-
NOTE FROM THE EDITOR
In orchestral music, there are many editorial markings that are
open for interpretation. In an effort to maintain consistency and
clarity you may find some of these markings in this piece. In
general, markings for fingerings, bowing patterns, and other items
will only be marked with their initial appearance. For a more
detailed explanation of our editorial markings, please download the
free PDF at www.alfred.com/stringeditorial.
xextended position
-shift
A , [ , Nhigh or low fingerings
,
bow lift/reset≥ ≥ or ≤ ≤
hooked bowings
I hope you will find these explanations to be helpful. Best
wishes with all of your musical endeavors!
Chris M. BernotasDirector of String Publications
Whether or not you have the Harry Potter: Wizards Unite
augmented reality game on your mobile device, you’re sure to
recognize the iconic music used in the Harry Potter franchise. Five
diverse excerpts from the game are included in this medley. Wands
at the ready? Let the magic begin!
PROGRAM NOTESDrawing heavily upon the inspiration and creative
genius that is the Wizarding World of J. K. Rowling, Harry Potter:
Wizards Unite, the augmented-reality mobile game, allows
participants to interact on a personal, real-time level as they
travel within a hidden universe around them that they never knew
existed until now.
Players combat Fantastic Beasts, brew potions, find magical
artifacts, and cast life-changing spells along with well-known
characters from the franchise. But whether or not you have the game
app on your mobile device, the music heard throughout (including
the five titles in this arrangement) is familiar to everyone who
has experienced the Harry Potter films. So, my wizarding friends,
wands at the ready! Here we go!
Grade 2½
Selections from the real-world augmented reality mobile game
Harry Potter: Wizards UniteFeaturing Hedwig’s Theme, Profile:
Selfie Avatar, Fawkes the Phoenix,
Care of Magical Creatures Encounter, and Victory Fanfare
Composed by John Williams except “Care of Magical Creatures
Encounter”
Composed by Nicholas Hooper
Arranged by Douglas E. Wagner
Please note: Our band and orchestra music is collated by an
automatic high-speed system. The enclosed parts are now sorted by
page count, rather than score order.
INTERMEDIATE STRING ORCHESTRA
INSTRUMENTATION
1 Full Score 8 Violin I 8 Violin II 5 Violin III (Viola &) 5
Viola 5 Cello 5 String Bass 2 Percussion
(Mark Tree/Triangle/Suspended Cymbal)
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NOTES TO THE CONDUCTORScored for overall accessibility, players
will encounter few technical problems as they practice and rehearse
their way through this title. Most of the arrangement is set in D
major, with a few essential chromatics in several places.
Each of the five excerpts has its own inherent style, requiring
a slightly different approach to effective performance, from the
light, mystical “Hedwig’s Theme,” to the invigoratingly triumphant
“Victory Fanfare.”
Some fun staging options may present themselves. Players could
have hats, wands, or other Potter paraphernalia on the floor next
to their chairs to display just before they perform this
arrangement. Also, the conductor could be presented with a wand to
conduct with from the narrator, or better yet, from an
appropriately costumed character who magically appears on stage
(with appropriate lighting and perhaps special effects).
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##
##
##
##
##
4
3
4
3
4
3
4
3
4
3
4
3Percussion(Mark Tree/Triangle/Suspended Cymbal)
I
String Bass
II
Viola(Violin III)
Violins
Cello
œ
≤
Œ
Œ
Œ
Œ
Œ
With mystery (Œ = 126)“Hedwig’s Theme” - Composed by John
Williams
P
.œ
≥
J
œ œ
.˙
≥
.˙
≥
∑
∑
1
.O
p
p
Mark Tree
p
˙
œ
.˙
.˙
∑
∑
2
.O
.˙
.˙
.˙
∑
∑
3
.O~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~
~~~~~~~~
~~~~~ ~~~~~~~~~~~~~~~~
&
&
B
?
?
