Top Banner
Session 3 Early Ethnographic Photography: Contexts and Trends
12

Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Oct 02, 2020

Download

Documents

dariahiddleston
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Session 3Early Ethnographic Photography:

Contexts and Trends

Page 2: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

REALISM

Linkages: Positivism—photography—ethnography

the verisimilitude of photographs

Camera: similar to an eye

Realist readings of photographs: focus on the content

Page 3: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Criticisms of Early Ethno-Photographic Realism

Obscure the context of photo production

Manipulate the content of photo representation

“showing the Native as he really is”

Page 4: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Evolutionism1. Polygenesis1. Polygenesis

2. Monogenesis2. Monogenesis

Louis AgassizE. B. Tylor

Page 5: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Unilineal Evolution

Page 6: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Romantic Primitivism

Edward S. Curtis (1868-1952)—1896 to 1930—40,000 images of 80 Indian tribes—photos of Indian leaders, rituals, costumes—recorded songs and chants—recorded histories, myths, demography,

lifeways, biographies, ceremonies—artistic, pictorial & impressionistic

approach

Page 7: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian
Page 8: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian
Page 9: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Salvage Ethnography

Franz Boas (1858-1942)—against evolutionism—cultural relativism—fieldwork—“salvage”—Pacific Northwest

Page 10: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Kwakiutl Indians:, “the way the Hamaselal Dancer Dressed in winter dances. I send you this mask of wasp dancer I Bought from Denax'dox tribe.” 1920

Kwakiutl Indians:, "The wayts!onog!wa Dancer Dressed in winter Dance." ca. 1920

Page 11: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Productions in Early Ethnographic Realism

Polygenetic Evolution naked bodies, measurements

Unilineal Evolution social situations; assimilation

Romantic Primitivism facsimiles of the pre-colonial; staged authenticity

Salvage Ethnography culture traits

Page 12: Session 3 Early Ethnographic Photography: Contexts and TrendsRomantic Primitivism Edward S. Curtis (1868-1952) —1896 to 1930 —40,000 images of 80 Indian tribes —photos of Indian

Conclusions for Early Ethno-Photography

—contexts of early ethnographic photography—ideological purposes—renewed colonialism

Photographic practices did not take shape, and take place, in a social and cultural vacuum:

Pierre Bourdieu:

“the most trivial photograph expresses, apart from the explicitintentions of the photographer, the system of schemes ofperception, thought and appreciation common to a wholegroup”

1. Colonialism2. Scientific support for colonialist ideologies3. Positivism4. Power relations