RR-1991-06-28.pdf - World Radio History

/SSUE NUMBER 896 THE INDUSTRY'S NEWSPAPER JUNE 28, 1991

INSIDE: ADVERTISING CLOSE TO DEATH? "What we're going through is

the end of advertising," claims Promotional Broadcast Network Prez Jack McCoy, who says radio's future economic success will depend on brokering promotions, not selling spots.

Page 8

DAB DEBUTS You're looking at the first DAB radio receiver. Details in Radio Business.

Page 4

CELEBRATION OF

B lack BLACK MUSIC TRIBUTE With the popularity of black music at an all-time high, R&R presents a

salute to Black Music Month, featuring revealing interviews with the movers and shakers of the Black radio and record industries:

Top programmers focus on preserving UC's image and market share Key record reps assess black music's impact on the entertainment business Influential artists/producers predict future music trends

Page 31

IN THE NEWS THIS WEEK *Ken Stevens VP/GM WLIF/

Baltimore John Clay OM at KHMX/Houston Brian Thomas PD at WEZB/New Orleans Lori Holder -Anderson VP/Promo Ops at A&M

e Dave Urso VP/Promo at JRS Records

*Tom Gilligan VP/Ops at M.M. Group

RA DIO & RECORDS

White Assumes PD Post At WZOU/Boston Pyramid Equity Now In

Following PD Steve Perun's exit from Ardman CHR WZOU/ Boston last week, Creative Ser- vices Director/midday personality Sunny Joe White has been named PD. White had been VP/ Programming at rival Pyramid CHR WXKS (Kiss 108) for 12

years before leaving last De- cember. Now that White is WZOU PD, Pyramid CEO Rich Balsbaugh asserts White's for- feited all his equity in Pyramid.

PAST, PRESENT COMPANY EXECS NAMED

Jacor's WFLA Slapped With Sex Bias Suit

Former WFLA/Tampa talk host Liz Richards has filed a lawsuit against the Jacor News/ Talk outlet, charging sex dis- crimination, assault and battery, invasion of privacy, and breach of contract.

The charges stem from such alleged incidents as a colleague kissing and biting her neck while she was on -air and a male co-worker's attempt to force her to touch his groin.

In her complaint, Richards (ex-wife of shock jock Gary Dee) alleges she was fired by WFLA after filing a sex dis- crimination complaint with the U.S. Equal Employment Oppor- tunity Commission.

The suit paints a picture of rampant sexism within WFLA. Richards (aka Elizabeth Gil- bert) charges - among other

Point Counterpoint

Richards Alleges: Assault & battery, breach of contract She was molested while on -air Termination after filing an EEO sex bias complaint

Michaels Replies: Suit Is sour grapes over

dismissal Charges are distortions

Expect countersuits

things - that female staffers were referred to as "bimbos" and "cunts," and were por- trayed in pornographic car- toons posted in the station.

Nashville Rivals Join Forces AOR, Classic Rocker To Share Sales Staffs

In what may be a major market first, two direct competitors in Nashville - Dick Broadcast- ing AOR WKDF and Hapa Inc. Classic Rock WGFX - will be sharing the same sales force. The time -brokerage agreement is scheduled to commence Mon- day (7/1), after Hapa closes on its purchase of WGFX from Capitol Broadcasting.

"Times are changing in the broadcast industry, where con- trolling costs and expenses is necessary in order to offer a more productive system," officials of both stations said in a statement. "The economics of this combination work very pos- itively for both stations. Adver- tisers will be able to purchase airtime from one sales staff and reach Middle Tennessee's entire rock and roll life -group."

The joint sales force will operate out of WKDF's offices. WGFX's sales department is being dissolved; its staffers will NASHVILLE RIVALS/See Page 28

Doubling Up One sales team for

two opponents On -air competition unchanged Local newspapers already doing it

Defendants in the suit, along with WFLA and Jacor, include Jacor Exec. VP Randy Mi- chaels, former Jacor chief Frank Wood, former WFLA GM David Macejko, WFLA personality Tedd Webb, and former WFLA talker Bob Lassiter, now with WLS/Chicago.

WFLA/See Page 28

Question WZOU VP/

GM Alan Chartrand told R&R, "With Sunny ás PD, WZOU takes a giant step forward for Boston radio listeners.

I He's 'Mr. Bos-

:` ton.' He knows Sunny Joe White the city inside and out, and if anyone can bring the station to the city, it's Sunny Joe White."

White, who will continue his loam -noon airshift, told R&R, "Basically, I took the job because I was afraid of who they might bring in - there aren't many exciting PDs in the country these days. I will take some risks and some chances where others won't. WZOU will not become a clone of Kiss 108 - I've done that before. WZOU will be a more traditional - sounding CHR, and I know we can improve on the great numbers we already have."

WHITE/See Page 28

RCA Ups Two To Sr. VP Waugh Heads Promotion, Goodman Marketing

At RCA Records, Butch Waugh has been elevated to Sr. VP/Promotion and Randy Goodman has been appointed Sr. VP/Marketing. Both report to label President Joe Galante.

Galante told R&R, "These promotions are a recognition for what they've accomplished in the last year, for their contributions and for their status in the company. Butch has demonstrated the leadership needed to receive this. He's a valuable member of the management team and I look forward to our future successes together. Ran- dy's passion for the music and the business has led him to this new position. His sense of team- work. communications. and

RIAA Expects Louisiana Senate To Abort Labeling Bill

A top recording industry lob- byist says he remains "cau- tiously optimistic" that a Louis- iana bill to limit the sale of records with explicit lyrics can be defeated - despite the measure's approval last week by the state House of Representatives.

"We're encouraged by the fact 37 representatives voted against the bill," said Record- ing Industry Association of

America Director/State Rela- tions Michael Cover. "Things are very different from last year; [proponents of the measure) don't have the same mo- mentum."

Following its approval by the House last Wednesday (6/19) on a 53-37 vote, H.B. 261 moved to the Senate, where it was referred to the Judiciary Committee.

LABEUNG/See Page 28

Industry's Largest Classifieds

11 Butch Waugh Randy Goodman

leadership are essential to our growth as a company."

"I'm really happy about this promotion and excited about the direction in which Joe and Randy are taking the company," remarked Waugh. "I have great national and local staffs who are committed to making RCA the most exciting place to be for any artist."

Goodman noted, "I am thank- ful to Joe for his continued be- lief in and support of me. Our new team has proven a very re- sponsive and cohesive group, and I am looking forward to our establishing RCA as a place where artists are broken and careers are made."

Waugh, who is responsible for all AC, AOR, CHR, Alternative, and College promotion efforts, joined RCA in 1982 as an Atlan- ta -based regional promotion executive. He was subsequently

RCA/See Page 28

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Stevens Adds GM Duties At WLIF Remains VP/GM At Infinity's WJFK & WYSP

Ken Stevens, who's already doing double duty as VP/GM of Infin- ity Classic Rockers WYSP/Phila- delphia and WJFK/Washington, is taking on further duties as VP/GM of co -owned AC combo WLIF-AM & FM/Baltimore. Former WLIF GM Winnie Brugman exits to pur- sue an equity opportunity in Fred- erick, MD.

Stevens told R&R, "It's difficult to put my finger on a timetable, but our plan is to have someone replace me at WYSP. We haven't come up with a date or a person, but for the short term, I'll manage in all three places."

Regarding WLIF, he added, "A quick look tells me the station's in great shape. It has a strong, clear programming position in the market, and is doing record revenue at a time when the market's revenue is down."

Thomas PD At WEZB Joins EZ's New Orleans CHR

'maw Brian Thom- as, formerly PD at WOMX/ Orlando, has been named PD

] at EZ Commun- b ications CHR WEZB (B97)/

Brian Thomas

New Orleans, effective July 8.

He replaces Greg Rolling, who exited two weeks ago.

VP/GM Marc Leunissen told R&R, "Greg did a great job, but the station was starting to get two- dimensional - it just lacked some soul. I don't want to lose track of what's happening outside our front door. With the great base Greg left, Brian can re-establish the third di- mension to our sound."

Thomas added, "Marc and I hit it off immediately, and our styles are very compatible. I just look forward to taking B97 back to No. 1 in the market." Thomas has programmed WBJW/Orlando (now WOMX), WBSB (B104)/Baltimore, and KCAQ/Oxnard-Ventura.

R&R Observes Independence Day

In observance of Independence Day, R&R's offices in L.A., Wash- ington, and Nashville will be closed Thursday and Friday (7/4-5).

Poe, Brown Get Down

d

Bobby Poe's 20th Annual Pop Music Survey Convention (6/20-22) in Tyson's Corner, VA saw a record attendance of 825+. The generally upbeat mood was tempered by concern over the increased number of labels and related problems. In his keynote address, MCA Records Presi- dent Richard Palmese spoke movingly about the industry's responsibility regarding what he called "hate messages" (i.e., gay -bashing and racism) being recorded as music. A different kind of movement was felt when Scot- t! Bros. artist James Brown appeared (above) to receive Poe's World Achievement Award.

KHMX/Houston Names Clay Operations Manager

Nationwide Contemporary Adult KHMX/ Houston has named former WRBQ (Q105)/ Tampa OM John Clay to the newly created position of OM. He reports to Group & KHMX PD Guy Zapol- eon.

P

John Clay

: .

VP/PROMO OPS

A&M Boosts Holder -Anderson

A&M Rec- ords National Field Director Lori Holder -An- derson has been promoted to VP/Promotion Operations. She'll be responsible for the label's field promotion staff

Lori Holder- based on priori - Anderson ties set by Sr. VP/Promotion Rick Stone, as well as the department's budget and advertising.

"Lori is an essential element in the running of A&M's promotion department," said Stone. "She understands the plan and how to organize its implementation in a fashion that inspires the staff and aids our management team." CEO/President Al Cafaro called her "a dynamic executive whose management skills have been fun- damental to our current success at radio."

Holder -Anderson joined the label in 1987 as Seattle Local Promotion Manager. Before that, she held local promotion jobs for Epic and ABC in Los Angeles. She also served as Associate AOR Editor for R&R.

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KIIIVIX GM Clancy Woods told R&R Clay's Q105 tenure was central to his hiring: "He programmed and managed Q105 when it was under a full frontal attack by the 'Power Pig' [CHR WFLZ]. Given the viciousness of that attack, it took fabulous skills to keep the station focused and to strategize ... We needed someone who's focused, pays attention to detail, and can execute the station's principles and strategies."

Clay added, "I'll be working side by side with Guy Zapoleon, something I've long wanted to do. The timing's finally right to work with Clancy and Guy." Clay's programmed KKLQ/San Diego, KYNO/ Fresno, KGGI/Ríversíde, KHTZ/ Reno, and KWES/Midland-Odessa, TX.

Urso Now JRS VP/Promotion

Promotion vet Dave Urso is now VP/Pro- motion at JRS

ark. j Records, the new BMG-distributed label recently formed by Stephen Swid and Artie

e Mogull. Bur- - ` \\ bank, CA -based

'.,' JRS will focus Dave Urso on new acts in all forms of popular music and is currently hiring a complete promotion staff.

As President, Mogull stated, "Dave Urso's brand of `roll up the sleeves' energy has been instru-

URSO/See Page 28

For The Record

Tom O'Brien is the new KGB/

San Diego PD, not Ron O'Brien.

i-J,J rr11 .

JUNE 28, 1991

STEPS TO GUEST SUCCESS Using guest DJs can be an excellent way to perk up your station's sound while filling an on -air vacancy. Lon Helton provides practical advice on making the most of these special events.

Page 67

FEATURES

RADIO BUSINESS: Death of advertising proclaimed . . 4

NEWSBREAKERS 10 OVERVIEW

MANAGEMENT: Becoming a better listener 15 MEDIA: Metal's Top 500 16 LIFESTYLES: Cellular phones extolled 18 TECHNOLOG Y: Latest electronic wizardry 19

STREET TALK: KIX106 goes Country! 20 TIMELINE 26 RATINGS: More spring Birches 29

MUSIC DA TEBOOK 56 COMPACTDATA 56

POLLSTAR 56 ROCK OVER LONDON 57

MARKETPLACE 71

OPPORTUNITIES 73

CONSULTANTS DIRECTORY 14

FORMATS URBAN CONTEMPORARY: Black music special .... 31

CHR: Trend toward musical diversity 58 AOR: New kids in town 62 COUNTRY 67

Nashville This Week: Country's hottest hunks 68 AC: KOSI's 'Stay In School' promotion 70

MUSIC INFORMATION

MUSIC VIDEO: MTV, VH-1 , Jukebox Network lists .. 56

WORLD MUSIC OVERVIEW: UK, Australia, Carada charts 57 URBAN CONTEMPORARY 76

COUNTRY 80 COUNTRY SONG INFORMATION INDEX 82 CURRENT -BASED AC 84 FULL -SERVICE AC, ASSOCIATE REPORTERS . . 86 NAC 87

CONTEMPORARY JAZZ 87 AOR TRACKS 92 AOR ALBUMS 93 NEW ROCK 94 CHR 96 PARALLEL CHART ANALYSIS 109

AC, AOR, CHR, COUNTRY, URBAN CHARTS BACK PAGE NEW ROCK, NAC, CONTEMPORARY JAZZ HIGHLIGHTS . . BACK PAGE

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4 e Rd R June 28,1991 RADIO BUSINESS

AfriSpace Awarded First FCC Satellite DAB License

AfriSpace has become the first company to receive an FCC license to broadcast DAB signals from a satellite directly to small, portable receivers. The experimental license will allow AfriSpace to build, launch, and sell channels on an S -band satellite to serve Africa and the Middle East.

"We can live with the S -band license the FCC has given us," said Noah Samara, Chairman of Afri- Space and its parent company, WorldSpace. He told R&R the S -band (2310-2370 MHz) grant went beyond the L -band construction permit AfriSpace applied for less than a year ago, since no further approval is needed to launch the satellite and begin operation. If next year's World Administrative Radio Conference allocates a different DAB band for Africa, Sa- mara said it should be no problem to have the FCC modify his license.

Samara said lightweight portable receivers will be ready for distribution, at a cost of $100 or less each, by the time the $44) million satellite is ready to launch in 1993. Washington -based MARCOR has signed letters of intent to have the solar -powered "Starman" receivers built by Techsonic Indus- tries of Eufaula, AL and Lucky Goldstar of South Korea, with the first 100,000 units to be delivered in 1993. MARCOR is a principal owner of both WorldSpace and Sa- tellite CD Radio, which has applied for a satellite DAB license covering the U.S.

Initially, the receivers will be distributed by programmers who have purchased channels on the satellite, Samara said. He said Afri- Space will use mostly off -the -shelf DAB technology to save on cost. The prototype (pictured) features

but Samara said he expects to charge approximately $5 million for a mono, FM -quality channel on a beam covering one-third of the African continent. The price tag covers the life of the small satellite,

WorldSpace's "Starman" satellite DAB receiver

a flat receiving antenna next to the solar panel. Samara said solar power will be sufficient for ear- phones, but electricity will be needed for speakers.

$5 Million Per Channel Although the license is experi-

mental, Samara said it should be "very easy to convert an experimental service to an operational one once our service is shown to be viable." He said the permit will make it easier to go forward with selling channels to programmers. No contracts have yet been signed,

expected to be about 10 years. More than 30 channels will be spread across three beams covering all of Africa and the Middle Fast.

FCC Frequency Liaison Branch official Jeff Kam said AfriSpace would be permitted to operate "on a non-interference basis," meaning it would have to stop using any frequency a foreign government claims is causing interference to other services. "They're strictly experimental," Kam told R&R.

Continued on Page 8

NAB Board Wants Tech R&D Center NAB's Joint Board endorsed exploration of a technolo-

gy research center, while the Radio Board decided to stay the course on DAB at meetings last week in Washington.

Noting fast-moving develop- ments in technology and coordin- ated R&D efforts by other communications industries, Joint Board Chairman Gary Chapman said, "We obviously want to be a part of that technological land- scape as it changes."

In particular, he mentioned DAB and high definition TV as technology issues facing broadcasters. There are no specifics yet on just what sort of research facility might be built or how much it might cost. Chapman said such questions would be explored by a committee to be appointed next month.

In the same vein, Chapman said NAB was "planning a summit to look at the future and guide us as we move into this technological future." President Eddie Fritts said the summit, which would include futurists and political experts as

well as broadcasters, should take place at next spring's Las Vegas convention.

Novik, Harris Head Board Despite recent sharp attacks by

a number of radio group owners, led by Sconnix's Randy Odeneal, NAB's Radio Board reaffirmed its support for the policies of its DAB Task Force, including the successful effort to win FCC support for an L -band DAB allocation. "We're right on the issue to date, and we're going to show broadcasters around the country that that's the case," said newly elected Radio Board Chairman Dick Novik, President of WKIP & WRNQ/Poughkeepsie, NY.

Departing Joint Board Chair- man Lowry Mays insisted opponents of the NAB's DAB policies are "very much in the minority." NAB

is moving ahead with plans to conduct L -band tests this fall, but it's increasingly unlikely that any DAB demonstration will be available for the fall radio convention in San Francisco.

Fritts insisted the trade organization doesn't have a "closed mind" on DAB and will encourage other system developers, even as it continues negotiations to join the Eureka -147 consortium, which is pursuing worldwide adoption of a DAB system developed in Europe. NAB Exec. VP John Abel met Tuesday (6/25) with Eureka's new negotiator, Thompson Consumer Electronics VP Thierry Sueur. Through an NAB spokeswoman, Abel said the initial discussion was productive and that many more talks are planned.

Along with Novik's election as Chairman, Dick Harris was elected Radio Board Vice Chair- man. He's the owner of WSPB/Sar- asota and retired Chairman (and still consultant) of Group W Radio.

REPORT PAT CLAWSON

Pressure Builds For HLT Relief Federal Reserve Chairman Alan Greenspan is facing mounting pressure from media moguls and bankers to allow public comment on Uncle Sam's controver-

sial highly leveraged transaction (HLT) rules. Scientific-Atlanta CEO Bill Johnson, accompanied by representa-

tives of two cable TV companies, Time -Warner, Bank of New York, and NCNB/Texas, met with Greenspan for an hour last week to complain that HLT lending restrictions are crippling communications financing. Similar sessions were held with Treasury Undersecretary John Robson and FDIC Chairman William Seidman. At issue: how government regulators define HLTs.

"They would like a redefinition of HLT to take into account cash flow," federal spokesman Joe Coin told R&R. Currently, bankers must classify loans as HLTs if they cause a borrower s asset -based leverage ratios to ex- ceed 75%. Since broadcast balance sheets are usually light on hard assets, many deals have been slapped with the HLT stigma. Critics say the current federal HLT definition should be amended to consider a borrower's cash -flow generating capability.

FDIC staffer Robert Mlallovich told American Banker a decision on soliciting public comment probably will be made within the next few weeks.

Slow FCC Decision -Making Forces Gammon Refinancing

FCC Mass Media Bureau Chief Roy Stewart said a draft decision is due "before the end of the summer" on Crown Broadcasting CEO Tom Gammon's con-

troversial request to relocate WHMA-FM/Anniston, AL 100 miles to an Atlanta suburb.

Gammon has suffered serious financial reversals since filing his petition 16 months ago, in part because of heavy legal expenses incurred to fight opposition from Cox Broadcasting and NAB. The entrepreneur recently lost his KRTY/San Jose to creditors, and this week refinanced other properties with new Investors and banks, including Fleet, Central Bank & Trust, and Baybanks.

"I had to give up substantial equity to do it ... they were threatening to foreclose. We were in default. Our investors had to pony up the money," Gammon said. During a press briefing with Chairman Al Sikes, Stewart blamed the FCC inaction on a paperwork backlog. He dismissed industry speculation that staffers hope Gammon's company will collapse financially, thus rendering decisions unnecessary. "I don't believe that inaction dis- suades people from pursuing their requests at the Commission," he said.

Sikes told R&R he would be "happy to do it [rule on the case] today," and added, "Roy, I do think we need to move on that as quickly as possible."

Stevens Selling GMX

Following legal action by Chrysler Capital Corp., a

Nashville court has named broker Gary Stevens as receiver of the GMX Communications chain.

His appointment comes after the publicly traded company defaulted on loans and failed to successfully sell its eight stations to Zenox Inc., an At-

lanta -based conglomerate. Stevens's mission is to operate, clean up, and liquidate KLCL & KHLA/Lake Charles, LA; WHBB & WDSX/Selma; WNAU & WWKZITupelo, MS; and WHNK Si WRLTINashvIlle.

"No reasonable offer for Nashville will be overlooked. It's a Class A with pretty good coverage. I'll make a very good deal on that," Stevens commented. So how good is good? "I think at least $600,000 is reasonable - and I'll throw the AM in, too. It's off the air anyway."

Other market action: Forbes magazine decided late last week to temporarily delay pub-

lication of its report on Bob Slllerman's financial dealings to "evaluate sig-

nificant new information," according to investigative reporter Graham But- ton. Expect the report within a month.

Salem Communications execs Ed Atsinger Ill and Stuart Epper- son dropped their competing application for the 92.3 MHz slot that's now

occupied by Infinity Broadcasting's WXRKINew York. Salem offered no

explanation, other than telling the FCC there was no settlement agreement. Atsinger and Epperson didn't return phone calls, and their Washington at -

Continued on Page 8

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6 e Ra R June 28,1991 RADIO BUSINESS TRANSACTIONS

Commonwealth Cashes Combo After Dancing With Dame

Markets Sluggish; Traders Taking Summer Siesta

.DeaiÒf The 4; WHP-AM & FMIHarrisburg PRICE: $3.25 million TERMS: Asset sale for cash BUYER: Dame Media, headed by Al Dame. He owns WKBO/Harrisburg; WNTJ & WKOS/Johnstown, PA; and WRAK & WKSBIWIIIiamsport, PA. SELLER: Commonwealth Communi- cations Services, headed by David Detweller. The company also owns WHP-TV/Harrisburg. The company recently announced plans to sell WSPD & WLQRIToledo for $4 million cash. FREQUENCY: 580 kHz; 97.3 MHz POWER: 5kw; 17kw at 840 feet FORMAT: News/Talk; AC

BROKER: Ted Hepburn Co. COMMENT: Dame plans to sell WKBO to permit the acquisition of WHP (AM).

Colorado'l

KNAB-AM & FMIBurlington PRICE: $350,000

TERMS: Stock sale for $50,000 cash and 12.5 -year promissory note for $300,000 at 10% interest; -o be paid in monthly installments of $3511

BUYER: Bette Balily, who currently owns 10% of the combo

SELLER: Ray Lockhart is selling his 90% stock ownership of KNAB Inc. He

also owns KOGA-AM & FM/Ogallala, NE and KSTC & KNNG/SterlIng, CO.

FREQUENCY: 1140 kHz; 104.1 MHz

POWER: 1kw daytimer; 50.7kw at 358 feet

FORMAT: AC

Idaho

KLCIINampa PRICE: No cash consideration TERMS: Asset transfer pursuant to court order; the seller has defaulted on loans due to Key Bank of Idaho and a promissory note owed to the buyer. BUYER: First National Broadcasting Corp., owned by Brent Larsen of Ogden, UT and Gary Waldron of San- dy, UT. They also own KNKK &

KSOS/Brigham City, UT. SELLER: Idaho Broadcasting Co. Inc., formerly owned by John Mattus, Craig Cordial, Paul Sprenger, and Mark Ward FREQUENCY: 96.9 MHz POWER: 44kw at 2520 feet FORMAT: AC

COMMENT: This station was sold for $450,000 in March 1987.

FirstCom announces the 1991 Excellence in Production

Firsty Award Winners Congratulations to the winners and finalists

of the first and only international awards for excellence in production. Entries exemplified superior work and

FirstCom proudly recognizes :he winners!

STATION PROMOTION SINGLE COMMERICAL

Major Market

Rick Stacy Radio Station: WAPW-FM/Power 99

Atlanta, GA Entry Title: Image Producer/ Copywriter: Rick Stacy Talent: Brian James

Medium Market

Bob Lawson Radio Station: WVIC-AM/FM

Lansing, MI Entry Title: Condom Sense Copywriters: Bob Lawson,

Kevin Robinson, Tim Myaard

Talents: Eric Edwards, Heidi Riley

Secondary Market

Scott Schubert Radio Station: Q-102/KRNQ-FM

Des Moines, IA Entry Title: Q-102 Beat the

Bomb Producer/ Copywriter: Scott Schubert Talent: Mitch Craig

d, Major Market

THE FIR,7Y

.r

F

Dennis Daniel Radio Station: WDRE-FM

Westbury, NY Entry Title: Dr. Ross/Kind to

Your Brain Producer/ Copywriter: Dennis Daniel Talent: Dennis Daniel

Medium Market

David G. Roberts Radio Station: WVOR 100

Rochester, NY Real Leather Jackets! Entry Title:

Producer/ Copywriter: !)avid G. Roberts Talent: David G. Roberts

Secondary Market

Wayne Arney Radio Station: WCEN-FM/AM

Mount Pleasant, MI Entry Title: La Cookie Bouquet Producer/ Copywriter: Wayne Arney Talent: Wayne Arney

FirstCom... First AgAin TM

13747 Montfort DriveSuite 220 Dallas, Texas 75240.800.858-8880 (collect)214-934-2222 FirstCom, A division of Jim Long Companies, lac. A Zomba Company

TRANSACTIONS AT A GLANCE

1991 Deals To Date: $332,375,168

(Last Year: $586,833,116)

Total Stations Traded This Year: 492 (Last Year: 642)

This Week's Action: - $4,915,513 (Last Year: $12,134,857)

Total Stations Traded This Week: 11 (Last Year: 38)

Deal Of The Week: WHP-AM & FM/Harrisburg $3.25 million

KNAB-AM' & FM/Burlington, CO $350,000 KLCIINampa, ID No cash consideration WZFL-AM & FM/Centreville, MS $6000 KHST (FM CP)/Lamar, MO $12,000 ' KROLILaughlin, NV $750,000 KHYM/Gilmer, TX $500,010 WBYG (FM CP)/Point Pleasant, WV $47,503

Mississippi

WZFL-AM & FMICentrevllle PRICE: $6000 TERMS: Asset sale for cash BUYER: Radio Reading Services Corp., a Kingsport, TN non-profit company owned by David Harris, Joe Salyer, and Kenneth Hill. Hill is GM of WHCBIBristol, TN, and Salyer is the chief operator of that station. SELLER: Dixie Business investment Corp., headed by Chairman George Lensing. The company also owns KLPL-AM & FMILake Providence, LA. FREQUENCY: 1580 kHz; 104.9 MHz POWER: 250 -watt daytimer; 3kw at 300 feet FORMAT: This combo is dark. COMMENT: This combo was sold for $82,500 in October 1986.

, Missóuri .

KHSTILamar (FM CP) PRICE: $12,000 TERMS: Asset sale for cash BUYER: Russell Weeks Jr., GM of KBFL/Buffalo, MO SELLER: Michael Lee Hussman of Buffalo, MO FREQUENCY: 99.9 MHz POWER: 3kw at 328 feet

,a Nevádi

KROLILaughlin PRICE: $750,000 TERMS: Asset sale; escrow deposit $10,000 with additional $40,000 cash due at closing; 10 -year promissory note for $80,000 at 10% interest payable in equal monthly Installments. Balance of the purchase price is the assumption of a loan from Security Pacific Bank. BUYER: Million Dollar Broadcasting Inc., owned by Paul Bowman of Vista, CA SELLER: Laughlin Roughrider Broad- casting Inc., owned by Las Vegas In- vestors Tom and Marla Letizia, Mike O'Callaghan, and the Sigmund Roglch Trust. They also own KPAHI Tonopah, NV.

FREQUENCY: 870 kHz POWER: 10kw days/1kw night FORMAT: News/Talk BROKER: Kopper, Tucker & Fugatt Inc. of Lincolnshire, IL and Satterfield & Perry of Lakewood, CO were engag- ed as brokers for the seller.

Texas

KHYMIGllmer PRICE: $500,010 TERMS: Asset sale for $10 cash and assumption of promissory notes in the original principal amount of $500,000 BUYER: American Music Radio, a

partnership of Vern Coldiron of Gilmer, TX and Al Petty of Overton, TX

SELLER: Fairchild Communications Inc., owned by James and Pamela Fairchild FREQUENCY: 1060 kHz POWER: 10kw daytimer FORMAT: Religious

M4-.- West -Vir0iñia ° ° . .u,.

WBYG/Point Pleasant (FM CP) PRICE: $47,503 TERMS: Asset sale for cash BUYER: Big River Radio Inc., owned by Jimmie Joe Wedge of Point Plea-

sant, WV SELLER: Tri-County Radio, a partnership of Vernon and Edward Baker of

Blacksburg, VA and Big River Radio

Inc. The Bakers have extensive broad-

cast Interests, including commercial stations WCXNIClaremont, NC; WKDII Denton, MD; WOKTICannonsburg, KY; WSGH/Lewisville, NC; WBZI &

WDJKIXenla, OH; WKGMISmithfield, VA; WKTRIEarlysviile, VA; WBNN &

WTGRIUnion City, IN; WKNV/Dublin, VA; WNOW/Mint Hill, NC; WAMNI Green Valley, WI; WFTKIWake For- est, NC; WCBX/Fieldale, VA; WBGSI Point Pleasant, WV; and WCOR/Fair- lawn, VA. They also are principals of

non-commercial WPARICIaremont, NC; WPVA/Waynesboro, VA; WPVBI

Culpeper, VA; WPIB/Salem, VA;

WPGBBIountville, TN; WPIR/Biue- field, WV; WBKW/Dublin, VA; and

WPRHIGalax, VA.

FREQUENCY: 99.5 MHz POWER: 3kw at 300 feet

4 c

Keith Washington

"Kissing You" The New Single From The Album Make Time For Love

199? Owest Records

Heard Daily On TV's Top Soap - General Hospital

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Pl CHART Debut a AC Chart: a

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CRAZY The New Single From The Album SEAL

v

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C1991 Warner Bros. Records Inc.

. -2,0

a

8RaR June 28,1991 RADIO BUSINESS

Disney Jumps Into Digital Testing

Walt Disney World has asked the FCC for an experimental license to test FM adjacent channel inter'erence and the feasibility of in -band DAB systems.

Spokeswoman Diane Herman told R&R the proposed DAB testing is strictly a Walt Disney World project and that Shamrock Broadcast- ing Inc., principally owned by Walt Disney Company Vice Chairman Roy Disney, is not involved. Her- man said DAB is a politically charged issue among broadcasters and that Disney officials "have to be real cautious" about their public statements. Disney World Publici- ty Manager John Dreyer later said the company is "just looking" at DAB and has no plans to imple- ment the technology or develop its own DAB system.

Disney already operates an experimental FM station on 107.9 MHz, KA2XXZ/Columbia, FL, which provides traffic and parking information to Disney World visitors on Interstate 75. Researchers are collecting data on both audience use and the technical charact- eristics of the highly directional FM signal Disney is using. The second experimental FM Disney is seeking would broadcast on 107.5 MHz from the same tower, with the same directional pattern, but at power levels ranging from 1% to 100% of the existing station (250 watts).

Disney engineers propose three phases of testing: three months of "non -expert" listener evaluations of interference; six months of technical measurements of interference; and a final phase running up to 15 months or more to test with a digital transmission. Disney isn't specifying which DAB system (or systems) it hopes to test. If none is available, it said a "pseudo -ran- dom bit sequence" may be trans- mitted to emulate a DAB signal.

FCC Report Pro L -Band The FCC's report to the State De-

partment on recommendations for next year's World Administrative Radio Conference takes a strong

stance in favor of L -band for DAB, despite leaving open hcw much spectrum is needed. The report was adopted at the Commission's June 13 meeting, but tie exact wording was finalized and sent to the State Department just this week.

"We are convinced that in order to promote development of DAB, including availability of inexpen- sive receivers, it will be .desirable to select a band which has the broadest regional and international support," the FCC report said. Noting support for L -band by U.S. broadcasters and foreigr, govern- ments, the Commissioners said, "We consider it important to allo- cate some spectrum for DAB from within the 1429-1525 MHz band."

The FCC insisted there would be plenty of time to reallocate aero- space flight test telemetry users to S -band (2300 MHz) frequencies before DAB is implemented (1997 or later) . Such relocation, the Com- mission said, "is feasible and no degradation to telemetry service would occur." The Pentagon and NTIA are opposed to any telemetry relocation, and the FCC report said the Commission would continue negotiations with the executive branch on just how muca L -band space should be allocated to DAB. It said an additional DAB allocation should be made in the S -band if there isn't sufficient spectrum available in the L -band.

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A VIEW FROM THE TOP - On hand for BPME's radio group heads panel were (l -r) lnterep Exec. VP/newly elected BPME Chairperson Erica Farber Viola, King Broadcasting Sr. VP/Radio Stan Mak, Viacom President/Radio Division Bill Figenshu, and NewCity Communications President Dick Ferguson.

BPME OVERVIEW

Promotions Will Succeed Advertising As Moneymaker

Future radio revenues will be much greater than today - but they'll come primarily trom brokering promotions, not selling spots, Promotional Broadcast Network President Jack McCoy predicted at BPME's Baltimore convention.

Forget all the talk about recession or an advertising slump, from which radio and other media will re- cover in time. "It's not true at all - what we're going through is the end of advertising," McCoy said at BPME's Wednesday (6/19) Honors Luncheon. He insisted radio's future lies in brokering its relationship with listeners to manufacturers, not individual retailers, and being paid on the basis of actual sales. "The dollars are beyond your wildest im-

agination. Promotions will bring in

so much more money than spots you won't have time to run the spots anymore."

McCoy attributed the coming "death" of advertising to the growing use of scanners at checkout counters. "Scanning has changed marketing forever," he said. Bar code readers make it possible for manufacturers to pinpoint sales and correlate them with marketing efforts. To claim a share of promo-

tional budgets, which McCoy said are generally four times larger than advertising budgets, radio stations will have to prove they're delivering the customers.

Although the stakes are high, Mc- Coy warned that tapping into promotional budgets requires maneu- vering through a legal minefield. Federal law restricts manufacturers in their promotional efforts. In short, they're barred from paying stores for shelf space. Stations should consult a knowledgeable attorney before trying to negotiate with any manufacturer, McCoy advised.

Group Heads Convene During the "A View From The

Top: Radio Group Heads Look Into The '90s" session, executives told promotion managers their jobs would become increasingly important in a world of fragmented audiences and tight advertising revenues. "Compensation for market-

ing directors is one of the fastest growing positions for our radio stations," said King Broadcasting Sr. VP/Radio Stan Mak. Even so, the group heads said the promotion department would continue to be a steppingstone to more lucrative positions. NewCity Communications President Dick Ferguson told at-

tendees their jobs were a gateway into management or sales - "a free education with pay," he joked.

Responding to audience questions about industry economics, Ferguson said the FCC could improve the current situation by allowing ownership of multiple FMs in a single market, a move he said would serve the public interest with program diversity. "If I could own four FM stations In a market that has 50, I'm not likely to program all

of them with some version of AC." Viacom President/Radio Division

Bill Figenshu told R&R he believes a turnaround in radio revenues is

still about six months away, but for now "we're crawling along the bottom." What will spur the rebound? "I've never seen a recession in an

election year," he quipped.

DC REPORT Continued from Page 4

tomey, James Riley, flatly refused to discuss the matter. Could the sudden turnabout be due to rumors that an enraged Mel Karmazin was getting ready to delay the Christian broadcasters' planned $20 million purchase of WAVA/Washington with a blizzard cf lawsuits?

Is WKOXIChicago next on the Emmis auction block? The company has petitioned for FCC permission to Spin the station's assets and licenses out of Emmis Broadcasting Corp. of Chicago to another newly created Emmis subsidiary, Chicago Merger Corp. The company cites "administrative and tax reasons" as the basis for its request. One financial drain on Jeff Smulyan's empire is the Seattle Mariners, which last week announced expected losses for this yea totaling between $5 million and $10 million.

Granum Communications CEO Herb McCord closed his $9 million purchase of Gilmore Broadcasting's KDBN & KMEZIDa1Ias-Ft. Worth last Friday. Blackburn broker Nell Rockcff engineered the deal.

Gannett Corp. has completed 'he purchase -of the 10% stock stake held by the Gannett Foundation - soon to be renamed Freedom Forum - for $870 million in cash.

AfriSpace Awarded Satellite DAB License Continued from Page 4

But he said the experimental desig- nation would not prohibit Afri- Space from operating the satellite on a for-profit basis, as described in its July 1990 application.

AfriSpace is the first phase of a nearly worldwide satellite DAB system planned by WorldSpace. Other subsidiaries already announced include AmeriSpace for South America, CaribSpace for the Caribbean, and AsiaSpace for Asia. AfriSpace's first satellite is to be built by International Technolo- gies Inc. and launched by China's space agency. Both contracts were announced months ago.

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iORaR June 28,1991 NEWSBREAKERS®

Gilligan Now M.M. Group VP/Operations

M.M. Group has upped WNRJ & WWHT (Hot 105) & WTLT/Colum- bus, OH VP/GM Tom Gilligan to VP/Operations for all its radio stations and facilities, including WQTL/Ottawa, OH; WCSJ &

WCFL/Joliet-Chicago; and Metro Jetcopter Traffic, which provides traffic information to 10 Columbus stations.

CEO Mark Litton said, "In the six months Tom has been with us, he's established a powerhouse CHR with WWHT, dramatically increasing both ratings and revenues. Tom's management and re- cruiting have enabled Hot 105 to as- semble a winning and profitable operation in record time."

Gilligan told R&R, "I want to thank Mark Litton for believing in me and allowing me to put together my dream team. Good ideas are one thing, but if we didn't have the staff to execute them, we'd never be able to attain the high goals we've set." Gilligan was most recently PD at crosstown CHR WXGT (92X, now WCOL-FM).

WYNF Boosts Logan To PD

After nine years as Asst. PD/ MD/air talent at WYNF/Tampa, Charlie Logan has been elevated to PD for the first time in his career. He replaces Tom Marshall, who exits the CBS AOR after 18 months.

"Charlie has been an integral part of making this radio station great," said WYNF VP/GM Shawn Portmann. "He's helped us develop over the past 10 years and will be a major force in shaping WYNF for the next 10 and beyond."

Logan joined WYNF in 1982 after two years as MD at WFYV/Jack- sonville. Prior to that, he was on - air at WMJQ/Rochester.

New York PALs

Sony Music President Tommy Mottola was among the guests at a fundrais- ing dinner benefiting the Police Athletic League (PAL). Tipping their hats at NYC's Plaza Hotel are (Pr) Mayor David Dinkins, Mottola, Columbia artists Mariah Carey and Billy Joel, and Joel's model wife, Christie Brinkley.

WIP Taps Bigby As Station Mgr. WIP/Phila-

delphia PD Tom Bigby has added the new title of Station Manager at the

; ew

Spectacor all- ` 4

z

Sports outlet. The title, said WIP President/ f GM Jack Willi- ¿á ams, "more ap- propriately re- Torn Bigby

fleets the many duties for which Tom has been responsible."

Commented Bigby: "Sports radio is the first format in 10 years to bring young men back to AM. It's exciting to be on the ground floor of a format that's eventually going to be in every major market."

Bigby joined WIP 18 months ago after a stint as President of GTB Radio Broadcasters, a broadcast management and programming firm. He's been PD at KFI/Los An- geles and KLUV/Dallas and was Asst. PD at WLS/Chicago in its Top 40 heyday.

Owen Named KSHE/St. Louis PD KSHE/St. Louis's intensive two -

month PD search ended last week when the Emmis heritage AOR selected WKLQ/Grand Rapids PD Jim Owen to succeed Rick Balis, who left to program WLUP-FM/ Chicago. Owen bested a field of "30-40 " candidates, according to KSHE GM John Beck, who told R&R, "We were very impressed by what Jim accomplished at 'KLQ.

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He's been doing it for quite a while and has the maturity to lead our veteran staff. His morning show [management] experience is particularly important."

Owen has programmed WKLQ since its 1983 sign -on and last year engineered a highly successful switch from CHR to AOR. He previously served as Station Manager at WKHQ/Traverse City, MI, and PD at WFBQ/Indianapolis.

Mercury Ups Murray To Sr. Director/AOR

Drew Murray has been elevated from Di-

' rector to Sr. Di- rector/Rock Promotion at Mercury,

(where he'll head up AOR and New Rock promotion efforts.

Mercury Sr. VP/Promotion David Leach said, "Drew's passion for breaking our young rock acts is evident, and I look forward to seeing him succeed on every level."

Murray said, "Mercury's tradi- tionally strong AOR department has made great strides at the col-

MURRAY/See Page 28

I Drew Murray

,a

EXECUTIVE ACTION

Fontaine Directs Chrysalis CHR, West Poore Joins As Assoc. AOR Director

Chrysalis has appointed Justin Fontaine Direc- tor/West Coast CHR and Ron Poore Assoc. Album Director. Both will be based in Los Angeles.

Sr. VP/Promotion Tom Gorman said, "Justin's knowledge of our industry - radio, sales, and promotion - makes him the perfect person to represent to

Chrysalis on the West Coast. Ron is an established 1

pro in all rock and alternative circles. His radio back- 7

ground and record business experience will help us." Fontaine comes from regional promotion man- 2

ager posts at Mercury and Geffen. Poore comes from a Regional Promotion Manager post at IRS and was previously at Relativity. Justin Fontaine

-

Imago Names Hodge Nat'l Promo Dir.

Eric Hodge

Eric Hodge is the latest addition to Imago Re-

cording Company, which he joins as National Promo- tion Director. He comes from a regional directorship at Virgin.

Imago VP/Promotion Alex Miller, citing Hodge's "combination of musical intensity and Midwestern sensibilities," told R&R, "Eric's career includes both radio and records. That, matched with a friendly, positive personality, made him my only choice." Before joining Virgin, Hodge was with Mercury and Atco, following a radio career that included working at KTGR/ Columbia, MO.

Sigler Heads Giant Album Promo John Sigler has been tapped to head Album and

Alternative Promotion at Giant Records. He previously served as National Director/Album Promotion at RCA.

President Charlie Minor commented, "John brings an energy to Giant that I can guarantee hasn't been felt in the industry in a long time." Added Sr. VP/Marketing & Promotion John Brodey, "John is an important addition as Giant seeks to establish itself as successfully in AOR and Alternative as it already has w...;: in other formats." John Sigler

r I'

Cecola Directs Columbia Singles

Robin Cecola

Robin Cecola has been upped to Director/Na- tional Singles Promotion, West Coast at Columbia. Most recently Local Promotion Manager for the Balti- more/Washington area, Cecola joined Columbia from WTG Records.

VP/Promotion Burt Baumgartner said, "In the short time Robin's been part of our promotion team, he's achieved exceptional results and demonstrated outstanding leadership skills, determination, and team spirit."

Trahan Moves To Morgan Creek Heads Nat'l Video & Alternative Promo

Sherri Trahan has joined Morgan Creek as Na- tional Video & Alternative Promotion chief. She was most recently National Director/Video & Alternative Radio Promotion at EnigmalRestless.

Morgan Creek VP/Promotion Walter Lee said, "Sherri combines a tenacious professionalism with an up-to-the-minute knowledge of what's happening on the street. She's already proving to be an asset to Morgan Creek as we set out to develop artists." Be- fore starting in retail promotion at Restless, Trahan founded the Davis, CA -based Ott Track label and worked on -air at the city's college station, KDVS-FM. Sherri Trahan

In related news, Morgan Creek has expanded its agreement with PGD to include international distribution through Polydor (UK) Ltd.

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12 /MR June 28,1991 NEWSBREAKERSA

Yvonne Daniels Dies

Legendary Windy City air talent Yvonne Daniels, "the first lady of Chicago radio," died last Friday (6/21) of breast cancer.

Credited with paving the way for many Chicago female air personalities, Daniels is perhaps best re- membered for her associations with Chicago outlets WCFL, WSDM (as part of the all -female airstaff), WLS, and WGCI. A former singer, her Chicago radio career spanned approximately 30 years.

Daniels was most recently the morning drive personality at NAC WNUA/Chicago. She joined WNUA in late 1989 and delivered her last airshift May 10. According to WNUA VP/GM John Gehron, who also worked with Daniels at WLS, "Her greatest strength was her ability to communicate with her listeners."

WNUA PD Lee Hansen told R&R, "She was a very private and courageous person and didn't want to tell us how serious her problem was. On the air, she entertained her audience, but off -mike, she was in terrible pain. We were all amaz- ed by her courage."

WGCI GM Mary Dyson added, "I felt very fortunate to work with Yvonne here. It was a privilege to count her among my friends."

The Jacksonville native - daughter of the late jazz singer and dancer Billy Daniels - is survived by her husband, Ben Williams, who was with her when she died in Chi- cago's Grant Hospital. Daniels was 53.

BMG Lauds 20 -Year Vets

Iwo

s 7 BMG Chairman/CEO Michael Dornemann (c) honors RCA President Joe Galante (I) and BMG CFO Tom McIntyre for their 20 years of service to the

company.

DAVIS GSM

KDBN & KMEZ Tap Schmidt As VP/General Manager

Unistar Sr. VP/Affiliations Skip Schmidt and Beth Davis have been appointed VP/GM and GSM, respectively, for Granum Communi- cations' first acquisition - Busi- ness News/AC combo KDBN &

KMEZ/Dallas. Granum COO Peter Ferrara told

R&R, "We want independent people who have experience and successful track records, and who are

LETTER

Open Letter To Arbitron Subscribers

t urge you to look at all sides of the four vs. three, 16 -week per book Arbitron issue. The passage of this new approach to audience measurement will cause all of us in-

creased expenses and potentially damaging increased usage of unreliable monthly Arbitrends.

Arbitron's proposal to increase sample size by 33% and to reduce the number of yearly reports from four to three is not a good one.

What would we be gaining? At best, a small increase in accuracy. What are the negatives? (The first is) the very real potential of monthly Arbitrends - unweighted and sta-

tistically unreliable - being used as

the basis for buys at the agency level. Second, all books would re-

flect the influence of baseball. Third, most stations - large and

small - currently promote heavily in just spring and fall. The adoption of three equal reports will inevitably raise promotional budget costs by

50% or more. If you're a medium or small mar-

ket operator already faced with

heavy debt service and declining revenues, you'll probably be forced to buy Arbitrends due to their per- ceived increased importance.

The agencies are ecstatic about Birch's decision to go to four re-

ports. The adoption of three reports by Arbitron flies in the face of the agencies' wishes.

Smaller, two -book markets will not receive any increase in sample - just an increase in survey time from 12 to 16 weeks. What will that do to small stations' promo budgets? Almost surely, increase them by one-third while gaining no increased ratings accuracy at all.

In soft times, agencies are especially quick to hammer us for lower cost -per -point rates. The increased usage of unweighted monthly Arbi- trends would give the agencies one more tool to use against us. And if the trend -selling catches on, any at-

tempts to promote increased ratings stability will go right out the window.

Even if the small potential increase in accuracy is legitimate, the negatives that come with this slight Improvement are not worth the increase in bottom -line expenses along with the validation and misuse of unweighted Arbitrends.

I urge all Arbitron radio subscribers to reject the Arbitron four - for -three proposal.

-Steve Edwards President, Radio Division

South Central Communications Corp.

entrepreneurs. We want to be a de- centralized company that empow- ers GMs to do their jobs unencum- bered by a bunch of corporate bureaucracy. In that regard, Skip's a perfect fit. He has major market management experience [as GM at WJQY/Miami] and has shown the ability to design, build, and lead a staff."

Schmidt and Davis, who was formerly GSM at KJQY/San Diego, were unavailable for comment at presstime.

Dynamic Duo

Arista President Clive Davis pays a

visit to Whitney Houston after her recent performance at L.A.'s For- um.

Warm Your Chart

rk:IT

Aaron Neville (I) was recently feted on A&M's Hollywood lot. Label co- founder/President Jerry Moss was one of those celebrating Neville's A&M solo debut, "Warm Your Heart."

UPDATE

Ferreri Rises To Pinnacle VP/CFO

Edward Ferreri has been elevated to VP/CFO at Irving, TX -based Pin- nacle Broadcasting. "Ed has played a critical role in the development of Pinnacle's financial operation," said Exec. VP/COO Scott Savage. "His promotion not only recognizes the outstanding contributions he has made to the company but also acknowledges the expansion of his fiscal respon- sibilities."

Ferreri joined Pinnacle last year after serving as Controller of Com- mand Communications. Pinnacle owns 12 stations in seven markets: El

Paso and Lubbock, TX; Decatur, IL; Evansville, IN; Raleigh -Durham and Kinston, NC; and Myrtle Beach, SC.

EMI Opens Door On Slammin' Records -` Quark To Distribute New 'Launching Pad' Rap Label

EMI has formed Slammin' Records to reach the "street/underground rap music" market. The label, to be distributed by Quark Inc., debuts with a

12 -inch version of "A Groove" by the Jaz.

EMI Exec. VP/GM Ron Urban and CEMA Distribution VP/Sales Joe McFadden Jointly called Slammin' "a launching pad for certain initial re-

leases before they go through CEMA. The aim is to break through new ar-

tists and help them subsequently achieve major album success." Quark Founder/President Curtis Urbina said, "We're looking forward

to a constructive and lucrative working relationship and hope to add our ex-

pertise and knowledge of the street/underground music market to EMI's marketing strategies."

6,., an.'..,a.,

GRAPE PD

-

Black AC WMYK Now Rock AC WKOS

Black AC WMYKINorfolk flipped to Rock AC Friday (6/21) as WKOS "The Coast." Veteran programmer Tom Graye succeeds Chuck Wood- son as PD, and will do AM drive until he finds a fulltime morning person.

Graye told R&R, "I've been building this format out of my house the past three months. We're the WMMOIOrlando of Norfolk/Virginia Beach. Our whole thing is anti -hype. We don't talk over music, and we play entire

songs. The format's 'adult rock ,"mellow rock,' or whatever you want to call

it." Graye has programmed WJOIINorfolk, WRKA/Louisville, KXOA/Sac- ramento, and Pittsburgh's WHTX and WMXP.

WMYK tied for fourth in Birch (6.9) and placed ninth in Arbitron (4.9) 12+ this winter.

Simultaneous with the switch, WMYK's Black AC format, calls, and

airstaff surfaced in nearby Cape Charles, VA at 96.1.

Gorski Heads KRLD/Dallas Sales

Don Gorski has been named GSM of Command all -News KRLD/Dal- las. He replaces Bob Houghton, who's taken a similar post at WBBMIChi- cago. "Don brings a wealth of experience, especially in-depth knowledge

of the News radio format," said KRLD VP/GM Michael Ewing. "He's a

recognized expert in sports marketing." Gorski was most recently Director/Sales at People and Properties, a

-.

Greenwich, CT -based sports marketing firm. His radio experience includes a stint as GSM of all -News WCBSINew York and a tour as VP/Sales at CBS

14 Radio Representatives.

1 t

1

KOYIPhoenix Boosts Lawrence To GSM

KOY-AM & FM/Phoenix has upped NSM Kathy Lawrence to GSM. The 10 -year radio sales vet replaces Bob Burnstein, who's left the Edens CHR.

VP/GM Nancy Reynolds commented, "Kathy has been with us for over six years. She's exceeded goals and expectations not only in local sales but also as NSM. She's the natural choice; she's bright, ar-

ticulate, loyal, and a definite winner and leader." ,711101

II

Kathy Lawrence

:3:.i.Asi:.niYY 'i. x

1

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Last year,

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NEWSBREAKERS. June 28,1991 R&RÍ3

Radio SEAN LUCE has been named Gen-

eral Sales Manager at WKIX & WYLT/ Raleigh. He comes from a similar position at KGOR/Omaha.

VINCE RAIMONDO is promoted to Sales Manager at WMGK/Philadelphia. He had been NSM at WPEN & WMGK. Replacing him is DON BRAUN, who segues from an AE post at crosstown WMMR.

ROBERT MORGAN has been nam-

ed Sales Manager at WRKO & WBMX/ Boston. He became acting GSM for the combo after serving as LSM at 'RKO. Also, MATTHEW HOCHMAN and MARK HANNON have been upped to Retail Sales Managers at WRKO and WBMX, respectively. Hochman moves up from Associate LSM; Hannon switches from Sr. AE.

MIRA SIMON joins KQLZ/Los An-

geles as National Sales Manager. She comes from KJR & KLTX/Seattle, where she served as GSM.

R

CHRONICLE Born To:

Warner Bros. VP/Product Management Steven Baker, wife Laura, son Jed Clayton, May 28.

KIFMISan Diego MD Tony Schondel, wife Christina, son Anthony, June 12.

WVICILansing MD Laura Kelly, husband Frank, son Kegan Thomas, June 13.

WCOSIColumbia, SC air talent Ron Hicks, wife Linda, son William Kenneth, June 16.

WJDO-FMIMeridian, MS MD Jay Randall, wife Devonne, son Camron James, June 25.

Marriages: Rhino President/co-founder/

co-owner Richard Foos to Shari Famous, June 9.

EMI West Coast Director/ Sales Barbara Firstman to Don Kaplan, June 16.

KKIXIFayetteville, AR air talent Tone Marconi to Kevin Wat- kins, June 18.

Condolences: Video Jukebox Network VP/

Affiliate Relations Cheryl Greene, 44, June 21.

SHELLY WAGNER is named Direc- tor/Advertising & Marketing at KABC/ Los Angeles.

DIANA SANCHEZ is tapped as Busi- ness Manager at KUII/Dallas-Ft. Worth. She formerly served with People's Choice N of Texas.

Records

a ~SP

.111

Dave Lombard! Jeri Heiden

DAVE LOMBARDI is named National Album Promotion Manager at Warner Bros. Records. He segues from the company's National Promotion Man- ager Modern Music/College Radio

post. Also, JERI HEIDEN is upped to VP/Creative Services & Chief Art Direc-

tor. She was formerly VP/Chief Art Di-

rector.

ti

Ingrid Wilkerson Michael Ehrenberg

INGRID WILKERSON is elevated to

National Jazz/NAC Radio Promotion for

the Windham Hill and Windham Hill

Jazz labels. Prior to this, she handled

alternative promotion for the label. Al-

so, MICHAEL EHRENBERG will coor- dinate radio promotion for Windham Hill's new High Street Records division. He previously worked in promotion at

Private Music.

JONATHAN RIFKIND has been up-

ped from Manager/Alternative Promo-

tion to Southeast Regional Director of the same department at Elektra Enter- tainment.

EMILY CAGAN is elevated from Lo-

cal to National Sales Coordinator at Rhi-

no Records.

r

- +r- J

Lee Durham Francesca DeFeo

LEE DURHAM has been appointed Local Prcmotion Manager/Atlanta at

Columbia Records. He formerly served on Motown Records' national promo-

tion staff in Atlanta. Concurrently, FRANCESCA DeFEO has been named Associate Director/Publicity. She most recently worked as Associate Direc-

tor/Press & Public Information at EMI

Records. BILLY HENDRICKS has joined Es-

quire Records in the newly created position cf National Promotions Coor- dinator. Before this, he operated his

own independent promotion firm.

RAY MANCISON joins Noise Inter- national as Director/Radio & Video Pro-

motions. Prior to this he was National Promotion Director at Grudge Music Group.

TONY MONTGOMERY is promoted to Sr. Director/Dance & Singles Sales at RCA Records. He moves up from Di-

rector/National Singles Sales.

Tony Montgomery Dessie Senegal

DESSIE SENEGAL is tapped as Co-

ordinator/Urban Promotion, a new post at Hollywood Records. She previously worked in the label's urban A&R de-

partment.

MELISSA MEYER has been upped from Associate Manager/Advertising to Manager/National Advertising at EMI

Records. JEANNE MATTIUSSI joins Poly -

Gram Label Group as VP/Video & Artist

Development. She formerly worked as

Sr. DirectorNideo Development & Pro-

duction at RCA Records.

FOSTER CORDER is tapped as Di-

rectorNideo Production at Capitol Rec-

ords. He Dreviously was Executive Procucer/co-owner of Blackbird Films.

CHERRY LANE MUSIC has formed

the Guitar Recordings label, with PE-

TER PRIM')NT serving as President/ CEO; (9144 935-5200.

National Radio DEBORAH GALLANT has been named Network Manager for the ABC FM Radio Network. She most recently worked in Market Research/Affiliate Af-

fairs at Dow Jones Broadcast Services. KATHY CURTIS joins Sun Radio

Network as Affiliate Relations Director. CD MEDIA has debuted the "Weekly

Music Survey With Robert Murphy," a

three-hour countdown show aimed at

AC stations; (212) 254-8347. GLOBAL SATELLITE NETWORK

has moved to 14958 Ventura Blvd,

Sherman Daks, CA 91403; (818) 906-1888.

Industry JON BCNCI is named Director/East Coast Creative Services at BMG Music Publishing. He was formerly Creative Manager at Warner/Chappell Music Publishing.

DON PACCIONE is tapped as Man-

ager/Creative Services at Warner/ Chappell Music. He previously ran his

own consJltancy firm, Furious Enter- tairment.

MILES THOMAS has been elevated to Director/Audio Services at IDB Com- munications Group, a satellite transmission service. He moves up from Man-

ager/Audio Control Center Operations. Concurrently, JILL JAMESON has

been tapped as Audio Sales Manager/

East Coast. She had been Director/Sa- tellite Operations at Westwood One Radio Networks.

STEVE COCHRAN has created Whoop-T-Doo Productions, a consultancy firm which will also conduct sem- inars and produce Talent magazine,

aimed specifically at air personalities. Jo ning him as VP is DALEANN MUR-

PHY. She formerly served as Market- ing Director for Scott Hansen's Com- edy Clubs. Whoop-T-Doo's address is:

PROS ON TiiE LOOSE

Freddie B. - Evenings WVIC/Lansing (517) 347-4163

Jay Brooks - Midwest Re- gional Promo. Manager Scotti Bros. (216) 241-3552

Chris Carpenter - Over- nights WIKZ/Chambersburg, PA (717) 261-1028

Arroe Collins - Afternoons WMXC/Charlotte (704) 554- 0240

Monsoon Eddie - Nights KKFR/Phoenix (602) 957- 1581

Jenna Foxx - Middays WKXX/Birmingham (205) 991- 0622

Mark Gunder - Overnights WPCV/Lakeland, FL (813) 858-7732

Rich Harris - Overnights WMXC/Charlotte (704) 545- 1667

Kid Kraddock - Nights WKXX/Birmingham (205) 823- 6299

Bob Lawson - Production Director WVIC/Lansing (517) 321-5981

David Lee - Mornings WAQY/Springfield, MA (602) 995-3885

Tom Marshall - PD WYNFi Tampa (813) 864-2983

P.R. - Nights/morning show producer WVRK/Columbus, GA (404) 576-6928

Eric St. James - Late -nights WJMH/Greensboro (919) 784- 6429

Katt Simon - OM/PD/mornings KOKZ/Waterloo-Cedar Falls, IA (319) 396-4822 'tr

Cindee Standridge - MD/ overnights WKXX/Birmingham (205) 592-0149

Debbie Summers - Mid - days WOPW/Augusta, GA (404) 736-6724

Terri Weber - MD KHYS/ Houston (713) 726-9147

708 South Third St., Suite 306, Min- neapolis, MN 55415; (612) 333- 9248.

KEN SUNSHINE has formed Ken Sunshine Consultants, specializing in

public relations, communications, and event management for the media in-

dustry. The address is: 2 West 45 Street, Penthouse, New York, NY

10036; (212) 869-7210.

Music Scheduler: No Contract! S

fi_ ati:, _' 14.

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POWERPLAY is the best music scheduler for IBM XTs, ATs or compatible: Simplest to learn,

fastest to schedule, and easiest to edit to excellence. POWERPLAY schedules music in minutes, then drops into the editor and finds every song that doesn't pass your tests. You'll reconcile sweeps as fast as lightning, because POWERPLAY suggests the perfect revisions.

-;

You'll teach our automatic editor our programming secrets to do the job itself so your station sounds perfect! You'll save hours a week at the computer.

Call TM Century today for a working copy of POWERPLAY on a free trial. There's no obligation

century Inc

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-11

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DIRECT MARKETING/PROMOTIONS

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"Our stations have had great results with DeMers. They've helped our Tucson AOR, KLPX, really get on track. The ratings are the best in station history."

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Lotus Communications

DeMers Programming/Marketing Consultants

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results in markets of all sizes!

PROGRAMMING

ADULT CHR WINS BIG 25-54

"Our 25-54 numbers have never been

stronger. Gary understands how to make CHR compatible for adults."

Steve Candullo President/General Manger

WKOI (095) Detroit

No matter what size market you're in, call Gary Berkowitz now to find out how your CHR or Hot AC can achieve top 25-54 ratings.

(313) 737-3727

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PROGRAMMING

"Programming is our business and our passion."

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800-878-5889

OVERVIEW June 28,1991 Raft 15

A Mastering The Art Of Good Listening

Are you a good listener? Those who are usually get ahead quicker because

they pick up on indirect or sublimi- nal messages other people don't hear.

Most managers today think they're good listeners, but aren't. Alexandria, VA -based Executive Strategies suggests eight ways to improve your listening habits.

Ask a question while you're talking to a subordinate. Check to see if you really listened to the answer or whether you followed up with another question.

Avoid dominating conversa- tions. Do you talk more than half the time during most normal dis- cussions? If so, then you talk too much.

Talk less. Consciously think about how much you talk and try to cut back.

Learn from others. Focus on what they have to say. It's possible to learn things if you're paying attention.

Help a stalled speaker continue by asking questions that show you've been listening. Knowing the right questions to ask will help move along the speaker's train of thought.

Sum up the speaker's major points. This ensures that you've listened carefully and also may encourage further clarification while the speaker's mind is still on the subject.

Ask the speaker for the "big picture." This helps you understand how all the points fit together in the person's mind.

Understand that your staff

wants to talk to you more than you want to talk to them. Studies show people talk "up" more often than "down," so curb your tendencies to cut off your subordinates.

1 6, ; .' /r'`

`Tax Master' System Tracks Auto Usage

Today's on -the -go radio 'n' record execs don't always have time for

entering mileage and gas consumption in log books. That's why Mobile Computers has introduced the "Tax Master."

Previously available only in Europe, the electronic log book automati- cally records trip miles and times, average fuel consumption, expenses, and type of driving (city or highway), then sums up the data when you want it (weekly, monthly, etc.).

At the end of your road trip, simply remove the Tax Master from your car and hook it up to an IBM-compatible printer to get an itemized printout of vehicle usage. Suggested retail price: $395. For more info, call the Overland Park, KS -based company - an affiliate of Master Control - at

(800) 441-4753 or (913) 338-1740.

The Four R's Of Job Performance Now that you have the three R's of your school days down pat, Babson College

business management professor Allan Cohen - author of "The Portable MBA" ($24.95/Wiley) - has an additional set of four R's for you to learn.

These don't have anything to do with reading, 'riting, and 'rithme-

tic, however. Instead, they stand for roles, relationships, rewards, and rites - important factors in determining your employees' job performance.

Cohen believes that focusing more on these situational "R" factors (below) rather than on individual behavior will help you

Monitored PiayIísts'

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Call Now! 800 562-4407

boost productivity and reduce fric- tion at work.

Rules: Your formal role is what you're hired to do. As a PD or GM, people may see you as the bad guy without knowing anything about the real you. In your infor- mal role - which develops from the formal one - you may look out for your people and help them spot problems before they develop.

Relationships: These stem from people interacting in their roles. People working together either like or dislike each other. Those who have positive feelings produce more. When negative feelings come into play, you - management - must step in.

Rewards: Different types of rewards affect employee behavior in different ways. Fixed salaries unrelated to performance affect people differently than compensation connected with work efforts. Some stations reward innovation, some reward hard work and fitting in. Other factors influencing employee behavior include how bonuses are paid, performance is measured, and fairness is assess- ed.

Rites: These are your routines and rituals. Are the rules lax? Are bosses kept at a distance, or familiar and friendly with subordinates? Your company's structure will influence employees' work habits.

NT 11 MAJOR METROS

Average Lodging & Taxi Expenses ou could spend two nights in Dallas for the price of one night in the

Big Apple - and you'd still have

enough money left over to take a cab to the airport.

Below are the average lodging and taxi costs for 11 major

U.S. cities:

City Lodging cost (per night)

New York $267.33 Washington $207.97 Chicago $185.83 Boston $184.82 LOS Angeles $170.98 Pniladelphia $144.80 Atlanta $138.24 Detroit $133.27 Houston $129.27 Baltimore $124.77 Dallas $119.32

-

Airport Taxi cost (from downtown)

Houston Inter. $27.50 Detroit Metro $27 L.A. International $24 Chicago O'Hare $23 Dallas -Ft. Worth $22.50 Philadelphia $18 NY LaGuardia $17 Atlanta $15 Baltimore $14 Boston $10 DC National $6.80

Doesn't include bridge toll

Source: Runzheimer International

Blueprint For Documenting Disciplinary Incidents

Afraid to fire someone because of a possible unfair disciplinary practice law-

suit? Chances are, you can cover yourself and your company by simply documenting disciplinary incidents on a standard form (for all employees, from top management to parttimers).

According to employee relations manager Martin Levy, writing in Personnel Journal, such a form should include:

A specific description of the problem

r

DATELINE

July 11-14 - Upper Midwest Communications Conclave. Radisson Hotel South, Minne- apolis.

July 13-17 - New Music Seminar. Marriott Marquis Ho- tel, New York City.

August 3-4 - Dan O'Day's Air Personality Plus+ seminar. Fadisson Hotel Plymouth, De- troit.

August 22-24 - Talentmas- ters Morning Show Boot Camp. Hyatt Ravinia, Atlanta.

September 8-10 - Burkhart/ Douglas & Associates Client Meetings. Grand Hyatt Union Square, San Francisco.

September 11-14 - NAB Radio 1991 Convention. Mos- cone Convention Center, San Francisco.

A summary of previous discus- sions with the employee regarding the problem

A statement of how and when you expect the employee to correct the problem

A statement of the action you're taking

A statement of the conse- quences that will follow a lack of improvement

A date for a follow-up meeting to discuss with the employee whether the situation has been resolved.

September 13 - Academy Of Interactive Entertainment Arts & Sciences conference. Executive offices, Los Angeles.

September 25-28 - RTNDA 46th International Conference &

Exhibition. Denver Convention Center.

October 2 - CMA Awards. Grand Ole Opry, Nashville.

October 3-5 - Concrete Marketing's Foundations For- um. Los Angeles Airport Marri- ott.

October 3-6 - Society of Broadcast Engineers National Convention. Hyatt Regency, Houston.

October 14-16 - Broadcast Cable Credit Association's 26th Credit and Collection Seminar. Palmer House Hotel, Chicago.

R&R CONVENTION '92- .1 - JUNE 11-13 IN`CENTURY CITY

16RsR June 28,1991 - iEW

FILMS

WEEKEND BOX OFFICE JUNE 21-23

111 BOOK BEAT

1 Robin Hood: $18.29 Prince Of Thieves (WB)

2 City Slickers $10.75 1

(Columbia) 3 Dying Young $9.72

(Fox) 4 The Rocketeer $9.60

(Buena Vista)' 5 Backdraft $4.51

(Universal) 6 Jungle Fever $4.07

(Universal) 7 What About Bob? $2.91

(Touchstone) 8 Don't Tell Mom $2.80

The Babysitter's Dead (WB) 9 Soapdish $2.71

(Paramount) 10 Thelma & Louise $2.62

(MGM)

All figures in millions First week In release

Source: Exhibitor Relations Co.

COMING ATTRACTIONS: No music -related films opening this week; attempt to discover a

cure for the summertime blues instead.

IA Heavy Metal's Top 500

ou may not agree with the Ii.lirwi fii y albums selected and where they're ranked, but you'll

more than likely get an ear -bleed- ing bang!!! out of how rock critic - turned -author Chuck Eddy justifies his picks for the "500 best heavy metal albums in the universe" in his just -published tome, "Stairway To Hell" ($14/Harmony).

Exactly what qualifies as heavy metal? Eddy says, "All (decent) loud -guitar squashing -ears -like - bugs brain -damage that could con- ceivably (theoretically) appeal to a heavy metal crowd, not just ob- servers -of -arbitrary -dress -code already accepted by said crowd." So there.

Along with the Top 500, the 232 - page softbound reader sports an open -to -arguments history of the genre, a list of the 100 best heavy metal singles (not included on LPs in the HM 500), and a list of 25 reasons why disco -metal fusion (! ) is inevitable in the '90s.

Stations interested in setting up on -air phoners with the author (and other information regarding the book) should call Fiona Watt at (212) 572-2542.

'MUSIC & MOVIES CURRENT

ROBIN HOOD: PRINCE OF THIEVES Single: (Everything I Do) I Do It For You/Bryan Adams

(A&M/Morgan Creek) BACKDRAFT (RCA) Single: Set Me In Motion/Bruce Hornsby & The Range JUNGLE FEVER (Motown) Single: Gotta Have You/Stevie Wonder THELMA & LOUISE (MCA) Single: Part Of Me, Part Of You/Glenn Frey Other Featured Artists: Toni Childs, Charlie Sexton, B.B. King

NEW JACK CITY (Giant/Reprise) Singles: I Wanna Sex You Up/Color Me Badd

For The Love Of Money/Living For The City/Troop/Levert Other Featured Artists: Ice -T, Keith Sweat, Guy THE FIVE HEARTBEATS (Virgin) Single: Nights Like This/After 7

Other Featured Artists: Dells, Patti LaBelle

Isn't It Time You Blew Your Competition ¡ Away?

"SISTER" always hits her target.

SISTER is a unique television spokespersonality for radio, now produced and marketed

exclusively by MEBANE COMPANIES.

Call today for the new Fall 1991 Demo Reel

(615) 2693079 MEBANE COMPANIES

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FAX (615) 292.5624

1111 C TELEVISION

TOP TEN SHOWS JUNE 17-23

1 Cheers 2 Evening Shade 3 Murphy Brown 4 PrimeTime Live 5 Roseanne

Wings (tie) 7 Movie (Tuesday)

("Miracle Landing') 8 60 Minutes 9 Coach

Rescue 911 (tie)

All show times are EDT/PDT unless oth- erwise noted; subtract one hour for CDT. Check listings for showings kl the Mountain time zone. All listings subject to change.

1

v

4

Tube Tops C&C Music Factory, Tevin

Campbell, Sheena Easton, the Kentucky Headhunters, Bar- bara Mandrell, and the Party are slated to perform on "Dis- ney's Great American Celebra- tion" (Thursday, 7/4, 8pm), a

two-hour CBS special.

Friday, 6/28 Damn Yankees, "Late

Night With David Letterman" (NBC, 12:30am).

INXS, Lenny Kravitz, and Sinead O'Connor, "ABC's In

Concert '91" (midnight).

Saturday, 6129

Oleta Adams, En Vogue, Lalah Hathaway, Al Jarreau, Chaka Khan, Levert, and Di- anne Reeves perform on "Cele- brate The Soul Of American Mu- sic" (syndicated; check local listings), hosted by Diahann Carroll, Dionne Warwick, and Phillip Michael Thomas.

Billy Joel, Faith No More, Terence Trent D'Arby, and Marvin Gaye are spotlighted in "Global Jam" (syndicated; check local listings).

Monday, 7/1 Kenny G, "The Arsenio Hall

Show" (syndicated; check local listings).

Blessing, "The Tonight Show Starring Johnny Carson" (NBC, 11:45pm).

Tower Of Power, "Into The Night Starring Rick Dees" (ABC, midnight).

Tuesday, 7/2 Vince Gill, "Johnny Car-

son." Wolfman Jack and Gary

Morris, "Rick Dees."

Wednesday, 713 BeBe & CeCe Winans,

"Arsenio Hall." Lisa Fischer, "Rick Dees."

Madonna For President?

Madonna for President? OK, so she's not running for the Oval Office ... yet.

But what if she was? Advertising Age not only asks that question, it

also challenges you to come up with the best slogan for her campaign! All entries must be received by July 1. Fax your suggestions to the mag's TNT contest #284 at (212) 210-0200, and copy 'Zine Scene at (213) 203-9763.

Meanwhile, Frank Zappa, who is

running for President, takes an early shot at the prevailing two-party system in the July Spin: "The Dem- ocrats stand for nothing except 'I

wish I was a Republican,' and the Republicans stand for raw, unbridl- ed evil and greed and ignorance smothered in balloons and ribbons."

Future Headlines Keep an eye open for these

future headlines, as predicted in

this week's National Enquirer: Whitney Houston will leave

the record biz to join the Army and become an expert on repairing tanks.

Cher will marry a millionaire record industry mogul 20 years her senior. However, things get shaky after he insists on singing on her next LP ... .

Speaking of La Cher, the singer is the subject of a couple of cover stories this week, including one in the National Enquirer headlined: "Cher Shocker: I Haven't Had Sex For 10 Months!"

Newsweek With Attitude N.W.A. member (and self -des-

cribed "ghetto realist" M.C. Ren explains what inspires the band's lyrical muse in the current News- week: "Doing a record is just my way of getting back. 'Cause

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HOT ROD - Rod Stewart sets the pages of the current Rolling Stone ablaze by candidly addressing such issues as his ex -wile Kelly Em - berg's $25 million palimony suit ("she's the sort of person who gives blondes a bad name"), one- time girlfriend Raegan Newman's claim she had sex with Rod two weeks before he married Rachel Hunter ("absolute fucking bullshit"), and the infamous Stomach -Pump- ing Incident ("Oh, the cum -in -the - belly story?... it was so laughable, it never really hurt me. What could it have been? A fleet of fucking sailors? Or footballers?').

T '

VALEATDfO S :^ --, AADE

81G BASH 1 7^ HE .

:i. UFCAADS'P : ... e

The rise. fad, and rise of

don im New Y.

funniest radio maniac

morn I1._. -

0 i oa fi, smith

MORNING BREATH - WFAN/ NYC morning man Don Imus graces the cover of the current New York magazine. Inside, reporter Dinitia Smith (whom Imus had been calling "a moron" on the air before the interview) recaps not only his career, but also some of his more recent on -air bits, including lmus's claim of having three testicles (!) and a sabotaged ad for Miller Beer ("Miller Beer Is celebrating the sale of Its 3 billionth case of beer ... and its 2 millionth car wreck!"). Oh yeah, the piece also notes Imus's show has more male listeners making more than $100,000 than any other NYC morning talk show. Say hallelujah and amen.

when the [police] got you jacked up on a car, and they got a gun to your head, you can't say shit." The

group is also profiled in this week's Time.

Express Lines Don't miss the high school

yearbook pictures of Jeff D. Isbell and Saul Hudson (aka Izzy and

Slash from Guns N' Roses) in the

current Us. Stevie Nicks, M.C. Hammer, Harry Connick Jr., Chris Isaak, Clint Black, and Whitney Houston are also featured.

The current Entertainment Weekly is LOADED with your favor-

ite stars' favorite hangouts. A little something for everybody, but too much to mention here.

An 18 -year -old former go-go dancer says Billy Idol not only fathered her love child, he also gave her herpes to boot! Idol

denies the charges (Globe). Country singer Lorrie Morgan,

who plans to marry crooner Clint Black's bus driver, says her late

husband Keith Whitley has given the marriage his blessing from be-

yond the grave (National Examiner). Michael Jackson allegedly

made a secret donation to a sperm bank in Escondido, CA (National Enquirer).

R&R doesn't run comic strips, but we do take a comic trip each

week through the nation's con-

sumer magazines In search of everything from the sublime to

the ridiculous in music news.

R&R has not verified any of these reports.

"Future Hits picks and plays the best of the new releases and helps image Z100 as the station that plays New York's best new music first. Z100 listeners call in and win on the Future Hits Challenge."

-Steve Kingston PD Z1 00/NY and Malrite Regional

VP/Programming

"The phone buzz is incredible. Future Hits is the only syndicated show that generates listener reaction to the new music. Future Hits gives me a chance to hear the music on WNCI before I add it, allowing me to focus in on it as a programmer."

-Dave Robbins PD WNCI/Columbus and Nationwide Regional PD

"Future Hits is a great lead-in for Casey Kasem. B96 listeners can count on hearing the best new music first each week with Future Hits."

-Dave Shakes PD B96/Chicago

"Future Hits lets me hear how the hottest new music sounds on KISS 108 in context with the flow of the station and it generates listener requests. Future Hits is a cutting edge show that keeps us ahead of the pack and reinforces KISS 108's new music image."

-Steve Rivers PD KISS 108/Boston

Contact your Westwood One representative and catch up with Future Hits a weekly one hour show featuring tomorrow's hits today. In Los Angeles call (213) 840-4000, FAX (213) 204-4375. In Canada call (416) 597-8529.

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1 812.0 June 28,1991 OVERVIEw

LIFESTYLES SPARE CHANGE

How Much Money Do You Have For Fun? How much money can you

spend on fun and frivolity every month? According to

a recent survey conducted by the NYC -based Roper Organization, the U.S. median amount is a mere $108 per month.

High & Low

After the bills are paid, 20% of American households say there's nothing left to spend on themselves. However, 11% say they have $500 or more free for fun.

Men have a bit more ($114) to spend at the end of the month than women ($103).

Education & Age

Not surprisingly, people with college educations have twice as much to spend ($213) as those who have made it only through high school ($107).

From age 30-40, the average left- over income is $117 per month. This figure drops as age increases: From age 45-59 the amount is $109 per month; after 60, it's only $61.

Married & Single

Dual -income married couples have $202 extra each month, whereas couples with a single breadwinner have only $1(7 to spend. Meanwhile, single people say they have just $54 left after the bills are paid.

Political & Social

Finally, adults who consider themselves politically and socially active have $213 left at the end of the month, and people who live in the West generally have $20 more to play with than the rest of the country.

Nation's College Students Issue Fashion Statement

Today's college students have traded in their punk, biker, and scruffy '60s

threads for cardigans, crew cuts, khakis, and jeans. A recent study shows 87% of American college students say the clean-cut and athletic looks are in.

It's no surprise that cords are out, according to 67% of the respon- dents. Another 66% reject military or band uniform jackets, 64% turn up their noses at anything with fringe, and 60% nix denim overalls.

So what are the nation's universi- ty students wearing? T-shirts with graphics (78%), miniskirts (73%), oversized or baggy clothing (73% ) ,

cardigan sweaters (70%), and bi- cycle shorts and/or spandex (67%) all made the grade.

