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Adjudicating Sovereignty: From State Weakness to Improvisation
Alex Jeffrey ([email protected] ) The Department of Geography, The
University of Cambridge
A draft paper prepared for The Strength of Weak States in Eurasia, not
for citation or circulation.
Co-convenors: John Heathershaw (Exeter) and Ed Schatz (Toronto)
Abstract
This chapter explores the utility of ideas of improvisation to
understandings of Eurasian state-building, focusing in particular on
forms of international intervention in Bosnia and Herzegovina (hereafter
BiH) since 1995. Using improvisation as a means of grasping the social
character of political and cultural practice has a long scholarly lineage,
from structural anthropology in the 1960s through to its more recent
reworking in post-structural political theory. This paper will build on this
work to illustrate the symbolic and material elements to the metaphor of
improvisation, it is a term that simultaneously evokes performance and
resourcefulness. In the first frame, improvisation highlights the situated
and embodied ways in which international agencies have attempted to
perform a coherent and stable Bosnian state: from re-naming streets to
inventing traditions; from implementing new legal frameworks to
reorganising state services. In the second frame, improvisation highlights
the enrolment of social, cultural and economic resources in conveying
and resisting nascent state processes. This chapter explores this
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framework through one expression of the consolidation of the Bosnian
state: the establishment over the past decade of the Court of Bosnia and
Herzegovina. Such an approach focuses our attention on the situated and
partial nature of adjudications of state weakness, highlighting that they
are iterations that emerge from distinct political perspectives rather than
reflecting disembodied and essential value judgements. The chapter
concludes by arguing that assessments of the adjudication of sovereignty
should not focus on the content of such pronouncements but rather their
political effects.
Introduction
I would say to the critics of international intervention that, yes, we
do have our own interests: an interest in a stable Bosnia and
Herzegovina, a stable Balkans which must be given every
encouragement to join the European family of states. We must hold
out the highest expectations and hopes for our neighbours for
September 11 demonstrates only too well what happens if we turn
our backs on weak states. […] [T]here are four inter-agency task
forces dealing with the three core tasks - economic reform,
institution building and [refugee] return – as well as rule of law,
which is the precondition for the former three to succeed. (Wolfgang
Petritsch, 9th May, in Office of the High Representative, 2002a)
Addressing the assembled representatives of the Organisation for
Security and Cooperation in Europe (OSCE), then High Representative in
Bosnia and Herzegovina (BiH) Wolfgang Petritsch outlines the dilemma
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faced by intervening agencies. While the High Representative had been
granted, since 1997, the executive and legislative powers to run the BiH
state in line with 1995’s General Framework Agreement for Peace
(GFAP), there was also a lingering sense that suspending democratic
processes also weakened fledgling civil society groups and fomented
resistance to perceived neo-imperialist practices. The 2014 public
protests against the structure and policies of the Dayton BiH state seem
to illustrate a long-held fear of the failure to cultivate democratic
participation following the end of the 1992-95 conflict.
But there are two further observations that can be derived from
Petritsch’s words. The first is the centrality of adjudications of state
strength to the process of intervention. The irony of such adjudications
has not been lost within subsequent scholarship examining the military
and diplomatic practices of the US-led ‘War on Terror’, where policies of
strengthening state sovereignty were delivered through spectacular
military incursions (see Elden, 2009; Jeffrey, 2009). The second is the
centrality of law to the perceived strengthening of the BiH state. In this
optic, law is not simply a means of conflict resolution but a force that can
constitute a unified territory and foster a sense of shared citizenship. The
GFAP created a highly decentralised legal system, where jurisdiction was
largely based on the two sub-state entities (the Federation of Bosnia and
Herzegovina and the Republika Srpska or RS) and a special district in
Brčko, and even within these territorialities legal competences were
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largely delegated to cantonal courts (in the Federation) and municipal
courts (in the RS).
