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Welcome…
… to Sing Up with Oxfam! This unique Key Stage 2 music resource puts singing at the
heart of learning and uses music as a tool to explore global issues.
The voice can be used to express emotion and communicate powerfully with any audience,
and is used by many cultures and traditions around the globe. Group singing is powerful in
its ability to create a sense of shared purpose, social unity and collective enjoyment; as
well as being fun, educational, joyous and inspiring.
Zainabu Jalloh (right) participates in singing activities during class, held in the newly renovated building at Early Learning School in West Point, Monrovia, Liberia. Aubrey Wade/Oxfam GB
Oxfam, in partnership with Sing Up, have developed the Sing Up with Oxfam resource to
enable teachers to integrate music into their classroom activities in an inclusive way and to
support the development of a singing strategy that ensures every child sings and performs
regularly.
It is also a fantastic introduction to the exciting topic of food and farming, introducing
pupils to the challenges and injustices that people face around the world and encouraging
them to think about the reasons behind them and be part of their solution.
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Girls sing and clap during the girl's club meeting at
Quelimin Toto School, Liberia. Aubrey Wade/Oxfam GB
Warm-ups
Ideas for getting going A good vocal warm-up should focus on both
vocal muscles and the brain, release tension,
work on ease and range of motion in the muscles
and do gentle work before big work.
Yawn! Make big yawning sounds and stretch your arms
up high and down, releasing tension in shoulders.
Draw your voice Stand in a circle. Start by demonstrating how to ‘draw your voice’. This means that the
sounds that you make with your voice follow the action of your hand. For example, move
your hand high to low and make a siren noise, or in a flat, steady line and hum. Make a
buzzing sound like a bee and use your finger to follow the imaginary path of your bumbling
friend! Try to make sure you include extended vowel sounds (such as ‘eeee’, ‘aahhh’).
When you have finished, ‘throw’ your imaginary voice that’s in your hand to someone else
in the circle for them to have a go. Repeat until everyone has had a turn.
Hello Work in pairs and call to each other – ‘yoohoo’, ‘coo-wee’, ‘hiya’ ‘hello’ – find different ways
of saying hello or calling someone over. Can you do it in different languages? Go round the
circle and listen to everyone’s ‘coo-wee’.
Switch The teacher makes a sound shape/pattern (e.g. rubbing hands and slapping knees) which is repeated. Children listen and then join in. The teacher then begins a new pattern but the children continue with the first pattern. When the teacher says ‘switch’ everyone changes to the new pattern. The teacher then makes a different pattern and so on. This activity encourages the children to listen to one pattern whilst they are making a different one.
Body Pulse Set a pulse group of 3 beats using different body sounds, for example:
1 2 3 1 2 3
Clap Knee Knee Clap Knee Knee
Everyone should join in. Keep the 3-beat pulse but change the body sounds.
Take a look at Sing Up’s Voice Box and register as a Friend for free to get
loads more warm-ups, fun work-outs, quick songs and vocal materials to
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Can you beat the system?
Explain to the class that a meadow is a field where grass grows. Ask the class what other things they can think of that could grow in a field e.g. flowers, wheat, rice. Explain that if you grow food then you would not ‘mow’ your land, but you would ‘harvest’ it.
Show pupils the crop template. Ask them if any of them know what sort of food it is? Explain that it is called maize, and it is a crop which is grown across the world on many farms. Ask if any have eaten it? Some pupils will have, but many may not realise that they have.
Highlight that sweetcorn is a type of maize. Ask if any have eaten tortillas? Explain that
maize is also used for this. Ask if any eat beef? Explain that maize is also used as feed for
cows, so by eating the beef they are indirectly eating the maize. Challenge pupils to think
about whether they are therefore connected to the farmers who grow maize.
Use this idea to introduce the idea of a global food system, in which there are connections
between people who grow and people who buy food.
Main activity Explain that they are now going to consider what the other end of the system is like, that for
farmers growing things like maize.
Split the class into groups of 4 and give out the materials. Explain that they are now
farmers, living in a less economically developed country, making a living by growing food
(maize) to sell at a local market. Each group must create as many completed ‘crops’ as
they can in 10 minutes (although you can extend this – see below), using the materials
provided.
The group who produces the most crops wins the game. However they may have to cope
with a change in circumstances.
Aim: To introduce the idea of a global food system and for pupils to understand the range
of challenges facing small farmers.