Stylin' Hair College students' hair is just as

important as their clothes. Women prefer shorter haircuts (72%), and 62% reject "big" hair.

Ponytails for men have become uncool, according to 54% of students, but loosely worn long hair is in (53% ) . Crew cuts are popular with 59%, while 62% say the slicked -back look is strictly for water fowl.

Source: Levi's 501 Report

`Sportable` Player Clocks Musical Miles

Introducing the Sanyo "SPT1000 Sportable" - a

portable AM/FM radio/cassette player with a built-in pedometer designed to help joggers keep track of their stride, distance, and average pace while listening to their favorite radio station or cassette.

The unit's cassette/receiver features the company's BASS- Xpander sound system (for im-

proved bass frequency response) and an AM band that can access stations located in

the newly approved airspace between 1600-1710kHz. A

clock/stopwatch function also is

included. To monitor your exercise,

simply tune in the station of your choice, then set the pedometer for walking, speed walking, or jogging. Next, enter your stride (in inches or centimeters), target distance (in miles or kilo- meters), and average pace (in

steps per minute), and hit the road. The Sportable can be programmed to inform users of their pace and progress by sending tones via the unit's headphones.

List price: $54.99. For information about the product - including how you can have it

customized with your call letters - phone the Chatsworth, CA - based company at (818) 998- 7322.

Study: Cellular Phones Are Secret Of Success

Cellular telephones can improve your marriage, make your life less stressful, and

add more time to your day. So say 650 cellular -phone users surveyed in a recent Gallup study for cellular equipment -maker Motorola.

By the year 2000, 33 million cellular phones are expected to be in service in the U.S., up from 5.3 million last year.

One reason may be lower prices: Car phones will drop to an average of $287 by the end of 1991 from $386 last year. Monthly rates also have declined, to $80.90 last December from $96.83 in December '87.

Among the study's findings:

54% said cellular phones improved their relationship with their spouses.

83% of women and 68% of men said cellular phones have made their personal lives less stressful.

68% said using a car phone has added a significant amount of time to their day.

73% said they've called a loved one "just to say hello."

89% of women and 75% of men said the phone made them feel more safe and secure.

84% said they've called their family or business appointments to say they were running late.

54% have used their phones to ask for directions.

52% have used them to close a business deal.

25% have called for help for their own disabled vehicle; 38% have called for someone else's car.

36% have ordered food for carry -out or delivery.

`Remote Key` Does Everything But Drive Your Car -

Imagine a remote control that could start your car ... and turn on the heater or air conditioner,

activate the rear defogger, turn on the headlights, and even open the door! Remote Automation & Con- trol Electronics (RACE) did - and came up with the "Remote Key."

The remote control was designed to provide easier car starting in winter and to "climatize" cars before people enter. The unit also acts as

a paging alarm system and as a

vehicle locator (it'll honk the horn and flash the headlights so you can find your car in a parking lot).

Safety features will shut down a

car if it idles in an enclosed space or at high RPMs, if the hood is

opened, or if someone without the ignition key tries to drive it. The Re- mote Key allows all functions to be monitored from up to 2000 feet. Suggested list price: $1395. Phone the Niagara Falls, NY -based firm at (416) 269-6781 for more info.

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"THE WORST ROCK 'N ROLL RECORDS OF ALL TIME

By Jimmy Guterman & Owen O'Donnell

Agree or Disagree... your listeners will LOVE this book! To find out who made the BOTTOM 50 or for availability of the authors for interviews call Ben Petrone at Carol Publishing Group: (212) 418-4090

CAROL PUBLISHING

GROUP

OVERVIEw June 28,1991 R&R19

TECHNOLOG

-

Five-CD/Laserdisc Combo Player Debuts

ploneer recently unveiled a multiplay five-CD/laserdisc unit that combines the visual aspects of laser technology with the utility and sound quality of compact discs.

The player, dubbed the "CLD-M90," features a unified tray that not only stores and plays up to five CDs, but also allows users to play 12 -inch laser -

discs without removing the CDs. The model also utilizes a high -density pulse flow digital -to -analog (D/A)

conversion process featuring a one -bit D/A converter and eight -times over - sampling. A direct CD switch, automatic digital level controller (which ad- justs individual disc volume output levels to provide a uniform volume), and onscreen informational displays are also standard.

Due to arrive in electronics stores this September, the CLD-M90 has a suggested retail price of $700. For more info, call the Long Beach -based

company at (213) 835-6177.

Use Your PC To Fax Nof too long ago, fax machines were the quickest and easiest way to send in-

formation. But today, several companies have come up with plastic fax boards that allow you to use your PC as a fax machine.

The board fits into your computer and sends information stored in the PC to fax machines, where it prints normally. Likewise, faxes can be sent to your computer. You

can monitor the information and then print it or spin it into the netherworld of disc storage (thereby keeping it private and saving paper).

The computer can send faxes during off -hours and can receive them while you're working on something else. It also stores and logs all fax activity. Prices range from $200-$500 for most models.

Cloth Helps Beat Sunburn ant to give your listeners or clients a station T-shirt and protect them from

the sun at the same time? Try sticking your logo on shirts made of Solarweave, a new fabric manu- factured by Chicago -based Solar Protection Factory.

Developed from nylon, Solar - weave blocks up to 99% of the ul- traviolet rays (UVB) that produce sunburns and are one of the leading causes of skin cancer. (A typical

T-shirt blocks less than 50% of these rays.) What's more, the fabric also screens 93% of similar UVA rays that cause skin to age prematurely.

The material, which gets its ray - banning capability from the chemi- cal makeup of the dye used to color it and the patented way it's woven, is currently being used to produce machine -washable polo shirts. List price: $40.

U.S. Consumer Electronics Sales Near $33 Billion

The amount of electronic products bought by Ameri- cans has increased steadily

from 1987's $29 billion to last year's $32.9 billion. Here's how 1990 sales of certain electronic products stacked up:

CD Players: Total CD player sales were up 32% in 1990 ar-d are expected to rise another 9.2% this year. Meanwhile, sales of CD players to consumers are expected to increase 7% in 1991, bringing U.S. market penetration to 28%.

Videodisc Players: Videodisc player sales rose 40% to $72 million in 1990 and are expected to increase another 49% to $104 million this year.

Projection TVs: This year, projection Tv sales are expected to climb 2.6% to $643 million, com- pared to 1190's 32% leap to $626 million.

Camcorders: Camcorder sales grew 30% last year to 2.2 million units and are expected to jump another 10% this year.

Color TVs: There were 20.8 million color TVs sold last year. This year, sales are expected to remain alrrost stagnant, rising to 20.9 million.

VCRs: Last year, VCR sales fell from $2.6 billion to $2.4 billion. This year's sales are not expected to pass $2.5 billion.

Sow -ce: Electronic Industries Assoc.

Touring Industry Software Released Veteran tour manager Gerry

Landry has designed a com- puterized mileage search

software program especially for the touring industry.

"TourMiles" not only finds and catalogs distances, it also calcu- lates travel time between the more than 330 U.S. cities (most of which

have amphitheaters) encoded in the program's memory.

Priced at $195, TourMiles is available on floppy disr for IBM and compatible laptops. Plans for Macintosh versions are in the works as well. For more information, call (213) 371-8203.

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Ricoh Corp.'s recently introduced "PF -1" -a fax machine smaller than a breadbox - has' notched an official place in the 1991 "Guin- ness Book Of World Records." The diminutive device is 1 1 x7x2

inches and weighs 5''4 pounds. Tie PF -1 sends and receives faxes from almost anywhere, including

cars, pay phones, golf carts, and hotels. It comes with a rechargeable battery pack, an adapter that plugs into your car's cicarette lighter, and a standard AC adapter for wall outlets. The PF -1 also can be connected to regular or cellular phones.

Ricoh's machine transmits a letter -size page in 30 seconds, stores 30 pages, and doubles as a copier. An Errcr Correction Mode is built in to minimize cellular and static problems. Price: $1695. For more information, call the West Caldwell, NJ -based compary at (231) 882-2000.

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First CD-ROM Laptop Computer

Fremont, CA -based GRiD Systems Corp. recently introduced what's believed to

be the first CD-ROM laptop computer.

The 17 -pound portable "GRiD- CASE 1 550cd" includes an integrated CD-ROM drive that can handle up to 635 megabytes of read-

only storage. What's more, the device has an optional gas plasma display for graphics applications.

Designed for on -the -go executives and salespeople, the 1 550cd provides access to large data- bases, maps, charts, and tables usually stored in office -based PCs. List price: $6590. Call the company at (415) 656-4700 for more info.

Minuscule Discman Unveiled

Sony recently unveiled a version of its "Data Discman" that it hopes to have in U.S.

electronics stores by Christmas. Already a big seller in Japan, the Data Discman stores information such as entertainment guides, en- cyclopedias, and medical refer- ence books.

Essentially an electronic paper - less book, the unit is about 6 inches long, weighs 11/2 pounds, and holds the equivalent of 80,000 pages of text (or 32,000 graphic images) on a 3 -inch CD. It also has a flip -up screen and a keyboard to help you search for material.

Meanwhile, Mount Holly, NJ - based Franklin Electronic Pub- lishers has introduced a rival version of the Discman. Called the "Columbia Electronic Encyclo- pedia," it cross-references and makes phonetic spelling correc- tions. It's due this fall and will sell for about $300. No price has yet been established for the Discman.

programnung Keynoter

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Saturday, Sept' 14

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SAN FRANCISCO SEPTEMBER 11-14

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3RD WEEK: CHR CHART: DEBUT

113/22 DEBUTS THIS WEEK: 32

MOJO 21-19 HOT Z100 19-11 HOT WEGX 5-4 HOT B94 30-22 KEGL add Q102 32-27 HOT WPHR deb 20 WZPL 25-22 KXXR 35-26 HOT KDWB 22-15 HOT WKBQ 27-21 KPLZ deb 28 HOT KBEQ KUBE H0T999 deb 23 WIKZ 21-17 WVSR add JET -FM deb 27 WLAN add

P1 CHART P2 CHART

(0.1991 ref American Recordings'

KC101 29-25 G98 deb 34 -

K106 32-27 195 23-18 G105 34-29 WABB deb 29 WHHY deb 28 K92 22-15 WKZL 33-24 HOT WRQK deb 27 HOT947 add 19 WGTZ add WIXX 29-17 HOT Z104 31-26 KJ103 add WRQN deb 28 KMYZ 15-11 KKRD add KATM deb 23 KWNZ add 35

DEBUT

DEBUT

ST EET TALK®

KIX1 06 Goes Country! ost of the questions posed in last week's ST item on SunGroup's WKXX (KIX106)/Birmingham were

answered Tuesday (6/25). After more than a decade of CHR, the

station flipped to satellite -delivered Country and the new calls WBMH. The format change followed two weeks of turmoil during which the GM was turfed, the PD anc morning team quit on -air, a bullet sailed through a station window, profanity was spray -painted on the studio walls, and equipment was stolen.

Zach Owen - SunGroup Southwest VP/Programming (and PD at KYKX/Longview) - has been installed as the station's new PD.

He'll also handle mornings with Julie, a KIX

parttimer. The remainder of the programming comes courtesy SMN's Real Country. SunGroup VP/Radio James Reeder remains acting GM. (Back at KYKX, MD Ken Curtis has been upped to PD/MD.)

Rumors Is WSSXICharleston, SC PD Adam Cook

about to link up with his former 92X/Columbus GM Randy Rahe and become PD at XL106.71Orlando? Will current PD/afternoon driver "Big" Steve Kelly hang around?

Is KKBO/Houston OM Dave Elliott lookin' for a

new gig? And ... is KKBO afternoon driver Ron

Parker about to become more involved in programming?

Is Z100INY midday personality Shadow Steele trying to negotiate his original 90 -day deal into a

l0000ng-term agreement? What's this week's big mandatory staff meeting

at WWKB & WKSE/Buffalo all about? Expect GSM Darrel Goodin to be upped to VP/GM.

Spike those rumors about CHR Y97/Santa Barbara flipping to AC in three weeks.

Is AC WTWRIToledo about to go CHR? Will

former WZDOlJackson, TN PD Duane Shannon be-

come 'TWR's new PD?

Is Larry Berger about to rejoin WNTOISyra- cuse as a consultant?

MCA's Al Teller and CAA honcho Mike Ovitz were spotted lunching at the Palm this week. Is Teller really taking Japanese lessons?

For obvious reasons no one's talkin' out loud about this one, but rumors that another Birmingham operator offered 'KXX $$$$ to either go Country or stay out of its format refuse to R.I.P.

Meanwhile, ex-KIX106 morning team Steve Shannon & D.C. Chymes are spending the week down at Power Pig/Tampa, trying to hammer out the details of becoming the morning show. If those cakes don't bake, ST hears several St. Louis, Detroit, and San Diego CHRs - as well as a Boston AOR - are also interested in the duo.

Speaking of Power Pig ... Former KIX106 PD Brian Christopher is now doing swing for the swine. ST hears he'll become APD, if Jeff "Booger" Kapugi cops the Hot 94.7/Chicago gig.

Goin' back to Birmingham, there's also been some activity at the market's top Country station, WZZK. MD/middayer Bob Sterling - an eight -year station vet and a two-time winner of CMA's MD Of The Year award - will exit for the PD gig at Country WUSYIChattanooga.

Shock!!! After five months as PD at Edens's KOY/Phoenix, Rick Thomas returns to the PD chair at XHTZ-FM (Z90)ISan Diego. Z90 PD Brian White exits.

Word is that the folks at Edens aren't too happy about Thomas's return to San Diego, seeing as how the company's Q106/SD forwarded its market research to him several days ago.

Perun Hangs Shingle

Following his sudden exit as PD of WZOU/

Boston last week, Steve Perun has decided to open up a consultancy. No official company name yet, but Perun claims he's already got several clients lined up. Expect him to name

another major market PD as his partner within

the next few months. Heavy speculation has Perun hooking up

with Pollack Media Group to head its CHR

division. Jeff Pollack was unavailable for

comment, but Perun was spotted in L.A. this week.

Continued on Page 22

(ADVERTISEMENT)

McVay Media Consulted Stations Lead Formats

McVay Media programmed consulted radio

stations scored big according to the most re-

cent American Radio Fall 1990 publication. WZIDIManchester is #1 rated in the AC/Old- ies/Soft Rock category. WHNNISaginaw posts

a #2 rank in the same format while client sta-

tions WAJI/Ft. Wayne, WVAFICharleston, WMYI/Greenville, WLTFICIeveland, and

WMGX/Portland all fall in the Top 25.

Winners in the recent winter sweep include #1 WWLIIProvidence, #1 WMYIIGreenville, #1 WYNK/Baton Rouge, #1 KCMOIKansas City, and #1 KRMDIShreveport.

McVay Media Radio Stations Win

The full -service programming strategist

continued to boast the nation's most successful winning ratio among major consultants. The most recent Arbitron Sweep shows the consultancy with an 82% win ratio

and, McVay Media continues to renew clients year after year.

McVay media has the time, experience,

and consultants to help you. Contact Mike

McVay or Jerry King at (216) 892-1910, Charlie Cook at (615) 373-2518 or Chris Elliott at (303) 841-3960.

(ADVERTISEMENT)

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"GREAT PHONES, IT SMOKES!" John McFadden-WDFX/Detroit

"PHONES ARE MONSTROUS!" Jay Taylor- Q105/Tampa

KS104 odd HOT977 13-10 Hot Q106 22-19 KZFM 38-26 PWR102 16-13 KTFM debut 30 WDFX 14

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STREET TALK® Continued from Page 20

With Sunny Joe White succeeding Perun (see Page 1), 'ZOU APD/MD Cadillac Jack McCartney has opted to join Pyramid -owned Cody/Leach Broadcast Architecture consultants as Assoc. Dir./Music Research Development. His primary involvement will be with the firm's international clients.

Asked to respond to rumors that he was looking to hire crosstown WXKS (Kiss 108) MD Jerry McKenna and/or Music Coordinator Carmen Cacciatore, White told ST, "I'd welcome the chance to work with both of them again."

Kiss 108 and Pyramid CEO Rich Balsbaugh shot back, "I don't think so. Jerry has another year to go on his current deal with us. Besides, he's already told me he's happy where he is." No word on Cacciatore's status.

Got My Mojos Mixed Up

ST has learned that WPLJ (Mojo Radio)/ NY failed to include "Mojo" in its spring Arbitron slogan file!

Adding insult to injury, crosstown rival Z100 - which, in fact, was pre-emptorily calling itself Mojo for a short time before 'PLJ's switch - managed to include the handle in its file!

'PLJ's sin of omission was discovered when both stations included Mojo in their summer files. Expect Arbitron to verify the credits on Phases I & II. ST hears the adjustments will be slight.

Rumbles KPRS/KC PD Paderick McFreen has exited

the UC outlet. Former KOYIPhoenix personality Monsoon

Eddie - who'd just inked a deal for nights at crosstown KKFR - was two days away from starting his new gig when he was told it was a no-go. He got a

nice severance check, though. Now, KKFR morning sidekick Kelly Boom will do

nights and new MD Dena Yasner will co -host mornings.

Two AC MDs have been named interim PDs. Gene Knight will be takin' care of business at KFMB- FM (B100)/San Diego, and Bernie Eagan gets the call at WENS/Indy.

Karen Dee joins KSANISF for evenings. Tad Swenson exits afternoons at KFMSILas

Vegas for middays at KYGO-FMIDenver. Y102/Reading, PA PD Steve Wilson exits

over philosophical differences with former PD -turned -

GM Mike Shannon. MD/morning man Tommy Frank becomes acting PD.

WDSYIPittsburgh APD/middayer Chris DeCarlo adds MD duties.

Former KWSSISan Jose MD Rich Anhorn grabs the MD slot at 0105/Tampa.

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EVERYTHING'S ARCHIE - WCBS-FM/NY air talent Cousin Brucie Morrow makes his 5283rd sock hop appearance - and plays an integral role in the plot - in the forthcoming "Archie's Riverdale High No. 8" comic, which hits the stands August 8.

WAVA In Tuxes 'N' Tales 1 When officials from Salem Broadcasting

made their first official visits to soon -to -be - acquired CHR WAVA/DC this week (6/24-25), the station's entire staff greeted their new owners wearing tuxedos (Monday) and boxer shorts (Tuesday). Even Emmis Exec. VP/Ops (and WAVA acting GM) Randy Bongarten and Salem rep Allan Hammerel donned shorts for the day.

Salem offered no official word to the staff on either a takeover date or a possible format shift to Contemporary Christian, indicating it would be "several weeks" before any decisions would be made. Calls to Salem toppers Ed Atsinger and Stuart Epperson went unreturned.

Meanwhile, there's 16 tons o' loose talk about the fate of WAVA PD Chuck Beck and morning bad boys Don Geronimo & Mike O'Meara if the format is changed. Geronimo &

O'Meara are under contract to WAVA through February 1992, but would be free to move if

the format takes a heavenly scent. Where would they go? Hot 94.7/Chicago

and crosstown B96 are likely destinations, but let's not forget DC Classic Rocker WJFK, which previously expressed interest in the duo doing afternoons.


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STREET TALK Continued from Page 22

Speculation about Beck's future has him returning to WDFXIDetroit as PD. At presstime, the 'DFX sale from Hoker to Sherman was approaching its 'leventy-seventh "drop -dead" date - with Sherman scrambling for yet another week's extension. This soap opera has been running since the letter of intent to purchase was signed last September.

Sun Fun Bun Run

KIISIL.A. morning star Rick Dees was set to broadcast his show live and in the buff - sans un -Dees, as it were - from a "clothing - free environment" in nearby Topanga, CA on Thursday (6/27).

The swingin' stunt's all part of a promotion for the new flick "The Naked Gun 21/4." Listeners and celebs will vie to see how many eight -inch hot dog buns they can carry while running 50 yards in 102.7 seconds.

Last week's ST turns to reality .. .

beginning August 1, Ticketmaster (which recently acquired rival Ticketron) and A*Vision Entertainment (a Time Warner home video marketing division) will start direct - marketing audio and video products to consumers who call Ticketmaster to buy concert tickets.

While the bulk of this new service will be handled via telemarketing and direct mail efforts, and the products pitched will relate to artists who are currently touring, these audios 'n' videos will not be limited to product available from Atlantic or A* Vision. Instead, the new venture will function as a sort of one - stop for product from other labels as well.

Jacor is one of the nine limited partners in the new Denver baseball franchise. Does that mean Jacor has the inside pitch to broadcast

Rumbles, Pt. II 1100/Daytona Beach, FL morning man Marc

Ross is upped to PD,overnighter Lu Valentino becomes Promotion Dir./morning co -host, and night rocker Tim Travis takes MD/afternoons.

KTHTIFresno's Steve Tate segues to nights at XL106.71Orlando.

Ex-KRBE/Houston morning man Mark Waldi - who's been doing weekends at crosstown KLOL - snares middays at crosstown KKBO. Meanwhile, KKBQ Asst. Promotion Dir. John Trepans Is now Promotion Dir. at K106/Beaumont.

WZKXBiloxl, MS morning man Bryan Rhodes adds MD duties. Ray Miller exits.

KOHTIGrand Forks, ND night rocker Wade Williams takes the MD reins from middays/Produc- tion Dir. Shelly Carr.

WDEZ/Wausau, WI GSM Beverly Rice has been upped to GM in the wake of Peter Tanz's exit for the KFMO/Lincoln GM gig.

Don Snyder is the new GM at KGHUBillings, MT, and Sharon Stompro is the new OM.

After 42 years with WESCIGreenville, SC, VP/Sales Wally Mullinax will exit to devote his complete attention to a station he owns, WMTY1Green- wood, SC. Mullinax had served as WESC's morning personality and sales manager, and had been VP/ Sales since 1977.

KEDGISacramento PD D.J. Willis is in critical condition following a hit-and-run accident. He's expected to make a complete, albeit lengthy, recovery. Get well wishes c/o UCD Medical Center, 2315 Stockton Blvd., Sacramento 95817.

IwEK - N OF

Dig Me Now, Plant Me Later

Getting back to their roots, the knotholes at EMI Records

added a little hark to their bite by leaving selected programmers genuine Colorado Blue Spruce seedlings (packed in plastic bags; proper planting procedure printed on the hack of the custom tags) to cultivate interest in Huey Lewis & The News' latest single, "Build Me Up."

Who wooden give this Promo Item O' The Week honors? It's the only (eco)logical choice to branch out and become an evergreen favorite. I

the team's games on its 50,000 watt KOA? If

so, the as -yet -unnamed National League team would join the Broncos and the Nuggets on KOA's schedule.

Evaluation Speculation 1 New Hot 94.7/Chicago PD Gregg

Cassidy wasted no time making his presence felt, chopping 21 titles from the station's playlist!

As to all the loose talk of pending staff changes at the troubled Cap Cities/ABC CHR, Cassidy told ST, "I've heard all the rumors about [morning duo] Welch & Woody being out, but everyone is being evaluated for the next couple of months.

"I haven't nailed anything down yet with [Power Pig/Tampa APD] Jeff `Booger' Kapugi, [WAVA's] Don & Mike, or [former XL106.7/Orlando's] Bubba The Love Sponge [also ex -night rocker at crosstown B961. The only gig I've got open right now is for a

Production Director." By the way, ST hears Laura Shostak -

MD at sister AC Mix 107.31Washington - has resigned to relocate to Chicago. Stay tuned!

UC KHYS/Houston did switch to Urban AC, changing handles to "Y98.5." Other than MD Terri Weber, who exited last week, there were no further additions to Pros On The Loose at presstime. ST hears crosstown Dance CHR KBXX has already approached Weber.

WJJO/Madison GM Mike Varney punched up the ST "fun-fone" to clarify last week's item, which stated "lots of people" were out in the wake of the station's format flip.

Truth is, three fulltime people exited (morning team Jim Bosh & Sheri Logan and MD/acting PD Chris Kelley), and midday man Jo Jo Wright had left for WKBOISt. Louis three weeks prior to the format change.

J

i

Featuring the new single

"If Your Not The Opte For Me"

With the vocal duet by

Brenda Russell e3 Bill Champlin

Adult Contemporary

NEW & ACTIVE KESZ

WLEV WKYE WTCB WAHR WRVR

KELT

KRAV

KMJC WQLH WMGN WQLR 3WM KIZZ WNMB WLDR WFFX KIDX KTYL KKAZ WMTFM KPAYFM HOT KZLT ... AND MANY

MORE!

NAC Album Chart: -

T N E

LOICITAL NIANTE COMPA NOY

© 1991 GRP Records. Inc. Continued on Page 26

26.RaR June 28,1991

z STREET TALK®

r

>,

e 112's "There She Goes"

re, BUZZ BIN!

NOW ON 51 OUR REPORTING STATIONS!

51/10 KKBO 29-23 KRBE 33.31 KWOD 20-13 NOT 9991011 add KTUX add KF95 add KATM add 099.5 add WWFX add WOMP add XL93FM add WKFR add Z99 add WTHT deb 24

-,wir<-

WSTW deb 40 K106 deb 40 WJLQ deb 36 WNYP deb 30 WILN deb 40 99KG deb 39 WIFC deb 35 WPST 38-35 CK105 39-37 KKNT 39-35 KISR 38.34 WDBR 34-30 KFMW 40-35 ...and more!

,

Produced by Bob Andrews Mixed by Steve Lill ywhite

n4

PolyGram Label Group

,

Continued from Page 25

Cahners Publishing is sh-sh-shakin' up the staff at its recent acquisition, Broadcasting. Meanwhile, those rumors of scme kind of Weekly Variety/Broadcasting "combination" refuse to die.

Recycled Radio has closed on AOR WZYC (Z103)/Greenville-Jacksonville, NC and changed calls/handle to WKOT (103.3 The Kat). At presstime, the new owners - all

present or former 'ZYC staffers - were deciding whether to go ahead with plans to go satellite in nights and overnights.

WKNR/Cleveland afternoon sports- yackmeister Larry Calton was axed Wednesday (6/19) after complaints to the station over remarks he made during a discussion of the Cleveland Indians trade options two days earlier, namely, "[other teams may try to] Jew them down."

Calton immediately apologized to his listeners, but 'twas apparently too late to satisfy management. ' Major Market Morning Madness

Two of Pittsburgh's most high -profile morning teams are o -u -t. Last Friday (6/21), Larry O'Brien & John Garry bid farewell to Gold -based AC WHTX. Three days later, Jimmy Roach & Steve Hansen parted company with AOR WMYG (97 Rock). As ST went to press, former Power Pig/Tampa AM driver Dr. Don Carpenter was "in the driver's seat" for the 'MYG gig.

After collaborating with the KSHEISt. Louis morning show for the past two years, comedian Craig Hawksley was named co -host last week, teaming with Adam Smasher. However, Hawksley changed his mind after two shifts and quit, leaving da Smash to go it

alone for now. Previous morning co -host John Ulett has

slid into his old 10am-1 pm shift, but will continue doing news and sports in AM drive. APD/MD Al Hofer now handles 1-3pm.

"Radio's best friend" (drum roll, please ...), Art Vuolo, captured all the highlights of last week's Bobby Poe "Pop Music Survey 20th Annual Convention" on video. Call (313) 355-0022 for info.

Major music attorney Don Passman's forthcoming book, "All You Need To Know About The Music Business," certainly sports some stellar cover endorsements.

David Geffen, Mo Ostin, Joe Smith, Quincy Jones, and Don Henley all call the book a "must -read." Look for the tome to surface via Prentice Hall in early August.

Records Pamela Jouan joins Atlantic as Assoc.

Dir./Nat'l Pop Promo. Most recently Dir./Music Re-

search at Hitmakers, Jouan replaces <im Freeman, who was recently upped to Dir./Nat'l Pop Promo.

Scotti Bros. Midwest Regional Promo Mgr. Jay Brooks exits the label.

WB Motor City promo rep Rob Ellis shifts into the same duties crosstown for Capitol.

Jim Brown has been named Nat'l Dir./Mktg at

Grand Slamm Records.

RADIO & RE CORDS

v John Chaffee elected Malrite Communications

President/COO.

Roy Wunsch named CBS/Nashville's first President. v Russ Regan becomes President/Creative Division for

Motown Records.

WHOT/Miami PD Bill Tanner crosses the street to turn

WCJX into WPOW ("Power Hits 96X").

10

Dick Asher named President of CBS Records Group; Al

Teller elevated to VP/GM.

Ted Edwards becomes WCOZ/Boston MD.

Mark Larson joins KFMB/San Diego.

Former KNACIL.A. personality Gonzo Greg (Spillane) will head east for evenings at WMMRIPhilly. He's the station's first new fulltime jock in at least eight years! Look for 'MMR to beef up its current percentage at night. Earl Bailey returns to weekends/fill-ins.

Speaking of rare openings, the 6-10pm slot is now available at WBCNIBoston, as Tami Heide speeds west for overnights at Infinity sister KROQIL.A. She succeeds Swedish Egil, now MD at crosstown MARS - FM.

Hollywood Swingin'

ST's all -seeing eye notes the presence of

a vintage KNXIL.A. microphone in Disney's new flick "The Rocketeer," which is set in L.A. circa 1938.

By the way, KNX traffic reporter Bill Keene is among the 22 new names selected to receive stars on the Hollywood Walk of Fame. Another is crosstown' KMPC sportsmeister Jim Healey.

From the lighter side of the Geffen - Mercury brouhaha over the Guns N' Roses track allegedly leaked by Mercury rep Doug Burton:

AOR programmers recently received brown paper bags containing a CD single from rooArt/Mercury Aussie rockers the Screaming Jets along with the following note:

"What I really meant was that the Screaming Jets could be the next Guns N' Roses. Here's your own personal 'leak.' Enjoy, Doug Burton."

ST hears FCC Chairman Al Sikes thought the cover of last week's R&R - which featured a trio of butt -naked radio 'n' record types - made us "an indecent newspaper." Glad we're not subject to Commission regulations (and hope he doesn't sneak a

peek at Page 56 this week).

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"The Truth," the first single and video from "Wanderlust,"

the RCA Records Label debut album from Tami Show. On your desk now.

Produced by Mike Chapman for Mike Chapman Enterprises, Inc.

Management: High Noon Entertainment/Russ Rieger, Gary Hobbib

THE RCA RECORDS LABEL-IT ALL ADDS UP TO

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Mort Tmk(s) M Re3etered Marca(s) F egrstrada s) General Electnc. USA. BMG logo 8 BMG Mus.c ® 1991 BMG MuSvc

28R&R June 28,1991 NEWS WFLA


`Vigorous Defense' Michaels dismissed Richards's

charges as sour grapes from an embittered ex -employee and said the company will mount a "vigorous defense."

"This is obviously a very troubled woman who has made some serious allegations," Michaels told R&R. "We gave her her first shot as a fulltime talk host, and it didn't work out. Our defense is going to include some offense, including, I would think, some countersuits."

According to Michaels, some of the charges cited in Richards's suit are based on distortions of events that actually took place. For example, he said, a female stripper did perform at WFLA - not at a mandatory staff meeting, as Richards claims, but for a staffer's birthday.

Urso Continued from Page 3

mental in breaking dozens of records, and we're looking toward his expertise and perseverance to get JRS out of the gate. His talent for motivating a staff will set the tone for the success we intend to achieve."

Urso added, "It makes me hum- ble and happy to be working with a legend, music mogul Artie Mogull. His dedication, commitment, will to win, and vision will make JRS a uniquely exciting venture. To- gether with the staff, I plan on making things happen."

Urso's been involved with his own consultancy recently. He left Elektra as Exec. VP/Promotion after seven years, and was previously VP/Promotion at Warner Bros., Ateo, and Planet Records.

White Continued from Page 3

Balsbaugh explained his conten- tion: "As far as I'm concerned, Sunny no longer has any equity in Pyramid, and he can now compete against us wherever he wants to. He can sue me if he wants, but .. I feel very confident about our legal position.

"Sunny was a general partner [in Pyramid] for a number of years, received a tax-free salary, and could have maintained that status. All he had to do was not go across the street or try to com- petitively harm the partnership. Now he's done both."

White responded: "When I joined 'ZOU I didn't own any partnership in [Pyramid]. I transferred my stock to someone else, and I'm not saying who it is. I didn't leave Kiss 108, they kicked me out. I worked hard for Richie for 12

years, and I'm still owed my share. My attorneys will make sure I collect." White is believed to have transferred his Pyramid interest to his mother.

Nashville Rivals Continued from Page 1

be offered the chance to apply for positions with the new entity.

Hapa chief Vic Rumore said he got the idea from Nashville's two local newspapers, which have a similar arrangement. "They have two completely different and highly competitive editorial staffs. They compete and fight for stories. Yet they have one sales force.

"We're going to have two completely different, highly competitive programming staffs. They'll be totally across town from one another. We'll be very secretive. We fully intend to beat their brains out."

Dick officials were unavailable for comment.

South Of The Border

To

N.

Contemporary Jazz WQCD (CD101.9)/New York evening personality Hol- ly Levis escorted eight contest winners to the International Cancun Jazz Festival. Pictured are (front, 1-r) winners Gary Flowers, Mari Griffin, Jean Lage and Dave Conroy and WOCD liaison Phil Beyernheimer; (back, 1-r)

winners Wendy Hill, Norma Ramos and Greg Ramos, singer Nancy Wilson, Levis, artist Najee, contest winner Kathy Griffin, and artist Marlon Jordan.

Impact Takes A Tripp " 1

r!

, I,s

Greg Tripp's inking to Impact Records made quite an impact on the label's L.A. headquarters. Celebrating the signing are (l -r) Impact's John Lappen and Sr. VPs Randy Nicklaus and Bruce Tenenbaum, Tripp, Impact President Jeff Sydney and VPs John Hey and Frenchy Gauthier, and producer/songwriter Elliot Wolff.

Labeling Bill Continued from Page 1

Under H.B. 261, retailers could be fined $1000 and sentenced to six months in jail for selling a record bearing a parental warning label to anyone under age 17. However, the measure does not require records with explicit lyrics to be labeled. According to the bill's sponsor, Rep. Ted Haik (D), who led last year's fight for mandatory labeling, the industry's voluntary stick- ering program has eliminated the need for labeling laws.

Noting the large number of issues facing the Senate and the ab- sence of a Senate sponsor for H.B. 261, Cover said he hopes the legisla- tive session will end before the chamber has a chance to consider the bill. According to Cover, the lawmakers hope to adjourn by July 8.

If the bill does pas.s the Senate, Cover added, "I would hope the Governor [Buddy Roemer (R)] would remain consistent in his be liefs and veto the bill." Roemer vetoed last year's mandatory labeling bill, calling voluntary labeling "the way to go."

RCA Continued from Page 1

promoted to VP/National Promo- tion. He's also worked for A&M/ Motown Distribution and Capitol Records.

Goodman joined RCA 10 years ago. He'd served as VP/Promotion and Product Development for the label's Nashville division before being named VP/Product Develop- ment for RCA Records last year.

Murray Continued from page 10

lege/alternative level in the last year and a half. I wish to continue with that success." Murray started in records at Casablanca in 1978

and joined PolyGram when it fold- ed in the smaller label. Before that he was PD/MD/air talent at WKLS/Atlanta, which he originally signed on -air.

FOUNDER & PUBLISHER Bob Wilson EXECUTIVE VP/GENERAL MANAGER Dick Krizman SENIOR VICE PRESIDENT/SALES 6 MARKETING. 8111 Clark SENIOR via PRESIDENT & EDITOR. Ken Barnes VICE PRESIDENTIINFORMATION SERVICES Dan Cole

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RATINGS June 28,1991 OUR 29

12+ Spring Birch Results

St. Louis Wi '91

KMOX (Talk) 18.6 KSHE (AOR) 11.2 KMJM (UC) 10.7 WIL (Ctry) 6.0 KSD (CR) 6.8 WKBO (CHR) 7.2 WKKX (Ctry) 3.2 KYKY (AC) 5.1 KLOU (Gold) 4.5 KHTK (CHR) 2.3 KFXK & WFXK(AC) 1.1 KEZK-FM (AC) 4.7 WESL (Rel) .7 KATZ-FM (UC) 1.7 KFUOfM (Clas) 1.9 KRJY (AC) 1.1 KUSA (Ctry) 1.1 WCBW (CC) 1.6 KATZ (UC) 2.1 WRTH (Nost) .9 KWMU (Clas) 1.6 WGNU (N/T) .2

Formerly KSTZ & WSNL

Phoenix

Wi '91

KNIX (Ctry) 9.5 KUPD (AOR) 7.3 KTAR (N/T) 12.3 KKFR (CHR) 7.2 KMLE (Ctry) 5.3 KOY-FM (CHR) 5.1 KVRY (AC)* 3.5 KDKB (AOR) 2.6 KFYI (NIT) 3.5 KMXX (AC) 1.6 KOOL-FM (Gold) 3.4 KSLX (CR) 3.7 KGRX (AOR) 2.9 KUKO (NR) 2.3 KOY (Nost) 2.0 KESZ (AC) 2.8 KOOL (Gold) 2.0 KKLT (AC) 2.9 KLFF (BBnd) 1.4 KJZZ (Jazz) 2.4 KMEO-FM (AC) 2.9 KFLR (Rel) .9

Formerly KZZP (CHR)

Cleveland

WGAR (Ctry) WZAK (UC) WMMS (AOR) WPHR (CHR) WLTF (AC) WMJI (Gold) WDOK (AC) WNCX (CR) WJMO-FM (CHR) WNWV (NAC) WWWE (N/T) WRMR (B/EZ) WQAL (AC) WCLV (Clas) WCRF (Rel) WERE (N/T) WHK (N/T) WKSU (Clas)

Sp '91

18.4 11.4 9.2 6.3 5.9 5.9 4.2 4.1

3.5 3.4 2.9 2.6 2.2 1.9 1.8 1.8 1.2 1.2 1.1

1.1

1.0 1.0

Sp '91

10.2 7.5 7.3 6.9 6.9 6.2 4.3 4.2 4.0 4.0 3.5 3.5 2.9 2.9 2.6 2.5 2.4 2.2 1.9 1.6 1.4 1.3

Wi '91 Sp '91

7.0 9.1 11.7 8.9 8.8 7.1 6.7 7.1

6.7 5.8 5.9 3.0 4.2 3.7 4.1 1.6 2.6 2.7 1.0 .5

8.8 7.7 6.7 6.2 6.1 5.8 5.4 4.2 4.1 3.9 3.7 3.1 2.1 1.6 1.1

1.1

Baltimore

WXYV (UC) WIYY (AOR) WPOC (Ctry) WBAL (N/T)

WLIF-AIF (AC)

WWMX (AC) WBSB (CHR) WHFS (AOR) WQSR (Gold) WGRX (CR) WWIN-FM (UC) WPGC-FM (CHR) WCBM (N/T) WRBS (Rel) WWIN (Rel) WBGR (Rel) WJHU (Clas)

Wr '91 Sp '91

10.8 10.0 6.8 8.4 5.8 6.1 4.6 2.5 3.0 3.1 3.8 3.5 2.6 1.7 1.9 2.0 1.8

WWDC-FM (AOR) 2.1 WBJC (Clas) 1.8 WYST-AIF (AC) WAVA (CHR) WHUR (UC) WROX (AC) WITH (BBnd) WAMU (N/T)

1.5 1.4 1.1

.9 1.4

.7

10.6 9.4 7.4 6.3 5.4 4.7 4.0 3.9 3.8 3.7 3.4 3.1 2.4 2.3 2.3 2.1

1.9 1.6 1.5 1.5 1.4 1.4 1.3 1.2 1.0

Orange County

KLOS (AOR) KIIS-FM (CHR) KTWV (NAC) KROO (NR) KABC (Talk) KLSX (CR) KOLZ (AOR) KFI (Talk) KBIG (AC) KPWR (CHR) KRTH (Gold) KKBT (UC) KNX (News) KOST (AC) KNAC (AOR) KUSC (Clas) KIKF (Ctry) KMPC (Nost) KFWB (News) KTNQ (Span) KODJ (Gold) KKGO (Clas) KXEZ (Gold) KEZY (CHR) KLVE (Span)

Wi '91 Sp '91

8.6 9.6 7.2 7.4 3.3 6.3 6.2 6.1 4.7 4.7 2.2 4.2 5.4 4.2 2.5 4.1 4.4 3.9 3.3 3.6 3.5 3.5 1.5 3.3 3.9 3.3 6.3 2.8 3.0 2.4

.9 2.3

.5 2.0 2.8 1.9 3.6 1.7 2.3 1.7 2.0 1.5

.5 1.4 1.5 1.3 1.6 1.2 1.3 1.1

Formerly CHR

© 1991 Birch/Scarborough Re-

search Corp. May not be quoted or reproduced without prior written permission from Birch/Scar- borough.

Format Legend AC -Adult Contemporary, AOR-AI- bum Oriented Rock, BBnd-Big Band, B/EZ-Beautiful/Easy Listen- ing, CC -Contemporary Christian, CHR-Contemporary Hit Radio, Clas- Classical, CR -Classic Rock, Ctry- Country, Gold -Oldies, Jazz -Jazz, Misc-Miscellaneous, NR -New Rock, N/T-News/Talk, Rel-Religious, Span -Spanish, Sports -Sports, Talk - Talk, UC-Urban Contemporary.

Minneapolis - St. Paul

Wi '91

KQRS-A/F (AOR) 11.9 WCCO (AC) 16.1 KDWB-FM (CHR) 8.0 KEEY (Ctry) 8.0 WLTE (AC) 5.9 KSTP-FM (AC) 5.6 KTCZ (AOR) 3.5 KOOL (Gold) 3.1 KLXK (CR) 3.9 KSJN (Clas) 7.5 KJJO (NR) 2.3 KSTP (Talk) 4.2 KTIS-FM (Rel) 3.1 KMOJ (UC) 1.8 KNOW -FM (N/T) 3.9 KLBB (N/T) 1.5 KMZZ (AOR) 1.7

Formerly WLOL (CHR)

Formerly KSJN (Clas)

Denver- Boulder

KYGO-FM (Ctry) KBPI (AOR) KOKS (CHR) KOA (Talk) KBCO-AIF (AOR) KXKL-AIF (Gold) KRFX (AOR) KRXY-AIF (CHR) KOSI (AC) KCFR (Clas) KHOW-A/F (AC) KXLT (AC) KAZY (AOR) KTCL (NR) KVOD (Clas) KYGO (Ctry) KHIH (NAC) KEZW (BBnd) KYBG (B/EZ) KWBI (Rel)

Wr '91

10.0 10.1

9.4 5.5 5.2 6.0 4.7 6.8 5.6 3.1 3.6 5.1 4.8 2.6 2.2 2.2 1.7 1.5 1.1

1.0

Sp '91

14.6 14.0 11.8 8.4 5.9 5.8 4.7 3.7 3.4 3.4 3.2 3.1 2.5 1.8 1.7 1.4 1.4

"z

Sp '91

10.8 8.7 8.7 7.1

6.8 6.8 5.3 5.3 4.6

3. 3.1 3.0 2.9 2.9 2.4 2.4 2.1 1.7 1.5 1.4

Started the ratings period as Classic Rock

Kansas City

WDAF (Ctry) KFKF (Ctry) KYYS ;AOR) KPRS (UC) KCFX (CR) KBE() (CHR) KXXR (CHR) KCMO (N/T) KCMO-FM (Gold) KMBZ (N/T) KISI (AC) KUDL (AC) KXTR (Clas) KRVK (AC) KPRT (Rel) KMBR (AC) KCUR (Misc) WHB (Gold) KLJC (Rel) KPRT (Rel) KCFM (Ctry) KNHN (News)

Wi '91

12.6 9.1 8.5

11.1 5.4 7.3 3.2 3.9 4.1 3.6 5.5 2.5 1.4 2.8 1.3 3.7 1.9 1.4 1.2 1.3 .6

2.0

Sp '91

12.4 11.9 11.1 8.5 5.8 5.7 5.1 3.7 3.6 3.6 3.4 2.8 2.4 2.3 2.2 1.9 1.6 1.4 1.2 1.2 1.0 1.0

Pittsburgh Wi '91 Sp '91

KDKA (AC) 15.1 13.0 WDVE (AOR) 14.1 11.5 WAMO (UC) 8.4 10.1 WBZZ (CHR) 8.1 9.0 WWSW-AIF (Gold) 5.5 7.4 WMXP (CHR) 4.0 5.0 WMYG (CR) 3.5 4.6 WSSH (AC) 5.0 4.4 WDSY (Ctry) 4.7 4.1 WTAE (Talk) 5.8 3.3 WHTX (AC) 2.6 2.8 WLTJ (AC) 2.0 2.4 WEZE (B/EZ) 2.5 2.0 WJAS (BBnd) 1.8 2.0 WOED (Clas) 1.8 1.6 14OV (News) 1.8 1.5 WDUO (Misc) 1.1 1.4 WPIT-FM (Rel) 1.9 1.4 WSSZ (CHR) 1.2 1.4

Switched to AOR in mid -book

Portland- Vancouver

Wr '91 Sp '91

KKRZ (CHR) 10.3 10.1 <EX (AC) 11.0 9.4 KUFO (AOR) 7.3 8.5 KUPL-FM (Ctry) 9.4 8.0 KINK -FM (AOR/NAC) 5.9 7.3 KGON (AOR) 5.6 6.3 KKCW (AC) 6.0 6.1 i(XL (N/T) 4.0 4.8 KKSN-FM (Gold) 5.3 4.3 KXYQ (CHR) 4.7 3.4 KXL-FM (AC) 4.1 3.1 KGW (Talk) 2.8 2.7 KMXI (.AC) 1.8 2.3 KOPB (Misc) 2.3 2.3 KKSN (AC) 1.7 2.1 KPDQ (Rel) 1.1 2.1 KWJJ-FM (Ctry) 2.0 2.0 KBMS (UC) .7 1.5 KMHD (Jazz) 1.6 1.2 KESI (B/EZ) .4 1.1 KZRC (AOR) .5 1.1 KUPL (Ctry) 1.2 1.0 KWJJ (Ctry) 1.4 1.0

Became KBBT INRI toward end of ratings period

Milwaukee- Racine

Wi '91 Sp '91 WLUM (CHR) 13.9 13.4 WTMJ (N/T) 11.1 9.8 WKTI (AC) 5.7 8.3 WMIL (Ctry) 7.8 7.6 WKLH (CR) 5.5 7.0 WLZR-AIF (AOR) 5.9 7.0 WOKY (BBnd) 7.6 6.5 WOFM' (AOR) 4.3 4.7 WZTR (Gold) 3.3 3.7 WISN (Talk) 4.4 3.6 WMYX (AC) 3.9 3.6 NEZW (AC) 3.7 3.2 WVLTQ (AC) 3.5 2.5 WFMR (Clas) 1.7 2.4 WBZN (NAC) 2.2 2.2 WMVP (UC) 3.1 1.7 WGN (AC) .6 1.2 WVCY (Rel) .6 1.0 " Switched to Hot AC at end of ratings period

Tampa - St. Petersburg

Wi '91 Sp '91

WFLZ (CHR) 14.1 11.8 WOYKfM (Ctry) 10.8 11.4 WDAE & WUSA (AC) 6.1 7.6 WWRM (AC) 8.1 7.4 WMTX (AC) 4.0 6.6 WYNF (AOR) 6.3 6.6 WRBO-A/F (CHR) 6.1 6.2 WXTB (AOR) 8.0 6.0 WFLA (N/T) 4.4 5.6 WYUU (Gold) 4.1 3.7 WGUL-AIF (BBnd) 3.7 3.4 WHVE (NAC) 3.0 3.1 WDUV (B/EZ) 2.6 2.6 WUSF (Clas) 1.6 2.3 WTMP (UC) .8 1.9 WSUN (Ctry) 1.8 1.5 WCIE (Rel) 1.6 1.3 WKES (Rel) .8 1.3 WQYK (Ctry) .2 1.0

Providence Wi '91 Sp '91

WPRO-FM (CHR) 11.3 11.7 WHJY (AOR) 9.8 8.0 WWLI (AC) 5.4 5.8 WSNE (AC) 5.3 5.2 WFHN (CHR) 3.3 5.1 WHJJ (N/T) 5.8 4.8 WWRX (CR) 4.9 4.5 WWKX (CHR) 3.9 4.1 WPRO (Talk) 4.5 3.8 WWBB (Gold) 5.0 3.6 WBRU (NR) 3.0 3.4 WCTK (Ctry) 2.7 2.3 WPLM-FM (BBnd) 3.5 2.3 WBSM (N/T) 1.0 2.1 WAAF (AOR) 2.6 2.0 WLKW (B/EZ) 1.5 1.7 WZOU (CHR) 1.2 1.7 WNRI (N/T) 1.5 1.6 WCRB (Clas) .7 1.5 WGBH (Jazz) 1.7 1.5 WBCN (AOR) 1.3 1.3 WHIM (Ctry) 1.3 1.3 WZLX (CR) .8 1.3 WBZ (N/T)* 1.4 1.1 WODS (Gold) 1.1 1.0 WXKS-FM (CHR) .6 1.0

Formerly AC

Sacramento KSFM (CHR) KFBK (N/T) KRXO (AOR) KRAK-FM (Ctry) KSEG (CR) KOPT (NAC) KHYL (Gold) KZAP (AOR) KXOA-FM (AC) KYMX (AC) KWOD (CHR) KXPR (Clas) KGBY (AC) KFIA (Span) KCTC (B/EZ) KRAK (Ctry) KSMJ (Gold)

Wr '91

11.2 13.0 9.2 8.4 5.6 4.6 3.9 4.2 3.9 2.7 5.4 3.0 3.1

.4

.8 2.6

.9 ' Formerly KAER

Sp '91

11.2 10.9 9.7 9.5 5.9 5.1 4.8 4.8 4.3 4.0 3.9 3.8 2.5 1.9 1.4 1.2 1.1

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TRADITION WITH NEW EARS

CELEBRATION OF June 28,1991 RaR31

TOP PROGRAMMER CONCERN

Preserving Our Identity The Black radio and record industries have grown tre- mendously since Black Music Month was established in 1979. R&R's special salute examines key industry

issues in a series of interviews conducted by Urban Contem- porary Editor Walt Love.

While black music's increasing mass appeal acceptance is certainly a welcome reward after years of crossover struggle, Black/Urban programmers now find themselves faced with an ironic dilemma - preserving their image and mar-

ketplace share against a growing number of Dance CHR and Churban rivals. RADIO i

1'. A

"If we were to start referring to black music and

programming as neo -urban or something else, we'd run the risk of diluting our identity. Our music

is black music. Once we drop the word black, we

wind up hurting ourselves. As programmers, we have to preserve the identity

of black music." - Ron Atkins

Four programmers of top -rated stations - James Alexander (WGCI-FM /Chicago), Ron Atkins (KMJQ/ Houston), Skip Chea- tham (WBLX/Mobile), and Roy Sampson (WXYV/Baltimore) - voice their concerns, predict upcoming trends, and address the future viability of Black AC.

R&R: Let's start with black music's shift into mass appeal popularity. Will Dance CHR and Churban stations erode Black/Urban radio's marketplace share?

RS: There will always be a need for Black radio. Churbans are basically doing something that has happened in history be -


Standing At The Crossroads Immense Impact On Entertainment Business Foreseen

The popularity of black music is at an all-time high, and a number of black record execs are largely responsible for this phenomenon. In the following inter-

views, five prominent record industry leaders - Motown President/CEO Jheryl Busby; Virgin VP/National R&B Pro- motion Sharon Heyward; Capitol Sr. VP/GM, Black Music

Johnson; MCA President/Black Music Divi- Singleton; and LaFace VP/GM Vernon Slaughter

- offer views on black music, Black radio, and the long-term impact on the entertainment business.

Division Step sion Ernie

RECORDS. "

"Black music is the cornerstone of the music

industry today. I don't think the music business would be where it is without [our] past and present contributions."

- Step Johnson

MUSIC MAKERS

"The only -way to ensure the future is to look at the past

and then make your move. If you control the product, then

you control the future." - Jimmy Jam

Back To The Future Originality, Musicianship, Vocals Will Reign

Black music's prosoerity rates as one of the industry's stellar success stories over the last few years, From funk to new jack swing - accented with dashes of

gospel, jazz, go-go, house, and hip -hop - its innovative and influential rhythms have captured a diverse array of fans, spurred lucrative artist contracts, and launched an increasing number of black -owned labels.

Among those responsible for This turnaround is a rising group of producers/writers/artists/entrepreneurs committed to preserving black music's past and enhancing its present and future. Jimmy Jam & Terry Lewis (Perspective Rec- ords), L.A. & Babyface (LaFace Records), and Teddy Riley (Future Enterprise) share their thoughts on what that obligation entails.


R&R: What is the status of black music today?

VS: I think black music is at a crossroads. Rap, jazz, gospel, blues, and reggae influences are coming together. You can see that in the hot trend of rap and reggae mixed together with some jazz elements. There are very few of what you'd call R&B records on the charts that don't have some type of rap in them. The cross- culturalization under the black music umbrella is regenerating the music. Everybody's getting a boost because of this and I feel very positive about the music at this point.

The economic side of black music is also very important and exciting. When I was coming up, there was Duke/Peacock and Backbeat Records, as well as Vee-Jay and Motown. I give rap credit for developing the new generation of creative black entrepreneurs: Russell Simmons, Andre Harrell, L.A. & Baby- face, Jimmy Jam & Ter- ry Lewis, Luther Camp- bell, and Teddy Riley. I hope the younger generation is influenced not only by the music, but also by the business moves these brothers are making.


32. RaR June 28,1991

CELEBRATION OF

3 lack m awl sic

RADIO Continued from Page 31

fore: They're just going with the trend. When they believe that trend is over, they'll move on to something else. And while those stations may move on, there will always be talented, black R&B musicians - the lifeblood of Black radio.

JA: No, because what you have in a good UC/ Black station isn't only music, but information and public affairs. There will always be a Black station in any metropolitan area and even in some non -metropolitan areas where there's a sizable black population. As long as they compete effec- tively, they'll be major players in the marketplace.

SC: Right now black music is helping Churbans win; they're in it for the quick gain. These stations come on the air, earn good numbers for the first couple of books, then they start to go down in the ratings. Those types of stations can't win the battle in the community ; they can't get down like we can. They play some black music and attract some black listeners, but they really want other listeners.

"Churbans are just going with the

trend. When they believe that trend is over, they'll move on to something else."

- Roy Sampson

And there are just some needs these types of stations cannot or will not provide [because] they're not going to stick with it over the long haul. We'll always be there to address the needs of our communities.

However, I'm really glad about the infiltration of black music into the main-

/ A

I

r,

James Alexander

stream - or the mainstream into black music, as I'd rather look at it. With whites listening to our Black stations to hear the music they like and going to black artists' concerts, it's giving our artists the opportunities to make the mega - dollars that at one time were reserved only for white artists.

RA: To help preserve the identity of black music we'll always need Black radio. I don't think Churbans are going to last too long. When you have Black stations that are committed to their audiences and have a longstanding heritage in their markets, the other stations are going to see it's a hard nut to crack. Con- testing isn't always the answer. Community commitment runs much deeper than that. These stations can't make that commitment better than your No. 1

Black stations like WYLD- FM/New Orleans, KMJQ/ Houston, WJLB/Detroit, and WRKS/New York.

R&R: What future trends do you see as a result of black music's growing mass appeal?

JA: Black music will remain as the foundation and continue to play a prominent role in the contemporary music arena. Black music is enjoyed by blacks, whites, and others. Stations outside our format are just responding to their audiences by playing the music that is popular - which is

"Stations outside our format are just responding to their

audiences by playing the music that's popular -

which is black music."

- James Alexander

black music - and they'll probably continue to play that music. If not, there are many Black stations like mine that will be more than happy to keep playing this music and satisfying their audiences.

We've been through the house, go-go, and dance [phases]. I'm noticing that in songs being produced now, the artists are actually singing again. For example, Peabo Bryson's "Can You Stop The Rain" is a great record. And there are other strong records that aren't simply synthesized mechanics. That's a very positive sign for black music, and I'm happy to see it.

RS: There's going to be a very diversified black music base in the future. We've got a lot of talent going into the '90s and the year 2000.

Rap isn't going away by any stretch of the imagination. But I expect it to become even more imaginative. I'm seeing more young groups who can sing well, and I think the future is going to be rich with talented songwriting/producing teams. Look at Jimmy Jam & Terry Lewis and other writer/producers. Blacks and other audiences reached out for their music. It's been phenomenal. And musicians in other arenas are trying to tap into their styles. That assures us of a promising future. And Black radio will have to address that.

SC: I don't see any totally new trends, but I certainly see pop artists getting into what we've been doing for years. It's obvious that black music is being accepted more by the white culture. We're seeing more music with a hip -hop flavor- ing to it. There are even some pop artists using rap bridges in their songs. And


MUSIC MAKERS

1


Jimmy Jam & Terry Lewis

R&R: Twelve years have passed since the Black Music Month concept was launched. What does this annual observance mean to you at this juncture?

JJ: It's a time for reflection, a time to recognize black music as being the most popular music around the world. It's also a good opportunity to concentrate on the contributions black people have made to music in this country. Dur- ing this particular month I try to learn as much as I can - doing a lot of reading on black music history - because the only way to ensure the future is to look at the past and then make your move.

"People are going to be open to new and different things in the '90s because during the '80s we had so much of the same things. And artists will have to

go back to originality." - Terry Lewis

TL: Black Music Month is there to remind us that we have to appreciate and hold on to some of the roots that make black music what it is. And we should never forget those things. [It's a chance] for people to look back, focus, and gain a retrospective on black music.

LA: It means a lot to me. Black music is the most important and influential music today. It's wonderful that there are so many talented people who have the freedom to express [their talent]. Judging from the success of such artists as Michael Jackson and M.C. Hammer and the contributions of such great executives as Jheryl Busby and Clarence Avant, [black music is] going to be around for a long time.

BF: As influential as Black Music Month is, we still don't reap the full financial benefits of our music. Black music isn't just an art form - it represents money. It could do a lot to help our people and those directly involved in the making of this music.

Michael Jackson just made a billion -dollar deal, which I

was proud of because - for once - someone black is going to make the ultimate dollar. When Janet [Jackson] made her [Virgin] deal I was proud and happy, too. I guess that shows some signs of change. But we need a lot more change - not just for the big artists, but for all involved. People like Jimmy & Terry, Teddy Riley, and ourselves are taking on the next battle to try to keep things going, but it's a struggle.

TR: One thing I've got to stand up for is black music. Why? Because I'm black. I understand that to be in this business you have to do what you do best before you try to cross over - and sell out. There's no future in that. What I

do best is black music and new jack swing, and Black Music Month helps to uplift all forms of black music. That's why it means something to me.


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34 R&R June 28,1991

.CELEBRAfION OF

Black m »s

RADIO


the rhythm tracks are getting much heavier, too. I think the trend will be artists leaning more in the direction of black music and culture as opposed to becoming more pop -oriented. We are finally influencing the majority; the mainstream is becoming more black.

"I know programmers are concerned with

things like clutter. But stations should take a leadership role in helping to

dispel stereotypical images or other myths society

may have." - Skip Cheatham

Music has become so much of a production - technical, visual - that it's no longer just music, it's entertainment. That's why we see so many people who can't sing with No. 1 records. And it's in rap, too. There's a bunch of people out there now who can't rap. Just listen to some of the lyrics. That's because it's more about entertainment than anything else.

But there will always be a place for talented people who can sing, like Luther Vandross and Johnny Gill. However, we have to be very careful that we don't lose black music. Some of our most popular artists, like Whitney Houston or Bobby Brown, aren't even considered black anymore - once they make it to a certain point, they become known as pop artists. But I think Black radio and black people realize these are black artists no matter what others may call them.

RA: There's a dichotomy right now when you look at

Ron Atkins

black music. On one side of the coin you have rap; on the other is what I like to call contemporary R&B.

For example, rap music will become even stronger in the '90s. I foresee less sampling, because you can only have so many No. 1

records doing the same thing. I'm almost tired of hearing George Clinton and James Brown being sampled on every rap hit. After a while, the rap industry is going to have to be more original - if for no other reason than Brown is back doing his own thing and Clinton is getting ready to go again.

There will be more au- thentic instrumentation by live musicians in the studio and more mixing of rap and R&B. Doing that kind of thing extends the marketa- bility of the music because you're hitting more demographics.

"Rap isn't going away by any stretch of the imagination.

But I expect it to become even

more imaginative." - Roy Sampson

When it comes to R&B, we're going to see it return to its original black roots: stronger vocals along with real strings, saxophones, and other instruments that were lost due to the gains in electronic technology. If we've learned anything

"When it comes to R&B, we're going to see it return to its

original black roots: stronger vocals along with real

strings and other instruments that

were lost due to electronic technology."

- Ron Atkins

about history, we know everything repeats itself. An- other cycle is going to come along; you're starting to hear it now. For example, there's After 7's "Nights Like This" from the "Five Heartbeats" soundtrack. It's dudes singing harmony, the stuff we grew up with in the late '60s. People are looking for that sound, and black music is going to give it to us once again.

Producers are getting a sense of that trend, too. It's kind of like what's happening now with L.A. & Baby- face and Jimmy Jam &

Terry Lewis. More teams like that are going to come to the forefront.

R&R: With the notable exceptions of WVAZ/Chica- go and WDAS/Philadel- phia, Black AC hasn't achieved its predicted potential. Is it still a viable format for the '90s and beyond?

RS: Black AC has a vibrant future. It will progress and mature, especially using artists with good music targeted to the 25+ audience, like Luther Van - dross, Anita Baker, and some of the younger ones who can really sing.

Because of geographical considerations, stations will be doing different versions of Black AC. Most mainstream UC/Black stations play the same popular hits and do contests/promotions. But Black ACs have to do different things. Na- tional uniformity wouldn't work. So as the format ma- tures, these stations will have to remain individual and true to their respective audiences.


MUSIC MAKERS. Continued from Page 32

>41

r... L.A. & Babyface

R&R: What trends do you foresee on the musical front? JJ: Black music will return to real musicianship, more so

than it has in the past. And [given] the fact that we have

more power to change things as producers and label entrepreneurs, the quality and soul of black music will come back. If you control the product, then you control the future.

We feel black music from every era should be represented, so that's why [gospel -oriented] Sounds Of Blackness is

the first offering on our label. No one else is doing it, and I

feel we're in the position to do that type of music project. I'd also like to see our kids get back into playing instru-

ments. They should know [music] isn't just about sampling James Brown. Now sampling isn't totally bad because it's introduced the younger generation to sounds they haven't heard. But they should realize the reason a James Brown

sample sounds so good is because real musicians are play-

ing those notes [using] real drums, bass, and horns.

"We still don't reap the full financial benefits of our music. Michael Jackson

just made a billion -dollar deal; that shows some signs of change. But we

need a lot more change." - Babyface {.

There's nothing wrong with using a drum machine, a

sample, or a synthesizer. We all do it. But I, Terry, L.A. & Ba-

byface, and Teddy Riley use the technology and play instruments with respect to the past. Kids should be saying, "Hey, I want to play drums like that," not "I want to sample drums like that." And that's important to the industry itself.

TL: People are going to be open to new and different things in the '90s because during the '80s we had so much

of the same things. [Consumers] are waiting for something to break and change the music. And artists will have to go back to originality. It's like you get a sound and everybody else takes your sound and it's theirs for that record. There's no individualism, and there needs to be.

I also see music doing a reverse, going back to the way things used to be done. As artists and musicians we've forgotten how to really perform, sing, and write songs; forgotten how to appreciate what the previous generation has done. We're still very creative, but don't have a lot of people out there who are writing great songs. Sampling can only last so long because there are only so many songs to sample. So we have to begin writing and knowing what good music is all about in every form: blues, jazz, soul, and rock.

We need to say, "Hey, look. Everybody's great, music

has changed, we can overcome all of these obstacles we've put before each other." We're trying to leave a lega-

cy for our children and our children's children. We could lose black music if we don't.


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38 FUR June 28,1991

MOTOWN

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:R _EC ORDS


SJ: Black music is the cornerstone of the music industry today. I don't think the music business would be where it is without [our] past and present contributions. When we came to this country, we brought our culture - and our music is part of that culture. We brought something that was and still is very distinctive to music - feeling and a sense of emotion - and it continues to be developer by black Americans.

As black music changes, so does [all] music. If you look at the history of music - especially the influence black music has had on it - you'll see that music changed every time something new came about in black music. For example, the music of Chuck Berry and Little Richard brought about Elvis Presley and all the other guys. And we all know where rap started. Now there are rappers such as Vanilla Ice and 3rd Bass.

"Our impact on the entertainment

business in the '90s and beyond is going

to be immense."

- Jheryl Busby

We've brought our music to the forefront where the masses are enjoying it; that's one of the good things about black music today. M.C. Hammer, Bell Biv De- Voe, and others have brought their music to the masses; now other groups are doing the same. One of the reasons that's happening is because our music is more appreciated than ever before. I think that's great.

SH: As the roots of pop music, R&B will always be considered mainstream. The term crossover is very weird, but I think our crossover music is becoming mainstream. That's what crossover means to me - not a changing of the music, but an acceptance.

ES: There have been many contributions in a

CE.L.EBRATION OF Blacl

Jheryl Busby

number of different arenas. I'm thinking of the things from Philadelphia Interna- tional. Kenny Gamble and Leon Huff's music was a major influence, as was Stax Records. Black people have contributed a lot of message music, but that doesn't mean whites didn't. It just seems as if we made some major contributions in the early days of rock 'n' roll and blues. When I look at this, I feel a real sense of pride.

Black music will main- tain its identity because I see it as music that's created by our people. Our music has been so well studied, analyzed, and dissected these days - everyone uses some elements of our sound. With computeriza- tion and digital approaches to things, I think there are technologies that will help flavor the music. So the music won't necessarily come from a black person, but its origin will be the same. And you can't take that away from us.

R&R: From your van- tage point, what will be in vogue musically over the next several years?

SH: I think R&B will broaden its musical outreach. Bands are going to reappear. Jazz seems to be on the upswing, and I believe reggae soon will find a permanent place in popular music. I also think hip -hop will continue to blend lyri- cally important verses with

>air .i c. ,

heavy and more groova- cious rhythms. And, hope- fully, artists, musicians, and producers will return to the basics of good songs, great vocals, and lyrics with a story. Singers are returning, and I think that will continue with the onslaught of all of the new male singers. It had to come around.

JB: Music executives who consider themselves A&R men - which I've never considered myself - probably will look for trends. Those who feel this industry is consumer -driven probably will keep their eyes on the pacemakers and develop marketing strategies to expose what rises from the streets. The wonderful thing video has done for us as an industry is introduce images - now we have the full spectrum of what I no longer call the record business, but the entertainment business.

Touring will come back as a major marketing tool. That's one of the reasons we've tried to reinstitute the "Motown Revue," getting young artists to learn the craft of performing again. I think video makes consumers want to see live shows. We've seen how the excellent packaging of the M.C. Hammer show has had a major impact on sales and the marketing of


"Rap has always paid tribute to the

past from the beginning. That's wonderful to see because different generations can draw different

things from the song and also learn from

it. That's what music is supposed

to be about."

- Vernon Slaughter

To the Greats, and those Yet To Be

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We thank you for your special gift to all:

the rhythm of black life.

MOTOWN WE DON'T JUST CELEBRATE THE MUSIC - WE LIVE IT.

410 RaR June 28,1991

CELEBRATION OF

RÁDIO Continued from Page 34

JA: It will find its rightful role, but first let's define the format. There's Black AC in the sense of 'VAZ. Then there's another approach like our AM [ WGCI- AM], which is all "dusties" or oldies. In Chicago you also have Black AC in the form of WNUA, which is basically Contemporary Jazz and New Age, and WLNR, which does an adult black music type of format. Then you have Black AC in the form of WDIA/Memphis, which is oldies and some currents mixed with South- ern blues.

"The trend will be artists leaning more in the direction of black music and

culture as opposed to becoming more

pop. We're finally influencing

the majority; the mainstream

is becoming more black." - Skip Cheatham

As I said, the format will find its place, but it's going to be fragmented - which is already happening. Along with that you'll continue to have mass appeal Black/ UC stations. So the days when everyone from 6 to 60 listened to one station because it was the only Black - formatted outlet in the market are over. The cream will rise to the top: If you're very good, you'll have success.

RA: Programming any format, you first must know what your audience wants. If you find a niche and want to call it Black AC, rap, or whatever, that's fine. But you still have to know who your audience ís. When you find that audience and su- perserve it, then I think you

- i>l s s -c

á

Ship Cheatham

can be successful no matter what you call the format.

R&R: Urban Contempor- ary ... soul ... R&B - is any one term now more ap- propriate in describing black music and programming?

JA: I like R&B, because that's what I grew up on. The music does have rhythm. And while the songs may not be blues in the sense of John Lee Hook- er or Bobby Bland, some of the ballads could be classified as contemporary blues. R&B is the term that truly signifies the music and the format. So, rather than ho- mogenizing what's ours, let's go for the purest form.

SC: A name is a name. If you call a potato a spud or a tater, it's still a potato. Any- one who knows anything about music understands it's about origin; I have a problem with some of the

"[Black AC] will find its place, but it's

going to be fragmented. The

days when everyone from 6 to 60 listened

to one station because it was the market's only Black

outlet are over."

- James Alexander

"Black AC has a vibrant future. It will progress and

mature. As it does, these stations will

have to remain individual and true to their respective audiences."

- Roy Sampson

other stations that refuse to acknowledge the origin of certain types of music. But as far as what this music and programming should or shouldn't be called, call it whatever you want.

I personally think it's a lot of energy wasted that could be better served elsewhere, rather than fighting at conventions and semi- nars about what to call black music and programming. We're serving an audience, whether we call it black, urban, or dance music.

RA: Black music is unique; the black culture is different than any other. Al- though it's cool that some people want to rename the race African -American, I think most feel comfortable calling themselves black. It's the term the baby boom generation has grown up with. If we were to start referring to black music and programming as neo -urban or something else, then we'd run the risk of diluting what our identity is all about. Our music is black music. Once we drop the word black, we wind up hurting ourselves. As programmers we have to preserve the identity of the culture.

R&R: Preserving the cuI- ture definitely ties in with Black Music Month. What role does this annual tribute play at your stations and in your respective communities?

RS: We focus on where our music has been, educat- ing and reintroducing our audience to those artists who led the way. We put together vignettes and features, which are integrated with our regular pro -


MUSIC MAKERS. Continued from Page 34

LA: Black music is going to slowly evolve to great songs again. People long for a good melody, one thing that's been

consistent throughout time. The groove changes every six

years or so. Music with great melodies will last - even if it's rap.

I've noticed a trend toward singing again among the

young groups such as Hi -Five, the Rude Boys, and Color Me Badd, and I'm really proud of them because these guys

are really singing. We're in an era in which people don't have to be great singers [to be successful]. But more and

more great singers are being discovered by writers, pro-

ducers, and the public. I'm also proud of Keith Washing- ton, Boyz II Men, Johnny Gill, Keith Sweat, and Babyface,

because people really enjoy the music they sing. You've

also got groups such as Troop, After 7, and New Edition that have been around but are just starting to be noticed.

Several weeks ago I looked at the R&R Urban chart and

your No. 1 record was Keith Washington. Then I saw the

No. 1 CHR record was Hi -Five. If that's any indication of the

direction we're going, then I'm on for this ride.

BF: People love to sing along with great melodies. I

don't know if we'll ever be able to predict what black music

will be like in 10 or 20 years, but one thing's for sure - it will involve melody.

It's exciting to think that sometime this fall we could

stage a concert featuring all of these groups that can really

sing and have a "Battle Of The Groups" type of thing. I think

people would love it. There wouldn't be a group of older people in there trying to remember what it used to be like.

Instead, a bunch of kids would be experiencing new things.

"New jack swing is the future.

Some people have been trying to turn it into pop music,

but it's black music -with rap, gospel, hip -hop,

and jazz mixed in."

- Teddy Riley

-a;ty--o

i(4.111s-

Teddy Riley

1~

TR: New jack swing is the future. It's an important part

of black music. Some people have been trying to turn new

jack swing into pop music or some type of crossover thing,

but it's black music. A good friend of mine, Barry Michael

Cooper, came up with the new jack swing terminology. He

wrote the script for the movie "New Jack City." He gave me

that name because I always called my music sophisticated bubblegum music, but I'd say it's more contemporary Chur-

ban - black music with rap, gospel, hip -hop, and jazz mixed

in.

I created this type of music and now I'd like to take it to

the next level, which is, in my mind, the future. But that's hard to do because you get writer's block, or producer's

block. It's a challenge finding other ways to present your

music to the public in hopes of them liking it.

I want to do what the people like - I want to do what

black people like. If it crosses over, fine - but I want my

people behind me. I'm doing everything I can to keep this

music alive for all of us musicians and producers, especially

the black ones. There are a lot of white musicians and pro-

ducers trying to make black music, and it's hard for them.

guess they're trying to learn by following what they hear us

do. I just want it to work for all of us.

The white producers try to clean it up, though. But my

music is "dirty." I get real vocals; I don't mess with any non -

singers. I don't ask them to keep doing it over to clean it up


.y

4

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WE SALUTE THE

URBAN ARTISTS WHO ENRICH THE

A & M TRADITION.

AFRICAN UNITY

HERB ALPERT

C HERRELLE

DESHAY

LANCE ELLINGTON

INTELLIGENT

HOODLUM

LISA KEITH

KOOL AND

THE GANG

LO -KEYS

ADRIENNE MCDONALD

MINT CONDITION

AARON NEVILLE

OVERWEIGHT POOCH

THE S.O.S. BAND

THE SOUNDS OF

BLACKNESS

TRIPLE M

VESTA

THE WAILERS

THE WOOTEN

BROTHERS

BARRY WHITE

42RaR June28,1991

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RE--C.ORDS Continued from Page 38

his career. We've also seen the Bell Biv DeVoe/Keith Sweat/Johnny Gill tour have a major impact on the development of those artists' careers. And finally, Madonna made quite a statement when she sold more than 500,000 video singles. What a comment on the possibilities of developing that marketplace.

In several movies out now, the principal actors are from our industry. Our impact on the entertainment business in the '90s and beyond is going to be immense. People from the music business are branch- ing out into television, movies, and other areas. As record executives, we've got to be prepared to understand every other part of the entertainment business so we can feed into those respective areas successfully.

R&R: What challenges lie ahead in producing and marketing tomorrow's black music?

VS: Each generation needs its own thing. When I was growing up, Motown was ours - it didn't belong to anybody else. Stax also was ours. In the '70s teenagers owned the Philadelphia

"Touring will come back as a major marketing tool.

Video makes consumers want to

see live shows." - Jheryl Busby

International sound. They owned Parliament/Funka- delic and Earth, Wind &

Fire. In the past decade kids have owned rap. I'm interested in seeing and hearing the new generation of writers, producers, and artists between now and the year 2000. It's going to be very exciting to see what's next, but you can count on black music being there for sure.

JB: All of us who sit in seats similar to mine have an opportunity to shape the future. We've learned so much from what happened in the late '80s, when we saw rap music develop into

CIL'EBRATION OF ,

B l ack r!Z LiSiC

Sharon Heyward

a legitimate art form. It was consumer -driven. Ra- dio responded to it, then rap developed its own market share from the streets, and the larger retail community saw that. Today it's a large chunk of both the radio and retail marketplaces.

We must continue to develop young artists and keep the lifeline of our music business alive. We're very proud of our Michael Bivins [Bell Biv DeVoe] deal, putting a young executive in a position to develop young people's music. But there are some other things with which we have to take issue. We've got to look at other art forms, such as gospel and jazz.

Is there a way similar to the marketing of rap to develop those marketplaces? Do we have to write off our aging artists, whose consumers are in an older dem- ographic? Or can we find a more intelligent way to directly market to those consumers? A lot of challenges lie ahead for black music. We must expand it, positioning it in front of our aging demographics. Those are things we can forge as we look forward, but we have to plan for it.

SJ: With today's creative kids, there's no telling where black music might go. There's a good side and a bad side to the progres- sion of music. The good part is that new music helps to bring about a new art form. But the bad part is that as [new music] is gen- erated, the roots are steadi-

ly being lost. I think we're losing some of our basics, the four purest forms of black music: jazz, reggae, gospel, and the blues.

We have to teach our kids about our musical heritage. If you go to a blues show these days, [the audience] is 95% white. Most jazz audiences are at least 65% white, and at reggae shows, except for the rastas, the majority of the people there

"I see a need for more Black AC stations .. . it's

imperative we have more diversification. After a long day at

work you can't always tune into the

most thumpin', poundin' station." - Sharon Heyward

also are white. We do show up when gospel is being performed, but that's mostly the church -going people. The black people who don't go to church regularly aren't seeing these great performers and hearing this wonderful music we created.

Today's young adults seem to want good quality singers, but they also enjoy being entertained. So I think our future is in [ developing] good singers who also can entertain onstage. People want to have fun when they go to a live show. Look at Jackie Wilson, for example. He could sing, but also dance and interact with his audience. Otis Red- ding is another example.

Entertaining doesn't just mean getting up onstage, dancing and jumping all over the place. Sarah Vaughan could sing - everybody knows that - but she also entertained without doing any dancing. She knew her audience and gave them what they wanted. And Luther Vandross is another great singer/entertainer who captivates the audience.


ebratinr 8:.

"SUIlMEB BREEZE"

From the album

Naked (TO the World).

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C.P. Time.

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GOT R BIG NEAP"

From the debut album

Born Suspect.

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46.RSR June28,1991

CELEBRATION OF

.

RADIO Continued from Page 40

gramming throughout the entire month.

JA: Our air personalities disseminate information about the music and the contributions artists have made. Black music is the foundation of society and the industry. Looking at it from a historical perspective, Africans made drums from fallen trees and used these drums to communicate. In this country black music has evolved into gospel, blues, jazz, and rock 'n' roll. Black music has tran- scended, becoming a very contemporary form of music [that's still evolving] .

SC: Black Music Month is a time for us to honor some of the individuals who've made it possible for us to make a living. Besides using some of the various syndicated shows that are available, we also produce our own special feature, "Musical Notes." And we do related contests and giveaways as well as present an annual concert, which was held last week [6/22]. Redhead Kingpin, Trinere, and several other artists were there for the event, which benefited sickle cell anemia.

