Ruth's Portfolio

Frank Lloyd Wright was born in Richland Cen-

ter, Wisconsin on June 8, 1867. His parents, William Cary Wright and Anna Lloyd-Jones, orig-inally named him Frank Lincoln Wright, which he later changed after they di-vorced. When he was twelve years old, Wright’s family settled in Madison, Wiscon-sin where he attended Mad-ison High School. During summers spent on his Uncle James Lloyd Jones’ farm in Spring Green, Wisconsin, Wright first be-gan to realize his dream of becom-ing an architect. In 1885, he left Madison without finishing high school to work forAllan Conover, the Dean of the University of Wis-consin’s Engineering department. While at the University, Wright spent two semesters studying civil engineering before moving Fran

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oyd

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htIn Chicago, he worked for architect Joseph Lyman Sils-bee. Wright drafted the con-struction of his first build-ing, the Lloyd-Jones family chapel, also known as Unity Chapel. One year later, he went to work for the firm of Adler and Sullivan, directly under Louis Sullivan. Wright adapted Sullivan’s maxim “Form Follows Function” to his own revised theory of “Form and Function Are One.” It was Sullivan’s belief that American Architecture should be based on Amer-ican function, not European traditions, a theory which Wright later developed further. Throughout his life, Wright acknowledged very few influences but credits Sullivan as a primary influ-ence on his career. While

working for Sullivan, Wright met and fell in love with Catherine Tobin. The two moved to Oak Park, Illinois and built a home where they eventually raised their five children. In 1893, Sul-livan and Wright ended their business relationship. Wright opened his own firm in Chicago, which he op-erated there for five years before transferring the prac tice to his home in Oak ParkIn 1909, after eighteen years in Oak Park, Wright left his home to move to Germa-ny with a woman named

I never

design a building before I’ve seen the

site and met the

people

who wil be

using it

-Frank Lloyd Wright

Mamah Borthwick Cheney. When they returned in 1911, they moved to Spring Green, Wisconsin where his mother had given him a por-tion of his ancestors’ land; it was the same farm where he had spent much time as a young boy. In Spring Green he constructed Taliesin. They lived there until 1914 when tragedy struck. An in-sane servant tragically mur-dered Cheney and six oth-ers, then set fire to Taliesin. Many people thought this horrific event would be the end of Wright’s career. He

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Layout based on Frank Lloyd W. an arquitect

Frank Lloyd Wright

I never

design a building before I’ve seen the

site and met the

people

who wil be

using it

-Frank Lloyd Wright

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Summer Collection

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2Make up Fashion BoxThis project was to design a box for a deck of playing cards.

PLAY DECK OF CARDS DESIGNS

The Tattoo Book

Jill Ce

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The

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Ji l l Cement

Ji l l Ciment’s writ ing has been cal led “luminous . . .sad, affecting” (Michiko Kakutani, The New York Times) and“rich in observation and insight” (Merle Rubin, Los Angeles Times).

Now in her new novel, her third, Ji l l Ciment turns her eye to a painter’s world in the early years of thetwentieth century and tel ls the story of an American woman, an acclaimed ar t ist who’s been stranded on an island for thir ty years.

The novel opens in New York in the 1970s. Sara Ehrenreich has returned to New York to much fanfare—Life magazine has arranged for her return and is doing a big feature on her. Sara had been l iving on a remotespeck in the South Pacif ic for three decades, and shehas returned to the city of her chi ldhood and early adulthood, a city made total ly different by thir ty yearsof technological and social change.

T r a d i t i o n a l a n d m o d e r n s t y l e¨Tattoos have a power and magic al l their own. They decorate the body but they also enhacen the soul.¨ Ji l l Cement

Book Cover made in Illustration

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The Fundamentals of

Graphic Design

Gavin Ambrose Paul Harris

Book Cover and Page Layout made in Indesign

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W hat is graphic design?Graphic design is a creative visual arts discipline that encompasses many areas. It may include art direction , typography, page layout, information technology and other creative aspects. This variety means that there is a fragmented landscape for design practice within which designers may specialise and focus.

Graphic design developed from the printing and publishing industry, with the term itself first used in the 1950s. At that time there was a clear demar-cation within the different stages of the print production process, with specialist professionals or trades performing each one. These stages involved printers, scanners, photographic reproduction, graphic design, typesetters, print buy-ers, film, proofreaders and production managers.The consumer economy that emerged in the western world following the Second World War brought with it the eme-gence of bright and attractive packaging as competition between products in-tensified. The number of mag zines also

began to increase, resulting in greater demand for visually appealing designs. These coincided with developments in print technology and opened up new production possibilities that designers were well placed to take advantage of. The success of graphic design helped to make it even more indispensable.As the power of colourful visual com-munication became widely appreciated, graphic design grew from the need to provide visual communication to the consumer world and spread throughout different sectors of the economy, while continuing to harness the technological developments that progress brought forth.