The central strategy to confront a decentralised legal system and weak
state was to create a Court of Bosnia and Herzegovina (CBiH) with
jurisdiction over the entirety of BiH. This was both a material and
immaterial process, involving the passing of a series of new criminal
prosecution codes; the training of a domestic judiciary; the establishment
of a state prosecution service, and the construction of a new court
building in the BiH capital, Sarajevo. Rather than reifying teleological
narrative charting a journey from state weakness to strength, this
chapter explores how this process of establishing the CBiH has been
enforced and resisted in the ten years of its operation. This form of
analysis requires a conceptualisation of the state as a set of improvised
practices, where plural understandings of both what constitutes
sovereignty and the nature of specifically BiH sovereignty is constantly
contested and negotiated in practice. Using the lens of improvisation
illuminates the ways in which adjudications of weakness and strength are
contested in everyday life, through such apparently mundane practices
such as the use of specifc architectural devices, the symbolism of the
urban landscape and the claiming of public space. Elsewhere I have
explored the theoretical and conceptual basis of this understanding of
state building (see Jeffrey, 2012) and while I will not repeat this material
here, it is important to draw out a number of key facets of this conceptual
and methodological perspective.
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Understanding the state as an improvisation works at the confluence of a
series of established binaries in the social science. It appears to integrate
the ephemeral (the fleeting moment of practice) with the durable (the
enduring image of the state as the backdrop to political life). In a sense
this reflects the dual use of the term improvisation, since it is a term that
is used to denote acting on the spur of the moment (for example how the
term is understood in some strands of improvised jazz, see Berliner,
1994), and making do with available resources (for example in
anthropological work drawing on Levi Strauss’s (1972) concept of
bricolage). Improvisation, then, denotes both a sense of theatricality and
a notion of making do, it points our attention then at the tension between
performance and resourcefulness. In previous work I have traced this
interplay between the obdurate materiality of political performances and
the ability to convey authority across space (see Jeffrey, 2012).
When orientated towards the state, improvisation becomes a term that
signifies an array of actions that seek to bolster a particular account of
sovereign power. Aligned with Jacques Rancière’s (2013) notion of
aesthetic acts, these actions constitute any “event, speech, or encounter
that makes it possible to reset social perceptions of what counts and
what matters” (Clarkson, 2014). The element of resourcefulness
illuminates the uneven power positions of actors making claims to
statehood. The ability of the international agents to declare what
constitutes a legitimate state form is a product of their accrued legal,
material and political resources, the origins of which can be traced of a
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lengthy temporal and geographical reaches (see, for example, Gregory,
2004). But the superior position of intervening agencies to constitute the
state also gesture at the significance of external recognition to the
establishment of state sovereignty: state power only ever exists in a
relational form, established through insertion into the international state
system.
Following Weber’s (19858: 78) definition of the state as a “human
community that (successfully) claims the monopoly of legitimate use of
physical force within a given territory,” we can identify performances of
legitimacy as one of the central spars of state improvisation. As Bratsis
(2006: 14) has pointed out “if force must be legitimate in order for the
state to exist, then the cognitive and affectual processes that create this
legitimacy must be of primary interest”. This insight shifts attention away
from thinking about the specific material attributes of the state and
towards the subjective processes through which the state is secured as a
stable truth. Abrams’s (1988) account is an early attempt to advance this
approach, as he advocates a move away from isolating the institutional
reality of the state to think of the state instead as an ‘idea’. Scholarly
attention has consequently shifted away from a quest to trace the
functions of the state, and towards an interest in the effects of the state
idea. For Timothy Mitchell (2006) such effects are diffuse and difficult to
grasp, but it is precisely this imprecision that has been the source of its
political strength as an ideological construct. So instead of dismissing the
state and seeking a coherent and tangible alternative category (such as
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government or political party) Mitchell suggests that it becomes more
pressing to understand state effects.
In this chapter I want to advance improvisation as a rubric that
challenges accounts of state weakness. As Heathershaw and Schatz
identify in the introduction to this volume, there is no external set of
criteria on which state strength may be identified, since the state itself is
a plural and mutable political agent. Instead of thinking of state
weakness as a value judgement, it is instead a means through which
certain articulations of statehood are granted credibility and reproduced.
