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Soul Music “Soul” Applied to Culture 1903 “The Souls of Black Folk” W.E.B. DuBois “Soul” Applied to Music in 1960s Ray Charles “Soul Brothers” (1958) & “Soul Meeting” (1962) John Coltrane “Soultrane” (1960)
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Soul: Motown and Mephis

Feb 12, 2017

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Page 1: Soul: Motown and Mephis

Soul Music“Soul” Applied to Culture 1903 “The Souls of Black Folk” W.E.B. DuBois“Soul” Applied to Music in 1960s

Ray Charles “Soul Brothers” (1958) & “Soul Meeting” (1962)

John Coltrane “Soultrane” (1960)

Page 2: Soul: Motown and Mephis

Soul MusicIdentified by Location: Motown, Memphis, Chicago, Philly, Las VegasMotown & Memphis dominated the 1960s

Page 3: Soul: Motown and Mephis

Motown vs. MemphisRefined GospelPolished Arrangements (Funk Brothers)Polite ScreamArtist DevelopmentBlack Studio Band

Sanctified GospelHard Bop Horn SoundGut Wrenching ScreamNo Artist Development

Mixed Raced Studio Band

Page 4: Soul: Motown and Mephis

Motown

Page 5: Soul: Motown and Mephis

Motown RecordsBerry Gordy Jr. (& Wife) 1959 Started Label (Tamla Records) After Several Years in the BizSpent Time Crafting their Sound

1. Infectious Intros & Hooks2. Gospel Sound (Tambourine)3. Sweet Soul (falsetto or Castrato)

Page 6: Soul: Motown and Mephis

Motown(cont.)4. Highly Syncopated Bass Lines5. Conga Drums6. Unusual Sounds

Tire Chains, Plywood Marching, Hollow

Percussive

Page 7: Soul: Motown and Mephis

MotownSpector-Like Studio Productions1. Harp, big band, strings2. Bells, celeste, cymbal bell3. Flutes, w/vocal group4. “Ahs” tamb, conga, bass line, huge vocals5. Spoken, fuzz guitar, strings6. Orch interlude7. group

Page 8: Soul: Motown and Mephis

MotownCorporate Production (“assembly-line’)Developed A Sound to Overcome Airwave SegregationSpent Time Developing Artists: Dance Lessons, Charm School

Page 9: Soul: Motown and Mephis

MotownProduction Teams: Holland-Dozier-Holland

Many Hits with the Supremes 1964-67Producers Had A Lock On An Act Until FailureMotown Moved to LA 1971Success eroded, the move? Too much time with Diana Ross?

Page 10: Soul: Motown and Mephis

Motown GroupsSmokey Robinson & the MiraclesAssociated with Gordy Before Motown“Shop Around” 1960, Motown’s first Million Seller“Second That Emotion” Smokey’s Sweet Soul voice & graceful Dance Steps

Page 11: Soul: Motown and Mephis

Motown Groups

Page 12: Soul: Motown and Mephis

Motown GroupsTemptations (1960 signed 1961)Variety of Sounds Sweet & Rougher“My Girl” (1965) 1st #1“Psychedelic Shack”

Page 13: Soul: Motown and Mephis

Motown GroupsFour Tops (1963)Had a Las Vegas Career before MotownHad a Harder Vocal SoundReach Out (1966)“Bernadette” (1966)

Page 14: Soul: Motown and Mephis

Motown GroupsMarvelettes (Female Group)“Please Mr. Postman” (1961) Motown’s 1st #1The Beatles Recorded it also

Page 15: Soul: Motown and Mephis

Motown GroupsMartha Reeves and the VandellasHits with H-D-H“Heat Wave” (1963)“Dancing in the Streets” (1964)

Page 16: Soul: Motown and Mephis

Motown GroupsDiana Ross and the SupremesSigned in 1961, no hits until H-D-H in 1963, also exposure from a Dick Clark Tour“Baby Love” (1964)“Stop in the Name of Love”

