen Technologies LR-4200-072 Intelligent DSP RF Receiver (72 MHz) (Qty: 4 ea.)

Listen Technologies LA-401 Universal Ear Speaker (Qty: 4 ea.)

Listen Technologies LA-430 Intelligent Earphone/Neck Loop Lanyard (Qty: 2 ea.)

Listen Technologies LA-LA-381-01 Intelligent 12-Unit Charging Tray (Qty: 1 ea.)

Listen Technologies LPT-A107-B Dual RCA to Dual RCA Cable 6.6 ft. (2 m) (Qty: 1 ea.)

Listen Technologies LA-304 Assistive Listening Notification Signage Kit. (Qty: 1 ea.)

Product Specification:Listen iDSP Prime Level III Stationary RF System (72 MHz)

Physical

Shipping Weight 24.0 lbs. (10.87 kg)

™

HSA, Inc. 1717 E. 6th St, Mishawaka, IN 46544 Phone (574) 255-6100 | Fax (574) 255-8131 | www.hsarolltops.com | Proudly Made In The USA

The High Rise Standard Rolltop Information & Specifications

The most beautiful & functional solution for housing electronic systemsDeep 10 space lower rack Upper GlideOut racks above table Less than 45" high overall Both Upper & Lower rolltop tambour doors lockSolidly & carefully crafted With a variety of finishes

The HSA High Rise Standard Rolltops give you a conve-nient way to house and protect a wide variety of 19" rack mount and non-rackmount electronic equipment. Very suitable for boardroom, Houses of Worship, educational, corporate, recording and other professional environments, the HSA High Rise Standard Rolltops are an elegant and easy way to aesthetically blend audio, video and many other electronic systems into their surroundings.

Materials & Assembly: High Rise Standard Rolltops are handcrafted from a selection of engineered core and multi-core panels with premium Red Oak faces for high dimensional integrity, consis-tency and strength. Extra thick contour edging is used to match the oak or other optional/custom wood species or high pressure laminates.

Table Top: The 44" wide table surface is at 25.75" height for comfortable operation of mixing consoles, computers, switchers, keyboards, recording equipment, etc. In addition to a 3.125" clearance between the table rear and tambour path, wiring grommets are pro-vided at the table rear for additional wire management. The material and construction of the table (and desk) enables easy on-site solutions to cable dressing/harnessing and special equipment/panel mounting needs.

Lower Rack: The 10 space extra deep industry standard rack is designed to accept deep chassis power amplifi ers and process electronics. We use heavy-duty steel rails with extra half-rack tapped screw holes to allow for a wide variety of equipment spacing. A 1.50" clearance is given between the rack rails and tambour door for space for knobs and handles and to assist with ventilation (see notes on lock clearance exceptions). Rear clearance is maintained since the tambour door stops before reaching the rear even when fully open. The rolltop tambour rack door is secured with a fl ush-mount brass cabinet lock keyed alike to the main rolltop tambour door lock. Additional ventila-tion and the cable access ways are found at both the top and bottom of

the rear of each rack. The rack has a fi nished, removable rear panel for security and aesthetics.

GlideOut Upper Racks: Two side-by-side rack mounts of 3 spaces each bridge the table top for convenient mounting of media players, processors and other units where frequent adjustment or visual monitoring is desired. The entire, detachable rack bridge slides forward on premium, ball-bearing overtravel glides for easier wiring.

Rolltop Tambours: We hand build our own rolltop tam-bour doors to assure quality and extra strength. The 1.5" by 1/2" thick tambours are lead by a 2" wide by 3/4" thick lead tambour for extra strength at the locks and polished brass handles. The thicker profi le results in a very smooth operation that can be maintained with an occa-sional application of ordinary wax. Flush mounted cabinet locks on the lead tambours engage into the sidewalls, securing the rolltop tambour doors without getting in the way.

Finish: A variety of stain colors are available with our popu-lar and environmentally friendly waterborne fi nishing system. These advanced waterborne stains, sealers and fi nish coats produce a beautiful grain pattern and depth of color. They maintain the natural feel of the wood yet offer some of the best protection from abrasion and spills and keep looking great with minimal upkeep. Actual color samples are available to help you make your selection.

Other High Rise Standard Rolltop Benefi ts: The High Rise Standard Rolltop offers additional safety and security by organiz-ing equipment and wiring which, in modern open installations, could be a source of many problems. Being able to “lock-down” the system prevents unauthorized tampering with equipment and wiring between uses. Furthermore, the HSA High Rise Standard Rolltops (and our other fi ne wood furnishings) conveys an image of professionalism and qual-ity, presenting your audio, video, lighting or any electronic system in the very best way and as a matching, integral part of its environment.

(model HRSTD-II)

Product specifications, availability and cost subject to change without notice.

WARRANTY: HSA warrants standard products for a period of one year and covers defects in materials and workmanship. Wood is a natural material and every piece is unique. Deviations in the final products from each other or samples in finish, color, contrast, density and pattern are to be expected and is part of the beauty and appeal in wood prod-ucts and are not considered defects under our warranty. The warranty does not cover improper installation or use of HSA products. The warranty also does not cover appear-ance or appearance items, finish items or any malfunctions caused by misuse or improper operation. HSA’s liability does not include any consequential or resulting damage to person, property, equipment, goods, merchandise, profits, goodwill, or reputation arising out of any defect in or failure of product. HSA expressly disclaims warranty for a par-ticular purpose and only designs and manufactures product according to dimensions furnished by the buyer or as stated in literature, website publication or drawings by HSA (which are subject to change without notice). HSA does not guarantee that another manufacturer’s piece or pieces of equipment will fit into one of our designs or products as HSA does not exercise control over the sizes, arrangement, wiring or application of the other manufacturer’s products or the end-user’s operating preferences. Therefore the determination of whether or not equipment or a system will properly fit into an HSA product is a decision resting solely on the buyer prior to purchase. Warranty items will be repaired or replaced at our option without charge for materials or labor, provided such items are returned for inspection, transportation prepaid, to HSA, Inc., Mishawaka, IN.