In order to capture the social performances of the state the chapter
draws on two periods of fieldwork conducted in BiH, first in
October/November 2009 and then from September 2011 to October
2012. This research involved participant observation of Court activities
(in particular attending public outreach meetings and trial monitoring),
archival research of trial testimonies and interviews with members of the
Court, human rights NGOs, legal advocacy groups and victim
associations.
The practice of attempting to strengthen the state through the creation
of a new legal institution is understood here as an improvisation that
seeks to perform a particular understanding of law and society. In turn,
these performances are challenged and co-opted by groups that seek to
perform alternative ideas of the state. While this tension is more explicit
in the example of state-building in BiH, improvisation can be understood
as the general condition of state power. That certain practices do not
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appear improvised is a consequence of the accrued symbolic and
material resources of the performer, rather than an intrinsic legitimacy
that stands behind any assertion of sovereignty. In what follows I explore
this interplay between performance and resourcefulness in the
establishment of the CBiH and the controversies that have surrounded its
practices.
Geopolitics of Justice
On the 6th June 2002, the newly-appointed replacement to Wolfgang
Petritsch as High Representative, Paddy Ashdown, attended the
inaugural session of the Court of Bosnia and Herzegovina (CBiH). To the
assembled dignitaries and the newly-appointed domestic and
international judiciary, Ashdown outlined the significance of the
inauguration of the Court to the establishment of the Bosnia and
Herzegovinian state:
[The inauguration] is about protecting the people of this country,
protecting their rights and protecting their status as free citizens in
a functioning democracy. This court enshrines a simple truth – that
everyone is equal before the law. Justice is the foundation on which
every society is built. Everything else we want to do here, from jobs
to refugee returns to establishing a democratic system, depends on
the rule of law […] A functioning judicial system is a key component
of BiH’s integration into European structures (OHR, 2002b).
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From the outset the Court’s creation has been about more than simply
providing a new space to pursue legal redress. As indicated in Ashdown’s
comments, the Court has a symbolic function of constructing the internal
and external legitimacy of BiH sovereignty. In internal terms, this has
been a slow process involving the adoption of a new criminal procedure
code in early 2003, based on US-common law. This move aimed to
transform prosecution and trial processes, in particular eliminating the
need for an investigative judge, and introducing adversarial trial
arrangements and introducing plea bargaining (see OSCE, 2004). The
commencement of trials at the Court required the training of domestic
judiciary and the establishment of the State Investigation and
Prosecution Agency (Državna agencija za istrage i zaštitu or SIPA). There
was also the more straightforward need to locate a building that could
house the trial processes and the necessary registry functions. As one
Court official remarked in late 2009 “all the good buildings in the centre
of town had been taken by other government or international
organisations”, leading to the selection of a building on the site of a
former Yugoslav People’s Army (Jugoslovenska narodna armija or JNA)
barracks on Kraljice Jelene street, around five kilometres outside the
centre of Sarajevo.
The slow and contested process by which the CBiH has come into
existence illuminates the struggles to demonstrate the external
legitimacy of BiH. At every stage the creation of the court has required
international intervention whether through the drafting of laws, the use
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of executive powers to pass criminal procedure code blocked by domestic
legislators, the existence of a hybrid domestic and international judiciary,
or the funding of the building itself through two donor conferences
staged in The Hague (2003 and 2006) where governments pledged a total
of over €20 million. Of course, such impositions can lead to claims of the
unwanted nature of the institutions or the anti-democratic characteristics
of intervention (for historic example of such a position see Chandler,
2000). But the court was also serving a wider international purpose as
part of the completion mandate for the International Criminal Tribunal
for the former Yugoslavia (ICTY). From 2005 onwards the Court has
accepted transferred cases from the ICTY while SIPA has also
commenced investigations of newly uncovered crimes committed during
the 1992-5 conflict in BiH (see Nettelfield, 2010; Jeffrey, 2011). The
establishment of rule of law, and cooperation with the ICTY, is also an
essential element of the Stabilisation and Association Agreement for
negotiations over BiH’s potential accession to the European Union.