Time: 1-1.5hrs
Resources: Introductory PowerPoint; Crop templates and Group scenarios; 1 example;
completed crop; 1 pencil per student; 4 sheets of A4 paper, 2 pairs of scissors, 2
colouring pencils and 1 crop template per group; a snapshot of the broken food
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Options If you have less time, you can stop the game after 5-10 minutes and give each group one of
the 4 possible scenario sheets (see resource link for sheet). Give time to read the scenarios
and do what they say, then restart the game for a further 5-10 minutes. Then finish.
Alternatively if you have more time you can give each group one of the scenarios first, run
the game for a further 5-10 minutes, then give them an additional scenario and run it again
for 5-10 more minutes. You can repeat this so groups can experience more than 1
scenario.
At the end, declare a winning team (this should be the group who experienced scenario 4!).
Discussion
First give pupils some time to talk about what it was like being a small farmer as part of this
global food system. What was challenging? Why? How did they have to work to be
successful?
As a class, discuss the following:
What was it like being a small farmer in the global system?
How did each group manage after the scenarios were introduced?
How did this make them feel?
What was fair about the game, and what was unfair?
Explain that the game illustrates some of the challenges and inequalities small farmers face
within the global food system.
Draw out the different experience when small farmers were either supported (by the
government) and not supported (other scenarios).
What would the impact of these things be on the wider global food system of farmers
Being supported?
Not being supported?
Try to draw links to how much food would be available globally, and what might happen to
the cost of food. Also use the idea of fairness. Would the system be fairer if small farmers
were supported?
Explore ideas of power in the Power-shift activity. This will to give pupils an interactive understanding of how the different actors within the global food system can help make it fairer, and consider the actions they can take.
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Teachers Guide
Activity Sheets
Power point presentation
Supporting farmers
Based on the discussion the class had following the game, each student can create an information leaflet based on what it is like being a small farmer, if it is fair and why the student feels the farmers should be supported. Select some to photocopy to produce a leaflet that can be handed out and provide information for others to take away.
Organise a sing-a-thon as a way as making a class campaign about small-scale farmers. In an assembly or after-school event, the class can perform One man went to mow for as many verses as possible! They can also give out the leaflets they have created to the audience to explain why they are doing the sing-a-thon (to show their support for farmers).
In the build up to the assembly, you could encourage the school and parents to guess how many verses they think the class could manage. Nominate a member of the class to be in charge of writing people’s guesses down. Use a relay system in the class if you want to make sure if keeps going for longer. Maybe join forces with another class for extra support!
Option: If you have less time you could challenge the class to reach a certain number of verses (e.g. 30). You could then give a performance to another class and share the leaflets within the classroom for them to take home.
Extension: Use a webcam to record your performance and share it online!
You can also use the action planning resource to decide with the class what they feel is the best action to take.
Students from Richard Atkins Primary School Sing Up! Terry Benson/Sing Up
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Bassez down Traditional Caribbean – from the Sing Up Song Bank
A lively, up-tempo, Caribbean calypso full of irresistible syncopated rhythms: an appealing
song with a contrasting call and response section in the middle.
Getting started Like many other calypso songs, this needs little teaching; its catchy rhythms and simple
melody will have singers joining in very quickly.
Notice how the words and melody are shared between two groups in the call and response section beginning at bar 16, where the lyrics read ‘bassez down Missie Mary, bassez down,’ etc.
Listen to the trumpet ‘break’ between verses and notice that in verse 2 there’s an option to stop singing at bar 23, where the score reads ‘optional tacet 2nd time to bar 40’.
Learning the song Most of the phrases start on a high D which needs to be sung effortlessly. Try this vocal
warm-up to prepare your singers’ voices. Draw a wavy line in the air with your finger (rather like a roller-coaster track) and ask the singers to ‘sing’ this line to the sound ‘ng’. Encourage them to explore their highest and lowest voices and use an open throat to achieve an easy fluid sound.
Although the tune is simple, it is worth practising with the echo tracks on the Sing Up website to get the calypso rhythms really accurate.
Divide into two groups for the call and response parts.
Developing music making
You may not have a trumpeter who can manage this part but you could substitute a violin, flute or clarinet player. Perhaps you could persuade your peripatetic instrumental teacher to accompany the singing, or ‘borrow’ a student from your local secondary school?
Once the song is familiar, invite pairs of soloists to take on the call and response section, using real names, such as:
Solo: Bassez down, Missie Kayleigh Solo (Kayleigh): Bassez down Solo (Darren): Bassez down … etc.
