-
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cro-na,t cb -mollI Flte I
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Zur Edition und BearbeitungDieser Ausgabe liegt das Autograph
zugrunde (Biblio-thque Nationale Paris). Die originalen
Phrasierungs-und Dynamikbezeichnungen sind durchwegs beibe-halten.
Bei eindeutigen Parallelstellen wurden sie,sofern sie im Autograph
fehlen, entsprechend er-gnzt. In Klammern gesetzte Zeichen und
punktierteBgen stammen vom Herausgeber.
Infolge der unterschiedlichen Tonlagen der Instru-mente erklingt
das ganze Werk auf der Flte (oderVioline) eine Oktave hher als auf
dem . Arpeggione(oder) Cello). Bei der Bearbeitung fr Flte wurden
zu-dem folgende Vernderungen am Originaltext vorge-nommen:
Annotations to Edition and ArrangementThis edition is based on
the autograph (BibliothqueNationale Paris). The original phrasings
and dynamicindications have been maintained. In obvious
parallelparts they have been added where they were not in-serted in
the autograph. All signs in brackets anddotted ties have been
inserted by the editor.
Due to the different pitches of the instruments, thewhole opus
sounds an octave higher if played on theflute (or violin) than it
does if played on the arpeggione(or cello). In the arrangement for
flute, the followingchanges of the original tex have been made:
i) Oktavierungen(1. oder 2. hhere oder 1. tiefere Oktave) i)
Transposition in another octave(first or second higher or lower)1.
Satz / 1st Movement
Takt/Bar 30-32 resp. 148-150, 59-61 resp. 176-180, 119-121
2. Satz / 2nd MovementTakt/Bar 34-47, 63-68
3. Satz / 3rd MovementTakt/Bar 89-92, 111-112, 312-313,
314-319
2) Auflsung von Doppelgriff-Akkorden durchArpeggien oder
Oktav-Vorschlge
2) Disintegration of double-stop octaves byarpeggios or
appogiaturas
1. Satz / 1st MovementTakt/Bar 71-72, 145-146, 204-205
3. Satz / 3rd MovementTakt/Bar 405-406
-
Allegro moderato5
Franz Schubert
15
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Flte I
Sonate a-moll "Arpeggione" /bearbeitet fr Flte und Klavier von
Peter-Lukas Graf
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