Recognition of BiH as a legitimate member of the international
community required the demonstration a coherent, centralised and
competent legal structure.
We can understand the production of a state legal system as a
geopolitical practice, since it is structured around a series of spatial
imaginaries of the state. The first is the normative construction of the
state as the locus of moral authority through which legal arbitration
should be undertaken. This sense of the localisation of judicial processes
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reflects a response to what Neil Walker (2010) has referred to as the
‘sovereignty surplus’; where European citizens experience multiple
layers of sovereign authority, entangling both state and European
structures of governance. The construction of the Court is – symbolically
at least – a means through which the BiH state territoriality and
sovereignty may be strengthened and asserted. The second aspect of
such geopolitics of justice reflects the desire to perform a separation of
responsibility between intervening agencies and the BiH state. In a
language that tends to infantilise, the construction of the BiH legal
system has been presented as the “growing responsibility” of the BiH
state for the crimes of its past and present (Jansson, 2005). The creation
of a new legal institution – like other aspects of state building – performs
a sense of the democratisation of the new state coupled with the severing
of responsibility of intervening actors.
But if the fraught processes of international state building after the Cold
War have illustrated one persistent truth it is that there is a dissonance
between the establishment of a new sovereign institution and its
reception by the domestic population as a legitimate materialisation of
the state. In order to understand the functioning of the Court we need to
disentangle form and effect, to explore how the CBiH has been asserted
and the sorts of contestation that have characterised its existence. These
events speak not only of the challenge of assuming the construction of
new state institutions necessarily leads to a strengthening of state
sovereignty, it also points to the ways in which questions of trauma and
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victimhood are mobilised in the urban post-conflict landscape in order to
assert alternative ideas of state legitimacy. This style of analysis carries
the danger of viewing a straightforward geometry of power between the
assertion of state sovereignty confronted and more insurgent practices
that seek to deliver its destabilisation (see Holston, 2008). This duality
can naturalise a series of assumptions, for example that internationally-
conferred authority is more legitimate than other forms of practice or,
alternatively, that domestically-organised resistance to the Court carries
with it an implicit democratic virtue. Of course, in practice neither is
true, since at every stage this form of scalar or normative politics is
contested in practice.
Instead, we need to look to the forms of resources mobilised by agents in
order to improvise the state, and from this certain assumptions about the
nature of statehood and law come to the fore. To this end we need to look
beyond these broad (and broadly virtuous) accounts of the geopolitical
implications of strengthening domestic legal systems and explore instead
the effects of their creation and operation. Drawing analytical inspiration
from Michael Dwyer’s (2013) recent exploration of the varied
conceptualisation of security in contemporary Laos, we need to trace the
micro-geopolitics of law, how particular outcomes reflect the wider
assemblage of ideas, bodies and materials within which they are
embedded. It is through these situated practices that we can begin to
trace the aesthetics and practices through which the adjudication of state
legitimacy is traced and contested.
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The Performance of Law
In order to understand the contestation over the CBiH and its particular
micro-geopolitics we need to return to its performance and materiality.
As Mulcahy (2010) has argued the architecture of court buildings
represents more than simply the backdrop to legal processes, their form
and arrangement reflect relationships between authority and society.
Such attention to the physical manifestation of legal practice is
particularly important where courts are used to consolidate and
strengthen ‘weak’ states. A focus on materiality points to the inherent
issue of visuality that underscores new judicial institutions and practices:
it is not simply a case of ensuring that justice is done, but that it is seen
to be done (see Hughes, forthcoming). Clarkson’s (2014) account of the
construction of the new South African Constitutional Court in Hillbrow,
Johannesburg, underscores the significance of visibility. Noting this
location as a site where where political prisoners were held during the
Apartheid, she observes that in this act “[c]ertain events of the past now
become the history of the constituted future, and the physical act of
constructing a building itself lays the foundational stone of the
constitution in both a literal and metaphoric sense” (Clarkson, 2014: 78).