I know programmers are

Roy Sampson

concerned with things like clutter. But we have to take the extra time to educate listeners about our music and our people. Stations should take a leadership role in helping to dispel stereotypical images or any other myths society may have.

RA : Black music is probably the most dominant in the entire music industry. You can see that all over. When you start seeing white people emulating blacks, as far as some lifestyles are concerned, there's got to be something to it. That's happening more now than at any other point in time, and I think that's because of the black music industry. Black music is at a high point right now, especially with rap. So Black Music Month is every month.

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- I let them go. Their first take often is the best. If we do it

over and over again, it'll start to get polished. That's when

your stuff gets so clean it turns into a pop song. I'm trying to take music back to where it came from. [In

the past], when you went into a studio you had only one

tape machine and left and right [channels]. It was done in

just one take. And I believe in that philosophy. If you listen to

James Brown, Johnny "Guitar" Watson, and even old

Barry White songs, you can hear little mistakes. That's part

of those songs' appeal. It's real.

R&R: Sampling was mentioned earlier, which calls to

mind the rap music "trend." Does it have the staying power of its R&B and jazz cousins?

JJ: I'm sure a lot of people thought, "This Russell Sim- mons is crazy, starting a rap record label." Now what are all

the large white -owned companies jumping on? What's their

biggest record of the year? Vanilla Ice, a white boy doing

rap. LA: Rap is as much a part of our music as R&B, jazz, or

any other form of black music. I think it'll exist eternally. But

this music doesn't get much help. A lot of Black stations don't support rap, whereas some of the pop stations do. To

me, that's almost like black -on -black crime. An entire generation has grown up listening to rap music - it's been here

for more than 10 years. It's like the music we listened to when we were children - that music was important to us

then and it's important to us now.

"I don't think our music should be called Urban or black music. It should

just be called music. Our industry should realize there's more to black

music than terminology." - Babyface

M.C. Hammer - who had one of the biggest albums of

the year, if not the biggest - is a rap artist. Ten years ago

people said [rap] was a fad and was going to disappear. It's

not going anywhere because it's black music. And as long

as black people exist, black music will exist - that means

rap, jazz, and R&B. I'm ashamed that Black radio doesn't support its own art form while pop radio seems to.

As a writer, [I know that] a song that's successful on the

pop charts makes 10 times as much as a song that's suc-

cessful on the Black charts. It's a cold reality. I really hope

all of us on this constant campaign to change things can do

it.

Every Black radio station should at least have a slot for

rap music, even if it can't be on all day. But as time goes on

that concern will lessen, because more and more children


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CELE.BRATFON OF.

aclk Continued from Page 42

So much of our music has become fused with rap and technology in the production process that artists don't really have to sing like they once did. Or maybe I should say they don't have to be as polished in their vocal execution to succeed. That doesn't mean those artists who can sing aren't going to succeed, because with artists like Ba- byface, Phil Perry, Gladys Knight, and Johnny Gill, you know there's still room for people who can sing.

"It's time both sides of the industry get

together and realize what they're doing. This is our music. If we don't watch it, guard it, nurture it,

and cultivate it, nobody else will."

- Step Johnson

R&R: With black music's blossoming mainstream acceptance - and the bur- geoning Dance CHR/Chur- ban programming shift - what does the future hold for Black/Urban stations?

SH: I see a need for more Black AC -type stations. With the baby boomers being the largest generation, it's imperative we have more diversification. After a long day at work you can't always tune into the most thumpin', poundin' station. Owners and GMs who turn to this trend have to do as much marketing of this product as they do with a mainstream station.

The perception of the Black AC format by a number of people is, "We'll just switch to this and everybody will tune in." You can win with this format, but those stations have to do the proper research and use the correct marketing tech- niques.

Step Johnson

SJ: We'll always need Black radio. It's obvious stations that call themselves Churban or Dance CHR would rather be called anything but Black. They'd come out and say exactly what they are if it weren't for the big advertising dollars involved. It always comes down to that bottom line - in the music business, the primary color is green! And as long as that bottom line is green, you'll always find stations that shy away from using the terms "black" or "R&B" because it's going to mean fewer advertising dollars.

More and more Black radio stations are going to try new things to find larger audiences for their product. Everything is based on different demographics because America's getting older, not younger. All of the stations trying this approach are saying they're looking for an older audience, which supposedly has more disposable income. So I think we're going to see more of these stations as we move through the '90s, and I expect to see Black radio getting more diversified while becoming more sophisticated.

ES: Radio will become more of a medium that fo- cuses on a general market vibe, which is where our music has gone. We don't have Black radio today as we once knew it. Black radio to me is radio as it was during the late '70s. Then radio shifted radically into the disco vein and


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TERRY LEWIS'S PRODUCTION ROSTER - (counterclockwise from right) Force M.D.'s, S.O.S. Band, Klymaxx, Janet Jackson, Morris Day, Cherrelle, and Alexander O'Neal.


want to hear rap music. The people who've already grown

up with it are either in the 25-54 demo or soon will be. Then

they'll be in an acceptable age group if advertisers are look-

ing for older demographics. TR: We have rap that some pop stations don't play at all

and Black stations are supporting. I believe in rap because I

started in rap. It's going to stay because that's the only way

we, as black people, are going to stay away from crime, vio-

lence, and drugs. It gives us something to do. It gives us

more knowledge because of the messages in the music. It

gives us something to write about. We have to have Black

radio to support it.

I know it's hard sometimes for Black stations that get

criticized for playing rap. Some rap records are great, but

there are others whose lyrics are vulgar and explicit. What

do we do about that? The kids are still going to buy it. You

have NWA fans, Ice Cube fans, and 2 Live Crew fans who

buy millions and millions of records. You can't stop the kids

who want to know the truth.

R&R: Given black music's growing mainstream populari-

ty and the emergence of Dance CHR and Churban outlets,

will Black/Urban stations lose their stature? JJ: As long as you have people breaking through with

funky things, there will be a need for Black radio. It's always

going to play the things pop stations aren't ever going to.

Long before we were on the pop charts, we were having

No. 1 records on the Black charts. If it wasn't for Black ra-

dio, Black charts, and black media, our people probably wouldn't see or hear 90% of what's released. There

wouldn't be an Alexander O'Neal, Anita Baker, L.A. & Ba-

byface, or Teddy Riley. So when we release records, that's what we're going for because we're black people and want

"Black stations will survive -the challenge from [pop] stations.

Remember, Black radio has always been the innovator when it comes to

music." - Terry Lewis

Black radio to accept us. Now if the pop charts want to get

hip and take some of what we've got, then hey, they've got

it.

Stations that use white IDs and white announcers and

play black music have a double-edged sword. They can call

themselves what they want, but there's no denying the mu-

sic they're playing and who's making it. It's been that way

throughout history. When Elvis Presley or Pat Boone want-

ed a hit, they went to a black songwriter.

The soul isn't really going out of the music as much as

it's going out of the format that it's played in. Black music is

very important worldwide, but its strength is in how it's pre-

sented. And Black radio should always keep sounding like

Black radio. TL: Pop radio is [basically] popular music radio. And

black music's always been popular. When you think of black music, you also have to think of African rhythms and se-

quences. And that kind of music is the driving force for all

kinds of music around the world - except in the U.S. Pop


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52RaR June28,1991

CELEBRATION OF

Blac k m%AILsic

RECORDS Continued from Page 50

stayed there for a good five or six years. When the disco era ended, we began to go back to regular music - such as the Staple Singers, the Soul Children, the Mo- ments, and Ray, Goodman & Brown - but that's never been the same. Today we have people like Keith Washington, and we're see ing that situation breathing again. Whether it will live is predicated on whether radio will give it a chance.

Black AC will live only if it can accumulate the kind of support from Wall Street and the ad agencies that makes sense to the owners. If it doesn't survive eco- nomically, it won't have a shot of existing. I do think it's a competitive idiom that will succeed or fail based on the size of its audience, marketing, and sales. Economics will make the decision.

"Our music has been so well

studied, analyzed, and dissected these

days - everyone uses some elements

of our sound." - Ernie Singleton

JB: There'll always be a need for Black radio, and not only for entertainment. Black stations are the newspapers of the black community. When we talk about what black music means to Black radio and how it's formatted, we've seen over the years that CHRs go through peaks and valleys with their programming of black music.

A lot of people jump on the bandwagon during the peaks of [black music] exposure on CHR stations. Then there are the valleys, when someone's going to

1' .,..... _ ...

Ernie Singleton

say, "There's too much of that music on the air right now - we need to switch to something else." CHRs have found different ways to cat- egorize black music. I'm not offended by the constant recategorization of our music if it's the only marketing ploy that keeps the exposure at its current level. I'm very comfortable knowing that it's black music, and I think consumers know it's black music. The video marketplace has introduced black images, and consumers have shown they're comfortable with those images.

There was a time when we felt we could sell singles but not albums on black artists because singles were extensions of records and albums were extensions of images. But now that the visual world is upon us, we see M.C. Hammer introducing the clothes, the hair- styles, the idioms, the words, the flashy manner, and the black lifestyle - and the world ate it up. M.C. Hammer needed a starting point, and that starting point was Black radio.

R&R: Speaking of cate- gorizing, it's being said Ur- ban Contemporary is no longer an accurate term. Do you agree?

SH: I prefer the term rhythm and blues, as it keeps the past in the present. It's not blues as in the


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stations have always adhered to playing some black music, but they wouldn't if they didn't have to. And now these sta-

tions have adapted their formats because it's become lucrative. They have to because the music is popular and it

makes sense to play music that's popular. Black stations will survive the challenge from these sta-

tions because black people have always survived every atrocity that's been thrown at them. And remember, Black radio has always been the innovator when it comes to mu-

sic. Black stations will have to analyze what black music is

all about and be open to introducing people to new - and

old - forms of music to stay competitive.

"I believe in the [one -take] philosophy. I don't ask singers to keep doing it

over. That's when your stuff gets so clean it turns into a pop song."

- Teddy Riley

BF: I think there will always be black music and Black

radio. When a pop station plays black music, it's not called

black music - it's something else. But when it's on a Black

station it's black music. And if it all becomes one music you

have to pay it all the same. As long as the music can be la-

beled as something that doesn't mean as much, you can

make the excuse that pop reaches more people than black

music. Well, that's not true. Some pop stations don't have the restrictions Black sta-

tions do and they get more for their advertising. Black sta-

tions don't get the financing they deserve based on their music and the number of listeners. More and more of these pop stations are playing black music, so they might as well

be Black stations. But they label themselves Dance, and

suddenly they're not black anymore. But we know the truth - that the music is black and it's the main music in America

today. TR: Black radio has helped me so much that I would

give back anything to keep it alive. I would do that because

my music depends on it. I can't depend on pop radio be-

cause I don't know if they like my music. Sometimes they

appreciate it and sometimes they don't. But when Black ra-

dio sees a Jimmy Jam & Terry Lewis record, or an L.A. &

Babyface record, they put it on the turntable. R&R: Some industry circles believe Urban Contempor-

ary is no longer an adequate term. What do you think? JJ: If you call yourself a Black radio station, you make

less money from your advertisers than if you call yourself Urban. And you make less money if you're Urban than if you

call yourself a CHR/Dance hybrid. As far as labels in gener-

al, they don't really matter to me as long as the records are

good, they're getting airplay, and people are hearing them.

LA: That's a tough call, because we as a people haven't determined what we want to be called. We've vacillated on

that subject so much that it's just confused everybody. So I

don't know the answer. Babyface, you take that one. BF: I don't think our music should be called Urban or

black music. It should just be called music. Yes, it comes from black people, but it's still music. A number of people

who aren't black listen to Urban and R&B radio and buy Ur-

ban and R&B music because they like it. They also listen to


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CILEBR-ATION OF

RECORDS Continued from Page 52

true formation, but to me blues represents the telling of a story, especially one with a lot of heartache. There are still songs which tell stories of that type, they're just not done in the bluesy tradition. But as black people, we'll always sing some form of the blues. For example, hip -hop can be interpreted as a 1990s form of the blues because it tells of the pain of a culture.

ES: It depends on how you color it, but I think it'll still be considered black music. I don't care about the labels that are used. As a matter of fact, I'm annoy- ed that we keep changing our names every four or five years, from colored to Negro to black and now to African -American. What's next? I don't relate to all of this. It's ridiculous.

R&R: Going back to the subject of mainstream acceptance - does this phenomenon also apply to. rap music?

VS: Today, there are maybe [two] generations of people who've grown up with rap music: kids and the adults from the '70s and '80s. So rap isn't new anymore. You have teenagers and a generation from 18-30 who've been into music for the last 10 years, and rap has played an important part. Also, rap has crossed

"I think R&B will broaden its musical outreach. Bands are going to reappear.

Jazz seems to be on the upswing, and I

believe reggae soon will find a

permanent place in popular music." - Sharon Heyward

sic

A

Vernon Slaughter

over - it's now reaching middle America and a larger population. Progressive - thinking radio stations have caught on to that, and they're giving the people what they want.

Rap has always paid tribute to the past from the beginning. The hip thing about it is when Monie Love takes a certified classic like "It's A Shame," adds another di- mension to it, and gives credit where credit is due - to G.C. Cameron, the Spin- ners, and Motown. That's wonderful to see, because different generations can draw different things from the song and also learn from it. That's what music is supposed to be about.

I hope rap continues to be experimental and grow while it brings in other influences. I'd love to see it continue to pay respect to the past, say some mix- tures of rap and Earth, Wind & Fire or the Isley Brothers. The topper would be some rap and George Clinton/Funkadelic. There's still an entire segment of music rap hasn't embraced yet; I'm just excited to see what new con- cepts rappers might come up with.

R&R: Reflecting on the significance of Black Music Month, what is your fondest hope for the radio and record industries?

SH : Every day is a celebration of black music, considering black music is the

"Black music is at a crossroads.. The

cross-culturalization under the black music umbrella is regenerating

the music." - Vernon Slaughter

root of American music. And I hope black men and women with experience in the industry will get together and help teach young black people about it. We need our seasoned executives to pass on some knowledge to the new jacks so we can leave these positions we've gained in a bigger and better [state] than when we found them.

JB: It's a time when our industry can say to the world, "We are so very proud of our music - our heritage in music." Sometimes [events] happen for marketing reasons. But when [Black Music Month] is said and done, it's become more important than we ever thought it would. It's also a great source of pride for all of us who are a part of the ever -developing black music scene.

ES: Black Music Month is a time for us to let the world know of our musical contributions. Record company executives should try to accent the importance of our music's place in this society. We shouldn't just deal with the past; we also should let the world know about our living legends.

SJ: I'd like to see black executives from every level of the music and radio industries form some type of bond to help solidify our music even more and bring about good quality music. There's a human factor in our music; that's why we've gotten this far. The feel, the taste, and the quality - both at record companies and radio - haven't improved over the years. If anything, I think these things have [diminished]. It's time both sides of the industry get together and re- ali7e what they're doing. I've always said this is our music. If we don't watch it, guard it, nurture it, and cultivate it, nobody else will.


pop stations and expect to hear Bell Biv DeVoe, Janet

Jackson, and Bobby Brown because they like their music.

These listeners may turn to the pop stations, but they don't want to hear what some people call pop music. This is

a double-edged sword; no matter what we call it, it's going to be categorized. So I don't care what it's called, because that argument's not worth it. People in our industry should realize there's more to black music than terminology.

TR: I don't like to put music into categories, but I like my

music to be called new jack swing. I think [black music] will

still be called black music in the future, because, hey, we're black - we can't hide that.

R&R: A number of African -Americans, including your- selves, are establishing their own labels. Is this entrepre- neurial wave here to stay?

JJ: This industry needs us. And we need to keep our ra-

dio stations, our music, our labels, and our black music de-

partments at the major record labels. The record companies that have been the most successful have very strong black music departments. Take MCA, for example. That record company was rebuilt on the success of groups like New Edition, Guy, Pebbles, and Patti LaBelle. If black music or

Black radio were lumped in with everything else, then the next thing that would happen is we'd be pushed out alto-

gether. And we can't let that happen. IL: We have to understand ourselves to understand the

future. Then we have to make a conscious effort to make

sure there will be a future. Because if we don't, there may

not be. Now we're coming into a situation where little labels

like ours are spawning. But the big black labels like Stax and Motown have been gobbled up. That's why rap had to

evolve to show you could still do it from the streets. And

now that's getting eaten up because all the majors have gotten into rap. So we have to own ourselves, at least get a

piece. And we've got to believe in ourselves and network.

"Rap is as much a part of our music as any other form of black music. But rap doesn't get much help. A lot of Black stations don't support rap, whereas some of the pop stations do. That's almost like black -on -black crime."

- L.A. Reid

LA: I'm happy to see so many new black labels. I'm hap-

py for Jimmy & Terry, because for a lot of reasons they seem to be the frontrunners for Babyface and myself. Their label has even taken a different twist - their first offering was a gospel -oriented record, which is almost a forgotten form of black music. Teddy Riley has the Future Enterprise

[label], M.C. Hammer has Bust It Records, and I even read somewhere that Tony! Toni! Tone! have a label; then there's our LaFace Records.

BF: Everybody has a dream. Everybody wants to try new things and do more than they might ordinarily do. In

some cases you strive for things that may not be right for you. You might even get the funding you're looking for and it

still might not work for you, but you have to try. The record companies of old, such as Philadelphia International and

Stax, didn't pan out because they didn't have it together - but at least they tried.

If we're ever going to have anything like a Motown again, people must try to build up a label to the point where it's worth millions of dollars - then you'd have some clout because of the label's success. Until there's clout, there won't be a big black record company again. You have to be

worth millions of dollars to be able to make any significant demands. And if no one tries to do it, then we might as well

say goodbye to black record companies forever.

1

T

4IP

ABOVE THE LAW

ABSOLUTE

BABYFACE

ALEX BUGNON

CALLOWAY

CANDYMAN

STANLEY CLARKE

COMPTON'S MOST WANTED

DINA D!

THE DEELE

ERIC GABLE

THE GHOST BROTHERS

, KEISHA JACKSON

MICHAEL JACKSON.

LIVING COLOUR

TREY LORENZ

TEENA MARIE

ALEXANDER O'NEAL

PO', BROKE & LONELY

PRESKA

RHYTHM

RICCA

SADE

KATHY SLEDGE

SHABBA RANKS

SOUL FAMILY SENSATION

BRENDA K. STARR

SWEET OBSESSION

TONY TERRY

TIMES THREE

LUTHER VANDROSS

WHO AM I

ALLEN T D. WIGGINS

VICTORIA WILSON -JAMES

ZLOOKE

epic

EPI 'USCLE

YOU7E NEVER BEEN HIP SO HARD

56RaR June28,1991 MUSIC COMPACT DATA ®

New Bob Seger LP Coming In August Bob Seger & The Silver Bullet Band's long-awaited new Capitol LP, "The Fire Inside," is set for release in late August. It'll be preceded by the single

"The Real Love," which ships to radio earlier that month. With the help of guest musicians

Joe Walsh, Bruce Hornsby, Patty Smyth, Don Was, Fleetwood Mac's Rick Vito, Little Feat's Bill Payne and Fred Tackett, J.D. Souther, and the E Street Band's Roy Bit - tan, Seger has completed 12 tunes for the project.

Nine songs - including the single and title track as well as "Real At The Time" and "Sight -Seeing" - were written by Seger himself. Tom Waits contributes two others ("New Coat Of Paint" and "Blind Love"), while "She Can't Do Any- thing Wrong" comes from the songwriting team of Bill Davis and Walt Richmond. Seger, longtime manager Punch Andrews, Barry Beckett, and Don Was share production credits.

Joan Jett LP On Horizon Joan Jett's forthcoming Epic

LP, "Out Of Bounds," includes the song "Backlash," which was co - written by Paul Westerberg and features the Replacements leader on guitar and vocals.

Due to reach radio stations in early August, the LP also sports such tracks as "Machismo," "Lie To Me," and "Treading Water." Interestingly, the Kenny Laguna - produced project features no cover versions (unless you count "Wait For Me" - a vintage Runaways tune that was written by Jett). First single TBD.

Nicks, Crue, PSB: All The Hits & More

Stevie Nicks's forthcoming "Timespace: The Best Of Stevie

1

Elektra Sets Roots -Rock LP Series

EIektralNonesuch is planning an early July release for the first five LPs in its "American

Explorer" series - a new line of records spotlighting pioneering figures in traditional American blues, zydeco, rockabilly, gospel, and country music.

The series includes Johnnie Johnson's "Johnnie B. Bad" (Chuck Berry's longtime pianist serves up a St. Louis blues platter, with Keith Richards and Eric Clap - ton making guest appearances), Jimmie Dale Gilmore's "After Awhile" (Texas honky tonk), Vern- ard Johnson's "I'm Alive" (blues/ soul/funk-infused gospel), and self -

titled LPs from veteran rockabilly artist Charlie Feathers and zydeco accordionist/bandleader Boozoo Chavis.

Nicks" Modern/Atlantic package (due in September) features three new songs: "Desert Angel," "Love's A Hard Game To Play," and - as previously reported (R&R 5/24) - the Jon Bon Jovi- produced and co -written "Some- times It's A Bitch," which has been shortened from "Sometimes It's A

Bitch, Sometimes It's A Breeze."

MUSIC DAT B ' óK MONDAY, JULY 8

1985/Playboy and Penthouse race to the

nation's newsstands, each with their

own nude photos of Madonna. Born: Andy Fletcher (Depeche Mode)

1961

TUESDAY, JULY 9

1971 /Jim Morrison's body is buried in

Paris.

1972/ Wings begin their first tour. It's

Paul McCartney's first concert

outing since the Beatles' 1966

Shows.

Born: Jim Kerr (Simple Minds) 1959

WEDNESDAY, JULY 10

1954/WINS/NY announces the hiring of

Alan Freed. 1968 'Eric Clapton announces that

Cream will break up.

1979/ Chuck Berry is sentenced to tour

years in jail for failing to pay

$200,000 in taxes.

1989/The Monkees receive a star on the

Hollywood Walk Of Fame.

1990/ Richard Marx sings the national

anthem at baseball's All -Star game.

Born: Ronnie James Dio 1949, Nell Tennant (Pet Shop Boys) 1954

LÁYBO,,' e,TEETAINMENT FOR

0091 LAST STAPLED ISSUE IT'S A ILEEP

r"

MAD UNLIKE v11tGIN..

FORvE1M

ia- .fi) r 't

t

4

a°

Madonna - old nudes is big news

THURSDAY, JULY 11

1979/Nell Young's concert movie ("Rust

Never Sleeps") premieres in Los An-

geles.

Born: Peter Murphy 1957, Suzanne Vega 1959

Bob Seger - all fired up.

Motley Crue also has a greatest - hits package on the way. The Elek- tra disc, "A Decade Of Deca- dence," reportedly features three new tunes (titles include "Primal Scream" and "Angela") as well as remixes of "Home Sweet Home," "Piece Of Your Action," and "Live Wire." It's also due in September.

And ... the Pet Shop Boys join the best -of action, releasing a 14 - song EMI hits package with two new tunes on October 15.

Prince: Rare & Unreleased More than 300 Urban radio sta-

tions recently received a birthday gift from Prince: 12 -inch single versions of the previously unreleased tune "Gett Off." The lyrical- ly naughty disc arrived in tasteful white sleeves featuring hand - drawn artwork and liner notes from Prince himself.

Meanwhile, the person who offered to buy an ultrarare copy of the Purple One's officially scrap- ped "Black" LP (see R&R 5/24) couldn't honor his $13,500 bid. The platter instead has gone to the runner-up, who offered the more modest sum of $11,000... .

,.w...,a4 .. i.,, -..x..

FRIDAY, JULY 12

1962/The Rolling Stones mark their on-

stage debut at London's Marquee

club.

1969/ Blind Faith make their U.S. debut at

Madison Square Garden.

Born: Christine McVie (Fleetwood Mac) 1943

1 SATURDAY, JULY 13

/973/The Everly Brothers break up on-

stage, as Phil smashes his guitar

while complaining about Don's performance.

1985/The Live Aid concert highlights in-

clude Phil Collins's trans -Atlantic

performances, a Who reunion, and

Teddy Pendergrass's return to the

stage.

Born: Roger McGulnn 1942

SUNDAY, JULY 14

1967/The Who begin their first U.S. tour - opening for Herman's Her- mits.

19871 Steve Miller gets a star on the Hol-

lywood Walk of Fame.

- Paul Colbert

Vitt: _W1

ra 55. 1 million households

Patti Galluzri Director/Music Programming

Weeks On

HEAVY

PAULA ABDULIRush Rusts (CapliveNirgin) 7

BRYAN ADAMS/(Everything)... (ABM/Morgan Creek) 4 BOYZ II MENMlaownpnily (Motown) ADD COLOR ME BADDA Wanna Sex.. (Gant/Reprise) .. 11

D.J. JAllY JEFF 6-./Smnerlime (JiverfICA) 6 EMFAL6eh''evabie (EMI) 17

EXTREMEAdore Than Words (ABM) 15

JESUS JONES,Right Here Right Now (SBK) 24 POISON/Life Goes on(Capitol) 10 SALT N-PEPA/Do You Want Me (Next Plateau) 12

SCORPIONSANind 01 Change (Mercury) 11

u8401Here I Am (Come And Take Me) (Virgin) 8

EXCLUSIVES

C&C MUSIC FACTORY/ThingsThat... (Columba) ... 4

GUNS N' ROSES/You Could Be Mine (Geffen) 3 HEAVY D. A THE BOYZ/Now Thal.. (Uptown/ MCA) 2 MADONNAMWgay (Sire/WB) 2 TOM PETTY & THE...learn!ng To Fly (MCA)... ADD OUEENSRYCHE/Jet City Woman (EMI) 3 R.E. M./Shiny Happy People (WB) 3 VAN HALEN/Pounacake (NB) 3

BUZZ BIN ALICE IN CHAIN$Mdn In The Box (Columba)

.

ORIVIN N CRYINAtuild A Fire (Island) .... ELF/3 A M. Eternal (Live At The S.S.L.) (Arista) .

LA5/There She Goes (Go!Discs/London/PLG)

SEAL/Crary (SireMIB) .

3RD BASS/Pop Goes The.. (Del Jam/Columbia)

16

6

7

4

. 5 4

ACTIVE

MARC COHN/Walknq In Memphis (Atlantic) . . 16 CROWDED HOUSE/Chocolate Cake (Capitol) 3 DE LA SOULmiing Ring Ring (Tommy Boy) . .. 3 DIVINYLSMIake Out Alright (Virgin)... .. ... . 2 FIREHOUSE/Love Of A Lifetime (Epic) 2 FISHBONE/Everyday Sunshine (Columbia) 4 ICE-T/O.G.Original Gangster (Sire,WB) 2 J. JAYMES/Shake It... (Delicious VinylAsland) 3 TARA KEMPRiece Of My Heart (GiantiWB).. . 2

MICHAEL McDERMOTT/A Wall I... (Gant/Reprise) 4

RIC OCASEKWoclaway (Reprise) 2

SINEAD O'CONNOR/My Special... (Chrysalis) .. ADD ROXETTE/Fading Like A Flower (Every._) (EMI) 6 RYTHM SYNDICATENA.S$.I.O.N. (Impact) ... ADD STEREO M.C.' S/Elevate... (4th 6 B'way&stand) 2

THUNDER/Dirty Love (Geffen) 12

ON

BULLETBOYSMang On St Christopher (WB) 5 CINDERELLA/The More Things Change (Mercury) 5 ESCAPE CLUB/1'118e There (Atlantic) 7

JUNKYARD/All The Time In The World (Geffen) . . ADD LONDONBEAT/A Better Love (Radioactive) 9

LOST/Mudblower (Robinson/Epic Assocaled) 9 LYNYRD SKYNYRD 1991 Smokestack... (Atlantic) 4

ZIGGY MARLEY $ THE MELODY...Mozmik (Virgin) 4

ALDO NOVA/Blood On The Bricks (Mercury) 8 PRIMUS/Jerry Was A... (InterscopekastWest) ...ADD SCHOOL OF FISH/3 Strange Days (Capitol) 8 STRESS/Flowers In The Rain (Reprise) ADD WHITE TRASH/Apple Pie (Elektra) ADD WILSON PHILLIPS/The Dream Is Still Alive (SBK)... 6

STRESS

LUCE COOPER/Hey Stoop (Epic) 3 LENNY KRAVITZ/ItAinl Over 'Ti... (Virgin) 6 NELSON/Only Time Will Tell (DGC) 5 STEELHEARTA'II Never Let You Go... (MCA) 10 TRIXTER/8urrerxler (Mechanic/MCA) 8 WARRANTIBIiraI Faith (Columba) ... 7 CRYSTAL WATERS/Gypsy Woman... (Mercury) ....6 YO-TO/You Cant Play With... (EastWest) 3

J HOT NEW VIDEOS

TOM PETTY & TNE...A.earning To Fly MCA)... ADD 80Y2 II MEN/Maownphilly (Motown) ADD SKID ROW Monkey Business (Atlantic) 4 GUNS N' ROSES/You Could Be Mine (Geffen) 3 HEAVY D. & THE BOYZ/Now That.. (UptownfMCA) 2

ADDS

TOM PETTY $ THE.../Learning To Fry (MCA)

SINEAD O'CONNORAAy Speca (Chrysalis)

BOYZ II MENMlaownphilly (Motown)

RYTHM SYNDICATE/PA.S.S.I.O.N. (Impact)

WHITE TRASH/Apple Pie (Elektra)

PRIMUS/Jerry Was A Race.. (ImerscopehastWest)

JUNKYARD/All The Time In The Wald (Geffen)

STRESS/Flowers In The Rain (Reprise)

VH1 41.8 million households

Sal LoCurto, Director/Music Programming Norman Schoenfeld, Director/Telent

& Artist Relations Nteks On

VH-1 TO WATCH

LENNY KRAVITZAI Ain't Over Til... (Virgin) 4

HEAVY

PAULA ABDUL/Rush Rush (CaptiveNngin) 3 NATAUE COLE .MAT COLETInlorgettable (Eleetra) 3 GLORIA ESTEFANICan1 Forget You (Epc) 2 EXTREME/Mae Than Words (ABM) .... ...... 11

MICHAEL W. SMITH/Place In.. (Reunion/etten) . 9 ROD STEWART/The Motown Song (W8) ADD UB40Alere I Am (Cane And Take Me) (Virgin) 4

LUTHER VANDROSS/Power Of Lwe/Love... (Epic) 9

DEVELOPMENT

8. ADAMS/(Everything).. (ABM/Morgan Creek).. ADD CHER/Love And Understanding (Geffen) ..... 1

MARC COHN/Walkirq In Memphis (Atlantic) /5 LISA FISCHER/How Can I Ease The Pain (Elektra) ... 5

GLENN FREY/Part Of Me. Part Of You (MCA) . . 7

KENNY Gnheme From Dying Young (Arista) 2

AMY GRANT/Every Heartbeat (ABM) ..... ... 4

AARON NEVILLE/Everybody Plays The Fool (ABM) . 3 O. STEWART I/C. DULFERA.ily Was.. (Arista) 4

WILSON PHILLIPS/The Dream Is Still Alive (SBK). 1

STEVIE WONDER/Gotta Have You (Motown) . I

UGHT

ROXETTE/Fading Like A Flower (Every..) (EMI) . 2 RICHARD THOMPSON4 Feel So Goad (Capitol) 1

ARTIST OF THE MONTH

BONNIE RAITT/Something To Talk About (Capitol) 2

Information current as of June 25.

11.7 million households

Les Garland, VP'Progranrrung Mike Cooper, consonant

LW TW

- 1 D.J. JAllY JEFF &_ /Summertime (JiveiBCA)

1 2 DJ OUIK/Towl (Profile)

6 3 ANOTHER MD CREAT1OMPtayground (Motown)

2 4 COLOR ME BADDA Wanre Sex... (GaribReorise)

7 5 HI -FIVE" Canl Wan Another_ (JrveARCA)

3 6 BOYZ II MENMalowrphilty (Motown)

8 7 HI -C 1/TONY M'm Na Your Pwciel (Haywood)

5 8 DOGS LOISCO RICLOe The Nasty_ (Jdey Boy)

4 9 MADONNAt he A Virgin (Srn/NB)

10 10 RALPH TRESVANTAk What I Gotta Do (MCA)

Most requested lot the week ending June 21.

Allak. a I . . ./ \. . \ . a. . 111.414 II laa II. i.. - MP. t.

CONCERT PULSE Pos. Artist

1 GRATEFUL DEAD 2ZZTOP 3 PAUL SIMON 4 NEW KIDS ON THE BLOCK 5 YES

6 BBOIK. SWEAT/J. GILL

7 INXS

B CUNT BLACK 9 JUDOS

10 STING

11 REBA McENTIRE

12 WHITNEY HOUSTON

13 GEORGE STRAIT 14 POISON

15 SCORPIONS

Avg. Gross (in 000s)

$1047.5 $326.3 $302.6 $298.7 $245.8 $239.6 $228.9 $194.1 $189.7 $187.5 $178.3 $164.8 $153.3 $152.7 $143.3

New Tours Among this week's new tours:

AIR SUPPLY

MARSHALL CRENSHAW FABULOUS THUNDERBIRDS NELSON

O'JAYS DIANA ROSS

VIOLENT FEMMES

The CONCERT PULSE is a weeldy conputertr- d report renkl g each artist by their average

Cox office gross reported oar venue. Courtesy o/ Pollster. a pubacaeon of Prompters' On-Lhe L/sengs. (800) 344.7383, or In Carom* (209)221-2831.

WORLD MUSIC June28,1991 RsRJr7

Second BEF Album Another All -Star Vocal Affair TINA TURNER, CHAKA KHAN, TERENCE

TRENT D'ARBY, BILLY PRESTON, and SCRIT- TI POLITTI are among the featured vocalists on

the forthcoming "Music Of Quality And Distinction Vol- ume 2," the second album by BRITISH ELECTRIC FOUNDATION (BEF) - the collective created by HEAVEN 17's MARTYN WARE and ex -HUMAN LEAGUER IAN CRAIG MARSH. (The first BEF album appeared in 1982, and featured unusual cover versions by such unlikely cohorts as Turner, SANDIE SHAW, and GARY GLITTER, among others.)

The new LP's first single - a cover of the SLY & THE FAMILY STONE classic "Family Affair" - features lead vocals by U.S. soul chanteuse LALAH HATHAWAY, daughter of the late DONNY. The single is out July 15. The Virgin album itself follows on September 9.

Psychedelic Fur To Fly Solo

PSYCHEDELIC FURS member RICHARD BUTLER has re- vealed to ROL that he'll make his first solo album in 1992: "I'm supposed to make it at the end of this year, but I'll probably still be on tour.

"It'll be very different," prom- ises Butler. "I think the Psychedel- ic Furs sound like they do because of the people that are in it. It's not by any stretch of the imagination me telling people what to do."

Meanwhile, the Furs are about to start rehearsing in Ireland for a world tour supporting "World Out- side," the forthcoming STEPHEN STREET -produced album that features new drummer DON YAL- LECH, who replaced VINCE ELY.

#

Richard Butler - "not a great writer of happy songs."

The new single "Until She Comes" has already been hailed as the most positive Furs song in a long while, but Butler disputes the mood: "I think me at my most optimistic, I'm still pretty miserable," he laughs. "I'm not a great writer of happy songs."

McCartney Oratorio To Double CD

The Liverpool Cathedral performances of PAUL McCART- NEY's "Liverpool Oratorio" will

"Rock Over London" news is a

service of Rock Over London Ltd., which can be reached at 47 Roe-

buck House, Stag Place, London SW1 E5BB; phone/fax (81) 661-2603.

be recorded by EMI and released as a double CD in the autumn.

The performances at the city's Anglican cathedral also will be filmed by EMI's video associate PMI for release on laserdisc and videocassette. Some of this footage will be featured in a BBC/PMI television documentary that's slated to be broadcast in October as well.

McBrain's Instru-Mental Single

IRON MAIDEN drummer NIC- KO McBRAIN - who plays on the Rock Aid Armenia single "Rock

Lalah Hathaway - truly a "Family Af- fair."

'N' Roll" (due 7/1) - will release his first solo single that same day.

The EMI single, "Rhythm Of The Beast," was written with Maiden guitarist DAVE MURRAY and is McBrain's first -ever com- position. McBrain calls it "the ultimate instru-MENTAL," as it incorporates the four -piece horn section the TOUCH.

Going Under Covers MATT BIANCO, the group that

launched BASIA's career, are due back with a Brazilian -influenced album this September. They've just released "Macumba" - a 25 -year -old Brazilian classic - in Europe this week. It's been updated with the help of Spanish rapper CHULITO.

Meanwhile, the jazz -funk war- horse "Always There," originally recorded by RONNIE LAWS and since covered by SIDE EFFECT, WILLIE BOBO, and others, makes its UK chart debut via London band INCOGNITO featuring JOC-

BRITAIN LW TW

3 1

1 2

5 3

13 4

10 5

16 6

2 7

19 8

15 9 - 10

9 11

6 12

18 13 - 14

8 15

4 16 - 17

7 18 - 19 - 20

JASON DONOVAN/Any Dream Will Do (Really Useful) COLOR ME BADD/I Wanna Sex You Up (Giant)

KENNY THOMAS/Thinking About Your Love (Cooltempo/Chrysalis)

BETTE MIDLER/From A Distance (Atlantic)

SALT-N-PEPA/Do You Want Me (FFRR/PG)

ROD STEWART w/TEMPTATIONS;The Motown Song (WB)

AMY GRANT/Baby, Baby (ABM)

LENNY KRAVITZ/It Ain't Over ill It's Over (Virgin America)

LaTOUR/People Are Still Having Sex (Polydor/PG)

ERASURE/Chorus (Mute)

SONIA/Only Fools (Never Fall In Love) (10)

CHER/The Shoop Shoop Song (It's In His Kiss) (Epic)

DIVINYLS/I Touch Myself (Virgin America)

DRIZA BONE/Real Love (4th & B'way/lsland)

R.E.M./Shiny Happy People (WB)

MADONNA/Holiday (Sire/WB)

PAULA ABDUL/Rush Rush (Virgin America)

DOORS/Light My Fire (Elektra)

EXTREME/Get The Funk Out (ABM)

CHESNEY HAWKES/I'm A Man Nor A Boy (Chrysalis)

Moving Up

REBEL MC t/TENOR FLY & BARRINGTON LEVY/Tribal Base (Desire)

CUBIC 22/Night In Motion (XL)

OMAR/There's Nothing Like This (Talkin' Loud)

ALICE COOPER/Hey Stoopid (Epic)

BRYAN ADAMS/(Everything I Do) I Do It For You (ABM)

The Network Chart, courtesy MR/8

ELYN BROWN - the U.S. soul -

stress of "Somebody Else's Guy" fame.

And ... DANNII MINOGUE will fellow her Top 20 hits "Love And Kisses" and "Success" with a remake of STACY LATTISAW's 1980

smash, "Jump To The Beat." The new version was produced by L.A. MIX.

Also making the singles scene is BILLY BRAGG. His new single is

"Sexuality," co -written and co - produced by JOHNNY MARR and released on Go! Discs.

Din Daa Daa (Slight Return)

One of the most influential and oft -sampled dance records of the '80s re-emerges in a newly recorded version this week as German musician GEORGE KRANZ releases :he updated "Din Daa Daa," now featuring American rapper DOUG LAZY, on Cardiac/Virgin hi the UK.

The song was first released in 1984 in a collaboration with TAN- GERINE DREAM keyboard player CHRISTOPHER FRANKE (whose new solo album "Pacific Coast Highway" was recently is- sued by Virgin) .

Although British crossover success didn't come, "Din Daa Daa" was one of the biggest UK club records of the year. Kranz explains the decision to remake it thusly: "Everybody was sampling it, so we thought what the hell, let's take it one step further .... "

Craven Follow -Up BEVERLEY CRAVEN will fol-

low up her UK Top 5 hit "Prom- ise Me" with a reissue of her earlier single "Holding On," which re- surfaces July 8.

Lowe Reins On Rain NICK LOWE picks up the pro-

ducer's reins on behalf of the Liver- pool quartet RAIN. Lowe did the knob -twirling honours on "A Taste Of Rain," the title track for the groups UK album, which was just released as a single.

AUSTRALIA LW TW

1 1 JIMMY BARNES/When Your Love Is Gone

2 2 JAMES REYNE/Slave

7 3 CROWDED HOUSE/Chocolate

Cake

4 4 RATCAT/Don't Go Now

3 5 DARYL BRAITHWAITE/Horses

8 6 ROXUS/Where Are You Now

6 7 INXSBy My Side

5 8 SCREAMING JETS/Better

10 9 DARYL BRAITHWAITEMigher

Than Hope

10 BABY ANIMALS/Early Warning

Most Added IAN MOSS/Slip Away

Top 10 Australian records horn pla ylists of 3 Triple M-FM/Me/bourne, FOX-FM/Melbourne, 96 FM/Perth, SA-FM/Adelaide, 2-DAY/Syd- ney, 2 Triple M-FM/Sydney, MMM-FM/ans- bane, 8105/Brisbane, FM-104.7/Canberra, and 2 KIX 106/Canberra.

Billy Bragg - "Sexuality" singled out.

Terry Reid (Slight Return) TERRY REID - the near -leg-

endary singer -guitarist -songwriter who made a series of respected solo albums and almost joined LED ZEPPELIN in the late '60s - has returned with his first material in several years.

Reid's new single, "5th Of July"- written by CAROLE KING's daughter, LOUISE GOFFIN, and her husband, REID SAVAGE - just came out on WEA. The CD single features the Reid classics "Riv- er" and "July," produced by TOM DOWD and MICKIE MOST, respectively. Look for a full Reid album to follow.

Morrissey's 'Cosmic' B -Side

MORRISSEY's current U.S. tour is being filmed for later video release. Shot by TIM BROAD, the film will include DAVID BOIVIE's guest appearance at Morrissey's recent Los Angeles show where they sang a version of the T. REX song "Cosmic Dancer" (ROL 6/14).

This song, but not necessarily that live version, is likely to be one of the extra tracks on Morrissey's new single, "Pregnant For The Last Time," due July 15.

Meat Loaf & Cher Update MEAT LOAF's "Bat Out Of

Hell" album looks set for another run of UK success. "Dead Ringer For Love," Meat's duet with CHER - which originally appeared on Mr. Loaf's 1981 "Dead Ringer" LP - has just been reis- sued as a single and will be added to the 1978 "Hell" album.

CANADA LW TW

1 1 ALANIS/Too Hot

2 2 WEST END GIRLS/Not Like

Kissing You

5 3 WORLD ON EDGE/Wash The

Rain

9 4 GLASS TIGER/The Rhythm Of

Your Love

4 5 CELINE DION/The Last To

Know

6 6 CANDI & THE BACKBEAT/

Friends Forever

8 7 MITSOU/Dis Moi Dis Moi

10 8 MAESTRO FRESH WES/

Conductin' Thangs

9 BRYAN ADAMS/(Everything I

Do) I Do It For You

10 CRASH TEST DUMMIES/

Superman's Song

Most Added BRYAN ADAMS/(Everything I Do) I Do It

For You

CELINE DION/Have A Heart

CRASH TEST DUMMIES/Superman's

58RaR June28,1991 CHR tic

I

]! > II

1 . pu

JOEL DENVER

MUSIC COMMENTS

CONTEMPORARY HIT RADIO

The Sounds Of Change In the ever-changing world of CHR, people are talking

lately about increased musical diversity. From the availability of broad -based pop hit music to the growing importance of alternative artists, programmers say they have more substantial and less "disposable" music to choose from.

Pop successes by artists like Roxette, Londonbeat, Michael Bol- ton, Marc Cohn, Steelheart, and Amy Grant are part of the story, as are alternative artists like EMF, UB40, R.E.M., Divinyls, Jesus Jones, Seal, and KLF.

How will this musical shift affect mainstream CHR's recovery? Most programmers I've been talking with are optimistic for a number of reasons. A few mainstream MDs offer expert opinions on what's taking place.

Lee Chesnut WAPW (Power 99)/4tlanta MD

Lee Chesnut is known as a "music junkie" because he listens to virtually everything he's sent and works hard to keep the station's music cutting -edge. "I'm very excited about the success of alternative groups like R.E.M., Jesus Jones, and Seal. These are quality records and they're making it with the public.

"They're a nice change of pace - and a good replacement for the rock product from 'hair bands' that

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m The musical

polarization has to close if we're going

to survive as a format, and the

way to make that happen is to be right

down the middle with music.

- Garett Michaels

Lee Chesnut

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I'm very excited about the success

of alternative groups like R.E.M., Jesus Jones, and Seal ... they're a

nice change of pace - and a good replacement for the rock product from

'hair bands.' - Lee Chesnut

was our only option during the dance product glut. They offer a nice balance, and they cross demo- graphic barriers.

"We're in a constant struggle to find the next exciting, wide -appeal record. The majority of records are at opposite ends of the spectrum: ballads or dance/rap. We don't play too much rap and we limit the ballads, so the lack of middle -ground records is still a major problem.

"The most disturbing trend is the amount of boring adult -only music we're asked to play. A few weeks back I had a stack of 15 ballads that had legit consideration. But when you're CHR - which is about fun and excitement - you can't bring the sound down too far."

On the "clone mentality" problem in the radio and record communities, Chesnut says, "Dance has been a major factor for several

years now, but in 1990 the two big success stories were Vanilla Ice and M.C. Hammer. A pattern was set, and there's been too much of that. Wilson Phillips makes it big, and then more clones begin.

"I urge labels to be on the look- out for the next big thing instead of copying what's already working. Freshness and newness are what CHR is all about. Overkill on anything spells death for the format. We strive for balance, yet I find most CHRs are off -balance. PDs and MDs are too easily sway- ed by the hype of the moment - dance formats, mix formats - when they have no business in the world going off -course. We saw it happen with Rock 40, too."

Despite the decline of many CHR numbers, Chesnut thinks better days are ahead as long as the music continues to offer a compell- ing reason to tune in. "The trend to go deeper into gold libraries is only a short-term fix until those titles burn out. The polarization of current music between demos is lessening; to keep it moving in the right direction we need more hit records that are monsters in multiple demos. I look forward to a glut of this type of product, but I don't see it yet. I hope it's on the way."

Torn Pole man

The trend is obvious. This

alternative music is good for the format, but I fear a backlash

if we overreact - just like with rap

and dance. - Tom Poleman

Detectable Trends For years, CHR has touted "variety" as a selling point:

Now that we really have a cornucopia of music from which to choose, MDs are predicting:

An increase in New Rock and alternative music

An overreaction to alternative product More wide -demo pure pop music

Decreased teen -adult polarization

Newfound mainstream. success

Continuedt worries over too many. ballads

Garett Michaels WZPL/Indianapolis MD Garett

Michaels sees "an evolution back to the mainstream. Some dance stations are adding pop records now they wouldn't have touched before. The missing ingredient - the pop record that sounds hip - is finding its way back in now. While people refer to R.E.M. and Jesus

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'r;:'rr Jeff Donovan

m Fragmentation is a reality, but CHR is fragmenting itself.

Play the new records that will

broaden your appeal in more than

one demo. - Jeff Donovan

Jones as alternative, I call them good mass -appeal pop records. Only the group names are alternative."

Like others, Michaels foresaw a diminishing rap presence on CHR. "I compare rap to punk music. It sells well, but it doesn't have a real place in mainstream CHR. Rap will be around for a while, and it'll still be an integral part of Urban and dance stations."

Michaels believes "MTV is a bigger factor than ever. Since [VP/ Music Programming] Matt Farber arrived, it has more of a radio feel. Matt comes from radio, and MTV is more focused than in the past. It's done a great job of exposing records like Bad Company's "If You Needed Somebody" - which was No. 1 for us - but many CHRs

didn't play it. Listeners I've spoken with perceive MTV as an alternative outlet for their favorite current or new music. I credit MTV with breaking Steelheart's 'I'll Never Let You Go' as well as Jesus Jones.

"The musical polarization has to close if we're going to survive as a format, and the way to make that happen is to be right down the middle with music. I think WZPL is a role model for a lot of stations around the country in this respect, but to pull it off we need a good flow of current records. I hope labels are waking up. So far this summer, music is the best it's been in ages. However, a few pop records are slipping through the cracks nationally because many stations are still playing too much dance music."

Michaels doesn't believe CHRs will survive by splintering off into Adult CHR or HOT AC directions. "It's a bottom -line business, and if you're serving 18 -Ms efficiently, you should be able to do well 25-44 and make money. The La's" 'There She Goes' is a pure pop record that sounds like the '60s. It will


J.J. Riley

I'm going to keep my eyes on

alternative dance CHR stations like

KWOD/Sacramento. They may be on the cutting edge of what

a '90s CHR is or could become.

- J.J. Riley

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CHR

The Sounds Of Change Continued from Page 58

appeal to adults and teens. Like [WEGX/Philadelphia PI)] Brian Philips has often said, Èverything old becomes new again.' And like John DeLorean said, 'Sell an old man a young man's car' - that's what CHR is all about."

Tom Poleman While some are raving about the

alternative music on CHR play - lists, WKCI (KC101)/New Haven Asst. PD/MD Tom Poleman is less enthusiastic. "The trend is obvious. This alternative music is good for the format, but I fear a backlash if we overreact - just like with rap and dance.

"Rap isn't over," he explains. "It's just that it's a polarizing genre of music. Lots of rap music generates instant active reaction, but we can't play as much of it as we did 18 months ago and remain mass appeal. That would be aban- doning one of the core principles of

the format - and that means trou- ble. The stations going in a mix direction are also heading for a crisis. If you're too adult you lose your base, and there's no way around the fact that CHR is a youth -based format. By playing the right records for the available audience you can be a winner with 18-34s and 25+ adults.

"To that end, I see non -dance music making a comeback. Most CHRs are just now realizing this fact. It's what will really save the format and rekindle its success. I'm beginning to see some labels responding to this trend, but I don't want labels to begin pummeling us with only pop and alternative records.

"Remember, pop records may take longer to react than pure dance or rap records. That's why we need to apply gut and good research to the problem. Other- wise, CHR will continue to see a migration of adults out of the format because we didn't meet their expectations by providing a variety of music while being fun and easy to listen to. CHR won't die unless we kill it. Serve the teens, but be aware that you have adults listening too."

Jeff Donovan WQEN (Q104)/Gadsden, AL

MD/night rocker Jeff Donovan sees "too many CHRs playing the 'national chart game.' Play what works for you. Hit records like Trixter, Steelheart, and the Black Crowes are being ignored because they haven't made the national chart. When the Black Crowes sell three million albums and some stations are having success with them, yet they haven't made the national charts, don't you think something's wrong? I do. How can you ignore this stuff?

"When CHRs are getting beaten by Urban stations it's got to tell you you're not being mass appeal enough. The rest of the audience you should have has gone elsewhere - to AC, Gold, AOR, Classic Rock - for the variety

you're not providing. And if the sales manager tells you to get more adults, think about the appeal of some of these rock crossovers. They appeal to adults first and teens second."

Though Q104 is in a smaller market and can afford to be more things to more people, Donovan's aware of the competitive factors in major markets. "Fragmentation is a reality, but CHR is fragmenting itself. Play the new records that will broaden your appeal in more than one demo.

"Music has really come around in the last few weeks. With so many records from so many labels, there's really no excuse for not having the right music. Look at the success of Power 99 in Atlanta. It plays a great variety of music and is kicking ass over everyone but the Urban station [ WVEE (V103)1. It'll eventually beat them too. It's Power 99's kind of programming that others in the format need to look at."

J.J. Riley According to WRQN (93Q)/Tole-

do Asst. PD/MD/afternoon personality J.J. Riley, the future is bright. "We've always been careful with rap and dance, and I believe the added bonus of the alternative music will be a big boost for CHR. I just don't want to see us all overdo it again. Rock is still a big factor for us, since Toledo is a blue-collar market. Slaughter, Firehouse, Warrant, and the like will find a place on our station quicker than, say, Black Box.

"In many cases the smaller markets have followed the majors, which is why dance has had such a huge national impact and non - dance records have had such a hard time. Now I see more stations in my size market not really caring what happens in New York or Los Angeles as much as we used to. An- other Bad Creation has the No. 1

album in Toledo, so I'm not going to ignore 'Iesha' or Playground,' but I'm going to play them where they'll be the most effective ... at night "

Riley, like others, is still over- loaded with ballads. "Some you need to play and others you can pass on. For example, we didn't play Whitney Houston's `Miracle' and we didn't get hurt. There's a risk in becoming choked with ballads. Some stations are getting around it by going deeper into gold. It's a refreshing change, but shouldn't be overused."

He believes the availability of current music has to improve. "The shortage of good uptempo pop songs is critical. We need them now. Labels have been pretty short on supplying them, but with all the record companies there should be no scarcity of good music available."

Finally, Riley sees hope in one splinter form of CHR: "I'm going to keep my eyes on alternative dance CHR stations like KWOD/ Sacramento. They may be on the cutting edge of what a '90s CHR is or could become."

MOTION WKSS/Hartford names

overnighter Michael Knight MD.

WAPW (Power 99)/Atlanta ups weekender J. Karen Thomas to middays.

WVIC/Lansing overnighter Brian Sanderson becomes MD/middays for a spell while Laura Kelly is on mater- nity leave ... KBFM/McAllen- Brownsville, TX MD Bill Santiago becomes interim PD as OM/PD Dusty Hayes leaves to program WABB/Mo- bile ... KHYI (Power 95)/Dallas weekend swingman J.J. Morgan becomes Music Coordinator ... Night guy Jammin' Jimmy J. exits WGY- FM/Albany to replace Bob Bozwell in

nights at WSSX/Charleston, SC. Changes at KIKI (194)/Honolulu: Ka-

trina Foxx joins the AM team, replacing Kari Steele (now at crosstown KOMQ), and Mandy Armstrong from crosstown KCCN becomes News Di-

rector . KSLY (Sly96)/San Luis Obispo, CA adds overnighter Dayne Knight ... KIOC (K106)/Beaumont, TX greets Promotion Director John Trapane from KKBQ/Houston .. WQXA/York, PA fills its open nights/ Promotion Director slot with WGN/ Chicago's Alex Valentine.

WJMO/Cleveland names Bill Russ, most recently at WXGT (92X)/Colum- bus, to overnights ... KRNQ/Des Moines nabs John Weis from WBNQ/ Bloomington, IL for PM drive ... Sar-

ah Marx moves from KRNQ/Des Moines to overnights at WRBQ (0105)/Tampa ... Julie Flowers from WWMJ/Ellsworth, ME takes the WWFX/Bangor AM sidekick gig vacat-

ed by Kim Bennett ... KKYS/Bryan College Station, TX names John Ste- vens to nights.

BITS

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62;we June28,1991 AOR® t,[ ' T.

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HARVEY KOJAN

ALBUM ORIENTED ROCK

When You're The New Kids In Town Morning Bit Helps Out-Of-Towners Get `Local'

Taking an on -air job in a new city is always a challenge for radio personalities, especially for morning talent expected to do far more than read liners and play the hits. Most listeners react to a new morning show with a healthy degree of skepticism, if not downright hostility - particularly if it's obvious the new guys aren't "local."

Jeff McKee and Jeff Beck found themselves in that situation when they teamed for the first time to do mornings - as Jeff & Jeff - at WRXL/Richmond. McKee arrived from Jacksonville, while Beck moved south from New York. Neither had been in Richmond before.

"This is a city where they still have problems with Yankees coming to town," notes McKee, who was born and raised in New Jer- sey. "We realized it was important for us to quickly assimilate the market, become localized, and make the fact we came from somewhere else a moot point."

As it turned out, one well-chosen bit accomplished that objective. Noting that great cities have signa- ture songs - "New York, New York," "I Left My Heart In San Francisco," etc. - and that Rich- mond lacked one of its own, McKee and Beck challenged listeners to write and record original musical tributes to their fair city.

"We figured if we got enough decent candidates we could play them over the air, and by the time the contest was over the listeners would have localized the show for us," McKee explains. "We thought that would be a lot more effective than simply mentioning street cor- ners and areas we weren't familiar with.

"Our consultant predicted we'd never get enough good stuff, and it's true that at first the tapes just

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WRXL's "Songs For Richmond" was a sellout.

It was important for us to quickly

assimilate the market, become

localized, and make the fact we came from somewhere

else a moot point. - Jeff McKee

trickled in. But once people started hearing them on the air, things began to snowball. We started off

playing one an hour; by the end of the promotion we were playing two an hour. The buzz was obvious on the streets, and people were con- stantly calling in asking when their friends' tapes would be played."

Surprising Response McKee and company were star-

tled when over 350 tapes poured in- to the station. "The vast majority were of surprisingly good quality, and I'd say at least 50 were shock- ingly good. There are all these frustrated rock 'n' rollers - ac- countants, bankers, construction workers - with incredible multitrack home recording studios. In fact, we got very few songs from bands. Most of the songs were elaborate, one -person jobs."

The team was particularly sur- prised at the response, since the prizes were minimal. Everyone who submitted a tape was invited to a special party where the 10 finalists performed their entries. A mailman won the grand prize: an opportunity to rerecord his song in

NORINCOM' ZZA'It CKS

Buzzard Makes Tracks Musicians throughout the greater Cleveland area jumped at the chance to participate in WMMS's local licks competition and land a tune on the

station's inaugural "Northcoast Buzzard Tracks" CD. After wading their way through well over 600 entries, 'MMS staffers,

label reps, and local rock critics selected 18 tracks for the disc, which is available at dozens of locations for a mere $5. Profits, of coursé, will be donated to local charitable organizations.

a professional 24 -track studio and have his masterpiece turned into a rock video produced by a local TV station.

Wedding Bell Blues Yes, the lovely photo accompanying this piece is in-

deed of WRXLIRichmond morning man Jeff McKee, dress- ed in what appears to be a wedding dress and headband. The flattering portrait actually appeared in the Richmond Times -Dispatch a few weeks back, although not quite in the context McKee intended.

You see, McKee got this silly idea to slip a fake wedding announcement into the local paper. He then planned to tell listeners, "Hey, my picture's somewhere in

the Sunday paper. The first person to find it gets $1000."

The photo of McKee in drag was packaged with a typically worded wedding announcement titled "Lit- tle - Richard." The text:

The marriage of Miss Maybelline Bottl Richard of Richmond, daughter of Mrs. Selma Botti Richard and Keith Richard of Mount Olive, North Carolina, to Hammond Ecks Little of Chester, son of Mrs. Jac- queline Hyde Little and Aaron and Miss Loretta Martin of Raleigh. Tyres Little of Hopewell, took Bo Linball of Cedar Lanes was the place March 9 in the Cathedral of best man. the Woodsy Pines in Mount Olive. Although the photo did get print -

The Reverend William Shears of- ed, it was not in the wedding sec- ficiated. Honor attendees were tion. Instead, it accompanied a

Miss Amanda Jones of Charlotte prominently placed eight -para -

Jeff McKee

graph story headlined "Radio Sta- tion Fails In Attempted Hoax."

Seems a certain eagle-eyed Times -Dispatch editor spotted the ruse and immediately brought It to the attention of her boss, Alf Goodykoontz. Mr. Goodykoontz - his real name, I kid you not - was so furious that anyone would screw with the sanctity of his paper that he decided to scold WRXL in print.

"It's bad enough for anyone to try to get false information published or broadcast," Mr. Goody- koontz said. "For a radio station to do so is unconscionable."

Goodykoontz promptly called 'RXL GM Claire Shaffner to pro- test the incident, reminding her that it's a crime in Virginia to know- ingly furnish false information to a

newspaper.

As you can imagine, Shaffner was not particularly upset by the strange turn of events. "It didn't turn out the way we wanted it to - we certainly hadn't planned for the newspaper to get so upset," she told the paper. "But, on the whole, it was a successful stunt."

"We discovered that the opportunity to win a prize was not what motivated people to send tapes," McKee says. "People just want to hear themselves on the radio. There are a ton of listeners who are dying to demonstrate their creativity and their musical abilities. We couldn't help but come away with new-found respect for our audience."

Two dozen listeners had their works immortalized on a "Songs For Richmond" cassette which the station sold. Net proceeds benefited a local charity.

"In order for this to work you need an enlightened programming department that's willing to play this stuff on the air," McKee notes. "Some PDs might shy away from the idea, thinking, 'We're just not going to get enough good stuff,' or 'Why waste valuable airtime playing these songs?' But we got more than enough excellent material, and how can you go wrong playing locally produced music about the city you're living in?

"Another benefit of the promotion was that we got ourselves a true pool of talent to dip into whenever we need anything from a jingle to a parody song.

"Sometimes promotions just work out a whole lot better than you anticipate, and this was definitely one of them. I think this would apply to anyone coming into a new market. By the time it was over, the fact that we were not from here was all but forgotten, because at least once an hour we were about as local as you could get."

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KISS MY LOVE GOODBYE The new track and video from L.A. GUNS

Rock Stripped Down To The Raw Essentials.

From the much anticipated new

album "HOLLYWOOD VAMPIRES"

1st WEEK - MOST ADDED - 43 OUT OF THE BOX

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KEMP & THE FRAZE - Legendary prankster Guy Kemp and too -hip dude Frazer Smith recently journeyed to KCHV/Palm Springs for an opportunity to do a shift together, then retired to PD Kate Willis's pad for an intense air - check session; (I -r) Kemp, Smith, former KCHV personality Jill West, Wills, and KCHV personality John -O.

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ALL THE WAY FROM LONG BEACH - Members of Contraband visit

KNAC/Los Angeles; (l -r) the band's Michael Schenker, KNAC's Ricky Rachtman, the band's Richard Black, MD Bryan Schock, and Impact's La

Toya Green.

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TALLAHASSEE YANKEE - Damn Yankee Jack Blades (c) gets up close and personal with WGLF/Tallahassee Production Director Bill Col- lins (I) and PD Jeff Horn.

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RIK PIC - Rik Emmett drops by WAOX/Syracuse for an on -air performance; (l -r) Emmett, night jock Mark Getsey, PD

Jim Crowe, Promotion Director Lisa Walker, MD Dave Frisina, and Charisma's Paul Calabrette.

We promise that Dan Rudolph, the ordinary average promotion guy, will

not be calling you to play the second hit track from

A_SH i°All Of A udden"

On Tour:

6/27 Canandaigua, NY

6/28 Mansfield, MA

6/29 Columbia, MD

7/1 Saratoga Springs, NY

7/2 Philadelphia, PA

7/4 Dallas, TX

7/4 Austin, TX

7/5 Wantaugh, L.I., NY

7/6 Holmdel, NJ

7/7 Atlantic City, NJ

7/9 Burgettstown, PA

7/10 Weedsport, NY

7/11 Nashua, NH

7/12 Bristol, CT

7/13 Old Orchard Beach, ME

7/15 Burlington, VT

7/16 Poughkeepsie, NY

7/17 Grohton, CT

7/20 Cleveland, OH

7/22 Toledo, OH

7/24 Grand Rapids, MI

7/25 Indianapolis, IN

7/26 Canton, OH

7/27 Hoffman Estates, IL

7/30 Maple, Ontario, Canada

7/31 Clarkston, MI

8/1 South Bend, IN

8/2 Columbus, OH

8/3 Cincinnati, OH

8/9 Morrison, CO

8/23 Raleigh, NC

8/24 Charlotte, NC

8/25 Atlanta, GA

epic pyramid

records

SEGUES Boson -area actor/radio personality

Tim Fox joins the WGIR/Manchester, NH Breakfast Club ... KCFX/Kansas City adds comedian David Nestor to its morning show ... David Lee exits mornings at WAOY/Springfield, MA

. Kr4TK/Tulsa names Teresa Ran- dolph Promotion Director ... Chris Corely nabs 6-10pm at WRXK/Ft.

Myers, FL ... Former longtime KKDJ/ Fresno vet (and Bobby Darin imper- sonator) Jeff Reidel grabs the 10pm- 2am shift at KDJK/Modesto, CA .. .

KDGE/Dallas ups Wendy Naylor to

APD ... KFMZ/Columbia, MO pro- motes Todd Myers to APD/MD .. .

WOBZ/Macon, GA's new phone number is (912) 781-1063.

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COUNTRY June28,1991 RaR6% r

LON HELTON

The Care & Feeding Of Guest DJs

Guest DJ appearances have long been an exciting way to spice up a morning show. Whether it's because of a morning show vacation or illness - or just because a star touring the area has offered to sit in - stations are continually putting out the welcome mat.

I became especially interested in ways to make guest DJs feel comfortable when I did the morning show at WZZK/Birmingham a few weeks ago. During my years in radio I had always been on the other side, trying to do what I could to take care of my visitors. But it was quite different being the guest DJ. Even though I kind of knew what to expect, I still experienced a bit of anxiety and apprehension. But WZZK PD Jim Tice did a number of things to make the experience a great one, so I thought I'd have him share a few tips so you can be ready for your next guest DJ. Add- ing some advice of his own is KPLX/Dallas PD Bobby Kraig, who has utilized guest DJs a number of times.

Advance Preparation

"The most important thing is to do everything you can to make people feel at home," said Tice. "They're going to be uncomforta- ble because they're out of their environment. Overprepare; plan every detail."

After confirming an out-of-town guest's travel plans, Tice faxes a complete itinerary including air, hotel, and ground travel information to the guest and his or her

We had one elected official who we

thought would be great. But by asking around we learned he was only good

for 20 -second sound bites, so we passed.

-Jim Tice

. m manager. From the guest's stand- point, this early attention proves the event coordinator has a handle on everything. Kraig offers his guest DJs a light breakfast. "Find out what they like to eat," he suggested. "Make sure there's plenty of coffee and other things we take for granted."

WZZK houses its guests at a hotel next to the station, a nice ar-

Jim Tice

rangement, considering the show starts at 5:30am. Guest DJs are offered the use of one of the station's vehicles during the stay. In Dallas, Kraig supplies a limo. In addition to providing a classy ride and image, it also acts as insurance that guests will be on time - or, in some eases, that they'll be there at all. Very few guest DJs are used to getting up at 4am. Most - especially country stars - are more apt to be going to bed at that hour.

When planning budgets for out- of-town visitors, Tice said to ar- range for two of everything, especially for artists who always travel with their managers. Also take time to find out as much as possible about the guest DJ. "That way, your on -air host can talk about the guest's interests," said Tice - yet another way to raise the comfort factor.

Another thing Tice did that I had never heard of before - but which made me very comfortable - was send me a tape of a previous morning show. I got a feel for the style of the person with whom I'd be teamed. It also gave me some insight in- to her personality, which in turn gave me an idea of the direction the banter could take - and how much I could get away with.

Best Guests Country stars; former market

radio personalities; local TV news, sports, and weather anchors; local athletes; politicians - just about any widely known person makes a good guest DJ candidate. But Tice suggested that you make sure they're decent speakers before you extend an invitation. "We had one

elected official who we thought would be great," said Tice. "But by asking around we learned he was only good for 20 -second sound bites, so we passed."

When going after TV anchors, be prepared to do a bit of convincing. Tice, who does the weather at a Birmingham TV station, said, "TV news consultants aren't too keen on the notion of anchors as radio guest DJs. They're very protective about the anchor's image. Anchors are set in a certain mold, and [TV] news directors are reluctant to take them out of it for fear of damaging their credibility. I think anchors should do guest DJ spots because it presents another dimen- sion of their personality to the audience. Presenting them as regular people helps to develop loyalty."

Be Flexible, Be Ready Each guest will want different

things in different ways. The key to coping with that is to remain flexible, said Kraig. "You'll work with all kinds of people, so be flexible and be ready. I've had some guest DJs show up an hour before the show saying they wanted to pre- pare and others show up five minutes before air time."

Kraig makes it a point to be at the station to greet the guest. "The way I look at it, I'm asking a huge favor of someone who normally doesn't get up at that hour. The least I can do is be there."

Remember, too, that guest DJs - ty the very fact that you've invited them - are VIPs to some degree, and the station should treat them as such. When WZZK inks a guest DJ, Tice notifies the staff by sending a memo. Employees then

Guest DJ Checklist Plan every detail

Make the guest feel at home

Learn the guest's interests

Send a past show in advance

Be flexible

Mount mike flags and banners

Alert the staff

Tidy up the office

Expect the unexpected

can see to it their work areas are perhaps a little tidier than normal.

And even though your staffers shouldn't have to be told, it may not be a had idea to remind them to be on their best behavior. A prominent guest relating tales of bickering

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41111 - Bobby Kraig

may not present the image you wish to portray.

Expect The Unexpected The final point - expect the un-

expected - came to me as I was about to go on the air at WZZK. Morning co -host Patti called morning show producer Brian Lane to say there was a major accident on the freeway and it appeared she'd be late. Lane gave me the news matter-of-factly, even though I'm sure he was looking at me with a feeling of great panic.

Luckily, I'd had a few years as a jock to fall back on and wasn't bothered by the thought of flying solo (actually. I had a lot of fun going it alone). But Tice came in shortly thereafter to join me (and to protect his format, which I was systematically destroying). As it turned out, the accident was so se- vere the road was closed for hours and Patti never made it in that morning.

Guest DJs can be a lot of fun for the audience as well as the station staff. Newspaper and TV coverage often is the result of a celebrity in your station. So remember to have that mike flag mounted and a station banner unfurled where it can't help but be in the picture. But most of all - have fun!

m The way I look at it,

I'm asking a huge favor of someone

who normally doesn't get up at

that hour. The least I can do is be there.

-Bobby Kraig

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CASHIN' IN - Dropping by backstage to visit with Rosanne Cash alter a recent show were (l -r) WMZO/Washing- ton PD Gary McCarie, WPOC/Ba1imore MD Greg Cole, and Columbia's Steve Powell.

68RaR June28,1991 NASHVILLE THIS WEEK

Country 'Throbs Pose For US US magazine's cameras caught up with some of coun-

try's hottest hunks during Fan Fair, snapping them at their sexiest for a piece in the August issue.

Word has it US Director/Photog- raphy Thea Wieseltier instructed photographer E.J. Camp to "shoot their buns" and, from what we hear, the results were fabulous. Look for Garth Brooks, Clint Black, Alan Jackson, Marty Stu- art, Travis Tritt, Vince Gill, and Ricky Van Shelton to appear in the piece, on newsstands July 23.

Can We Talk? Garth Brooks was interviewed

earlier this week for a profile on "Inside Edition." The crew taped his Capitol/Nashville Fan Fair show, then caught up with him in Los Angeles to talk about his current success. Brooks also recently taped a segment for an upcoming VH-1 special on Bob Dylan.

T. Graham Brown crosses the border from his Taco Bell commercials into a role in an upcoming movie, "Paradise Park," filming July 1-3 in West Virginia. Daniel Boyd wrote, directs, and is producing the Big Pictures inc. film, which will also feature Johnny

Paycheck and Razzy Bailey. One of Brown's songs may be used in the film.

Look for those crazy Kentucky Headhunters on HBO this week during the channel's "World Enter- tainment Report." They were filmed for the piece right before Fan Fair.

Travis Tritt taped a special music segment of the "Joan Rivers Show" this week, along with artists Pat Benatar, Maxi Priest, and Martika. Air date is currently undetermined.

The Rockets' Red Glare Carlene Carter kicks off the

Marlboro Music Military Tour, along with 38 Special and America, July 4 at Tacoma's Ft. Lewis. Most of the concerts, to be held on 12

military bases around the U.S., will be open to the public. Proceeds will benefit each base's morale, wel- fare, and recreation fund, which provides military personnel with entertainment activities throughout the year.

NEW ARTIST FACT FILE

Trisha Yearwood Born: Monticello, GA Current Single: "She's In Love With The Boy" Current Album: "Trisha Yearwood" Label: MCA Producers: Garth Fundís Management: Bob Doyle, Pam Lewis/

Doyle -Lewis Management

Musical Influences: Linda Ronstadt, George Jones, Elvis, the Eagles

Background: From the time she 1 starred in her fifth -grade play as

Dorothy in the "Wizard Of Oz," Trisha Yearwood has wanted to perform. "I was always doing something musical or entertaining when I was little. When I didn't have someone else to play with, I'd pretend for hours - singing or making up commercials in front of the mirror. But only when I was by myself - I was very shy growing up

The Georgia native's love for music continued to grow as she participated in high school musi- cals and choral groups. Upon entering college, Yearwood chose a business major, but kept the thought of a singing career in the back of her mind. "I felt at that time that I should do something practical and safe, and since my dad's a banker, I figured working with numbers was something I could do well. Everyone in my family is very achievement -oriented, so a music career was not the logical choice. But I never doubted I would try to do the music one day."

Yearwood transferred to Nash- ville's Belmont College in '85 to study music business, and in the

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process landed a publicity intern- ship at MTM Records, where she continued to work after graduation. "It was really motivating for me to see other singers passing me by, doing what I really wanted to do. It made me want to get out there and work harder toward it."

Signing: While still in school, Yearwood made a two -song demo and took it to Buddy Blackmon, her one publishing contact. Soon after, she was called to do backup on her first session, but ended up singing the entire demo by herself after the lead singer came down with laryngitis. After graduation,

Ronnie Milsap and Ronnie Mc- Dowell will perform a special July 4 concert in salute to the troops of Operation Desert Shield at Ft. Bragg, NC. The concert is open only to the troops and their families.

Just in time for Independence Day, Lee Greenwood's patriotic video single, "God Bless The U.S.A." (on MCA Music Video), has been RIAA-certified as platinum for sales of over 50,000 units.

Music Memo Steve Warmer is featured vo-

calist on "Now It Belongs To You," the Mark O'Connor & The New Nashville Cats single released last week. Warmer wrote the ballad - which concerns a fiddle passed down from generation to generation - especially for O'Connor.

O'Connor and other country in- strumentalists will participate in a first -ever Marlboro Music concert of hillbilly jazz in Kansas City this month. Also performing will be Sam Bush, Jerry Douglas, Edgar Meyer, Russ Barenberg, and Ali- son Krauss.

Neal McCoy's upcoming single, "This Time I've Hurt Her More Than She Loves Me," was

more demo work followed when she hooked up with Kent Blazy, one of the writers from that first session.

He introduced her to a new artist named Garth Brooks and arranged for the two to do a demo session together.

They immediately struck up a

friendship. When Brooks introduced her to his producer, Allen Reynolds, Reynolds suggested she meet producer Garth Fundis, who was impressed enough by her talent to help her organize a

set of industry showcases. A deal with MCA/Nashville's Tony Brown resulted.

Songs: Through her demo work, Yearwood had befriended many of Music Row's finest writers. These relationships came in

handy when she went looking for material for her debut album. Her second single, "Like We Never Had A Broken Heart," was written by Pat Alger and Garth Brooks, who lends his harmony vocal to the ballad. A second song from Brooks's pen, "Victim Of The Game," is also featured.

As her current single climbs the charts, Yearwood finds her long- term - and short-term - goals changing. "The more things that happen, the bigger my goals seem to get. At first, I just wanted to get on the charts. And when that happened, I wanted to get a Top 20 record. Now I want a No. 1. I want to break the stereotype about women in this business and show we can sing about real life and have as much appeal as men do. And this is my shot."

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Music Row Women Teed Off

Frivolity and bad golf abounded at the Fourth Annual Music Row Ladies Golf Tournament & Tupperware Party, held June 18 in Nashville.

Sponsored by ASCAP, TNN, and Capitol/Nashville, the tourney was started three years ago as a barbed response to all the men's competitions that go on throughout the year. This year's installment raised over $12,000 for United Cerebral Palsy.

Each foursome was encouraged to dress thematically, with Tupper- ware prizes going for distinctions like tackiest attire. Proudly display- ing their stars and stripes cos- tumes (top photo, l -r) are ASCAP's Eve Vaupel, US Air's Eve Drum-

mond, Almolirving's Mary Del Frank, and ASCAP's Suzanne Lee.

Among the "unprofessional players" teeing off were several artists, including Patty Loveless, Robin Lee, and Vince Gill, who caddied for the Sweethearts Of The Rodeo. In the bottom photo are (l -r) Sweetheart Kristine Ar- nold, Betty Sanders of Flood, Bumstead, McCready & Sayles, Leonard Arnold, Barbara Thomp- son of FBM & S. Gill, and Sweet- heart Janis Gill.

first recorded by Conway Twitty in 1975. The song was written by Mary Larkin and one Earl Conley, who would later add "Thomas" to his stage name.

Speaking of ETC, his current single, "Shadow Of A Doubt," was written by Epic artist Tom Wopat with Robert Byrne.

And, speaking of Wopat, he'll have a new album out in July. He's currently winding down a run on Broadway as the lead in the musical "City of Angels."

Mark Collie's upcoming album, "Born And Raised In Black And White," set for a July 23 release, features a remake of the theme from the '50s classic "Thun- der Road." Collie is an avid fan of the movie's star, Robert Mitchum, and grew up singing "The Ballad of Thunder Road," which Mitchum himself co -wrote.

RCA/Nashville newcomer Ed- die London's debut single, "If We Can't Do It Right," comes from the songwriting duo of Ronnie Rogers

and Mark Wright, the same pair responsible for the Mark Chesnutt hit "Blame It On Texas." Rogers and Wright have individually written hits for artists such as Steve Wanner, Alabama, and Tanya Tucker.

Holly Dunn's upcoming greatest hits album, "Milestones," contains out -of -print material from her three MTM albums, as well as songs from her two Warner Bros. albums and a new track, "Maybe I Mean Yes," which was recently released. The record is due July 23.

Signings Johnny Rodriguez to Atlantic

Records ... Cleve Francis to Capitol Records ... Mike Reid to Moress, Nanas, Golden for management ... Hal Ketchum to Mon- terey Artists ... Willie Nelson to Evelyn Shriver Public Relations for publicity ... Eddy Raven to McFadden & Associates for booking ... Dude Mowrey to Buddy Lee Attractions for booking.

