Sixty studies for trombone : published in two books

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LIBKAMYBrignam Young University

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Digitized by tiie Internet Arciiive

in 2012 witii funding from

Brigiiam Young University

http://archive.org/details/sixtystudiesfortOOkopp

Mr

C. KOPPRASCH

SIXTY STUDIES

for

Trombone

Published in two books

i^ t ^Vf^â^

252 Tremont street Oflrl P lSCn6r IllC. sog SA.Wubnsh Are.Cooper Square NEW YORK

0S89S

''Sixty Studies for Trombone"by

C. Kopprasch.

BOOK I,

Comparative Table ofthe Clefs.

Bass. « 4* o^ ^ -i\' 1

1

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1

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1

TenorC~« -^ AX -<» 11.

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H 1} Al1 ^ A»J •) ««-«»

Alto. o -*- ii.

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1

tt 1 1' '

XT TT

N9l.Moderafo.

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y

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NOS.Moderato.ns

rr Iff fF ifrmr

/r^

^7 7

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^ "if^ f'P ^Pm ^rfirrfrirrfr i rr#ff^ ^ SI^5^

6648 _ 25

Take breath wherever sign ^ occurs.

Fuhli>ihcd MCMV by Carl Fii*eher New York

P'.

N93.POCO Allegro.

^j',\''i!T^\J7Trn\J7T^ v=^ ^ ^mP sempre staccato.

"m ^\^^ \ ^\\\ \^.

p f- »

^^^^ • . F PI* ^ * I ^ g^ ^^^

^ ^S » *<* ' ^

i>1

^ ^r^rnrrrrfifrrfffiFffrrrirrlffr-frrrTTi

?)si'^frrrr[^p ip^^"«""?

NOTE*.- Exercises marked thus * should be practised in the various ways indicated.

*N9 4. Allegro.sempre staccato

9648.25

:*R^ Crrra'^£afi^^^r.r[5yr£tfi^tttr^rj'^ i

&>y ,1, r ^trragp^^ ifjg ^^r Lcr [^^ Êxample for N9 5*

1. ssa .2.>hi' ijs i^înp^ îk''i!j; iJ5^^ ii ki'iji i^îi'-Mjiip

*N9 5. Alio vivace

.^>'-\)' ^

J',IJffl frrrrr rr i

ffrTL,4.^^

N?6.Aclagio. ^ /Ts

^^ n~ irf ^ o ^^^ re ^* i<:> <: j>i>—==r j> p

^ frfîra.

P

^ ffiUr irrffi

^Frfai^ ^ ?/ ^ ^2? / !> 7^

''i'in'iii|iiiriii| III ij|ir|fri||i| ijij)

9648.35

6

Example for N971

*

*N9 7. Allegro.

9648.25

Example for N9 9*1. 1 .-^-^ L 2.^

118 \\i% iJJliJjJJ\fhr>J]JjfJi[J\^^^ ^rf± 2k

*N9 9, A119 vivace.

1^ iE^^K »^Yr ^ p^s1^ ^ • ig

jp cresc.

m \h r?rr^ ^ p>ffrrr?i:r

i

r"dira:ri

cresc.

i^1^--'ii^=^nîgT^'T^-^ r^ - JI-#-'rbr'^b^-F-i^-'i^^--'=----S^'=ill ^^ t^— —— "-tjr"--^-"^ - -^—^ . Ill '"-p^^" iii«~

'"' ' '

^-*" 5» <5 U^hW^ cresc.

j^ CL£rd!rri [lj:rrFfffi^ ^ tip

y^

1 mm m wFmr ^m i^Sj» cresc. f22

^^ ^ Turn

Execution. Ilnj^ g

1)

1 rir^rn nj

1NO 10. Andantino.

? ,<agp. .ocmi ^,i h UL'> U Pi f

/

y y^

fe 1> ?»^ C!0=lf ^m ^

f

9648 . 8R

8

N911. Adagio.

•f'i)'! fP If r f i d*F.,.rHrrf. Jr

isemjfre staccato.

,?ni'Frri i rritpl-t^ tmm-^=-—."

mj mf

m 'lL''[m!^|^^^^"^"''^J^:",* ei4

wf

S fee*^rr 'T I f

T

fff I r mW~^ s #-1:—=1» ^^^cre.sc.

^yj^nirrfbo^

»tr ii r,|>r'^^ |

r ^ ji -=—^'^

»/i

E ^^ S.^^*t ^ ^§ ^^ ^ f/ExamgleExample for Nq 12;

*

# N?12.A11<? moderato.

9648.25

9

^rg'Tr i

Jiiv^

^4^#is

N9 13. Moderate.

9648.25

10

N9 14.Allegro.:. m~^ m

*)• H( fffr r r rif>rrfr ^cresc. _ i> cresc. _

;r- r f ^^^^^'WrrrrTrrrr irrrrf

r

ff ^p r ^

^ rnrTrrrrr f^^^^^^^f^^^^^rfî*

-3"^ ^::f^

gi' cresc. _

9648_«6

11

cresc.

^^ w=s=mrr>r?rffrirr^ 1 M my f y:

fTurn.

Execution.

N915.Adagîo.Alto. I^^^B^

^ is:^ ^ ^

It) <ti* r\i\

i>

B'>[jf>JO' l fj'[Je

/• ^

fe^ 3 S a^*^^

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esj^7-esszvo. f-•—*

ipttrt ,r^ i "gr^Qij;;^^^

Ek ^r7]j v5 ^ f3 \\>rB I V•'-^m m

1 1^ mm ^dint. -VP ^

9648.25

12

N916. All**" vivace.