Demonstrating a political strategy of orientating citizenship around a
shared future (see Staeheli and Hammett, 2010), the South African
example points to the power of reconfiguring the urban landscape to both
commemorate and emphasise a decisive break with the past.
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Similar themes of commemoration have encircled the establishment of
the Court of Bosnia and Herzegovina, in particular through its building
on Kraljice Jelene (see Figure 1). The shift in context between the South
African Constitutional Court and the CBiH is marked: the establishment
of any state-level institution or competence in BiH has been strongly
resisted by those who perceive such actions as eroding the constitutional
arrangements established at the GFAP. In many ways the struggle over
the legitimacy of the BiH state is materialised in the creation and
workings of the Court. Perhaps most explicitly, political leaders in the RS
have viewed both the creation of state-level institutions or constitutional
reform as direct threats to the autonomy their political entity. It is a
measure of the confidence in this resistance that Milorad Dodik, first as
Prime Minister of the RS and later as President, can mount a series of
criticisms of the Court, infamously claiming in December 2008 that he
would not allow “Muslim judges” to preside over cases involving RS
citizens:
It is unacceptable for the RS that Muslim judges try us and throw
out complaints that are legally founded. And we think that it is only
because they are Muslims, Bosniaks and that they have a negative
orientation towards the RS, and we see the conspiracy that has been
created (Milorad Dodik in B92, 2008).
This entwining of ethnic identity and legal bias reflects the deep
entrenchment of what David Campbell (1998), drawing on Derrida
(1994), has called the ontolopological characteristics of Bosnia after the
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GFAP: where identity and territory are inextricably fused by nationalist
politicians. In these terms the processes of legal arbitration is, like other
elements of political choice, read off as a consequence of religious or
ethnic characteristics.
Dodik’s comments illuminate the “herculean task” (Human Rights Watch,
2012) of attempting to strengthen state sovereignty through the
establishment of a transitional justice institution. The creation of the
CBiH challenges ontopology through its territorial jurisdiction over the
entire territory of BiH. But in order to do so, and in light of comments
such as those raised by Dodik, it has involved a hybrid judiciary,
comprising both domestic and international judges. Here then we see the
paradox of using courts to build states: that they at once demand further
incursions of external assistance in order to ensure the survival of an
experiemental legal instrument. In the case of the CBiH the mandate of
the international judiciary has been repeatedly questioned by RS
politicians who view their presence as a symbol of the neo-colonial
character of the new Court. The geopolitical imaginaries of separation
and distance cultivated through the devolving of responsibility to BiH
institutions is challenged and subverted through claims of international
supervision.
But the lens of improvisation is designed to look at the intricacies
through which law is performed rather than the more broad brush
geometry of formal political posturing. We cannot read-off the presence
of international judges as a rebuttal to criticisms of forms of ethnic bias,
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but neither does a hybrid judiciary equate with entrenched international
involvement. During the research those working at the Court spoke of
the challenge of judges coming together to work in the state Court, often
in the shadow of animosity bred through the conflict of the 1990s.
“Everything at the Court is personal” one legal advisor to the CBiH
stated during the research “and most [judges] know each other from the
pre-war system” (interview, Sarajevo 10th December 2011). According to
one legal NGOs in Sarajevo the presence of the international judiciary
was an important aspect of the functioning of the Court, since the
international judges often had experience of working in war crimes
courts in other contexts (not least the ICTY or International Criminal
Tribunal for Rwanda, ICTR). In this respect intervening authorities and
Court officials have elevated the completion of trial processes above
potential criticisms of international supervision. This does not stop
resistance from BiH politicians to the presence of an international
judiciary, since in many ways this has become a proxy arena within which
dissent against international involvement in BiH may be voiced.