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1991 G MUSIC

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MIKE KINOSIAN

KOSI Hits The Books In partnership with crosstown KUSA-TV and McDon-

ald's, KOSI/Denver recently instituted "I'm Cool ... I'm In School," a program designed to encourage children to continue their education. to their friends. We've already put

"Working with the kids was both together an outline to start it up challenging and exciting," corn- again next fall. Word's getting out, mented KOSI Director/Promo- and I continue to hear from other tions & Public Affairs Sheryl Shea- clients who want to become spon- for. "Those of us involved believe sors." something has to be done to deal The program consisted of three with kids who find school boring. separate school visits by KOSI and Many feel they can leave school KUSA-TV staffers, as well as mu - and make big money. In addition, a sic and sports celebrities. They vis - high number drop out because of ited four pre -designated schools, low self-esteem." which were chosen for their large

Having received positive feed- numbers of potential dropouts. Ap- back from seminar participants, proximately 950 children in grades Sheafor noted, "We challenged six and eight participated. them not only to stay in school, but The first session reminded kids to be ambassadors of this program that everyone makes mistakes and

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"I'm Cool ... I'm In School" participants (I -r) KOSI/Denver's Ray Friedman, KUSA-TV/Denver Producer Karen Walker, KOSI Director/Promotions 8 Public Affairs Sheryl Sheafor, Lisa Lisa 8 Cult Jam's Lisa Lisa, KUSA-TV sportscaster Kevin Corke, KOSI's Bill Axelson, and Richard Rusak, a school principal.

people shouldn't let mistakes hold them back. The second meeting dealt with self-esteem, and the final gathering addressed the dollars and cents of leaving school.

WHERE THERE'S A WILL - There's a way to get some radio and record folks in a group shot. Huddling (l -r) are PolyGram's Laura Hinson; PLG VP/Sales Jerry Kopecky; Island artist Will Downing; KKMY/Beaumont, TX MD Robert Brock; PLG's Gregg Stevens and Kevin Kay, and KVIL/Dallas MD Steve Eberhardt.

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Keyholders gather In attempts to win the WSTR/Atlanta dream home.

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WSTR's True Love Contest Winner Woodstock, GA's Patricia Truelove recently won a $131,000 house plus $10,000 in

cash as part of a major WSTRIAtlanta promotion. The station awarded keys to listeners who registered at local Campbell's soup displays and heard their names an-

nounced on WSTR. The 300 key winners gathered, each a contender to unlock the new home's door. Truelove held the magic key and won the four -bedroom home and the cash.

Tale Of

The Tape File this under "Persever-

ance pays off."

One year ago, WKIZIKey West, FL's Todd Swofford was embar- rassed to make station appearances because of his massive girth. Humil- iated by having to be weighed on a

fish market scale, he vowed to dis- card the tonnage he'd amassed.

Swofford eliminated the gargan- tuan portions of food he consumed daily, ate sensibly, exercised, and saw dramatic one-year results. Here are some examples:

1990 1991

Weight 348 lbs. 185 lbs Waist 60" 36" Chest 57" 40" Hips 58" 42" Mid -arm 19" 13" Body fat 51% 19%

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Todd Swofford Before/After

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THEY SAY IT'S YOUR BIRTHDAY - Donny Osmond recently helped WMYX/Milwaukee celebrate its 10th birthday. All decked out for the affair were (rear, l -r) AM co -host Arnie Wheeler, Promotion Director Bernie Laur, Capitol's Phil Dempsey, and PM driver Mark Richards; front (l -r) PD Jim. Schaefer, morning co -host Jane Matenaer, Osmond, and Capitol's Leslie Marquez.

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for a free sample call (317) 776-1252

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MARKETPLACE ADVERTISING Payable in advance. Orders must be typewritten and accompanied by payment. Visa/MC/AmEx accepted. One -inch minimum, addi-

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72.R&R June28,1991 MARKETPLACE

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SHOW PREP

A PAGE EACH DAY OF THINGS TO SAY Celeb Birthdays & Bio Lines Odd Facts Trivia Questions Coming Events Jokes Today's USA Events& Festivals with Phone ti Numbers Weather & Sky Facts More

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NOTICE: EARLY DEADLINE...

Due to the Fourth of July holiday, R&R Marketplace and Opportunities deadlines for the July 12 issue have been moved up to:

WEDNESDAY, JULY 3 AT 10AM.

OPPORTUNITIES OPENINGS

NATIONAL,

OPENINGS

FEMALES -FEMALES -FEMALES! We just can't seem to fill the constant job orders we receive from radio stations for female talent. NATIONAL, the acknowledged leader in radio personnel placement since 1981, receives an average of three calls per day just for female talent .. .

news ... announcers ... production. Where are you? We need you. For complete registration information, if you are seriously looking call or write:

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Dept. R., P.O. Box 20551 Birmingham, AL 35216 (205) 822-9144

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OPENINGS r ATTENTION! - - -

SMALL MARKET PROGRAM DIRECTORS!

I We have the help you are looking for ... 54 graduates available the first week of July! "They are ready to go with the right attitudes." Broadcasting department placement, Bauder

ICollege, formerly Brown Institute, 4801 N. I IDixie Hwy., Ft. Lauderdale, FL 33334. Out - side Florida: 1-800-327-2009, Inside Florida I

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OPENINGS

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92 CITI FM ATTENTION

GRAND OPENING

* * * *****************************

* *

92 CITI FM, Winnipeg (with Canada's biggest AOR 12+ share) has an opportunity for someone to co-partner the most successful * morning show in town. Spontaneity, humour, laughs, and working the phones are key ingre- * dients. T&R to: Ross Winters, Program Director, 92 CITI FM, Polo Park, Winnipeg, * Manitoba R3G OL7 EOE

OPPORTUNITIES June28,1991 R3R73

OPENINGS

Morning Personalities, DJs, News, Produc- tion, Sports, and Programmers call now and we'll tell you what jobs we have all over the country. All size markets. Even if you just want to see what's out there.

Radio Placement Services 20 I -865-2606

EAST Seeking talent for future openings. T&R: WZBH, 701 N. Du- pont Hwy, Georgetown, DE 19947. 16/21) EOE

WIKZ/Hagerstown/Chambersburg seeks hungry, uptempo 7pm-midnight talent. No beginners. T&R: Rick Alexander, Box 479, Chambersburg, PA 17201. 16/21) EOE

Seeking Classic Hits promotions director. Must love to do siz- zling creative and production. T&R: WMGX, Randi Kirsh- baum, 200 High St.. Portland, ME 04101. (6/21) EOE

Sales AE sought by AM/FM combo. RESUMES: WDCR/ WFRD, GM, Box 957, Hanover, NH 03755. 16/21 EOE

Growing combo/DC suburb in Southern MD seeks GM with sales background. Excellent opportunity. RESUMES: WPTX/ WMOM, Box 600, Lexington Park, MD 20653. (6/21) EOE

Shore resort Hot AC seeks experienced morning drive/PD. T&R: WWOC, Box 94, Avalon, NJ 08202. 16/21) EOE

South-central PA Hot AC seeks FT night AT. Great entry level position. Local talent encouraged. T&R: WGLL, Box 92, Mer-

cersburg, PA 17236. 16/28) EOE

Weekend talent sought. CHR/Hot AC experience. T&R: WYST, 1111 Park Ave., Penthouse, Baltimore, MD 21201. (6/28) EOE

WCTC/WMGQ New Jersey seeks production manager with voice, production, and copywriting skills. T&R: Rich White, Box 100, New Brunswick, NJ 08903.16/28) EOE

Growing A/F combo, a DC suburb in southern MD seeks GM with sales background. Excellent opportunity. RESUMES: WPTX/WMDM, Box 600, Lexington Park, MD 20653. 16/28) EOE

Seeking T&Rs for future PT openings. Local talent in DC area

encouraged. T&R: WOSI, Jay Lakin, Box 1129, Frederick, MD 21702. 16/28) EOE

Weekend talent sought. CHR/Hot AC experience please. T&R: WYST, 1111 Park Ave., Penthouse, Baltimore, MD 21201. 16/28) EOE

a.t.e.nib I lba,Ne...t,t, Nee. New GM at a major market East Coast AC station needs on -air PD

and air talent. If you're UP, FUN, NATURAL, use the phones well, can communicate, and have the numbers to back up your ability to get the ratings ... send T&R to: Radio & Records, 1930 Cen- tury Park West, #305, Los Angeles, CA 90067. EOE/MF.

SOUTH Seeking versatile pro for combination on -air afternoon drive/AE sales position. Good list. T&R: WCRO, Box 625, Arab, AL 35016. 16/28) FOE

WKOO 100kw Oldies station seeks midday personality. On -air, production, and live remotes. T&R: Tommy Walker, Box 1126, Jacksonville, NC 28540. 16/28) EOE

Aggressive broadcasting group in TX seeks talent for immediate and future openings. T&R: KAGG, Dan O'Neil, 4101 S. Texas Ave., Bryan, TX 77802. 16/28) EOE

WSOS-FM seeks personalities for future openings. Production and copywriting a must. T&R: Mac Davis, Box 3866, St. Augustine, FL 32085. (6/28) EOE

WZTAIMiami seeks experienced PD. Knowledge and CR experience essential. T&R: Peter Bolger, 4330 NW 207th Drive, Mi- ami, FL 33055. 16/28) EOE

Seeking production talent who knows multitrack. Females and minorities encouraged. T&R: WOOL, Derek Beal, 2024 SE US One, Vero Beach, FL 32962. 16/28) EOE

Seeking aggressive AM salesperson for Central FL outlet. Possi- ble promotion to sales manager. RESUMES: WMOP, Box 3930, Ocala, FL 32678. 16/28) EOE

Experienced sales reps sought for NE TX combo. RESUMES: KPXI/KIMP, general manager, Box 990, Mt. Pleasant, TX 75456-0990. 16/28) EOE

Applicants sought for possible full and parttime openings at Country powerhouse. T&R: WTNT-FM, Bill Martin, 325 John Knox Road, Suite E-200, Tallahassee, FL 32303. 16/28) EOE

WKGR-FM seeks T&Rs for possible future openings. T&R: Rad Messick, 600 Atlantic Ave., Ft. Pierce, FL 33049. (6/28) EOE

CHR seeks midday/production director and evening animal with attitude. T&R: WWSF-FM, J.J. Duling, 38 Miracle Strip Parkway, Ft. Walton Beach, FL 32548.16/28) EOE

OPENINGS

LOV9!

RADIO SALES MANAGER WANTED

WIVE -FM (Love 94)/Miami-Ft. Lauderdale seek-

ing replacement for longtime VP/Sales who is

going to operate his own station. 15 years' plus AC/NAC experience necessary with consistent and superior billing. Must be a winning profes-

sional! Call Dean Goodman, (305) 654-9494. EOE

I MIDWEST WKKD/Chicago has possible full and PT openings. Warm, conversational style and heavy production skills a must. T&R: Dave Beckman, Box 1730, Aurora, IL 60507. (6/28) EOE

Seeking morning news personality and evening AT for Country FM on fringe of Top 50 market. T&R: WKSW, 2963 Derr Road, Springfield, OH 45503. 16/28) EOE

PD/morning talent sought for FM Country station on Truman Lake. T&R: KOKD, Boesen, Box 448, Clinton, MO 64735. 16/28) EOE

WOWO A/F, a FS Gold station, seeks FT talent with positive, winning attitude. T&R: Dan McClintock, 203, W. Wayne St., Ft. Wayne, IN 46802. (6/28) EOE

Energetic weekend personality sought for dominant CHR. Pos- sible future FT. T&R: WZOK, Tom Gierdrum, 3901 Brenden- wood Road, Rockford, IL 61107. 16/28) EOE

News/talk morning personality. T&R: KNSI, Box 1458. St. Cloud, MN 58302. 16/21) EOE

CR seeks midday personality with strong music knowledge. PS director too. T&R: WTAO, Box 370, Murptysboro, IL

62966. (6/21) EOE

Seeking PD/morning talent. Competitive situation. No calls. T&R: KOKZ, Management, Box 1540, Waterloo. IA 50704. 16/21) EOE

WOLX/Madison Oldies FM seeks announcer with great production who loves PR. Send us your best. No calls. T&R: WOLX Programming, 2306 West Badger Road, WI 53713. (6/21) EOE

MARKETING MONSTER Are you aggressive, creative, and dynamic? Do you possess strong organi- zational skills? Central Illinois home of Rock 'n' Roll is looking for a PROMO- TION DIRECTOR ready for the '90s. Join one of the top radio groups in the.

nation. Send T&R along with a letter outlining your professional goals and

philosophy to: Craig Stevens, WYMG, 1030 Durkin Drive, Springfield, IL 62704. EOE

MORNING SHOW HOST Top -rated adult CHR in Midwest looking for a team player who is humorous, topical and has a music background. Possible promotion to PD. Good money and benefits. Rush T&R to: Radio & Records, 1930 Century Park West, #304, Los Angeles, CA 90067. EOE a

MIDWEST COUNTRY AM g Rare opening for experienced mornings

show talent. Bright, energetic and fun! Community oriented and team player a

necessity. T&R to: Radio & Records, 1930 Century Park West, #294, Los Angeles, CA 90067. EOE gltl.

OW IMP OM Mall Mill WI OM

Looking for super talented production di-%

'rector for Midwest market (Top 35 mar-'

ketl. You'll work in beautiful new 8 -track I studio that has lots of toys. Good salary, ' benefits and good company witn other 1

stations in great markets. Send production g tape and resume to: Radio & Records, ' 1930 Century Park West, #296,

Angeles, CA 90067. EOE `------a---- 1

OPENINGS

rM9603 kE .a..e eal..d.e.

WLVQ Columbus has a rare opening ín our morning show for a newsperson. We're looking for someone with a great writing and delivery style, as well as an understanding of Rock 'n' Roll and the lifestyles of our target audience. If you think you have what ít takes to join Columbus' hottest morning show and America's best radio group, send your tape and resume to: Bob Neumann, Program Direc- tor, WLVQ, 1301 Dublín Road, Columbus, OH 43215. Call (614) 488-9696. Females encouraged to apply. EOE. A Great American Broadcasting Company station.

B96 in Chicago has an opening for Marketng Director.

We're looking for creativity! This person should possess the skills to dream up and execute the crazy and attention - getting promotions that have made the Killer Bee, 896, one of America's pre- mier CHRs. Progiamming and management experience important. Execu-

tion and follow-through necessary. An

ability to work with sales desired. Other important qualities: creative writing skills, grass -roots 'marketing, and planning. Resumes to:

Tom Matheson VP/GM

630 N. McClurg Court Chicago, IL 60611

896 is an Equal Opportunity Employer

MORNINGS! One of America's highest rated small market Classic Rockers seeks topical, funny, slightly bent morning talent. Great opportunity to launch your morning career. Rush examples of humor + T&R to: Radio & Records, 1930 Century Park West, #290, Los Angeles, CA 90067. EOE/MF

OPENING -MORNINGS SPORTS/TALK HOSTS

EXECUTIVE PRODUCER Major market group -owned 50 kw seeking quality air talent to augment sports -oriented Talk format. Only hardworking, topical team players need apply. Incredi- ble opportunity for the right people. Females and minorities encouraged to apply. T&R to: Radio & Records, 1930 Century Park West, #302, Los Angeles, CA 90067. EOE

r

L

wit xo

AFTERNOON CO -HOST on the Great Voice of the Great Lakes. Must have proven ability to deliver news, interviews and talk, in information oriented PM drive show. T and R, no calls to Phil Boyce, PD, WJR, 2100 Fisher Bldg., Detroit MI 48202. EOE J

OPENINGS

WEST, Not your daddy's Country station. Seeking T&Rs for future openings. T&R: KMYX, Box 11156, Bakersfield, CA 93369. 16/28) EOE

Morning newsperson sought for AOR outlet. T&R: KRZR, E. Curtis Johnson. 1765 N. Fine Ave., Fresno, CA 93727. 16/21) EOE

Experienced sports talk show host sought. T&R: Rick Scott, KJR, 190 Queen Anne Ave. N., Seattle, WA 98109. 16/21) EOE

California sunshine) KUBA radio has a rare news opening for afternoon drive anchor/reporter. T&R: Chris Gilbert, Box 309, Yuba City, CA 95992. (6/28) EOE

Experienced sports talk show host sought. T&R: KJR, Rick Scott, 190 Queen Anne Ave. N., Seattle WA 98109. (6/28) EOE

Program director/operations/AT sought for Central Valley Uni- star Country FM station. T&R: KUBB, Box 429, Merced, CA 95341. 16/28) EOE

Country KFMS A/F seeks afternoon talent/production director. T&R: Teddy Brown, 101 Convention Center Drive, Suite P120, las Vegas, NV 89109. (6/28) EOE

A major central California FM seeks GSM. Applicant must have a minimum of 10 years' broadcast sales experience. Prefer GSM experience. Salary negotiable. T&R to: Radio & Records, 1930 Century Park West, #297, Los Angeles, CA 90067. EOE

Reno's leading double-digit giant needs a morning news sídekick/ personality. You need wit, maturity, good news reading and writing ability, and a great sense of humor. No rip & readers need apply. KODS ís an established market leader. Mi-

norities and women are encouraged to apply. Send C&R to Míke Bushey, Americom Broadcasting, c/o 4991 E. McKinley, No. 124, Fresno, CA 93727. EOE

- Ir-,

93.71,)C I SS FM -

KSKS-FM/Fresno just wrapping up 93

days of non-stop music without jocks. Now ready to fill all dayparts to make impact in the market. State-of-the-art facilities, most powerful signal in the market! Tape & resume to: Jim Nelly, 1110 E. Olive Ave., Fresno, CA 93728.

EOE

Hot AC in exceptional Top 25 market has a rare opening for an extremely talented newsperson/morning show sidekick. Must present lifestyle information, have dry, quick humor and great laugh. Super company. T&R to: I & Records, 1930 Century Park West, #303, Los Angeles, CA 90067. EOE

Top 75 market Country winner needs

tapes and resumes for future morning opening. Not too crazy, just fun and positive. Mature voice and personality. All

dayparts needed also! Sunbelt. T&R to: Radio & Records, 1930 Century Park

West, #307, Los Angeles, CA 90067. EOE

Desert Country KCMJ in Palm Springs seeks energetic drivetime air talent. Positive attitude and Country format experience a must. T&R to Jim Morales, P.O. Box 1626, Palm Springs, CA 92263. EOE

74RaR June28,1991 OPPORTUNITIES OPENINGS OPENINGS

WE'RE SEARCHING FOR AIR PERSONALITIES ...NOT JUST ANNOUNCERS

IF YOU ARE LOOKING TO BE MORE THAN A TALKING LINER CARD, RUSH YOUR TAPE AND RESUME TO: P.O.

BOX 11437, PHOENIX, AZ 85061-1437.

GREAT SOUTHWEST LIVING. TERRIFIC CAREER OPPORTUNITY.

EXCELLENT BROADCAST COMPANY.

E.O.E.

E 1 CALIFORNIA MORNING SHOW! Are you having fun yet? Do you have a "Classic" morning show? The San Francisco Bay Area needs your passion for people and professionalism. If you want to win in a major market, we're ready to listen. Your show must be fun, intelligent, relatable, and make the listener the star.

Brian Rhea KUFX "THE FOX"

1589 Schallenberger Road CIfl$IC 11C1-1-1111

San Jose, CA 95131 (no calls please)

104 Kool Communications is an equal opportunity employer

r I -1J I

KS -104, Denver's top CHR, ís looking for a motivated morning show producer. If you can do 20 things at once and still have time to contribute to the show's content, this posítíon is for you! Three to five years' experience and voices help- ful. Tape, resume, and salary history to: KS -104 Morning Zoo, 9191 Sheridan Blvd., No. 205, West- minster, CO 80030. No Calls Please! EOE M/F

r Morning show host or team sought by top -rated P2 AOR. Must be exciting, funny, creative, topical, promotion and appearance oriented, with rock knowledge and production skills. Rush package to: Radio & Records, 1930 Cen- tury Park West, #298, Los Angeles, CA 90067. EOE

L J

POSITIONS SOUGHT

Seven-year AOR/Country AT seeks medium market challenge. Warts, engaging manner adaptable to any audience; mellow, rowdy or comatose. CHRIS: (207) 369-0403. (6/281

Eight -year Country pro with APD/MD experience seeks large market on -air position or small market programming position. ART OPPERMANN: 1303) 686-5645. (6/28)

News anchor/updater. Experienced, outstanding writer. NT or make your FM morning news breaks a program plus. DAVE: (6191 426-7925. 16/28)

When I'm good, I'm very good. When I'm bad, I'm even better) Morning shows, 100kw markets. BILL MEADOR: (9131 722-0676. (6/28)

Air talent with management/PD background seeks AC/CHR/ Country position in small or medium market. PATRICK: (713) 728-1348.16/28)

14 -year sportscasting veteran currently freelancing, but seeking something more stable. Any and all sports OK. STEVE: (404) 229-4330. 16/28)

,e

f- -,/ a O Experienced female AT in So. CA seeks Christian station to call home. Call if you can help. MELISSA: (714) 529-8613. (6/281

I give good news) Female news/sidekick seeks morning show. Mature, funny, adult humor. Voices too. BRENDA: (714) 466-9007. (6/281

Seeking a chief engineer/air talent? 12 -year pro with AM/FM experience. Prefer FM rock airshift. ERIC: (219) 838-4979.16/281

Just returned from the NW. Still seeking West Coast gig. FRANK BUTERA: 1415) 223-1534. (6/28)

PD with drivetime experience. Relocation no problem. All I'm seeking is a challenge. Currently AM drive, but all slots/markets considered. RICH: 1412) 462-2621. 16/281

Help) Zapped by satellite) Seeking new home in Ohio. Paper trained announcerlAPD/ND with Selector experience. BRYAN: 1614) 267-9588. 16/28)

Nine year team player for AC/Oldies. Experienced PBP/MD/production director. Will relocate. BOB: 1513) 349-4265. 16/281

Exciting. agressive broadcasting graduate seeks entry level on -air or behind -the -scenes position. I can make a difference) JOE: (2161 585-2338. 16128)

Seeking a new voice for your talk format? Look no further. NYC: 1718) 680-2182. 16/28)

ND available. 25 years' experience, some network exposure. Experience includes streets, anchor, and management. Major markets only. 151 31 421-6532. 16/281

I WANT YOUR MORNING SHOW Major market talent into phones, fun, and music aimed at 25-49 demos. This unique approach on AM in Miami garnered me a "7" share. I'll do the same for you! Confi- dential replies to: Radio & Records, 1930 Century Park West, #281, Los Angeles, CA 90067. EOE

CHR AT with four years' experience seeks nights or afternoons In your medium market. Uptempo, good with phones, great attitude) RICK: 15081 636-8384. 16/28)

Recent Brown Institute graduate, now on -air in Miami, seeking market of any size. RICH SCOTT: 13051 484-3293 or 877-5600. 16/28)

Young, talented CHR' PT pro seeks your next FT slot. AOR/ CHR/AC preferred. BRETT: (3091693-0906. 16/281

3-D radio talk show personality. For T&R worth your time and attention, call me. HENRY FRIEDMAN: (512)445-5453.16/28)

Outgoing, enthusiastic CT school graduate seeks opportunity to work/grow in an entry level position. Willing to relocate. DON: 1216) 336-7848. 16/281

Great bits? Award -winning AT/sidekick/writer/producer seeks slot in any/all of these positions. Major morning experience. JIM: 14071 968-0438. 16/281

Winer seeks solid company. Great production, computer skills, general RTT, maturity, thunder pipes. Let's talkl BRENT: (6151 444-2712. 16/28)

POSITIONS SOUGHT POSITIONS SOUGHT

Attention PDs, OMs, NDs, GMs Searching for Talent? CALL NATIONAL!

It's Quick ... Easy ... and your only cost is a telephone calf ... 205-822-9144. National represents hundreds of professional broadcasters for all size markets and all formats. Announcers, news, sports, production. We can schedule a complete presentation within 24 hours of your call. Call Now - 206422-9144.

NATIONAL BROADCAST TALENT COORDINATORS Dept. R., P.O. Box 20551 Birmingham, AL 35216 (205) 822-9144

Genuine, intelligent personality seeks middays/evenings in large/major market. Loves fun, and sounds like it tool MICK: 1708) 614-8600. 16/28)

Seeking ND/reporter position. Experienced In #9 ADI. 1717) 792 4448. (6/281

Thirteen grand buys incredible freelance writer with a voice. Samples on request. Will relocate mid -August. MONICA: (615) 824-9250.16/28)

Three years' major market AT/research. Currently with Florida AM station PT, seeking challenging FT position anywhere. ADAM: 1305) 720-8448. 16/28)

AT/News/production pro seeks to return home to the East. For- mat not important, just seeking to win. RICK: (313) 541-2811 or 1203) 367-5739. 16/281

Seeking next step up) Assistant MD/AT for major AOR seeking MD/AT. Team player. LARRY MAC: 1602) 827-0796. 16/281

15 -year pro, MD/APO. Experienced, yet still teachable. Over- night, yet still PT. Seeking FT, possibly evenings for AC/Coun- try outlet. JOHN: 1919) 299-3754.16/28)

Let me help you. Real team player with a winning attitude seeks airshift and/or production. Willing to relocate. MICHAEL: 1215) 825-2440. 16/28)

100 character voices seek new home) 15 -year news personality/sidekick/production pro seeks to move up. TONY W1KE: (402) 895-9130. (6/28)

Experienced adult communicator seeks heavy personality or News/Talk. Enjoys promotions and fun, not obnoxious, but real. OH/WV or Midwest. PAUL: 1419) 866-0445. 16/28)

Hardworking AT seeks FT in northern IL or southern WI. Five years' experience in various formats and markets. Try mel JOHN: 1312) 274-9070. 16/28)

27 -year major market veteran seeks AT/PD/management. Will relocate for right opportunity. DICK POWER: 1617) 848-4222. 16/281

Dynamic, exciting broadcast school graduate with tremendous talent and superior music knowledge seeks entry level in Mid- west. PHIL DAVIS: (708) 299-5454. 16/281

Attention north/central/south FL. Hardworking, reliable AT currently working weekends, seeking FT. PETER: 14071 622-2602. 16/281

Production director available. Top 100 experience. 10 -year AT/ production pro seeks production and/or research position. Pre- fer NE or MW. JOHN: 16171 734-9515.16/281

PD, mcmings or both. Prefer Midwest/Great Lakes. Creative, hardworking, and love a challenge. MARK: 16161 847-9209. 16/28)

Former PD/MO/AT with 14 years' experience seeks CHR/AC/ Country station. Will relocate for right opportunity. JON -ERIC STEVENS: (407) 468-2545. (6/281

PBP Announcer, talk show host with pro baseball/college basketball and football experience. Sports combo Is fine. RANDY: 1407) 337-2361. (6/281

15 -year pro with major market experience. Skilled in multitrack and digital recording. Pieter West Coast, but will consider all. JOHN: (7141 435-0603. 16/28)

Currently swing/weekends in Philadelphia. Smooth, adult communicator seeks FT gig with adult Alternative/NAC/Soft AC. Team player. GREG: 1215) 259-7075. 16/28)

A program director, music director, and promotion manager are on this island. No lokel Just ready to come home to radio. (603) 228-2307. 16/28)

Experienced AT/sports director seeks relocation. Bachelor's degree, excellent production and writing skills. AC/Country/CHR. JERRY: 18141 398-8244. 16/281

Why is It always sunny in Florida? Sports talk/PBP talent will help brighten your station. Two years' experience. GREG: (7171 626 1388. 16/281

CHR late -night talent experienced in major and large market. JEFF: (516) 935-2920. 16/281

AT with greet production and remotes and professional programming experience seeks Midwest station with winning attitude. RIC: 18161 886-2937. 16/28)

I have the urge to surge and seek to succeed. Busy aircheck with witty AT/production whiz) CHR/Oldies only) NEIL: 1802) 463-1432. 16/28)

Fun, creative, six -year pro seeks Midwest Station to utilze my talents. Voices, phones, community involvement. CAPTAIN JACK: 1513) 399.2713. 16/28)

Minority professional. NYC and Philadelphia AC MD/AT success) The bags are packed) 1201) 821-4603. (6/281

Help) I'm stuck in a corn field, and I have terrible allergies) Please help me. AC experience. MIKE: 17171 597-2328. (6/281

Nostalgia AT/newsman available. Experienced in all phases of News, degree, will relocate. T&R available. (5131 421-6532. 16/28)

Professional stand-up comedian with radio background seeks morning show home. TOM: 14041 952-3745. (6/28)

Big time PBP can create excitement from dull games. Seeking Division I college or pro. CHIP: 16151 647.8317. (6/281

News talent with a voice you'll remember. Outstanding female with radio/TV experience seeks challenge. (919) 822-5754. 16/28)

Afternoon drive AT seeks Country gig anywhere west of IA. TONY LAMA: 15151 342-4240. 16/281

Talk radio host. Intelligent, satirical, outspoken, controversial, and courageous. The Limbaugh of the Left. WALT JACOBSON: 18181 985-4992. 16/28)

Hardworking, pleasant, professional, willing to relocate, Pro- duction and control room work excellent. BRUCE: 14171 883-4060. (6/28)

Highly motivated, airshift, production and promotions. Will relocate for the right opportunity. All formats OK. DAVE: (3131 443-0214. (6/281

Attention) Quality AT seeks work with your winning team. Six years' experience programming, production, copy and script writing, voices. RANDY: 1704) 596-4864. 16/28)

Dependable, hardworking female AT with team player attitude, Boots and hat packed, relocation not a problem. FT Country preferred. NICOLE: 1612) 257-6716. 16/28)

Stopl Highly motivated production nut? Create excellent production in seconds, voices, comedy, energetic on -air, will relocate. RINO (305) 245-0689. 16/281

LOS ANGELES/SAN DIEGO PRODUCTION DIRECTOR: excellent pipes, razor-sharp spots, 40 -plus voices, wicked wit for your CR/CHR/HOT AC. Responses to: Radio & Records, 1930 Century Park West, #306, Los Angeles, CA 90067. EOE

Alabama's best PBP, Huntsville's best sportscaster seeks new teem. Excellent writer, news experience, solid work ethic. DAN: 12051 729-1356. (6/281

Funny comedy bits, excellent phones and a winning Urban morning show. Ready to move now to any Top 50 market. GENO BURGESS: 16061 273-6869.16/281

Eight -year Country pro with APD/MD experience seeks large market on air or small market programming position. ART OP- PERMANN: (3031 686-5645. 16/281

Veteran news director/anchor/reporter with conversational delivery and original writing style seeks firm, long-term commitment. DAVID: 14071 461-0646. 16/281

Outgoing, enthusiastic CT school graduate seeks to work and grow in an entry level position. Willing to relocate. DON: (216) 336-7848.16/281

Radio is my life) At least it has been for the past 21 years. Seek- ing stable long-term PD or AT position. Country/AC preferred. MIKE: 14191 243-0043. 16/28)

10-yer CT/NY news veteran on the beech. Commercial and public experience. 12031 795-4927. 16/281

Former PD/MD/AT with 14 years' experience seeks CHR/AC/ Country station. Will relocate for right opportunity. JON -ERIC STEVENS: 1407) 468-2545. 16/28)

Firecracker female talent and major market pro seeks FT challenge in SE/NW. Will relocate for right opportunity. CHR/ Oldies/Country/AOR. 14041 642.9053. 16/28)

Sports anchor and local government talk show host seeks new challenge. Willing to relocate. DOUG: 1914) 294-1479.16/28)

Meer market on -air morning show seeks bigger part. ROBERT: (7131 578-5947. 16/281

Top rated medium market MD/afternoon drive talent seeks AC/ NAC position, Experience in all areas. JIM SEAGULL: (4081 624-7551. 16/281

WE'LL SHARE WOMEN'S NUMBERS

Two Hot CHR jocks, on -air in Top 60, deliver I

excitement 3pm-midnight. Afternoon/MD I

nights/production. Remotes, P2 experience. I

Respond to: Radio & Records, 1930 Century I

Park West, #283, Los Angeles, CA 90067. I

1

OPPORTUNITIES June28,1991 RaR75

POSITIONS SOUGHT

CHIEF ENGINEER/AT/PD 12 -year pro with AM/FM experience. Prefer FM

AOR/CR/CHR airshift. Seeking milder winters,

stability and challenge with opportunity. Busi-

ness oriented, motivational winner. Eric, after

6pm Central (219) 838-4979.

27 -year major market veteran seeks AT/PD management. Will relocate for right opportunity. DICK POWER: (617) 848- 4222. 16/21)

Experienced and talented AT/MD. Adult communicator with no hype able to help you win in every way. AC/CR/Country/ AOR. JEFFREY MOORE: 1712) 262-6709. 16/21)

Bill knows excitement. Bill knows morning shows. Bill knows everything. Hire Bill Meador. Just do itl 1913) 722-0676. 16/21)

Only way to sound like fun is to have fun listening to a warm, intelligent and genuine personality. MICK: (708) 614-8600. (6/211

Minority with commercial AOR on -air experience. Major market sales at CBS -owned Oldies station. Broadcasting degree, seeks home. DWAYNE: (215) 549-0410. (6/211

Stop seeking) CHR PD/AT pro seeks next challenge with a

determined -to -win team. GREGG: 1702) 221-0579. (6/21)

Seeking next step upl Morning drive at major AOR seeks to be MD/AT. Team player. LARRY MAC: 16021 82 7-07 96. 16/21)

News director available. Experienced in all phases, streets, anchor and news management. Some network exposure. Ma- jor markets only. 1513) 421-6532. 16/211

I'm in hell) 13 -year experienced announcer available for winning AC/Country/CHR. Consider any shift in Midwest/South. PATRICK: 17081 369-8939. 16/21)

10 -year major market veteran with solid multitrack. Tired of teaching, seeks AC/CHR/Country. VINCE: 1305) 748-1187. 16/21)

PBP announcer, talk show host, college basketball/football and pro baseball experience. Seeking sports position or any combination. RANDY: 14071 337.2361. 16/21)

Dick Gunton, Boston pro with 15 years' AM/PM drive. AT, super voice. AC/Top 40, all news, will relocate. (508) 587- 4820. 16/21)

PD seeks change. CHR in any market, AC reporter. HOTLINE: (602) 474-9403 or 474-5489. 16/21)

Stranded In Peoria. Don't leave me like this. Seeking FT AC/ AOR/CHR work. BRETT: 1309) 693-0906. (6/21)

Seeking a chief engineer/air talent? Pro with AM/FM experience prefers FM rock format. ERIC: 1219) 838-4979. 16/211

Rino is a highly motivated production nut and can create excellent production in seconds. Voices, comedy and energy on -air. RINO: 1305) 245-0689. 16/21)

Radioeholic teem player does windows) Dayton/Cincinnati/ Columbus areas. 15 -year veteran AC/Gold/Country. Lifetime warranty. 1513) 4923859. 16/211

HOMESICK CAJUN Nashville OM/PD/AT seeks similar position in (or near) Louisiana. Eleven years' multiformat AT ex-

perience, plus programming, news and engineering. Catch me before your competition does!

DENNIS (615) 331-3383

Hardworking 10 -year veteran still seeking that PD/MD/promotions slot. MIKE: 1314) 432-1949. 16/21)

Talk radio host. Intelligent, satirical, outspoken, controversial, courageous. The Limbaugh of the left. WALT JACOBSON: (818) 985-4992. 16/21)

Smooth Country delivery. Six -year veteran seeks to scoot my boots to any shift. Medium South/SW. TIM: 14071627.2532. (6/211

Female AT. two years with award -winning Country station, seeks a move up. Prefers Country format and to stay in the Midwest. AMY: 1612) 433-3657. (6/21)

Energetic female AT with talent and five years' experience in Phoenix and CA markets. Seeking mornings/middays or afternoons on West Coast. SHERRI: 1408) 373-6836. 16/21)

NOTICE:

EARLY DEADLINE... Due to the Fourth of July holiday,

R&R Marketplace and Opportuni-

ties deadlines for the July 12 issue

have been moved up to:

WEDNESDAY, JULY 3 AT 10AM.

POSITIONS SOUGHT

A three minute tape says so much more than a three -line ad. High-energy CHR personality, good phones, Selector wizard. DIRK SLAMM: 1616) 737-2969. 16/21)

Top news pro and/or sidekick available for West or South. 23 years' experience. 13191 388 0825. 16/21)

Program director equation, experience plus stability, commitment, integrity, honesty, and relatability. JAMMER: 16151 842-6996. 16/211

Energetic team player with seven years' experience, three years as PD seeks assistant PD in medium market. Oldies/AC, prefer Midwest/SE. PHIL: (914) 452-8257. 16/21)

Operations manager. Extensive experience in automation/sat- ellhe, lots of management potential. CHR:AC/Country. PATRICK: (7131 728-1348. 16/21)

26 -year Country pro with 20 years' major market experience seeks PD position in West or Midwest. JERRY: (501) 224- 4367. 16/21)

Free beer) Now that I have your attention, I'm a PT AT seeking FT on -air in a small market. DON: 191 91 897-8 534. 16/211

Attention FL. Very creative, multitalented, multiaoiced, multitrack experienced music monster. Can read, write, and record. DAVID: 14071 439-7272. 16/21)

Reliable, flexible new AT seeks position in small/medium market. I have all the tools and am seeking a place to use them. JOHN D. YUTSEY: (216) 823-7024. 16/21)

42 -year -old beginner wants to talk and has life's experience to share. New York City oorn and

bred. I could be the fresh new voice you are looking for. (718) 680-2182.

Hardworking AT with five years' experience, production, news and news writing. Seeking West or Central PA, full or PT. BILL DUBENSKY: 1814) 938-3118. 16/21)

Keep your audience laughing and seeking more. ANWAR SCUD: 14161 826-5806. (6/21)

Wild morning show seeks a home. Is it your market? MIKE: 1216) 992-7390. (6/211

Tired of playing it safe? Let's take some chances and win) 14 -year pro. PD/MD. DENNIS: 1517) 484.9232. (6/211

Very versatile. Have worked everything in radio, sports to comedy. Highly creative, excellent references, can relocate easily. ERIC WEBSTER: 1617) 536-5992. 16/21)

Quit seeking! I'm seeking your small/medium market station. Hardest working AT in show business. MICHAEL: (303) 985- 3422. 16/211

Donald Trapp, experienced broadcaster, national, NY, local. Reliable great pipes and attitude, knowledgeable. Let's work together soon. 1201) 445-5331. (6/211

14 -year radio pro seeks bigger challenge. Currently PD/mornings, top numbers and an excellent PBP enthusiast. Serious? So are I. LARRY: 13071 638.1345. (6/21)

Hot CHR AT with 16 years' experience seeks mornings, mid - days, afternoons or nights. Super ratings, phones, takes direction. SCOTT RICHARDS: 17031 774-8928. 16/21)

Get me before I'm gone. Great pipes, adaptable, young AT seeks FT/PT. GWU graduate, some major market experience. BEN: (202) 338-2699. 16/21)

Dynamic, exciting broadcast school graduate with tremendous talent/musical knowledge seeks entry level position in Midwest. PHIL DAVIS: 17081 299-5454. 16/211

Experienced, highly motivated adult communicator seeks to work for your AC/Oldies/Country station. Solid air work. strong production, team player. 17121 262.7954. (6/21)

Top 75 Sports talk/PBP talent seeks more challenging sports opportunity. Two years' experience. GREG: 17171626-1388. (6/211

Fresh daily comedy, as well as a monster in ratings, promo. tions, news, production copywriting and public affairs shows. TIM MURPHY: 1517) 799-3308. 16/211

Just give me a frigging job. DAVID: 19041 373-8293. (6/211

PBP/Sports director seeks next step. Can do basketball/football/baseball/hockey/ND. Seeking college experience. JOHN: 1206) 892-3128. 16/21)

15 -year pro former MD seeks AC/Country. Now, gasp, PT

overnights in Top 50. I am seeking daylight. The name's not Dracula, it's John. (9191 299-3754. 16/21)

OK, so I'm back home with mama, but I'm still seeking FT.

on -air, research or promotions gig. Carolinas and VA only. JIM DAVIS: (91 91 947-5123. 16/21)

Top Oldies talent in Central IL seeks to work for you! Hard- working, great sounding, committed. MIKE: 121 7) 3283286. 16/211

Hardworking, pleasant, professional, willing to relocate, control room and production skills excellent. KORRIE SMALL - WOOD: 1417) 883 4060 or 865-4135. 16/211

Hardworking, pleasant, professional, willing to relocate, control room and production skills excellent. AL LAUGHLIN: (417) 883-4060 or 334-0037. 16/21)

Hardworking, pleasant, professional, willing to relocate, control room and production skills excellent. BRUCE: (4171883- 4060. 16/21)

POSITIONS SOUGHT

You are rocking with the Blonde Ladv. Four years' AOR/CR/ CHR, promotions and music experience. I'm an investment in your future. (216) 888-1642. 16/21)

Big bucks not required by quality talent. AT/entertainer/radio companion seeks AC/Country/Oldies position. GERALD: 1818) 986-8443. 16 /211

Natalie W3od look -alike who loves music and people and knows how to have a good time) AOR/CHR preferred, three years' experience. ROXY: 12131 515 6822. 16/21)

Many mistake me for Tom Cruise, bur he can afford Top Gun Ray Bans. Three years' AC/CF.. appearances, BA. DAVE:131 31 750-9957. 16/211

Let me help you. A real team player with a winning attitude, seeking airshift and/or production. Willing to relocate. MI- CHAEL: 1215) 825-2440. 16/211

Energetic female AT seeks FT/PT. Smooth, sweet pipes, cleans machine/tape heads, GW graduate. Major market experience, will relocate. SHARI: 19081 754-7715. 16/21)

15 -year major market pro, production whiz seeks on -air PD gig. Seeking to give instead of take. RICHARD: 17141 536- 0762. 16/211

Seeking a chief engineer/AT? 12 -year pro with AM/FM experience. Prefers FM rock airshift. ERIC: 1219) 838.4979. 16/21)

Youthful. energetic, team player. What more could you be seeking? My number? OK. Any format, relocation not a problem. 13131 484-0877. 16 /21 1

Desperately seeking airwaves. Experienced, Competent broadcast journalist seeks on -air LID position in So. CA. SHERI RAYMOND: (7141 524-2686 16/211

Experienced AT seeks medium to large market. Interested employers please call me for more information. 1414) 538- 1750. (6/21)

Talk/FS artist with major market experience, instinct, ethics, fun Interview style seeks Top 35 market. CHUCK: 1301 ) 431- 1960. 16/21)

Sales death? Major market pro will revitalize music and moti- vate sales. Small/medium FM. No consultants. No formulas. Modest demands. 1818) 566-6588. 16/21)

News anchor/updater. Experienced, outstanding writer, NT, or make your FM morning news breaks a program plus. DAVE: 161 91 426-7925. 16/211

Escape Club/Duffer-Stewart/Rhythm Syndicate/Daryl Braith- waite/Lenny Kravitz. You could have been first. Experienced MD/AT, 1717) 285-4975. (6/21)

AT with great production/remotes/professional programming experience seeks Midwest station with winning attitude. RIC: 1816) 886-2937. 16/21)

The sixties with Jimi. The sounds of the 1960s with your host JIMI DAVENPORT: (4151 595 4279. 16/211

Michigan PD or mornings. '2 -year mo for a winning team. Do the right thing, call me. MARK: 16161 847-9209. (6/211

Fun, creative, 6 -year pro seeks Midwest station where I can utilize my talents. Voices, phones, community involvement. CAPTAIN JACK: 1513) 399-2713. 16/211

Hire us before your competition doesl Team with characters, parody stuff, news, sports, $26,900. (8031 785-3353. 16/21)

Seeking GM or group VP. 25 years' experience, programming, sales engineering. 11 years as GM. Midwest/South. JOHN PARKER: 15021 247-0090. 16/211

Teem player with major market experience, CHR/UC/News with production skills. CRAIG: (609) 348.1341. (6/21)

Seeking to make radio fun again with an outstanding airshift and multidimensional production. Help me. (502) 581-0554. 16/211

Enthusiastic recent college graduate seeks on -air or news. Good delivery, will relocate anywhere. Major market intern- ship experience. JOSH: (4151 665-2772. 16/21)

Programmer for digital cable radio seeks to move your station out front. PD/MD/promotons. Available immediately. Will relocate. 16031 228-2307. 16 /211

Middays on small Big Band and Jazz AM. Seeking step up to any shift on AOR/CHR/AC/Country. DAN LONDON: (7081 771-6174. (6/211

Talented, experienced announcer seeks on -air in So. CA. Me- dium market experience. SHERr RAYMOND: (714) 524- 2686.6/211

Fun, creative, six -year pro seeks Midwest station where I tan utilize my talents. Voices, phones, community involvement, CAPTAIN JACK: 1513) 339-2713. 16/14)

Former PD/MD/AT with 14 years' experience seeks CHR/AC or Country station. Will relocate for right opportunity. JON ERIC STEVENS: 14071 468-2545. 16/14)

Seeking an affordable reliable sports talent? Two years' sportstalk/PBP. Top guests on show. Baseball, football, basketball PBP experience. GREG: 17171 626-1388. 16/141

Directcr of broadcasting for pro baseball club seeks solid sports director position heavy on PBP/sportstalk. Eight years' programming PBP experience. ALLEN: 1803) 365-9268. 16/14)

MISCELLANEOUS ; .-. .

Station seeks promotions merchandise. Please send catalogue TO: WKGH, Jett Meyers, 2871 M222 E.. Ste. B, Allegan, MI 49010. 16/28)

POSITIONS SOUGHT

Bought new cart machines, and seek to sell the old. 500 carts of all lengths for sale. Excellent condition. CALL: WCHL, Larry Stone, 1919) 942-8765. 16/281

Seeking record service for all labels. AM start-up airing 9/1, AC format. Oldies welcome too. To: WAWK, Don Moore, 931 East Ave., Kendalville, IN 46755. 16/281

College FM CHR seeks CD service from all labels. TO: WKNS, Jim Kelso, Box 188, Kinston, NC 28502-0188. 16/281

Seeking record service for 100kw Adult AC hybrid. TO: WEEJ- FM, Bill Harman, 4288 Jotoma Lane, Charlotte Harbor, FL

33980. 16/281

d L.A. morning man seeks future partner. Some radio, stand-up improv and writing skills. Tape and resume from professionals please. T&R to: Radio & Records, 1930 Century Park West, #292, Los Angeles, CA 90067. EOE

r.

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DISPLAY: $60 per inch per week (maximum 35 words per inch including heading). Includes generic border. Add tit inch and $30 if logo, custom border or larger heading required.

BLIND BOX: $75 per inch per week (maximum 35 words per inch per week including heading,

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submitted by mail except for credit card orders which are also accepted by fax: (213) 203-8727. Visa, MC, AmEx accepted. Include name as it appears on credit card expiration date and phone number. Blind box responses are sent to advertisers every Thursday by first-class mail.

Deadline To appear in the following week's issue, your ad must be received by Thursday noon (PST) eight days prior to issue date. Address all ads to: R&R Opportunities, 1930 Century Park West, Los Angeles, CA 90067. Fax: (213) 203-8727,

A&R Opportunities Free Advertising

Radio & Records provides free (20 words or 3 lines) listings to radio stations and record companies in Openings. Free listings of the same length are also available to individuals seeking work in the industry under Positions Sought

Deadline To appear in the following week's issue, your ad must be received by Thursday noon (PST), eight days prior to issue date. Free Opportunities listings should be typewritten or printed on 81/2" x 11" company/station letterhead and are accepted only by mall or fax: (213) 203-8727. Address all 20 -word ads to R&R Free Oppor- tunities, 1930 Century Park West, Los Angeles, CA 90067.

Flee listings are on a space availability basis -only.

76. June 28, 1991 URBAN NATIONAL AIRPLAY®

tiD

PEBBLES Always (MCA)

68% of our reporting stations on H. Rotations: Heavy 2/0, Medium 18/1, Ught 41/13, Total Adds 14 including WAMO, WHUR, WKYS, K104, KMJQ, K97, WOWI, KBCE, WFXA, WXOK.

B ANGIE B

So Much Love (Bust It/Capitol) 66% of our reporting stations on H. Rotations: Heavy 0/0, Medium 2/1, Ught 57/20, Total Adds 21 including WAMO, WGCI, KPRS, KMJM, 0C104, WUJM, WJTT, WAGH, WHJX, KIPR.

BRAND NEW HEAVIES Never Stop (Delicious Vinyl/island)

66% of our reporting stations on R. Rotations: Heavy 0/0, Medium 0/0, Light 59/23, Total Adds 23 including WBLK, WRKS, WHUR, WHOT, WYLD, WGCI, WJLB, KPRS, WJIZ, WXOK.

LALAH HATHAWAY I'm Coming Back (Virgin)

66% of our reporting stations on It. Rotations: Heavy 0/0, Medium 10/0, Light 49/10, Total Adds 10, WBLS, WKYS, WYLD, WZAK, KPRS, WILD, WJTT, WFXE, WEAS, WTUG.

KEITH WASHINGTON "Are You Still In Love With Me?" (W8) 50/49 Rotations: Heavy 0/0, Medium 0/0, Light 50/49, Total Adds 49 including WBLK, WDAS, WAMO, WKYS, K104, KMJQ, WYLD,

WOWI, WZAK, WJLB.

YOURS TRULY "Come And Get It" (Motown) 49/2 Rotations: Heavy 0/0, Medium 4/0, Light 45/2, Total Adds 2, WFXM, KJLH. Medium: K97, WZAK, WAGH, KFXZ.

LL COOL J "6 Minutes Of Pleasure" (Def Jam/Columbia) 47/7 Rotations: Heavy 0/0, Medium 7/0, Light 40/7. Total Adds 7, WXYV, WJIZ, WDXZ, WAGH, WOMG, Z16, WALT. Mediums include: K97, WOWI, WXOK, WFXE, KFXZ.

C & C MUSIC FACTORY "Things That Make You Go Hmmm" (Columbia) 42/19 Rotations: Heavy 0/0, Medium 3/1, Light 39/18, Total Adds 19 including WAMO, K104, WEDR, WOWI, KPRS, KOXL, WQMG, WOIS, WGZB, WLOU. Medium: WXYV, KIPR.

DJ QUIK "Tonight" (Profile) 42/17 Rotations: Heavy 0/0, Medium 2/0, Light 40/17, Total Adds 17 including WXYV, WEDR, WZAK, WXOK, WDXZ, WJTT, WJMI, KFXZ, KIPR, WIKS. Medium: KSOL. WAGH.

NATALIE COLE & NAT KING COLE "Unforgettable" (Elektra) 41/13 Rotations: Heavy 0/0, Medium 5/0, Light 36/13, Total Adds 13 Including KMJQ, WEDR, WTLC, KBCE, WATV, WJTT, WQMG, KFXZ, WLOU, WFXM. Medium: WHUR, WKYS, K97, WDZZ, WMVP.

NICKI RICHARDS "Summer Breeze" (Atlantic) 41/13 Rotations: Heavy 0/0. Medium 2/0, Light 39/13, Total Adds 13 including WRKS, WKYS, KMJQ, WHOT, WYLD, WTLC, KBCE, WQMG, WJMI, Z16. Medium: WIZF, U102.

PHYLUS HYMAN "Don't Want To Change The World" (Zoo) 39/38 Rotations: Heavy 0/0, Medium 0/0, Light 39/38, Total Adds 38 including WXYV, WBLK, WDAS, WAMO, WHUR, WVEE, K97, WHOT, WOWI, WGCI.

ALTITUDE "Silly" (Bahia/RCA) 35/1 Rotations: Heavy 0/0. Medium 4/0, Light 31/1, Total Adds 1, WKYS. Medium: WZAK, KPRS, WEUP, WJFX.

CRYSTAL WATERS "Gypsy Woman (She's Homeless)" (Mercury) 34/4 Rotations: Heavy 7/0, Medium 12/0, Light 15/4, Total Adds 4, WVEE, WWDM, WGZB, WDZZ. Heavies include: WXYV, WRKS, WKYS, WOWI, WJLB. Mediums include: WBLK, WAMO, WTLC, KSOL, WQMG.

LAZEfi MICHAELS "Give Me All The Love" (Zoo) 32/5 Rotations: Heavy 0/0, Medium 3/0, Light 29/5, Total Adds 5, WHUR, KJMS, WANM, WNOV, WTLZ. Medium: WZAK, WEAS, WDZZ.

MONIE LOVE "Down 2 Earth" (WB) 31/5 Rotations: Heavy 0/0, Medium 3/0, Light 28/5. Total Adds 5, WIZF, WATV, WDXZ, WJTT, KJMS. Medium: WBLS, K104, KJMZ.

3RD BASS "Pop Goes The Weasel" (Def Jam/Columbia) 31/4 Rotations: Heavy 0/0, Medium 9/0, Light 22/4, Total Adds 4, WOWI, KFXZ, KIPP, WGZB. Mediums include: WXYV, K97, WJLB, WFXA, WFXE.

EX -GIRLFRIEND "Why Can't You Come Home" (Reprise) 29/28 Rotations: Heavy 0/0, Medium 1/1, Light 28/27, Total Adds 28 including WBLK, WUSL, KMJO, K97, WYLD, WIZF, WZAK, WTLC, KPRS, KMJM.

VICTORIA WILSON -JAMES "Bright Lights" (Epic) 29/5 Rotations: Heavy 0/0, Medium 0/0, Light 29/5, Total Adds 5, WHUR, WKYS, WGZB, WCDX, WTLZ.

SHEILA E "Dropping Like Flies" (WB) 29/3 Rotations: Heavy 0/0, Medium 5/0, Light 24/3, Total Adds 3, WZAK, 0C104, WFXM. Medium: K97, WTLC, Z104, WPGA, WJFX.

KOOL MOE DEE "How Kool Can One Blackman Be?" (Jive/RCA) 28/1 Rotations: Heavy 0/0, Medium 3/0, Light 25/1, Total Adds 1, KJLH. Medium: K104, KMJO, K97.

CHRIS BENDER '1 Knew" (EastWest) 26/24 Rotations: Heavy 0/0, Medium 0/0, Light 2624, Total Adds 24 including K97, WEDR, WOWI, WZAK, WJLB, WTLC, KPRS,

WFXA, KOXL, WXOK.

, KEITH WASHINGTON (49)

PHYLLIS HYMAN (38) EX -GIRLFRIEND (28) CHRIS BENDER (24)

BRAND NEW HEAVIES (23) B ANGIE B (21)

LENNY KRAVITZ (20) C & C MUSIC FACTORY (19)

DJ QUIK (17) MINT CONDITION (16)

HOTTEST LISA FISCHER (76)

WHITNEY HOUSTON (64) RALPH TRESVANT (44)

BOYZ II MEN (43) GUY (39)

DAMIAN DAME (33) FREDDIE JACKSON (31)

EN VOGUE (17) LUTHER VANDROSS (17)

LEVERT (13)

..f rJ'J.J RECURRENTS

LW TW

2 1 COLOR ME.../I Wanna

3 2 M. CAREYA Don't - 3 TONY TERRY/With You

1 4 K. WASHINGTON/Kissing - 5 L VANDROSS/Power

8 6 C. WILLIAMS/I'm 5 7 ANOTHER BAD.../Play 4 8 TONY! TONII.../Whatever

6 9 PHIL PERRY/Call Me

3 10 B ANGIE BA Don't

LENNY KRAVITZ 'It Ain't Over 'Til It's Over" (Virgin) 25/20 Rotations: Heavy 0/0, Medium 5/2, Light 20/18, Total Adds 20 including WBLK, KKBT, WRKE, WFXA, WENN, WAGH, Z104, KFXZ, Z16, WOIS. Medium: WKYS, KSOL, 0C104.

MINT CONDITION "Are You Free" (A&M) 25/18 Rotations: Heavy 0/0, Medium 0/0, Light 25/16, Total Adds 16 including K97, WIZF, WJLB, WTLC, WXOK, WUJM, KFXZ, WOIS, KIPR, WALT.

SIGNIFICANT ACTION J.T. "Swing It" (EastWest) 22/10 Rotations: Heavy 0/0, Medium 0/O, Light 22/10, Total Adds 10, K97, WYLD, WRKE, WQMG, WHJX, KIPR, WANM, KBMS, XHRM, KRIZ.

CHUBB ROCK "The Chubster" (Select/E(1ktra) 22/4 Rotations: Heavy 0/0, Medium 610, Light 16/4, Total Adds 4, WBLS, KBCE, WUJM, WDZZ. Mediums include: K97, WOWI, WJIZ, WDXZ, HOT105.

MARVA HICKS "I Got You Where I Want" (Polydor/PLG) 19r6 Rotations: Heavy 0/0. Medium 3/0, Light 16/6, Total Adds 6, WEDR, WQMG, WFXM, K98 -FM, WMVP, KDIA. Medium: WDAS, WEUP, WANM.

WHODINI "Judy" (MCA) 19/4 Rotations: Heavy O/0, Medium 6/0, Light 13/4, Total Adds 4, K97, WZAK, K98 -FM, WJFX. Mediums include: WKYS, KMJQ, KMJM, WGZB, KMJJ.

SAM THE BEAST "Knock Some Boots" (Atlantic) 18/4 Rotations: Heavy 1/0, Medium 2/0, Light 15/4, Total Adds 4, WEAS, WANM, KBMS, KRIZ. Heavy: WOWI. Medium: Z16, WJJS.

LOOSE ENDS "Love's Got Me" (MCA) 18/2 Rotations: Heavy 2/0, Medium 7/0, Light 9/2, Total Adds 2, WBLS, WIZF. Heavy: WJMI, WGZB. Mediums Include: WRKS, WHUR, WKYS, WJIZ, WDXZ,

RICK & RICH "Pump (Let's Go)" (Chrysalis) 17/3 Rotations: Heavy 0/0, Medium 2/0, Light 15/3, Total Adds 3, WEDR, WFXA, KOXL. Medium: K104, WEUP.

QUAYSHAUN "Party Slammin" (Epic) 15/0 Rotations: Heavy 0/0, Medium 5/0, Light 10/0, Total Adds 0. Medium: WEDR, WFXA, KIIZ, WJFX, WVOI.

LA RUE "Wish I Could Find Another" (RCA) 14/13 Rotations: Heavy 0/0, Medium 0/0, Light 14/13, Total Adds 13 including WQMG, KIIZ, Z16, WLOU, WPGA, KJMS, WALT, WEAS, KMJJ, WANM.

BIG DADDY KANE "It's Hard Being The Kane" (Cold Chillin'Meprise) 13A Rotations: Heavy 0/0. Medium 3/0, Light 10/0, Total Adds 0. Medium: K97, WEDR, WYLD.

SANDEE "Love Desire" (Columbia) 13A Rotations: Heavy 0/0, Medium 3/0, Light 10/0, Total Adds 0. Medium: KSOL, WCOX, WPLZ.

A.K. "I Can't Stand It" (Elektra) 12/2 Rotations: Heavy 0/0, Medium 0/0, Light 12/2, Total Adds 2. KMJM, KOXL.

JIBRI WISE ONE "The House The Dog Built" (Ear Candy) 11/5 Rotations: Heavy 0/0, Medium 0/0, Light 11/5, Total Adds 5, WOWI, WJLB, WALT, WTLZ, WVOI.

LATEASHA "It Just Ain't Easy" (Motown) 11/3 Rotations: Heavy 0/0. Medium 3/0, Light 8/3, Total Adds 3, WTLC, KBCE, WENN. Medium: WAGH, WEUP, WEAS.

3 -GRAND "Girls" (MCA) 11/1 Rotations: Heavy 0/0, Medium 5/0, Light 6/1, Total Adds 1, XHRM. Medium: WQMG, WHJX, WJHM, KMJJ, WANM.

DIGITAL UNDERGROUND "Freaks Of The Industry" (Tommy Boy) 10/2 Rotations: Heavy 1/0, Medium 2/0, Light 7/2, Total Adds 2, WYLD, KJLH. Heavy: KJMZ. Medium: KMJO, WJHM.

N _.- TISTS

Reports/Adds

1 YOURS TRULY/Come And Get It (Motown) 49/2 2 NICK! RICHARDS/Summer Breeze (Atlantic) 41/13 3 CRYSTAL WATERS/Gypsy Woman (She's Homeless) (Mercury) 34/4 4 3RD BASS/Pop Goes The Weasel (Def Jam/Columbia) 31/4 5 EX-GIRLFRIEND/Why Can't You Come Home (Reprise) 29/28 8 CHRIS BENDERA Knew (EastWest) 26/24 7 LENNY KRAVITZAt Ain't Over 'Til It's Over (Virgin) 25/20 8 MINT CONDITION/Are You Free (A&M) 25/16 9 J.T./Swing It (EastWest) 22/10

10 SAM THE BEAST/Knock Some Boots (Atlantic) 18/4

New artists have not yet had a UC Breaker.

M-

BREAKER R&R

J/CLLCL%GHATHAWAY

A

ob

i'm coming back

THE NEW SINGLE. FROM THE DEBUT ALBUM.LALAH HATHAWA. '

3

01991 Virgin Records Amsun,lnt.

78RaR June 28,1991 UC ADDS 8r HOTS

W XY VBaltimore Roy Sampson

PHYLLIS HYMAN

VESTA PHIL PERRY

L.L. COOL J DJ CUTK Hottest: WHITNEY HOUSTON

LISA FISCHER DAMIAN DAME RALPH TRESVANT CRYSTAL WATERS

WILD/Boston HIIUHaII

ENTOUCH

KEITH WASHINGTON JEFFREY OSBORNE PHYLLIS HUMAN

EX -GIRLFRIEND LALAH HATHAWAY

Hottest: LISA FISCHER BOYZ II PEN

RALPH TRESVANT WHITNEY HOUSTON

RUDE BOYS

WBLKBufao Hurricane Dave

EX -GIRLFRIEND. BRAND NEW HEAVIES PHYLLIS HUMAN

LENNY KRAVITZ KEITH WASHINTON Hottest: DAMIAN DAME

BM II PEN RALPH TRESVANT LISA FISCHER AFTER 7

WBLSINew York Mike Love

B.G. THE PRINCE 0 GRAND DADDY I.U. L(XISE ENDS

LAI.AH HATHAWAY

ORABB ROCK

PEARS BRYSOI Hottest: LISA FISCHER GUS

LEVERT WHITNEY HOUSTON WILL DOWNING

WRKS/New York Brown/Beasley

DAMIAN DAME

NICKI RICHARDS BRAND N61 HEAVIES Hottest: GUS

CRYSTAL WATERS

RALPH TRESS/ANT

LUTHER YANDPOSS MARIAN CAREY

WRKEIOcean City Ouartarone/Mena

PHYLLIS HYMAN

J.T. VESTA LENNY KRAVITZ SWEET OBSESSION FOOD KIF Hottest: LISA FISCHER FREDDIE JACKSON PAULA ABDUL RALPH TRESVANT AFTER 7

OC10440cean City Scott Jantzen

LUTHER VANDROSS KIP B ANGLE B

RAY PARKER JR. SHEILA E

CORINA Hottest: LISA FISCHER RALPH TRESVANT AFTER 7

BOYZ II MEN

HI FIVE

WUSLRNIIadelphia AllanlSlevens TEVIN CAMPELL SWEET OBSESSION RIFF EX -GIRLFRIEND Hottest: LUTHER VANDROSS EN VOGUE

KEITH WASHINGTON

LISA FISCHER BOYZ II PEN

WDASIPNIIadetphia Joe Temburro PHYLLIS HUMAN KEITH WASHINGTON Hottest: RALPH TRESVANT

WIZ II PEN

STEVIE WONDER

PAULA ABDUL SOUNDS OF B.ACKNE

W AMOWMtsburgh FaieonlGoewey PEDALES C & C PUSIC FACTO SMALL CHANGE PHYLLIS HYMAN

B ANGIE B

KEITH WASHINGTON

Hottest: LISA FISCHER TONY TERRY

DAMIAN DARE EN VOGUE

JAllY JEFF

WHYS/Washington Simpson/Diggs PEBBLES L OLLAR HATHAWAY ALTITUDE SMALL CHANGE

VICTORIA WILSON -J JEFFREY OSBORNE NICKI RICHARD; SWEET OBSESSION LUTHER VANDROSS KEITH WASHINGTON TEVIN CARELL Rot test: GUY WHITNEY HOUSTON

LISA FISCHER HMI II PEN

O'JAYS

W HURIW ashington B.K. Kirtland

JAZZY JEFF VICTORIA WILSON -J LAZET MICHAELS PEBBLES PHYLLIS HYMAN BRAND 14EI1 HEAVIES DAMIAN DAME

Hottest: EN VOGUE

MARIAN CAREY

LUTHER VANDROSS SOUNDS DF B.AOKNE O'JAYS

g{

W JIZJAIbany Rocky Love

PHYLLIS HYMAN

BRAND NEW HEAVIES L.L. COOL J SCOW( Hottest: LISA FISHER WHITNEY HOUSTON

BDTZ II MEN

RALPH TRESVANT FREDDIE JACKSON

KBCEIAIexandrla Donnie Taylor

KEITH WASHINGTON

NICKI RICHARDS PERALES DEE

TEVIN CAMPELL NAUGHTY BY NATURE

NATALIE COLE

CHUBS ROCK

LATEASHA Hottest: LISA FISCHER WHITNEY HOUSTON

RALPH TRESVANT FREDDIE JACKSON DAMIAN DAME

W VEEIAtlanta RobMsBacote

PEARS BRYSON PHYLLIS HYMAN

CRYSTAL WATERS

Hottest: LISA FISCHER EN VOGUE

DELLS AFTER 7 DAMIAN DAME

WFXAIAugusta Can Conner

PHYLLIS HYMAN KEITH WASHINGTON

LENNY KRAVITZ EX-GIRFRIEND PENALES CHRIS BENDER RICK & RICH KLF Hottest: LISA FISCHER FREDDIE JACKSON STEVIE WONDER

SOUNDS OF A.ACKNE WHITNEY HHOISICN

W KOK/Baton Rouge Wallace/Mitcham

CHRIS BENDER BRAND NEW HEAVIES MINT CONDITION DJ Oou PEBBLES Hottest: WINES HOUSTON LISA FISCHER RALPH TRESVANT BOYZ II EON

FREDDIE JACKSON

KOXLBalon Rouge Chris Clay

A.K. C & C MJSIC FACTO CHRIS BENDER EZ-GIRLFRIEND INNOCENCE KEITH WASHINGTON

RICK & RICH KIF RODNEY() LUTHER VANDROSS Hottest: WHITNEY HOUSTON

RALPH TRESVANT DAMIAN DAME

BDYZ II PEN LEVERT

WENNBIrmingham DonneiIlStarr

PHYLLIS HYMAH CHRIS BENDER EX -GIRLFRIEND RODNEY 0 LENNY KRAVITZ LATEASHA KEITH WASHINGTON

Hottest: LISA FISCHER DAMIAN DAME

EN VOGUE

GUY

WHITNEY HOUSTON

WAIN/Birmingham Ron January

PHYLLIS HYMAN

LISA LISA KEITH WASHINGTON

MONIE LOVE NATALIE COLE JAllY JEFF JIGGIE G

Hottest: FREDDIE JACKSON LISA FISCHER RALPH TRESVANT BOYZ II MEN

DAMIAN DAME

WOXLChariston Jimmy Mack

READY FOR THE WAR

DJ W1K L.L. COOL J B.C. THE PRINCE 0 MNIE LOVE CHRIS BENDER

KEITH WASHINGTON

BRAND NEW HEAVIES Hottest: LISA FISCHER WHITNEY HOUSTON

BOYZ II TEN

RALPH TRFSVANT GUY

W UJMIChaAeston Allen/Jackson

WONT DOZIER C UBB ROCK

MINT CONDITION B ANGIE B

BRAND NEW HEAVIES Hottest: LISA FISCHER GUT WHITNEY HOUSTON

DAMIAN DAME BOYZ II PEN

MI WGCWChkago James Alexander

LISA LISA BRAND NEW HEAVIES HEAVY D & THE MY B ANGIE B

PHYLLIS HYMAN

Hottest: LUTHER VANDROSS KEITH WASHINGTON

EN VOGUE

WHITNEY HOUSTON

BOYZ II MEN

WIZFICInclnnali Lewis/Turner

EX -GIRLFRIEND NONIE LAVE HC FIVE HEAVY D A THE BOY LCKISF ENDS

PENT CONDITION Hottest: LISA FISCHER SOUNDS OF A.ACCNE STEVIE WONDER

EN VOGUE

COLOR ME BADD

WZAKICIewland Tolliver/Rush

SHEILA E

ATENSION RAY PARKER JR. KEITH WASHINGTON PHYLLIS HYMAN

LALAH HATHAWAY FK-GIRLFRIEND WHODINI ORRIS RENDER

DJ CHIC Hottest: PHIL PERRY

LEVERT FREDDIE JACKSON LISA FISCHER WHITNEY HOUSTON

W VKOIColumbus K.C. Jones

JEFFREY OSBORNE

SHIRLEY MJRDOCE

SOUNDS OF BLAME Hottest: WHITNEY HOUSTON LISA FISCHER STEVIE WANDER

FREDDIE JACKSON GUY

WJLBIDetrolt Steve Hopwood

KEITH WASHINGTON BRAND NEW HEAVIES MINT CONDITION PHYLLIS HYMAN

()IRIS BENDER

JIRRI WISE ONE

Hottest: LISA FISCHER LEVERT GUY

RALPH TRESVANT

FREDDIE JACKSON

WDZZIF lint Kris McClendon TROOP/LEVERT REITY. WASHINGTON

PEBBLES CRYSTAL WATERS

LUTHER VANDROSS

RIFF CHUBB ROCK

Hottest.: LISA FISCHER WHITNEY HOUSTON

BOYZ II MEN

LEVERT FREDDIE JACKSON

WJFXUFI. Wayne Kelly Carson

NICKS RICHARDS WHODINI LENNY KRAVITZ CHRIS BENDER PHYLLIS HYMAN

KEITH WASHINGTON MINT CONDITION EX -GIRLFRIEND Hottest: LISA FISCHER WHITNEY HOUSTON

DAMIAN DARE

AFTER 7 FREDDIE JACKSON

II/TLC/Indianapolis JohnsonBuchanon NICKI RICHARDS NATALIE COLE KEITH WASHINGTON

LATEASHA

MINT CONDITION CHRIS BENDER Flt -GIRLFRIEND Hottest: LISA FISCHER RALPH TRESVANT FREDDIE JACKSON TARA KEMP STEVIE WANDER

RPRN(anaes CRy K MPgIWanMr

BRAND HEN HEAVIES B ANGIE B

HEAVY D & THE BOY

PHYLLIS HYMAN

C A C MUSIC FACTO LALAH HATHAWAY

EX -GIRLFRIEND CHRIS BENDER Hottest: WHITNEY HOUSTON

LISA FISCHER GUY

DAMIAN DAME

LUTHER VANDROSS

WNOVIMIlwaukes Ernie G.