Page 17: Soul: Motown and Mephis

The Supremes

Page 18: Soul: Motown and Mephis

Motown GroupsJackson FiveSign in 1969, Father had been in Show BusinessYoung Michael was the star “Never Can Say Goodbye”

Page 19: Soul: Motown and Mephis

Motown Groups

Page 20: Soul: Motown and Mephis

Michael Jackson The Group left Motown in 1976 Signed with Columbia (Epic)“Thriller” (1982)Dancing a Major Influence on Pop CultureVideos Influenced the Genre

Page 21: Soul: Motown and Mephis

Motown Solo SingersMary Wells, Several hits 1962-65.She Left Motown, Gordy Focused His Attention on Diana Ross“My Guy”

Page 22: Soul: Motown and Mephis

Mary Wells & Beatles

Page 23: Soul: Motown and Mephis

Motown Solo Singers: Stevie Wonder

Signed at 11 Yrs. OldInfluenced by Ray Charles1st Hit “Fingertips Pt II” Harmonica“Up Tight” 1965“You Are The Sunshine of My Life”“Superstition” Beginning of Synthesizer Funk

Page 24: Soul: Motown and Mephis

Stevie Wonder & The Funk Brothers

Page 25: Soul: Motown and Mephis

Motown Solo Singers: Marvin Gaye

Started with the Moonglows Doo WopSeveral Hits But Motown Had Problems with His Direction, Wanted to Do Jazz“What’s Goin’ On” A Jazz Protest Album“Mercy Mercy Me” (The Ecology)

Page 26: Soul: Motown and Mephis

Memphis SoulStax & AtlanticStax Founded by Jim STewart (Banker & Country Fidler) and Estelle AXton 1958\Moved to Old Theater In MemphisHe “didn’t know what R&B was”

Page 27: Soul: Motown and Mephis

Memphis1960 Rufus Thomas (WDIA DJ) & Daughter, Carla Thomas Walked In.Atlantic records Noticed the SuccessStax & Atlantic Joined in Distribution Deal (So They Said)Atlantic Recorded in the Stax Studios

Page 28: Soul: Motown and Mephis

MemphisParted 1967, Realized that Atlantic Owned EverythingSplit: Atlantic recorded 15-20 weekends per YearAtlantic Moved across the River to Muscle Shoals, AL (Duane Alman connection)House Band Booker T. & the MGs with added horns became the Mar-Kays (Blues Brothers Band Members)

Page 29: Soul: Motown and Mephis

MemphisOtis Redding, Many Hits Before His Cross Over Hit“Got - Ta-Got-Tas”Wrote “Respect”Performed at Monterey Pop Festival 1967“Dock of the Bay” Major Hit, But Killed in Plane Crash 4 Days After Recording Session

Page 30: Soul: Motown and Mephis

Otis Redding

Page 31: Soul: Motown and Mephis

MemphisWilson Pickett, Had some Success as Lead Singer of the FalconsSigned With Atlantic/Recorded at Stax“Midnight Hour”“Land of A Thousand Dances”

Page 32: Soul: Motown and Mephis

Wilson Pickett

Page 33: Soul: Motown and Mephis

MemphisAretha Franklin, Daughter of Rev. C L Franklin, Child Gospel StarSigned by Hammond to Columbia, Marketed Her as A Jazz SingerSigned with Atlantic 1966, But They Offered Her to Stax“Respect”“Natural Woman”

Page 34: Soul: Motown and Mephis

Aretha Franklin

Page 35: Soul: Motown and Mephis

MemphisSam & Dave, Signed to Atlantic But Released on Stax“Soul Man” Also hit for the 1st Blues Brothers

Page 36: Soul: Motown and Mephis

MemphisIsaac Hayes, Stax Writer/Arranger20 Min Love Rap “By The Time I Get to Phoenix”Roots of Barry White Love Unlimited OrchBig Hit “Shaft”

Page 37: Soul: Motown and Mephis

Isaac Hayes

Page 38: Soul: Motown and Mephis

1960s Soul EndsAfter Break Up Stax Flounders: Sold and Repurchased, A Few Hits But Dead By 19761970s Brings Funk, Philly Soul and Disco