Solos for Young Violinists 2

VOLUME 2 and Piano Part

ContentsTheBoyPaganiniFantasia . . .Monenhauer . . . .7

iiiff::,ii",HË : : : : : : : : : : : : : :iH*::::: :: : : : : : : :': :: : : i2Concerto in G Major, Op.24

(lstMovement) . .Rieding . . .14Mi l l iona i re 'sHoedown. . . . . .C lebanof f . . . . . .18Introduction and Polonaise, fromArabes lccn ,No . 12 . . . .Bôhm . . . . 22

Sonat ina,Op. 100( ls tMovemen$. . . . . f lvo f fk . . .25Concerto No. 3 in G Minor,

Op. 12 (lst Movement) Seirz . . . . .28

INTRODUCTION

Solos for Young Wolinists is a six-volume series of music books with companion CDs featuringmore than 50 pieces for violin and piano. Many of the works in this collection have long beenrecognized as stepping stones to the major violin repertoire, while others are newly publishedpieces that offer further choices for study; most are recorded in this series for the very ftrst time.Compiled, edited, and recorded by violinist Barbara Barber, Solos for Young W.olinists is a grad-ed series of wor*s ranging from elementary to advancrd levels and represents an exciting vari-ety of styles and techniques for violinists. The collection has become a valuable resource forteachers and students of all ages. The piano track recorded on the second half of each CD givesthe violinist the opportunity to practice with accompaniments. r!

Abbreviations and Spbofs

L.H. - Lower HalfU.H. - Upper HalfFr. - FrogTip - TipMid. - Middlez\ - Half Step* - Left Hand Pi:ziczto1- - Finger remeitrs on string

Finger coviers 2 strings

To faciliate Inge turns, the pieces i1 this book do not appear in the same order as the recordings.

The Boy PaganiniFantasia

3 r

2

2a -

t-

VARIATION

9

10

Sarabande in G Minor

Moderato, con energico J = 90 Carl Bohm

, l l

1 1 2 2 : - i

î:trÆ

"trs1ff

PP

t

42 "tr sempre flP

n

= > = ! :poco a poco rit.

nI

F*r l

I

PP4

l ' ' + l l " ' t 2' o o V

-_ gP

Tempo IFI FI

= -?rit.

! , r 3 , 2 | 4

4 -

t 2^ . T 7 . tArr Y arre

No. 1.4 in GModerato J = 104THEME Charles de BériotVAR. 1

semplice4

n v VAR.2

. - . -

VAR.3

'=-

p

VAR.5

21 f largamenteVAR.6 , G

sostenuto

YAR.8pizz.

fvAR. 10

r r -L COn S,rAZtA\!2

45 "tr energico

- flt condelicateua

Piu animatocoDA - 4,

p spiccato

71 fp

\ L i :

"f --_ Tn,nJr

t 4

Concerto in G MajorAlegro moderato J = roo l$ Iff;#ent Oscar Rieding

're E " f

---

'y - \ t 'J \ - , 'J \i --J

0 l

L ) t s 1 4 z o rrr^po , _t

rit.

1 4 t1 3- r 1 t - / / ' a

d 34- ' .= . r 4 no-

?"â"ââJ.â, ; - . , i \

o7^'at re,.f>ââf -â,;x â-:ro

; 43 a ^ : 1 ) 1 ) t

"f40 V -

; - - -F t F t ' / o | - + i

o . l , l } r l l r n t F

n n Fl t1 Fl

82 înJf

Fr t

"f

2 - .î -a. hl

rrl -

0 2 2

= =;=qg==8e Jr

a tempo

s2 P dolce

a tempol

h*ld-

- / L

4 tempo

/ini--\ <--. :--- a-.. :-\ :,..\ .--

l 8

Millionaireos HoedownItl l l

Fast {nd rhythmic,Hoedownstryle J=130

0 - r

Herman Clebanoff

f âxfilerotr rtra"

13 "fu

3 n

l9

o . , i r t 2 ^ u 2

0-

"f

20

"fp

(L.H. pizz. with 3rd finger)