PHIL PERRY

LIMIER VANDROSS

B ANGIE B

DJ (DUD(

BRAND NEW HEAVIES INNOCENCE KEITH WASHINGTON

LAZET MICHAELS PHYLLIS HYMAN

Hottest: LISA FISCHER WHITNEY HOUSTON

GUY

DANZAN DAME LEVERT

WMVPIMIIwaukee Billy Young

INNOCENCE LENNY KRAVITZ LA RUE KEITH WASHINGTON

MARVA HICKS DAMIAN DAME


LEVERT RALPH TRESVANT HI FIVE

WTLLSaginaw CrocketULamptey

KEITH WASHINGTON

LENNY KRAVITZ C A C MUSIC FACTO VICTORIA WILSON -J JIRRI WISE ONE

LAZET MICHAELS TERMINATOR X A VA

MINT CONDITION SHEENA EASTON

Hottest: W ITNEY HOUSTON

LISA FISCHER GUY

BOYZ 3I MEN

FREDDIE JACKSON

KMJMBL Louis AtklnslWynter

EX -GIRLFRIEND A.K. RIFF B ANGIE B

Hottest: RALPH TRESVANT

BODY II PEN GUY

WHITNEY HOUSTON

LISA FISCHER

WWII/Toledo Casey McMlcheels

LA RUE

MINT CONDITION JIBRI WISE ONE

DJ CUIK C & C MUSIC FACTO BRAND NEW HEAVIES KEITH WASHINGTON Hottest: BDT2 II MEN

RALPH TRESSVANT GUY

LISA FISCHER GENE RICE

NOW/Wichita James McFadden

PEBB.FS NATALIE COLE KEITH WASHINGTON

DJ CUIK INNOCENCE

Hottest: LISA FISCHER GUY

WHITNEY HOUSTON RALPH TRESVANT FREDDIE JACKSON

Z93/CharNaton C111( Fletcher

TEDDY PENDEIGRASS KEITH WASHINGTON

BRAND NEW HEAVIES Hottest: LISA FISCHER LUTHER VANDROSS WHITNEY HOUSTON

GUY

RALPH TRESVANT

WPEGICharlohe SaunderslDarcell

SLICK RICK PHYLLIS HYMAN Hottest. LISA FISCHER WHITNEY HOUSTON LEVERT LUTHER VANDROSS FREDDIE JACKSON

W JTTIChattanooga LandackerlRankin

NATALIE COLE

B ANGIE B

DJ OUIK SHEET OBSESSION LALAH HATHAWAY PINIE LOVE Hottest: LISA FISCHER WHITNEY HOUSTON

LUTHER VANDROSS

EN VOGUE

Fuzz II PEN

W W DMICoiumbla Andre Carton

PHYLLIS HYMAN

KEITH WASHINGTON CRYSTAL WATERS Hottest: TONY TERRY

LISA FISCHER LUTHER VANDROSS HI FIVE PAULA AWOL

WFXEIColumbus Philip David March

PHYLLIS HUMAN

AL B. SURE RIFF BRAND NEW HEAVIES SHEET OBSESSION LALAH HATHAWAY KEITH WASHINGTON

Hottest: WHITNEY HOUSTON

GUY

FREDDIE JACKSON DAMIAN DAME

LISA FISCHER

W AOHIColumbus Darrell J. Smith

B ANGIE B

L.L. COOL J VESTA EX-GIHFRIOID LENNY KRAVITZ Hottest: LISA FISCHER RALPH TRESVANT DAMIAN DARE

WHITNEY HOISTOH

CO JAYS

K104/Dallas-Ft. Worth Awry/Anderson

PERALES AL B. SURE

C A C MUSIC FACTO

SPECIAL GENERATIO KEITH WASHINGTON


LISA FISCHER RALPH TRESVANT

DAMIAN DAME GUY

KJMZ/OallasFt. Worth CasaylJammer

GLADYS KNIGHT TEVIN CAMPELL B.G. THE PRINCE 0 Hottest: LISA FISCHER KEITH WASHINTON TONY TERRY

COLOR NE BADD

DIGITAL UNDEIGROU

WIFXIFayetteville Phil Allen

norte Hottest: LISA FISCHER WHITNEY HOUSTON EN VOGUE

TONY TERRY

O'JAYS

W OMGIGresnaboro Sam Weaver

MARVA HICKS L.L. COOL J J.T. FATHER MC C/LADY NATALIE COLE

CHRIS BENDER LA RUE NICK: RICHARDS KEITH WASHINGTON

C A C MUSIC FACTO Hottest: WHITNEY HOUSTON GUY

LISA FISCHER DAMIAN DAME

WIZ II PEN

2104IGresnvllle WalkerlVaientlne

LENNY KRAVITZ KEITH WASHINGTON

EX -GIRLFRIEND PHYLLIS HYMAN

Hottest: RALPH TRESVANT DAMIAN DINE GUY

BOYZ II MEN

FREDDIE JACKSON

KMJO/Houston Atkins/Reynolds

NATALIE COLE KEITH WASHINGTON MICKI RICHARDS EX -GIRLFRIEND NAUGHTY BY NATURE PEBBLES SWEET IRLSFNSION Hottest: GUY

RALPH TRESVANT BOYZ II PEN

AFTER 7 WHITNEY HOUSTON

WEUPIHunlsvIlle Steve Murry

EK-GIRLFRIEND PHYLLIS HUMAN

CHRIS BENDER

KEITH WASHINGTON

INNOCENCE DAVID GRANT

SHEENA EASTON

TEVIN CARRELL Hottest: LISA FISCHER FREDDIE JACKSON GENE RICE RALPH TRESVANT

WHITNEY HOUSTON

W JMtWJackaon ToddlJones

BRAND NEW HEAVIES NICKI RICHARDS RIFF RYTHH SYNDICATE DJ CHIC LISA LISA SHIRLEY MURDOCK

Hottest: HI FIVE LISA FISCHER BOYZ II MEN

WHITNEY HCUSTON

FREDDIE JACKSON

WHJXIJacksonville Young/Melvin

PHYLLIS HYMAN

KEITH WASHINGTON

J.T. SHIRLEY MURDOCK

B ANGIE B

Hottest: RALPH TRESVANT

GUY

BDYZ II PEN

LEVERT WHITNEY HOUSTON

KIIZIKIIIeen Jlml Carroty

KEITH WASHINGTON READY FOR THE WDR

HEAVY D A THE BOY

BRAND NOW HEAVIES LA RUE

Hottest: LISA FISCHER BOYZ II FEN

WHITNEY HOUSTON DAMIAN DAME

HI FIVE

KM/Lafayette HarrisonByrd

PHYLLIS HYMAN

KEITH WASHINGTON NATALIE COLE DI OUIK 3RD BASS EX -GIRLFRIEND LENNY KRAVITZ MINT CONDITION Hottest: LISA FISCHER WHITNEY HOUSTON

DAMIAN DARE

MY/ II PEN

LEVERT

KXZZULake Charles Rob Neal

RAY PARKER JR. LENNY KRAVITZ DEE

L.L. COOL J NICKI RICHARD. COIFTONS /DOT WAN

INNOCENCE NAYGHR BY NATURE

LA PUE Hottest: LISA FISCHER WHITNEY HOUSTON

RALPH TRESVANT

DANIAN DAME

GUY

WOIS/Laurel Ron Davits

MINT CONDITION LENNY KRAVITZ CHRIS BENDER

C A C MUSIC FACTO KEITH WASHINGTON

RAY PARKER JR. Hottest: WHITNEY HOUSTON

LITHE? VANDROSS

BOYZ II MEN

O'JAYS EN VOGUE

U1021Lexington MacklMoberly

IX-GIRLFRIENND LENNY KRAVITZ RUDE EGOS

KEITH WASHINGTON

Hottest: PAULA ABDUL AFTER 7 LUTHER VANDROSS DAMIAN DAME

LISA FISCHER

KIPRILIII. Rock Booker

3RD BASS'

DJ OUIK KEITH WASHINGTON

MINI CONDITION NAUGHTY BY NATURE J.T. B ANGIE B


RALPH TRESVANT FREDDIE JACKSON DAMIAN DAME

AFTER/

WLOURoulsvllle Maurice Harrod

LA RUE

C & C MUSIC FACTO CHRIS BENDER

STEWART & WLFER EX -GIRLFRIEND PHYLLIS HYMAN

KEITH WASHINGTON

NATALIE ODLE Hottest: LISA FISCHER WHITNEY HOUSTON

BOYZ II MEN

FREDDIE JACKSON LEVERT

W OZBILoulaville Del Spencer

VICTORIA WILSON -J CRYSTAL WATERS

SED BASS

C & C HISIC FACTO Hottest: LISA FISCHER LUTHER VANDROSS RALPH TRESVANT

BOYZ II PEN STEWART A DUIFER

WJJS/LYnchburg Lad Going

VESTA Hottest: LISA FISCHER WHITNEY HOUSTON

DAMIAN DARE

CUY

RALPH TRESVANT

W FXMIMacon Big George Threstt

AL B. SURE

NATALIE COLE SHEILA E

KICKING BACK WITH YOURS TRULY THOMAS & MOORE

SHIRLEY BROWN

MARVA HICKS B ANGIE B Hottest: WHITNEY HOUSTON

LISA FISCHER O' JAYS LUTHER VANDROSS

RALPH TRESVANT

WPOAIMecon Brian Kelly

PHYLLIS HYMAN

CHIS ENDER EN7OICH KEITH WASHINGTON

LA RUE

EX-GIRLFRIENND SHEENA EASTON DAVID GRANT

LENNY KRAVITZ INNOCENCE Hottest: LISA FISCHER RALPH TiFSVANT LEVERT BOYZ II MEN

WHITNEY HOUSTON

KJYS/Mwnphls WmlfortiSt. James

LA RUE

ORRIS BENDER NATALIE COLE PHYLLIS RIPIAN NICKI RICHARDS KEITH WASHINGTON LAZET MICHAELS BRAND NS, HEAVIES HDNIE LAVE B ANGIE B


LUTHER VANDROSS GUY

LEVERT

K97/Memphls O'JaylBell

PESTLES J.T. CHRIS BENDER NOMAD

EX -GIRLFRIEND GIGGIE GEE

HINT CONDITION NAUGHTY BY NATURE PHYLLIS LAYMAN

WHODINI Hottest: LISA EISZNER

GUY

RALPH TRF'VANT WHITNEY HOUSTON

FREDDIE JACKSON

WALT/Meridian Steve Poston

C & C MUSIC FACTO B ANGIE B

LA RUE PINT CONDITION LENNY KRAVITZ L.L. COOL J KLF BRAND NEW HEAVIES JIRRI 'WISE ONE

NAYGHTY BY NATURE Hottest: LISA FISCHR WHITNEY HOUSTON GUY

FREDDIE JACKSON RALPH TRESVANT

WHOTIMIamI IaleylBtack

FATHER HC w/LADY DAVE KOZ BRAND NEW HEAVIES NICKS RICHARDS PHYLLIS HYMAN


GUY

DAMIAN DUPE

WIZ II PEN

WEDRIMiaml James Thomas

GIGGLES GIGGIE GEE MARVA HICKS GRANOIASTER SLICE DJ C1IK NATALLIE COLE CHRIS BENDER RICK A RICH C H C MUSIC FACTO TEVIN CAMPELL Hottest: LISA FISCHER WHITNEY HOUSTON BOYZ II MEN

RALPH TRESVANT GUY

WBLXIMoblla ChwumlSlnclalr

ARETHA FRANKLIN AL B. SURE EX -GIRLFRIEND LAMRNT DOZIER CHRIS BENDER MINT CONDITION JOSIE FALTO Hottest: RALPH TRESVANT WHITNEY HOUSTON BOYZ II PEN

GUY

DAMIAN DAME

HOTI O51Montgomery Larry Steels

none Hottest: LISA FISOEP. EN VOGUE

LUTHER VANDROSS WHITNEY HOUSTON

0' JAYS

W OOK/Nashvilla Michael St. John

RAY PARKER JP. JEFFREY OSBORNE

VESTA Hottest: LISA FISCHER TONY TERRY

WHITNEY HOUSTON

GUY STEVIE WINDER

WW8/New Bern K ktIandlKenney

KEITH WASHINGTON PHIL PERRY

DI GUIX NATALIE COLE PHYLLIS HYMAN

LA ONT DOZIER Hottest: LISA FISCHER EN VOGUE

WHITNEY BOSTON O'JAYS GUY

WVLDiMMew Orleans Wallace/Ross

DIGITAL UNDERGROU

KEITH WASHINGTON

LALAH HATHAWAY

BRAND NEW HEAVIES J.T. TAYLOR J.T. EX -GIRLFRIEND NICKI RICHARDS Hottest: LISA FISCHER GUY RALPH TRESVANT DAMIAN DARE HMS II PEN

W O W IlNortolk Steve Crumbley

CHRIS BENDER

3RD BASS C A C MUSIC FACTO SWEET OBSESSION PEEBLES KEITH WASHINGTON

JIBRI WISE ONE PHYLLIS HYMAN

Hottest: LISA FISCHER BOYZ II MEIN

SAM THE BEAST JAllY JEFF WHITNEY HOUSTON

W JHMIOAando LlndseylElollywood

PHYLLIS HYMAN

B.G. THE PRINCE 0 C & C MUSIC FACTO VESTA INNER CITY Hottest: COLOR ME BADD BOYZ 11 THIN

EN VOGUE

HI FIVE FREDDIE JACKSON

W OOK/Raletgh Young/Conners

none Hottest: EN VOGUE

WHITNEY HOUSTON

O'JAYS LISA FISCHER DAMIAN DAME

WC/IL/Richmond WANM/Tallahassee Aaron Maxwell Van Wilson

RALPH TRESVANT PHYLLIS HYMAN

DI CHID(

VICTORIA WILSON -A BRAND N61 HEAVIES TROOP/LEVERT CHIS BENDER

B ANGIE B


DAMIAN DAME EN VOGUE

O'JAYS

W PLZJRichmond Petersburg

Phil Denlele

GENE RICE DJ 1Ú1K SHIRLEY BROW KEITH WASINGTOI

C & C MUSIC FACTO READY FOR THE WHOP

B.G. THE PRINCE 0 Hottest: LISA FISCHER

WHITNEY HOUSTON

LUTHER VANDROSS GUY

SCEVIE WONDER

WEASISae.nna Floyd Blackwell

PHYLLIS HYMAN

CHRIS BENDER LENNY KRAVITZ SAM THE BEAST LALAH HATHAWAY EX -GIRLFRIEND LA RISE


BOYZ II PEN

DAMIAN DARE RALPH TRESVANT FREDDIE JACKSON

KMJJ/Shreveport M.J. Resod

BRAND NEW HEAVIES KEITH WASHINGTON PEBBLES B.G. THE PRINCE 0 DU CUD( LA PUE MINT CONDITICN LENNY KRAVITZ Hottest: WHITNEY HOUSTON

DAMIAN DAME

GUY

RALPH TRESVANT FREDDIE JACKSON

TERMINATOR K & VA

B ANGIE B

SAM THE BEAST LAZET MICHAELS NOAD LA RUE

LUTHER VANDROSS

CCMPTONS MOST WAN

J.T. JIGGIE G

CHRIS BENDER

DJ CUIK KLF

KICKING BACK WITH Hottest: WHITNEY HOUSTON

DAMIAN DARE

BDSZ II ME]l

LISA FISCHER FREDDIE JACKSON

WTUYJRuscalooea Al Brown

LUTHER VANDROSS

B ANGIE B

RIFF KEITH WASHINGTON

LALAH HATHAWAY


LATTER VANDROSS RALPH TRESVANT EN VOGUE

K94.-FM/West Monroe John Wilson

RIVEN SYNDICATE PHYLLIS HYMAN

INNOCENCE CHRIS FENDER

KEITH WASHINGTON

LENNY KRAVITZ LA RUE

WHODINI MINT CONDITION KLF MARVA HICKS Hottest: WHINEY HOUSTON

GUY

FREDDIE JACKSON LISA FISCHER BOYZ II MEN

ST KKBTILos Angeles StradfordMonds

LENNY KRAVITZ PAY PARKER JR. TROOP/LEVERT Hottest: LISA FISCHER STY WILL DOWNING TONY TERRY AFTER 7

KJLWLoe Angeles Lynn Briggs

DIGITAL UNDEIGROU LENNY KRAVITZ BRAND NEW HEAVIES NICKI RICHARDS RAY PARKER JR. C A C MUSIC FACTO COOL TOE DEE YOURS TRULY Hottest: LISA FISCHER !VIZ II PEN

151 VOGUE

DAMIAN DAME

KDIAIOakland Jeff Harrison KEITH WASHINGTCN

INNOCENCE LUTHER VANDROSS R ANGIE B

MARVA HICKS BOBBY CALDWELL EX -GIRLFRIEND DEE Hottest: LISA FISCHER WHITNEY HOUSTON DAMIAN DAME.

BOYZ II MEN

RALPH TRESVANT

KBMS/Portland Frank Bartow

KEITH WASHINGTON

J.T. B ANGIE B

PHYLLIS HYMAN

SAN THE BEAST FX-GIRLFRIEND

C A C MUSIC FACTO Hottest: LISA FISCHER BOYZ II MEN

RALPH TRESVANT FREDDIE JACCSCN SHIRLEY MURDOCK

XHRMISan Diego See/James

3 -GRAND J.T. PEBBLES KEITH WASHINGTON DEE B.C. THE PRINCE 0 C A C MUSIC FACTO SWEET OBSESSION EX -GIRLFRIEND B ANGIE B

RIFF Hottest: WHITNEY HOUSTON LISA FISCHER GUT

BOYZ II PEN

FREDDIE JACKSON

KSOUSan Francisco Bob Mitchell

STEM M.C.'S TEIIN CAMPELL VESTA Hottest: RALPH TRESVANT LISA FISCHER GUY

TONY TERRY HI FIVE

KW/Seattle Frank Barrow

KEITH WASHINGTON

J.T. B ANGIE B PHYLLIS HYMAN SAM THE BEAST EX-GIRFRIEND C A C MUSIC FACTO Hottest: LISA FISCHER BOYZ II MEN

RALPH TRESVANT FREDDIE JACKSON SHIRLEY MIRDO/'K

90 Current Reporters U Current Ptayllats

Called In Frozen Playllet (2): HOT105IMontgomery W OOK/Raieigh

KHYSIHouston le no longer en Urban Contemporary reporter.

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6'34 îa,FrQhts, TN

713 -'-..v York, NY

714 Wall, rroford, CT ,F

7,5 vCasha,gton, DC

7 6 sZf.aryi. NY

7/8 }°kamitton, Bermuda

7/10 Martti, FL

7/1) Alanta, GA

7/12° Qrteans, LA ;

7112 4-iaéuton. TX

7114 '`' -Art-tíRgron, TX

7;18- 19 'C ievdand. OH

7r24 Ch,¢ago, IL 9

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80. June2B,1991 .

COUNTRY NATIONAL AIRPLAY®

*LOW .754-81

3 2

WKS WKS LW 1W JUNE 28, 1991 Tote! Reports/Adds Heavy Medium Light

9 5 2 tD ALAN JACKSON/Don't Rock The Jukebox (Arista) 202/0 190 12 0 12 7 5 © RICKY VAN SHELTONA Am A Simple Man (Columbia) 201/0 180 20 1

e 3 3 3 RANDY TRAVIS/Point Of Light (WB) 201/0 184 12 5 13 6 6 Q BILLY DEAN/Somewhere In My Broken Heart (SBK/Capitol) 202/0 162 40 0

1 1 1 5 GARTH BROOKS/The Thunder Rolls (Capitol) 191/1 149 38 4 15 11 8 Q SHENANDOAH/The Moon Over Georgia (Columbia) 201/1 129 66 6 6 6 4 7 PAM TILLIS/One Of Those Things (Arista) 194/0 147 32 15 16 12 9 0 ROB CROSBY/She's A Natural (Arista) 199/0 114 77 8 19 14 11 Q TRAVIS TRITTMere's A Quarter (Call Someone Who Cares) (WB) 200/1 108 87 5 17 11 12 iD MARTY STUART/Till I Found You (MCA) 197/3 97 85 15 18 16 13 DON WILLIAMS/Lord Have Mercy On A Country Boy (RCA) 198/3 91 99 8 23 18 14 ® ALABAMAMere We Are (RCA) 201/1 73 120 8 25 20 16 TRISHA YEARWOOD/She's In Love With The Boy (MCA) 201/3 65 119 17 21 17 15 REBA McENT1RE/Fallin' Out Of Love (MCA) 202/2 49 137 16 36 24 19 a GEORGE STRAIT/You Know Me Better Than That (MCA) 200/4 23 161 16 20 19 17 HANK WILLIAMS JR.At It Will It Will (WB/Curb) 191/2 46 96 49 24 21 18 a PATTY LOVELESS/Slue Memories (MCA) 192/2 35 133 24 32 25 21 VINCE GILL/Liza Jane (MCA) 200/3 23 135 42 29 26 23 10 HAL KETCHUM/Small Town Saturday Night (Curb) 185/4 32 105 48 34 27 24 Q LEE GREENWOOD w/SUZY BOGGUSSMopelessly Yours (Capitol) 193/7 20 112 61

2 2 to 21 LORRIE MORGAN/We Both Walk (RCA) 120/2 56 45 19 30 28 25 e DAVIS DANIEL/Picture Me (Mercury) 178/6 22 100 56 41 32 27 ® DOLLY PARTON/Silver And Gold (Columbia) 189/15 5 112 72 - 39 31 TANYA TUCKER/Down To My Last Teardrop (Capitol) 187/14 2 113 72 38 31 28 ® EARL THOMAS CONLEY/Shadow Of A Doubt (RCA) 181/13 6 106 69 4 4 7 26 JUDDS/One Hundred And Two (Curb/RCA) 118/1 56 41 21

39 34 30 ff/ EXILE/Even Now (Arista) 175/13 1 104 70 44 36 32 a MARY-CHAPIN CARPENTER/Down At The Twist And Shout (Columbia) 172/13 4 85 83 - 41 35 Q BROOKS & DUNN/Brand New Man (Arista) 171/22 1 67 103 42 37 33 a LARRY BOONE/To Be With You (Columbia) 154/9 6 67 81 14 13 22 31 McBRIDE & THE RIDE/Can I Count On You (MCA) 80/0 22 41 17 1

10 23

40 38

29 32

36 ® JOE DIFFIEAf The Devil Danced (In Empty Pockets) (Epic)

MATRACA BERGA Must Have Been Crazy (RCA)

63/2 122/2

28 6

23 60

12

56

2

3

4 47 42 38 t DEAN DILLON/Friday Night's Woman (Atlantic) 138/15 0 45 93 5

5 9 26 35 CLINT BLACK/One More Payment (RCA) 77/1 12 45 20 6

BREAKER Q COLLIN RAYE/AII I Can Be (Is A Sweet Memory) (Epic) 130/20 0 35 95 7

11 10 20 37 HIGHWAY 101 /Sing Bang Boom (WB) 74/0 11 40 23 8

0 KATHY MATTEA/Whole Lotta Holes (Mercury) 110/83 1 15 94 9

10 DEBUT

- 47 44 CD KENTUCKY HEADHUNTERS/With Body And Soul (Mercury) 109/11 0 27 82 - - 46 Q MARK COLLIE/Calloused Hands (MCA) 115/35 0 22 93 DEBUT LIONEL CARTWRIGHT/Leap Of Faith (MCA) 108/54 0 18 90

49 46 43 Zit FORESTER SISTERS/Too Much Fun (WB) 100/1 1 31 68 - - 45 WAYLON JENNINGS & WILLIE NELSONAf I Can Find A Clean Shirt (Epic) 88/17 1 31 56 so ROBIN LEEMothin' But You (Atlantic) 94/34 0 14 80 - 49 EDDY RAVEN/Too Much Candy For A Dime (Capitol) 80/18 0 16 64

31 35 39 46 DOUG STONEAn A Different Light (Epic) 49/1 18 20 11 22 30 37 47 DIAMOND RIO/Meet In The Middle (Arista) 48/1 16 20 12

DEBUT Q RONNIE MILSAP/Since I Don't Have You (RCA) 84/83 2 7 75 DEBUT Q EDDIE LONDON/If We Can't Do It Right (RCA) 87/36 0 10 77

46 N 42 50 VERN GOSDINA Knew My Day Would Come (Columbia) 62/0 0 25 37

"%í1J-27 r;:1J ri5.._J ©

KATHY MATTEA (83) RONNIE MILSAP (83)

HOLLY DUNN (62) LIONEL CARTWRIGHT (54)

CLINTON GREGORY (37) EDDIE LONDON (36) MARK COLLIE (35)

ROBIN LEE (34) PIRATES OF THE MISSISSIPPI (33)

J.P. PENNINGTON (28)

HOTTEST ALAN JACKSON (159)

RICKY VAN SHELTON (113) BILLY DEAN (102)

RANDY TRAVIS (100) GARTH BROOKS (95) TRAVIS TRITT (63)

PAM TILLIS (60) TRISHA YEARWOOD (32)

SHENANDOAH (27) ALABAMA (20)

AL1.:J1Sl. Reports/Adds

EDDIE LONDON/If We... (RCA) .... 87/36 JJ WHITE/The Crush (Curb) 59/8 ALISON KRAUSS/Steel Rails (Rounder) 34/1 MARTY BROWN/Every Now And... (MCA). 33/1 J.P. PENNINGTON/You Gotta Get... (MCA) 29/28 CHRIS LEDOUX/This Cowboy's Hat (Cap.) 25/11 LOBO LOGGINS/Ain't No Cows In... (SOR) 12/0 SANDRA BROWN/House... (Soundwaves) . 6/5 ALEX HARVEY/Coki Drink Of Water (Scarob) . 5/1 DUNCAN/Back Of Your Mind (Curb) 4/0

New artists have not yet had a Country Breaker or concurrent airplay from 60% of reporting stations.

MOST ADDED i HOTTEST list those songs achrev- mg the most adds nationally and the songs reported "hottest" compiled from all our reporters. The number in parentheses immediately following the songs in Most Added á Hottest indicates the total number of Country reporters adding the song this week or noting that the song Is among their five hottest.

BREAKERS. COLLIN RAYE

All I Can Be (Is A Sweet Memory) (Epic) On 64% of reporting stations. Rotations: Heavy 0, Medium 35, Light 95, Total Adds 20 Including WGNA, WAYZ, WZPR, WSSL, WIVK, WSIX, WSM, KHAK, WONE, WFMB, WWJO, KIK-FM, KCTR, KWHT, KIIM. Moves 50-45-41-36 on the Country chart.

Breakers are those records that have achieved concurrent airplay at 60% of our reporting sia- tions. New & Active records are those receiving airplay at 30-59% of the stations. Records in Significant Action are receiving airplay at 5-29% of the stations. Records do not have to reach Breaker in order to chart. However, once a record charts, it must reach the 60% airplay level within the three following weeks to achieve Breaker status.

1991 M EM BER EXTRAVAGANZA II CMA will put your body in the Bahamas ... GRAND PRIZE ... 3Ro PLACE PRIZE ...

Bahamas Get -Away Deluxe Portfolio organizer If you're our top member recruiter for 1991! (Top Recruiter) (recruit 5 new members)

But wait, everyone is a winner in this year's

Extravaganza II!

2e PLACE PRIZE ...

CMA Awards Show VIP package

41R PLACE PRIZE ...

CMA Beach Bag (recruit 1 new member)

(%x'\TRti' \it SI(: ASi(x:lAn( ) For more information contact

CMA's Membership Department (615) 244-2840, One Music Circle South,

Eligibility period January 2, 1991 to September 6, 1991. (Second highest recruiter) Nashville, TN 37203

COUNTRY June28,1991. 81

NATIONAL AIRPLAY®

NEW : . MARK COLLIE "Calloused Hands" (MCA) 115/35 Rotations: Heavy 0, Medium 22, Light 93, Total Adds 35 including WOCB, WXKX, KEAN, WEZL, KKIX, WKML. KNFM, WRNS, WNOE, WCMS, WKHK, WYYD. WCHY, WUBE, WITL. WKCO. WTHI. KZSN, KFMS, KKAT. Moves 46-40 on the Country chart.

KATHY MATTEA "Whole Lotta Holes" (Mercury) 110/83 Rotations: Heavy 1, Medium 15, Light 94, Total Adds 83 including WPOC. WWYZ, WRKZ, WYNY, WXTU, WDSY, KASE. WEZL. WESC, KIKK, WVLK, WSIX, WSM, WODR, KRMD, WUBE, WFMS, WDAF. KRAK, KKAT. Debuts at number 38 on the Country chart.

KENTUCKY HEADHUNTERS "With Body And Soul" (Mercury) 109/11 Rotations: Heavy 0, Medium 27, Light 82. Total Adds 11, WCAO, WHWK, WIOV, WWKA, WYYD, KKYR, WONE. WCUZ, KEEY, WIL, KWJJ. Medium: WPOC, WOCB, WWYZ, KASE, WYAK, WAXX, WNWN, KTTS, KDRK. Moves 47-44-39 on :he Country chart.

LIONEL CARTWRIGHT "Leap Of Faith" (MCA) 108i54 Rotations: Heavy 0, Medium 18, Light 90. Total Adds 54 including WPOC. WZPR, WYNY, WDSY, WPOR, KEAN, KSCS, KPLX, WGKX, WKSJ, KAJA, KRMD, WHOK, WFMS, WLLR, WTHI, KRST, KNAX, KMIX, KMLE. Debuts at number 41 on :he Country chart.

FORESTER SISTERS "Too Much Fun" (WB) 100/1 Rotations: Heavy 1. Medium 31, Light 68, Total Adds 1, WTNT. Heavy: WICO Medium: WOCB, WOKO, WWYZ, WCTK, KEAN, WWNC, KPLX, WKNN, KLUR, WNWN, WXCL, KITS, KFDI, KRKT, KVOC, KUUY, KEKB, KDRK. Moves 49-46-43-42 on the Country Chart.

ROBIN LEE "Nothin' But You" (Atlantic) 94/34 Rotations: Heavy 0, Medium 14. Light 80, Total Adds 34 including WTCR, WNUS, WRWD, WEZL, KHEY, WHLZ, WMSI, KSSN, WSM, WRNS, WCMS, WHOK, WFMS, KEEY, WMUS, KRST, KFMS, KZLA, KNIX, KKAT. Moves 50-44 on the Country chart.

WAYLON JENNINGS .5 WILLIE NELSON "If I Can Find A Clean Shirt" (Epic) 88/17 Rotations: Heavy 1, Medium 31, Light 56, Total Adds 17, WVAM, WCAO, WHWK, WOBE, WIOV, WXBO, KTCS, KNFM, WYAK, WKYO, WOWW, WCUZ, KCJB, KTPK, KUAD, KFMS, KDRK. Heavy: KPLX. Medium: WWYZ, WYNY, KRAK. Moves 45-43 on the Country chart.

EDDIE LONDON "If We Can't Do It Right" (RCA) 87/36 Rotations: Heavy 0, Medium 10, Light 77, Total Adds 36 including WOCB, WOBE, WAJR, WDSY, KEAN, WYNK, WESC, KSSN, KYKX, WGKX, WSM, WCHY, WIRK, WHOK, WDAF, WMUS, WTHI, KTPK, KIK-FM, KCCY. Debuts at number 49 on the Country chart.

RONNIE MILSAP "Since I Don't Have You" (RCA) 84/83 Rotations: Heavy 2, Medium 7, Light 75, Total Adds 83 including WGNA, WPOC, WRKZ, WXTU, KASE, WEZL. KPLX, WESC, WSSL, KIKK, WIVK, KSSN, WGKX, WODR, WIRK, WITL. WTHI, KWEN, KYGO, KZLA, KUPL. Debuts at number 48 on the Country chart.

EDDY RAVEN 'Too Much Candy For A Dime" (Capitol) 80/18 Rotations: Heavy 0, Medium 16, Light 64, Total Adds 18, WCAO, WOKO, KHEY, WTNV, WKSJ, WKYO, KKYR, WITL, WWOM, WMIL, KCJB, WTCM, KASH, KCTR, KEKB, KFMS, KNIX, KDRK. Moves 4945 on the Country chart.

TOM WOPAT 'Too Many Honky Tonks (On My Way Home)" (Epic) 67/19 Rotations: Heavy 0, Medium 12, Light 55, Total Adds 19, WCTK, WEZL, KPLX, WKML, WMSI, WTNV, WSIX, WBKR, WCHY, KBMR, KVOX, WCUZ, WGEE, WWOM, KIK-FM, KYGO, KWJJ, KKAT, KDRK.

HOLLY DUNN "Maybe I Mean Yes" (WB) 62/62 Rotations: Heavy 0, Medium 2, Light 60, Total Adds 62 including WAYZ, WWYZ, WXTU, WDSY, WPOR, KASE, WIVK, KSSN, WAMZ, WKSJ, WSM. WIRK, WAXX, WMUS, KIK-FM, KMIX, KCCY, KSOP, KMPS.

7-7.1.

,,

JJ WHITE "The Crush" (Curb) 59/8 Rotations: Heavy 1, Medium 11, Light 47, Total Adds 8, WOKO, WDLS, WWNC, KIKK, WYYD, WTCM, KEKB, KKAT. Heavy: WSTH. Medium: WKAK, WTVY, KFGO, KVOO, KFDI, KWOX, KUUY, KALE. KMIX, KNCO.

K.T. OSLIN "You Call Everybody Darlin'" (RCA) 52/2 Rotations: Heavy 0. Medium 14, Light 38. Total Adds 2, WCAO, KTPK. Medium: KEAN. WWNC, WSTH, WDAF, KCJB, KITS, KVOO, KFDI, KRKT. KALF, KEKB, KCKC, KRAK, KDRK. Light: WWYZ, KASE, WOW, KUGN.

CLINTON GREGORY "One Shot At A Time" (SOR) 37/37 Rotations: Heavy 0. Medium 4, Light 33, Total Adds 37 including WRKZ, WICO, KMML, WNY, WKML. KIKK, WSIX, WCMS, WOWW, WODR. KLUR, WTOR, WOW, KITS, KFDI, KRKT, KGHL. KNIX, KEEN, KDRK.

PIRATES OF THE MISSISSIPPI "Speak Of The Devil" (Capitol) 34/33 Rotations: Heavy 0, Medium 1, Light 33, Total Adds 33 including WAYZ, WRKZ, WDSY, KMML, KASE, WYNK, KLLL, KNFM, KLUR, KHAK, WAXX, KFGO, KWMT, WOW, WXCL, KITS. WTCM, KVOO. KUUY, KWJJ.

ALISON KRAUSS "Steel Rails" (Rounder) 34/1 Rotations: Heavy 0, Medium 5, Light 29. Total Adds 1, KRKT. Medium: WAJR, KTCS, KLUR, WOW, KFDI. Light: WWYZ, WCTK, WSTH, WSIX, WCMS, WAXX, KEEY, KITS, WTCM, KWOX, KALF, KUGN, KCKC, KEEN.

MARTIN DELRAY "Lillie's White Lies" (Atlantic) 33/16 Rotations: Heavy 0, Medium 6, Light 27. Total Adds 16, WRKZ, WICO, WKAK, WTVY, WFLS, WDXE, KSSN, WSIX, KLUR, KFGO, KITS, KTPK, KFDI, KVOC, KALF, KWJJ. Medium: WSTH, KVOX, WOW, KRKT, KUZZ, KEEN.

MARTY BROWN "Every how And Then" (MCA) 33/1 Rotations' Heavy 0, Medium 12. Light 21, Total Adds 1, KEKB. Medium: WWYZ, WWNC, WSTH, WBKR, WAXX, WYNG, KITS. KVOO, KFDI, KWOX, KVOC, KMLE. Light: WNUS, KYKS, WKSJ. WCMS. WOWW, WASKFM, WOW, WTHI.

J.P. PENNINGTON "You Cotta Gct Serious" (MCA) 29/28 Rotations. Heavy 0, Medium 1, Light 28, Total Adds 28 including WRKZ, WKAK. KRRV, KMML, WSTH, WTVY, WIVK, WVLK, KLLL. KYKS, KLUR, WNWN, KITS, KFq, KRKT, KUUY, KALF, KEKB, KCKC, KMPS.

RAY STEVENS "Working For The Japanese" (Curb/Capitol) 29/18 Rotations Heavy 0, Medium 0, Light 29. Total Adds 18, WOKO, WICO. KRRV, WSTH, KHEY. WKML. WBKR. WHOK, KFGO, KVOX, KWMT, WCUZ, KTPK, KGHL. KVOC. KUGN, KWJJ, KEEN.

CHARLIE DANIELS BAND "The Twang Factor" (Epic) 28/5 Rotations: Heavy 0, Medium 3, Light 25, Total Adds 5. KRRV, KFGO, KVOO, KVOC, KSOP Medium: WSTH, KRKT, KALF Light: WRKZ, KMML, WKSJ, WRNS, KL'JR, WAXX, KITS, KFDI, KGHL, KUUY, KWJJ.

CHRIS LeDOUX "This Cowboy's Hat" (Capitol) 25/11 Rotations: Heavy 0. Medium 3, Light 22. Total Adds 11, KFGO, KWMT, KEEY, WXCL, KITS, KTPK, WTCM, KVOO, KWOX, KEKB, KKAT. Medium: KNFM, WDAF, KRKT. Light: KEAN. WOWW, KLUR, KFDI, KWJJ.

DANIELE ALEXANDER "Who Can She Turn To" (Mercury) 24/3 Rotations: Heavy 0, Medium 2, Light 22 Total Adds 3, KVOC, KNCO, KDRK. Medium: KRKT. Light WRKZ, WIOV, WICO KRRV, KMML, WSTH, WNY, WDXE, KLUR, KFGO, WOW, KITS, KVOO, KWOX, KUUY, KALF.

MIKE REID "As Simple As That" (Columbia) 21/20 Rotations' Heavy 0, Medium 0, Light 21, Total Adds 20, WAYZ, WICO, WDLS, WKAK, KMML, WNY, WFLS, WDXE, WSIX, WNOE, WCMS, WODR, KLUR, WUSO, <FGO, KWMT, KXXY, KFDI, KGHL, KVOC. Light: KSOP.

STATLER BROTHERS "Ycu've Been Like A Mother To Me" (Mercury) 17/7 Rotations' Heavy 0, Medium 3, Light 14, Total Adds 7, KFGO, KITS. KTPK, WTCM, KFDI, KUUY, KUAD. Medium: WRWD, WSTH, WOW. Light: WWYZ, WRKZ, WDLS, WXBO, KLUR, KVOO, KCKC.

MEL McDANIEL "My Ex -Life" (DPI) 16/6 Rotations: Heavy 0. Medium 2, Light 14. Total Adds 6, WRKZ, WICO, KFGO, KVOO. KFDI, KWOX. Medium: WOW, KRKT Light- WOKO, WWYZ, WSTH, WDXE, WRNS, WBKR, KLUR, KITS.

LOBO LOGGINS "Ain't N. Cows In Texas" (SOR) 12/0 Rotations: Heavy 0, Medium 1, Light 11, Total Adds 0. Medium: KDRK. Light: WICO, WSTH, KYKS, KIXS. KLUR, KFGO. WOW, KITS, KFDI, KRKT, KEEN.

DOUG STONE "I Thought it Was You" (Epic) 10/10 Rotations: Heavy 0, Medium 4, Light 6, Total Adds 10. WICO, WUSY, WSTH, WTVY, KLLL. KUZZ, KGHL. KVOC, KYGO, KMPS.

. t,=JJ'lr ARTIST/Song Title (Label) Album Title

SAWYER BROWN/The Walk (Curb/Capitol) Buick DIAMOND RIO/Mirror, Mirror (Arista) Diamond Rio

RICKY VAN SHELTON/Call Me Up (Columbia) Backroads

ALAN JACKSON/Just Playin' Possum (Arista) Don't Rock The Jukebox

ALAN JACKSON/Dalbs (Arista) Don't Rock The Jukebox

RICKY VAN SHELTONBachroads (Columbia) Backroads

LORRIE MORGAN/Except For Monday (RCA) Something In Red

CLINTON GREGORY/Satisfy Me And I'll Satisfy You (SOR) It It Weren't For Country ... .

VERN GOSDIN/A Month Of Sundays (Columbia) Out Of My Heart

LORRIE MORGAN/Hand Over Your Heart (RCA) Something In Red

ALAN JACKSON/Midnight In Montgomery (Arista) Don't Rock The Jukebox

RAY KENNEDY/I Like The Way It Feels (Atlantic) What A Way To Go

KENTUCKY HEADHUNTERS/Always Making Love (Mercury) Electric Barnyard

DESERT ROSE BAND w/EMMYLOU HARRIS/Price I Pay (MCA/Curb) ... A Dozen Roses

ALAN JACKSON/Walkin' The Floor Over Me (Arista) Don't Rock The Jukebox

ALISON KRAUSS is stealing hearts with

STEEL RAILS STEEL RAILS VIDEO Heavy Requests Si Heavy Rotation at CMT

CD SINGLE "Her sweet, pure voice is seductive, and easily draws comparisons to a young Dolly Parton." - Gratin Report

' ...two minutes shy of becoming a major country star...as refreshing as a

mountain breeze. Summer sunshine." - Music Row

9

"When I heard Alison Krauss, I felt like someone plopped a little bit of a rainbow down in the middle of my day. Good caring response!" Annie Mac, PD KUGN-FM/Eugene, OR

"Forget the musical labels, listen to the music... clean, fresh! Where country music needs to be in the '90s." Dale Van Horn, PD WQDR-FM/Raleigh, NC

"The most exciting thing to come to country music since Clint Black." Bob Mitchell, OM

-. KCKC/San Bernardino, CA

, "Such a pure and fresh

y

sound ! "

Bob Harvey, PD KCKC/ San Bernardino, CA ROUNDER

82. June 28,1991 COUNTRY ° SONG INFORMATION INDEX

ALABAMA "Here We Are" (RCA 2828-7) Prod: Josh Leo, Larry Michael Lee, Alabama Wr: Beth Nielsen Chapman, Vince Gill Pub: Wamer-Chappell Music, Benefit Music (BMI) Mgr: Dale Morris

DANIELE ALEXANDER "Who Can She Turn To" (Mercury 868 296) Prod: Harold Shedd Wr: Daniele Alexander, J.D. Martin Pub: PRI Music, MCA Music/J.D. Martin Music (ASCAP) Mgr: Joe Sullivan

B

MATRACA BERG "I Must Have Been Crazy" (RCA 2827.7) Prod: Wendy Waldman, Josh Leo Wr: Matraca Berg, Ronnie Samoset Pub: Warner -Tamerlane Publishing/Patrick Joseph Music; WB Music/Samsonian Songs (ASCAP) Mgr: Susan Hackney

CLINT BLACK "One More Payment" (RCA 2819-7) Prod: James Stroud Wr: Clint Black, Hayden Nicholas, Shake Russell Pub: Howlin' Hits Music; Red Brazos Music (ASCAP; BMI) Mgr: Bill Ham

LARRY BOONE "To Be With You" (Columbia 38 73813) Prod: Steve Buckingham, Marshall Morgan Wr: Gretchen Peters Pub: Silverline Music (BMI) Mgr: Gene Ferguson

GARTH BROOKS "The Thunder Rolls" (Capitol 79722) Prod: Allen Reynolds Wr: Pat Alger, Garth Brooks Pub: Bait And Beer Music/ Forerunner Music, Mapr Bob Music (ASCAP) Mgr: Bob Doyle, Pam Lewis

BROOKS & DUNN "Brand New Man" (Arista 2232) Prod: Scott Hendricks, Don Cook Wr: Don Cook, Ronnie Dunn, Kix Brooks Pub: Sony Tree Publishing; Sony Cross Keys Music (BMI; ASCAP) Mgr: Bob Tilley

MARTY BROWN "Every Now And Then" (MCA 54118) Prod: Richard Bennett, Tony Brown Wr: Marty Brown Pub: Music Corporation Of Amenca/Maceo Misfits Music (BMI) Mgr: Mike Robertson

C , .

MARY-CHAPIN CARPENTER "Down At The Twist And Shout" (Columbia 38 73838) Prod: Mary -Chapin Carpenter, John Jennings Wr: Mary -Chapin Carpenter Pub: EMI April Musk/Getarealpb Music (BMI) Mgr: Tom Carrico, John Samson

LIONEL CARTWRIGHT "Leap Of Faith" (MCA 54078) Prod: Barry Beckett, Tony Brown Wr: Lionel Cartwright Pub: Warner - Tamerlane Publishing/Long Run Music (BMI) Mgr: Noel Fox

MARK COLLIE "Calloused Hands" (MCA 54079) Prod: Tony Brown, Doug Johnson Wr: Pat Alger, Gene Levine Pub: Bait And Beer Music/Forerunner Music. Coigems-EMI Music (ASCAP) Mgr: Don Light

EARL THOMAS CONLEY "Shadow Of A Doubt" (RCA 2826-7) Prod: Richard Landis Wr: Robert Byrne, Tom Wopat Pub: Fame Publishing/ Bobworld Music; Rick Hall Music (BMI; ASCAP) Mgr: BOM Company

ROB CROSBY "She's A Natural" (Arista 2180) Prod: Tim DuBois, Scott Hendricks Wr: Rob Crosby, Rick Bowles Pub: Grand Coalition Music, Maypop Music (BMI) Mgr: Steve Small

o -

DAVIS DANIEL "Picture Me" (Mercury 848'291) Prod: Ron Haffkine Wr: Brian R. Shaw, Mentor Williams Pub: Nickel Nugget Music; WB MusicBamatuck Music/Mentor Williams Music (BMI; ASCAP) Mgr: Ron Hattkine

CHARLIE DANIELS BAND "The Twang Factor" (Epic 34 73866) Prod: James Stroud Wr: Stephen Allen Davis Pub: Warner Tamerlane Publishing/Onginal Twangster Music (BMI) Mgr: David Corlew

BILLY DEAN "Somewhere In My Broken Heart" (SBK/Capitol 79596) Prod: Chuck Howard, Tom Shapiro Wr: Billy Dean, Richard Leigh Pub: EMI Blackwood Music, EMI April Music/Lan-Hearted Music (ASCAP) Mgr: Ken

Stilts

MARTIN DELRAY "Lillie's White Lies" (Atlantic 7-87680) Prod: Blake Mevis, Nelson Larkin Wr: Wood Newton, Billy Ray Reynolds Pub: Mighty Nice Music/Add-In Music, Sir Claxton Music (BMI) Mgr: Dick Beacham

DIAMOND RIO "Meet In The Middle" (Arista 2182) Prod: Monty Powell, Tim DuBois Wr: Chapin Hartford, Jim Foster, Don Pfrimmer Pub: Sony Tree Publishing, Willesden Music; Zomba Enterprises (BMI; ASCAP) Mgr: Ted Hacker

JOE DIFFIE "II The Devil Danced (In Empty Pockets)" (Epic 34 73747) Prod: Bob Montgomery, Johnny Slate Wr: Ken Spooner, Kim Williams Pub: Texas Wedge Music, Sony Cross Keys Publishing (ASCAP) Mgr: Danny Morrison, Johnny Slate

DEAN DILLON "Friday Night's Woman" (Atlantic 7-87794) Prod: Blake Mevis, Dean Dillon Wr: Dean Dillon, Blake Mevis, Buddy Cannon Pub: Music Corporation Of America/Jessie Jo Music; MCA Music/Haven Harbor Music, Buddy Cannon Music/PRI (BMI; ASCAP) Mgr: Hallmark Direction

HOLLY DUNN "Maybe I Mean Yes" (WB 7-19266) Prod: Holly Dunn, Chris Waters Wr: Holly Dunn, Chris Waters, Tom Shapiro Pub: Careers-BMG Music Publishing/South Heart Music; Edge OWoods Musk/ Kinetic Diamond Music/Moline Valley Music (BMI; ASCAP) Mgr: Refugee Management

EXILE "Even Now" (Arista 2228) Prod: Randy Sharp, Tim DuBois Wr: Randy Sharp, Marc Beeson Pub: With Any Luck Music; Sleepy Time Music (BMI; ASCAP) Mgr: Gallin-Morey Associates

FORESTER SISTERS "Too Much Fun" (WB 7-19219) Prod: Robert Byrne, Alan Schulman Wr. Robert Byrne. Alan Schulman Pub:

Fame Publishing/Bobworld Music, Makin' it Up Music/Music Of The World, Ud. (BMI) Mgr: Refugee Management

G

VINCE GILL "Liza Jane" (MCA 54123) Prod: Tony Brown Wr: Vince Gill, Reed Nielsen Pub: Benefit Music, English Town Music (BMI) Mgr: Fitzgerald -Hartley

VERN GOSDIN "I Knew My Day Would Come" (Columbia 38 73814) Prod: Bob Montgomery Wr: Vem Gosdin, Max D. Barnes Pub: Hookem Music; Blue Lake Music (ASCAP; BMI) Mgr: Eddie Tickner

LEE GREENWOOD w/SUZY BOGGUSS "Hopelessly Yours" (Capitol 79690) Prod: Jerry Crutchfield Wr: Curly Putman, Keith Whitley, Don Cook Pub: Sony Tree Publishing; Sony Cross Keys (BMI; ASCAP) Mgr: Jerry Bentley; Mana Cooper -Bruner

CLINTON GREGORY "One Shot At A Time" (SOR 430) Prod: Ray Pennington Wr: Curt Ryle Pub: Titus Tunes (BMI) Mgr: Ray Pennington Ha -

HIGHWAY 101 "Bing Bang Boom" (WB 7-19346) Prod: Paul Worley, Ed Seay Wr: Hugh Prestwood Pub: Careers Music/Hugh Prestwood Music (BMI) Mgr: Chuck Moms

-J

ALAN JACKSON "Don't Rock The Jukebox" (Arista 2220) Prod: Scott Hendncks, Keith Stegall Wr: Alan Jackson, Roger Murrah, Keith Stegall Pub: Seventh Son Music, Mattie Ruth Musick; Tom Collins Music/ Murrah Music (ASCAP; BMI) Mgr: Barry Coburn

JJ WHITE "The Crush" (Curb 77492) Prod: James Stroud Wr: John Hiatt Pub: Lillybilly PublishingBug Music (BMI) Mgr: Tom Skeeter

JUDDS "One Hundred And Two" (Curb/RCA 2782-7) Prod: Brent Maher Wr: Paul Kennerly, Don Potter, Wynonna Judd Pub: Irving Music/LRtlemarch Music, Sheep In Tow Music, Kentucky Sweetheart Music (BMI) Mgr: Ken Stilts K KENTUCKY HEADHUNTERS "With Body And Soul" (Mercury 868 418) Prod: Kentucky Headhunters Wr: Virginia Stauffer Pub: Bill Monroe Music (BMI) Mgr: Mitchell Fox

HAL KETCHUM "Small Town Saturday Night" (Curb 76865) Prod: Allen Reynolds, Jim Rooney Wr: Pat Alger, Hank DeVito Pub: Bait And Beer Music/Forerunner Music, Little Nemo Music (ASCAP) Mgr: Walt Quinn

ALISON KRAUSS "Steel Rails" (Rounder PR1008) Prod: Bit Vomdick, Jerry Douglas Wr: Louise Branscomb Pub: One Note Publishing/Sawgrass Music (BMI) Mgr: None

CHRIS LeDOUX "This Cowboy's Hat" (Capitol 79782) Prod: Jimmy Bowen, Jerry Crutchfield Wr: Jake Brooks Pub: Wamer/Elektra/ Asylum Music/Brooks Bros. Publishing/Halsey Bros. Music (BMI) Mgr: Al

LeDoux

ROBIN LEE "Nothin' But You" (Atlantic 7-87680) Prod: James Stroud Wr: Steve Earle Pub: Goldline Music/Warner Bros. Music (ASCAP) Mgr: Robin Lee Enterprises

LOBO LOGGINS "Ain't No Cows In Texas" (SOR 428) Prod: Ray Pennington Wr: Johnny McCollum, Lobo Loggins Pub: Almeria Music (BMI) Mgr: Lobo Loggins

EDDIE LONDON "If We Can't Do It Right" (RCA 2821-7) Prod: Ronnie Rogers, Warren Peterson Wr: Ronnie Rogers, Mark Wright Pub: Maypop Music, Blackwood MuskNVrghtchild Music (BMI) Mgr: Dale Moms

PATTY LOVELESS "Blue Memories" (MCA 54075) Prod: Tony Brown Wr: Paul Kennerly, Karen Brooks Pub: Irving Music/ Littlemarch Music (BMI) Mgr: G. Gerald Roy

M

KATHY MATTEA "Whole Lotta Holes" (Mercury 868 394) Prod: Allen Reynolds Wr: Jon Vezner, Don Henry Pub: Sheddhouse Music, Sony Cross Keys Music (ASCAP) Mgr: Bob Tilley

McBRIDE & THE RIDE "Can I Count On You" (MCA 54022) Prod: Tony Brown, Steve Fishell Wr: Terry McBride, Bill Carter, Ruth Ellsworth Pub: Violet Crown Music/Blame Music (BMI) Mgr: Ken Stilts

MEL McDANIEL "My Ex -Life" (DPI 5005) Prod: Keith Stegall, Roger Murrah Wr: Bob McDill, Layng Martine Jr. Pub: PolyGram International Publishing/Ranger Bob Music; Layng Martine Jr.

Songs (ASCAP; BMI) Mgr: Mel McDaniel

REBA McENTIRE "Fallan' Out 01 Love" (MCA 54108) Prod: Tony Brown Wr: Jon Ims Pub: Paul Craft Music (BMI) Mgr: Starstruck Mgmt.

RONNIE MILSAP "Since I Don't Have You" (RCA 2848-2) Prod: Rob Galbraith, Richard Landis, Ronnie Milsap Wr: Joseph Rock, James Beaumont & The Skyliners Pub: Bonnyview Music Corporation, Southern Musk Publishing Company (ASCAP) Mgr: Morass. Nanas, Golden, Peay

LORRIE MORGAN "We Both Walk" (RCA 2748-7) Prod: Richard Landis Wr: Tom Shapiro, Chris Waters Pub: Edge O'Woods MusklXinetic Diamond Music, Edge O'Woods Music/Moline Valley Music (ASCAP) Mgr: Morass, Nanas, Golden, Peay

O -

K.T. OSLIN "You Call Everybody Darling" (RCA 2829-2) Prod: Josh Leo, Larry Michael Lee, K.T. Oslin Wr: Sam Martin, Ben Trace, Clem Watts Pub: Edwin H. Morris & Company (ASCAP) Mgr: Moress, Nanas,

Golden, Peay

P '

DOLLY PARTON "Silver And Gold" (Columbia 38 73826) Prod: Steve Buckingham, Gary Smith Wr: C. Perkins, G. Perkins, S. Perkins Pub: Brack Hit Music (BMI) Mgr: Gallin-Morey Associates

J.P. PENNINGTON "You Gotta Get Serious" (MCA 54126) Prod: Barry Beckett Wr: J.P. Pennington, Troy Seals, Eddie Setser Pub: Pacific Island Publishing, Warner Bros. Music Corporation, East 64th Music; Warner -Tamerlane Publishing/Yasa Music (BMI; ASCAP) Mgr: Bill Carter

PIRATES OF THE MISSISSIPPI "Speak Of The Devil" (Capitol 79783) Prod: James Stroud, Rich Alves Wr: Bill McCorvey, Rich Alves, Danny Bear Mayo Pub: Great CLenberland Music, Flaw Factor, Bear And Bill Music (BMI) Mgr: Ken Stilts

R

EDDY RAVEN "Too Much Candy For A Dime" (Capitol 79779) Prod: Barry Beckett Wr: Eddy Raven, David Powelson Pub: MIlene Music (ASCAP) Mgr: Bob Barham

COLLIN RAYE "All I Can Be (Is A Sweet Memory)" (Epic 34 73831) Prod: Jerry Fuller, John Hobbs Wr: Harlan Howard Pub: Sony Tree Publishing (BMI) Mgr: Scott Dean Mgmt.

MIKE REID "As Simple As That" (Columbia 38 73888) Prod: Steve Buckingham Wr: Mike Reid, Allen Shamblm Pub: Almo Music CorporationBno Blues Music, Hayes St. Music (ASCAP) Mgr: Stan Morass

S

RICKY VAN SHELTON "I Am A Simple Man" (Columbia 38 73780) Prod: Steve Buckingham Wr: Walt Aldridge Pub: Rick Hall Music (ASCAP) Mgr: International Management Services

SHENANDOAH "The Moon Over Georgia" (Columbia 38 73777) Prod: Rick Hall, Robert Byrne Wr: M. Narmore Pub: Fame Music (BMI) Mgr: Bill Carter

STATLER BROTHERS "You've Been Like A Mother To Me" (Mercury 868 484) Prod: Jerry Kennedy Wr: Don Reid Pub: American Cowboy Music (BMI) Mgr: Marshall Grant

RAY STEVENS "Working For The Japanese" (Curb/Capitol 79802) Prod: Ray Stevens Wr: Ron DeLacy Pub: Paul Craft Music (BMI) Mgr: Don Williams

DOUG STONE "I Thought It Was You" (Epic 34 73895) Prod: Doug Johnson Wr: Tim Mensy, Gary Harrison Pub: Sony Cross Keys Publishing/Miss Dot Music; Warner -Tamerlane PublishinglPatnck Joseph Music (ASCAP; BMI) Mgr: John Dorris, Phyllis Bennette

DOUG STONE "In A Different Light" (Epic 34 73741) Prod: Doug Johnson Wr: Bob McDill, Bucky Jones, Dickey Lee Pub: PolyGram International Publishing/Ranger Bob Music, Sony Cross Keys Publishing; Songs 01 PolyGram International (ASCAP, BMI) Mgr: John Dorris, Phyllis Bennette

GEORGE STRAIT "You Know Me Better Than That" (MCA 54127) Prod: Jimmy Bowen, George Strait Wr: Tony Haselden, Anna Lisa Graham Pub: Millhouse Music; Sheddhouse Music (BMI; ASCAP) Mgr: Ery Woolsey

MARTY STUART "Till I Found You" (MCA 54065) Prod: Richard Bennett, Tony Brown Wr: Paul Kennerly, Hank DeVito Pub: Irving Music/Littlemarch Music; Little Nemo Music (BMI; ASCAP) Mgr: Rothbaum & Gamer

T -

PAM TILLIS "One Of Those Things" (Arista 2203) Prod: Paul Worley, Ed Seay Wr: Pam Tillis, Paul Overstreet Pub: Warner/ Elektra/Asylum,Blood, Sweat & Ink, Scarlett Moon Music/Screen Gems -EMI Music (BMI) Mgr: Mike Robertson

RANDY TRAVIS "Point 01 Light" (WB 7-19283) Prod: Kyle Lehning Wr: Don Schlitz, Thom Schuyler Pub: Don Schlitz Musa/ Almo Music; EMI Blackwood/Bethlehem Music (ASCAP; BMI) Mgr: lib Hatcher

TRAVIS TRITT "Here's A Quarter (Call Someone Who Cares)" (WB 7-19310) Prod: Gregg Brown Wr: Travis Trftt Pub: Tree Publishing/Post Oak Publishing (BMI) Mgr: Ken Kragen

TANYA TUCKER "Down To My Last Teardrop" (Capitol 79711) Prod: Jerry Crutchfield Wr. Paul Davis Pub: Paul And Jonathan Songs (BMI) Mgr: Beau Tucker

w WAYLON & WILLIE "If I Can Find A Clean Shirt" (Epic 34 47462) Prod: Bob Montgomery Wr: Troy Seals, Wayon Jennings Pub: Warner Bros. Music/Two Sons Music; Wayon Jennings Music (ASCAP; BMI) Mgr: Mark Rothbatim; Jim Halsey

DON WILLIAMS "Lord Have Mercy On A Country Boy" (RCA 2820-7) Prod: Don Williams, Garth Fundis Wr: Bob McDill Pub: PolyGram International Publishing/Ranger Bob Music (ASCAP) Mgr: Morass, Nanas, Golden, Peay

HANK WILLIAMS JR. "If It Will It Will" (WB/Curb 7-19352) Prod: Barry Beckett, Hank Williams Jr. Wr: Hank Williams Jr. Pub: Bocephus Music (BMI) Mgr: Merle Kilgore

TOM WOPAT "Too Many Honky Tonks (On My Way Home)" (Epic 34 73862) Prod: Rick Hall Wr: Chiles Patrick, Ben Shaw, Tommy Barnes Pub: Butputter Music; Ben Shaw Music, Edge OWoods Music/Tommy Barnes Music (BMI; ASCAP) Mgr: Rick Hall Productions Y -

TRISHA YEARWOOD "She's In Love With The Boy" (MCA 54076) Prod: Garth Fundis Wr: Jon Ims Pub: Wamer/Elektra/Asylum Music Rites Of Passage Music (BMI) Mgr: Bob Doyle, Pam Lewis

ASCA & Radio. Togéthe' Great Music fo, America! SC A =P

A M E R I C A. N S 0 C.1 ErT Y OF C O M P O S E R -S: A U T H O R S. & P U B L I S H E R S

COUNTRY ADDS & HOTS June28,1991 OUR v3

MOST ADDED EAST HOTTEST MOST ADDED SOUTH HOTTEST MOST ADDED MIDWEST HOTTEST MOST ADDED HOTTEST WEST Kathy Mattes (Mercury) Alan Jackson (Arista) Ronnie Milsap (RCA) Alan Jackson (Arista) Kathy Mattes (Mercury) Alan Jackson (Arista) Ronnie Milsap (RCA) Alan Jackson (Arista)

Lionel Cartwright (MCA) Ricky Van Shelton (Columbia) Kathy Maltea (Mercury) Ricky Van Shelton (Columbia) Ronnie Milsap (RCA) Rice Van Shelton (Columbia) Kathy Maltea (Mercury) Billy Dean (SBK Capitol)

Holly Dunn (WB) Billy Dean (SBK'Capltol) Holly Dunn (WB) Randy Travis (WB) Holly Dunn (WB) Randy Travis (WB) Lionel Cartwright (MCA) Garth Brooks (Capitol)

Ronnie Milsap (RCA) Randy Travis (WB) Garth Brooks (Capitol) Holly Dunn (WB) Ricky Van Shelton (Columbia)

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TNc.an, AZ

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.

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TRAVIS TPin 90.1.x. RIOT V0. 01.1.50 RAPID MART IRAS T1.117 111111. R.µ

STOLE. NONAYIU . .9 MILS.

99T DEAN U gLSP TRAWIS TliTr J.P. 91111194 MG STONE 'LARNE.

HMpWIIe11s ̀ LLIAIe A. DIMQL,RIO a Country Reporter.

CO,T ILIAILIAGAM1 B..S BILLY 1.111

TRISNA RRD IOT N. ROBIN IDLE DOA 90/11

TIME GILL LION MTE E1-aa nM RpRYLS GM 11 MIL D

TRAVIS Iioi. AID. JOL51

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RICOV0. SIIFi11 TS 111119

TILLIS PO TILLi3

BLLLI DEAR RANDY TRAVIS

84 June 28, 1991 AC NATIONAL AIRPLAY®

BREAKERS. DAVE STEWART f/CANDY DULFER

Lily Was Here (Arista) 52% of our reporters on it. Rotations: Heavy 3, Medium 33, Light 27, Total Adds 8, WALK, KLTR, WLTS, WKQX, KKCW, WMAG, WDLX, WMYI. Moves 25-21 on the AC chart.

BRYAN ADAMS (Everything I Do) I Do It For You (A&M/Morgan Creek)

50% of our reporters on it. Rotations: Heavy 3, Medium 24, Light 34, Total Adds 32 including WALK, WNSR, WYXR, KMMX, WWNK, WLTF, WENS, WMYX, KXLT, KLSY. Debuts at number 25 on the AC chart.

AMY GRANT Every Heartbeat (A&M)

50% of our reporters on it. Rotations: Heavy 4, Medium 38, Light 19, Total Adds 5, WMYX, WRAL, WKDQ, KEZA, KCMJ. Moves 24-22 on the AC chart.

NEW - RICK ASTLEY "Move Right Out" (RCA) 52/7 Rotations- Heavy 1/1, Medium 38/2, Light 13/4, Total Adds 7, WARM, WLMX, WTFM, WLHT, KSSKFM, WKSB. WIHN. Medium including WSTR, KBIG, KESZ, WLEV, WGLL, WKYE, WOBM, WZNY, KKMY, WDLX, WAHR, WIVY, KELT, KRAV, WRMF, KMJC, WKDO, KRNO, JOY99, WSGY, KRLB, WNMB, WFFX.

MIKE & THE MECHANICS "Everybody Gets A Second Chance" (Atlantic) 52/2 Rotations Heavy 5/0, Medium 33/0, Light 14/2, Total Adds 2, KLSI, WKDO Heavy: WMYX, WKYE, WOHO, WWSN, KILT Medium including WNSR, KBIG, KKCW, WLEV, WGLL, WOBM, WMGS, WZNY. WOSM, WMAG, WAHR, WIVY, KRAV, WMGN, 3WM, JOY99, WSGY, KRLB, WNMB, WFFX, KTYL, KVIC, WIHN.

BONNIE RAITT "Something To Talk About" (Capitol) 45/7 Rotations. Heavy 1/0, Medium 23/2, Light 21/5, Total Adds 7, WLTT, WTFM. WLHT, WKTK, KRLB, WGNI, KIDX. Heavy: KPAYFM Medium including KMMX. KESZ, WGLL, WKYE, WOBM, KKMY, WAHR, KELT, WMGN, KRNO, JOY99, WSGY, KTDY, WNMB, WFFX, KTYL, KVIC, KILT, WOLH, WOLR, KSTR. Light including WMTX.

ESCAPE CLUB "I'll Be There" (Atlantic) 41/4 Rotations: Heavy 3/0, Medium 21/0, Light 17/4, Total Adds 4, KOST, KLSY, WTFM, KMJC. Heavy: WKYE, WAHR, WOLR. Medium: WLEV, WGLL, WOBM, KKMY, WDLX, WRMF, 3WM, KRNO, JOY99, KKLD, WSGY, WNMB, WFFX, KTYL, KVIC, WIHN, KILT, WOLH, WLDR, KKAZ, KPAYFM. Light including KLSI, 8100.

KEITH WASHINGTON "Kissing You" (WB) 40/4 Rotations: Heavy 3/0, Medium 20/2, Light 17/2, Total Adds 4, KKMY, WTFM, KRNO, WSGY. Heavy: KOST, KELT, KKLD. Medium including WLTS, WENS, KESZ, KKCW, WKYE. WTCB, WAHR, WRVR, WRMF, 3WM, WNMB, KTYL, WMTFM, KILT, WLDR, KKAZ, KPAYFM, KSTR. Light Including KLCY, B100, WLEV, WGLL. WOK). ROD STEWART "The Motown Song" (WB) 34/34 Rotations: Heavy 0, Medium 8/8, Light 26/26, Total Adds 34, WALK, WSTR, KVIL, WWNK, KGB?. KEZR, WLEV, WGLL. WKYE. WOBM. WJBR, WZNY, KKMY, WMAG, WIVY, KELT, KMJC, 3WM, JOY99, WKSB, KEZA, WKTK, WNMB, KTYL. KVIC, WMTFM, KZLT, WOLH, WOLR, WLDR, KMAJ, KKAZ, KPAYFM, KSTR.

LENNY KRAVITZ "It Ain't Over 'TN It's Over" (Virgin) 33/17 Rotations: Heavy 1/0, Medium 7/3, Light 25/14, Total Adds 17, WYXR, WSTR, KLSI. WGLL, WKYE, WOBM, WZNY, WAHR, WRMF, KMJC, WWSN, KGBX, KRLB. WFFX, KKSR, KPAYFM, KCMJ. Heavy: KELT. Medium including WMGS, KILT, WLDR, KMAJ. Light including WKOX, KYKY, B100, KKMY, 3WM, WSGY, WNMB, KTYL.

Q PAULA ABDUL 2 EXTREME

O LUTHER VANDROSS

O GLORIA ESTEFAN

O MICHAEL W. SMITH

O GLENN FREY

O DARYL HALL & JOHN OATES

lO NATALIE COLE w/NAT "KING" COLE

9 MICHAEL BOLTON

10 MARIAH CAREY

el WILSON PHILLIPS

12 STYX

® MARC COHN

l) LISA FISCHER

® SURFACE

le) CHER

17 WHITNEY HOUSTON

BRUCE HORNSBY 8 THE RANGE

19 AMY GRANT a PEABO BRYSON

DAVE STEWART f/CANDY DULFER

Q AMY GRANT

a MIKE & THE MECHANICS

24 ROD STEWART

Q BRYAN ADAMS

O RICK ASTLEY

CD ESCAPE CLUB

a KEITH WASHINGTON

a BONNIE RAITT a ROD STEWART

Light Total Reports/Adds Heavy Medium

118/1 108 8 2

114/2 97 12 5 107/1 85 17 5

116/1 80 31 5 106/7 55 39 12

93/2 64 26 3 93/5 58 23 12

102/7 36 46 20 93/0 54 32 7

94/0 47 37 10

91/7 22 58 11

76/0 35 36 5 79/5 23 45 11

81/2 20 44 17 72/1 19 45 8 79/12 5 44 30 69/0 19 35 15

66/2 11 38 17

60/1 20 33 7

70/10 5 30 35 63/8 3 33 27 61/5 4 38 19

52/2 5 33 14

52/1 12 27 13 61/32 3 24 34 52/7 1 38 13 41/4 3 21 17

40/4 3 20 17

45/7 1 23 21 34/34 0 8 26

ROD STEWART (34) BRYAN ADAMS (32)

CELINE DION (24) LENNY KRAVITZ (17) AARON NEVILLE (14)

CHER (12) PEABO BRYSON (10)

DESMOND CHILD (10) DAVE STEWART (8)

HOTTEST PAULA ABDUL (100)

EXTREME (89) LUTHER VANDROSS (60)

GLORIA ESTEFAN (51) GLENN FREY (48)

MICHAEL BOLTON (39) MICHAEL W. SMITH (39)

HALL a OATES (38) MARIAH CAREY (24) NATALIE COLE (14)

MOODY BLUES "Say It With Love" (PolydoriPLG) 29i Rotations- Heavy 1/0. Medium 6/0, Light 22/6, Total Adds 6, WLTT, WMTX, WENS, KKCW, WIVY, WMTFM. Heavy: KPAYFM. Medium WOBM, WSGY, WFFX, KVIC, KILT, WOLR Light including WLEV, WKYE, KKMY, KRAV, KMJC. 3WM, KEZA, KTDY, WNMB, KTYL, WOLH, KIZZ, WLDR, KIDX. KKAZ, KSTR.

ROXETTE "Fading Like A Flower (Every Time You Leave)" (EMI) 27/2 Rotations: Heavy 1/0. Medium 13/1, Light 13/1, Total Adds 2. KKMY, WRMF Heavy. KKAZ. Medium including WSTR, WKYE, WMGS, WAHR, KELT, WSGY, KEZA, WNMB, KTYL, KVIC, KILT, WOLR. Light including 8100, WLEV. WGLL. KRAV, KMJC, WCRZ, 3WM, KRLB, WOLH, KIZZ, KSTR, KCMJ.

CELINE DION "The Last To Know" (Epic) 24/24 Rotations: Heavy 0, Medium 3/3, Light 21/21, Total Adds 24, KESZ, WLEV, WKYE, WZNY, KKMJ, WTCB, WRVR, WRMF, KMJC, KGBX, KKLD, WNMB, WFFX, KTYL. KVIC, KILT, WOLH, WOLR, WLDR, KMAJ, KIDX, KKAZ, KPAYFM, KSTR,

TOM SCOTT "If You're Not The One" (GRP) 23/5 Rotations: Heavy 1/0, Medium 2/1, Light 20/5, Total Adds 6, WLEV, WAHR, KELT. WMGN, WOLH, KIZZ. Heavy: KPAYFM. Medium including WTCB. Light including KESZ, WKYE, WRVR, KRAV, KMJC. 3WM, WNMB, WFFX, KTYL, WMTFM, KILT, WOLR, WLDR, KIDX, KKAZ.

WILL DOWNING "I Try" (Island) 23/0 Rotations: Heavy 0, Medium 4/0, Light 19/0, Total Adds 0. Medium' KELT, WSGY, KILT. KPAYFM. Light: WLTS, WENS. WKYE, WOHO, WARM. KKMY, WTCB, WRVR, KRAV, WMGN, KTHT, KKLD, KEZA, WNMB. KTYL, KVIC, WLDR, KKAZ, KSTR.

LONDONBEAT "A Better Love" (Radioactive) 21/7 Rotations: Heavy 2/0, Medium 9/2, Light 10/5, Total Adds 7, KXLT, 8100, KKMY, WIVY, KIZZ, KPAYFM, KSTR. Heavy: WKYE, KRLB. Medium including WYXR. WRMF, WOMX, KVIC, KILT, WOLR, KKAZ. Light including WGLL. KRAV, WSGY, WOLH, WLDR.

THIRTYSOMETHING "Title Theme" (Geffen) 21/5 Rotations: Heavy 0, Medium 6/2, Light 15/3, Total Adds 5, WAHR, WWSN, WOLR, KIDX, KPAYFM. Medium including WALK, WTCB, WRVR, KMGL. Light including WWNK, WLEV, WGLL. KKMJ, KRAV, KMJC, WMGN, KKLD, KTYL. WMTFM, KILT. KKAZ.

DARDEN SMITH "Frankle And Sue" (Columbia) 211 Rotations: Heavy 0, Medium 7/1, Light 14/0, Total Adds 1, KPAYFM. Medium including WOBM, WAHR, JOY99, KEZA, KVIC, WIHN. Light: KLSI, KKCW, 8100, WLEV, WGLL, WKYE, KKMY, KELT, WNMB, KILT, WOLR, KIZZ, KMAJ, KKAZ.

CATHY DENNIS "Too Many Walls" (Polydor/PLG) 19/5 Rotations: Heavy 0. Medium 3/0, Light 16/5, Total Adds 5, KMJC, WSGY, KEZA, WFFX, KCMJ. Medium: KESZ, KRNO, WOLR. Light including B100, WKYE, KELT, KRAV, WNMB, KTYL, KVIC, WMTFM, KILT. WLDR, KKAZ.

R.E.M. "Losing My Religion" (WB) 17/2 Rotations Heavy 7/0, Medium 5/0, Light 5/2, Total Adds 2, WSTR, KYKY. Heavy: WYXR, WMTX, WKOX, WKYE, KRLB, KVIC, KCMJ. Medium: WALK, WMGS, WAHR, WSGY, KKAZ. Light Including WLEV, WNMB, WOLR.

AARON NEVILLE "Everybody Plays The Fool" (A&M) 16/4 Rotations: Heavy 1/0, Medium 3/3, Light 12/11. Total Adds 14, KESZ, 8100. KEZR, WTCB, WIVY, WRVR, WNMB, WFFX, WMTFM, KILT, WOLR, KIZZ, KIDX, KKAZ. Heavy: KELT. Light including KTDY.

HARRY CONNICK JR. "Recipe For Love" (Columbia) 13/2 Rotations: Heavy 0, Medium 2/0, Light 11/2, Total Adds 2, KELT, KTYL. Medium: KESZ, WFFX. Light including WLTT, WARM98, WLEV, WGLL, WTCB, WLDR, KMAJ. KIDX. KKAZ.

TONY TERRY "With You" (Epic) 12/0 Rotations: Heavy 0. Medium 0, Light 12/0, Total Adds 0. Light: WLEV, WKYE, KRAV, 3WM, KKLD. WSGY, WFFX, KTYL, KZLT, WOLR, KMAJ, KKAZ.

DESMOND CHILD "Love On A Rooftop" (Elektra) 1010 Rotations: Heavy 0, Medium 0, Light 10/10, Total Adds 10, WLEV, WKYE, KKMY, WSGY, WNMB, KTYL, KVIC, KZLT, WOLR, KKAZ.

HARRIET "Woman To Man" (EastWest) 8/0 Rotations: Heavy 0, Medium 2/0, Light 6/0, Total Adds 0. Medium: WAHR, WSGY. Light: KRAV, WFFX. KVIC, WLDR, KKAZ, KSTR.

DARYL BRAITHWAITE "Higher Than Hope" (Epic) 7/0 Rotations: Heavy 0, Medium 1/0, Light 6/0, Total Adds 0. Medium: KYKY. Light. WKOX, 8100. WGLL. WNMB, KVIC, KKAZ.

NELSON "Only Time Will Tell" (DGC) 7/0 Rotations: Heavy 0, Medium 0, Light 7/0, Total Adds 0. Light: WKYE. WSGY, KVIC, KILT. KIZZ. KKAZ, KSTR.

MICHAEL BOLTON "When A Man Loves A Woman" (Columbia) 6/0 Rotations: Heavy 2/0, Medium 4/0, Light 0, Total Adds 0. Heavy: WWLI, WWNK Medium: WSTR, WLTF, WMYI, 3WM.

11.ei

Aaron Neville K =i Most Added AC 16/14 Most Added AC 16/ 14

Most Added CHR 27/26 i 4100

175021 1563 u1

Vsa. Development

C 1991 MISA Records. Inc. Au rights reserved. Rotation

fl -

II

AC ADDS 8r HOTS June28,1991 Rail 85 CURRENT -BASED

E..

P1 WALK/Long Island Free/Lombardo

STEWART 6 DULFER BRYAN ADAMS

ROD STEWART Hottest: PAULA AHIUL EXTREM LUTHER VANDROSS

GLORIA ESTEFAN NATALIE CALE w/NA

WNSR/N.w York Bob Dunphy

BRIAR ADAMS

Hottest: EXTREME

PAULA ABDUL

GLENN FREY

GLORIA ESTEEM STYX

WYXR/Phlleda/phI. Gerry D.Frence.co

BRYAN ADAMS

LENNY KRAVITZ Hottest: MICHAEL BOLTON R.E.M. PAULA ABDUL U/THER VANDROSS SIMPLE MINDS

W W 11/Prorld.nc. Bill George

none Hottest: GLORIA ESTEFAN MICHAEL W. SMITH MICHAEL MILTON NATALIE COLE w/NA HALL 6 OATHS

WITT/Washington Chuck Morgan

LISA FISCHER BONNIE PUTT MOODY BLUES Hottest: GLORIA ESTEEM

MAITNEY HOUSTON

LUTHER VANDROSS PAULA ABDUL

WILSON PHILLIPS

P2 WLEVIAII.ntown Jeff Silvers

ROD STEWART DESMOND CHILD CELINE DION

TOM SCOTT Hottest: LUTHER VANDROSS PAULA ABDUL EXTREME HALL 6 OATES MARC CORN

WEBE/Brldg.porl HansenlNorMn.n

MICHAEL W. SMITH Hottest: MICHAEL HILTON

LUTHER VANDROSS AULA

ABDULP A

GLENN FREY

WGLLJHagarstown, MD

Meyer/Burns

SIEVIE WINDER

ROD STEWART LENNY KRAVITZ

Hottest: PAULA ABDUL

EXTREME LUTHER VANDROSS

GLENN FREY

MICHAEL W. SMITH

WKYElJOhnslown, PA Jack Michaels

DESMDND CHILD ROD STEWART LENNY KRAVITZ CELINE DION Hottest: EXTREME PAULA AMIUL R.E.M.

HALL 6 OATES LUTHER VANDROSS

W OBM/MOnnrouth-Ocea n

DownslDerotl

ROD STEWART LENNY KRAVITZ Hottest: GLORIA ESIEFAN PAULA AFOUL LUTHER VANDROSS GLENN FREY EXTREME

W VOR/Rochester Rick MackeeCle

PAULA ABDUL

Hottest: AMY GRANT ROD STEWART ROBERT PALMER MARIAN CAREY MICHAEL BOLTON

WMGSIWIIkes Barre Norton/Murton

none Hottest: EXTREME

MICHAEL V. SMITH MICHAEL BOLTON

PAULA ABDUL

GLF7N FREY

WJBR/Wllmin9ton, DE

Kay./W elldon

CHER MICHAEL W. SMITH ROD STEWART Hottest: PAULA ABDUL MARIAN CAREY

EXTREME

LUTHER VANDROSS

AMY GRANT

W SRSIW orcester NusseylLove

none Hottest:

PAULA ABDUL

RICK ASTLEY MARIAN CAREY NATALIE COLE w/NA GLORIA ESTAFAN

WARM/York, PA Kelly West

RICK ASTLEY GEER Hottest: ROD STEWART MICHAEL HILTON

LUTHER VANDROSS HALL 6 OATES PAULA ABDUL

P3

WEED/Manchester, NH

Tom Kaliechey

PEARS BRYSON WOHOIS.II.bury, MD HALL & OATES Thom Walsh CHER

Hottest: NATALIE COLE w/NA PAULA ABDUL Hottest: GI.FMN FREY GLORIA ESTAFAN LUTHER VANDROSS LISA FISC/ER EXTREME SOUTHERN SONS GLORIA ESTEFAN WILSON PHILLIPS

WHYNFM/Springtleld, MA Bill Hems

CEEA Hottest: PAULA ABDUL GORIA ESTAFAN EXTREME:

GLENN FREY LUTHER VANDROSS

W YY YlSyrecuse L.uberllangmyer

Hottest: MARIAN CAREY MICHAEL BOLTON PAULA ABDUL DITHER VANDROSS EXTREME:

WKWK/Wh.eling, WV Doug Daniels

clOtle

Hottest: MICHAEL W. SMITH MICHAEL BOLTON PAULA AFOUL

EXTREME WILSON PHILLIPS

WKSB/Wllllamapon, PA Tom Benson

RICK ASTLEY ROD STEWART Hottest:

EXTREME MARC COIN PAULA ABDUL UITHEP VANDROSS MICHAEL W. SMITH

W SB-FMIAtl.nta LAC &solo/McCoy

none Hottest: GLENN FREY LUTHER VANDROSS MARIAH CAREY MICHAEL BOLTON ROD STEWART

W STRIAtlanla Norte/Morrison

ROD STEWART LENNY KRAVITZ MICHAEL W. SMITH MARC CORN

R.E.M. Hottest: ROD STEWART GLORIA ESINFAN MARIAN CAREY GLENN FREY LUTHER VANDROSS

KVIL/Dallae Store Eberh.n

ROD STEWART Hottest: GLORIA ESTEFAN WILSON PHILLIPS NATALIE COLE w/NA CHER ROD STEWART

KLTR/blou.ton Scarborough/Matt

GLENN FPEY

SCR1'ART 6 DULFER Hottest: MICHAEL BOLTON EH ITNEY HOUSTON GLORIA ESTAFAN EXTREME MICHAEL W. sun WITS/New Orleans Bob Mitchell

STEWART 6 WIPER Hottest: PAULA ABDUL MICHAEL HILTON EXTREME NATALIE COLE w/NA GLORIA ESTAFAN

2WD/Norfolk Bill Cutis

MARC COHN

Hottest: PAULA ABDUL MARIAN CAREY LUTHER VANDROSS MICHAEL BOLTON EXTREME

KMMXISen Antonio Jill Fox

BRYAN ADAMS

ETIEANE 6 HARNES Hottest: HALLA OATES GLENN FREY GLORIA ESTEFAN NATALIE COLE w/NA PAULA ABDUL

WAIT X/Tsmpa Mason Dixon

MOODY BLUES Hottest: PAULA ABDUL

GLORIA ANIMAN R.E.M.

GLENN FREY UBNO

WUSA/T.mpa Johnny Williams

PEALE, BRYSON CHER MICHAEL W. SMITH Hottest: MARC CORN

PAULA ABDUL EXTREME

LISA FISCHER GLENN FREY

WZNYIAugusla, GA John Patrick

BRYAN ADAMS

ROD STEWART CPJ.INE DION LENNY KRAVITZ Hottest: PAULA AMIUL MICHAEL N. 941111 EXTREE

GLENN FREY DITHER VANDROSS

KKMJ/Auslln Burke/Burn.