^^ ir fir'f-TrfXffXr rr^ffrf --f¥i

mi

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ei»^

'SrSrSr i

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^ . #^^^^^^s it>^ .1^"^.1>:...g'^Jg;^-j^.j^"JtfjtrrtrrLi

V cresc

^vi^y lisHiiis

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N9 17. All? plsoluto.^ ##-^

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N9 18.Vivace.

N9 19. Adagio.Tenor, espressivo

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.

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/N9 20. AllOmolto.

J sempre staccato. l^*^ w^ _

'Hii»,„f.jrrrir i^j vitfr, rrijjr^j

i jn î^tij

i

9648.2 5

15

^^^'MAijir' dJ iPrfÛt i jiSm

N92l.xModtP risoluto.

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r;=i,i'1)y' irpyilp> rp>,J i

J'y j-^^ jTnH'~pv J IP^ j h J ir=^/TN ^4

r d

—

^ ^—^ d J—' al———i^-"^ V ^ ^ \

^ W^Zy^"~^

cresc. _ _ _ _ / -'^"

9648.25

16

N9 22. Allegro.

>>:, g r? |

]Srf^g£fB6îffl!raf |.i££^ ^7 igprf^

-*>'t- arrrrriJ '^^^

r ^ iif ^11

N9 23. A119 moderato.

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^fffijpoco rlt.

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N? 4.Presto.

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N935. Moderafo.^ t ^ ^fW tf

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m/ /

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î

1 i^ 4'ifrrJjLrrJjiijJjx^^P^ ib*-^

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/N9 26. Maestoso.^^ #.

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rji^m/^ ^S^^ crest:^ » _. • ^ :^ ^--^^^^ < ^

S/ ? ^^

V=bi'i>, 'iCiT,!/^^fte>#->:

creac.

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M3=ZJE

^^rtSM l|J.J I^J^;

ll^

cresc. f P9648-25

20

N9 27. Alio vivace.^ rrrrrriJ^:rm«fiempre staccato.

^^J J Jul J.J **^ J ' -^ »ê

»lf

^fe rrfrrrirrrrrrirr[Lr; i »r^'c:J'LIL[!iM

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r

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21

M^ji^ r^ i jj;jj]i.nj jj] i jjjj^ i^jj^^ ' - ^/

1^ m ^nLii£|îjjjjjjiJjii*^

N928. Andantino.

''y esp^'essivo.~ ^

''y esjyi'essivo.

^Y l#<t*i i fIJlT 1:

/•?/. ^*-»«^ _ ^ tetupo.

ifX \ "^^»»;/

0: <iiiiiit»ii jp ^[frâ^^ I ^ r ^-J^

I

r tr ffjK\^V'rt ;?rJ rEjCTi jTJfr

i itii^J'MUTl^^»c;i=F

V=tftL^''t^ê * if

"'

# /T\^ ^cresc.

a tempo.

r^x,-H# iLif CJlJ^Ttiiaf ift "fr pj i ffl^ XjE

cresc.

>)= tfiirffTJl!r^â i—ir

P

v= <'it"<t'*<i J7? it^^ \î^\l^r^ \y^- ^ji« —w

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22

N^29. Moderato.

^ ^=A-A'- A

^£ w—m

sempre staccato

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fi

f n^ » V *—<r ^m -9—9

C. 1t E.

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1.t. := ^1

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^^^^

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9648-25

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^ ^S ^ pi ri i^T^j'-j* w W 9 9

N930. Andante.

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38 :^

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P f P Fine, dolce

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^^^^Q^:?^[Xr i cI:cI;^- J^JiÔiriJ^LÊH

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5 2

• A * ^ es:1^^ (^-^v 9

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24

N9 31. Allegro.

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â£_aA£l^rJfVJfirifriJ

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25

N93». Adagio.

^ cresc. J

Allegro.

•~~^ n ^ dimin.~

i^

^cresc.

^M ff.Ff

/I

Adagio.

^ frdimin.

^ tn'lp^^'V' iy ' ^Lî* cresc.

- r - / ^•

-— j»

y- tf i^ y ^-W^ ^^ H \^ \ l^ »^ fi^n"ni>cresc.

*^^t¥4h » ^^ » ^> l> » ^^ JLT^ ^'O -y M Âllegro.

?>• ^tjii'itîiI J '

^ '

». £ ^ M£

P t^ ^cresc.

^M i

dimin. P cresc.

^^B9648.1^5

^ ^ Êt^ ^

26

N9 33. Allegro.

m^m^ Pw^#s ^ £^rmtt|

Ê=^w/

^>^-^^rrrrr fi ^^^^rTff^ rrrrrr ^

dimin. _

9648.25

27

Pratice the trill very slowly at first and in an even tempo,- every note must be distinctly and evenly

played and of an equal duration.

m 34 The Trill.

»2 m 0-t. ^ ft ; t^Mt^

PIt , ft. ^ ,

3ft . ^

PIPj

3ft

: ^ MT"

ft

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ff^fffFf^ffffffF e^- e

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V. iTl. Siazeoiclt

SEQ UENCESFOR

licmbiombone

26 MELODIC STUDIES

IN

CARL FISCHER, Inc.

COOPER SQUARE, NEW YORKBoston • Chicago • Dallas • Los Angeles

W53

Varied RhythmsAND

Keys

17292^

3 11 97 00383 1606

BTieWV z 4 m

4 1911

1 Ht

DATE DUE

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M,

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Sixty studies for trombone : published in two books

Documents