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Shakespearean Sonnets and Iambic Pentameter
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Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Dec 21, 2015

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Page 1: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Shakespearean Sonnets and Iambic Pentameter

Page 2: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Accents

All multi-syllable words are made up of accented and unaccented syllables.

behind

Page 3: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Accents

be / hind

Page 4: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

absent

Page 5: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

tangerine

Page 6: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Roulo

Page 7: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Shakespeare

Page 8: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Try it with your own last name. Look for accented and unaccented syllables, then play with moving the accents around and notice how funny it sounds.

Page 9: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Meter

Accented (called “stressed”) and unaccented syllables give language rhythm or “meter.”

Page 10: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Every time we talk, we string together accented

and unaccented syllables without even thinking

about it.

Page 11: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Poets think about this stuff.

They use the rhythm of language to help convey their message.

Page 12: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Mark up these lines from Macbeth

Macbeth! Macbeth! Macbeth! Beware Macduff!

Page 13: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Mark up these lines from MacbethBut screw your courage to the sticking place

And we’ll not fail. When Duncan is asleep -

Page 14: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

So what is IAMBIC PENTAMETER?Metric foot = a set of two syllables

Iamb = a metric foot with an unaccented syllable followed by an accented syllable

Macbeth

but screw

Page 15: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Note the Iambs

But screw/your cour/age to/the stick/ing place

And/we’ll/not fail. /When Dun/can is/asleep -

Page 16: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Lines built with a series of iambs and follow this pattern are called “iambic.”

They tend to sound like a HEART BEAT.

Page 17: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Look back at these lines. How many iambs are in each line?

But screw/your cour/age to/the stick/ing place

And/we’ll/not fail. /When Dun/can is/asleep -

Page 18: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

FIVE

Ancient Greek word for five = pente

Think about MATH – penta

THUS…

Iambic Pentameter!

Page 19: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Iambic Pentameter Definition

a line of text containing five metric feet (iambs), each foot containing an unstressed syllable followed by a stressed syllable

Page 20: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

What’s the big deal?

Iambic pentameter was used to help actors remember lines. Think about how rhythm helps you remember the words of a song.

Also, it is a bit of genius when used in poetry.

Page 21: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Romeo and Juliet

Romeo and Juliet uses portions of blank verse, which is unrhymed iambic pentameter.

What is especially impressive is when poets use it combined with rhyme, which leads us to….

Page 22: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Shakespearean Sonnets

Page 23: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Anatomy of a Shakespearean Sonnet 14 lines written in iambic pentameter – EVERY LINE USUALLY can be broken down into three

quatrains and a couplet follows rhyme scheme: abab cdcd efef gg the last couplet (the gg) usually acted as a

final thought or the thematic ending of the sonnet

Page 24: Shakespearean Sonnets and Iambic Pentameter. Accents All multi-syllable words are made up of accented and unaccented syllables. behind.

Sonnet 18Shall I compare thee to a summer’s day?Thou art more lovely and more temperate:Rough winds do shake the darling buds of May,And summer’s lease hath all too short a date;

Sometime too hot the eye of heaven shines,And often is his gold complexion dimmed;And every fair from fair sometime declines,By chance or nature’s changing course untrimmed.

But thy eternal summer shall not fade,Nor lose possession of that fair thou ow’st;Nor shall death brag thou wander’st in his shade,When in eternal lines to time thou grow’st:

So long as men can breathe or eyes can see,So long lives this, and this gives life to thee.