The resistance to the Court extends beyond the presence of international
judges. Indeed, a more profound set of arguments against the Court –
and limiting its state building potential – have been voiced against its
choice of site on Kraljice Jelene. The court was constructed using funds
from the European Community and the Government of Japan, with
individual bilateral donations paying for the refurbishment of individual
courtrooms. The aesthetics of the court space communicates a sense of
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bureaucratic efficiency and national symbolism, entwining functional
court equipment with the flags and crests of the BiH state. In a mundane
ways it seems a material expression of the internationally-sponsored
desire to convey the Court as both a site of legal redress and state
consolidation. But bland aesthetics and national place-making mask the
social contestation that has shaped the early history of the Court. The
past uses of the building on Kraljice Jelene are disputed, and these
disagreements have shaped public attitudes towards the legitimacy of the
court as a neutral arbiter of justice.
Figure 1: The Court of Bosnia and Herzegovina, Sarajevo (photography:
author’s own)
Between 1947 and 1992 the barracks were named ‘Viktor Bubanj’, after
a celebrated pilot in the Narodnooslobodilačka vojska i partizanski odredi
Jugoslavije (People's Liberation Army and Partisan Detachments of
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Yugoslavia, Tito's army during World War II). The Barracks were located
on Bosnian Government territory, within the besieged city of Sarajevo, at
the outset of the conflict. Reflecting this positioning, in May 1992 the
barracks were commandeered by the Armija Republike Bosne i
Hercegovine (Army of the Bosnian Republic or ARBiH, loyal to the
Bosnian Government) and later renamed ‘Ramiz Salčin’ in
commemoration of an ARBiH soldier had fought and died in the siege of
Sarajevo. Salčin had been instrumental in organising resistance against
the forces of both the JNA and Republika Srpska and this name was
retained for the Barracks until the end of the conflict in December 1995.
In many ways these struggles over the name of the court capture
Rancière’s (2013) notion of the aesthetic act, where renaming points to a
desire to reorientate the commemorative basis of the barracks away from
the Yugoslav state towards the newly-established BiH state, while also
directing attention to the particular symbolic capital of naming this
prominent public building in west Sarajevo.
The events that took place at the barracks site during the conflict are
disputed. A large number of testimonies provided to the ICTY point to the
use of the site as a jail by forces loyal to the Bosnian government. For
example during the ICTY trial of Dragomir Milošević, a Bosnian Serb
guilty of a series of war crimes related to his command of forces
besieging Sarajevo between 1992-5, he noted that the Bubanj/ Salčin site
had been used as a kind of military court and prison:
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[The barracks were] the seat of the military court and the military
prosecutor’s office. That was also the place where the detention
units, the office for the development of military maps, and there was
a section of military police which partly catered to the military
justice organs and partly to staff (Dragomir Milošević in ICTY, 2007)
Other witness accounts corroborate this interpretation of the site. For
example a representative from the BiH Camp Detainees Association,
acting as a witness at the trial of Momčilo Krajišnik (a senior figure in the
Srpska Demokratska Stranka (Serb Democratic Party of SDS), sentenced
to 27 years in prison in 2006 and realised in January 2013), described a
conventional form of detention facility:
The Viktor Bubanj Barracks, as far as I know, was a traditional type
of jail. There were Serbs detained there, also 150 Bosniaks who had
been charged with crimes or had refused the mobilisation call. I was
interested in the Viktor Bubanj Barracks because of a colleague,
Jovočić. There were people of various ethnicities detained there and
detained for various reasons. That's what I know about it
(Representative from the BiH Camp Detainees Association, trial of
Momčilo Krajišnik in ICTY, 2005a).
This, then, is a narrative of continuity, in which the new Court is built on
a site where the arbitration of state-sanctioned justice had been
performed in the past. But others have painted a different picture of the
site and suggest that the barracks were the backdrop to a series of war
crimes, in particular against Serb prisoners of war. In March 2012 the
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trials of Besim Muderizovic, Ramiz Avdovic and Iliuan-Nicolae Vintila
began at the CBiH, each indicted for crimes committed against inmates
at the Vikot Bubanj/ Ramiz Salčin barracks between June and November
1992. Again, ICTY transcripts provide a series of accounts of the
treatment of those interned at the barracks. For example, a witness in
the trial of Dragomir Milošević described the nature of the internment at
the camp:
The Viktor Bubanj barracks was a camp for Serbs, and on the third --
on the second and third floors, that was where their army had its
quarters. When we entered the Viktor Bubanj barracks they broke
my ribs, and I can show it to you if need be, you can see it quite well.