ã
##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
.˙
.˙
.˙
∑
∑
4
.O
.œJ
œ œ
.˙
.˙
∑
∑
5
.O
˙b œn
˙n œ#
˙b œn
∑
∑
6
.O
1
2
2
.˙
Œ Œ
œ
≤
˙N Œ
∑
∑
7
.O
3
˙ œ
.˙
.˙
≤
∑
∑
8
.O
2
~~~~ ~~~~
~~~~
~~~~ ~~~~~~~~~~~~~~~~ ~~~
~~~~~~
~~~~~~
~ ~~~~~~~~~~~~~~~~~ ~~~~~~
~~~~~~
48055S
Harry Potter: Wizards UniteFeaturing Hedwig’s Theme; Profile:
Selfie Avatar; Fawkes the Phoenix;
Care of Magical Creatures Encounter; and Victory Fanfare
Duration - 3:30
© 2002-2011 WARNER-BARHAM MUSIC LLC (BMI)All Rights (Excluding
Print) Administered by SONGS OF UNIVERSAL (BMI)
Exclusive Worldwide Print Rights Administered by ALFRED MUSIC
This Arrangement © 2020 WARNER-BARHAM MUSIC LLC (BMI)
All Rights Reserved including Public Performance
Composed by John Williamsexcept “Care of Magical Creatures
Encounter”
Composed by Nicholas HooperArranged by Douglas E. Wagner
Selections from the real-world augmented reality mobile game
FULL SCORE
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ã
##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
.œ
≥
J
œ œ
.˙
≥
.˙
≥
.˙≥
∑
9
.O
9
p
˙
œ
.˙
.˙
.˙
∑
10
.O
˙ œb
.˙n
.˙
.˙
∑
11
.O
F
P
P
P
2˙
œb
.˙b
.˙n
.˙
∑
12
.O
2 4
1
.œ
J
œ œn
.˙N
.˙
.˙
∑
13
.O
rit.1
1
~~~~~~~~~~~~~~~
~~~ ~~~~~~~~~~~~~~ ~~~
~~~~~~
~~~~~ ~~~~~~~~~~~~~~ ~~~
~~~~~~
~~~~~~
&
&
B
?
?
ã
##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
˙n
œ
.˙
.˙
.˙#
∑
14
.O
x4
.˙
Œ Œ
œ
≤
Œ Œ œ
≤
.˙
∑
15
¿
Œ Œ
1
˙
J
œ ‰
˙
j
œ‰
˙
J
œ ‰
˙
J
œ
‰
∑
16
∑
,
∑
Œ
˙
≥
Œ œ
≥
œ
.˙
≥
∑
17
∑
a tempo
∑
Œ
˙
Œ œœ
.˙
∑
18
∑~~~
~ ~~~~~~
~~~~~~
~~
4
48055S
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##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
∑
Œ
˙
Œ œœ
.˙
∑
19
∑
Œ ‰
.œ
≤
Œ
˙
Œ œœ
.˙
∑
20
∑
.œ
≥ j
œ œ
Œ
˙
≥
Œ œ
≥
œ
.˙
≥
∑
21
∑
“Profile: Selfie Avatar” - Composed by John Williams 21
.œ
J
œ œ
∑
Œœ œ
.˙
∑
22
∑
˙ œ
.˙
≤
Œ œ œ
.˙
∑
23
∑
&
&
B
?
?
ã
##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
.˙
Œ
œœ
Œ ˙
≥
.˙
∑
24
∑
.˙
.˙
œ˙
.˙
∑
25
∑
,
.ϳ
J
œ œ
Œ ˙
≥
Œ
ϳ
œ
.˙
≥
∑
26
Œ ±
P
Triangle
.œ
J
œ œ
œ˙
˙ œ
.˙
∑
27
Œ ±
.œ
J
œ œ
.˙
˙ œ
.˙
∑
28
Œ ±
5
48055S
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##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
.˙
.˙
œœ
œ
.˙
∑
29
Œ ±
.˙
.˙
œ˙
.˙
∑
30
∑
,
.ϳ
J
œ œ
.œ
≥
j
œ œ
.˙
≥
.˙
≥
.˙≥
31
∑
31 4
P
.œ
J
œ œ
.œ
j
œ œ
.˙
.˙
.˙
32
∑
.œ
J
œ œ
.œ
j
œ œ
.˙
.˙
.˙
33
∑
f
f
f
f
f
&
&
B
?