YEAR GROUP YEAR 3 - 6
PARTS UNISON (OPTIONAL MULTI PARTS)
SONG STYLE WORLD MUSIC
RANGE MEDIUM (AROUND AN OCTAVE)
CURRICULUM PERFORMING SKILLS, AURAL MEMORY,
LISTENING SKILLS
Check out this song on the Sing Up Song Bank and register for free as a Sing Up
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Mama, will you buy me a banana? Traditional, arr. Rachel Wadham
This Irish ditty is great fun and develops listening skills by working in groups. Group 1 is singing the part of the cheeky little boy and Group 2 is the flustered mother!
Getting started
Try a few warm up activities (see activity 2).
Listen to the performance track. Each verse is very similar, but encourage students to signal which verse they are at as they listen.
Allow students to move to the beat of the music to help reduce any body tension.
Learning the song
Start with everyone learning the call and response on the first verse. Even though the tune is simple it’s a good basis for everyone to know it well so they feel confident singing in either group.
Break the class into two groups, each taking a part and then swapping over.
Developing music making
Think about the different characters in the song. How would a child sound if they were asking for something - whiney? Sweet and innocent? How about the mother - impatient? Grumpy? Each group should try to sing in character and be able to hear the difference between the two parts.
Experiment with adding percussion as a backing to the song.
How about writing alternative lyrics? Go around the group and ask for suggestions for what else Mama could buy e.g. Mama, will you buy me a new football?!
Students from Richard Atkins Primary School Sing Up! Terry Benson/Sing Up
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Grow Island debate
Encourage students to discuss where they think bananas are from e.g. Northern Australia,
Costa Rica, Kenya, Honduras, Nicaragua, Windward Islands, Kenya, Tanzania, Philippines,
Thailand, India. Highlight that bananas are grown in the Caribbean, where Bassez down
and Mama, will you buy me a banana? were originally from, and that many of these
countries are islands.
Pose the question: if you had your own land, what would you use it for? Encourage pupils to think about 5 uses for the land for things they would like to do, e.g. playground, meeting place, cinema etc. and think of 5 ways to use the land to get things they need, e.g. food and shelter. As a class work out 5 fundamental needs.
Now tell pupils to pretend that the class owns a small island, and all the pieces of paper in the class represent the land on this island. Re-stress the idea that there are competing demands for the land.
Set the context that most of the people living on the island grow their own food on
the land to eat, or sell food to buy food from elsewhere.
Explain the role cards. There are different groups of people on the island who all want to
use its land. Pupils are going to pretend to be these different people, and have a debate to
decide how their piece of land is used.
Give each group (of 8 pupils) a set of role cards, so that each person has one of the
following roles:
2 Government representatives, who have decided to sell the land
2 farmers, who believe they are entitled to the land and want to keep it to grow crops
to eat locally (themselves or other locals)
2 business people from a rich country who wants to buy the land as an investment
2 business people representing a multinational company who wants to buy the land
to grow crops for export
Aim: Pupils will discuss in role the arguments from different groups of people that feel that
they should have ownership of the land and to see how this affects small farmers and
their livelihoods. They will think about fairness and future sustainability.
Time: 1-1.5hrs
Resources: A4 plain paper – one each; role cards – one set per group of 4/5; grow island power
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Prompt pupils to think about ownership, power and money, and why resources such as land
are contested in this way. Do they think this is like real life? Would the outcome and impact
be different if Grow Island was a poor country or a rich country? Why might that be?
Explore ideas of power in the Power-Shift activity. This will give pupils an interactive
understanding of how the different actors within the global food system can help make it
fairer, and consider the actions they can take.
Teachers Guide
Activity Sheets
Power point presentation
Send a song
Perform Bassez down or Mama, will you buy me a banana? – this could be in a key stage/whole school assembly or even in a special after school concert.
Make a recording of the performance on an audio recorder, webcam, video camera or mobile phone.
Download the file on your computer and burn it to a CD. If you don’t already have the appropriate software you can do this from the Sing Up website in collaboration with MixPixie. Visit singup.mixpixie.com for more information.
As a class, write to your local MP and send the CD/DVD of your performance. Explain that you are singing to show your support for farmers such as those on Grow Island and ask them to write a letter to the UN or World Bank to show their support.
You can also use the action planning resource to decide with the class what they feel is the best action to take:
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Senwa dedende Traditional Ghanaian – from the Sing Up Song Bank
This is a section of a much longer narrative song about a lazy vulture who builds his nest
and when the rains come he can’t remember where he built it.