The evolution of graphic design

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Michelle’s Guide

I evere red lipstick. I wore it through my teens (with Smiths T-shirts, 501s and DMs), unwise-ly abandoned it during my 20s (the 90s were lost to lip gloss and I’m keen to forget them) before readopting with a vengeance in my 30s. Red has so much to of-fer. It’s elegant (one is never un-derdressed in red lips), flattering (almost nothing makes teeth look whiter nor skin clearer), timeless (red lipstick is the little black dress of beauty) and lethally, uncom-promisingly sexy. I accept it’s a bold statement, but you’re talking two, perhaps three, evenings of increased self-awareness beforefeel you’re with an old friend.

Red is scene-stealing, so I give it a low-key support act of flicky black eyeliner and curled, black-est lashes. Scrimp on shadow and bronzer to avoid looking like the girls in a Robert Palmer video. I begin with a nude liner before ap-plying a satiny red straight from the stick – matt looks cool, but less pretty on those over 30. I like a lovely tube fit for public touch-ups (I never understand the ob-session with long-lasting lipstick when reapplying is both a plea-sure and a good look), and favour an orange-based red. Those with cooler colouring look better in blue-based tones. Here are my fa-vourites for the party season. Our lips thin age and dark lips can accentuate them. Is always good to find the perfect red lipstick .

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Red lipstick tends to bleed, so fill in lips with lip liner first and then put your hot red color. Lip liner makes a boundary of your lips and don’t let it spread all the way. This can be done with any skin

tone.

Find A Red lip-stick FoR YouR skin tone

How to wear red lipstick for a fresh, of the moment look

Skin tone, not hair color, should determine which red lipstick looks the best on you. The new-est crop of red lipsticks are sheer, which makes them easy to work with and a must for every wom-an’s makeup arsenal. The modern woman should think of red lips as the beauty equivalent of the LBD (little black dress). A few tips for finding the perfect red lipstick for your skin tone. Try on red lipsticks in our virtual makeup studio.

Skin with yellow undetones looks best in orangey-red lip-sticks or red lipsticks with a golden base. If you have an ul-tra milky complexion that ri-vals Snow White, chances are you also have cool, rosy un-dertones. As a general rule, pinkish skin calls for a red lipstick that is blue-based.

Warm up red lipstick with a touch of golden gloss, applied to the center of your lower lip. For a fresh, youthful take on the red lips trend, forgo lip liner and apply the color with a lip brush, instead of applying it directly from the tube. To tone down the color, apply it to the back of your hand first (but makeup sure you have plenty of makeup remov-er on hand as it’s difficult to re-move red lipstick). Few makeup artists stick to one shade of any lipstick, they tend to blend a few to create the perfect colors.

pink skin tonesMany women wrongly believe they can’t wear red lipstick as they are dark or fair. The secret to choosing the right red lip color is in the undertones. Pink-skinned girls should opt for cherry red.

olive skin tonesOlive skin tones can also use

red lipstick but with slight change that Medium to dark skins are best suited to deeper reds, with brown or orangey bases. Those with olive skin tone can wear fire-engine red.

dARkeR skin tonesDark brown skin tones look dramatic with pinkish reds. Dark skin tones have this prob-

lem when choosing red lipstick because of their dark skin tone or complexion they have to be very touchy in this case. Deep plum, chocolate or red is fabulous with dark skin tone or black skin tone.

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Bella MagazineEditorial Design

BERGEN COMMUNITY COLLEGE PRESENT

byWALTON

JONESTICKETS: $12.00 General Admission

$ 7.00 Students & Senior (65+) and all of BCCTickets available in Room A-130 or online at http://tickets.bergen.edu

For information and reservation call (201) 447-7428

Posters DesignsPosters entered in a contests for plays held by Bergen Community College

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By George Bernard Shaw

Directed by Kenn Bonna�ons

Pygmalion

Tickets Availablle at Room A-130 or online

http://tickets.bergen.eduFor more Information & reservation

call 201-447-7428

April 12,13,18,19&20 @ 7:30 PMApril 13 & 20 @ 2:00 PM

General Admision is $ 12.00Student , Senior (65+)

and all BCC $ 7.00

Bergen Community College present the Bergenstage production of

Directed by Ken Bonna�ons

Anna Maria Ciccone Theatre

Annual Report

Crea

ting Oportunnity

for East Harlem

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Creating Opportunity for East: Harlem