Then they knocked out my front teeth and I was in a sorry state, and
one of them approached me and stuck a knife point into my eye,
here where you can see a scar. And when another guard told him not
to do that, he said, let me beat the Chetnik. When I was able to beat
my Alija in the prison in Foca, my president, why wouldn't I be able
to beat a Chetnik? (Anonymous witness in the Dragomir Milošević
trial, ICTY 2007)
Accounts of the trials of Radovan Stanković, a member of the Vojska
Republike Srpske (Army of the Republika Srpska or VRS), illuminate this
alternative account. Stanković was indicted by the ICTY for war crimes
against civilian populations of the east Bosnian municipality of Foča, and
in particular the systematic use of mass rape as a weapon (see ICTY,
2003). In 2005 the Stanković case was the first to be transferred from
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the ICTY to the CBiH, though not without the defendants vociferous
argument that he would not receive a fair trial in the new court:
I want to go there [to BiH] to fight them with the facts and
arguments and to break them down. But please, they want to turn
Viktor Bubanj, which is a notorious execution ground for Serbs and a
concentration camp, to turn that into a court and try me there. This
reminds me of a statement by George Bush when he says the prison,
the camp of Abu Ghraib, where crimes were committed, will be torn
down to erase any site of crime and a new camp, new prison, Abu
Ghraib will be built there for new crimes. They didn't even tear down
this notorious camp in Viktor Bubanj; they just repainted the walls,
the walls of the concentration camp that still bear the Serbian blood,
that are still speckled with Serbian blood; and this is where I am to
be tried. Serbian blood, the blood of innocent civilians, flowed there
in rivers, rivers of blood flowed there, people who were taken from
the Sarajevo […] (Radovan Stanković in ICTY, 2005b).
This performance before the world’s media was clearly intended to
challenge the neutrality of the new Court by emphasising its material
basis as a site of Serb persecution. Emphasising the difference between
Clarkson’s (2014) case of the Constitutional Court in Hillbrow,
Johannesburg, the location of the Court on the site of a former prison did
not cultivate a sense of the unified BiH state, but was rather used as a
symbolic resource that pointed to the imagined lack of neutrality in the
new judicial system. Stanković’s enrolment of haematological language
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should not be dismissed as incidental, the invocation of blood flowing
through the Court points to the almost irrevocable sense of Serb
victimhood in this space. The rebuilding of the Court following the
conflict is presented as means through which this blood may be masked
but not erased.
The visceral invocation of Serb victimhood at the Court site has led
community associations protest the absence of any form of
commemoration at the site. Even before it housed trial processes public
disputes erupted concerning the selection of the site, in particular from
associations of camp detainees who has experienced either life in the
Viktor Bubanj barracks or other camps across BiH (for an account of the
role of associations of camp detainees in trial processes see Delpla,
2007). In 2003 the Saveza logoraša RS (RS Association of Camp
Detainees) organised a march on the CBiH site to protest about the
absence of any commemoration to the site’s former use and attempt to
place a plaque on the building, marking the site as a former “death
camp” where “2000 Serb civilians were killed, assaulted or tortured”
(Superbosna, 2003). Using the same symbolic resource the domestic and
international political elites used to commemorate the donation of
furniture and materials for the court building itself, the plaque serves as
a means through which materials may be enrolled into a politics of
claiming space. Rather than commemorating generosity, in this case the
desire is to materialise victimhood and stabilise moral claims with the
urban landscape. As I discuss elsewhere (see Jeffrey, 2012), the Vice
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President of Saveza logoraša RS, Slavko Jović, drew a parallel between
the desire amongst those loyal to Bosnijak causes for memorial at
Srebrenica and the demands amongst pro-Serb groups for a plaque on
the Court building.