Getting started Try a few warm-up activities (see activity 2).
Listen to the performance track and pay attention to the words and the layering of voices
in the round.
Learning the song Sing the song through. It is a gentle melody so encourage quiet, smooth singing from
the outset.
Clap the rhythm of the first two bars, ‘senwa dedende sen-wa’ and ask the children how many times they can hear that rhythm pattern. The answer is three times. It is useful for the children to begin to understand how songs are structured.
Which line has a different pattern? Clap the rhythm quietly all the way through as you sing.
Try humming the tune through – this will also encourage gentle singing.
Ensure that the melody is quite secure before trying it in a round.
Developing music making Explore ways of adding simple accompaniment patterns. A small drum could keep the
pulse; divide the first phrase between Indian bells to play ‘Senwa dedende’ and a tambourine to play ‘Senwa’.
Make up a circle dance. Walk around on the beat (2 bars), turn and walk the other way (2 bars), join hands and step in (1 bar) step out (1 bar), turn on the spot (2 bars).
When you are confident enough to sing this as a round it works very well to have everyone just walking in and out of each other as they sing so all the parts mix together. You need to be quite confident to do this but it produces a beautiful effect.
YEAR GROUP YEAR 3 - 6
PARTS OPTIONAL 4 PART ROUND
SONG STYLE TRADITIONAL SONG
RANGE MEDIUM: AROUND AN OCTAVE
ACCOMPANIMENT UNACCOMPANIED
MUSICAL ELEMENTS ROUND/CANON
CURRICULUM PERFORMING SKILLS, AURAL MEMORY,
LISTENING SKILLS, EXPLORING MOVEMENT
Check out this song on the Sing Up Song Bank and register for free as a Sing Up
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Tue, Tue
Traditional Ghanaian, arr. Rachel Wadham
Yam it up! Tue, Tue is a traditional Ghanaian song about harvesting. This would fit perfectly into Harvest Festival assemblies and can be used to explore food and farming in Ghana.
Getting started
Try a few warm up activities (see activity 2).
Listen to the performance track. Ask students to identify how many times they can hear the melody.
Ask if anyone in the class is from Ghana or have family from Ghana. Encourage them to share their experience.
Learning the song
Start by singing ‘Tue Tue’ together, like a chant. This forms the bottom part which the tune should sit on top of. This should be sung softly, so the main melody can be heard over the top.
Move on to everyone learning the main melody (Group 1 line in Part 1 – two-part arrangement).
Break the class into two groups – one keeping the ‘Tue Tue’ chant going, the other singing the melody. Swap over.
Developing music making
Split the class into three groups. Begin with ‘Part 1 (two part arrangement)’ with two groups both singing the ‘Group 2’ part, while Group 1 sing the main melody.
Move onto ‘Part 2 (three part arrangement)’ – Group 1 now provide the ‘Tue Tue’ chant which can be sung an octave higher if that is within the students’ vocal range. Groups 2 and 3 now sing the melody in a round. All the parts come together at the end and everyone shouldget louderfor a big finish!
You can try accompanying the singingwith percussion instruments. Djembe drums would work well!
Students from Richard Atkins Primary School Sing Up! Terry Benson/Sing Up
YEAR GROUP YEAR 5, YEAR 6
PARTS CALL AND RESPONSE (OPTIONAL SOLO); OPTIONAL
ROUND
SONG STYLE TRADITIONAL GHANAIAN SONG
RANGE WITHIN A FIFTH (OPTIONAL OCTAVE)
ACCOMPANIMENT A CAPPELLA OR WITH SIMPLE DRUM
MUSICAL ELEMENTS CALL AND RESPONSE STRUCTURE; ROUND/CANON
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Example
The graph in the slide shows the impact on crop yields after the government in Malawi
provided support for small farmers by subsidising fertilisers (spending nearly 10% of the
government budget on this). This has helped maize yields to increase substantially over the
last 5 years, thus improving food security; reducing hunger problems and helping to
overcome poverty (see here for more information).
End up by asking the group these questions –
What SKILLS and QUALITIES do small scale farmers have?
Do you think small scale farmers have a role to play in preventing hunger?
Highlight to the group the potential small farmers have in reducing food problems when
support allows the hard work, ingenuity and local knowledge they already have to lead to
real long term improvements.
Give pupils time to plan a role play in groups to highlight the challenges, solutions and
community benefits related to small scale farmers. Encourage them to use what they have
read about and discussed in the previous activities, and to try and put themselves in the
shoes of someone like Leyla. If possible they should try and give some sense of the
challenge, how they were supported, and what has been the result.
