Scarlatti-SonatasK001-050

8/3/2019 Scarlatti-SonatasK001-050

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SonataDOMENICO SCARLATTI

K.1 L.366

Allegro

1-1


2/187

1-2


3/187

In bar 12 beat 2, the trilled 16th g was probably added later, as there is also a dot on the initial 8th f.

Copyright c John Sankey 1999. Typeset by GNU LilyPond 1.2.16. Released under the GNU General Public License. You are free to copy and

distribute this document as much as you wish, in any format, as long as this notice appears on each copy.

1-3


4/187


K.2 L.388

Presto

2-1


5/187

2-2


6/187



2-3


7/187


K.3 L.378Presto

3-1


8/187

3-2


9/187



3-3


10/187


K.4 L.390

Allegro

4-1


11/187

4-2


12/187



4-3


13/187


K.5 L.367

Allegro

5-1


14/187

5-2


15/187



5-3


16/187


K.6 L.479Allegro

6-1


17/187

6-2


18/187



6-3


19/187


K.7 L.379

Presto

7-1


20/187


21/187

7-3


22/187

c John Sankey 1999. Typeset by a preliminary version of GNU LilyPond. You are free to copy this document as much as you wish for your own use

as long as this notice is retained on each copy. Please do not distribute it until a version is available that has the ornaments shown on the correct notes.

7-4


23/187


K.8 L.488

Allegro

8-1


24/187

The manuscript notation is ambiguous as to whether or not the d is repeated at beat 2 of bar8.



8-2


25/187


K.9 L.413

Allegro

9-1


26/187


27/187

c John Sankey 1999. Typeset by a preliminary version of GNU LilyPond. You are free to copy this document as much as you wish for your own use

as long as this notice is retained on each copy. Please do not distribute it until a version is available that has the ornaments shown on the correct notes.

9-3


28/187


K.10 L.370

Presto

10-1


29/187

10-2


30/187

Bar 39 probably has a copying error - either the first bass note should be c, or the second treble note a.



10-3


31/187


K.11 L.352

11-1


32/187



11-2


33/187


K.12 L.489

Presto

12-1


34/187

12-2


35/187

12-3


36/187

This sonata has a full repeat marked between the first and second sections.



12-4


37/187


K.13 L.486

Presto

13-1


38/187

13-2


39/187

13-3


40/187

13-4


41/187



13-5


42/187


K.14 L.387

Presto

14-1


43/187

14-2


44/187



14-3


45/187


K.15 L.374Allegro

15-1


46/187

15-2


47/187



15-3


48/187


K.16 L.397

Presto

16-1


49/187

16-2


50/187

16-3


51/187

16-4


52/187



16-5


53/187


K.17 L.384

Presto

17-1


54/187

17-2


55/187

17-3


56/187

Copyright c John Sankey 1999. Typeset by GNU LilyPond 1.2.16. Released under the GNU General Public License. You are free to copy anddistribute this document as much as you wish, in any format, as long as this notice appears on each copy.

17-4


57/187


K.18 L.416Presto

18-1


58/187

18-2


59/187

18-3


60/187

This sonata has a repeat written out for both the first and second sections.



18-4


61/187


K.19 L.383

Allegro

19-1


62/187

19-2


63/187

19-3


64/187

The a s in bars 56-58 do not have an accidental in the ms. They would have been played as written here by most players of the time.

Copyright c John Sankey 1999. Typeset by GNU LilyPond 1.2.16. Released under the GNU General Public License.You are free to copy and distribute this document as much as you wish, in any format, as long as this notice appears on each copy.

19-4


65/187


K.20 L.375

Presto

20-1


66/187

20-2


67/187



20-3


68/187


K.21 L.363

Allegro

21-1


69/187

21-2


70/187

21-3


71/187


72/187



21-5


73/187


K.22 L.360

Allegro

22-1


74/187

22-2


75/187



22-3


76/187


K.23 L.411

Allegro

23-1


77/187

23-2


78/187

23-3


79/187

23-4


80/187

23-5


81/187

The notation is ambiguous as to whether the first 8th note of bars 44 and 52 is to be played or tied from the preceding quarter note.



23-6


82/187


K.24 L.495

Presto

24-1


83/187

24-2


84/187

24-3


85/187

24-4


86/187

24-5


87/187

Bar 41 in the ms. crosses a line and has 6 beats, in error based on the pulse of the piece. I have corrected it here.The runs in bars 5-6, and similar ones, should be played as cadenzas, not counted, as they have irregular numbers of notes.