Ann

ual R

epor

t

2012 Annual Report

Crea

tin

g opportunity for East Harlem

Union Settlement Association Annual Report

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Cd Cover made in Photoshop

"“Being happy doesn't mean that everything is perfect. It means that you've decided to look beyond the imperfections. "

Ruth Sanchez

$11.99 U.S

Lorem love to have fun and play all the tiadip-iscing elit. Cras lorem augue, euismod ut placerat in, malesuada vitae ipsum. Integer rutrum justo sed tortor laoreet sollicitudin. Donec eleifend mauris vitae erat venenatis pretium. Ut tempus augue ac tortor varius sed luctus leo scelerisque. Fusce bibendum ullamcorper nulla, quis mollis purus sol-licitudin sodales. Integer semper urna eu nisi dignissim eu adipiscing nibh tristique. Nulla lorem lectus, tempor vel blandit eget, malesuada nec leo. Nam vel ante eget neque vulputate sollicitudin nec id justo. Proin cursus felis vel nunc viverra semper. Donec non est in dui pellentesque faucibus. Quis-que sodales, massa nec pharetra aliquam, risus neque, quis commodo urna quam eget eros. Vestibulum tellus quam, sollicitudin eu pretium iaculis, viverra sit amet libero. Pellentesque porttitor pretium dignissim. Maecenas semper dapibus rhoncus. Donec tempus ligula sem. Duis ultricies quam vi-tae diam congue ut rhoncus metus eleife.nd.

Donec neque ligula, luctus sit amet porttitor

RUTH SANCHEZ

Graphic Designer that star

her career consectetur rhoncus. Suspendisse tem-pus mauris vel mi posuere luctus ornare velit elementum. Sed nec magna felis. Nam nec ornare enim. Phasellus urna nulla, blandit nec viver-ra sit amet, fermentum sed enim. Aenean tempus velit ut lacus adipiscing eleifend. Mauris ipsum leo, dignissim vitae volutpat ut, aliquam ac felis. Mauris id nibh nibh, eget facilisis risus. Vestibulum fer-mentum ante nec augue lac-inia ultricies. Donec vulpu-tate, tortor quis varius viverra, libero lorem rutrum nulla, sed vehicula velit sapien et lacus. Aenean et tincidunt nulla.

$11.99 U.S

Ruth Sanchez

New York Times SuggestLorem ipsum dolor sit amet, consectetur adipiscing elit. Cras lorem augue, euismod ut placerat in, malesuada vitae ipsum. Integer rutrum justo sed laoreet sollicitudin. Donec eleifend mauris vitae erat venenatis pretium. Ut tempus augue ac tortor varius sed luctus leo scelerisque. Fusce bibendum ullamcorper nulla, quis mollis purus sollicitudin sodales. Integer semper urna eu nisi dignissim eu adipiscing nibh tristique. Nulla lorem lectus, tempor vel blandit eget, malesuada nec leo. Nam vel ante eget neque vulputate nec id justo. Proin cursus felis vel nunc viverra semper. Donec non est in dui faucibus. Quisque sodales, massa nec pharetra aliquam, risus neque mat-tis lorem, quis commodo urna quam eget eros. Vestibulum tellus quam, sollicitudin eu pretium iaculis, viverra sit amet libero. Pellentesque porttitor pretium dignissim. Maecenas semper dapibus rhoncus. Donec tempus li-gula sem. Duis ultricies quam vitae diam congue ut rhoncus metus eleifend.

New York Tmes PostDonec neque ligula, luctus sit amet porttitor ac, hendrerit quis mi. Sed in velit et augue varius eleifend. Nulla tellus velit, volutpat scelerisque id, malesuada adipiscing leo. Donec eget arcu mi. In consequat ipsum in metus pulvinar convallis convallis enim cursus. Aenean convallis, nisi eu dictum gravida, nibh mi vehicula quam, sit amet fermentum tellus nisl a urna. Mauris eleif-end porta fringilla. Maecenas lobortis posuere eros sit amet fermentum. Nunc condimentum lacinia diam, eu pretium turpis pellentesque sit amet. M y H a p p i n e s s ,

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Book JacketThe concept of this project was to design of book jacket inspire on a famous graphic designer tecniques and add your own style

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Logo created in illustration

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Web Layout made in Photoshop

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Handmade BraceletsaHandmade Braceletsare decorative bracelets made from cotton thread. They are exchanged all over the world as symbols of friendship and peace, mostly among young adults. Traditionally, Mareluna Bracelets are handmade, wearing the bracelet has a gift of time and energy as well as ornamentation. Mareluna bracelets should be worn until they wear through and fall off naturally, a process which can take

Handmade Braceletsare decorative bracelets made from cotton thread. They are exchanged all

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