?
ã
##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
.œJ
œ œ
.œ
j
œ œ
.˙
.˙
.˙
34
∑
.œ
j
œ œ
.œ
j
œ œ
.˙
.˙
.˙
35
∑
.œJ
œ œ
.œ
j
œ œ
.˙
.˙
.˙
36
∑
.œ
J
œ œ
.œ
j
œ œ
.˙
.˙
.˙
37
∑
x2
6
48055S
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##
##
##
##
8
6
8
6
8
6
8
6
8
6
8
6Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
.˙
.˙
Œ Œœ
≥
.˙
.˙
38
∑
P
4
.˙
.˙
œ˙
.˙
.˙
39
∑
P
P
P
P
œ
‰
.œ
œ Œ Œ
œŒ Œ
œ Œ Œ
œŒ Œ
40
∑
rit.
p
.˙
≥
Œ Œ
œ
≤
Œ Œ œ
≤
Œ˙≥
Œ
˙≥
41
∑
p
p
p
p
3
.˙
U
.˙
U
.˙
U
.˙U
.˙U
42
.±
U
p
&
&
B
?
?
ã
##
##
##
##
##
8
6
8
6
8
6
8
6
8
6
8
6Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
Œ . ‰
œ
≤
œ
Œ . ‰
œ
≤
œ
∑
.˙
≤
∑
43
∑
A bit quicker, freely (Œ˘ = 60)“Fawkes the Phoenix” - Composed
by John Williams
F
F
F
43
.œ
≥
.œ
.œ
≥
.œ
.œ
≥
.œ
.ϳ
.œ#
.˙
≥
44
∑
F
F
x2
œ
j
œ.œ
œ
j
œ.œ
.œ .œ
.œ.œ
.˙
45
∑
4
4
1 x2
.œ
.œ
.˙
.˙
.˙
.˙
46
∑
.œ.œ
.˙
.˙
.˙
.˙
47
∑
7
48055S
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ã
##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
œ œ œ.œ
.œ.œ
.œ .œ
.œ.œ
.œ.œ
48
∑
3
.œ Œ .
.œœ œ œ
.œ œ œ œ
.œ .œ
.œ .œ
49
∑
4
∑
œ œœ
.œ
œ œ œ .œ
.œ .œ
.œ .œ
50
∑
4
‰œ≥
œ œ œ œ>
œ œœ œ
.˙
.˙
.˙
.˙
51
∑
4
∑
‰
œ
≥
œ œ œ œ
>
œ œœ œ
.˙
.˙
.˙
52
∑
,
,
x2
&
&
B
?
?
ã
##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
.œ
≥
.œ
.œ
≥
.œ
.œ
≥
.œ
.ϳ
.œ#
.˙
≥
53
‰ — ‰ —
53
F
œ
j
œ.œ
œ
j
œ.œ
.œ .œ
.œ.œ
.˙
54
‰ — ‰ —
1
.œ
.œ
.œ
.œ
.˙
.˙
.˙
55
∑
.œ.œ
.œ.œ
.˙
.˙
.˙
56
∑
8
48055S
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ã
##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
œ œ œ œj
œ
.œ .œ-
.œ .œ-
.œ .œ
.œ .œ
57
∑
x4
œ œœ œ
œ œ
.œ .œ-
.œ .œ-
.œ.œ
.œ .œ
58
∑
œ j
œ
œœ
œ
œ
j
œœ
j
œ
œj
œ .œ
.œ .œ
.œ.œ
59
∑
4
3
œ œœ
.œ œ œ
œ œœ
.œ œ œ
.œ .œ
.œ.œ
.œ.œ
60
∑
&
&
B
?
?
ã
##
##
##
##
##
4
4
4
4
4
4
4
4
4
4
4
4Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
œ œ
œ.œ
œ œ œ .œ
.œ .œ
.œ.œ
.œ .œ
61
Œ . .—
4
.˙
.˙
.˙
.˙
.˙
62
.±
x2
œ
≥j
œ.œ œ œ
.œ
≥
.œ
.œ
≥
.œ
.œ
≥
.œ
.ϳ
.œ
63
∑
rit.