24-6


88/187


K.25 L.481Allegro

25-1


89/187

25-2


90/187

25-3


91/187



25-4


92/187


K.26 L.368

Presto

26-1


93/187

26-2


94/187

26-3


95/187

26-4


96/187

There is no accidental on the second g of bar 145 in the ms.



26-5


97/187


K.27 L.449

Allegro

27-1


98/187

27-2


99/187

27-3


100/187



27-4


101/187


K.28 L.373

Presto

28-1


102/187

28-2


103/187

28-3


104/187

28-4


105/187


106/187


K.29 L.461Allegro

29-1


107/187


108/187

29-3


109/187

29-4


110/187

29-5


111/187



29-6


112/187

FugaDOMENICO SCARLATTI

K.30 L.499Moderato

30-1


113/187

30-2


114/187

30-3


115/187

30-4


116/187

This sonata was called the Cat Fugue by early in the 19th century. Scarlatti didnt.Copyright c John Sankey 1999. Typeset by GNU LilyPond 1.2.16. Released under the GNU General Public License. You are free to copy and


30-5


117/187


K.31 L.231

Allegro

31-1


118/187

31-2


119/187

31-3


120/187

The middle b in bar 15 and the first in bar 16 have no accidental in the ms.



31-4


121/187

AriaDOMENICO SCARLATTI

K.32 L.423



32-1


122/187


123/187

33-2


124/187

33-3


125/187



33-4


126/187


K.34 L.507

Larghetto

The slurs in the ms. have been omitted, as it is a derivative copy.



34-1


127/187


K.35 L.386Allegro

35-1


128/187

35-2


129/187



35-3


130/187


K.36 L.245

Allegro

36-1


131/187

36-2


132/187



36-3


133/187


K.37 L.406

Allegro

37-1


134/187

37-2


135/187

37-3


136/187

The third beat of the right hand of bar 50 is written a third lower in the ms.


37-4


137/187


K.38 L.478

Allegro

38-1


138/187

38-2


139/187



38-3


140/187


K.39 L.391

Allegro

39-1


141/187

39-2


142/187

39-3


143/187


39-4


144/187


145/187

FugaDOMENICO SCARLATTI

K.41

Andante Moderato

41-1


146/187

41-2


147/187

41-3


148/187

41-4


149/187

41-5


150/187


41-6


151/187

MinuettoDOMENICO SCARLATTI

K.42 L.536



42-1


152/187


K.43 L.40

Allegrissimo

43-1


153/187

43-2


154/187

The durations of some of the runs in this manuscript do not quite add up - they are as in the original.

Copyright c John Sankey 1999. Typeset by GNU LilyPond 1.2.16. Released under the GNU General Public License.

You are free to copy and distribute this document as much as you wish, in any format, as long as this notice appears on each copy.

43-3


155/187


K.44 L.432

Allegro

44-1


156/187

44-2


157/187

44-3


158/187

44-4


159/187



44-5


160/187


K.45 L.265

Allegro

45-1


161/187

45-2


162/187

The ms. was copied with key signature two sharps; at some later time a g was added prior to the f and c , but the accidentals were left as shown

here.



45-3


163/187


K.46 L.25Allegro

46-1


164/187

46-2


165/187

46-3


166/187

46-4


167/187

46-5


168/187

The bass notes in bars 50-52 had ties added later to transform them into a whole note per bar as in bars 44-48.

In the ms., the natural is missing from the g in bar111.



46-6


169/187


K.47 L.46

Presto

47-1


170/187

47-2


171/187

47-3


172/187



47-4


173/187


K.48 L.157

Presto

48-1


174/187

48-2


175/187

48-3


176/187

The Kirkpatrick facsimile interchanges the last half of K.48 and K.126

Notes with oval heads may be played with the right hand, those with diamond heads with the left.



48-4


177/187


K.49 L.301

Presto

49-1


178/187

49-2


179/187


180/187

49-4


181/187

49-5


182/187

Copyright c John Sankey 1999. Typeset by GNU LilyPond 1.2.16. Released under the GNU General Public License.You are free to copy and distribute this document as much as you wish, in any format, as long as this notice appears on each copy.

49-6


183/187


K.50 L.440

Allegro

50-1


184/187

50-2


185/187

50-3


186/187

50-4


187/187

Scarlatti-SonatasK001-050

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