"tr very energetic

2 l

l.l vr + 1 +

I \ /l l rj * ,

' u t \

1 1 9

I

"r"0 t 0

' (L.H. pirr. *inilIîn!$

f123

3

3

o ., 1 rr t t^'^ u'-

0 , 2 3 L 3 Ï * i

22

Introduction and Polonaisefrom Arabesken, No. 12

IntroductionMolto moderato e espressivo J = 68 4

1r Fl- ,/-^

--- ,?f

-___.___

* L '

-

Polonaise J = ll2

O 1925 CARL FISCHER, INC.Copyrigùt Reæwed Inrernalional Copyright Secured

Reprinted by Permissioo

23

L.H.l.i Fl

oz 'tr .tra tempoV

Â\.

"tr su lA -P# i ,h: i - ' :o z . | ?poco nt,

4 4

3 j ; _r--I;ffPesont" .fr

25

Sonatina, Op. 100Lst Movement

Anton DvoÉâkAllegro risoluto J. = 52

i n o r i p ? I

p

V/'

#

ry"f. - 7; < >

g P < > < > < > < > P

â . ' ?)

.f

- - f --3

n7

T+---Fa{-PP

--

i i \ 4Fl 24 - s

?

f3 3 c r e s c . 3 3 3 "tr

S FIl'l_-

|.lr-'v4"--r-f"

. , F tV >

2t-.o 1

"f=

- P p

26

p

4

3

40

' . f f

::- f"

a)

129F p < > < > <l>

n

m21f espressivo

t - \b7 ,o#

2Vl I

i} -\

"f" .f"

2-

1Ts înlt < "fu

-.-: _____ p

Y . u o r :..Ë,4dim.

--

28

Concerto No.3 in G MinorOp.12

Lst Movementq

Allegrorisoluto J=108Friedrich Seitz

3/-- - - \

i\r/---T-_

__

. - ?20

J"-"--/

tranquillo e espres sivo

o - *tJ^,jr+-..J#

- f largamente ---

29

nr-J--_.1

FIr_- J ----1 r_--J_____.t

v ' '

>

E-r-r r > l

P dolce

æ 1ff ="nrrgiro decresc. rit.

t _

30

Meno mosso

P dolce e tranquillo

,!f

t 3-,

-< Irp dolcissimo

I . r L

esDresstvo

.tr largamente

1 t r . z . = v n : V 2 | 4 N V

rtt. dim.

Tempo I

79 cresc. \-/ \./ \-/

- Æ

3 l

UUt)

"tr l--

biJ r-o

,:1.

ContentsTheBoyPaganiniFantasia . . .Mol lenhauer . . . .7S a r a b a n d e i n G M i n o r . . B ô h m . . . . 1 3A i r V a r i é , N o . l 4 i n c . . d e B é r i o t . . . . . . t 7Concerto in G Major, Op.24

( ls tMovement) . .R ied ing. . .Mi l l ionaire'sHoedown . .Clebanoff . . . . . .31Introduction and Polonaise, fromA r a b e s k e n , N o . I 2 . . . . B ô h m . . . . 3 7

Sonatina, Op. 100 (lst Movement) . Dvofâk . . . 42Concerto No. 3 in G Minor,

Op . l 2 ( l s tMovement ) Se i t z . . . . . 48

The Boy PaganiniFantasia

Edward Mollenhauer

9

Variation

Variation

Allegro

- t t, ' .o r l l J Z Z

. , I

aza2a2a2aa

I

7 r ? t a ? t ? ? t ? 7 t + u

t u - ù l

102

Sarabande in G Minor

Moderato, con energico J = 90

l3

--

t4

p cresc.

sempre Jff

poco a

: > > - ; 3 t _> :, ' ànt.

- gP -

\_.1_,-.-,-T'f

Tempo I

- = = s =

t 6

-

nnrcato.