P
P
P
P
P
.œ œ œ.œ
.œ œ œ .œ
.œŒ
j
œ
.œ Œ
J
œ
.œ
Œ J
œ
64
.— .—
P
1
.˙U
.˙
U
.˙
U
.˙U
.˙
U
65
.±
U
"
"
"
"
"
"
9
48055S
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##
##
##
##
##
4
4
4
4
4
4
4
4
4
4
4
4Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
œ.
≥
œ.
Œœ#.
≥
Œ
œ.
≥
Œœn.
Œ œ.
≥
Œ œ.
Œ.œ
≥
œJ
œn‰
J
œ‰
œ.
≥
Œ œ.
≥
‰J
œ.≤
66
∑
“Care of Magical Creatures Encounter” - Composed by Nicholas
Hooper
Playfully with a swing feel (Œ = 104)66
f
,
,
Œœ.
≥
œn.
Œ
Œ
œ.
≥
œ.
Œ
Œ œ.
≥
œ.
Œ
Œ.œa
œœn
Œ
œ.
Œ Œ œ-
67
∑
,
1Œ
œa.
Œœn.
Œ
œ.
Œ
œ.
Œ œ.
Œ œ.
Œ.œa
≥
œJ
œn‰
œ
œ.
Œ œ.
Œ
68
∑
j
œa.
‰ Œ Ó
j
œ.
‰ Œ Ó
j
œ.
‰ Œ Ó
J
œa.
‰ Œ Ó
J
œ.
‰J
œ.
‰ .œ J
œ.
69
∑
F
&
&
B
?
?
ã
##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
Œ.œ
≥
œ
j
œn‰
j
œ‰
Œ j
œ.
≥
‰ j
œ.
‰ j
œ.
‰
Œ
j
œ.
≥
‰
J
œ.
‰
J
œ.
‰
˙≥
˙#
œ
≥
Œ œ Œ
70
±
F
F
F
F
F
x2
Œ.œa
œ
j
œn‰ Œ
Œ j
œ.
≤
‰ j
œ.
‰ j
œ.
‰
Œ
j
œ.
≤
‰
J
œ.
‰
J
œ.
‰
˙ œ#
J
œ.
‰
œŒ œ Œ
71
±
∑
Œ.œ
. œ.
j
œn.
‰j
œ.
‰
Œ
j
œ.
‰
J
œ.
‰
J
œ.
‰
˙≤
œ#
J
œ.
‰
œŒ œ Œ
72
±
.œ
>≥
œn .œ œb .œ œb .œ œn
Œ
œ
≤
œb œn œn
Œœ
≤
œb œn œn
Œ œ
≤
œb œn œn
˙ ˙
73
∑
4
1 1
1 2 3
10
48055S
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##
##
##
##
##
8
6
8
6
8
6
8
6
8
6
8
6Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
œaŒ Ó
Œ.œa
≥
œ
j
œn‰
œ
Œ œ.
≥
Œ œ.
Œœa.≥
Œœn.
œ
≥
Œ œ Œ
74
∑
3
3
Œ
.ϳ
œJ
œn
‰ J
œ
‰
Œ.œa
œ
j
œn‰
j
œ‰
Œ œ.
Œ œ.
Œœa.
Œœn.
œŒ œ Œ
75
∑
Œ
.œa≥
œJ
œn
‰ J
œ
‰
Œ.œa
œ
j
œn‰
j
œ‰
Œ œ.
Œ œ.
Œœa.
Œœn.
œŒ œ Œ
76
∑
.˙a
Œ
.˙aŒ
.˙ Œ
.˙aŒ
Œœ.≤
œ-
≥
Œ
77
∑
"
"
"
"
"
"
&
&
B
?
?