C7.INE DION Hottest: EXTREME

GLORIA ESTAFAN PAULA A®UL NATALIE COLE w/W HALL 6 OATES

KKMYIB.aumont TX

F.rr1s/Brock

KEITH wASHINGTON LCNDONBEAT ROD STEWART DESPOND CHILD RO%ETTE

Hottest: EXTREME

LUTHER VANDROSS GLORIA ESTEFAN HALL 6 OATES

GLENN FREY

W LMX/ChettenooA. Danny Howard

BRYAN ADAMS

RICK ASTLEY Hottest: HALL 6 OATES PAULA ABDUL

ENTREE LUSHER VANDROSS MICHAEL MILTON

W YCB/Columbia Doug Spits

BRYAN ADAMS AARON NEVILLE CELINE DIEN Hottest: HALL 6 OATES PAULA ABDUL SURFACE GLORIA ESTAFAN NATALIE COLE w/RA

WOSM/Feyen.rille, NC Steve Kelly

none Hottest: SURFACE GLENN FREY

HAIL 6 OATES MICHAEL W. SMITH

STYX

W MAG/Greensboro John Jenkins

PEW BRYSON

NATALIE COLE w/NA ROD STEWART CHER

STEWART X. DULFER Hottest: HALL 6 OATES LATHER VANDROSS

PAULA ABDUL

EXTREME GLORIA ESTAFAN

WOLXIGreenrllle, NC

Jackson/Moreland

STEWART & WIPER Hottest: HALL 6 OATES WILSON PHILLIPS GLENN FREY

PAULA ABDELL

EXTREME

WMYBGreenrllle, SC Sam Church

HALL 6 OATES STEWART 6 DULFER Hottest: PAULA ABRIL EXTREME

GLORIA ESTAFAN AMY GRANT

MICHAEL W. SMITH

W AHRMuntselll. Bonny O'Brien

BRYAN ADAMS

LENNY KRAVITZ THIRITSOETHING TOM 5NTT Hottest:

EXTREME

GLORIA ESTEFAN GLENN FRET

WILLIAMS BROTHERS SURFACE

WHEY/Jacksonville Terry Matthews

MOODY BLUES

IONDONBEAT BRYAN ADAMS

ROD STEWART

AARON NEVILLE Hottest: MICHAEL BOLTON AMY GRANT PAULA ABDUL

CELINE DION RICK ASHLEY

WTFMIJohnson City Mark McKinney

KEITH WASHINGTON RICK ASTLEI MINNIE RAITT

ESCAPE CLUB Hottest: HALL 6 OATHS

GLENN FREY LE NDONBEAT

PAULA ABDUL

GLORIA ESTAFAN

¡it

WKOXIChlcs90 Oamble/Shuminas

STEWART 6 DULFER BRYAN ADAMS

Hottest: ART GRANT MICHAEL BOLTON STY%

PAULA AHIUL

EXTREE

WARMER/Cincinnati Michael Grayson none Hottest: MICHAEL BOLTON MARIAH CAREY PAULA AMIUL LUTHER VANDROSS HALL 6 OATES

W W NK/Clnclnnatl Math.ws/Maawell NATAL:' COLE w/NA BRYAN AIMS ALIAS ROD STEWART Hottest: MICHAEL W. SMITH

MARIAN CAREY MICHAEL BOLTON WHITNEY HOUSTON PAULA ABDUL

W ITFICIereland PoporlchlKennedy BRYAN ADAMS

Hottest: AMY GRANT

MICHAEL BOLTON MARIAH CAREY RICK ASTLEY MICHAEL W. SMITH

W SNYIColumbus HalletUNunnally

none Hottest: AMY GRANT WHITNEY HOUSTON RICE ASTLEY MICHAEL HILTON PAULA AMIUL

AI/NEC/Detroit Bob Kucken

HAS feet: PAULA ABDUL GLORIA ESTAFAN MARIAN CAREY EXTREME

'HHITHEY HOUSTON

WENSIIndlanapolls Eag.nlCook

BRYAN ADAMS

MOODY HUES Hottest: GLENN FREY

GLORIA ESTEFAN PAULA ABDUL LUTHER VANDROSS

EXTREME

KLSIIKansas City Torn Land

BRYAN ADAMS

LENNY KRAVITZ MIKE 6 THE MF.CIAN

Hottest: MICHAEL HILTON

EXTREME MICHAEL. W. SMITH

PAULA ABDUL

STEWART 6 DULFER

WM Y X/Mllwaukes SC heeler/Morales

AMY GRANT BRYAN ADAMS

Hottest: PAULA ABDUL GLENN FREY BRUCE HORNSBY

MIKE A THE MECHAN

STYX

KS9SIMInneapolls DerIsIMCKeerer

NATALIE COLE w/NA

Hottest: MARIAN CAREY

EXTREME PAULA ABDUL

MICHAEL BOLTON

LUTHER VANDROSS

W LTE/Minneapolis Gary Balaban PEAHI BRYSON MICHAEL W. SMITH HALL 6 OATES WILSON PHILLIPS Hottest: PAULA ABDUL

ESTREE LUTHER VANDROSS GLORIA ESTEEM SURFACE

KYKY/St. Louis Weed/Hewitt R.E.M. Hottest: WHITNEY HOUSTON

GLENN FPEY MICHAEL W. SMITH PAULA ABDUL EXTREME

P2 W OMXIAkron Ches./Cherry

WILSON PHILLIPS CHER

BRYAN ADAMS


EXTREME

GLENN FRY MICHAEL W. SMITH STYX

K MJC/Dares pon Chuck O'Brien CATHY DENNIS CELINE DION ESCAPE CLUB KEEDY

LENNY KRAVITZ ROD STEWART Hottest: GLORIA ESTEE'AN

EXTREME HALL 6 OATES MICHAEL W. SMITH LUTHER VANDROSS

W W SN/Daylon Shelly James THIR YI a :Tel INCA

BRYAN ADAMS

LENNY KRAVITZ Hottest: PAULA AWFUL

CHER

GLORIA ESTERAN HALL 6 OATES MIKE 6 THE MECHAN

WKDOIEranarllle, IN

Kincald/W eelrlch MIKE 6 THE MECHAN

AMY GRANT

Hottest: PAULA AEDUL

EXTREME GLORIA ESTEEM MICHAEL HILTON HALL OATES

WORE/Flint. MI

Petrick/Downey

Hor test: GLENN FREY LUTHER VANDRDSS HALL 6 OATES GLORIA ESTAFAN EXTREME:

MINT/Grand Rapid. Dlrksen/Brown BONNIE HAITI RICK ASTLEY

Hottest: EXTREME LUTHER VANDROSS

GLORIA ESTEFAN PAULA ABDUL

MICHAEL W. SMITH

W FMK/Lansing Ray Marshall

MARC COHN

Hottest: MICHAEL W. SMITH PAULA ABDUL MICHAEL HILTON MARIAH CAREY EXTREME

WMGHIMadlson, WI Pet O'Neill

TOM SNIT Hottest: PAULA ABDUL LUTHER VANDROSS MICHAEL W. SMITH HALL 6 OATES ONES

WGLO/Peon., IL

Jerry Jay

Hottest: EXTREME

CELINE DION PAULA ANUL MICHAEL W. SMITH AMY GRANT

KOBXISpringheld, MO BskerlCannon

LENNY KRAVITZ CELINE DION Hottest: EXTREMÉ

MICHAEL W. SMITH GLORIA ESTAFAN PAULA AHIUL

NATALIE COLE w/NA

I W M/TAledo Mark Roberts

ROD STEWART

Hottest: GLENN FREY

HALL N OATES MICHAEL W. SMITH EXTREME GLORIA ESTEFAN

P3 ~A/Bloomington, IL

Mar/oweiKennedy

RICK ASTLEY Hottest: PAULA ABDUL

EXTREME

LUTHER VANDROSS GLORIA ESTAFAN HALL OATES

WMTfM/Cedar Rapids, IA WOLRIKalamuoo. MI OreenlLN Lenphur/W.nr

MOODY HUES BRYAN ADAMS

AARON NEVILLE ROD STEWART Hottest: GLENN FRET LUTHER VANDROSS PAUL ANUL EXTREME NATALIE COLE w/NA

KATE/Dubuque. IA Tommy Allen

BRUCE HORNSBY Hottest: MICHAEL BOLTON

MICHAEL W. SMITH PAULA ABDUL EXTREME WILSON PHILLIPS

KLTA/Fargo, ND Mark Anthony

BRYAN ADAMS Hottest: EXTREME PAULA ABDUL MICHAEL HILTON MARIAN CAREY LUTHER VANDROSS

KILT/Or.nd Forks, ND H.nnenl£b via

ROD STEWART CELINE DION AARON NEVILLE

DESMOND CHILD DACE MACK

Hottest: PAULA AHIUL EXTREE MICHAEL W. SMITH HALL 6 OATHS WILSON PHILLIPS

WOLH/Green Bay, WI

Dare Carew

BRYAN ADAMS

TOM SCOTT CLINE DION ROD STEWART Hottest: PAULA ABDUL

EXTREME

LUTHER VANDROSS

GLENN FREY

MICHAEL MILTON

AARON NEVILLE DESMDND CHILD THIRTYSOMETHING CELINE DION ROD STEWART

Hottest: EXTREME

GLENN TREY

MICHAEL W. SMITH LUTHER VANDROSS PAULA ABDUL

KIZLMInot ND

Bliss/Behan

LOIDONBEAT TOM SCOTT AARON NEVILLE Hottest: GLENN FRET EXTREME HALL 6 OATES PAULA ABDUL

GLORIA ESTEFAN

WLDR/Northweat Michigan Angle Honda

CELINE DION RID STEWART


EXTREME

GLENN FREY

DITHER VANDROSS HALL 6 OATES

KKSR/St. Cloud, MN

Dennis Carpenter

BRYAN ADAMS

LENNY KRAVITZ Hottest: PAULA ABDUL

EXTREME

LUTHER VANDROSS GLENN FREY HALL A OATES

KMAJ/Topeke, KS Der. Waters

CELINE DIOSA

EDD STEWART Hottest: GLENN FREY

LUTHER VANDROSS STYX

EXTREME GLORIA ESTEFAN

UIU2JKnosrllle Larry Trotter

none Hottest: PAULA ABRIL MARIAN CAREY

MICHAEL W. SMITH EXTREME

MICHAEL HILTON

KHLT/Little RocK Ramsey/Pollln

GLENN FREY

LUTHER VANDROSS HALL 6 DATES Hottest: MICHAEL W. SMITH STYX EXTREME

PAULA ABDUL

WILSON PHILLIPS

WPELMacon, GA LBrerettelFrankHn

BRUCE HORNSBY


MINIM LUTHER VANDROSS

GLENN FREY GLORIA ESTAFAN

W RVRIMemphls Mark Hamlin

CELINE DION AARON NEVILLE Hottest: PAULA ABDUL

NATALIE COLE w/NA GLORIA ESTEEM EXTREME

HALL 6 OATHS

KELT/MCAllen Jeff GaMson BRYAN ADAMS

HARRY CONNICE/ JR. ROD STEWART TON SNIT Hottest: KEITH WASHINGTON AARON NEVILLE EXTREE SURFACE BRYAN ADAMS

WLAC.FM/Nashville Bryan Sargent WILSON PHILLIPS NATALIE COLE w/NA BRYAN ADAMS


MICHAEL BDLi17N EXTREME

AMY GRANT MICHAEL W. SMITH

KMGUOkta/Iorea City O'Bren/Kelly WILSON PHILLIPS Hottest: PAULA ABDUL

MADE MARIAN CARET

MARC COIN MICHAEL W. SMITH

W AAL/R.lelg., Scott/Myers AMY GRANT

Hot test: ROD STEWART

AMY GRANT MICHAEL MILTON

MARIAN CAREY

MICHAEL W. 9ITH

KRAVRuIsa Couch/Lee


GLENN FREY

EXTREE LUTHER VANLROSS MICHAEL W. 94TH

WRMF/West Pelm Beach Morley/Franco

ROXETTE CHER

LENNY KRAVITZ PEA® BRYSON

CELINE DIOS Hottest:

STEWART A DULFER MICHAEL ED..TCP: LUTHER VANDROSS PAULA ABDUL MARIAN CAREY

P3 W SG Y/Albany Terry Allred DEYOND CHILD CATHY DENNIS TOM PETTY

Hottest: PAULA AFOUL

EXTREME STYX

GLENN FREE

HALL 6 OATES

KEZA/Fayetterille, AR

Dennis Snow

BRYAN ADAMS

AMY GRANT

CATHY DENNIS ROD STEWART

Hottest: PAULA AH/UL GLEAN FREY

EXTREME

MARC COHN

GLORIA ESTEFAN

WKTKIGNMssIlle, FL Nick Allen

BRIAN ADAMS

BONNIE RAITT ROD STEWART Hottest: PAULA ABDUL

EXTREME

LUTHER VANDROSS GLORIA ESTEFAN GLENN FREY

KTDY/LalayeUe, LA

Walker/Murphy

none Hottest: GLENN FREY PAULA ABDUL

IUINER VANDROSS MICHAEL W. SMITH E%TREE.

KRLBILubbock, TX DowslHall

LENNY KRAVITZ BONNIE PUTT BRYAN ADAMS

PEABD ORISON Hottest: R.E.M. MICHAEL W. SMITH UBRO

LONNXIBEAT STEWART 6 DEAFER

WNMB/Norih Myrtle Beach, SC

Thotepson/Adams

ROD STEWART OI.INE DION AARON NEVILLE DESMOND CHILD Hottest: PAULA ABDUL EXTREE GLORIA ESTAFAN HALL 6 OATES STYX

WFFX/Tuscaloou, Al Sender Welker

AARON NEVILLE LENNY KRAVITZ CATHY DENNIS CELINE DION Hottest: ARREE PAULA ABDUL HALL 6 OATHS LUTHER VANDROSS

GLENN FREY

KTYLJTyler, TX Janie Baker

ROD STEWART DISEDND 0111.0 CELINE DION HARRY CONNICK JR. Hottest: MARIAN CAREY MICHAEL HILTO:

GLENN FRET PAULA ABDUL LUSHER VANDROSS

KVICNotoria, TX

Tony Darts

ROD STEWART CELINE DION DESMOND CHILD Hottest: LUTHER VANDROSS PAULA ABDUL GLENN FRET HALL 6 DATES BRUCE HORNSBY

WGNI1WIIminglon, NC Farrow/Thomas

PECK BRYSON

BONNIE PUTT Hottest: GLENN FREY EXTREME

HALL 6 OATES

MICHAEL W. SMITH LUTHER VANDROSS

P1 KOSIIDenrer Scott Taylor

none Hottest: PAULA ABDUL

EXTREME

GLORIA ESTAFAN

MARIAN CAREY WHITNEY HOUSTON

K XLT/Denres Buche nan/Werd

BRYAN ADAMS

LONDCNBEAT Hottest: GLENN FREY

EXTREME PAULA ABDUL GLORIA ESTEFAN

KBIO/Los Angeles Edwards/erdery

LISA FISCIER Hottest: PAULA ABDUL

LUTHER VANDROSS

GLORIA ESTAFAN EXTREME HALL 6 OATHS

KOST/Loa Angeles Kay./Amldon

GLORIA ESTAFAN ESCAPE CLUB Hottest: LUTHER VANDROSS

PAULA AHIUL

EXTREME MICHAEL BOLTON NATALIE COLE w/NA

KESZ/Pho.nls Cert. Fox.

AARON NEVILLE REBA McETNTIRE

CELINE DION


MICHAEL BOLTON

MARIAN CAREY

EXTREME

LUTHER VANDROSS

KKC W /Portland 8111 Mlnekler

CHER NIISEN PHILLIPS MOODY HUES STEWART 6 WLFEP Hottest: EXTREME. PAULA ABDUL

GLORIA ESTEFAN

LUTHER VANDROSS NATALIE CONE w/NA

KGBYISaCr.menlO S.ttlerlOarcla

CHER ROD STEWART EXTREME Hottest: MICHAEL W. SMITH AMY GRANT

MICHAEL HILTON GLENN FREY

PAULA ABDUL

KLCY/Salt Lake City Michael O'Brien

CHER Hottest: PAULA ABDUL

ESF/EE LUTHER VANDROSS GLORIA ESTEFAN

HALL 6 OATHS

8100/San Diego Gene Knight

AARON NEVILLE PEABD BRYSON

BOBBIE NEVIL LONDONBE:AT Hottest: PAULA ABDUL

MICHAEL W. SMITH EXTREME

LUTHER VANDROSS GLENN FREY

KEZRISen Jose Jan Jeffries

AARON NEVILLE ROD STEWART

BRYAN ADAMS

Hottest: STY%

MICHAEL BOLTCIA PAULA ABDUL MARIAN CAREY

EXTREME

KLSY/Seattle Irwin/Brooks

ESCAPE CLUB BRYAN ADAMS

NATALIE COLE w/NA Hottest: MICHAEL BOLTON PAULA ABDUL

MICHAEL W. SMITH GIiLN FREY

UrTHEP VANDROSS

P2 KCIX/Boise, ID

Don Jennings

none Hottest: MICHAEL BOLTON MARIAN CAREY GLENN FREY

LUTHER VANDROSS PAULA ABDUL

KTHT/Fresno Jim Fox

HALL 6 OATES

Hottest: WILSON PHILLIPS EXTREME PAULA ABDUL

LUTHER VANDROSS

LISA FISCHER

KSSKfM/Honolulu Mlchaal SMehldo

WILSON PHILLIPS RICK ASTLEY Hottest: MICHAEL HILTON PEAMI BRYSON PAULA ABDUL WADE GLORIA ESTEEM

KMZO/Las Vega. Scott Keith

none Hottest: PALIA ABDUL MICHAEL HILTON

MARIAN CAREY

EXTREME WHITNEY HOUSTON

K WAVIMonlerey Bernie Moody

WILSON PHILLIPS Hottest: MICHAEL HILTON PAULA ABDUL EXTREE LUTHER VANDROSS

GLENN FREY

KRNO/Reno Irons/Adamson

BRYAN ADAMS

BIG DISH KEITH WASHINGTON

MICHAEL W. SMITH Hottest: MICHAEL MILTON PAULA ABDUL EXTREME HALL & OATES GLENN FREY

KISC/Spokane, WA Rob Harder

BRYAN ADAMS

CHER

PEABO BRYSON

MARC CORN


HALL 6 OATHS EXTREME

GLORIA ESTEFAN MICHAEL W. SMITH

JOY 99/Stockton Bill Blshotbarger

NATALIE COLE w/NA

PEABD BRYSON AFTER 7 ROD SMART Hottest: E TREE HALL 6 OATHS PAULA ABDUL

LUTHER VANDROSS

GLORIA ESTAFAN

KKLDITucson Alan McLaughlin

MARC NHRN

CELINE DION Hottest: PAULA ABDUL

LUTHER VANDROSS

EXTREME

NATALIE COLE w/NA GLORIA ESTEFAN

P3 KIDX/Billings, MT

Rick Lawrence

BONNIE PUTT AARON NEVILLE CELINE DION THIRIYSOETHING Hottest: EXTREE

PAULA ANUL MICHAEL W. SMITH STYX

KKALCheyenne, WY Kevin Mee

DESMOND CHILD CELINE DION WRY RUTLEwL

JACK MACE,

SUSANNA HOFFS ROD STEWART

AARON NEVIIJE REMBHANDTS

BIG DISH Hottest: GLORIA ESTEFAN EXTREME Sly% NO%ETTE HALL 6 OATES

KART-FRI/Chico, CA Ron Woodward

TOM PETTY

UXADONBEAT THIRTYSCIE HIND DARDEN SMITH CELINE DION LENNY KRAVITZ ROD STEWART Hottest: BRYAN ADAMS

MARC COHN

MOODY HUES TOM SCOTT EXTREME

KSTR/Grand Junction, CO St. John/Lewrenc.,

BRYAN ADAMS

LONDONBEAT ROD STEWART

CLINE DION Hottest: PAULA ABRIL LISA FISCHER

MICHAEL W. sent HALL 6 OATHS LUTHER VANDROSS

KCMJ/Palm Springs, CA Jim Morales

MICHAEL W. SMITH LENNY KRAVITZ CATHY DENNIS AMY GRANT Hottest: PAULA ABDUL LUTHER VANDROSS

GLORIA ESTEFAN R.E.M. CHER

121 Current Reporters 109 Current Playllets

Called In Frozen PleylIst (4): KTDY/Lafeyette U102IKnoxvllle WGLO/Peorle WSNY/Columbus

Did Not Report, Playllat Frozen (8): KMZO/Las Vegas KRAV/TuIse WARM98/Clnclnnatl W CRZIFNnt WMGS/Wllkee Barre W NIC/Detroit WSB-FM/Atlanta WYYY/Syracuse

JJr11rJr Reports/Adds

1 ESCAPE CLUB/I'II Be There (Atlantic) 41/4 2 KEITH WASHINGTON/Kissing You (WB) 40/4 3 LENNY KRAVITZ/It Ain't Over 'Tit It's Over (Virgin) 33/17 4 TOM SCOTT/If You're Not The One (GRP) 23/6 5 WILL DOWNING/I Try (Island) 23/0 6 THIRTY SOMETHING/Title Theme (Geffen) 21/5 7 DARDEN SMITH/Frankie And Sue (Columbia) 21/1 8 CATHY DENNIS/Too Many Walls (Polydor/PLG) 19/5 9 R.E.M.,Losing My Religion (WB) 17/2

10 AAROk NEVILLE/Everybody Plays The Fool (A&M) 16/14

New artists have not yet had an AC Breaker.

86. OUR June28,1991 AC ADDS 8. HOTS , ^,2 r ,.¡ s J 1 f Jf .! ;ls JJ I ... 1i1_1 rLri rJ

CHER (4) DAVE STEWART (4) PEABO BRYSON (3) NATALIE COLE (3) AMY GRANT (3)

BRYAN ADAMS (2) RICK ASTLEY (2) LISA FISCHER (2) LONDONBEAT (2)

MICHAEL W. SMITH (2)

ar

KDKAIPittsburgh Chuck Dickemann

LISA FISCHER MICHAEL W. SMITH AMY GRANT Hottest: GLENN FREY PAULA ABDUL

LUTHER VANDROSS WILSON PHILLIPS EXTREME

WGYIAIbany Buzz Brindle

none Hottest: ROD STEWART AMY GRANT RICK ASTLEY WILSON PHILLIPS MICHAEL BOLTON

WELT/New Haven Gross/McCormick

PEABO BRYSON BRYAN ADAMS

Hottest: NATALIE COLE u/NA ESCAPE CLUB GEORGE MICHAEL EXTREME CHER

P3 WFMDIFrederlck FleselerlYoung

SURFACE PEABO BRYSON AMY GRANT STEWART & DULFER RICK ASTLEY

Hottest: PAULA ABDUL GLENN FREY MARIAN CAREY LUTHER VANDROSS

GLORIA ESTEFAN

HOTTEST TEST MICHAEL BOLTON (11)

PAULA ABDUL (10) NATALIE COLE (10)

EXTREME (10) MARIAH CAREY (9)

LUTHER VANDROSS (9) GLORIA ESTEFAN (8)

GLENN FREY (5) MICHAEL W. SMITH (4)

P2 W HAS/Louisville Doug MCElvein

CHER

LONDONBEAT

NATALIE COLE u/NA LISA FISCHER Hottest: MICHAEL W. SMITH PAULA ABDUL

MARC COHN LUTHER VANDROSS HUEY LEWIS & THE

W DBO/Orlando Dan Shaffer

none Hottest: EXTREME

NATALIE COLE u/NA LUTHER VANDROSS GLORIA ESTEFAN MARIAH CAREY

WRVAIRIchmond Farley/Stevens

PEABO BRYSON

STEWART & DULFER AARON NEVILLE Hottest: WHITNEY HOUSTON

GLORIA ESTEFAN NATALIE ODLE u/NA EXTREME

MICHAEL W. SMITH

P3 WHYX/Paducah Cook/Miller

MIKE 6 THE MECHAN STYX Hottest: PAULA ABDUL

LUTHER VANDROSS MICHAEL BOLTON MARIAN CAREY GLENN FREY

WSTU/Stuart GranUFox

CHER AMY GRANT

BRYAN ADAMS

LONDONBEAT

Hottest: LUTHER VANDROSS EXTREME PAULA ABDUL GLORIA ESTEFAN HALL & OATES

K FORILincoln Cathy Blythe

none Hottest: KFMB/San Diego P! P2 EXTREME

LUTHER VANDROSS

GLORIA ESTEFAN NATALIE COLE u/NA

Larson/Robertson

none Hottest: W L W IClnclnnatl WOOD/Grand Rapids KEX/Portland

Phllllps/Wllls Robb Westaby DlrkxlFort EXTREME

none KELOISioux Falls MICHAEL W. SMITH GLORIA ESTEFAN none GLENN FREY Hottest: Hottest: Scott Jeffries Hottest: MICHAEL BOLTON

MICHAEL BOLTON PAULA ABDUL MARIAN CAREY GLORIA ESTEFAN MARC COIN

MARIAH CAREY Hottest:

AMY GRANT NATALIE COLE u/NA MICHAEL BOLTON

NATALIE ORLE w/NA

P2 WTVN/Columbus MICHAEL MILTON PAULA ABDUL MARIAN CAREY John Lane WILSON PHILLIPS EXTREME

KBOI/Boise Drew Harold

NATALIE COLE u/NA W ROKIRockford PAULA ABDUL Jamie Grout

MICHAEL BOLTON MICHAEL W. SMITH

Hottest: MARC COHN none

STEWART & DULFER EXTREME Hottest: Hottest: GLENN FREY WILSON PHILLIPS PAULA ABDUL MICHAEL BOLTON AMY GRANT

NATALIE GALE u/NA MARIAN CAREY WHITNEY HOUSTON

21 Current Reporters 16 Current Playllsts

LUTHER VANDROSS MICHAEL BOLTON MARIAN CAREY W JR/Delroll

Called In Frozen Playllst (2): NATALIE COLE w/NA Jimmy Barrett P3 KEX/Portiand KSSK/Honolulu

NATALIE COLE u/NA WLW/Cincinnati Phil Abbott

STEWART 6 DULFER KFSBIJoplin Hottest:

PAULA ABDUL Robin Wells Did Not Report, Playllst Frozen (3): KFOR/Lincoln EXTREME

CHER GLORIA ESTEFAN WGY/Albany Hottest: MICHAEL BOLTON WILSON PHILLIPS W ROK/Rockford PAULA ABDUL

RICK ASTLEY MICHAEL BOLTON

CATHY DENNIS Did Not Report For Two Consecutive MIME/ HOUSTON BONNIE RAIrY Weeks, Not Used In This Week's Data (3): NATALIE COLE u/NA CHER WBEN/Buffslo MARIAH CAREY Hottest: WIBA/Madison EXTREME MICHAEL W. SMITH

W ICC/Bridgeport HALL & OATES NATALIE COLE w/NA LUTHER VANDROSS

Celine Dion "The Last To Know

Most Added!

Luther Glorie Vandross Estefan "Power Of Love/Love

Power"

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.You"

ala,( 'Hit Thanks, AC Radio! Ain

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A

,- t r --J r t I .- a- r/J

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ROD STEWART (17) CELINE DION (12)

BRYAN ADAMS (8) DESMOND CHILD (7) AARON NEVILLE (7)

SUSANNA HOFFS (4) LENNY KRAVITZ (4) CATHY DENNIS (3)

AMY GRANT (3)

WGMTIBurke Mountain, VT

Steve Chlzmas

ROD STEWART WILSON PHILLIPS AMY GRANT ELO PART II Hottest: HALL 6 OATES GLENN FREY

WILLIAMS BROTHERS R.E.M.

WE1M/Fitchburg, MA Jack Raymond

ROD STEWART

DESMOND CHILD SUSANNA HOFFS CELINE DION OWNY RUTLEDGE Hottest: EXTREME PAULA ABDUL LUTHER VANDROSS GLENN FREY GLORIA ESTEFAN

WECOIGenera, NY Dennis Federico

none Hottest: PAULA ABDUL LUTHER VANDROSS

R.E.M. MICHAEL BOLTON TRIPLETS

WHAIIGreenlleld, MA Deane/Archer

ROD STEWART CATHY DENNIS SUSANNA HOFFS AARON NEVILLE DESMOND CHILD Hottest: EXTREME

PAULA ABDUL GLORIA ESTEFAN HALL & OATES SURFACE

WAFUMilford, DE Tim Brough

ROGER MCGUINN

DESMOND CHILD MARK EDWARDS ROD STEWART

CELINE DION Hottest: MARC COHN

PAULA ABDUL

EXTREME

LUTHER VANDROSS

GLORIA ESTEFAN

WSUL/Monticello, NY Fred Mulharin

AMY GRANT

NATALIE COLE w/NA BRYAN ADAMS

BIG DISH REMBRANDTS


GLENN FREY

WILLIAMS BROTHERS EXTREME LUTHER VANDROSS

HOTTEST EXTREME (15)

GLORIA ESTEFAN (14) GLENN FREY (14)

LUTHER VANDROSS (14) PAULA ABDUL (13) LISA FISCHER (6)

HALL & OATES (5) MICHAEL BOLTON (4)

MICHAEL W. SMITH (4)

WSK11Montpeller, VT Jim Severance

none Hottest: PAULA ABDUL

EXTREME MICHAEL BOLTON MARC COHN

MARIAH CAREY

WTSX/Port Jervis, NY Allen/Cotterill

RICK ASTLEY

AMY GRANT

CHER

BRYAN ADAMS

STEWART & DULFER Hottest: EXTREME

STYX

R.E.M. LISA FISCHER MARC COHN

WTTR/Westminster, MD Brian Beddow

MOODY BLUES CATHY DENNIS LENNY KRAVITZ BRYAN ADAMS

ROD STEWART Hottest: LISA FISCHER LUTHER VANDROSS PAULA ABDUL

WILSON PHILLIPS RICK ASTLEY

WABJ/Adrian, MI Bruce Goldsen

CELINE DION

ROD STEWART LENNY KRAVITZ Hottest: PAULA ABDUL

NATALIE ODLE w/NA LUTHER VANDROSS GLORIA ESTEFAN

LISA FISCHER

WCMJICambridge, OH Mike Ruble

KEITH WASHINGTON

DESPISED CHILD CELINE DICE ROD STEWART AARON NEVILLE Hottest: LUTHER VANDROSS EXTREME GLENN FREY GLORIA ESTEFAN MICHAEL W. SMITH

WFRO/Fremont, OH Larry Ziebold

ROD STEWART CELINE DION AARON NEVILLE

MOODY BLUES SUSANNA HOFFS Hottest: PAULA ABDUL LUTHER VANDROSS GLENN FREY GLORIA ESTEFAN LISA FISCHER

KSCBILiberal, KS Mark David

BRYAN ADAMS

RDD STEWART CELINE DION AARON NEVILLE SUSANNA HOFFS Hottest: PAULA ABDUL


GLORIA ESTEFAN GLENN FREY

WTWRIMonroe, MI

DemlcklMcCormick

BRYAN ADAMS

CELINE DION

DES DND CHILD Hottest: EXTREME

LUTHER VANDROSS GLORIA ESTEFAN MICHAEL W. SMITH STYX

W5, ____ _TAX. GET THE INFORMATION ADVANTAGE..,

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WYKZIBeaulort, SC

RobertsonlKennedy

LISA FISCHER DAN SIEGEL CELINE DION


IXTRDIE LUTHER VANDROSS

GLORIA ESTEFAN MICHAEL BOLTON

WVIO/Blowing Rock, NC Ted Bell

ROD STEWART CELINE DION AARON NEVILLE DESMDND CHILD TOM SCOTT Hottest: EXTREME.

PAULA ABDUL UYIHER VANDROSS GLORIA ESTEFAN GLENN FREY

WGSVIGuntersvllle, AL Jackson/Mason

AARON NEVILLE NELSON

ROD STEWART

LENNY KRAVITZ THIRTYSOrETHING Hottest: GLENN FREY

PAULA ABDUL


GLORIA ESTEFAN

WKCXIRome. GA Randy Quick

THIRTYSOMETHING CATHY DENNIS AARON NEVILLE ROD STEWART

CELINE DION Hottest: HALL & OATES

GLENN FREY

NATALIE COLE u/NA GLORIA ESTEFAN WILSON PHILLIPS

KATWILewislon, ID Dare O'Conner

BRYAN ADAMS

UBNO

ROD STEWART Hottest: GLENN FREY

HALL & OATES

RNNIE RAITT EXTREME

DOOBIE BROTHERS

KBLOILogan, UT Jackson/White

BRYAN ADAMS

ROD STEWART

DARDEN SMITH DESMOND CHILD CELINE DION Hottest: LUTHER VA/DROSS GLORIA ESTEFAN GLENN FREY

MICHAEL W. SMITH HALL & OATES

KAYNINogales, AZ

Bob Gerhard

ROD STEWART

CELINE DION Hottest: EXTREME STYX

GLENN FREY

TRIPLETS GEORGE MICHAEL

KTIDISan Rafael, CA Bob Gowa

CHER BRYAN ADAMS

ESCAPE CLUB KEITH WASHINGTON Hottest: EXTRAS/

GLENN FREY

MICHAEL W. SMITH NATALIE COLE u/NA LISA FISCHER

KSCOISIIver City, NM Kelsey

BRUCE HORNSBY ROD STEWART

Hottest: LISA FISCHER MICHAEL BOLTON WHITNEY HOUSTON GLENN FREY

MARIAN CAREY

KSSYIWenatchee, WA Busch/West

LENNY KRAVITZ TOM SCOTT BOBBY CALDWELL ROD STEWART

CHRIS REA Hottest:

GLORIA ESTEFAN GEORGE MICHAEL MIKE & THE lCHAN WILLIAMS BROTHERS

1

24 Current Reporters 22 Current Pleyllste

Did Not Report, Playllst Frozen (2): W ECO/Geneva W SKI(Montpeller

Associate Reporters are AC stations In unrated markets with aggressive approaches toward new music. Although they do not contribute to the AC chart, their consensus Most Added and Hottest records serve as advance indicators of format hits.

oy

NAC RR ir wit CJ June 28,1991.ó%

NATIONAL AIRPLAY®

lW

1

2

TW

0 SPECIAL EFX/Peace Of The World (GRP)

0 DAN SIEGEL/Going Home (Epic)

"Quiet" "Festive" "Dee" "Untraveled"

4 CRUSADERS/Healing The Wounds (GRP) "Pessimisticism" "Mercy"

3 4 EARL KLUGH/Midnight In San Juan (WB) "Midnight" "Kissin"'

5 Q CHRIS REA/Auberge (Atco) "Looking" "Every"

e FREDDIE RAVEL/Midnight Passion (Verve Forecast/PolyGram) ... "Innette's" "Journey"

6 7 MICHAEL TOMLINSON/Living Things (Mesa) "Breath" "Way"

14 Q CANDY DULFER/Saxuality (Arista) "Lily" ' Pee"

12 Q DOTSERO/Jubilee (Nova) "Lighthouse" "Winters" "Water" -

7 10 MARK SLONIKER/Pertectly Human (Music West) "Speaking" "Harpo's"

10 SPYRO GYRA/Collection (GRP)' "Exit" "Count"

1103 BIG DISH/Satellites (EastWest)' "Shipwrecked" "America"

13 FRED SIMON/Open Book (Columbia) "Home" "Open"

9 14 GREGG KARUKAS/Key Witness (Positive Music) "City"

15 PAUL BRADY/Trick Or Treat (Fontana/Mercury) "Nobody" "Trick"

16 OYSTEIN SEVAG/Close Your Eyes And See (Music West) "Norwegian" "Gratiude"

17 CHRIS SMITH/Chris Smith (Agenda) "You" "Jamoca" "Gyaoob"

24 TONY GUERRERO/Another Day, Another Dream (Nova) "Amorado"

28 (1.) TOM SCOTT/Keep This Love Alive (GRP) "Miz" "Kilimanjaro"

23 a DAVID ARKENSTONE/In The Wake Of The Wind (Narada) "Papillon" "Dark"

30 OTTMAR LIEBERT/Borrasca (Higher Octave) "Isla" "August"

27 DON GRUSIN/Zephyr (GRP) "Anoranza" "Last"

25 TUCK & PATTI/Dream (Windham Hill/Jazz) "Dream" "Togetherness"

26 GARFIELD/Am I Cool Or What? (GRP) "Spare"

22 25 MARC COHN/Marc Cohn (Atlantic) "Ghost" "Silver"

21 26 STEVE LAURY/Stepping Out (Denon) "Day"

19 27 WILL DOWNING/A Dream Fulfilled (Island) "She" "World"

29 JEAN LUC PONTY/Tchokola (Epic) "Mouna" "Tchokola"

to 29 DOUG CAMERON/Journey To You (Narada/Equinox) "Let" "Forget"

BREAKER e GARY BURTON/Cool Nights (GRP) "Going" "Cool" "Another"

'Keeps bullet due to continued growth.

POLAR SHIFT (11) KIM WATERS (10) WARREN HILL (9)

AARON NEVILLE (8) MICHAEL DOWDLE (7)

THIRTYSOMETHING (7) FREEWAY PHILHARMON (6)

r: .'I v --jT L- .,HÓT..,TRA,-_' CHRIS REA (20)

SPECIAL EFX (18) DAN SIEGEL (14)

CANDY DULFER (12) CRUSADERS (11) EARL KLUGH (8) MARC COHN (7)

OYSTEIN SEVAG (5) MICHAEL TOMLINSON (5)

CANDY DULFER/Lily CHRIS REA/Looking

NEW, 'EKO "Future Primitive" (Higher Octave) 26/5 Rotations: Heavy 2/0, Medium 10/0, Light 14/5, Total Adds 5, KIFM, KKNW, WMGL, KWVS, PS. Heavy KHIH, SS. CHART BREAKER this week.

MO FOSTER "Bell Assis" (Relativity) 22/0 Rotations: Heavy 5/0. Medium 9/0, Light 8/0, Total Adds 0. Heavy: WNWV, KKNW, WFAE, KEYV, KXDC

GARFIELD "Am I Cool Or What?" (GRP) 21/0 Rotations Heavy 9/0, Medium 6/0, Light 60, Total Adds 0. Heavy. WOCD, WLVE, WNUA, WNWV, KTCJ, WNND, KXDC, WMGN, JZTRAX. Moves 26-24 on the Jazz chart.

DAVID DIGGS "Tell Me Again" (Artful Balance/JCI) 20/2 Rotations: Heavy 6/1, Medium 6/1, Light 8,0, Total Adds 2, KHIH, KEZL Heavy: WNUA, KTCJ. KIFM, WNND. JZTRAX.

DOUG SMITH "Order Of Magnitude" (American Gramaphone) 20/2 Rotations' Heavy 2/0, Medium 8/0, Light 10/2. Total Adds 2, KWVS, WLOO. Heavy' KLTR. KTCZ.

WARREN HILL "Kiss Under The Moon" (Novus/RCA) 18/9 Rotations: Heavy 1/1, Medium 7/3, Light 10/5, Total Adds 9 KTCJ, KKNW, WHRL, WMGL, KWVS, WLOO, KLTR, WNGS. WMGN.

Uncharted Breakers denoted by one asterisk. Chart Extra denoted by two asterisks.

LW 1W

Q TUCK & PATTI/Dream (Windham Hill/Jazz) "Friends"

3 © EDDIE DANIELS/This Is Now (GRP) "34" "Always"

6 0 MARLON JORDAN OUINTET/Learson's Return (Columbia) "Devern"

CO JAMES MCODY/Honey (Novus/RCA)

4 © HARPER BROTHERS/Artistry (Verve)' "Dakini"

2 6 WYNTON RiARSALIS/Standard TimeNol. 2 Intimacy (Columbia) "When"

7 7 ROY HARGROVE/Public Eye (Novus/RCA) "Spiritual"

11 Q MILT JACNSON/The Harem (Music Master) "N.P.S."

12 Q ELLIS MARSALIS TRIO/Ellis Marsalis Trio (Blue Note)

to BOB SHEPPARD/Tell Tale Signs (Windham Hill) "Might"

16 BILLY CHILDS/His April Touch (Windham Hill/Jazz) "April"

13 CRUSADERS/Healing The Wounds (GRP) "Little"

9 13 GONZALO RUBALCABA/Discovery-Live At Montreux (Blue Note)

e 14 DIANNE RIEEVES/I Remember (Blue Note) "Moon"

23 JIM BEARD/Song Of The Sun (CTI) "Sweet"

1s 16 MICHEL SARDABY/Night Blossom (DIW)

19 FREDDIE HUBBARD/Topsy (Alfa)

DEBUT EDDIE HARRIS/There Was A Time (Enja/Mesa) "Love"

27 JIMMY SMITH/Four Most (Milestone/Fantasy) "Midnight" "Summertime"

14 20 JOHN HICKS/CECIL McBEE/ELVIN JONES/Power Trio (Novus/RCA)

I DEBUT ® NATALIE COLE/Unforgettable (Elektra) "Route"

1e 22 JAMES WILLIAMS/I Remember Clifford (DIW)

28 a JEAN LUC PONTY/Tchokola (Epic) "Sakka"

21 24 IVAN LINS/Awa Yio (Reprise) "Awa"

DEBUT ® GARY BURTON/Cool Nights (GRP)

30 KING & MOORE/Impending Bloom (Justice) "Poinciana

17 27 B.B. KING/Live At The Apollo (GRP) "All"

22 28 NAT ADDERLEY/Talkin' About You (Landmark)

25 29 JIM SNIDERO/Storm Rising (Ken)

24 30 DAN SIEGEL/Going Home (Epic) "Dee"

'Keeps bullet due to continued growth.

CHARLIE EARLAND (13) HILTON RUIZ (12)

JOHNNY GRIFFIN (10) BELA FLECK (7)

REBECCA COUPE FRANKS (7) CONRAD HERWIG (7)

PETE LEVIN (7) DON RANDI & GUEST (7)

HOTTEST LPsT «r7~- TUCK & PATTI (16)

HARPER BROTHERS (11) MARLON JORDAN (10) JAMES MOODY (10)

CRUSADERS (9) GARY BURTON (7)

JEAN LUC PONTY (7)

. - .

No Tracks Quilted This Week

NEW . r_1 'HILTON RUIZ "A Momenits Notice" (Novus/RCA) 30/12 Rotations Heavy 2/0, Medium 9A, Light 19/12, Total Adds 12, WRTI, KMHD, WAER, WMOT, WSHA, KLCC, WOTB. WKRY, WSIE KCLC, KTCL, KKLD Heavy WBGO, KJAZ. BREAKER this week.

"JOYCE "Language And Love" (PolyGram) 29/5 Rotations: Heavy 3/0, Medium 1E 2, Light 10/3, Total Adds 5, WRTI, WMOT, WEBR, CJ, KJOY. Heavy: WYJZ, WOTB, JCITY. CHART EXTRA this week

'ANDY LAVERNE "Pleasupe Seekers" (Triloka) 27/5 Rotations: Heavy 1/0, Medium 1. 0, Light 15/5, Total Adds 5, KPLU, WAER, WMOT, KSLU, KKLD. Heavy: WFPL. BREAKER this week.

'CHARLIE EARLAND "Whip Appeal" (Muse) 25/13 Rotations: Heavy 2'0. Medium 41, Light 19/12, Total Adds 13, WRTI, WYJZ, WDET, KPLU. WMOT, WSHA. WEBR, WTEB, WSIE, KWMU, KCLC, KTCL, KSBR Heavy. WBGO, KJAZ. BREAKER this week.

'JOHNNY GRIFFIN "The Cat" (Antilles/Island) 25/10 Rotations Heavy 4/1, Medium 5,1, Light 1618, Total Adds 10, WRTI, WYJZ, KMHD. WMOT, KUOP, CJ, WFSS, WSIE, KWMU, KTCL Heavy WBGO, WDET, KXPR BREAKER this week.

"CHRISTOPHER HOLLYI2AY "The Natural Moment" (Novus/RCA) 25/1 Rotations Heavy 80, Medium t1/1, Light 6/0, Total Adds 1, KSDS. CHART EXTRA this week.

'MARK MURPHY "What A Way To Go" (Muse) 24/5 Rotations: Heavy 1/0, Medium 5'0. Light 18/5. Total Adds 5, WFPL, WMOT, KLCC, JCITY, WSIE. Heavy: WEBR. BREAKER this week.

ROSEANNA VITRO "Reaching For The Moon" (Chase Music Group) 23/3 Rotations Heavy 8/0, Medium 6/0, Light 9/3, Total Adds 3, KXPR, WFPL, KSLU Heavy KPLU, WMOT, KLCC, KUOP, CJ, WUSF, WSIE, WVPE.

STEVE BACH "Nice Moves" (Valley Vue) 21/4 Rotations. Heavy 6/0, Medium 60. Light 9/4, Total Adds 4, WCPN, KATZ. WFPL, JCITY. Heavy: WYJZ, KJZZ, WAER, WOTB, KCLC, KKLD.

House of Hope is the new album from Toni Childs.

Am Come inside. RECORDS 75021 5358 4/2 ©1991 ASM Records, Inc. All rights reserved.

1

88RaR June28,1991 New AC

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1

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XIX TRACE

KRKXIBillings (406) 245-5000

PO: TERRY LAYS

Healy DS PETIT A THE HE

FORFINEU ALUNAN BROTHER' DOGGIE BROIIAEAS

38 SPECIAL LIED WEIRD 199 VAN HALEN

Ned 11. MIT TES E I

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KFMFICITico (916) 343-8461 PD: MART/ GRIFFIN

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FOREIGN. SCORPION` 18 SPECIAL ME WAIST

RAE CRONES

a TEAUM BPOINEBS GUNS N ROSE:

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a ALICE SNIP.

KODIIGreal Fells (406) 761-2800 PD: COPT WELLS M): LANE PLLAGI

Sean LINED 3Y15R0 199 T. PETTY A T111 HE

38 SPF'IAL RACK .1191FS JW JACKSO QUEEN

TATTOO 10000 MINA.

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a RUES a QUEENSICNE a 00081E BROMEAS a SNARE HAM

KZOO1MIssoula (406) 728-5000

PD: VEIS RSD AETM1: BILL WILLIAM

Mee, 38 SPECIAL TM PETTY & THE .

FOREIGNER DOMIE BROTHERS

1115001 TIE SETE 199

JESUS JONES VAR HAL.

RICK CAM. 9120 ROI

TOOD1 RUES REME RANI FITµ ADATE RIC OCASEK ?RDLSPYCAE MIAS N' POSES MILL ETNYS FINES TES TATTOO PODE GREAT MITE DEE LAW

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a CAOS MITLET a LIMAN °WITHERS

KCHV(Palm Springs (619) 398-2171 E: KATE WILLIS

Hmvy RACK ONES TO PETTY { ME ME

FOREIGNER

LINEE STIED 199 39 SPECIAL

NM1 i. OMIE PETE 01,E N' ROSES

LIEt BRYAN BANS 2121 MARIA 111E

RIC OCAS. ROGER HCUIMN ALICE COOPER

EPIC GALES BAND

MARC COIMA

MIaEEL IAIDETEICI

KCORISanta Barbara (805) 964-7670

PD: RICK WILLIAMS

Heavy TORE PETE A DE HE

RACK LNOAES

KNEE RAITI MOXDRAFT STAN ADAM IE100T IL116

IAed11. Al MAN BMOIHEAS

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(303) 879-5368 PD: SCOTT RAMSFY

11)1 PEDTT A ME u LINED SEED 199

38 SPECIAL DRIHI$ N 00110 COOT RUES JOE JACILSTN BRYAN ADAMS

BONNIE Purr :VOBIE BPOI111 SIIRLE MIND<

MARLYES

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PD: DOUG INLAID HE: MICE KEDALL TEwu.1 Ms

DMZ JUIES JCR. WALSH

RAE CRONES SIMPLE 7111.11)

MARC MIN TM PETE A NE HE

BAOIDRAPT Leak. LAMA

175 Current Reporters 168 Current Playlbts

Called In Frozen Playllat (4): K BER/Satt Lake City KTYD/Santa Barbera K UFO/Portland W FBOAndianapolls

Did Not Report, Playllat Frozen (3): KMJX/Llttle Rock WRXR/Auguata, GA WZYC/GreenvIlle-Jacksonville, NC

PLAYLISTS - Artists are listed once per playlist in the highest

rotation that any of their album's tracks is reported. For exam-

ple, if tracks from the same album are reported in both heavy

and medium, the artist will appear in heavy.

For all stations, light rotation is condensed to include only

adds to the rotation this week. For P-2 and P-3 stations,

medium rotation is condensed in the same manner.

Symbols: 'a' - Album or track is newly reported.

(M); (L) - Other tracks from that album are in those

rotations (medium or light).

A "frozen" list indicated that a current report was not

received, and last week's rotations are included in the data

base. Stations which fail to report for two consecutive weeks

do not contribute any data to this week's charts.

PARALLELS - Stations arranged by market size, according to

Arbitron's MSA population figures. Parallel One: 1,000,000 +. Parallel Two: 200,000 - 1,000,000. Parallels Three: under 200,000. Stations at a significant ratings disadvantage to an in -

format competitor are assigned a lower parallel.

92.R41R June28,1991

NEVI( 4.d AOR TRACKS® BANG TANGO "Untied And True" (MCA) 34/16 (18/17) Adds including WWDC, WLVO, KOLZ, KRXO, KSJO, WDHA, WZBH, KEZE, WGIR, KRNA. Medium 5: KNCN, KICT, KNAC, WKIT, KWHL.

NEVERLAND "Drinking Again" (Interscope/EastWest) 33/10 (24/8) Adds: WBCN. WSHE, WOFM, KBPI, KISW, KXRX, WDHA, WHTO, KLPX, KRNA. Medium 5: WMMS. KUPD, KNCN, WAZU, KWHL.

BILLY FALCON "Power Windows" (Jambco/Mercury) 30/11 (19/18) Adds including KLOL, WRIF, KROR, WKLC, WDHA, WKQZ, KZAP, KODS. Heavy 2: WBAB, WRXR. Medium 11 including WSHE. WHTO, KMBY, WKIT, KFMZ, KWHL, KZOO, KFMU.

STUART HAMM "Lone Star" (Relativity) 23/6 (17/8) Adds: KRXO, WIBA, KMOD, KRZR, KFMH, KODI. Medium 7: KTXQ, KOME, KNCN, KKDJ, WIZN, KFMX.

ELECTRIC LIGHT ORCHESTRA PART II "Honest Men" (Scotti Bros.) 23/2 (22/2) Adds including KJKJ. Heavy 2 including WDHA. Medium 11 including WBCN, WZZO, WTPA, WAPL.

TYKETTO "Seasons" (DGC) 22/20 (2/2) Adds including KSAO, WOFM, KUPD, WCCC, WHEB, WVRK, WEGR, KMOD, WGIR, WRUF.

MICHAEL McDERMOTT "A Wall I Must Climb" (Giant/Reprise) 22/10 (12/12) Adds including WRIF, KXRX, WDHA, KZRR. KCHV, KCOR. Medium 8 including WMMS, KEZE, KZOO. HAVANA BLACK "Love, Understanding & A Helping Hand" (Hollywood) 19/11 (8/6) Adds including WBCN, KSAO, WLVO, WDHA, KKEG, WCIZ, WRUF, KODS, KJKJ, KFMU.

ROGER McGUINN "Car Phone" (Arista) 19/9 (13/6) Adds including KWIC, WPGU, KCHV. Heavy 1: WPDH. Medium 13 including WMMR, WDHA, KLBJ, WKIT. OUTLAW BLOOD "Body & Soul" (Atco) 18/5 (13/4) Adds: WHEB, WJXO, WAOR, WNCD, KFMH. Medium 3: WLZR, WOFM, WKIT.

LENNY KRAVITZ "Mama Said" (LP) (Virgin) 18/2 (17/1) Adds: WCIZ, WPGU. Heavy 2: WBAB, KXRX. Medium 8: WLVO, KISW, WDHA, KLBJ, WIZN, WWTR, KFMH, KFMU.

CHRIS WHITLEY "Living With The Law" (Columbia) 17/17 (0/0) Adds including WBCN, WMMR, KLOL, KRXO, WDHA, WOUR, KLBJ, WRUF, KRNA, KZOQ.

AC/DC "Shot Ut Love" (Atco) 17/7 (11/2) Adds including KGMG, WZZO. Heavy 2: WXLP, WAZU. Medium 10 including WEBN, WLZR, WGR.

KING'S X "I'll Never Get Tired Of You" (Megaforce/Atlantic) 15/2 (13/3) Adds: WDHA. KQWB. Heavy 1: KJKJ. Medium 6: KLOL. WPLR, KNCN, KLAO, WSTZ. KFMX.

ALLMAN BROTHERS/End (132) L.A. GUNS/Kiss (43)

RIC OCASEK/Rockaway (38) MARC COHN/Silver (31)

HUEY LEWIS &.../Build (29) ALICE COOPER/Stoopid (26)

. EXTREME/Hole (26) VAN HALEN/Right (25) TYKETTO/Seasons (20)

BRYAN ADAMS/(Everything) (19)

joe j a

.1 ;1 r GUNS N' ROSES/You (78)

VAN HALEN/Poundcake (77) SKID ROW/Monkey (42)

TOM PETTY &.../Learning (35) ALICE IN CHAINS/Man (32)

L. SKYNYRD.../Smokestack (31) SCORPIONS/Wind (25)

B. ADAMS/(Everything) (23) ALICE COOPER/Stoopid (18) BLACK CROWES/Seeing (17)

ckson

AOR Track a On Over 70 AORS Including:

WBCN WWDC WLLZ KLOS KOME WNEW WKLS WRIF KQLZ KSJO WMMR KTXQ WFBQ KGON KXRX WDVE KLOL KSHE KRXQ WHJY KSAQ KRFX y. Direct Management. © 1991 Virgin Records America, Inc. Hole Hearted (A&M)

62% of our reporters on it.

3 7

WKS WKS LW 1W 172 REPORTERS

- 3 1 0 TOM PETTY & THE.../Learning To Fly (MCA) 3 z 2 2 VAN HALEN/Poundcake (WB) s s 4 © LYNYRD SKYNYRD 1991/Smokestack Lightning (Atlantic) - 10 8 0 38 SPECIAL/The Sound Of Your Voice (Charisma)

5 0 FOREIGNER/Lowdown And Dirty (Atlantic)

8 6 lO R.E.M./Texarkana (WB)

1 3 7 BLACK CROWES/Saeing Things (Def American) - 9 0 GUNS N' ROSES/Y3u Could Be Mine (Geffen) 19 15 12 Q QUEENSRYCHE/Jet City Woman (EMI)

2 4 7 10 SCORPIONS/Wind Of Change (Mercury)

Reports/Adds

169=/o 166-/1 161-/0 164+14

163+/1 143-/2 127-/O 158+/14 148+/11 101-/O 133 /132 119+119

Heavy

160+ 127- 116+ 81+ 65 +

90 +

110- 53+ 35 +

81- 25

46 +

Medium

5- 31+ 41- 72- 82- 47- 15- 73+ 64+ 18- 95 51-

r DEBUT 0 ALLMAN BROTHERS/End Of The Line (Epic) - _ 18 ® BRYAN ADAMS/(Everything I Do) I Do It For... (A&M/Morgan Creek) 25 21 14 ® SKID ROW/Monkey Business (Atlantic) 137+18 15+ 60+

7 8 10 14 JESUS JONES/Bight Here, Right Now (SBK) 92-/o 62- 25- 21 20 16 0 TATTOO RODEO/Been Your Fool (Atlantic) 111+14 25+ 59= - - 28 RIC OCASEK/Rockaway (Reprise) 129+/38 8+ 90 + - - 21 0 ALICE COOPERMey Stoopid (Epic) 125+/26 8+ 52 +

4 6 1118 JOE WALSH/Ordinary Average Guy (Pyramid/Epic Associated) 76-/o 56- 15- 20 22 19 0 ALICE IN CHAINS/Man In The Box (Columbia) 105-/1 17+ 46+ 56 36 31 EXTREME/Hole Hearted (A&M) 107+126 13+ 63+ 15 14 13 21 ALDO NOVA/Blood On The Bricks (Mercury) 109-14 21= 47- 34 28 27 ® DRIVIN N CRYINBuild A Fire (Island) 97+/7 17+ 46+ 26 25 24 ® BULLETBOYS/Hang On St. Christopher (WB) 105+17 5= 43+ - 33 30 a MOODY BLUES/Say it With Love (Polydor/PLG) 90+/7 12+ 57+ 33 27 26 ® QUEEN Can't Live With You (Hollywood) 89+/4 9+ 54- 50 42 38 0 YES/Saving My Heart (Arista) 74+/16 18+ 45+ 35 30 29 ® JUNKYARD/All The Time In The World (Geffen) 98+13 3+ 44+

41 36 BONNIE RAITT/Something To Talk About (Capitol) 77+19 16+ 47+ 45 39 35 Q JOE JACKSON/Oh Well (Virgin) 72+/9 8+ 45 + 6 13 17 30 YES/Lift Me Up (Arista) 42-/0 31- 6-

38 31 34 ®LAW/Miss You In A Heartbeat (Atlantic) 67-/0 14+ 46- _ _ 45 ®VAN HALEN/Right Now (WB) 54+125 9+ 34 + 10 11 20 33 THUNDER/Dirty Love (Geffen) 50-/0 18- 23- 11 12 15 34 CONTRABAND/All The Way From Memphis (Impact) 58-/0 15- 25-

47 ® VAN HALEN/Runaround (WB) 52+/18 7+ 30+ 41 35 39 0 SCHOOL OF FISH/3 Strange Days (Capitol) 60=/2 5= 32 + 46 37 37 ff/ DAVID LEE ROTH/Tell The Truth (WB) 56-/3 5- 38= s5 48 42 BILLY SQUIER/Facts Of Life (Capitol) 54+/5 4= 31+ - - 53 CD DOOBIE BROTHERS/Rollin' On (Capitol) 56+/16 1o+ 36+ 42 38 40 Q CINDERELLA/The More Things Change (Mercury) 60-14 3+ 25- 51 49 43 STRESS/Flowers In The Rain (Reprise) 58+14 2= 26+ 58 s, 44 9 WHITE TRASH/Apple Pie (Elektra) 71+19 0= 10+ 9 ,7 32 43 MARC COHN/Walking In Memphis (Atlantic) 38-/o 27- 8-

48 Z VAN HALEN/Top Of The World (WB) 35+/6 7+ 18= 16 16 22 a5 GEORGE THOROGOOD & THE DESTROYERS/Hello Little... (EMI) 43-/0 8- 23- 59 54 49 0 SIMPLE MINDS/Stand By Love (A&M) 45+13 4+ 27= - 57 51 $ WARRANT/Blind Faith (Columbia) 56+/7 3+ 18+ 57 52 50 0 BATON ROUGE/The Price Of Love (EastWest) 52+/6 2- 18+

I DEBUT 0 HUEY LEWIS & THE NEWS/Build Me Up (EMI) 37+/29 3+ 30 + 44 40 41 so TRIXTER/Surrender (Mechanic/MCA) 47-/0 7+ 18- - - 57 m ERIC GALES BAND/Sign Of The Storm (Elektra) 58+115 1= 15+ - ss 54 ®KIK TRACEE/Don't Need Rules (RCA) 52+/7 1= 11+

I DEBUT © L.A. GUNS/Kiss My Love Goodbye (Polydor/PLG) 44 /43 2 7

- 60 55 Q BLACKFOOT/Guitar Slirgers Song & Dance (Nalli/Laurie) 38+/5 4+ 18+ - _ 58 ® KINGOFTHEHILL/If I Say (SBK) 51+/11 0= 10+ 17 19 25 s6 GREAT WHITE/Desert Moon (Capitol) 34-/0 8- 16- 52 50 52 57 MERCHANTS OF VENUS/Say Ahh (Elektra) 41-/0 0- 28+ 18 18 23 se ENUFF Z'NUFF/Mother's Eyes (Atco) 34-/O 4- 21-

i DEBUT Q MARC COHN/Silver Thunderbird (Atlantic) 35 /31 1 15

0 FIREHOUSE/Love Of A Lifetime (Epic) 32+/3 1= 11+

BREAKERS ALLMAN BROTHERS

End Of The Line (Epic) 77% of our reporters on it.

RIC OCASEK ALICE COOPER Rockaway (Reprise) Hey Stoopid (Epic)

75% of our reporters on it. 73% of our reporters on It.

BRYAN ADAMS (Everything I Do) I Do It For You (A&M/Morgan Creek)

69% of our reporters on It.

EXTREME BULLETBOYS Hang Of St. Christopher (WB)


AOR ALBUMS June28,1991 93

NATIONAL AIRPLAY®

3 2

WKS WKS LW 1W

[ DEBUT

- 3 3

5 4 4

6

1 1 2

i DEBUT

2 2 5

11 9 10

3 7 8

6 6 7

4 5 9

- 22 13

DEBUT-) 17 21 15

22 19 14

23 20 19

15 12 11 18

33 24 23

16 17 17

DEBUT

7 11 18

37 25 25

DEBUT

175 REPORTERS

Q VAN HALEN/For Unlawful Carnal Knowledge (WB) TOM PETTY & THE HEARTBREAKERS/Into The Great Wide

LYNYRD SKYNYRD 1991/Lynyrd Skynyrd 1991 (Atlantic)

R.E.M./Out Of Time (WB)

© 38 SPECIAL/Bone Against Steel (Charisma)

6 BLACK CROWES/Shake Your Moneymaker (Def American)

Q FOREIGNER/Unusual Heat (Atlantic)

e SCORPIONS/Crazy World (Mercury)

Q QUEENSRYCHE/Empire (EMI)

10 YES/Union (Arista)

11 JESUS JONES/Doubt (SBK)

12 JOE WALSH/Ordinary Average Guy (Pyramid/Epic

Q SKID ROW/Slave To The Grind (Atlantic)

RIC OCASEK/fireball Zone (Reprise)

EXTREME/Extreme II Pornograffitti (A&M)

TATTOO RODEO/Rode Hard - Put Away Wet (Atlantic)*

ALICE IN CHAINS/Facelift (Columbia)

ALDO NOVA/Blood On The Bricks (Mercury)

DRIVIN N CRYIN/Fly Me Courageous (Island)

20 LAW/The Law (Atlantic)

® MOODY BLUES/Keys Of The Kingdom (Polydor/PLG)

22 MARC COHN/Marc Cohn (Atlantic)

BULLETBOYS/Freakshow (WB)

O BONNIE RAITT/Luck Of The Draw (Capitol)

® JOE JACKSON/Laughter & Lust (Virgin)

QUEEN/Innuendo (Hollywood)

JUNKYARD/Sixes, Sevens & Nines (Geffen)

DOOBIE BROTHERS/Brotherhood (Capitol)

a DAVID LEE ROTH/A Little Ain't Enough (WB)*

a BILLY SQUIER/Creatures Of Habit (Capitol)

31 THUNDERBackstreet Symphony (Geffen)

32 CONTRABAND/Contraband (Impact)

Q SCHOOL OF FISH/School Of Fish (Capitol)'

Q HUEY LEWIS & THE NEWS/Hard At Play (EMI)

® SIMPLE MINDS/Real Life (A&M)*

© CINDERELLA/Heartbreak Station (Mercury)'

ffi STRESS/Stress (Reprise)

ED WARRANT/Cherry Pie (Columbia)

39 GREAT WHITE/Hooked (Capitol)

40 GEORGE THOROGOOD & THE DESTROYERS/Boogie

o

26

34

40

24

30

35

8

10

9

36

38

18

14

28 27

26 26

33 29

- 33

29 28

32 30

8 16

10 12

36 32

18 35

31 31

34 34

37

38

14 21

13 20

o

Associated)

Open (MCA)

Keeps a Culler due to

continued growth.

People (EMI)

JUNE 28, 1991

"Poundcake" (166) "Right" (E.4) "Runaround" (52) "Learning" (169) "Into" (1) "=or" (1) "Smokestack" (161) "Keepirg" (8) "End" (4) "Texarkana" (143) "Losing" (15) "Shiny" (13) "Sound" (164) "Seeing" (127) "She" (4) "H ard" (3) "Lowdown" (163) "Heaven" (1) "I'll" (1) "Wind" (101) "Send" (2) "Tc" (1) "Jet" (148) "Silent" (1 1) "Another" (2) "Saving" (74) "Lift" (42) "I" (7) "Right" (92) "International" (1) "Real" (1) "Ordinary" (76) "Look" (8) "All" (8) "Monkey" (137) "Darkened" (2) "Slave" (1) "Rockaway" (129) "Hole" (107) "More" (13) "Been" (111) "Strung" (3) "Man" (105) "Sea" (1) "Blood" (109) "Someday" (1) "Build" (97) "Fly" (6) "Miss" (67) "Laying" (14) "Stone" (5) "Say" (90) "Walking" (38) "Silver" (35) "Hang" (105) "Something" (77) "Slow" (1) "Oh" (72) "Obvious" (2) "It's" (1) "Can't" (89) "All" (98) a.

"Rollin" (56) "Dangerous" (8) "Something" (2) "Tell" (56) "Sensible" (6) "Showtime" (1) "Facts" (54) "She" (7) "Young" (1) "Dirty" (50) "All" (58) "3" (60) "Build" (37) "Couple" (15) "Best" (1) "Stand" (45) "Lights" (8) "More" (60) "Heartbreak" (3) "Flowers" (58) "Blind" (56) "Uncle" (4) "Desert" (34) "Congo" (5) Call" (1) "Hello" (43) "If" (1)

Reports/Adds Heavy

168=/1 172 /0 163-/0 152 -/2 164+/4 130-/0 163 /1 103-/0 152+/10 111-/11 96-/0 91-/1

137+/8 131 /39 112+/24 114+/4 105-/1 109-/4 98 +/5 91-/2 92 /7 71 +/26

105 +/7 80 /9 78 +/9 89+/4 98+/3 67+/12 61-/2 60+/5 50-/0 58-/0 62 -/2 50+/23 54+/2 61-/4 60 +/4 58 +/6 40-/0 43-/0

133- 163 117+ 99+ 81+ 112- 65 83- 37+ 51- 63- 63- 15+ 8 19+ 26+ 17+ 21= 19+ 17+ 12 30- 5= 19 11- 9+ 3+ 12- 8- 8- 18- 15- 5= 9- 11= 3+ 2= 5+ 10- 8-

Medium

32+ 5

42- 47- 72- 14- 82 18- 67+ 44+ 27- 24- 60+ 91 62+ 60+ 46+ 47- 45+ 60- 59 21+ 43+ 47 48+ 54- 44+ 44+ 39 = 32+ 23- 25- 33+ 36 + 28 + 27- 26+ 18+ 19- 23-

BREAKERS TOM PETTY & THE HEARTBREAKERS

Into The Great Wide Open (MCA) 98% of our reporters on It.

FOREIGNER

Unusual Heat (Atlantic) 93% of our reporters on It.

RIC OCASEK Fireball Zone (Reprise)


BULLETBOYS Freak Show (WB)


Ji1-C1 J i J 1 L L.A. GUNS (43)

RIC OCASEK (39) MARC COHN (26)

EXTREME (24) HUEY LEWIS & THE NEWS (23)

TYKETTO (20) BANG TANGO (16)

ERIC GALES BAND (15) 00081E BROTHERS (12)

HAVANA BLACK (11) KINGOFTHEHILL (11)

YES (11)

- HOTTEST -

TOM PETTY & THE HEARTBREAKERS (163) VAN HALEN (133)

LYNYRD SKYNYRD 1991 (117) BLACK CROWES (112)

R.E.M. (99) SCORPIONS (83) 38 SPECIAL (81) FOREIGNER (65)

JESUS JONES (63) JOE WALSH (63)

YES (51)

4.

it » SIMPLE MINDS

ST WILD BYLSVE" 175021-1568-41

THE FOLION-UP TO THE MU/LTI-FORMAT f SMASH 'SEE THE= LIGHTS"

0 AOR TRACK 0 ALREADY ON WHFS WMMR KSAQ KRXQ

WBCN KTXQ WMMS KRQR

MA WBAB KLOL KLOS KSJO and more!

itRECORDS I'm P-1Yrs AnM Rtll)RI, INl All R1,111\ WIR\{1\

94 . June 28, 1991 NEW ROCK NATIONAL AIRPLAY®

tW 1W

2 O 3 © 4 © 6 0 1 5

11

7

e 8

1a IO

17 e 5 11

16

15

20

13 15

12 16

22

21 iD 9 19

18 Fy 19 ® 28

10 23

27

DEBUT ® í DEBUT ] 0

DEBUT 5 a 30

29

DEBUT

23

ELECTRONIC/Electronic (WB) SIOUXSIE & THE BANSHEES/Superstition (Geffen)

R.E.M./Out Of Time (W8)

CROWDED HOUSE/Chocolate Cake (Track) (Capitol)

ELVIS COSTELLO/Mighty Like A Rose (WB)

LA'S/La's (Go!Discs/London/PLG)

SIMPLE MINDS/Real Lite (A&M)

VIOLENT FEMMES/Why Do Birds Sing? (Slash/Reprise)

FARM/Spartacus (Sire/Reprise)

SEAL/Seal (SireiWB)

JOE JACKSON/Laughter & Lust (Virgin)

STAN RIDGWAY/Partyball (Geffen)

ZIGGY MARLEY & THE MELODY MAKERS/Jahmekya (Virgin)

CANDY SKINS/Space I'm In (DGC)

FISHBONE/The Reality Of My Surroundings (Columbia)

MORRISSEY/Kill Uncle (Sire/Reprise)

RICHARD THOMPSON/Rumour And Sigh (Capitol)

MILLTOWN BROTHERS/Slinky (A&M)

EMF/Schubert Dip (EMI)

STRESS/Stress (Reprise)'

HOODOO GURUS/Kinky (RCA)'

HOUSE OF LOVE/A Spy In The House Of Love (Fontana/Mercury)

MATERIAL ISSUE/International Pop Overthrow (Mercury)

CHAPTERHOUSE,Whirlpool (Dedicated/RCA)

KIRSTY MacCOLL/Electric Landlady (Charisma)

BIG AUDIO DYNAMITE II/Rush (Track) (Columbia)

WONDER STUFFMever Loved Elvis (Polydor/PLG)

JULIAN COPE/Peggy Suicide (Island)

PETER HIMMELMAN/From Strength To Strength (Epic)

SCHOOL OF FISH/School Of Fish (Capitol)

Keeps a bullet due to Continued growth.

New Rock chart information is reported by a carefully selected group of radio's most musically adventurous stations.

J _r_lE7 r .:LJ rJJ

BIG AUDIO DYNAMITE OMO

BLAKE BABIES RIC OCASEK

CANDYFLIP

HOTTEST I %J"--ti:-.771'

ELECTRONIC

SIOUXSIE &

THE BANSHEES

SEAL R.E.M.

CROWDED HOUSE

SIOUXSIE á THE BANSHEES .

ELECTRONIC SEAL

PRIMUS

VIOLENT FEMMES

PLAYLISTS W FNXIBostnn (617) 595.6200 Kurt St. Thomas

Heavy

JESUS JONES SIMPLE MIES 110000E GURUS FEE.IES JOE JACKON SOOOt. OF FISH ELVIS COSTELLO LA'S FIECTRONIC TINNING POSES MARSHALL CRENSHAW NOISE OF LOVE IRSPIRAL CARPETS

MIRRISSEY S1OU SIE A NE RA

CROWDED IDUSE TOJOO RICH JOT

SLEY HARM STING O'NOP STING MLLTOM BROTHERS DV X5

DECIIL RIC OCAS E[

Nea1w O L ST. MINTY LENIN DROP

PETER NIME.MAN STRESS

SELS NAPLES A N SEAL

I VSHBONE IOOLENTLD1T SORE' MERFOAM TS OF YENU

K

CHRIS WAITED I I L

IG AUDIO DYNAMO GARY BAIL

L RSt COD' SCWEIDEP GOD'S EYE

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SIOULSIE { NE RR

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GREGG TRIPP STEVE PRIOR RAND

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PAT LADY SINGS MAMIE RAIDS ELECTMMIC

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JINGLE FEVER KIRSTY MacCOLI.

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PERE USA

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Hottest: FLF.CTRNIC

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On Elektra Compact Discs and DIGALOG-" Cassettes (Direct from digital on premium cobalt tape) e 1991 Elelrro Emersainmens A Diduon oI Warner Commankorions Inc. o' A Time warner Compony.

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~WNW FEEL the ENERGY!

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MAUI/Allentown PA

Ryder Jonmon

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MICHAEL DORALES

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O'Dea Shaw

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ROD STEWART JESUS JOKES STEVIE HMI P

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LA'S RCA =WART FRIDDIE JACXSOM Hottest: at 1_1 LCIP

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W MXP PirNM, h. PA

Newk

RALPH TPPSV.1 STEVIE 4011010 L.L. fl J (Ap) TR..L EVERT Hones°: SLAM PE BADD 1-1 PAULA ABDUL 3-2 RETIE SYNDICATE 102 TO -10 12-11

Y7. II MN 21-20

WTNTIPortl.nd, ME

Zpgre Pelee.

ROAN ADAMS

USA rI5t70R NEE#TI FRED SCIOIEIDER (AC) Flattest: LUMEN VM[MOSS 6-2 Eli 9-4 RYTIT 17-ILATE 12-1

TITYYO -72 w.1. zt-u O awPorWnd. ME

Andreon'S.k

ROBBIE DEVIL RCA STOMPS P.C. QUEST CRYSTAL WATERS

FOREIGN. COILS 5' RIMS PEAR) RE5101 Hottest: MARL OMV 2-1 HUE LEWIS A THE 44 JFSIS JONES 7-) LCMDLwN:AT 6-5

WSPKIPoughkeegs. NV

PhillepeBC hen tt

LITTER VANDMMS DARYL MAIIMIAITE Hotteat: OLLA ME BADD 3-3 PAULA A5á. 4-4 Eli 16-12 NOW ADAM 0-29 SALT -11-(10, 16-32

V101/Reeding, PA Tommy Frenk

MEA

GLORIA ESTEEM COENA PttesA: PAULA 1-1

ECMA SMITH 4-. SURFACE 6-5 LLI1DUOEAT 7-6 RY1114 INDICATE 14-9

9ePXY'Rocne.t.r, NY

Ir.y/Collln.

6D STEWART SPINA (dp) P.E.M. ap) Hottest: CATER K BADA 1-1 LUTE" VMDIt1.'.5 4-2 LJ71NY KRAVITZ 9-5 JESUS JONES 11-10 BRYAN ADAMS D-18

93115yncusA. NY

CooklM.ech

MALL

JAZZY JEFF A PFS (dp) HotLAsA: PAULA ABM. 2-1 C0.pPPE BADD 4-2 23TTEA VANDONES 13.6-4 LIME315

KRAVITZ

17210 LIME KRIYITE 14-12

WPST/Tr.mmn, NJ Dee. 1I0.0.1

GUMS N MOSSES

110005.5 5.415 UDI0LA POD STFIIAE LEVI DDNIS STEVI Hottest:

WOND

Maten ER

J: ES JON 2-1

PAF -T PAULA ABAL u -J ESCAPE CLUB 17213 BRYR ADAMS D-24

WRCIOUR.. NO

Dena Burton

POC =WART DUNS N' ROSES

*11P

1704 PET. vine:E NOME Hotteat: LE 4-2 03,00 MF RAPT 3-3 JESUS JONES 12-6 msirrL MATER 14-9 BRYAN AVAILS 5-29

WRRLWA.e Ban., PA

M.d.kAeeaen

CURS N' ROSES

RID STEWART

STIIJEARY Hottest: PAULA AWOL 1G-1

MICMAl W. MGTN 6-2 Jti-IXSEOft 11-4 KANE ROERT 7-5 IJMKTeFAT 1.6

ESTE WAming ton DE

Prm.'Roge..

CABIN CATHY O]013 RpgMERS Hottest: JESUS JUNE: 1-1 LIES ( IPNVITZ 124 T. PERT 29.22 'I WATERS 31_24 BRYAN YAN ADAMS 0-27

WOXAYork. PA

F..RherR.yor

Hottest: COLON IE BADE 1_I PAULA ABRIL 2-2 Di 3-3 AMM ER BAD CPEAT 11_11 8311 11 MEO IA -IN

W yCRPrork. PA

McCausland/Crockett

TIT1 PETIT BOBBIE *EVIL tap) GULS 5' WSW lap) MIOIAl DMA?? (ap) Ho5.wu IDLIEART 1-1 PAULA ABDUL 2-2 EME 5-4 JESUS JONES 8-5 BRYAN ADAMS 30-20

P3 WPRR'AMoorr PA

SEMI SEJohn

UMW (ap) RIB HA.LIDA (ap) 51IM* (op) BRYAN ADAR CRYSTAL 4(7ER (dp) Hottest: PAULA kW. 1-1 CCAOR PE BADE 2-2 LIMNER37104 VADR T 3-3 STEEL/EMT 4-4 RIHBRANDTS 8-5

WW1% 8ergon, ME

Coop.,Ik.Il

STEVIE WAD. SEAL RD SI4AFT FIRDOUSD 43881E MELIL

GLORIA ESTOFAN lap) LA'S BD MAULS».

Hottest: LUTHER VAFPRU:S 3-2 Di 4_1 JESUS NMA 9-1 CLAP It SADD 13-10 TAPA KEMP 11-13

1U3CIR Beckley. WV Spencern).vle

XYTM SYNDICATE AARON NYILTE SJSMNA P]FFS P.C. CREST 1ap( FlettvARCemM

}I MICHAEL W. M11TM 5-4 HUEY LEWIS 4 THE 6-: ESCAPE 1.1113 7-7 1AIII1 KRAVITZ 11-10

96%%%IBorlinAton. VT

Ben Hamilton

CAM! DONl1 (10 ~USE lap) ROBBIE SELL Hottest: PAULA 0510 1-I COLOR RE BCD 3-2 tonne VANDROSS 4-3 IMF 5-A '140 6-S

WIPE Cape Cod. MA

Kb. Lem..

STEWART L DULLER NELSON (Ap) TOM MITT ROD STEWART Hottest: PAULA ANNE 2-1

1 PE BADE 4-3

DE 12-5 TEND 10.7

JESUS J011. 24-15

WNYPNIII.u. NY

SMev. Córrhen

GUNS N. ROSES

AARD* NEVILLE LATE earls GIDPIA DIVAN ROD STEWART

STEVIE ANDEN PAPPANT P.C. QUEST (dp) Hottest: ESCAPE CLUB 16-11 LISA FI.SCH. 19-12 551011005 2745 BRYAN 1ADA.13- 0.16 TMMDD 3}20

96XIUP.rke.ebulg. WV

L.rry Hughes

LDMY MAVITL MACE CROES PECO STEAANT

ALIAS Hottest: ?AIDA 111111L 1-1 MICHAEL BOLIDM 2-2 MICHAEL W. StlIH 5-4 COLOR PE BADD 10-6 MHITRET BIUSTDrI 1-7

WOMPWnedlnp WV Bona. PRIM

ROD STEBAx7 MISS ADAMS

LA'S DEMOBS CHILD PIBBIE NEVIL Hottest: PAULA A 2-1 R -M. 3-2 SURFACE 5-3

CMAD. V, SETH las LUTHER WED.. 8-7

WNTOWINNm.porC PA Lmaow WIIIsm.

ROD TEIART BES HALLIGAN STEVIE AMER SMART & WIDER GARS N ROSES (ap) RCBBIE NEVIL Hottest: PAULA MI 2-1

0 W,, 51GE. SERI 3-2 TEELE. T 9-7

JEAL5 JONES 14-9 ESCAPE CLUB II -13

SOUTH MOST ADDED BREAKOUTS ROD STEWART (36) GUNS N' ROSES (11) CATHY DENNIS (20) MICHAEL MORALES (11) BRYAN ADAMS (16) ICY BLU (6) ROBBIE NEVIL (16) SAFIRE (6) D.J. JAZZY JEFF (14) BOB HALLIGAN (5) AARON NEVILLE (14) STEVIE WONDER (14)

P2 WBBO/Augo.,A. GA

Bruce Staves. ncne Hottest: PAULA A2 1-1 P.E.M. 2-2 LISA FISCH R 1-3 tK 9-9 IMEMMEART 10-10

B eSIAusOn,TX Tona<CUAusOn

LO101 KRAVITZ at MI -FIVE POD STEYAPT WPM E /EVIL Mott.at: PAULA AWE 1_1 13115E 4-4 BRA9O[N 5-5 041114 SYNDICATE 9-7 //CRUSE 14-9

K111.77Au.en, TX

AnenlMLch.el.