Activity options
They could put their role play into a variety of forms, depending on their (and your)
preference, including: story, acting, comic/storyboard or photo presentation.
If you have access to computers, young people could make a digital story/cartoon.
Explore more
Explore ideas of power in the Power-Shift activity. This will give pupils an interactive understanding of how the different actors within the global food system can help make it fairer, and consider the actions they can take.
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Sing a story
Showcase the photo presentation that you created in the role play activity in an assembly. Introduce the performance by outlining the background and context to the photos. As the photos are shown, perform Tue, Tue or Senwa dedende as a backing track to the images. Option: Use these songs in combination with Harvest Festival classroom activities.
You can also use the action planning resource to decide with the class what they feel is the best action to take.
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Taking it Further
Oxjam
Oxjam. The sound of something happening.
Oxjam is Oxfam's month-long music festival. It runs all through October with hundreds of events around the UK, all organised by volunteers who know and love their local music scene, all raising money to save lives around the world.
Rock. Jazz. Classical. Dance. Whatever you're into, your Oxjam event is what you want it to be.
Since the first festival in 2006, Oxjam has raised more than £1.75 million in total for Oxfam’s work. That’s enough to buy 15,000 emergency shelters; 70,000 goats or 1,050 classrooms
What you could do
Why not come together as a school and perform the different songs that are in this resource in a bigger Oxjam concert? Encourage pupils to take the lead in promoting the concert – create posters and programmes, make handmade invites for parents, write to the local paper. Host the event at the end of the school day to encourage parents to attend.
You can easily turn this into a fundraising event as well, by charging a small amount for a ticket or a programme, or even have refreshments for sale.
Collaborate with local community music groups and bands to make the event even bigger!
And if you don't yet feel ready to organise your own event, there are loads of other ways to get involved with Oxjam and be a part of the UK's biggest festival line up.
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Sing Up The Sing Up songs in this resource are freely available to you – just follow the links to the Sing Up website and log in, or register as a Sing Up Friend to access them.
Want more?
Become a Sing Up Member!
Much more than just a book or a CD, Sing Up’s comprehensive Membership gives you all
the integrated support you need - online, in print and with local face-to-face training.
Sing Up has over 500 curriculum-tagged songs in the Song Bank, as well as the associated
resources to make teaching them stress-free. With over five years’ experience at the
forefront of music education as the singing-in-school experts recognised with the Royal
Philharmonic Society’s (RPS) Education Award and by the National Plan for Music
Education, our cross-curricular tools and support put singing at the heart of your school life,
building the benefits of singing into your teaching throughout the whole school day.
Sing Up offers Members access to online resources, training and CPD and singing resources for children being educated outside mainstream education.
Don’t miss out – become a singing school today, and see what else you can discover…
Here’s just a taster of what else we’ve got on offer related to this topic:
Harvest songs: Cauliflowers fluffy Harvest rock and roll Vera Easy peasy Harvest Water song Apples and honey Vegetables and fruit
Harvest resources: Topic plan: Food! (KS2) Lesson plan: Autumn fun with KS1 Lesson plan: Fruity sculptures (KS2)
Songs from Africa: A keelie Allah Hoo Dhage Emmanuel Road Halima pakasholo Kis nay banayaa Oleo O-re-mi Siyahamba Tingalay
Environmental songs: Be cool Drop in the ocean Do anything but throw it away Hope for a better tomorrow I turn on the tap We all shine for each other What is this stuff?
Find songs from around the world and many more in the Sing Up Song Bank.
Enthuse your pupils with these fun travel-inspired songs and activity ideas. You can use this
map to map out songs from around the world!
Lesson plan: I turn on the tap/I walk to the stream A KS2, Year 5-6 Geography lesson plan covering issues of the environment and sustainability.
Topic Plan (KS1): Go green! A KS1 topic-based activity plan on the Environment, offering six weeks of activities across curriculum to integrate Song Bank songs with everyday classroom delivery.
Topic Plan (KS2): The Environment A topic-based plan, offering six weeks of activities across the KS2 curriculum to integrate Song Bank songs with everyday classroom delivery.
For more information on any of the Sing Up resources in this pack or becoming a Sing Up Member, get in touch.
Students from Richard Atkins Primary School Sing Up! Terry Benson/Sing Up
Students from Richard Atkins Primary School Sing Up! Terry Benson/Sing Up