ã
##
##
##
##
##
8
6
8
6
8
6
8
6
8
6
8
6
4
3
4
3
4
3
4
3
4
3
4
3Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
∑
∑
∑
œ
≥
œ œ# œ œœ
.˙
≥
78
.Oæ
Building (Œ˘ = 104)Building (Œ˘ = 104)
P
P
Suspended Cymbal (w/mallets)
P
x21
œ#
≥
œ œ œ œœ
œ#
≥
œ œ œ œœ
Œ .œ
≤
œ œ
œ œœ# œ œ
œ
.˙
79
.Oæ
F
F
F
11
1 1
œ
≥
œ œ
.˙
≥
.˙
≥
.˙≥
.˙
≥
80
.O
Triumphantly (Œ = 104)“Victory Fanfare” - Composed by John
Williams
80
f
f
f
f
f
f
4
3
œ œ
œ
.˙
.˙
.˙
.˙
81
∑
11
48055S
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##
##
##
##
##
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
œ>
œ
œ
.˙
.˙
.˙
.˙
82
∑
œ ˙
.˙
.˙
.˙
.˙
83
∑
œ.≥
œ. œ
>
œ
œ.
≥
œ.
œ
>œ
œ.
≥
œ.
œ
>
œ
œ.
œ.
œ>
œ
œ.
œ.
œ>
œ
84
∑
-4
œ.
œ. œ
>
œ
œ.
œ.
œ
>œ
œ.
œ.
œ
>
œ
œ.
œ.
œ>
œ
œ.
œ.
œ>
œ
85
∑
œ.
œ. œ
>œ
œ.
œ.
œ
>
œ
œ.
œ.
œ
>
œ
œ.
œ.
œ>
œ
œ.
œ.
œ>
œ
86
∑
&
&
B
?
?
ã
##
##
##
##
##
nnb
nnb
nnb
nnb
nnb
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
J
œ‰
˙
j
œ
‰
˙
j
œ ‰ ˙
J
œ‰
˙
J
œ‰
˙
87
∑
4
-1
œN
≥
œN œ
.˙N
≥
.˙
≥
.˙N≥
.˙N≥
88
∑
88
œ œA
œ
.˙
.˙A
.˙
.˙
89
∑
œ>
œœ
.˙
.˙
.˙
.˙
90
∑
œ ˙
.˙
.˙
.˙
.˙
91
∑
12
48055S
Prev
iew
Only
Lega
l Use
Req
uire
s Pu
rcha
se
-
&
&
B
?
?
ã
b
b
b
b
b
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
œ
œ
.≥
œ
œ
. œ
œ
>
œ
œ
œ.
œ.
œ
>
œ
œ.
œ.
œ
>
œ
œ.
œ.
œ>
œ
œ.
œ.
œ>
œ
92
∑
div.
œ
œ
.œ
œ
. œ
œ
>
œ
œ
œ.
œ.
œ
>
œ
œ.
œ.
œ
>
œ
œ.
œ.
œ>
œ
œ.
œ.
œ>
œ
93
∑
œ
œ
.œ
œ
. œ
œ
>œ
œ
œ.
œ.
œ
>
œ
œ.
œ.
œ
>
œ
œ.
œ.
œ>
œ
œ.
œ.
œ>
œ
94
∑
J
œ
œ‰
˙
˙
j
œ
‰
˙
j
œ ‰ ˙
J
œ‰
˙
J
œ
‰
˙
95
∑
-1
-1
&
&
B
?
?
ã
b
b
b
b
b
Perc.
I
Str. Bass
II
Vla.(Vln. III)
Vlns.
Cello
∑
.œ
≥
œb .œ‰
œb
≥.œb
‰
œb≥ .œ
‰
∑
96
∑
rit.
4
4
∑
œ ˙
œ ˙
œb ˙
œb ˙
97
∑
p
p
p
p
-1
-1
.œ
≤ j
œb œ
.˙
.˙
.˙
.˙
98
.O
Much slower
P
Mark Tree
p
4
˙
œ
.˙
.˙
.˙
.˙
99
.O
( ≥ )
( ≥ )
( ≥ )
( ≥ )
.˙
U
.˙
U
.˙
U
.˙U
.˙U
100
.O
U
~~~~~~
~~~~~~
~~~~
~~~~
~~~~
~~~~~~~~~~~~~~~
13
48055S
Prev
iew
Only
Lega
l Use
Req
uire
s Pu
rcha
se