.ffi8ua -

o 1 7 . tArr vaneNo. 14 in G

VAR. 1

17

Moderato J = lO4THEME

Charles de Bériot

Psemplice

-- dolce

VAR.2

"f largamente

l 8

VAR.9arco

1--_-\

! t r rf\->.ù

19

P con grori=

VAR. 11

vAR. 12

-< p con delicatezza

vAR.14

O "---/

;

2 l

- onJF

# r r?I

t \

22

Concerto in G MajorOp.24

Lst MovementI

AllegromoderatoJ =100Oscar Rieding

,,-"1

-----/n < -

I- _

----/-

24

t gi g--/

.-/ 9J !'''

'{17<i \i

E

"tf -\-t <--'

e e e aP \\-/ :--l

G > â \ â â \ , i . - s

înP --J

26

?e ci, i--;> i-;;. j) :--

i ) ;>: \ rn

. r : t ç l

sà.a tempo

7 *G> 7 $/:;>hô-i> !->

29

?-3 " - r J - - . i - 3

116 'çù. oçà.*,

bL

- 3 - 3 r J - 3 - 3 - 3

SÊ1le çù. çà.

TJTJIJ

Millionaire's Hoedown

Fast and rhythmic,HoedownstyleJ =130

3 l

Herman Clebanoff

1 2

f l L I l ' t Lt L -

--a-., qt f i? ?

-.r?r te eE- ++Ë' * Ê

l l l ,

t . * * # #*

mf short and crisp

Repeat this "vamp" for measures 1-8 and35-42

f,_--/ f-exaggerate slide simile

E.

C e + +

33

più f >\-/

49

tr I I

Ybîft,ç

' l ' ">\

sÈ, rÈ:

, F r yi . r - à

tr

73

35

I r l I r ù I r f I r l I r ù

a

r l

v "-yl

I

l U U

t l

146

Introduction and PolonaiseIntroduction from Arabesken, No. 12

Molto moderato e espressivo J = 68

a -J I

Carl Bohm

f allargando

+ - - {-'---/

: .n: : C.{R! FISCHL{ NC

Polonaise J = ll2a tempo

A

|/

p dolce

poco rit.

rnlfa rempo

i ?

>pesante

4 l

pesante

3 j 3 3 - j

j

42

Sonatina, Op. 100lst Movement

Allegro risoluto ). = 52 Anton Dvofrâk> > >

----_

3 3 3 3 3 3

f f ,

"tr

b^Gbdi-

-

PP<:>

->. -.

:- J //-\

. t r ' r

in tempo ma molto tranquillo

\1 PPatm. gva _

+7-çù.

tsl çù.

"fp __r--- sp

48

Concerto No.3 in G MinorOp. L2

Lst MovementAllegro risoluto .l = 108

Friedrich Seitz

tranqui I lo e d e s pres s ivo

_-*

rit.

; J -\/' t ! 3

- - i

a,tempoclec$o

J

,?f, a tempo

50

: - J Æ

tnf

> >

P dolce e tranquillo

-

> v * J i :

"f

: - 4 i ; ) . , i \

53

nùJf -

Additi on al M at erials by

Solos for Young Violinists andSolos for YoungViolists are grad-ed series of works, rangingfrom elementary to advancedlevelt that represent an excitingvariety of styles and techniquesfor violinists and violists. Theseseries are valuable resources forteachers and students of allages. Many of the works inthese collections have longbeenrecognized as stepping-stonesto the major violin and violarepertoire, while others arenewly published pieces for fur-ther choices of study.

l s B N 0 - 8 7 4 8 7 - 9 8 9 - 2

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The practice of scales need never be monotonous! Scales for Advanced Violinists andScales for Advanced Violists are "user-friendlt'' sr:.le books with eac:h of the twelvekeys complete on two facing pages. Dozens of bowings and rhythmic variants areoffered to develop and improve evenness, datity, agShty, speed and intonation. Aninnovation introduction to double-stops takes the guess-work out ofthis important technique. TheCircle of Sths explains k.ysignatures. The books include threeoctave major, melodic mino4,harmonic minoq, aqpeggios, broken3rds and chromatic scales. Double-stops in octaves, thirds, sixths andharmonics are presented in tr,vooctaves. These are the only scalebooks that most violinisis andviolists will ever need!

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