While the presence of an international judiciary provoked accusations of
international supervision, the claims of an engrained material bias
through the selection of the building seeks to challenge the unification of
the BiH state through the establishment of the Court. If claims of
international supervision undermine a geopolitics of separation, the
suggestion of a materially-inscribed ethnic bias undermines a geopolitical
strategy of spatial unification. The forms of resistance to the court are
diverse, but they share a common aesthetic act: the projection of identity
onto bodies (so called “Muslim judges”) or materials (the imagined blood-
stained walls) that limit the potential for the Court to be seen more
broadly by the Bosnian public as an honest or universal site of
arbitration.
Conclusion
I think everything [the Court does] in respect to the public they
could do more actively, I think, from answering criticisms to going
and meeting with these representatives of victims of associations
and explaining and giving these numbers [regarding sentencing],
giving this information out there, to try and lobby as hard as possible
and limiting as far as possible political attacks and politicians
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commenting on what they do and how they do it (Legal and Media
NGO member, 20th March 2012)
As Heathershaw and Schatz identify in the introduction, the declaration
of weak and strong states has become a key policy performance, though
one that “may leave much in the shadow”. By focusing on improvisation I
have attempted to step tentatively into the shadow, though there is much
work to do to provide illumination. The enrolment of law and legal
institutions as a means through which states may be ‘strengthened’ is
itself a key area of scholarly dispute. As the NGO member states above,
there is a public perception that legal institutions could do more to
communicate their activities with the public and enter the political arena
by “lobbying politicians”. Of course, such activities stray far beyond the
responsibilities of a state Court, but this may point to the limitations of
law as a form of state building. As legal scholars point out, one of the
virtues of law within formalist accounts is its separation from the society
it serves. Within this frame, law is a detached form of rationality worked
through the abstracted claims of specific individuals (witnesses) and
materials (evidence). Rather than becoming more embedded in society,
legal arbitration should remain isolated and severed from social forces.
Of course, this formal legal account is challenged by scholars of socio-
legal studies and criminology, who suggest that regardless of its
normative claims, law is always embedded in society, it detachment is
illusory. Perhaps more importantly, this performance of detachment
simply limits the moral and political responsibilities of legal practitioners
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to consider the implications of their decision making (see McEvoy, 2007;
Jeffrey, 2011). One of the questions posed by many of the NGOs and civil
society organisations studied as part of this research was whether the
use of law as a means of state building gives undue attention to certain
groups (in particular perpetrators) while marginalising or silencing
others (victims). Where Stanković could take the stand and declare his
innocence and the illegitimacy of the court process, victims, lacking legal
or psychological support, are forced to become silent observers. This is
where a clear distinction must be drawn between the experiences of BiH
in comparison to South Africa. While South African transitional justice
was structured around truth telling through amnesties, in BiH the
retributive model orientates attention on the guilt or innocence of single
individuals. Perhaps more crucially, the retributive model allows the
individual to continue to claim innocence even when guilty verdict is
reached and sentence passed (since the Court is cast as an illegitimate
arbiter of justice).
This chapter has argued that the interplay of the establishment of a new
Court of Bosnia and Herzegovina and practices of dissent can be
collectively understood as improvisations, where performances of
legitimacy are structured by available resources. Such improvisations
illuminate the difficulty of speaking empirically of the BiH state as
straightforwardly ‘weak’, emphasising instead the plural ways it is
brought into being; tracing in particular how its materialisation shapes
public perceptions of its authority. The example of the establishment of
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the CBiH grants an insight into this contestation, as performances of
strength (the imposition of legal codes or the recruitment of a hybrid
international/domestic judiciary) are also the sources of weaknesses
(claims of legal bias or neo-colonial adventurism). The point is not to
suggest improvisation provides a replacement for the rubric of weak
states, but rather it is a form of analysis that traces the ways in which
legitimacy of the state is adjudicated and contested through its materials
and practices.
Acknowledgements
Thanks to the John Heathershaw and Ed Schatz for organising the The
Strength of Weak States in Eurasia workshop and to participants for
feedback and discussion. The research on which this chapter was based
was funded by the ESRC (RES-061-25-0479) and completed with the
assistance of Michaelina Jakala.
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