High Rise Standard Rolltop (HRSTD-II) © 1990-2011 by HSA, Inc

Drawing Notes: The maximum usable depth (front to back) for equipment is considered approx-imately 25.875 inches and the maximum height is 9.000 inches under the GliedOut Upper Rack Bays. The maximum height is somewhat less near the front edge where the tambour curves downward. The undermounted rack fl oor and rear panel lower edge are offset from the fl oor 1" and there is also a 1" gap at the top and bottom inside of the rear panel for wiring runs. There is a 1.5" clearance between the backside of the lower rack tambour door and the front surface of the rack rail. This clearance is adequate for most applications but be sure to measure equipment to be installed for all clearances to be positive. Additionally, a small amount of this clearance (and the table top tambour clearance also) is taken by the lock assemblies. They are ap-proximately 0.5" thick out to about 2.750" from the sidewalls and about 0.75" thick within about 0.875" of the sidewalls. Although you can be sure that Standard 19" rack mount equipment will mount across our rack rails, wood is a natural product and overall working tolerances can be in the range of +/- 0.25" normally.

Left image of the High Rise Standard Rolltop shows both main and under-mounted rack rolltop tambour doors opened (main rolltop does not cover lower rear when opened). Right image of desk rear shows undermounted rack's rear removeable panel in place and desk rear. All exposed surfaces fully finished.The High Rise Standard Rolltop is available with the following options/customizations:ACCSTD STD Width Removable Rear AccesswayMODSTD Modesty Panel for Standard DesksHRPLUS4 4" Extra table to tambour clearance for High Rise style desksRBSTD RollBase for Standard Desks w/Standard CastersRBSTD-HD RollBase for Standard Desks w/4" Heavy Duty CastersDUALFAN Dual, ATM quiet fan system (with temperature sensor)GLIDER Slide-out angled rack (Right Side)VIDEOBAY Recess in Desk for Video MonitorsRACKLEFT Move 10RU Rack to Operator's Left Hand SideHDWESILV Satin/Silver fi nish hardware

Contact your dealer or HSA directly or visit our website at www.hsarolltops.com

Design &

Installation

The EMI Audio Install Guarantee

Any installation work that EMI Audio performs is warranted for one

year. All EMI Audio systems come with a lifetime rush repair and free

loaner guarantee. Should any of the equipment that you purchase

from EMI Audio need to be repaired, your equipment will be rushed

to the front of our repair schedule. Should that item not be

repairable immediately, a free loaner will be provided.

4719 42nd Ave N Robbinsdale MN EMIAudio.com

612-789-2496

Install GuaranteeEMI Audio stands behind its products with our Install Guarantee. Including rush repair and

service loaners.

EMI Audio Installation advantage

• Licensed, bonded and insured

• Sales of all major brands

• 45+ years in business

• In-house and on-site service department

• Hourly training in-house or at your location

System DesignOur engineers can create a custom model

of your space for optimal audio clarity.

Sound•Video•Lighting

4719 42nd Ave NRobbinsdale, MN 55422

612-789-2496EMIAudio.com

[email protected] Hours 10am-6pm Mon-Sat

Celebrating 45 Years in Business!

Manufacturer’s Warranties:

Allen & Heath- One Year parts and labor

Bose Professional products- Five Years parts and labor

Shure Microphones- Two Years parts and labor

DPA Microphones- Two Years parts and labor

Listen Technologies Products- Five Years parts and labor

Middle Atlantic Products- Three Years parts and labor

Furman Power Products-Three Years parts and labor

EMI Audio Sound System References

Cathedral of the Immaculate Conception702 Summit Ave

Crookston, MN 56716218-281-1735

Contact: Terry Jones

System installed in 2006 Updated in 2018

St. Bartholomew Catholic Church630 E Wayzata BlvdWayzata MN, 55391

952-473-6601

Contact: Richard Clarke-Director of Music and Liturgy

Very large church originally installed in 2007. System was updated in 2017

Cathedral of the Holy Trinity605 N. State StreetNew Ulm, 56073

System installed in 2014- Emergency repairs September 2015 due to lightning strike.System was only down for 1 day.

St Mary’s Catholic Church147 South Minnesota StNew Ulm, MN 56073

System installed in 2009.

For both Churches our contact is:Monsignor Douglas Grams

507-354-4158

Central Lutheran Church333 S 12th St

Minneapolis, MN 55404

612-870-4416

Contact: Pastor Peter Nycklemoe

System installed in 2017

St Stephen’s Catholic Church525 Jackson St

Anoka, MN 55303

763-421-2471

Contact: Amanda Lutes- Worship Associate763-712-7458

System installed in 2000. Upgraded in 2017

St Mary’s Catholic Church and School636 1st Ave N.

Sleepy Eye, MN 56085

507-794-4171

Monsignor Eugene Lozinski-PastorSarah Jirak-Liturgical Assistant

System installed in 2013- Emergency service call in 2016 for Lightning. Systemoperating again in a day.

The Basilica of St Mary1600 Hennepin Ave

Minneapolis, MN 55403

Contact: Travis Salisbury612-317-3433

System installed in 2018Other examples available at www.emiaudio.com

Sound System Proposal Church of Edward · The budget required for this level of performance was medium-high With these goals in mind we have created this proposal for a sound system

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