OM test: MADE --1 SIAL 16-21 EZ 31-25 SILT -N -PEPA 3A-26 BRYAN ADAI. 35-27

WFMF16e,on Roug, LA

JONnny A:Marrson

JESUS JONES MAYAN ADAI.

MMM MISILE CURT

Hottest( CCU»PEMUD}I

LISA 0114

11-10 A6 16.41 MA KEEP 11715 BRAE. 21-17

K1pNB.aumont TX

LAnalPaca

GLORIA FSTEEAM FIND):. I1Y 11-U

IIEfLBAE LISA LISA BINGOOTS 5 DtaI05 HATtAt EYTE91 SYNDICATE 9-S (ORINE CLUB 17-6 SENA 21_15 TEAJEAPT 28-21 BEAN ADAM 37-35

4I2RIBeeumnnL TX

Soiree 'Shaw

It STELAE PIED TOPEIDEN (Ap) AARON NEVILLE MICHAEL IORAL6 BOPEIJNL KIP far) GINS N ROSES lap) PAttest: PAULA ABDUL2-1

POISON 8-3 CRYSTAL WATER. 13-9 IDL 0. EAR6 214

BRYAN ADAMS 0-24

I96BIrminghant AL

St JohnBohennon

AMOR NEVILLE TAUTER JAllY JEFF A FEES RCA STFXAR7 Hottest: PAULA ABDUL 2-2 JEWf 3-3 JE91s JEMES 5-4 ECHA¢ Y. 5113TH 7-6 ESCAPE CLUB 12-7

WSSXACharWton, SC Adam Cook

MEAN ADAI. RO SiFI1AE Hottmt:

AULA ABDUL 1-1 UB40 2-2 4101ÁE1 Y. SETN 10.4

MARC OHM 6-5 ETI14 INDICATE 23-20

WCKZIChadone. NC Mark Shand*

NATALIE COLE e/MA

36 MSS TED SCBIEIDER -M DIE BEAT Hottest: PAULA ABEL 2-2

LIMNER VANDIESS 3-3 DE 6-6 111 -FIVE 9-7 ~TIER MD GREAT 10-9

WNOKICuiumble. SC

R,rhlMCMav

IS STDIART HI -FIVE S ZIENEAPT

HottAt: PARLA ABRIL 2-1 Dr 5-3 MM 514 10-6 R4T14 SYNDICATE 20-9 BRYAN ADAMS D-19

MCGOICowmeo., GA ma McCord

ROD STDIAM BOB HALLIGAN MANAS 9. ROSES PEAS BATSO1 Hottest: PAULA ASTIL I-1 1,1110 JI ADP= 2-2 KARL 514 3-3 MEDIUM 5-1 JESUS JONES 7-6

421M CArp/e ChM" TX

Gonzales Cranny 8. Jemmies'

AAMI1 NEVILLE LIIB JASMINE On 1ODDIE JACKSON '-ATE MONIS MJBBIE %EVIL MEAD Hottest: LISA Usar, 3-1 WIN. MD NEAT 8-4 TMA KEJHP E-0 ODIUM) 11-8 II -FIVE 28-16

G106DUH,.mR.N,gh NC P.bN61H.n

STEVIE WONDER

R5 To1ART 703 PETTY MEDEA lap) M1.1 EWALD Hottee MP- CON 2-1 JEWS AMES 4-2 ESC 6-6 TE1Lr.AR0 11-9 11T41 INDICATE 16-14

KPRREn Pam, TX

EM MONno

JAZZY JETF & FRES TOO TERE PEAVYD- ATR BO

SHIRE DAVE 1O'1 (Op) YA9tIx Hottest: Lá.OP Ar BADD 1-1 PAULA AYOR 2-2 MID INDICATE 6-3 Di 9-7 E-r1YE 23-19

WMXFIF.y.n.NN. NC O !Arlan Samson

LATE MALLS corner P.C. QUEST DAVID HNLTDAT Hottest. COLOR IE BADD 1-1 PAULA kmUL 2-2 DIE 1-3 JIM 11_6 M.A. Y. WI1T1 12-9

WKSROreen.boro, NC

Bailey Meadow.

DATAN ADAMS

SRI.* WILSON PH111IP5 CIRIAL WATERS

Hottest: E37RDE 1-1 =LAR PE BARD 2-2 PAULA ABDUL 3-3 R.E.M. 5-4 WINEW VIM.. 7-5

WRHTIGr*envHN. NC

SneDl.v.

STEVIE WONDER

SARI RE

Mi0 ADN. JAZZY JEFF A FRES

CATE EMI] HEAVY D. A THE m lap)

11E DON

RICE ASTLEY 1900)MT3 OF *001 (dp) Hottest: 1111.191 INDICATE 8-7 AE 3I40 20.18 Y.C. QUEST 26.22 KL 29-27 STEVIE .ODE. D-39

WZVPNIunlsSAN, Al.

Chris Andrew.

GUNS M' POSES Pm STFMART STEVIE IDN1111 Hottest: DE 2-2 MICMII

JOEL MOTH 3-3

US JES JONES 9-5 ESCAPE OEM 13-9 RETIE SYND1u2 17-11

HOT96bJackAon. MS Lou,rulCnu. E QLE1 DEC. B IMDBnS CAMPY MINIS PDISIE MISIL BOD 4.-kYARI PAULA[: PAULA 1m111. 1-1 ESC P-3 ESCAPE CLUB 11-5 RYTI14 SYNDICATE 17-11 PAYAN AD1M. U-20

WAPEJJackeonvR.. FL

McC.ro,.YlF.ncy

IIm SrP31ART CATHY DE213I3 STEVIE ENDER AARM NEVILLE Hottest: PAULA /JELL 2-1 Dr 3-z LITER VANDIMKS 4-4 JESUS JOM6 6-5 SSHRIOES 11-7

WOUT)Johneon City, TN Hurt Mann

now .ttmt: SITDJEARr 2-2 DAVID HILL".Mi 5-5 STEVARI A WIPER 10-10 SCORPIONS 12-12 AM/ WANT 22-22

W OKIIKno.'IN, TN

Cry Gish

NCO STEWART

6001E *EVIL TARA KEMP

STEVIE tOI1DAe *ottest: PAULA AMEL 1-1 JESUS AMES 15-9 TE}LOARY 16-10 MIDIA. W. «ITN 26-17 BEM ISMS 0-25

PWRM6L..Ing,on, KT ForllGravw

Hottmt: FAT,I7E 1-1 111 -FINE 2-2 MAIIIM CARE! 3-3 H17MEY 0)11Tá1 4_4 EOHAII SLtCH 5-5

KXVK lane Roc, AR

B IWPresim

11E DON

E-F1VE ROrI[ EVIL

CRYSTAL NAME PAPiT HottAt: Di AL1

JEaJs JONES 9-5 E5IN1. N. MITI 102 STEWART A CUl2EP A-9 ESCAPE M. 7-10

WDJX/LouisONle. KY

Shebel Meyer

CATE :41033 SALT -M -POPA HOD TI]IAPT Ptteat: PAULA EDIT 4-1

MER VM0401. 5-4 YT14 .7NDICATE 13-6

DE 16-7 TARA KM' 20-11

W2KLlounVllle, KV

SCOtUWddew.

NEAR ADAM. 6D STEWART

1EII11 WSW MT. Hottmt: PAULA AMOR 1-1 COOP PE BIDE, 2-2 Elf 9-5 nTEM STELLATE 17-11

TAM KEMP 8-12

99WAYSRArcon GA WoodelVTy,e.

R®B1E NEV-1 STEVIE WEMRET

HOD STENAR' ® HA11G11 Hottest: JE515 JONES 22-12 1oNNANMs 16-13 P TiIiW I11DALATE 3t-21 ESCAPE CLI18 35-25 BRTAN ADAM D-29

fM1WMampnN.TN ConleylPe.d.nN

PEAS BRT511 CATE DOE. 000300 DILL Hones-:

52 LUTHER VASF1 6-4 JESUS JONES 16-I4 ROVETTE 2) LIE

WA86Mob1N, AL

.ymlP.terson

SALI-N-PEFA ROD ST6IARI JAZZY JEFF L ERE, AARON NNILJE Hottmt: MOP PE BALL }t PAULA MAR. 42 ESCAPE (LLB 10-3 ISC95 JESUS AWES t4 -q

WHINV:Mongomery. AL

S,awenerStewar.

SURFACE lap) BEAV ADAMS (VF) CAD STEWART (OC) CRINA (dp) =HEIM lap) BOBBIE /1VIL (ap) Hottest: 1401A. N. SMITE I-3 MMC 5014 8-6 04 12-9 CRYSTAL RATERS 28-19 2195 JONES 11-20

K6FMIMcAIi.n BrownevUl., TX

Bel Santiago

Bes STEXART SAPIRE (dp) DEPEND CHILD PEABO BRYSON (op) STfl1E ORDER J1.717 JDFF 4 EMES (OD) ROBBIE NEVIL FIREHOUSE (Op) Hottest: OXJM 1 BACA 1-1 PAULA AWOL 2-1 WEINER BAD QAAT 24-15

NI ST_4-PFTI 3.-29 BRYAN ADAM. 0.16

V1D7Ma.hvMA TN KapNn/Pwc.

CATHY DENNIS LISA LISA (Op) P.C. QUEST ROBBIE EVIL 1101111 IORILG FRED SO14EIDER lap) NELSON Hottest: MIAR BADD 1-1

AB PAULA 2-2 E. W. HEM WOAD 5-3

MARC 5114 6-5 TIT!. 1}11

X110317.OMnd.. FL

K.11yrS1.A'*m

ALTEA 7 SAL (Sp) MAC MEE (dpi WTI DOOMS WIRE (VD) LOP (ap)!Ott

PAULA ABDUL 1-1 LOOR PE ROD 2-2 IA*SOEAT 11-7 PTT. INDICATE 16.10 JESUS JONES 22-13

WJLO/P.n..cois FL

RicHrrdelYpung

COO STEWIE WEN NEVILLE IR B -U lAD) 11EDDIE JAMS. (a0) *Attest: PA LA ABEL 1-1 OXAJP IE BCC 2-2 DE 4-3 LANE EMIR 9-7 BRIAN ADAMS 0.23

WRVO/Rlchmv,d VA

Dorm/MK. CATE TENNI5 SEAL

JAZZY JUT O FANGS

áa1 Hottest: OLOR BARD 1-1 PAULA /MA 3-2 P.C. QUEST 6-3 SA.T-152A 16-11 FIDEL. 20-14

119280anoke VA

Na.k.l MKhael%

TO1 PETTY (Op)

CBE) TAM WIMP

Mott*aIt COJJP PE MDT 2-1 MICHAEL W. 91911 4-3 AE GRANT 14-9 BRIAN ADAMS 0.23

Z10ZSav.nrl.h, GA

WlmmerEdguame

Pm STOMPS STEVIE WONDER

WDPP100 RONDE MLVIL NAPPY SNNICK JP. (OD) Hottest: PAULA ABUR 2-1 JEEP JONES 21-11 MDSE 29-19 PITT 11 MEN 0.27 BEEP ADAMS 0.29

K TU%ISnr.v.00rt LA

Snl.phe.dW.0

STFL . A W:JYR NDSTI ESCAPE DDB LA'S MICHAEL IORALES ROBBIE *EVIL BRYAN ADAMS

:

mUL 1-2 EM 8.6 JE95 ARES 1-7 MALE BOr 11.8 LIND MAVI. 14-11

WOW Wee, Palm Mach FL

Denver Nucleon

ROL91

S7 T

CAD STEWART (dp) [TES Hottest: PJTTPEI. PAULA 3-2 0101.011BARD 4-3 NICENE.. W. MITI 1)-5 DV 13-9

WKZLWInAtenS.l.m NC

Nolloww McHugh

CAM JEMII5 Ulm STEWART

TIRITO (AD) SEAL

PAULA APIA*. 2-1 JESUS JONES .4

1ETTE 4-9 TQ ADM. 22-14

MACE LRCMS 33-24

P3 KAKSAm.nNlo, TI: Moee9bacon

4511 SMART KEITH WASHIST. lap) SD JAZZY JEFF & FAD LOT) M1CHMI, CORALES ,Ap) ALIAS Hottest: Dr }t ESCAPE CLOT 8.3 JEME 35.10321-I. TARA 1011 21-12 NR Gí041 21-19

10312Am.nuo. T:1

SmokelAnde.*on

emir MINIS SAL, lap) 11111 MEAT (dpi 1110L*E1 DAMIAN LED) Pn Lt: PAULA ABDUL 1-1 OY.WM BADE 2-2 LIMIER VAMDRENS 4-3 OE I-4 MARC 01111 7-5

WKSFIAAhav,II.. NC MalAAS.y/Tr.nt

AUN 0' bus ),p) AAR. NEVILLE RCA STEWART Hottest: EM A-3 ESCAPE QUB 104 DAVID HALIDAY 94-23 SDAPIOLS 36-30 BRYAN ADAM. MD

WJAD B.in6rdP Albany. GA

De.vAon De«

KL BIIGHDTS 55WICNS IR 8.11 (ap) á901D CHILD BRIO MAL. (ap Hottest BACK MT 4-

1 RINA 20-12 m CHEF 30-25 AE GRANT 31-2E ESCAPE CLUB 32-28

WOIDIWo.1. MS Me.MWD.vIs

CAT. DENNIS ROD STTLARI (ap) EMI! EVIL AFTEP 7 1MMDER (OD) 'VAL (ap) DE (Sp) Ibttest: Srt}LffARr 4-2 E SCAPE CLUB 9-5 LDNI KRAVITZ 21-18 AE GRA9T 27-20 BRTA9 ADAMS 29-22

WZK%IBlo.l. MS SpIRmeNRhodM

AMEN NEVILLE MOD STLART STEVIE ARDER LISA LISA lac) DAVID HALLIDAY (Op) JAZZY JEFF L PIES (Opt Hottest: OLOR PE BARD 0.1 LIMIER V.D.SS 3-2 DE 5-3 M.A. W. SM. 9-5 L-OIDONrAT 12-9

KMCK/ray.n.v.13e. AR MN. Ctrs.

1W SIDIAET BOB61E NEVIL (Op)

MICHAEL DAMIAN (Op) GUMS 5' NOSES (Ap) MICHAEL IOPALES tap) JAZZY JEEP A F1ES (SD) Hottest: PAULA ASA. 1-1 M.A. W. WITH 3-2 FM 5-3 LONDLIIMAI 6-4

JESUS .DIES 146

WJMXFNrence. SC MiWrlAll.n

RCA STELART AAA. NEVILLE Srevir WONDER (Ap) GMs N' ROSES (ap) *150* (Op) B B HALLIGA MISTN- NITERS DAVE KIEL OP) Hottest: DOL. BADD 1-1 LUTE. MDIEGS 4-2 Dr 7-3 TEEt 5-4 IUR.AIFAT 8-5

KISR/Ft SmHn. AR B aker/Grady

BRYAN ADAMS

OMS x' ROSES (AT) PCP SMART (AD) IGCNM3. 101ALPS (Op) CATE DANIS (OD) STEVIE ISOMER (ap) TRIPLES lap) Hottest: SC 9-2

JESUS ,ONES 18-6 TAPA 15-8 VILYJN PHILLIPS 21-12 TRIITEP 23-15

996Fí Sm,h AR

WIN. Steven.

GUKS N. RODS (Op) AAR. NISILLE (as; CAD STEWART

JAZZ/ JEFF & FOES lop) K IP (Op)

Dr 9-6 SMART A D0JER 10-7 MICHAEL W. SETH 12-8 JE36 AMES 1b-13 TEED KRAVITZ 23 -IR

GIDAGad.dNn. AL

D.NDonevan

NI -FIVE 1OBere EVIL AFTER 7 MICHAEL MLLES 110m MEVILLE Hottmt: SIDIAOr & MAFIA e -s ..1tIIJEANr 13-10 RYT14 SYNDICATE 11.-11 SCAMI06 16-11 FIR7RNt9 I1-21

WBPnMyrtl. Beach SC

260.0 ells

TE DON

POD STEWART

DAVID H*LTDAY (Op) P.C. QUEST (ap) STOMPS A WIJIE1 Hottest: LUTHER VANdK6S 2-1 LISA

1M

DS0 4-) Rt7 SYNDICATE ATE 6-4 DE 12-7 SURFACE 17-12

WYKSIO.in..w1H. FL WILE Panama ChY FL

BanulFo. CMK,un G.mbY

FLACK LEWES FTmOL'E AFTFA 7 PEAS BE50

?CD STOMPS nn TO

Hottest: EMS JONES 19-13 3IET7.NElRT 18-14 CRYSTAL WA7DLS I3-19 HEAR ADAMS 0.31 SSRPIUIS 0-32

K SMBIL.I...ne. LA

W.WonIN.Non

STE'IIE WONDER

DEAIMD OI11D EYES RYAN AWL.

SACK CROES rdp) .1611' ROSES (dp)

NELMRV

Ibttest, PAULA AEON 1-1 SLAP PE BADD 1-2 Dr 4-3 LEER 9MD1O6S 9-A JESUS JONES 2545

1(211/Lubbock.TX LucScOn AAPCH NEVILLE O CNM1 'ORALES RCA STÂPT PEAS DRY 011 (Sp) LISA LISA Ids) Hottest: 0DR IE BODO 1-1 PAULA ATOLL 2-2 Di 3-3 MICHAEL W. MITI 10.6 JESUS JONES 16-7

O101IMwdrn. MS

An,31onYlRanaall

ROD STUART CATHY LONIS Hotte.t: MARC COW 3-2 1.9.111.1.111-8 Sn01ART L MEYER 17-10 SRI.* 0.22 lrll PETTY 0-30

RCNXMIdisrd Odmm, TX

BATAN AMC ICY B.0

111 -FIVE OORIA ESTIRAN (dp) FOREIGNER ter) 1MATRAMOD (OD) Roust: PAULA EPA5044 2-1 LISA PISOPET 44 DE 6-3 DTI. SYNDICATE 11-5 DAVID HALYDAT 15-I

KIXLIS.n Angelo. TX

SnUPe.IEHman

MACE 'RO1F5 (Ap) CAT IR

ISAAC S

PARAN ADAM PEAS BRTSON

Xo.te-t: DE 5-2 URKET VMDXOI 0-3 JESUS .10X6 11-- 5 KI(RAFL W. MAUI 14-6 TAPA KEMP 16.10

WFHTR.11.66..0. FL

R.ynodAustin JAllY JEFF A AMES

BRYAN ADAMS

CATE DOSIS RALPH TRDWAT

SEAL 'Op) FRELOIE JADSIM (OD) Hottest:

LISA 11~1 34 E)T11DE 5-4 KEITH WAS KATE 7-7 RIME SYNDICATE 10.8 MARC all 10-14

KWTXWaco, TX

Cnr,.topherIRo..

I. PET. (dp) 1110110. IORA.FS STEEJEAIT (dp) HICO STEWART ALIAS E -FIVE (apt Wttest: .AULA ABUR 2-1 IZXOR PE BARD 0-2 MIOWEI W. WITH 8-4 Dr 11-7 JESUS JONES M-9

Tom Kelly KNIN/Wm6IIA Falls. TX

CATE DDNIIS J J. McKay SPINA BCD STEWART MR13* 01113. ALIAS

DAVE ER EOLAII. IMPALES

Hottest: ROBBIE NEVIL

PAULA MEL 2-1 WARRANT (Op) =MEP VANDRO.. 6.3 Hottest: MICHAEL 1. 951111 11-5 EPP 4-3 IAIDmBEAT 16-9 ESCAPE SAAR 0-1 JESUS JONES 20-13 .J7Pn O1VIR. 25-11

STEWART A WEER 0.20 ROIWITE 28-25

WVBSWAmin9Mon. NC

POD STEWART B.rretVYork STEVIE AJNDER A*IOS NEVILLE TOE MIRE FREDDIE JAMS. 103 HALIGM ICY 5.5 (So) Ibtt.st: PAULA AFOUL 1-

1 MARC COIN 2-2 LUTHER VA*DPDST. 3-3 RITN INDICATE 12-5

LORD KRAVITZ 15-9

KNOEMonro.., LA

MltchelLRedden

JAZZY JEFF L FMS (ap) :IRS 9' POSES (dp) BOB HALLIGAN

TRIPLETS LATIN DEEMS Hottest: 00'33- rune/. 2-1 DE 3-2 PAULA AIWA 6-4 JESUS JUNES I-5 MAPS COIN 92

248 Current Report.. Called In Frozen Playllet (5)1

240 Current PlayllatA WZOUIBoeton W NNK/HaPrlaburg W OXA/York PW R945ILelington WOUT/Johnson City

Did Not Report, Playllst Frozen (3): KGGURIverelde KMEL/Sen Francisco WBBOIAuguste

Note: KIX106IBIrmingham h changed formats to Country and Is no longer a

CHR reporter.

NOTE: "Breaker Is" are record: not Included In the "Regional Mosl Added," but have five or more adds In region end fewer than 50 stations Overall

New i Active includes songs reported by at least 50 of our CHR reporters Significant Action Includes songs

reported by fewer than 50, but at least 10 01 our CHR reporters The two numbers following the artist/title (label)

desgnation indicate the total number, how many added it for the first time this week. Moves Indicate the type of AC-

hvily this weep; Up for upward chart movement. Same for sideways or Continued uncharted activity, Down 301

downward chart activity, and Adds for the number Is a sampling of individual station activity. Complete activity can

be bund in the Parallels.

NOTE: Records that lack the required 60°6 of our CHR reporters to become Breakers may accumulate enough

chat points (Rom high chart positions on those stations reporting them, to debut on the CHR National Airplay/40.

CHR Rotation Criteria - Fulttime Adds and/or One: lour plays In a 24 -hour period, three of them before mid-

night. Dayparted Adds endear Onr One-two plays in a 24 -hour period, both of them before midnight.

100eRBR June28,1991 CHR ADDS 8g HOTS MIDWEST

MOST ADDED

ROD STEWART (25) BRYAN ADAMS (14) CATHY DENNIS (13) ROBBIE NEVIL (11) SEAL (10)

BREAKOUTS MICHAEL MORALES (8)

GUNS N' ROSES (5)

P2 WKDDIAMron, OH CIa*k Nkna4.

nom 405503t: PAULA ABDUL 1-1

ME RONES 2-2 AIM LEIS l THE 6-3 01D0 ME BARD 16.12 LIMIER VANMOSS 20.16

WROKIGntort ON Hug MV,ncent

ROD STRIAE (ap) We HALLIGAN Hottest TRIKIM 7-1 FM 22-4 MAIN MAIL 21-10 Dirt:IVES 19-11 SCORPIONS D-24

HOTY4TCnlc.go. IL

Grp* Ceway

BACK >Lt1E5 BRYAN ADAK, Hottest: EXTREME 4-2 D0' 14.3 JE91S JOMG 13-6 TAM KEMP 19-7 RYAN SYNDICATE. 0-8

WJMOICI.velera, ON

CNrkSher,n.n

HEAVY C. It TIE 92 (Op) Hottest: PAULA I-1 IAA WA A 21-12 AFTA 7 19-13

JAZZY JEFF L E. 27-19 LISA FISHER 28-21

W PMR'D.v.npon. IA

AWGN0e.guson

MARC COE (dp) 1011* SYNDICATE (dp) ROBBIE KEVIL Hottest: Slit 3-1 COLON BAND 8-3 WCHAEL M. 911T1 9-4 PELA ATE. 10.6 JESUS .191173 19-12

WGTi/Daylon. OH

Blan3mRoe.

AE GRAM BAT [EMS ED STEWART

Hottest: PAULA UM 1-1 MICHAEL. W. SETT 2-2 01.0E It MOD 6-3 SEAL 10-13 ODA 2416

K RNOIO.. Manes. IA

Knph6Au.nn

IOBBIE NEVIL AE GRANT

Hottest: MICHAEL W. SET -1 5 PAULA ABDUL 0-33 JESUS NNES 17-21 COOP IE BADD 29-24 PRAM ADEL 30.25

96STO E Wan.v,ll. IN

Wnh.repoo,VM.rt.,

ROBBIE REVEL Hottest: PAULA ABDUL 1-1

ESCAPE CLUB 24-18 AE GRAM 29-24 CC1R HE BED 36-27 BRYAN EATS 0.30

CK10LFknt MI St Mkn.Coope, NI AMS

JAMZI defy 6 FEES GIRLS x' EMS CATE DP2NIS MICHAEL MORALES !Attest: LUTIM VANIMOW 4_2 RTTM SYNDICATE 8-4 PM0RANDTS 11-8

SURFACE 17-11 P.C. MST 20.14

WMEEIFtW.yn.. IN

Jan Devil

PI) STEWART

SAL Hottest: PAULA AT11L 1-1 1101 DD 4-2 Di 6-33

BADD

JEWS JON63 14-8 ECHAEL W. 91191 25-16

WGPDIGana Rema.. MI Pon Brendan

RID STEWART

EYE ADAMS

SIEVIE WONDER

RUHBIC NEVIL (ap) Hottest: 0011.10. W. 91191 7-2 COLE HE MOD 8-6 ESCAPE CLUB I1-8 SCORE ICES 15-10 EISEN 27-21

WIKK/Green Bay. WI CoylCraln

MEE WEEP ED :TEARS 1EM0 D91S COSTDJO MICHAEL MAN ES Hottest: ISLE E BAT 4.1 PAULA ABMI. 3-3 SmRPI/.LS 17-12 AE WALE 22-15 BACK CRRES 19-17

WVIGIan.lnE. MI Ro6ineomS.,W.non

BRYAN ADAMS 11180Must:

I-1 PAULA ABDUL 2-2 R.E.M. }3

COLOR 1E BADE/ 5-4 Ai 9-6

Z1pNMedNwt WI

Haa.OmBrook..

ROD STEART MAL MESON CORINA SCORPIOIS Hottest: PAULA AMR. 4_1 FE 3-2 UAW 9-6 MACHAE1 V. SMITE U-9 NEC LOIN 15-10

K JIpOO4l.hon.a ENV. ON

MACAIIKaa

RETAN ADAMS

ATM TERMS GINS N ROSE^. REO STEWART

BACK 0*1211S MA DAVID LDAT Sap)

Hottest: LUGO K MILD 1-1 EXTEDE 2-2

12-4 E CM. WA MT1 17-10 SURFACE 19-12

k0110)013.6.. NE

Eaw.raAd.ms

CAM DANIS Hottest: PAULA AVM 1-1 COUP 92 MOD 3-2 AM 5-4 JE915 ANTS 14_10 STAELMEART 22_16

K21YP4arN.IL WnearlSt.m

P, PAULA MM. I -I

COOP 92 BED 3-2 AP *-3 LIINT KRAVITZ 2415 BEM ADAMS 2418

WZOKIRocklo,d. IL

GLarumlJonn.on

NELVM SEAL FRD SONEI[ER (ap) Hottest: ME OM 6-3

MICHAEL W. 913151 9-7 SIEZZJi.ART 13-10 FE 15-11 LANE KRAVITZ 20-15

32(06 Saginaw. MI MicheeDoeuhue

MIMAD. !ORALES Hottest: PAULA ANAL 1_1

POISE 2-2 SCORPIOS 4-3 JESUS JOKES 5-4 MEER 0-7

KKHT1Sp,vrglaa. MO AN..ndM?hy..wl

ROBBIE NEV'IL WO STRIAE NM HALLIGAN NUM RYIL2E RMMM (dp) GUNS N RAW (ap) USER (dp) Hottest: 00O0 1E BADD 155-5 R3KFTIE 20-10 AM GRANS 23-14

t7E]1 25-15 PM1M EAMS 40-27

Mall(/St Lowe. MO BMdEm.mKkucn

BRIAN ADAMS

01T1 SCAT (dpi CATE DENNIS Hottest: LE a PMD 1-1

11Úu TEAL 2-2 FAIRE».. L rÁLT-N-PVA 4

Di 14-7

WPONRoNdp.OH Benton/EAT

CATHY SEMIS TAM KE11P

MEAT I DIELFER 1E1 ROBBIE NEVIL MEE Hottest: CZAR 3* BAND 1-1 S

8 ME 5-2

Eli -5 RAMS MARTI 14-11 TIMES& 29-24

K107RuNa. OK Rick Upton

MORI* ESTTM 0100 JESUS JONES

SCORPIONS (dp) Hottest: MIMAEL W. SUM 3-1 Eli - 1140 5-5 MARC C 9-7 AIM NEE E 35-30

MMILTuIa.. OK My.relSmlm

MICHAEL W. 9071 ROTATE ALIAD Hottest: SCORPIONS 1-1 BILLY SOUSER 3.2 11319*P 6-I, IMF 12-6 FARM 10.8

KNRDMAkh1N, KS Ro66W.IWillym.

RID 51EYAPT (dp) BLACK CEACS JAZZY JEFF \ ENS Idp) SCORPIONS Hottest: 51.00 IE BED 1_1

MARC CAN 12-9 RTT1N SlNDI01lE 17-14 MICHAEL W. 9G7tl 30-15 IJM1T KRAVITZ 34-26

W HOTYYouny.loNvn, OH OyA Tnompeon

BRYAN ADAMS

JAZZY JEFF A FRO AFTER 7 L15Á LISA TEEM 01111 CIEN

ACO Hones* PAULA II. 1-1 ETi 7-2 :ATLLO TEDROSS 5-5 MICHAEL M. 94T1 12-7 JESUS ARES 22-11

P,3 - W Btl](113.18. Creok, MI Joe Dawson

SCORPIONS STEM N,C.'S STEVIE ENDER lap) C1ER RO5T1E lap) MA D. A NE Al Alp) ANT TERRI (Attest: P*UTA ARAM I-1 JESUS AMF-5 148 CRYSTAL WATERS 16-10 STFCE00T 17-11 JAZZY JEFF A FRES 35-24

KYYYMIam.rck. ND

Bauk/K.IIy

none (Attest: PAULA ABDUL I- STLARI 4 WI ER 1-7 EWAN 1.011 12-10

SCORPIOS 15-14 WILE! PHILLIPS 16-15

W BNOIBIaommpton. IL 5co3tW.,.

CIER PEN ADAMS

(Attest: MARC CNN eLA JESUS AME. 15_5 MICHAEL W. 912T1 9-7 PIERAND9S 12-9 LOIOMREAi 13-10

WBWB/BloomapIon. IN Jim Comm

CORINA :TE:FLIOART ND -0 SF.ILL

MIMAEl MIDAN CATHY DANIS Hottest: CT2230 M: NM 2-1 Di 4_4 JESUS JONLu 14-T P.C. QUEST 32-29 BEM HAMS 0.32

WCIL/C..6ona.l.. IL

Tony *11Nkus

TARA DM MLR 7 EOD STLAE SEAL

FIREMIU4 EMMA 1601 H: COLAR INS MOD 4-1 AN1y11ET BAD GREAT 12-4 BMW ADAMS 8-7

MICHAEL W. 91IT1 14-10 LISA FIS91P 26-15

KOCR Ceda, Mel" IA Thomas G«.5 -a

*1/ 0 PHILLIPS RITE SYNDICATE ESCAPE CLUB Hottest: PAULA ABEL 3-1

10 TEDROW 4-3 Di 8-7 R.E.M. 104 EMAF1 I. MIN 13-9

W LRWICh.mpugn. IL

MCC.nnICo.

BEAN EMS CHER

TAO* MILD (Attest:

PAULA AFOUL 2-1 JESUS MEW 15LA ETV SYNDEART 19,2 13.10

(001(0 19.16 COPIxA 0-22

KCMOIColu.n6y. MO N.nsomCAM

RD STEWART CATn DANIS AP1ER 7

ROBBIE MIL Hottest: PAULA ABDUL 1-1 FP t-1 EYTH MEDICATE 23-9 BRYAN ADAMS D-29 DESPOND CHILD 40.31

1tLYV/Du4u9u.,IA D.NreICAllln.

ETAS ADAMS P1116 SYNDICATE

DE9OND MILD MF. LS JESUS AM (opl CORTI BACK CANES (OP) GAME DVNIS TITITO Hottest: SURFACE 2e-56 ESCAPE CLUB 24-17 MEP 27-18 W ILSON MLLES 30-19 MIME 17-25

KZIODu4uth 511*

MHch..I Tommy B

GAM DANIS OE8OND MILD ROBBIE NEVIL CRIN* Hottest: PAULA ABDUL. 1-1 Ai -2 EC MEI N. SILT! 9-5 STOCKER 11-8 COLOR ME BARD 20-14

VNAiargo, ND Jack LANdy

TARA REP F1I11.1150' MAN ADA3, ALIAS FM STEWART IGMAE. k)PALES Hottest: STEAJ6:AE }I YE 4-2 MICHAEL W. SM1T1 8-5 LMDMBEAT 15-7 REERANDTS 20.10

k/f]FMk)5and Fo.ks, MckkaylACAa.

WSNKIMu.ke9on. MI Mon+.nMcOUI

JESUS JOSE' lap) CORINA lop) Ettest: PAULA AMYL 2-2 MANE 3-3 ELSE PHILLIPS 16-10 COLOR le BADD 18-13 SCORPIOIS 21-19

298Oklename CIrV, OK Beo.ylF4rk

LA'S CRAM

MS Hottest: IM 10-0 IOISM 14-12 101 PETTY 22-+4 ;Fu 21_19 GER 1/-25

99KGIS.Mn.. KS

K.y.IJ.ehN.

CAM DANIS 0*10* CAE Fl REHOUSE

MDT (ap) PEAT BEEN (ap) SIAM COW. (dp) ROD ST NARY Hottest: sruut

M10 BALA DA 1-1

E BA 5-2 PAULA ADM 43 ESCAPE CLON 15-10 NELSON 0.30

N G96/Srou. CM. IA

Anaer.omMollae

WHIM lap) PVIEIUIEE lap) 000 STEWART CATS DENNIS RINBIE BEVIL KEPT ALTAS Hottest: PAULA MAN 1-1 Ma INS BARD 5-2

STEWART { DUPER 9-5 NO 00:5I11 31_20

BRYAN ADAMS 0.34

CO*INA LP LA's I.DaIY KRAVITZ Hottest: ST6INEAE 1_

TRIREEP 9-8 LISA 815CHFP 16-14 71P* Me 16_12 i]RpOLLSE 20.12

K GHT)G,end Forks. NO MurpnyNWMl.m.

IDO STUART AV (dp) TIE N' RÚ4'5 (ap) Hottest: PAULA AWL. 2-1 W.ON IE BADD S-2 AT/ 0.3 SOMPIC 22-16

ADAMS AMS 23-21

WTSKMW6ing. MN PHI KLaproth

ROBBIE MEVIL EOD STUART EM PETIY MICHAEL MALES /Attest. MICHAEL W. MIN 7-3 JEWS ANE. 9-4 FE 10-5 TOT AMR 13.7

FStIAPE CLUB 17-12

WI(FWK.yma*oo, MI AnlTanyiBrEWn

BRYAN ADAMS LA'S lap) ROD STEWART (dp) Hottest: FE 5-1 PAULA INTL 4-3 0108310123 9-6 MARC 10-7 101 1114 27-19

WAZIIUNy.n.. IN

SNc0N enroll

LOW KRAVIR CATS DONI5 SEAL Hottest:

FE IE BAND 2-2

FM' 6-4 JESUS AM 17-11 AE VOMIT 23-17 BRYAN ADAMS 0.26

KFREC/LIno.M. NE

Sony Valenta S)IDM0ARI (dp) P13@0ISE (dp) CANT DENNIS MST. WATERS /:91 ROD STELAE Hottest: PAULA ABRIL 2-2 Of 5-4 MICAPE N. MITI 9-6 ESCAPE CLLR 15-12 11171.3 SYNDICATE 25-20

KPATISar.s FaII., SD

MpAieWard

TARA AMP 1SF1'E CLUB IJN61 KRAVIR ATE SYNDICATE Hottest: PAULA AMR. 1_1

Eli 6-4 MARC LIMN 17-8 TSJS JONES 10-13

NAAR ADAMS 27-16

WDBRKpA1ngR.9. IL Moi.Lao.y

IAA CREES 111 -FIVE Hottest: PELA IBMIL 1-1 01.0R IO BADD 3-2 Fli 9-6 STEELANE

ROBERTS10.8 BANE OBER 11-9

WPFRR.M. Haute. IN

D4.4 King

MIMED. MORALE. 013/8013 TYCO STEWART 100 H411GAN AARON NEVILLE hottest: MARC CRN 2-2 NY781 SYNDICATE 17-9 AMY GRANT 20.10 DAVID HNITDAY 23-19 BMA ADAMS 0.30

KFMWIW.Ierloo, IA NINA Hamm

MARRA/YE

TO3AN4 OF 'iENU B® ML.IGAN RE STEWART 10aAE1. roRAL6 SEAL Hottest: Ai 1-1 01IIUNGT 4-2 E SA JONES 14-9 T1INCE1 17-14 SCORFI93 20-16

WIFCRNeu.au. WI Duff O.mo.

ED STDIAE RBB1E NEIL MEND CHILD AARM M YIIJP RPDulSE Hottest: PAULA AT1A. 1-1 MARC cum 3-3 LUTHER TANDEM 6-5 IN B-6 ESCAPE CLUB 14-10

WEST MOST ADDED ROO STEWART (19) CATHY DENNIS (14) ROBBIE NEVI (11) CORINA (10) BRYAN ADAMS (7) MICHAEL MORALES (7) SEAL (7)

BREAKOUTS

GUNS N' ROSES (6) YASMIN (6)

A LIGHTER SHADE

OF BROWN (5)

P2 KKSSIAI6ur9A wpm. NM J.yn.elM.d M..

ICY FLU r PETTERS M NE J0IANDA JAZZY JEFF A AFS THE OM

VAN ICJ ICE (Attest: PAULA ATOL 1.1 CORINA 2-2 ETV 4-3 MO E0 BAD CENT 11-5 ATE STMDICAT 15-10

K kKKIS.k.reA.a. CA W.II W ia B,u

CYNTHIA RABO BRYSON

A LICMER SHAM 0 (ap) Hottest: SAPINA 17-8 SANDFi 26-10 MI II MI 0.13 HEAVY D. 1 121E T 25-15 PALE TRE9VAE 0-21

KF16'Boom, ID

Semi* enur

90011 NEVIL SEAL TRIPLLTS LA'S Sap)

GUNS N. POSES Iap) Hottest: PAULA ABDUL. I -I E0*D. W. SETH 2-2 P 0-6 LIARYL BNAIIINARE 16-12

AMY GRANT 26-23

KATE Coloedc Spnng.. CO J.nnH« BI GUNS R' POSES LAS (ap) MARY ME (dpl Hottest: SCORE,. 1-1 J E515 ASNO 2-2 MINDER 4, MAN ADAMS 27-'7 L1E6 N ROSES It25

KIKKrCplo..do Springs. CO OpAe.dH.mmlway

ARIER BAD PELT CATO DANIS ROBBIE NEVIL KEITH MANDATOR lap) W115 N. 100)S (op) STEVIE IDNDER (Ip) Hottest: PAULA ABEL 1-1 LUYEN VANDROS9 3-2 IMF 4-3 CRDR ME MOD MICHAEL W. ME 9-5

kKMGICdor.ao Spring., CO 6'IevwalFrak.

LATE DONIS ROD STRIAE JAZZY JEFF A FOE. (Op) HEAVE D. A THE Be (dp) Hottest: m1R ME BED 1- PALA ABDUL 2-2 AMIIIIET DAD 3-3 ESCAPE COON 7-4 RITE SYNDICATE 13-6

KSNDBupene.OP RUNStom

Em SIBAAM S1El11AJAR1 (Attest: ECMAFl W, 91IT1 5-3 ESCAPE CLUB 12-11 MALE MINDS 17-13 R1TN SYNDICATE 19-16 SCORPIONS 25-22

B95 Fresca. CA Don Piker

PRDDIE JACKSON TR ORES TD -TO FIFTH PLATE Hottest: PAULA MAX 2-1 CORM 1}9 HI -FIVE 16-10 SIND. 18-15 A LIGHTER SHADE 0 28-24

PWR102/Fr..no, CA D.vNRo6ena

RI E l RIM TITITU JASMINE OR 1013 10001 Blttest: PAULA AFOUL 1-1 1X0211033 MD PEAT 4_2 TA RA IOTA 5-3 ET 11 10]4 25-12 ME SYNDICATE 21-14

IBA Nonalala. HI

3.3V. Hymn

319010 Iot1.15: PAULA PAUL 1_I 1.00 4' BARD 2-2 LISA 015000 4_4 SALT -11 -PERA 7-5 AFTERSHOCK 8-6

KOMOI/(unoluN HI

AkanelMen

eon WRIT RALPH T1GYANT MT O. A THE ID lap) GTE( DANIS (Op) CRYSTAL WATERS (dp) Hottest: BRANDON 41 MICHEL/LE 2-2 LINER VANIMIOSS 14-7 ATE SYNDICATE 20-9 MI -FIVE 24-11

KLUGE. Vey, NV O..nRMom..

GTR DANIS SEAL

!ott9t: PAULA ABED. 3-1 R.E.N. 2-2 OTTN 539210110 4-3 STEREO IAE.'S 10.6 EXTRENE 12-9

K INK tae V.g.. NV MltchelAO'H.a

Mn GRANS MATAN ADAMS 11C ASILEY IR BI

DAVE 102 TAME Hottest:

5 BAD PEAT 11-9 JESUS JOKES 11-13

STEWART \ NITER 30-20 :EMIT KRAVITZ 36-23

CHAD 34.25

FMIOAMpd4MO-Stockton. CA D.M.ron.yMoMnan

E LSE MILL108 ROBBIE MIL LJIINT KRAVITZ SFAL BRYAN 10Á16 Hottest: EXTRDE 1-1 PAULA AMU. 6-5 GIRL OVPTAAD 8-7 L IOIB:AT 9-8 LUSHER VAIIDROSS 11-9

K CAOIOeruH Venture, CA pnad.Sap.

BRYAN ADAM:

ClIl1I SAFIRE KIf

STEVIE ENDER HE D011

(Attest: PAULA *an. 1-1 YZKOR RE PAM 2-2 ANOD1P MD CiEAT 10.6 RTTN STMDICAT 13-9 1pSr5 JON6 21_1*

KBYO//o.tl.rd, OR Ry.mN.*.num.

s1/MACE AFTER 7 ROD STELART LAM KRAVITZ Hottest: PAULA MAL I-1 ELSE P1LLLIPS 5-3 MY ONAM 12-8

CHE* 10.1\ 1117AN ADAte 24_20

K WNLR.no. RV Ku.. Emmet

BAP CROMES GUNS le ROSS ' dp ) ET STENART (op) GTE 9741IS (cp) CRISTAL WATERS lap) Hottest: PAULA 10019 5-+ ESCAPE CLUB 19-13 =AXES 21-14 BRYAN 152016 D-24 MAO 15-25

KWOOS.cr.m.nlo. CA Sm..MrlMorp.n

MIS COST0JU TM PETTY Hottest: OF 2-1 JE915 EOM}2 LIMO 5-4 SIMPLE ENDS 6-5 LA'S 20-13

K DON/SaNae Monterey, CA N.wmenEollow.y

JAZZY JEFF A FPES lap) ILION KEIT WASHINGTON (dp) Hottest: COOP If BED 1-1 PAZA *BEL 7-3 MIN SYNDICATE 27-23 WELD CLASS MEA, 30-25 BOTZ II 11011 31_29

099 5/60 L.A. CANA UT smpwfTimmon.

PISTAN MATEAS E TA ADAMS LCD STEWART

SAL L)RPION1 MP)

ALIAS LA'S Hottest: DOOR 3E RAE 1-1 JESUS JONES 15-6 FRED

SIMDICAE 511304 ER 13-8 ERE '9-13

DAVID 1HLLYDAT 20-16

HOTEESIt Lake CM. UT Summ.rGAEMW

BRYAN ADAMS

BUD STEWART 9EPMAr+TS OF veil Al 1t10*0R0 Hottest: ESCAPE CLUB 3-3 OO.0R INS 1155 7.6 EallEE 13-9

SONEIDET 25-17 BRIM ADAMS D-25

210's, 04.00 CA Bryn WAN

A LIGHTER MADE 0

YA911x Cap) Hottest: PAULA AWOL 1-1 SURrAcE 7-4 JAZZY JEFF A FRG 21-9 III -EVE 19_13 CORO 20-14

KRORyc.on.AZ ReekelDevY

KLF I; CORINA 510 (Attest: COLOR 1E BADD 1_1

PAULA 'WA 2-2 SALT -M -PEPA 1-3 MARLIN GUM 4.4 COLIx ENGLAND 5-5

103

000TIAnchorege, AK Mark Murphy

N1LYN CANT IEMGS EPEE MAIL Hottest: SRF*Q 1411 FATE SYNDICATE 24_18 ANT GRAM 35-24 CO01E 34_21 BRAN ADAM 35-30

KP)LWAnchorape, AK /mom Pmer

COPIE UBE0 IVIMY KRAYITZ

STEWART A DUMP (dp) Hottest: COOP ME BARD 2-2 L* fN:AT 4-3 TM* EFE 6-5 SOAPIOtS 10.12 m4.1ó R1 15-13

29111,0.714 MT S.IIIO.NBt Jinn

RD STEWART KNEE MIL .030. tap) MICHAEL DAHIAN (dp) Hottest: COLOR ME BARD }1 EJE 14-9 ESCAPE MN 15-11 TEE.HEAE 27-20

BRIM ADAMS 0.30

KBOLBo*.m.n. MT VsacnIK.u*w

SEA. EtHMl MORALES MODERN OU X

CAM DANIS TON MITT Hottest: PAULA ABEL 1_I H(4' 42 ESCAPE CLUB 6-4 CC UN *0 BARD 22-16 BRYAN ME 36-27

KTRS'C.p.r, WV Ic.,Aogl./MkM.

STEVIE YONDER

COMA BACK TAILS lap) ALIAS *MAI NFVILLE Hottest: PAULA TEL. 1-1 01.! ME BADE 5-3 STOLEART 6-4 Eli 6-6 ATE SYNDICATE 19-14

KFBOICM1.ma. WY Scott MAM.l.

BRYAN ADAMS CATO DEDN10 NMBIE NEVIL COLISA ANTO:P BAI CREA? Neatest: PAULA ABDUL I-1 MARC LE 5-3 Eli 7-5 JESUS AMES 9-6 STOMA 6 DEFER 14-10

K22U19pOkp.. W A

HopAWM.m..on KFTZIIdeho FM ID

SL.yenOXnw. HOD STEWART

BOB HALLIGAN 1CHAEL 9211.6 D0VI8160 lap) CATS 0I90IS RICK *STAY lap) Hottest: PAULA AEA. 1-1 Elf 42 ESCAPE CLUB 11-5 JE915 ,10X6 17-11 SENIORS 25-22

HOD STEW CANT NJN15 MOTEL 1011.6 PM HALLIGAN RAMA (ap) Hottest: ESCAPE CLUB 19-15

SCOR)0* 06 2}20 C 30-25 BRYAN ADE1S 46-32 SEAL D-37

KMOKILewitton, ID Hav.nCh..e

MICHAEL 1RALES RIO STl1LPT (dp) R3BIE NEVIL BB 0921)0AN lap) FIREHOUSE lap) CORINA (ap) MAW r111I11 (ap) Hottest: PAULA ABM1L 2-1 0104 92 BEZO 6-4 ESCAPE CLUB 22-16 90104 AD/JCS 20.22 ECHMI. MIGAN 37-27

KTMTIM.alod. OR

Tr...rdStewen

R2 STEWART

CATS OVNIS MICHAEL IORALIS OIL DOB HOLIGAN DAVE COZ (ap) 1Rtest: COLOR RE BED I-1 PAULA ABDUL 2-2 Di 6-3 ESCAPE CLON 22-12 AE GRANT n-zt

ZFUN Moscow. ID

CummingeMeller

GLORIA ESTFFAN GUMS N' ROSES (do) D2 lap) HOD SMART EPPANT lap) CORINA Hottest: PAULA ABDUL 1-1 Di 2-2 COLOR INS BALA 3-3 SCORPIONS 8-5 lEFTTE 19-12

61.011/S.n Lure O6,.po, CA N.rtClerk

ROBBIE !EVIL HOD STEWART Pttest: PAULA ABM I-1 ESCAPE CLUB 5-3 STEWART 6 21-6

GMT T 19-8 BRYAN ADML 29-20

KZOZIS.n Lure O6,." CA Jackman/Andrews

TM NTT AARON NEVIL.E Sap) BACK CROPS Sap) ROD STEWART

Oe x*T0L1E COLE v/KA lap) 8183313 Hottest: OCUN INS MOD 2-1 JESUS .10116 11-5 MAAA COE 14-13 STEWART IIDJIPEP 20-16 LDALE KRAVIR 25-18

I971snIe B.e.r. CA Bon.ItBN

AMY GAMS MENA lap) 1G -FIVE PEAT BRY5ON MP 'ROIES TM PcTR (AtlesU

MEBC COIN 10-6 JEWS ABN6 13-7 LMUMB;eT I1-9 TABA RMP IS -10 PTT191 SYNDICATE 20.13

OKNYTdCmes. WA Paul WALK

MICHAS. 92PALE. ROD STOAAET AC/DC Idp) CORINA

GUKS R' ROSS (ap) tottest: STFIEL.HEART 3.2

6- Eli 3 FRD SO0EIDFA 27-23 BRYAN ADAMS 5-38 FIRDIOUSE 14-40

K iFMIY.AW,K WA Grog Aa.rne

NCO STEWART

1401*EL 92RALE. (ap) P.C. OIES1 (ap) TEN BACK CREW (dp) Hottest: WD0 K BAT 2-1

EXTRDE 5-2 FIE 8-5 STEWART A DUMP 10-9 ATE SYNDICATE 19.16

4

4 OUT OF 40

#1 PAULA ABDUL/Rush Rush

Q .UB4O/Here I Am (Come And :Take Me)

® -LENNY KRAVITZ/It Ain't Over 'Til It's Over

® AFTER 7/Nights Like This

Q .: , ... LL L ® June 28,1951 RsR101

Please note, frozen playlists are Indicated with an "fr" next to the previous week's chart position.

R8R's CHR reporters are chosen on the basis of location, ratings, and ability to report current, timely music information.

Parallel I Reporters: Selected stations that are format -dominant and/or exert significant national influence, in major markets with a metro 12+ population, according to Arbitron, of 1 million or more.

Parallel 2 `fin

IC

KJ

3.8.5

FLT' 10E1 WOT9

WAAL

465 IC K2 K5F JET -I WERE

WIPE

TIC -P

WEE '

PIM92 41J3 3

3111107 KCIO1 *CO 3.

098 5- WT71 3 - WIPE 4- T102 1- 98101 3

or..*__Ci

BRYAN ADAMS (Everything I Do)... (A&M/'Horgan Creek) LP. 'Robin Hooch Prince Of Thieves" ST

Total Reports 204 82%

Parallel Regional Reach Reach P1 62% E 85% P2 83% S 89% P3 95% M 88% W 631 Chart Su®ary

Pos P1 P2 P3 Tot 1 0 0 0 0

National 2-5 0 0 0 0 Summary. 6-15 6 2 1 9 UP 44 15-40 19 76 52 147 DEBS 110 cps 0 4 2 6 SAME 8 Adds 1' 12 26 13741 . 3 16

0204

r . ..iow..rt3

0r` .i. 1 9 , /í..y

=RI"

a? 7

vrN ><,24'!Yw

'

141,.

CP` ..

ALIAS Perfect World (Giant/WB) LP "Don't Tell Morn The Babysitter'sDead'ST


Regional Reach E 28% S 22% 9 27% u 24%

National Sulonary OP 8 DEBS 12 SAME 29 DOWN 0 ADDS 13

Nib Parallel

Reach P1 13%

P2 21% P3 39%

Chart Sueary Po PI P2 P1 Tot

1 (lift 0 2-5 0 0 0 0

6-15 0 0 0 0 16-40 4 5 12 21

Ono 2 16 10 28 Adds 1 4 7 12

Ch Adds 0 1 0 1

Total 7 25 29 62

IQRE57

0102 33-31 .3P3415 ar1 WBp 29-27

WEST

OPT 32-11 U SN m

EAol

WAX an 4150 on JET -03 11102a !AN 099181 m 202 a1

MIDWEST

AVE 6-25 Y23z a-33 KOKO on 010 6-37 KM1E a-28 KKR) a1

hn CND an 342 on 099.5 a

IT22 4-.:

EAST

41'3 103L78 29-25

I WSP on

RICK ASTLEY

Move Right Out (RCA) LP. Free

Regional Reach

E 30%

S 49% M 20% W 41%

National &eme UP 42 DELIS 6 SAME 36 DOWN 0 ADDS 4

.4 XII. 113P on W TO 0-40

men

KA6S

KH] 01 KI5P 39-35 K1M a. 3.30E or .321.3 on ern KNIN

IGDEW.

T94 3L93F3 27-23 AO 4-29 4027 e-33 9930 4-40 3095 .1313 r. OW 33-34

4S3

3fE5 KFTZ 1n 3102 o-40 KT1n e-38 7.S.15 on 0395 1.-39 KM 4-39


Ni" Parallel

Reach P1 10%

P2 31% P3 61%

Chart Urinary Poe P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 1 1 2 16-40 3 21 28 52

Ora 1 13 16 30 Adds 1 3 0 4

Ch Adds 0 0 0 0 Total 5 38 45 88

EMS 26-23

SI1I11

3100 a

WV2 027

910400

40(0 331.28 31314 24-21.

Eü?

W PI 23-21 8.2'1 31-25 99944I 36-33 G98 on 7102 on a73 511

4232 25-23 1611 26-20 9023 Kn

90.811

W IC :2 fr K96.7 4-33 431E 34-31 8100 0-37

.73311 10-29 1105 45-31

PPP jP.r.a

W21P 35-35 67395 29-27 UPC a1 1173 25-21 99415 Cl 3107 '6-14 2102 34-34 W.ZI. an

CREST

1n1D 'e -2A K0 35-34 3107 28-24

W23

1395 38-96 1IYI Cl KiOc 32-31 7530 an B95 on F415102 4-32 1044an

MIRK a 099.5 an ICU

(141 EAST

433P 21-18 1443% al 95111 0-35 RCP a1 4060 33-31 W70 35-33

3A3.S 27-25 WAD 4-35 :CID a1

Iron 40-36 ma 33-30 WK an 698 33-29 K:SR 30-26 0104 CO

CC 35-30 0101 co 1100 31-31 CtCá 30-3C 911PP Cl WIIIi 39-38 110511 47}I on 61.:3 m

WEBS on

14'63`?

IYTO 36-33 16I0 35-30 Ko3T 13-12 IL93171 23-2' 131U 29-26 2c KC95 13.32 4B6 5-' 4RY 28-26 OW on

K302 20-19 Ca on 1°80 37-32 On 3e-34 3:GR a1 r1Y2 35-31 53)2 34-30 51.096 an 197 21-19 0195m

B DCK CROWES

d To Handle (Del American) Shake Your Money Maker

Total Reports 113 48% Parallel

onal Reach h 'S P1 29%

6% P2 :61 f P3 55%

Chart Summary Pon P1 P2 P3 Tot

1 0 0 0 0 pal 2-5 1 0 0 1

'y 6-15 2 2 0 4

35 16-40 9 34 20 63 32 Oro 2 12 9 23 24 Adds 1 6 11 18 0 Ch Adds 0 3 1 4

122 Total 15 57 41 113

1 8106 32-27 MO 4-34 6220 40-37 953I1. a 195 23-18 W10 37.34 ó5Il 29-26 WOK 0-35 503313 WO10 m

9 0105 34-29 1A05 39-34

1 WO 4-30 I51:110 0-32 BHP 21-19 05O3 0-34 002E 26-23 4210 40-37 non m fl. 89B 36-32 013 0-31 3053 31-24 NIX co VfK.S ICES 4-36 IL93e a WAX 4-29 CI a1 WNx 4-28

ontinued On Next Column

0102 32-27 eP38 a-20 KPL 25-22 3 27-25 CUR 35-26 KD6E 22-15 WPC 27-21

WEST

1P11 13-2B KUBE on

W51 LOY'

FT.192 4Ap 24-21 103999 4-23 IIIK_ 21-17

535.1 a XI' -Pal 4-27 P.M 32 a1 4.1 1C131 29.25 1014 a-40 098 4-34 .30 an 435T at 13'73 0-35 WIC 4-36

SOUT34

W® 3533 196.7 4-35

Black Crowes Continued

MIDWEST ' K92 22 -IS 2102 a-40 .3KE2 33-24

4RE5T

OW 8-27 IO1917 51-19 43X3 0-32 iI4R 96.570 4-0 MEE on W00I 29-17 WIC m 2104 31-26 33103 KO30 an

K293 on KKWT 4-39 as 4-28 0152 15-11 'I40 W03 a1

.347

1395 a1 KATY 4-23 We a-35 K22Ú 4-39

FAST

44'X 32-29 '03C1N 4-29

0101 on KICK 0-39 K001 KIM an

81NEST

1770 0-38 CAW 0-33 Kay a1 MX 1210 39-34 Chit on 8191 34-26 WIRY on 9421 51-29 299 99KG a WDBP a-34 4115 37-35 41V an WfFC 34-27

43n

1G0T a1 1802 4-33 1T85 a 1072 4-3R K2U2 a 297 3395 an 7113

DARYL BRAITHWAITE Higher Than Hope (Epic) LP Higher Than Hope

Total Reports 132 531

Regional Reach E 57% S 50% M 61% W 441

National Summary UP 90 DELIS 7 503E 33 DOWN 0 ADDS 2

e Parallel Reach

P1 13%

P2 50% P3 95%

Chart Summary Pos P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 2 7 10 19 16-40 4 44 47 95

Ora 1 9 6 16 Adds 0 1 0 1

Ch Adds 0 1 0 1

Total 7 62 63 132

PAS

B3a 29-28 910-83 30-30

MI PEST

EAST

11.092 on YAM a WAAL 36-35 535P on IEPE on W4: 14 fr W6E 16-14 31E92 3-39 4.AN 19-14 11N107 33-32 101%M 36-3. 999411 3'28 098 21-19 1rtM 18-iC ESPY a-24 1102 26-23 9807 20-7 WET 25-21 .3342 40-38 WY 19-1 4300 23-IP

50173'

093 20-17 3106 30-2. K228 25-2, 11330 25-22 Il413 an 0105 19-1> a83 27-25 KO 2.-25 10195 a1

PAPE on WIT 16 IF PEP: 45 20 fr KK1'K 20-19 998A02 39-37 4110 27-24 11.1067 28.25 2102 33-33

XEST

I1m0 26-24 4p 15-15 4308 23-22 3R;12 27-23 0010 17-15 96770 30-26 4 80 26-24 8002 on 1010 18-18 K293 20-19 .m2 29-28 nCG 19-19 MIT 24-19 4121 a1 1107 29-25 IOIID 14-11

WEST

K r 95 16-12 IU11 22-21 KIKX 0-26 3510 21-19 'ICAO 40-38 COO 26-25 3a2 al 8221 32-28

EAST

WP13 on K 4I 18-15 103171 13-23 95001 28-25 1eTP 28-28

95111. 26-23 lee' 36-35 40:0 39-38

sons

1AKS 17-14 K012 29-27 .13SF a1 3yID 70-27

.7JR ;4-31

1Y] 9-IB WIm 32-29 B98 18-14 1251 19-13 0104 24-24 8TT.5 on 35l01 a-27

211 a1 0101 28-20 MIX 17-17 K3CE 18-16 vI113 30-30 MT 32-30 1WfI 25-22 0330 1E-14 Was 33-32

14REYf

KI07 21-19 Way 22-16 47V0 27-26 ICI I. 0-34

W1.@W 14-11 10y 39-33 KLTY 35-28 KIM 23-21 194 18-15 y.93Fr a-30 8360 35-27 W11 4-26 WAIT 28-27 299 11-9 99111 24-21 1095 24-19 CO 19-17 WI' FA 27-27 P114W 10-1 BIFC 17-12

wear

COT 38-36 297 25-23 MC 21-20 3TR5 29-23 4TL 3_2-29 K1^ 32-'9 3103 on 1132 28-24 7FLM1 26-25 K202 26-25 9.396 al 097 25-23 095 23-16 4P3 33-32

PEABO BRYSON

Can You Stop The Rain (Columbia) LP: Can You Stop The Rain


Regional Reach E 301 S 38% M 191 W 311

National Smeary UP 22 DERS 6 SAME DOWN 3Ó ADDS 13

Parallel Reach -1 P7 23% 27451 51

P2 29% P3 353

Chart Smeary Poe P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 0 0 0 16-40 9 18 5 32

One 1 12 16 29 Adds 1 6 5 12

Ch Adds 1 0 0 1

Total 12 36 26 74

EAST

9200 A fr 411 - -26 2100 a-30 43f1C 6-20

500nL

T100 40-27

IaR6T

16102 26-24 CEP 2Y-21

4E.51

443 29-29 311102 0106 a1 KIEL 30 fr 10Tq7 2521

1157

011 33-29

50R11

LE8; on fr 1106 on K 2ZB on ROC 31-2E w730 CFI 27-19 0105 a1 K PPB an 4üF an ANT 17-16 103n m /F 806 3 3- 31 33100 a 3E04 a 0107 31-28 KU 40-37

MITMS3

0105 36-35 KIM on 81107 e-31

IEºT

9m1 KIKK on 300 a1 995 40-37 K 044 8-18 IR33 39-35

885T

.7 RR on 0'C1P on 9070 40-33 41:0 36-15

5070

KA75 an WAD 33-29 4010 an W EKI a1 3JIdt Y173 a1 WK.5 K23I 030E co Y IJ1 a1 KIIT WWI 511

8á063S7

660 Cl W EB 4-34 Á93M on 9910 1095 a1

Continued On Next Column

Peaoo Bryson Continued WAN 32-30 F111107 32-31 6C'.01 a ?99[111 30-38 098 983X5 4-24 160W on

RCM an CON 28-27 799.5 27-27

C

.21110 07 2PF'P 0-39

4E51

AT35 a1 OM on 097 a

CHER

Love And Understanding LP Love Hurts


Regional Parallel

Reach Reach PI 40% E 72f P2 74% S 83% P3 921 M 72% u 59% Chart 9.1mosary

Poe P1 P2 Pi Tna 0 u 0 0

National 2-5 0 0 0 0 Su®ary 6-15 0 8 4 12

UP 132 16-40 16 71 58 145 DELIS 16 Ins 1 6 3 13

SAME 22 Adds 0 5 3 8

DOW 0 Ch Adds 1 1 0 2 ADDS 10 Total 21 91 68 180

E49r

ti 504 m .7L 25-19 12.7 2 1 Fr 4701 21_16 B1. 24_23 P30 -3r 24_23

50723'

P.Á99 J-32 1=1 a1 23 25-23 0101 28-25 fir 4-22

Et[WEST

1.1116 a-23 WWI 18-16 18y on FIX F 39-37 Ws an

VLSI

10123 29-27 KIM 27-25 (191 30-33 CPU a-27 U K 24-22

MST

11.792 an WAEB 14-10 307999 19-15 WAAL 18-9 v11Z 30-28 4'SP 23-20 JC7-811 26.21 .3E32 26-22 414.1, 19 fr JIM 29-24 P14592 24-20 41JW 30-28 FU9107 28-26 r.C101 26-23 W1G3 27-24 99901I on 098 23-20 9017. 25-22 7102 30-23 98PZ1 18-17 WPST 29-25 5921 27-23 432 29-27 43111 21-14 WC1 22-19

W®0 30 Tr B93 23-20 K96.' 28-24 *IV 4

6106 1-37 1:72B on 195 a-'0

cs3 -6_ 1

Wa2 30-26 4L0 30.24

2ZPM

.543F 22-19 KZ 05 4-32 . co

APE 30-27 !A: 33 fr !8I 2__10 P14945 21 f- MP 3'-29 ü 'X 0-29 ,1812 32-27 994TS 36-3' ,0100 23-20 .ABB 29-28 may 30-23 3PF3 32-31 7'07 29-25 0.'067 31-28 9)LO 26-21 F'f.3 a 392 2'G2 36-31 O W 27-'9 W>VV 26-23 W 21. 29-28

8í04S7

W1CtD a1 3072 24-16 0810 2 3-2 3

96.570 28-22 33105 23-20 WEE 30-26 4/y 31-25 WIII 40-36 WIC 21-21 2104 34-28 10103 a-34 6030 26-25 K293 18-14 .nac 32-30 kW 25-15 W445 19-17 4107 a-34 3180 29-25 410T

1395 29-27 8213 23-20 000 35-33 CND 29-26 312C 30-29 KTBK 34-25 175104 13.11 1CÁ0 3-32 010 16-14 KW3'. d-34

1 5107949 m 1.110 27-20

N13 24-21 103CI8 4-27

'

40E32

o5X 30-26 Cl

I1.3011.301129-2

95111. 30-. 1 !MP 19-1

41T0 :7-1-

80878

10105 29-2' 80II ? -.1 121SF 2.-'

IyID ia__. Ja 2-

1005 3-i' 91103 31. 893 32-2e 3ISP 27_- Olp- 1.. YT3L5 a--' K53M 21_ -

1211 a-1_ 0101 a.2' 1001 27-21 KNCE 20-1- I16P8 "11-23 81111 ?1-24

K IST 0-21 3.3:X 26-19 7WIN 26-23 v795 35-33

140V -ST

VIM 17TT 35-30 211110 a 0a 34-30

ICIL 30-21 tow 1090 30-25 en 27-18 IMO 32-25 194 4-23 3:L9 33Y 22-19 WTBI 29-24 WOT on MX 27-23 57º33 9-7 E99 0-25 9910 .0-34 3095 27-23 CAT 14-12 4381 23-20 01511 28-24 WIFC 29-23

W67

K0..IT 26-21 KIM 24-2' 297 37-32 EIW2 3.-.1 errs i4-.9 4w -.2 1072 30-15 3rOt a-29 K IWI' 12-27 XXI 25-'9 1ID2 26-22 5.095 27-25 19" 13-2. 0395 15-29 4711 12-25

DESMOND CHILD

Love On A Rooftop (Elektra) LP Discipline


Regional Reach E 561 S 55% M 56%

Parallel Reach

P1 10%

P2 54% P3 781

NdiA

W 41% Chart ,ko ary Pa P7 P2 Pi Tnt

1 0 0 0 0 National 2-5 0 0 0 0 Sammy 6-15 0 0 0 0 Up 47 16-40 3 38 32 73 DELIS 25 Ora 1 25 19 45 SAME 45 Adds 0 4 6 10 34249 0 Ch Adds 1 0 1 2

ADDS 12 Total 5 67 58 130

FACT

SO31

5 379 511

995E -5T

2.0. -33 .13117 1-21

23-18

1845T

3250 27-25

n FL192 26-22 0E6 m 96AL 4-31 WlRZ 511

53SR 0-28 JET -3 WPZ

cal W mwort0r

TI0-FM on 110192 m 9.2J3 36-32 359107 34-33 10101 30-26 1aN 32-25 9991111 22-16 098 33-29 1102 co WPST a -3B 100( a-37

a. 9W15 4-40

311100 inn 8-34 1813 0107 33-30 WJLO 38-31 avo on 2102 5-39 KM 31-22 2,14 on 4521 an

IC TEST

.417^0 an 31272 32-25 13210 on

111,35 33-30 411y 36-32 12103 m 3330 m 2293 30-29 .71M a-35 :10G 21-20 30n 36-22 4447 27-22 3107 33-28 K110 a1 4101

4350

4095 33-31 11KK 28-24 M0c 34-29 8580 0n ME 33-32 7M104 an KW92 on

zona

KA6 a-38 442E 30-24 WSF On 14JA0

.3015 0-34 11250 37-34 81x13 37 10« 1198 34-30

`X¡ 29-23

C

W 35 on CM F 200 18-29 1]KS 2n ZRY at 411.3 35-28 11123 a, 0113 32-27 57195 a MIPES7

WC on I. ITT 39-35 .90 a-32 W.3W

60y 40-31 KLSY a-40 1210 194 al IL93111 0-29 W43' 0-28

4AZ7 on 299 23-20 9990 a-32 1095 on CAT on WO 40-37 111411 3E-30 CPC a

Parallels Continued on Page 102

102.RaR June28,1991 PARALLELS ® sad'.N';,T DX -2 ..,g v .418 s.7-6.1"."7

WM 35-30 VSTB 4-35 W7 a26

a01RR

wan m fr KW m W70p 37-32 arm on VW 31-26 MT 138 110795 an wApE

WM 34 ir

Desmond Child Continued

099.5 an 1221.1 40-37

UST

Willa 26-23 14M1 3-38 103QM an 95W 33-30 151039 on WTP an W09 n

14110 33-32

RGOT an 297 3-40 1®2 37-32 17R'S 3-38 o90 31-23 RITZ 3-39 1m1 a1 1M7 3-37 Z7VN an 1202 0-38 197 32-26 3595 40-37

MARC COHN

Walking In Memphis (Atlantic) LP: Marc Cohn

Total Reporta 169 68%

Regional Reach E 67%

S 741 M 78% W 50%

National Summary UP 111 DEBS 6

SAME 28 DOWN 21 ADDS 3

(10 Parallel

Reach P1 27% P2 72% P3 91%


1 0 3 3 -6 2-5 1 22 21 44

6-15 5 46 31 82 16-40 7 14 12 33

Ora 0 1 0 1

Adds 1 2 0 3 Ch Adds 0 0 0 0

Total 14 88 67 169

EAST

43L1 22-17 294 PRO -19 28-26

Sams

TIW 25-21

MIDWEST

0102 26-24 4PNR 14-12 WCI 7-5 824 19-13 O M 19-17 WI 16-14 KD*B 26-25

WEST

REO 9-8 8331 8-17 121.2 17-14

EAST

91.392 7-7 4A® 16-12 4811999 d-30 YAAL 4-3 WIRE 17-13 1,6,54 7-6 JET -FM 3-2 W r« 27 rr W/SS 3-22 WOE 10-9 P.992 7-5 4A34 14-10 2114107 22-22 RC101 9-8 999011 3-2 098 2-1 WnrT 7-5 WSW 12-9 7102 13-12 98P11 8-0 930 30-28 WP9T 9-8 WR31 1413 W5Z 13-11 1.2572 15-15 W3 1-7

501211

WM 6 29 91W 16-11 1106 15-20 3219 1 -II

1650 6-5 W7 10-6 Rona 3-3 6105 2-1 RIOT 9.5 W 3I 17-15

WIT 7-7 1108295 19-14 WAIT 9-8

W173 4 29 *7i 4-4 PY1945 12 rr

9811( 3-3 10.10 3-30 W215 14-10 99+475 2-1 311100 10-16 +488 8-B 3101 8-6 Ri0)3 4-4 0107 6-5 0.1067 a

11.13.0 8fi wan 17-12 K 92 1-8 0102 13-12 1101 43 WYY 23-20 W0. 15-15

W«D0 10-6 W87 5-17 W IR a

W0I'2 4-7 K5W 16-16 96510 14-10 WEE 23-t6 W30 9-9 WM 7-5 WIC 22-22 2104 15-10 RJ103 5-3 1070 6-5 1293 7-5 WM 6-3 WOG on 4111011 11-9 R107 9-7 KM 12-9 .901 13-12

195 6-5 KAT13 9-10 KIM 15-13 KSM0 9-0 111109 17-16 ( CM2 12-10 KR70 6-5 099.5 34-12 MU 7-4

LAST

WHIP 9-14 103GI1 3-1 9502 10-9 3«PE 11-9 WIT 43 95XIL 0-31 Wm 43

OAKS 1-4 1012 7-5 WAD 3-7 WID 3-3 4I1CI 8-6 O CO 7-22 11.1111 10-12 B98 8-5 12SP 2-1 0104 9-7 YTK5 7-5 MO 8-7 R217 6-4 0101 3-2 1º1 9-24 UM 2-2 W01 14-29 K W 10-8 4F1rr 20.14 I4R a-31 RAIN 2-1 WE 94 N!gEST

W83 11-7 1TTT 9-11 WO 8-22 IMP 10-6 WCIL 9-9 R07 23-21 41111 8-7 ROO 6-5 (LTY 13-21 1210 13-10 194 14-1e MOO 19-18 0.93M 5-5 ROT 10-7 VA2T 4-3 MX 7-5 99R0 2-9 KG95 18-18 OAT 17-8 48M 4-3 12711 2-2 171 2-3 4IFC 3-3

WEST

K 007 10.8 1918 31-30 297 8-6 KIDZ 7-6 MT85 9-7 KM 5-3 IOT2 1410 1012, 11-7 K71TT 5-5 WTI 12-15 1ID2 14-13 0.296 3-27 197 10-6 795 1411 OIM 14-14

COLOR ME BADD

I Wanna Sex You Up (Giant/Reprise) LP: "New Jack City" ST


Parallel Regional Reach Reach 2 P1 94% E 87% P2 90% S 89% P3 84%

M 89% 14 93% Chart Suanary

Pao P1 P2 P3 Tot 1 5 27 13 45

National 2-5 27 56 31 114 Smeary 6-15 16 20 14 50 UP 82 16-40 1 7 3 11

DEBS 0 Ons 0 1 1 2

SAME 73 Adds 0 0 0 0 DOWN 67 Ch Adds 0 0 0 0 ADDS 0 Total 49 111 62 222

EAST

8104 8-6 WOOLS 2-6 4700 9 29 10197 3-4 3010 3-2 2100 1-3 4868 4-5 W 4-4 094 4-2 990.P11 1-3 YAYA 2-6 NGC 5-7

900711

P.999 6-6 1LL 3-4 61E95 5-9 0010 3-3 OE 3-2 P.996 1-2 0100 5-8 487 3-7 WW2 8-22 11M 2-2 P48PI0 2-2 0105 3-3

arACTT

996 2-2 0102 13-11 MR 2-1 WWI 1-3 WIT 3-5 WEIL 5-3 1500 8-6 WI 5-8

1102 11-19 98(01 I -I 930 4-2 49ST 5-5 WM 3-3 4pIZ 12-12 1KDIA 1 29 W35 3-3

93771

WOG 8 29 393 2-3 196.7 5-3 487E 3-1 1106 42 1728 4-15 I95 8-5

W65I 3-3 RI22 1-1 RIqc 1-2 YIDO 20.17 0105 1-4 (MR 1-1 WV 1-1 WM 2-2 WT 1-1

WM 1-3 4mI 2-2 148945 22 rr 1K31 2-7 MX 22 OW 2-2 998AT5 8-6 WOO 13-10 *AE 3.1 43n 6-5 REM 1-1 1107 1-1 /11067 2-2 11.11.0 2-2 4890 1-1 K92 2-1 2102 12

9410* 2-2 (CA0 2-2 KW2 2-2 IMO m ID)01 1-1 309999 74 099.5 1-1 290 2-2 1.220 8-8 150 1-1

LAST

WWI 22 NM 13-10 95W 3.2 M19E 4-3 951I1. 10-6 WOO 13-12

KAKS 9-9 (002 2-2 WM 2-2 WAO 2-6 4I0 2-1 MO 4-1 oC1 2-5 KM 1-1 294 7-30 0104 2-1 MIS 1-2 1517 32 MI 1-1 MIX 1-4 WIT 1-2 W 3A 1-6 KIIr 2-1 er7r. 1-5 K M 42 WfE 3-3

Color Me Badd Continued

101102 I-1 RAW 2-3 1411 4-4

(S104 5-10 18Ia 1-1 148106 3-3 WM 1-3 100-111 1-4 W2 2-1 10GI 2 rr 173102 1-2 IIS11 12-8 0106 6-7 0t1. 9 Cr 107977 3-6 4812 1-2 NE 1-1

EAST

91.092 1-5 *4E8 1-1 101999 5-3 WAAL 2-1 WISE 2-2 41(2 2-1 8058 1023 WR2 16-13 WW 4 fr TIC -FM 8-9 WS 1-2 915E 3-3 P4892 2-1 WJOI 5-5 NW307 4-11 17101 2-4 9991211 14-13 MQP 1-1

G96 6-6 *rid 1-9 MT 3-3

KRA 19-14 low 4-3 482. 10-7

Tar 4WD 16.12 107947 11-4 114110 3-5 am 8-3 14'rZ 6-3 111180 29-24 96570 36-27 a105 2-3 WE2 42 ;MD 6-6 11121 4-1 WIC 5-4 2104 5-5 RJ103 I-1 1350 3-2 1293 3-2 W01 10-8 WIT 15-5 KIM 1-1 WRON 2-1 X107 2-3 1002 21-20 MO I -I 480T 2-3

W5T

KISS 7-11 (1fII 2-2 1695 3-3 11111 5-4 ROt I -I 134D 2-2 295 1-2 9121102 2-5 194 22 K010 1-5 KIM 1-4 1751 2-1

WI 2-3 Mm 11-8 411126 2-1 WCIL 4-1 WAV 12 W O 1-3 p.T9 17-30 11f0 20-14 T94 21-19 1077 52 0.9311 4-3 WM 19-15 WI an WM 22 RF3X I -I ISM 18-13 299 15-11 9910 5-2 ( G95 52 OAT 3-2 4,011 32 WFR 3-5

16T

CORINA

Temptation (Cutting/Atco)

Regional Reach

E 70% S 80% M 47%

W 69%

National Surrary UP 91 DEBS 19


ROM 1-3 OIP 2-2 297 3.1 1002 22-16 KM 5-3 Kr® 2-7 K14)/. 8-4 ran 1-I Ma 3-3 1202 2-1 0.396 2-9 797 2-4 7795 11-5 ( r771 2-1


® Parallel

Reach P7 79%

BREAKER P2 66%

P3 59%

Chart Summary Pas P1 P2 P3 Tot

1 1 0 0 1

2-5 3 3 0 6 6-15 16 13 2 31

16-40 15 49 22 86 Ons 3 5 4 12

Adds 2 11 15 28 Ch Adds 1 0 1 2

Total 41 81 44 166

G437

W05 2822 Cal 21 rr YW.1 0-28 1K1997 3-1 MO 8-7 2300 8-6 14140 11-9 6000 10-10 M0.771 32-27 8P'..0 2727

90175

1,18499 19-13 MS1 12-9 Pá195 7-4 (000 18-14 (3E 23-23 P196 2424 397 15-13 4892 5-5 ram 3-3 (307X0 lo -1 0105 20-96

810197

896 7-7 WD12 a1 WIT m W2PL 4-29 MK K703 29-21 102102 18-14 me 3-23

(135 26-21 1.9106 1411 OOP 3-35 (01-M 13-9 00.2 29-26 ROGI 11 Cr 80102 a (131 0106 16-13 KIQ. 12 29 101977 2623 Ott 0-26

EATT

11.192 77-23 man 2724 402999 29-27 W:.E 2422 WM 30-24 TIC -F14 11-10 MISS 5-5 W1E 2725 P.992 4-E 0-38 914107 18-12

17101 24-16 MN 31-22 9991011

WQP 20-19 WTNT 24-21 MK 21-17 1102 98912 930 29-26 WPS1 3-32 YP31 37-30 1ómi WXA 25 Cr

REM 39 29 393 15-11 K96.7 17-12 47E 23-19 1106 21-15 1229 24-21 195 22-20 WSSO 30-27 412 16-13 M17 0-34 1ML-0 On

(72M 11-8 G105 12-27 MP 7-6 W0ff W5I WZTP 3-39 10195 28.29 WADE 27-21 MIJI 16-14 Y225 34-28

ABB 25-22 YHNT

OEM 3621 7107 22-19 0.1067 30-24 1111.0 37-34 4M90 an 2102 39-35 /MY 28-21 WI 30-23

0DW-IT

109947 8-18 KIM 33-32 472 2922 19305 2421 3010 3-35 WIC on 2104 a 1J103 m (X71 19-17 ono 31-27 4802 3-25

CRIS 2-2 MCC 17-8 MG 22-20 WY 13.9 PW102 15-10 194 2321 K010 a

KM 22-20 RTM 28_21 KCAO 25-21 KM on ROOM 14-13 101949 3-30 290 8-5

East

Willa 4573 33-30 9510. 2624 WOW 20-16

SOMA

KARS 36-28 11012 26-19 WIAD 20.12 iOID an V01 35-32 K7O7 34-27 W 4 m 298 a-39 0104 on V7R5 0-33 WI 26-21 0101 3-22 K W (ME 35.34 W 113 16-14 8122* 2418 W7n 33-31 KNIM 0N15 3-34

MAIM

4808 0-35 .988 4A8 0.22 ROO )2-28 0.19 MO 0.93M W9I 99(G on ( 095 4FEP 0-32

WEST

1507 3428 win -33 K TR5 a WO KM 2E11N a (a72 36-26 197 a 795 817)3 34-30

D D.J. JAZZY JEFF á THE FRESH PRINCE

Summertime (RCA)

Total Reporte 79 32%

Parallel Regional Heath

Reach P1 63%

E 31% P2 31%

S 36% P3 11%

94 20% W 41% Chart spry

Poe P1 P2 P3 Tot 1 0 0 81 0

National 2-5 1 0 0 1

Sirary 6-15 5 2 0 7

UP 33 16-40 21 17 1 39

DENS 10 Ong 0 6 1 7

SAME 11 Adds 5 12 5 22

DOWN 0 Ch Adds 1 1 1 3

ADDS 25 Total 33 38 8 79

ran EAST

w as 34-26 TIC -M 32-18 4741 22 fr 1105 1412 X0197 30-21


MIX 2722 WC 40.107

(LiS 001 on

D.J. Jazzy Jell Continued 1010 27-24 2100 a26 MLX 25-20 WM 32-22 YAYA 25-20 Y000 7-4

90011

P4899 IOSL 9795 24-22 23E 3128 WY2 21-16 R7P11 24-20 PWPIG 31-26 0105 22-10

1196 23_21 MT 21-12 WI 16-9 KIII a-34 107102 25-20

WEST

(5104 2521 6115 PIP 106 28-25 MT 23-19 KM 1G[:I 17 29 F4102 2320 0106 7-6 MI. 14 29 1871977 3-29 WIZ .

WO 26.22 ROt ZIT on 895 32-26 WSM 6-39 1.9102 3-30 931 a KM an WPM 3-110 1LC 77-23 MA 30 rr KM( 40-34

[CAP 0-35 MIT 01011

290 21-9 3019. o-31 195 Y312 2821 4W7 329 RPR1 [AT .9H7 30195 an WM a SOUTH 31873 3107 on M42Sa *920 MX R92 on RIO

B98 . MI165T 1010E an

WRIT -35 1107947 3-20 WB5 a

1.3.1143 27-39 3115 4-78 KNOW WEE 0-30

W9xx 3529

MICHAEL DAMIAN What A Price To Pay (A&M) LP: Dreams 01 Summer

Total

Regional Reach E 26% s 38% M 44%

W 41%


SAME 28 DOWN 1

ADDS 7

Reports 93 38%

NaÁl Parallel

Reach P1 21%

P3 P2

331%

Chart Sorry Pos P1 P2 P3 Tot

1 0 0 0 0

2-5 0 0 0 0 6-15 2 4 2 8

16-40 7 27 18 52 Ora 2 10 14 26

Adds 0 3 4 7 Ch Adds 0 0 0 0

Total 11 44 38 93

EAST

vat 3-25

90177N

1100 24-22

1318GTT

0102 30-28 WCI 9-8 REED 17-15 KIIM 37-35

WEST

RaT 35-32 (I34 2823

3821977 2724 RP2on KITE an

pi9 [,üT

YAM 21-17 WAAL 39-36 E52m WEE 0-33 93101 MR 39-33 999RII 32-30 98210 14-13 .9ac 32-31 WCP

91800

893 21-19 W7 31-30 WRM 480995

YAPE an 1117 27 29 50945 26 29 070K an 411111 25-24 991ATS 37-35 401Y an 3107 25-22 9J1A 31-28 K92 11-10 (101 3428 90121 31-29

RIPEST

1e72 2621 96970 40-31 00305 35-33 MO 13-11 WII 27-23 11103 23-19 4011 2724 14MT 0-33 K107 24-22 WO on

WEST

KSMD an 995 34-31 RIAIC 18-17 191104 15-14 [CAO a3 1270 21-18 R.92 m (22U on

BST

303208 17-15 WIT o3 14970 m

Sarni

KALS 23-20 7.012 WAD 26-22 4Z10 an Im07 W JRX 15-11 898 19-35 0104 on 0101 on RNDE on WILN 3-36 W8S 37-35

4102F -ST

(ttT 2725 4WB F.70 an 18T9 36-37 11I0 3326 794 0-26 0.93F14 m 8721 26-22 4327 33-31 99(0 an (G95 an 1254 an 49FR on 41FC 28-25

WEST

297 a (TRS 40-36 O5Q 40-34 1211 K3O. 3727 (71TT 33.30 22-JN m T97 0-35 (F914 34-2f

CATHY DENNIS

Too Many Walls (Polydor/PLG) LP: Move To This


Parallel Regional Reach Reach N&A P1 40%

E 50% P2 44%

S 58% P3 501 M 31% W 39% Chart

Pco 1

National 2-5 Summary 6 15

UP 10 16-40 DEBS 28 055 SAME 20 Adds DOWN 0 Ch Adds ADDS 54 Total

Summary P1 P2 P3 Tot

O 0 0 0

O 0 0 0 O 0 0 0

14 20 4 38

2 8 10 20 5 25 22 52 O 1 1 2

21 54 37 112

UST

MS a-33 10197 3-34 Y135 35-33 PRO F14 3-32

901rR

P.999 0-31 P.995 32-30 997 0-25 RIIY2 34-32 F.9PIO 37-34 0105 a

MIDWEST'

4871 25-23 ( 0P 0-39 H02102 a

WPM 3-28

WEST

01T 34-29 941106 0106 KIEL m rr 7107977 a-30 ( 92 (ilE

UST

11.192 1171999 WAAL 3-39 415E 30-26 WSP

4331 m 4152 0-37 WI W 3 an

91770

MG fr 196.7 an 438E 3-35 K731 a-40 I95 8-29 RON 0105 0-35 WV WIT 40295 RUT WMI 4a5 36-32 2M100 MBA on 01m 4 711067 11.112 0-40 OM (92 On 2102 2-38 1470.

MIDWEST

472 0-30 3105 WPD 3-34 K30 KIM 41Ri K 107 3429

W -TT

10I not B95 3-39 ( 00

611T

MP 028 Ain m 103QI on 95iII a WTP 4110

MKS 3-33 K012 4-29 VJAD 0-32 410 4711 0-90 1017 m

K 80 C.

LS8P

Kill on 0101 KM RME 011

APR On MT WRIT iN65

Kt CBE=

m

ROO ( I.IY

8422 1110 9900 (095

YtST

( GOT.

TIC -1111 3-40 «SS 3-29 1411192 3-40

14wN 137 31.11101 m WG+ 3-32 098 an YPST .

Cathy Dennis Continued

020 -27 KIWI

122) OIO 3027

®2 MO KM a Kile 4 0.196m

E EMF

Unbelievable (EMI) LP: Schubert Dip


Regional Reach E 94% S 91% M 95% M 721



o Parallel

Reach P1 81%

P2 87% P3 96%

Chart Su7onry Poe P1 P2 P3 Tot

1 2 6 3 11

2-5 21 50 42 113 6-15 14 43 20 77

16-40 5 7 5 17

Oro 0 1 0 1

Adds 0 0 1 1

Ch Adds 0 0 0 0 Total 142 107 71 220

EAST

8104 3-20 MS 149 4100629 1010 6-5 2100 6-4 MX 3-2 4004 3-2 750.19 14-11 WOO 9-6 4122 3-30

P3«99 7-3 11:L 9-5 61795 8-5 II80 1-2 OBE -3 W896 26-17 1100 7-5 B97 7-3 AU 13.9 K 1714 9-6 0105 7-4

MI01157

096 20-16 0102 22-20 WC 5-4 102 9-5 W1T 9-8 Y[n. 15-14 WO 16-11 821R 3-2 101102 14-11 10145 6-5 W806-1

*EST

LS104 15-15 KW 6-5 P14106 12-12 K1P 16-15 ROT -AI 5-3 052 8-3 0106 2-2 »EL 15 fr 012 5-1 KUE 5-3

EAST

Fl 792 6-4 *A3E 9-5 1171999 6-0 WAAL 13-12 WSE 5-3 WC 6-5 WSR 43 JET -FI 43 WM 12-11 111E 6 fr TIC -111 3-2 417S5 9.0. Ws« 7-5 1.41192 6-10 4.43 9-7 FV*107 3-2 KC101 11-6 WGM 6-1 99900 1-1 IMP 2-12 098 13-10 WM' 9-4 VE19 16-12 2102 12-11 98(17 12-11 930 17.13 eP5T 3-2 WI7 4-2

M(RZ 17-10 WS1W 7-4 411 3 rr V1CR 5-4

sol77R

4WD 9 ft' 893 7-6 K 96.7 6.6 40111 4 3

( 306 I -I 0.29 22-31 195 3-3 4552 8-6 Wa2 6-6 W7 5-3 RIZ.O 9-8 K 2214 12-11 0105 6-6 K MR 9-7 4@ 3-3 Y(SI 11-7 8811 2-2 YZOP 22 10195 4-3 W8PE 3-2 YaI 3-3 61M945 16 rr

131311 4-1 W01 16-7 WJ6 9-5 94100 26-23 4ABB 9-5 111115 12-9 1®4 B-7 7107 0-35 WIZ 4-3 WW1 9-6 M92 6-5 2102 4-1 au 8-6 MY 13-9

1¢31631

WO on OM 22-4 01997 14-3 W o 9-3 49O 1411 ICI2 9-6 OW 15-14 96110 42 35105 3-7 WEE 6-3 WIO 20-15 VII( 5-10 WIC 9-6 2104 3-2 (4103 12-4 M07O 5-4 1293 4-3 Y23 15-11 Karr 12-12

O M 147 WY 3-5 (107 4-4 10772 12-6 OM 5-4 4101 7-2

wen

M155 u-3 RF95 B-6 I( Da 4-3 FAG 10-17 MD 6-4 895 30-27 ( 1937 3-2 M104 21-20 (CAP 8-3 K1R42 11-9 (48U 2-1 103999 1-1 099.5 3-3 1120 42

EAST

YPRR 17-8 W 14-3 103CI5 18-13 95W 5-4 WPE 12-5 WlP 3-5 95211. 24-19 W e 4-4 WO 24-19

KARS 3-1 K 012 8-4 WR5F' 4-3 4820 VL1 5-3 O 1875-3 4JMX 7-3 898 9-6 (ISR 9-2 WLS 9-6 M37 4-3 1101 3-3 0101 3-4 (CIIK 35-23 MMOE 104 4518 12-7 *II9 6-3 (IIT 5-2 48N26-6 1Yí1 13-7 (X134 8-3 4985 3-2

MIDIPST

WI 6-5 MI 2-2 .9.9 4-4 WCIL 5-5 KIM 8-7 WLP* 6-5 ROW 42 0.096-3 1110 4-2 194 4-2 (WT 6-3 a93814 13-12

47'80 10-5 WFP 5-1 WAZT 6-4 KM 5-4 mix 13-I1 Z99 104 99(G 9-7 ( 095 12-7 1947 6-4 1083 9-6 W 1P 5-18 0'11* 1-1 WIFC 6-6

WEST

100T 7-5 WY 12-9 Z97 14-9 1722 4-2 R'1R55-6 MC 7-5 4MTZ 7-4 KICK IOfi 411I7 6-3 MIN 2-2 1202 52 3.796 23-21 19732 a395 6-3 0}M 8-5

ESCAPE CLUB

I'll Be There (Atlantic) LP: Dollars Arid Sex


Regional Reach Reac) P1 401 E 69% P2 74% S 83% P3 99%

M 80% W 63% Chart summary

Pm P1 P2 P3 Tot 1 0 0 0 0

National 2-5 0 5 5 10 Sumary 6-15 7 35 34 76 UP 151 16-40 9 43 31 83 DEBS 10 Ono 2 7 1 10 S AME 18 Adds 1 0 0 1

DOWN D Qt Adds 2 1 2 5 ADDS 6 Total 21 91 73 185

LAST

1104 5110 15-13 994 28-27

017M

47LL 27-25 1.995 28-27 1330 12-8 891 17-15 31211110 -40 C105 on

IQOE-Si

2102 -33 KIM 30-28 MR 32-25 111.72102 on RI46 10..6 aW 10-0

W05 23-20 W5I 2421 4KK 16-15 W7P 13-9 10195 11-5

APE 18-16 MIT 21 rr 1W945 18 fr K M 17-10 10..15 3-19 was 20.19 9961805 35-25 19100 15-13 4MW1 10-3 WIT 24-17 MEM 20-20 7107 1412 0.1067 15-11

441.0 25-18 YRYO

( 92 7-6 2102 11-8 1lI a-35 WR9Y m Wit 18-17

KM 8-3 K012 1413 W.2' 10-7

WAD 32-28 3010 9-5 YL11 30-26 OM 17-13 In« 21-17 1118 26-21 (1SP 12-9 0104 19-17 ass 25-20 MO 1412 MLII 18-16 0101 21-15 R01 15-12 OM 16-13

VILA 19-12 m1 2421 Flrr 3-39

nip 26-21 KKK 5-7 2/BS 16.14

107

MT 2221 OW 19-15 KIM 16-13 0106 24-24 O12 3-23 RL7! 25-23

6Á,9T

Escape Club Continued

11.792 0-29 Yla 2523 101999 84AL 19-I4 On 31-29 WSP 15-13 WE8Z 10-8 WK1 m fr WICEE 15-13 P4192 14-7 4411 15-11 914307 24-21 (C'01 3-27 WGN 13-8 999(31 16-14 096 15.11 117117

WSW 33-26 7102 9-8 932 22-19 WM 17_13 .97 21-1T 1K52 31-29 4018* 40-38 «CM 26-22

*910 15 fr NlE 18-16 K106 13-6 K723 18-12 I91 12-7 855K 2421 W3 19-16 *010 29-25 1105 21-19

809807

4481 12-9 4915 28-20 93Po 24-18 x105 31-27 WIZ 22-17 MID 11-8 VIII 15.11 WIC 11-8 1309 2543 (4103 32-29 4350 17-14 1893 13-10 Writ 31-25 MIT 30-25 0171 28-27 991 0-29 (107 21-19 1831 an Worm

Wan

095 21-20 KW 16-14 MC 7-4 MID 12-11 CM 3-31 114104 25-24 KCAO 27-29 UM 1413 Kr12 19-13 KM 13.8 107949 3-3 ®9.5 10-7 1®l 11-5

143 MT

VPRR 10-6 WYF1 19-16 10348 7-7 95>a 20-16 1aTE 19-16 41kP 16-11 MIL 029 104P 14-8 1810 18-13

GLORIA ESTEFAN Can't Forget You (Epic) LP: loto The Light


a wrar

du:, 33-31 (TTT 12-10 WW1 26-22 Y94 30.27 IaL 0-33 ROCP 25 11.331 3-24 10p 17-12 1127 24-17 18I0 38-35 194 12-9 KOIT 18-17 0.9394 30-26 VW 17-12 WIT an 1021 19-15 0701 15-12 43311 20-16 299 13-10 99(G 15-10 mr, 13-8 an 0.26 41311 12-10 WM 10-4 KEW 26-20 16/IC 14-10

ROOT 20-14 MA 9-7 297 1511 1®Z 6-4 (73S 22-1T 080 23-16 1972 19-15 DM 22-16 (hO 20-12 271111 10-6 1M2 19-15 3.296 5-3 797 23-22 395 33-27 KF7M 2422


S 591 M 31% W 5o%

National Smeary UP 55 DEBS 6 SAME 44 DOWN 0 ADDS 10

N&A

Parallel Reach

P1 38% P2 40%

P3 62%

Chart Suranary Pos P1 P2 P3 Tot

1 0 0 0 0

2-5 0 0 0 0 6-15 3 3 0 6

16-40 11 23 28 62 Ons 5 18 14 37

Adds 0 3 4 7 Ch Adds 1 2 0 3

Total 20 49 46 115

FAST

4200 24 fr eau 14-11 WI35 33-31 MO -114 33-28

5" 11.I195 26.26 KxBO 19-15 P4996 3431 T100 15-10 RTn1 an 1.9e10 30-29 0105 on

41X1 22-19 102102 on

1637

K M 21-19 O52 -30 ( GGI 22 29 E SN 23.21 0106 an Kati'. on O TEE 2827

UST

Ya® W5P On IE3Z 23-19 7I3 -F11 2826 W1E P.992 WJA 29-26 9141)1 m 99910,I 2524 7102 41ST on W112 39-32 141572 32-29

31OR

21120 on rr 293 32-30 OW 35-32 1106 4-36 ( 229 a-38 Y7Z 29-27 IC® 26-23 K291 21-14 PIPER 3-28 WO an WM 26-24 4278 31-31 10195 on Y71LS 29-29 WHY 01 KI4M 31-30 3107 18-15 41La 2422 177ÚX 8-31

M1A6S7

4812 48 IKIIO 25-23 MO 38-31 011( on (107 -33 Ono on

MSS on K33:12 m (195 36-34 (IIIm ME on 15MD 30-77 ROro m O RO 18-15 KIWI 29-27 Q99.5 on 290 m

E AST

win 10 /ZIP 22.20 950K1 32-26 WIT a

MP 23-21 441V 29-28

SGRiH

RARS 25-22 ( 0I2 an

fUAD 134 WID an *217 39-35 MT 3-40 8J1« m 1398 30-21 (1SP 25-19 4TK5 on 721113

K211 2423 0101 3-28 (012 39-37 U T( 25-23 4PPP 29-27 4119 K W 33-32 800ü 38-36

1I0EST

W WL1 on (TIT 3431 WMB 2624 414 an (O0 a1 194 m NRP on 9A70 an ( 095 79-26 489R WM 3024 CPC 32-32

WST

KM 20-26 O9.s 39-33 O 90 36-31 Km 39-35 8207 an 441 36-33 2P'JM 0795 m 4F7M 30-29

F FIREHOUSE

Love Of A Lifetime (Epic) LP. Firehouse

Total Reports 109

Reg Tonal Reach E 44%

S 45%

M 551 W 30%

National Samary UP 33 DEBS 24 SAME 32 DOWN 0

ADDS 20

NiA

44% Parallel

Reach P1 15%

P2 40%

P3 70%

Chart Smeary Pos P1 P2 P3 Tot

1 0 0 0 0

2-5 0 0 0 0 6-15 0 1 0 1

16-40 1 26 29 58 Ore 2 15 13 30

Adds 3 3 9 15

Ch Adds 2 2 1 5 Total 8 49 52 109

1101 [AST

PRO -F14

201r1H

( (REST

0102 35-32 4(N3 MI_ a28 KEEP an 821E al WrM 4-29

YLTP 26-26 WIPE 3-28 6Q11 a1 fr MI an YA® on

41014 WY0 20-14 R92 m 2102 4-37 (T12 a-32 WI. a-35

MIOWLTT

WOK 2421 WP18 31-28 W M 33-21 96590 3-39 CI105 3431 2104 )6-31 M000 3-30

WIO 3-33 42II on 1042 39-32 WII).m 896 35-31 1191 32-27 0104 2721 YnL5 a 181I On K W an 110E 37-36 1314 29-26 YV8S 3-40

MI0165T

1I1 m 40-34

VOLVia

WAR 2523 RDp

Continued On Next Column Continued On Next Column Continued On Next Column Continued On Next Column

PARALLELS June28,1991 RW:R103

rKR

RL5N

WAEB on 6AAL a-40 1C82 0-35 0058 on JET -31 a P9492 a-37 0AN 4-39 9991011 4-39 098 m 7102 a-30 EST w(0 m

11R2 33-31 16T6 on W12R a-27

Y94 40 fr 1106 a-38 1200 on 195 2,21 655I 4-30 04'q on WI on

Firehouse Continued

vIW 20.18 73017 37-30 WR0! 29-24 0182 26-25

WEST

RATN 26-22 R38I on AND m f11104 23-21

112211 m

8SI

ERR on eon a-40 10301R 27-22 9300f a K7E. on

10013 0-31 WEEP 8-40 0370 27a4

901R7

KA1S a0-36 11112 E-30 O LSF on

194 a

t ort 28-23 00938M 26-22 KFP 8-27 WAIT m Ifln Z99 0-27 9910 a 1095 32-30 WEIR 33-26 wF0 0-40 DM 29-25 WRFC

WEST

KEN 39-34 KBE a -3e RTKS m

KENO m 8Ff2 m MIX 8TMT 40.36 ire 0-40 R7Z a

0195 8-40

G AMY GRANT Every Heartbeat (A&M) LP. Heart In Motion


Parallel Reg l oral Reach Reach Pt 67% E 91% P2 87% S 96% P3 97% M 86%

W 69% (Tart St40aary Pas P1 P2 P3 Tot

1 0 0 0 0 National 2-5 0 o 0 0 S.Amary 6-15 9 16 7 32 UP 181 16-40 20 81 63 164 DEBS 10 Ons 3 6 1 10 SAME 15 Adds 2 0 1 3 DOdN 0 Ch Adds 1 4 0 5 ADDS 8 Total 35 107 72 214

_ UST

109 31-27 ABL1 20-18 1800 16-14 2100 0-28

WELX 24-22 194 27-26 780-19 29-25

VAYA 20-18

SONY

10199 79-24 10LL 20.12 31095 30-29 RIBO on 8100 29-26 B77 18-16 *KZ on

K.'E71

P11PI0 27-23 0105 27-25

89 DWEST

0102 20-16 6318 19-14 WMCI 13.10 101'% 4-26 K8L 23.21

W942 21-16 150R 17_15 IOT102 a CEP 25-16 1180 16-10

tEST

rFrr 28-22 1115 17-17 1702 2,23 KIM 18-15 0106 m 811 18-15 LIE 23-20

R.192 21-16 WEB 0-25 101999 23-19 600. 31-21 WISE a-29 vIR2 32-30 WSR 26-22 JET -FM 30-23 1E11 1_16 WE on fr TIC -31 35-33 laSS 24-21 W EE 30-22 03192 37-32 WAN 25-19 11/11107 20-16

KC101 17-12 W ON 21_15 9991511 0RP m 098 26-23 WIN 19-17 WE 24-21 8102 2B-22 987KT 13-12 930 27-25 WPST 32-29 8809 30-21 KRZ 27-15 1611 38-31 IC3A 32 fr 00CR 21-13

SOWN

615130 25 fr 093 25-22 196.7 33-31 03,E 33-25 6106 18-14 1220 30-19 195 20-17

ASS% 21-18 6092 3,20 WOK 2,17

14000 31-18 82311 35-30 0105 30-25 0e. 27-21 WW1 0-20 A9M 20-18 8127? 18-15 80195 37428 VAYA 29-25 0313 22 fr WW1 27-22 18945 24 fr 1817 19-16 Wan 8-22 WR8.S 24-21 996885 30-23 80100 25-22 WARP 26-23 WRIT 23-16 Keni 34-32 7107 21-18 a1067 27-22 Kite 23-17 vivo m 192 14-9 2102 30-25 Rho 26-17 WV an WA 19-13

MIDWEST

OIn0 25-23 vent 26-18 167 a-35 KRNO a-29 96.510 29-24 08105 26-26 091E 10-11 WE 30.28 5118 35-30 WIC 24-24 2104 30.21 13103 27-23 1f0Á0 23-21 1293 23-21 WAR 30-26 Karr 23-14 n ot 29-26 63x1 16-13 8107 23-21 KWIC 26-22 Nara 8-23

WEST

95 26-23 R20 17-12 K w 26-25 CND 28-24 995 35-33 *010 an ESC 26-24 1111313 a-28 11*101 14-12 KCAO 30-20 12T0 12-8 K HIZ 31-26 108949 19-14 099.5 26-21 Iz20 30-27

FAST

88RR 27-25 WF1 30-27 103C1R 23-19

954%0 24-19 KPE 23-20 *OF 31-26 9581L 29-26 WE 28-18 0110 20-16

VMS 24-19 1012 22-18 IISF 23-17 WAD 31-26 6010 27-20 8091 27-22 O0R 21_15 K)tP 36-33 890 29-23 KISS a-16 0104 26-23 A705 33-77 K9M 27-22 1211 23-18 0101 22-16 100 4_30

11311E 23-18 WPS 15-8 WAN 32-25 KnT 28-22 4,T 26-24 Will 22_18 8N1N 27-24 WIZ 30-23

100177

591% m KTTT 22-18 6910 32-28 NW 25-20 WA. 0-31 41.3311 1R-15 K442 28-20 AIV 33-26 K2I0 36-28 194 a-27 1017 20-19 0.93111 24-20 679% 28-23 6A28 23-17 1091( 23-18 1610 21-17 099 26-23 9910 37-28 1095 26-16 KPAT 24-21 94BR 28-22 10,11 20.10 D 11W 4-39 v1FC 2,16

WEST

/GOT 30-24 KPIR 29-25

Z97 29-25 R102 23-17 RTKS 36-30 D Np 19-14 DTZ 37-31 DO1 26.-23 ran- 27-21 ZION 30-23 172 27-20 SL196 19-8 197 a 0195 33-3o 11}1* 28-18

N DAVID HALLYDAY Ooh La La (Scott' Bros.) LP. Rock N' Heart


Regional Reach

E 309 P2 6%

281 Reach

S 431 P3 61%

31 25% W 31% Chart S omary

Pon P1 P2 P3 Tot 1 0 0 0 0


Surma 6-15 0 5 10 15

UP 51 16-40 1 19 23 43

DEBS 0 Ore 2 5 8 15


Dam S Ch Adds 0 0 0 0

ADDS 5 Total 3 34 45 82


015N on

David Halyday Continued

6AAL 6VSR 20-19 0:82 20-17 Pvi92 30.25 0xN 39_34 ICON 40.28 9991011 30-26 G98 77-24 wST 22-19 88(0on I1571 m

50071

WBa1 26 R 1228 1,13 WE( 26-23 X60 34-30 0105 26-24 M0f

HI -FIVE

I Cant Wait Another Minute(Jive/RCA) LP: Hi -Five


YRM 15-14 NWT 5 fr 400I 9-8 KKTK on 990075 28-24 nu 25-24 KA m

1UOIEST

WILE 1-3 W000 18-16 13103 NW 11-10

1795 22-22 RPz co 15ND 16-20 114104 19-13 099.5 20-16 107 33-10

UST

148? 27-24 9501L 25-22 WIMP 16-15 0370 33-29

mom

KARS 16-15 1010 an 915E 3,23 AJAD 19-16 14210 31-29 v0P

IOW on W10 18-14 098 37-33 119 m loll

9101 m 100 19-19 D10E 39-38 NWR W Ill 10-8 X27 36-34 1139 30-27 101I11 16-12 OW 22-19

MIDWEST

4110 m KfTT 24_21 ROC on Km 10.12 194 2,20 Z99 3-3 99k0 35-31 1095 30-29 WDB8 on E771 23-19 KEW 8-7

WEST

1007 25-25 E MS 32-27 11N0 18-17 1RT2 25-22 K`09 17_14 rim 11-8 73731 39-35 T97 m 0195 13-12 K1711 16-23


S 41%

M 13%

W 37%

National Su®ary UP 32 DEBS 12 SAME 10

DOWN 0 ADDS 13

Parallel Reach

P1 461 P2 25% P3 16%

Chart Sua.ary Poe P1 P2 P3 Tot

1 0 0 0 0 2-5 1 0 0 1

6-15 7 5 0 12 16-40 9 23 4 36

Ora 2 0 3 5 Adds 4 2 5 11

Ch Adds 1 1 0 2 Total 24 31 12 67

Qi3 PüT

110197 4-27 0100 W1GC 13_II

5077

DEL n-28 7Wm95 15-13 09 8-33 B97 23-18 O 632 22-19 KTFM 16-11 ~PIG 23-18 0105 on

MIDWEST

196 0394 WIT a X01102 4-23

REST

LS100 9-5 18P106 a-32 DIP 19-13 E NT -Pr 2,22 KIM on X61 10 R 771102 13-12 0106 30.21 D 910. 10 1r

L AR

TIC -FM 37-35 NLS5 30-28 999181 35-31 011 30-25 WUA 31 fr 1070

6080 33 rr 893 a-37 W012 9-7 .4ra K lnl 28-16 KPRR 23-19 WIN 38-33 827P 30-30 40195 a-30 WEE 8-29 KKR a KIEV 4-37 8107 3,31 2102 32-24

MIfAEST

WIC 0-40 MIX 0-30

WEST

1101 8-7 KIUF. 33-27

895 16-10 791102 24-21 9 29-24

100 2,11 1111 4-38 ICAO 8-34 1001 29-28 290 19-13

CAR

5071

RAILS 35-32 ea an WM0 m 0104 a

RICE 0-40 631 30-24 411.11 a ó01f7 30-28 Karr

110[77

K095 an NOW a

WILT

T97 a

J JESUS JONES Right Here, Right Now (SBK) LP' Doubt


Parallel Regional Reach Reach 0:1P1 77% E 80% P2 861 S 92% P3 95% M 95% W 69% Chart So®ary

Poe P1 P2 P3 Tot 1 1 3 0 4

National 2-5 2 20 9 31 Summary 6-15 20 45 39 104 UP 181 16-40 15 35 19 69 DEBS 8 Ora 0 0 1 1

SAME 15 Adds 0 1 2 3 DOWN 5 Ch Add, 2 2 0 4 ADDS 7 Total 40 106 70 216

EAST

8104 16-12 1000.5 19-14 no] 20 fr 1W0 18-16 2100 16-10 NL0 9-7 0100 21-16 994 1,8 PRO -Di 18-15 60V* 71-17

Pvi99 3-8 KEEL 17-15 18095 10-7 DOJO 4-4 DEE 2-1 1100 27-24 897 8-5 002 2420 1311[0 39-38 4105 18-16

1dI194ST

B96 a-29 0102 e-30 6319 12-8 0911 4-27 AT'I 14_11 Wtt 18-16 v2P1. 12-11 1670 28-73 WI 10-0 97102 0-24 92413 12-7 1180 11-9

ROM

O BO 13 fr 943 3-2 106.' 3-9 w7E a-33 1'06 9-4 1929 9-4 195 5-4 WRCST 5-11 EMI 21-IB 920 7-6 0105 9-2 DER 17-13 OAF 17-13 WSJ 21-18 WIT 9-5 a/195 23-16 WARE 6-5

W42o7 29 fr 0R7 794005 27 fr k10 9-5

000 4-27 5fA5 25-22 VETS 22-12

1,100 16_14 E BB 14_q *HT 0-20 19, 57-13 810' 23-20 01.1067 22-13 W1p -1-15 41319 13-10 192 19-19 2102 21-11 U11R ,7 POW 14-10 WA 6-4

MIDWEST

110>D 27-18 N0F 3-2

14) EAR

679* 5-10 6X10 9-7 95000 II -10 000E 24-15 01I? 2-2 95001 28-24 APP 39-37 0170 14-9

sane

BAL5 21-11 1010 18-12 Iasi 18-8 WAD 12-10 8010 8-8

81x% 18-15 0149 14-6 W10í 20.16 018 16-13

81SR 18-6 O 104 30-28 SRS 19-13 K9e 25-15 K211 16-7 0101 16-9 1-10 20-13 K W 31-24 4ILN 1,11 K100 11-5 4111 24-21 8010 14-9 W IN 3-2 Was 8-5

PO TEST

080c 14-8


O1ZT 12-9 111.3 2,16 101iN 4-27 1712 14-9 1191 8-28 0106 19-11 DU 11-9 Rilff 1,11

n.792 11-11 44E8 7-6 97999 0-31 6AAL 20-8 Wa15E 25-íe 4112 1,10 W511 17-12 .9-81* 12-6 0017 18 fr TIC -RN 38-25 1E5 02E 23-20 118192 27-21 EAR 1-1 81113107 14-5 80101 ,3 MDR 29-20 99901 18-11 08P 5-4 091 7-3 Min 20-18 tt.r 0-33 7102 16-13 MPH 11-10 9312 13-10 6PST 2-1 0809 12-6 11102 23-16 W6 -13I 1-1 6f!T 8-5

Jesus Jones Continued

101947 13-6 WIC 32-29 67I1 19-12 WIZ 11-9 Mg 27-21 965TV 21-21 WE 1,8 inn 34-29 v1IX 8_14 WIC I1 -I1 2104 21-18 13103 28-24 *OR4 14-10 0293 16-12

172-0* 22-18 91 CG 5-9 1.5073 6-6 128111 22-21 6149 18-t6 1107 a -3S MD 25-21 030t 22-11

WEST

1195 19-17 KA7M 2-2 1330I 20-16 KKEC 15-13 AND 11-9 FLOC 19-16 87FR 21-13 1,104 16-15 1RiW 21-14 0M12 32-28 MOD 3-2 1111949 2-2 099.5 15-6 RZZU 17-11 134 23-17

177T 37-29 WIC 15-5 WW1 14-7 14L 33-23 KW! 22-18 WIN 1S-0 5092 22-16 KLT9 K 2I0 17-12 T94 17-14 1017 2,22 II.93111 29-25

81t80 9-4 N107 13-9 WAIT 17-11 IFRI 21-17 WIN 9910 12-8 1095 on 1PAT 18-13 115B3 27-21 4779 9-3 16148 14-9 51FC 9-8

WEST

1P0R 23-18 Z97 38-33 R®2 29-22 RTES 28-22 KM 9-6 1FTZ 4-2 DO9 20.17 KTrt 7-6 MIN 6-8 172 11-5 5.196 18-14 797 13-7 0695 18-13 D7, 9-0

K TARA KEMP Piece Of My Heart (Giant/WB) LP Tara Kemp


Parallel Regional Reach Reach P: 961 E 93% P2 89% S 96% P3 89% M 831 W 91% Chart Summary

Pos P1 P2 P3 Tot 1 0 0 0 0

National 2-5 4 6 2 12 Sumery 6-15 19 45 29 93 UP 169 16-40 20 48 29 97 DEBS 13 Ons 4 6 3 13 SAME 33 Adds 1 3 1 5 Dam 0 al Add, 2 1 2 5 ADDS 10 Total 50 109 66 225

ta3 -ST

8104 a YACS 7.0

02120 26 fr 610.I 15-13 115797 11-13 IN0 13-12 2100 4-72 WALK 0-29 6108 2,24 990 25-24 1110.111 77-22 048* 22-22 67Gc 29-24

P899 2,23 0LL on W895 14_14 131130 m D 19 29-27 7100 26-23 B97 26-23 WIZ 10.7 8TP1 5-4 161111310 5-5 0105 on

1oPEST 096 13-12 0102 17-15 0118 21-15 ELI 8-6 WI 19-16 WI' m 191 22-18 IOtV 26-24 CDR 1)-9 107102 12-1D DEB 21-20 1190 14-12

WEST

1P%T 17-17 43104 10-9 RlIS 14_11 PWm 106 10-1 IOW 11-10 501-71* 20.17 KKK 16-11 810102 10.9 USN 20-19 0106 25-25 DEL 11 fr 401901 5-3 O1Z 24-21

101E 19-17

R.192 0-30 WEB a-22 107999 0-24 WAX_ 17_18 WISE 16-7 4112 34-1? WSR 11-9 402 30-27 0111 22 M 11008, 10-8 0LS5 2544 O 60 17-15 P 092 18-11 E AR 18-13

1111107 13-13 10101 a-29 4000 12.7 999011 7-5 0RP 7-6 8IM 23-20 010 14-71

7102 22-18 9819 19-14

930 on

68[0 17-14 0182 30-28 YS -1'5 16-11 WA 21 R

WCN 29-23

WR11 3.91310 23 fr 643 33-29 196.7 30-23 01F 19-15 K106 26-29 1220 28-22 195 27-24 0653 19-16 6492 5-5 01at 13-10 Nrq 32-26 1911 10-6 0105 27-22 CRP 6-5 08F 1 -10 6051 20.17 WRFC 11.9 120P 12-12 10195 20-17 SOPE 12-11 IO9l P8905 17 fr 11TK 30-28 114IX 20-11 OW 16-12 13100 4-29 EBB 20-17 WIT 22-18 10M 12-11 1107 7-6 X11067 12-9 WIC 18-14 9400 º1 892 0102 23-20 KNI 12-11 WOW 21-19 51721. 32-30

MUTEST WO 0-28 101947 19-7 WMD 21_12 6731 4-27 W4T2 16-12 KM 28-26 96570 4-36 00105 12-17 090 20-15 O/RD 23-19 WIC m 2104 4-34 53103 3,31 1910 20-19 1293 22-22 úR 33-29

N W m 0310 21-19 WO a 8107 15-12 8XiC 11-6 007 23-18

KKSS 12-12 DWI ,4 1695 18-11 XIII 11-8 KW 12-7 KSMD on 095 4-3 747102 5-3 194 12-10

K M) 19-13 KLUC 24-21 1101 18-10 ICAO 16-12 KW) 24-20

K6DD 22-21 1UM 1-10 101949 28-24 099.5 17-15 Z90 16-'5 1221.1 m

EAST

WAR 22-20 AN? 1,13 1032IR 15-11 95010 12-8 « PE 0-30 95411 4-33 ERN 37-12 Wit 19-17

5071 RAGS 22-12 1012 15-11 060 33-n 0JAD 6-4 8010 20-15 ALP 14-17 DQ 11-8 WICK 24-21 698 20-15 81SR 15-8 0104 22-27 ORS 27-21 K* 22-18 K2I1 14-11 0101 13-11 K00 24_14 010E 1,10 APR 1,10 WILE a-17 KIWT 16-10 N)rf 27-25 11171 m D IN 3}32 Was 21_18

WIPER

611 26-23 17TT :1-23 08E '7-10 ICIL 4 10CR :,19 0.w 20-19 100 'B-11 Ar4 29-14 eZIO an 194 a-29 K01T .1-25 A93071 19-15 6420 31-8

1F7P 16-11 0911 1-36 1195 20-12 V47 3-25 60R 18-16 093 15-8

VEST

1G0T 22-16 DU 5-5 29' 22-18 WO 12-8 3TKS 23-18 KM 2,19 aTz m ME 18-35 11171 23-20 ZION a-33

X202 10-6 & 89E 15-10 197 15-10 495 9-12 K17N 17_13

KLF

3 A.M. Eternal (Arista) LP: The Whole Roam

Total £eporta 55 22%

Parallel Regional Reach Reach N&A P1 371 E 201 P2 231 S 281 P3 11%

M 11%

W 30

National Smmsn UP 16

DEBS 7 SAME 18

DOWN 0 ADDS 14

Chart Surmary Pea P7 P2 P3 Tot

1 0 0 0 0

2-5 0 0 0 0 6-15 1 0 0 1

16-40 9 13 1 23 Ora 5 10 2 17

Adds 2 5 5 12

Ch Adds 2 0 0 2 Total 19 28 8 55

CAST

80797 31-25 6300 23-17 *GC 17-14

50018

F9499 23-20 I14195 33-33 1Rff 32-30 937 a 03v2 on RT31 m PIIRPIO .-35

MIDWEST

896 30-28 E4R a-24 4DF3 8-22 WTI 0-20

WEST

194106 a

1168 35-34 BOLI m ír 0106 an DEL a0 fr

JlR

11/31 m TIC -E11 27-24 ass m 99910VI m 09 29-26 WIN 8-25 4m(0 1000 m fr

50oí7

1493 31-26 096.7 31-25 01F an 1228 W00Z 21-16 KIM m DER on 88!R 29-27 10)771 an 7107 2,21 A1067

4.110 an

8_S7

KIDS 0-19 995 8-40 10102 0-35 ICAO a

1100 28-1B 19949 on 290 28-27

euT

W AD

198 a 1,0E on

M IE51

10181

10.93115

WEST

11730 on ZFVN a 1771* 3-38

LENNY KRAIIITZ It Ain't Over 'Til It's Over (Virgin) LP: Mama Said


Regional React E 89%

S 86% M 75% W 87%

National Surmary UP 157 DEB. 25 SAME 13 DOWN 0 ADDS 13

Parallel Reach

Pt 811 P2 80%

P3 91%

Chart Surmary Poe 131 P2 P3 Tot

1 0 0 0 0 2-5 1 1 0 2

6-15 5 17 13 35 16-40 31 75 47 153

Oru 0 3 2 5 Adds 3 1 2 6

Ch Adds 2 2 3 7

Total 42 99 67 208

LAR

8104 18-16 AIKS 20-16 500425 It I: 17-14 X11 24-22 Na` 20-20 B94 a PI10_1M a-33 WWI 17-15 WPGC 30-26

MEW

P099 30-26 8ELL 26-24 P095 1680 20-17 06E 18-16 1100 e

*NZ 20-16 RT7M 23-19 751P10 38-37 011 25-24

EWER

101.111 a-22 OW 12-11 PEW 17-15 0111 21_18 KF 8-30 001R 27-2Y IKT102 26-22 KEW 0-27 41,130 26-24

SKIT 6-5 /.35 18-13 PIE 106 25-2? KEEP 33-32 107-871 28-25 *ER2 25-22 PM102 2,23 USN 25-22 0006 18-16 O W 19 fr 0771977 8-28 1712 22-19 KAE 20-19

FAR

81.192 23-17 101999 8-34 ZIA. 25-22

NALSE 28-25 0112 23-20 00S8 4-29 :ET -PM 24-19 4ER2 13_12 1K 25 n` I0.FN 30-2!

'WS 13-11 WE 22-21 '892 31-25

WAN 30-24 -119107 17-13 60101 27-24 aWN 19-11 0533P 0.27 398 22-18 orar 0-13 WIOP1 31-27 1102 24-21 9BPR1 9-5 930 24_12

EST 20-16 8841 33-27 372 24_22 16110 12-7 WA 26 fr

901711

6880 21 fr 893 a-28 196.7 18-16 111E 32-26 5106 14-11 R22B 19_16 195 13-10 SSSK 25-22 W0- 3,27 BCTq 23-14 R27N 32-21 1105 22-17 VSR 26-22 WRSI 4-25 v2TP 19-17 6APE 21-17 WIN 31 fr PW945 29 113-

1110 28-26 515,01 m 994T5 19-15 R11100 22-19 W892,21 W IT 0-31 KNln1 35-33 A1067 32-29 4.103 9-7 50140 23-20 097 35-26 2102 31-28 BT1a 1,33 W0V9 8-27 N1a 0-32

MIDWEST

4mD an 0J10 39-38 E3R 0-30 K IM 2,19 96570 8-38 (15105 22_17 WE 28-24

N:RD 37-33 6310 0-39 Z104 26-20 *3103 30-27 1J10 25-24 11293 29-15 Wr7R 20-15 10017 19-17 441213 22-19 00C 34-26

WILT

K 1GS 20.16 KW 0-29

RP95 30.28 41F2 8-15 WIC 40.19 995 25-23 P94102 31-28 194 an K00 .1-15 1I.0C 28-26 KTPO 36-23 EN104 1070 31-26 K070 a-14 KW 16-9 50P 4-30 107949 23-18 099.5 23-20 290 2,23 I2ZU 23-20

EAST

ERR 16-13 WE 20_17 10)018 11-10

951001 21-17 /PIPE 15-12 O 117 25-22 95011 a 6007 24_19 0170 15-10

1AKS 0-35 R0I2 19_14 ESE 32-25 WAD a-33 WED 23-18

W001 28-23 P IPE 16-12 I4110 34_31 898 23-18 0104 20_18 BIOS 29-23 SZ11 19-17 0101 23-17 R00 22-18 1040E 15-9 WPR 11-9 0134 15-10

OCT 26-20 5nR 13-11 8A70 4-25 /.41N 25-17 WAS 32-28

UTAEST

WOE 4-38 DTP 18-16 W190 25-20 6103 22-17 WCI1 27-25 WY 0-25 1592 27-23 A19 4-39 1210 40-36 794 m 1O81 0-24 X19371 WA2I a-34 KITE 18-13 299 17-16 99110 29-20 1.795 m 99.7 -27 WDBR 21_14 WPFN 31-25 ow 25-21 vIEC 27-22

1E57

0602 a-33 KPEN a-35 297 35_31 K®2 32-29 rots 10-24 D70 21-18 8n-2 36-33 our 33-30 :FIN 23-18 1100 25-18 SLT96 28-26 197 18-15 0195 26-22 IP7N 25-17

L LA'S There She... (Go!Discs/London/PLG) LP La's


Parallel Rea

Reach Regicral

[N&Aj PI t E 201 P2 17% S 21% P3 38% M 191 W 22% Chart Summary

Poe P1 P2 P3 Tot 1 0 0 0 0

National 2-5 0 0 0 0 Sulmary 6-15 0 1 0 1

UP 9 16-40 2 7 7 16 DEBS 8 Oros 0 8 16 24 SAME 24 Adds 0 5 5 10 DOWN 0 Ch Adds 0 0 0 0 ADDS 10 Total 2 21 28 51

1Asr

30017

um 29-23 IPrt 33-31

1111:6E17

WAT

RÁ77

YI5R an 1e92 on M1 m 99900- a 6e7 a-24 ER 38-35 1677 8-40

31017

Aim m fr 1106 0-40 ® m 6R: on IEO-0 a-36

MIDWEST

00105 39-37 vI00 m 0301 39-32

non

1795 RATM a

I600 20-13 1771949 m 099.5

LAST

EIPm 0001? a OOP a-30 WIMP a

1QPE51

11TT m 0.93, 06? a

Z99

9911 0-39 KOº5 on win 3,30 Ow 40-35 vliC 0-35

NE77

KM m 813' m 15TZ m 07177m DJN on c0Z m 797 m

LONDONBEAT A Better Love (Radioactive) LP: In The Blood

Total Reporta 188 761 Parallel

Regional Reach

Rea1 Pt 401 E 701 P2 77f

MS

86f P3 97%

M 781 W 651 Chart SoAmary

Pos P1 P2 P3 Tot

National 1 0 0 1 1

2-5 12

0 9 9 18

S

T.y 6-15 12 58 54 4

UP 158 16-40 7 25 8 40

DEBS 1 Ons 1 3 0 Al

SAME 24 #440 1 0 0 1

5(1.10 4 Ch Adds 0 0 0 0

ADDS 1 Total 21 95 72 188

1140 FAST

8104 12-10 MS 15-12 PRO-, 21-20 0A7A 14_14

987111

70399 11_11 DLL 15-13 o w.. 11-8 991 25-22 W6Z a

MIDWAST

0.02 23-21 *rte 29_21 K ERR 9-7 KW 11-9 KIND 18-16

1627 13-7 f.lIS 19-22 I0T-E, m 192 7-6 KI91 15-12 VIZ 10--8 R10Y: 16-16

1AR

81.192 15-10 6A® 11-8 WAAL 5-a O 082 22-18 WSR 9-8 JET -en 8-8 WERZ 8-6 WI1 13 fr TI0.FM 15.12 001: 8-6 79492 13-8 300107 10-10 10101 20-19 9360 9-6 999041 ,3 098 6-5 WW2 5-3 APR 19,9 0102 7-6 930 73-21 8157 19-17 6009 11-10 0012 16-6 5579 8-5 00119 16-12

OM 11 fr 893 19-18 096.7 ,7 VFW 12-9 1106 19_16 1228 30-5 :05 11_11 W6SI 32-9 O 1101 14-13 490 11-10

11511 on 0105 33-28 .490F 15-11 14C51 14_11 MIT 13-10 0427? 8-8 9195 6-4 WOW 24-24 WTI 11 O. WI 18-15 067945 14 fr KICK 11-11 1C30 1,12 1085 15-14 99619 20-17 31100 1,11 W E 21-19 0M1 11-8 1911 11-9 011067 11-7 W 0 12-8 6060 25-21 892 on Z102 18-17 1M 13-12 KL. 17-16

E l PEST

N1DD 23-20 63M) 25-24 673R 17-14 11192 13-13 96510 19-13 00105 16-16 WE 9-6 WPC 10-17 WAX 28-28 2104 16-15 1a0 9-7 1293 8-7 WRüt 24-21 6101 8-25 MIT 9-3 00111 ºW 9995 17-15 1107 17-14 0010 7-5 4101 19-16

MES:

KISS 21-20 RP95 9-8 13 III 7-6 KKE 8-10 RSA 18-15 .. TRK 13-8 F11109 9-8 10A0 18-16 OT0 20-17 113142 15-12 8190 17-7 401949 9-7 12LU 16-13 042 24-22

EAST

E R* 14-7 5N1I 6-5 103E14 8-8 9501 7-6 WE 8-8 .4017 20-19

950I1 16-12 1011, 21-20 0310 11_8

50131

MARS 12-8 1012 13-9

NLSF 14-12 WAD 21-27 0¡00 11-9 62108 12-9 000 6-4 11.110 8-5 698 1,11 RISK 8-7 0104 7-6 IRKS 16-12 K9e 10-9 1000 17-/3 0101 1,8 K W 16-9 140E 9-6 631 7-5 viol 13-9 KILT 13-9 AMR 16-12 KM 16-12 18008 7-6 019 11-9

MIDWEST

6BA1 23-20 I777 10-9 A942 13-10 586 13-9 4C1L 23-22 1001 19-12 91.49 10-9 K092 14-8 8119 19-9 RZ10 10-7 194 15.7 101t 1 -14 A931,1 11-10 0780 16-11 0R1N 2624 5AR 15-10 KEW 6-7 099 5-1 99110 20-16 RO95 11-6 KPAT 9-7 145138 14-11 wFR 8-6 UMW ,2 vIFC 5-2

VER ,3 297 11.8 WO 8-7 67115 14_10 680 '5-12 1012 12-7 KW 29-26 RIM 8-7 ZEN 13-10 002 '7-9 1.096 4-4 797 11-9 0195 17-15.. 107, 4-3

Parallels Continued on Page 104

/018RdR June28,1991 PARALLELS® N p

NELSON

Only Time Will Tell (DGC) LP: After The Rain


Reg l anal Reach Reach P1 17% E 57% P2 52% S 471 P3 74% M 64% u 371 Chart Summary

Poo P1 P2 P3 Tot 1 0 0 0 0

National 2-5 0 0 0 0 Summary 6-15 1 0 0 1

UP 58 16-40 5 48 38 91 DEBS 34 Oro 1 10 9 20 SAME 20 Adds 0 5 7 12 04OW9 0 Ch Adds 2 1 1 4 ADDS 16 Total 9 64 55 128

EAST

1111.1 26-22 Ip21 28-25 1E6 4-25 110-91 a-34

5006

81InE37

KIM m MI 38-29 ems 2-28 1890 13-11

116Sr

0191 29-26

81192 28-25 CAM m 101999 a-32 WIAL 37-30 60 35-33 WSR 2-27 JET -6 29-25 11370. a-30

041392 35-31 IRAN 2-36 1062 2-37 99961 39-36 G98 20-25 1f T

2102 m 930 m 30a 36-28 8302 39-29 W'i1ti on

WTCF a-25

SCAM

99947 a1 IT 8106 34-29 K228 39-36 I95 28-23 2626 at

*OSO 39-33 wan" 2-24

102I 2-28 8K3K a1 991815 6-36 PA88 30-25 4N1 2-29 1107 a 1810 0-29 K92 28-21 1.102 29-19 21111 a-34 26771. 34-31

110EST

1® on 111312 6-26 '1838 29-24 I01C 25-20 96510 37-33 /105 38-29 1823 32-25 2109 a 81103 24-22 1N:0 29-22 8293 29-26 mt

K10G 25-23 1001T 32-23 Klffy 25.28 1610,1 a 8307 31-27 1261 6-30 K041 4-32

WEST

095 a -no IU730 30.27 10108 24-19 12070 on 89N, m 299.5 30-25 K72u 38-35

[AST

wan 37-32 103CI11 26-24 95Iu 31-29 610,1a 4419 6-33 N01P 4-35 *In 38-36

30016

KAKI a-39 1012 0-28 6120 28.24 KO 2-38 016 40-35 1288 898 O 2512 4-25 625 m

29210 a O 211 m 0101 4-29 800 010E 40-37 KIIT 38-36 W I an O 018 35-33 YY94 36-30

MAIM

KM 38-32 66 a *C2L 2-32 641 a

0042 6-38 A.TY I220 6-39 091 m 617 on 12.936 m V e7 a-32 I101 30-25 6Z1 35-32 IONI 33-28

9921 4-30 695 33-28 WPFT

KF1M 32-29

16r

11I1 .-40 297 40-37 66 34-30 1776 0-39 8180 4-39 0FT2 4-40 (111 0-37 KM 39-34 :3111 197 a-34 095 36-39 886I 40-37

ROBBIE NEVIL

Just Like You (EMI) LP. Day 1

Total Reporte 98 401

Regional Reach E 311 S 46%

M 34% « 44%

National Summary UP 3

DEBS 12 SAME 33 DOWN 0 ADDS 50

NIA] Parallel

Reach P1 25% P2 371 P3 53%

Chart Summary Poe P1 P2 P3 Tot

1 0 0 0 0

2-5 0 0 0 0

6-15 0 0 0 0 16-40 4 6 5 15

Oro 5 12 16 33 Adds 3 26 18 47

Ch Adds 1 2 0 3

Total 13 46 39 98

EAS

1602m 994 m

SCUM

0GL 2-30 49Z 6657 01n2 on MCI 20-21 KIM 2-38 480 24-20

18aS1

KIM -34 1009 m 0111 K15x m KM2

EAST

1001999 0851 N.u1 a 3102107 61Gx 99960 a-35

m 66 a

MIA on 88 1123

sOm9

9162 on fr B93 1-39 196.7 m K106 36-35

8228 on WC00m 87.6 1105 4-34 10195 WIPE on WW2 m30 V11 a

0K1K 3wAT5 4

481111 a 286 1307a + 800 on 2102 a KM a

3020l51

WP1R VT 2-64 O142 a28 965f00112 a

*133 on KM 4w MST

0095 KAI MG 6-34 6104 642 on 101549 m

102U 4-38

Lei

DE1 9520 11841)

Oto .

5011111

f.A($ on 1110 Wl0 m 66 a 1111 m 998 on 0159 1-31 0104 1212 on 010E on VILN 5-35 K20T 6114 a

38019Sí

KM 6-40 WGLm 260 KZIO

1095WM . 81,07 m WF71 m 1D/6 4-38 WIFC

1937

11AT 297 a 871.5 a1 0139 4

8872 m A02a KIM a1 7311N on 8202 4-10 3.196 297 on 12361 a1

P.C. QUEST

Can I Call You My Girl (RCA)

Regional Reach E 22% S 37% M 231

W 241


(NiA Parallel

Reach P1 21% P2 30% P3 271

Chart Smanary Poe P1 P2 P3 Tot

1 0 0 0 0 National 2-5 1 3 0 4 Summary 6-15 3 7 0 10 UP 26 16-40 4 16 5 25 DEBS 4 Ons 3 7 11 21 SAME 26 Adds 0 4 4 8 DOWN 4 Ch Adds 0 0 0 0 ADDS 8 Total 11 37 20 68

P1ST

sorry

161196 4-35 442 21-23 8T6m

302030ST

Wet 10-6 487TT 12-12 107102 6-25

WEST

6104 1-6 011.5 on 029 27-27 825x 3-3 100977 on

470

WA® m IR5I 19-17 61a2 26.21 (C131 7-5 WON a

3 6-37

1611 18-16 '

5e1116

993 35-33 I610' 6-30 2106 on

11222 11-10 Wa1 35-32 226 2-9 KPRP 28-25 48113 a

x1111 28-22 KOa a1

991131 on 410 33-30 nm 16114 34-30 M40 6-3 MI on

1110451

ASO 90-39 WT 35-32 29105 2014 12.1103 9-9 612 16-14 8107 11-8 KM 33-28

WEST

8I21 m KM 17-16 26102 3-4 R00 21-19 06 7-14 1101949 on

14;1 eAsr

WRR On 1066 a 4871'8 a 60E on

50U76

O 012 on OJIm m 998 17-16 0301 on 100 on KNOE 24-20 11BP1

KILN on W BS On

M2030S7

60 32-32 986 32-29 183L 19-16 0.93333 m 66 2n

WEST

67 an 064

TOM PETTY

Learning To Fly (MCA) LP-. Into The Great Wide Open



S 39% M 38% W 33%

National Salary UP 41 0585 1t SABLE 29 DOWN 0 ADDS 11

rÑaA]

Parallel Reach

P1 4%

P2 35% P3 64%


1 0 0 0 0 2-5 0 0 0 0

6-15 0 1 1 2 16-40 0 28 23 51

Ons 2 9 17 28 Adds 0 3 6 9

Ch Adds 0 2 0 2 Total 2 43 47 92

M1DWE52

82010 m

WEST

0194 on

ImAi 34-28 WS1 m JR-4M 2822 W712 28-25 16192 an 11014 37-30 999K1i1 33-22 098 24-23 1102 on 4,57 34-31 30a a 1812 36-34 1[IW 2922 W29 a-30

5061

OK fr I95 29-26 NAO 4-35 0105 Nan 36-35 12TP 22-20 x4PE 22-09 1011 32 30 IOII 3027

O17 m 99KATS 4-39 Min 9n 292 a 2102 38-32 81110 4-30

666 18D0 on 4808 6-23 624 2-31 «LT2 28-18 wqR 35-31 11101 38-35 2104 35-32 POD 33-29

112.17

095 35-33 10711 10-8 92709 on 142 m KIM a48 RLU 2126

u43T

681.212 23-21 911 38-34 95113 35.33 WIPE . 111E 38-34 1et0 22-20

BAILS m MSF 21-35 1010 35-31 nu( 37-31 am 38-34 998 m

21S11 35-29 0104 on 2410.5 a1 117.11m 0101 4-30 010E 32-29 61.222 40-37 KKI7 KNIN 34-31

MI 0195T

2622 a-31 6918 35-31 0o42 2-32 194 on 601T 21-20 KI80 66 an 83M0 2-30 199 22-14 9920 on 695 an 6138 30-75 6262 m KFM1 3121 VIFC 30-29

WEST

0802 rots m KFe1 0-37 (3Ti m Ka"

m 871 290 m 0IDz 3.196 m 197 a

ni95 m

R REMBRANDTS Someone (Atco) LP: The Rembrandts


Parallel Regional Reach Reach `NiA I P1 8%

E 131 P2 241 S 29% P3 42% M 33% W 26% Chart Summary

Poe P1 P2 P3 Tot 1 0 0 0-15


Summary 6-15 0 6 6 12 UP 39 16-40 2 15 17 34 DEBS 3 Ono 2 7 7 16

SALE 21 Adds 0 1 0 1

DOWN 0 Cho Adds 0 0 0 0 ADDS 1 Total 4 29 31 64

0105 19-15 MIR on W0I c-30 2211 m 1041 17-11

31318

wax 25-23 998 21-19 8158 36-11

501(18

KILL an

011741251

0302 24-19 1898 an

1961

8831 19-36

WaE9 22-20 8351 on 1102 27-27 IIPST 26-23 1615 a

507Iy

DM on 30 2106 on 02Z8 26-23 W2O 18-15

Rembrindts Continued

MATS 16-13 411f KeFM 4-39 2102 22-18

1801937

018 18-16 96570 39-32 6305 11_8 62112 14-9 0) 103 22-26 0020 19 0107 32-32

095 40-39 8202 m 901949 30-27 K22G 37-33

11;1 E97

*PRR 8-5 Nen 28-26

800E 33-33 101Tm

11111 31-28 104111 31-30 08M 20-17

1777 6982 12.9

K082 m 1230 15.13 194 20.10 61112 21.17 I01F8 on 299 7-7 991G 26-22 8095 23-22 KEW 30-28 1rtFC 4-30

YPºT

8802 35-34 Kfas 37-32 080 20.15 DTI on DM 25-21 K7M m 231(0 m 097 2647 11811 26-25

ROXETTE

Fading Like A Flower... (EMI) LP Joyride


Reg I onal Reach E 76% S 88% M 84% W 61%

National Summary UP 161 DEW 17 SAW 11

DOWN 0 ADDS 6

Parallel Reach

P1 50%

P2 78% P3 991

Chart Sumary Pce P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 6 11 6 23 16-40 17 77 65 159

Oro 0 6 1 7 Adds 1 1 1 3

Ch Adds 2 1 0 3 Total 26 96 73 195

Yacs 0 ME 24-21 010 Alb 4811 21-18 1194 2016 YAYA a-29

soma

83099 27-22 K¢L 2-27 1032 21.16 OBE 26-24 1100 4-30 897 12-8

111237

0102 a -3S 160 24_18 1261 16-13 CPI 27-25 KBEP 11-' KIIM 23-20 2262 18-13 1861 8-6

1rST

MT 2015 801-6 6-30 8282 28-24 21.94 21-18 OIS 21-18 13109 27-25

ri9 EAST

FL62 25-21 IMP 29-27 907999 2-33 PAA 23-15 *SE 14.12 11122 27-25 WTF 28-25 JE17-81l 23-20 2682 29-26 83Nt 26 fr WEE 25-23 1+2+92 33-27 41.13 28-22 62107 21-20 61332 23-17 999012 27-17 *DP 22-21 098 34-31 1102 292E 98121 17-16 930 m 24P5T 36-33 301 20-18 .ID2 28-24 1616 W10« 27-21

s37m

WB8C 24 fr 993 30.9 (96.7 29-20 831E 3027 K106 31-26 KZ20 38-29

195 17-12 eS9l 20-17 Wa 27-22 DTA 33-27 026 37-32 0105 28-23 we 2-29 au 2-23 VLOP A18 40195 22-15 PAPE 13-9 12211 3030 16I 25-21 61995 P fr 8211 29-27 DUI on 1615 28-25 99605 40-30 111100 21_18 xA9B 23-18 41611 32-22 13111 39-34 0107 26-25 0.1067 34-33 x21-0 30-29 MYO on 892 29-22 2102 35-30 KrJf 32-20 10124

WS. 14_9

1801 28-26 4400 25-16 W7Z 21-15 0142 21 -te 96310 31-25 0105 6-34 484E 29-22

WAD 22-18 W MI 39-34 Wit on 2104 33-30 12103 24-17 KAM 21-17 0093 37-13 Kay a-33 (017 2010 NON 23-20 1107 27-23 DM a-23 0238 27-24 Mor a1

695 34-32 (7111 21-19 K81G 28-26 8911 24-21 K104 2-33 (GO 4-29 1070 23-16 (302 34-31 127I949 16-11 099.5 21-17 22212 28-25 214 2926

1111 057

248X8 2422 1.1F0 31-28 1030230 19-16 952011 29-22

WIPE 30.28 4216 26-21 95021. 27-20 4811P on 470 23-21

SUM

KA05 31-26 111I2 24-22 195F 35-28 11.580 27-20 WID 26.21 6L0 31-27 IDLY 30-23 110131 39-36 898 31-25 8158 24-17 0104 22_19 x1[s 4-34 094 6-25 K232 25-24 0101 6-26 DM 32-27 60E 34-32 4181111 25-19 KItN 36-31

III 29-25 4Ry0 34-32 KIM 24-20 213112 26-25 WBS 34-31

(810 a

(017 23-20 Neo 0-30 «B6 31-28 473. 31-29 11101 17-14 200 34-26 1.00 09-25 2210 37-32 194 22-11 tan 75-13 10.938 21 -IS 2100 a-30 DOA 27-19 6ZY 24-18 O 711 26-22 66 22-18 299 18-33 9981 34-25 KG95 28-25 (PAT 22-17 1088 22-19 4838 20.17 21140 27-23 3IF2 25-19

MT 31-27 610 14-10 29' 34-27 (®2 25-21 810: 33-28 OEC 28-21 ET 20-16 84011 a-39 O 1111 39-29 DPW 19-12 COZ 39-27 3.196 24-22 191 a-32 095 38-35 KFFV 37-35

RYTHM SYNDICATE P.A.S.S.IO.N. (Impact) LP. Rylhm Syndicate


Parallel Regional Reach 1116(íh P1 88% E 931 P2 88% S 92% P3 85%

M 80% W 85% Chart Spry

Pm P7 P2 P3 Tot 1 1 0 0 1

National 2-5 1 8 4 13 Summary 6-15 17 40 13 70 UP 183 16-40 23 56 41 120 OEM 13 Ons 2 1 1 4 SAME 12 Adds 2 3 1 6 DOWN 0 Ch Adds 0 0 3 3 ADDS 9 Total 46 108 63 217

EAST

5104 60$ 11-8 V2013 19 fr 147797 16-15 M]10 14-10 2100 28-25 WELI 20-17 VIM 9-7 994 26-25 60-6 23-21 61VI WBGC

930 2622 *8r. 33-30 40 28-24 8322 37-33 0315 35-32 1100 20 fr 080 15-11

311n11

1880 28 fr 893 9-7 096.7 12-9 101E 24.20 8106 9-5 107E 5-2 195 16-13 66 23-20 002 12-11

6011 27-21 407949 12-10 099.5 19-13 290 23-22

K22u 35-31 OO 15-13

0ST

Den 22-19 10368 a 95100 15-11 WIPE 22-18 WTP 15-14 95IIL a-32 IOC 3525 IMO 10-37

Ryttlm Syndicate Continued

83099 8.7 DLL 2-1 6295 3-2 OM 17-12 ME 10-9 7100 22-20 997 21-17 48800 17-13 07P11 14-7 6800 20-10 0105 26-21

1001927

0102 27-23 x198 20-11 4101 21-14 x012 25-23 41T on x29. 30-27 riEu 29-27 M1 21-10 408102 22-17 076 23-22 29080 30.26

6104 11-8 2115 2-28 6106 24-21 K01 30-26 (m-6 17-13 0122 22-17 0dI 24 30 6102 16-15 0106 2-28 101977 24-22 (PL2 19-16 KOBE 11-14

aA 7

11092 KAIB 30-28 107999 27-25 WAM. 28-26 IKCSE 23-19 622 33-31 WSI 22-17 WI04 2830

TIC -PM 19-I1 18'.S 17-15 833E 19-16 6192 32-28 48Ax 21-11 800100 16-14 22101 1212011 14-10 9996I 19-10 IMP 102 098 30-26 In1IT 12-7 115220 34-30 2102 19-9 98161 22-21

W0 20-9 *090 27-21 K26 19-13 G105 16-14 0913 8-3 481! 20.16 195I 25-19 WWI 6-7 IfZOP 17-11 6795 17-11 66 16-13 1QI 7-5 083945 25 fr KM 7-1 DM 13-6

VO.S 17-11 99615 31-21 6100 4-30 x68B 22-16 1a1 17-11 KIM 27-18 1107 26-23 111067 16-10 5lí.0 17-13 M00 22-19 092 24-18 2302 27-23 II)YY 28-25 1a71 26-23

18018-31

107947 a-0 190 2018 18IR a OW 15-17 96570 22-15 a105 8-4 HEE 21-14 4GN 32-22 Wm20 on WIC 25-25 2109 29-27 2J103 33-30 K70 3D-29 1293 25-16 522111 26-22 0278 20-18 10109 26-21 8107 16-13 K M 17-16 OCT 21-19

655 15-10 800 26-19 095 27-25 1200 27-17 0042 13-6 CM, 19-16 895 15-11 06102 21-14 194 15-13 (OW zoo (LO2 4-3 8704 4-4 K M 13-9 24X2 4-32

500111

RIILS 13-7 K0I2 20.17 xKSF 4-33 WAD 35-30 V50 19-16 0(x 20-16 x010 30-25 898 27-22 0104 14-11 MS 34-29 (3R 20.16 011 12-9 3101 4-18 [0m 28-15 K11« 12-5 x81T 6-4 MIL« 11-S KII7 19-12 111117 10-8 111R 28-24 CMS 26-21

MIDWEST

119u 31-27 KITT 19-17 NBa1 29-19 1131 32-26 N0 6-24

I231 13-10 (082 23-17 05Y a-36 11210 a-38 !94 2-24 319389 0-27 K191 32-25 62T 34-28 261 25-20 9921 38-29 2095 a-35 OAT -30 IaHD 29-24 11P1M 17-9 VIFC 35-28

WEST

ROOT 24-113 1603 26-22 197 30-21 1®Z 27-24 11785 t9-11 18710 35-30 03If 879T 22-17 I}Vx 4-32 8202 18-10 3.196 3-2 197 26-13 2995 32-28 00M 19-16

S SALT -N -PEPA

Do You Want Me (Next Plateau) LP Blacks' Magic


Regional Reach Reach P1 46%

E 26% P2 25% S 241 P3 5% M 19%

a 28% Chart Summary Pos P1 P2 P3 Tot

1 0 0 0 0 Nat tonal 2-5 11 6 0 17

Summary 6-15 5 11 1 17

UP 29 16-40 7 6 2 15

DEBS 4 Oro 0 4 1 5 SASE 15 Adds 0 3 0 3 DOWN 6 Ch Adds 1 1 0 2 ADDS 5 Total 24 31 4 59

422

616 3-2 485x1 2 30 'OJO 23-20 2100 a-21 PIG -6 16-8

50010

699 31-27 8K10 7-5 4.9E 2725 168911 10.9 66 11_17 F83P2G 17-23 0105 14-17

MSIAE,-T

996 4-3 WPMR 4-3 JDBn 5-6 41n7 5-2 89U 1-26 00V 38-5 1411102 2-2

WEST

6104 4-3 PM 32

000-6 12-12 0001 7 f* 6102 6-6

M07999 2-35 185E 4-30 1IC-6 9-6 8355 9-6 WEE OW 15-14 6180 8708 36-32 x0108 fr

50009

B93 30-15 O 96.7 34-26 1102 19-12 KKR. 5_10 1g795 9-B MIX 688 06 37-29 490 16-11 Ww 4-20

11011E_1T

22226 ú-y O 771

KEN 111

40.31

8(SS 9-1 K213 an 294 '-5 11120 on KLUC 9-8 KM 22-22 BCAA 6-5 KOOA 5-4 160 3-3

3.2332

501y

466 17-22

MI09ST

me 9-13 WCIL G-27

194.-

197 On

SANDEE Love Desire (Fever/Columbia)


Parallel Reach

Reach Regional NiA] P1 31% E 221 P2 25%

S 221 P3 91 M 3%

W 43% Chart SA®ary Poe PI P2 P3 Tot

1 0 0 0 0

National 2-5 0 0 0 0 Summary 6-15 7 7 0 14 UP 32 16-40 8 17 3 28 DEBS 4 One 1 7 4 12 SABLE; 18 Adds 0 0 0 0 DOWN 0 Ch Adds 0 0 0 0 ADDS 0 Total 16 31 7 54

116

40797 9-9 Wlm 30-23

601118

1695 2745 16/1196 26-26 N1Y1 16-14 817811 17-13 8MP18 19-15 3105 21-19

EAST

TIC -FM 25-23 MSS 11-10 81.42. 38-33 20% 2821 999011 on IMP 16-15 WOO on 66 29-25 MQ on

118A on 30

50161

01112930

K(I11 26-10 000 29-28 935 18-15 083102 20-17 199 17-15 8120 0-17 KY3t 38-37 RCM 0-39 KWO m 8001 22-19 499.5 m 290 9-6

6üT

18R

P83106 18-15 DTP 32-31 (m-6 30-28 0dI 20 fr 89102 0106 15.15 001 36 30 101977 16-14

Sandee Continued

4010 22-22 10/11 31.22 OPIO 16-12 x1101 4-37 0107 35-32 1113.0 35-33

MI NEST

44210 34-34

WEST

(050 4-22

50n8

WJAD 34-31 11912 22-20 VILA cm 16T m

110930

461 on

627

KOm 40-39 (7D2 on

SCORPIONS Wind Of Change (Mercury) LP. Crazy World


Parallel Regional Reach Reach P7l1030% E 48% P2 53% S 47% II 63%

P3 77%

W 46% Chart Summary Poe Pl P2 P3 Tot

1 0 2 0 2 National 2-5 0 1 1 2 Sumary 6-15 1 8 10 19 Up 81 16-40 3 38 40 81 ORBS 17 Oro 1 8 4 13 SAME 19 Adds 0 7 1 8 DOW 0 Ch Adds 0 1 1 2 ADDS 10 Total 5 65 57 127

891 0-29

1931

0135 4-29 1::31 m 032 23-20

y 06117

*318 a-30 6201. 36-33 4458 24-21 JET -9319_14 662 4.29 8111192 38-33 day 33-27 0074107 26-23

WWI 26.16 9996221-113 198 35-33 686 39.36 110220 92910 21-19 930 21-18 « PST 33-26 83]1 34-25 121222 32-26

MH1 29 fr 2106 1073 32-26 Iü50 217-25 487%1 38-29 0105 25-23 83M 21_M KTP 24_22 WME 10-7 WIT 12 fr 1101 17-13 82R 26-24 991416 m 681

31271 0-38 K92 23-20 2102 a K71m 22-16 aII.m 111161257

D(DD a1 61 0-24 M0 30-25 1E6 111

9160 334B 6105 27-22 /CRP 15-10 «III 17-12 WIC 19-19 2109 0103 an K290 28-27 1¢93 4-30 1100 -3 MO 26-29 66 15-12 1107 612 1-1 D16 MOT a1

WEST

K195 24-21 KA711 1-I KAI on CND 25-22 6104 19-18 ma 21-14 099.5 8Z2U 25-22

UST

WAR 6-26 wry 26-23 103C1R an 95200 4-32 X.PE 28-27 2M0 27-15 48i70 6-39

5D01M

650 36-31 WAD 611D 14-13 2007 25-19

SEAL

Crazy (Sire/WB)

4J18 4-38 898 40-36 RISO 28-21 015* 16-13 WITS 0-32 121 30-26 0101 30-24 KM a1 MC 22-19 KILN 0-39 FM 0-35

ONIN 24-19 MS 29-27

1E6E6

61.21 -30 Km 15-14 DIM 33-29 0042 82-40 T94 28.21 0611 22-16 25.93M on 66 6-29 NSA 11-8 11020 29-24 160X 24-19 299 6-6 9921 19-13 1G95 on 216 28-23 18201 4-33 vrM 33-26 01140 20-16 K0tt 26-20

WET

8001 17-15 2613 16-12 297 31-28 29)2 24-23 K716 31-25

171111 34-29 017. 23-20 0171 23-19 K1371 16 -it 03711* 8-5 2212 4-37 197 19-17 095 19.16 0F6 27-24


Parallel Regional Reach Reach [Nil" PI 37% E 52% P2 54% S 62% P3 68% n 45%

W 59% Chart Summary Poe Pl P2 P3 Tot

1 0 0 0 0 National 2-5 0 0 0 0 Summary 6-15 2 2 0 4 UP 32 16-40 6 35 19 62 ORBS 32 Oro 4 12 21 37 SAME 39 Adds 3 16 8 27 DOWN 0 Ch Adds 2 2 2 6 ADDS 33 Total 19 67 50 136

E AST

10197 2-32 6200 2827 WPrti a

3299 13-12 887.1 4-29 83095 34-32 meo 28-22 me 6-6 0105 en

180ESf

12P. -30 CM on 107102 1¢104 . WEST

2R37 27.23 0218 a-29 6102 29.27 0106 m D EL 29 88

12912 on

I1ST

11192 *MB a WAAL 2-37 62513 0-30 «E12 on 22162 m 88 TIC -6 88392 d-36 0111 4-40 80110/ 0-39 138 99961 on 098 u-35 61331 21-14 1102 930 11PST 31-27

3011711

W®Omrr 893 34-31 K96.7 26-21 WEIE 1106 36-33 (Z29 6-39 195 30-27 axa DIM 22-16 82102 40-33 W011 4-38 166 25.21 6PE on 19615 on 66 2824 KIM m 1101 0-34 0.1067 WJIA 36-29 4a90 2302 10-36 MII.

IQ7NLR

5MOK m YJW 37-33 WTI 18-13 96310 38-34 02105 40-32 1EE 1020 4-36 48110 33-29 2101 W11 KKNT 0-40 66 4-30

194T

K2SS 23-21 2395 1ÁI m 108G 0-35 2.96 G-29 R110 .-29 1110( 0-W 6104 1CA0 on DEC 29_16

5017R

KA6 38-31 O 012 19S! 2-39 WKIIO

Y1311 d-37 0u e-38 W J1m 37.32 898 4-40

OISR a-28 0101 51 625 on C9Bm 1211 on 200 6-35 RNOE 38-31 0A7 m W31R a O Ix 4-35 xY95 on

110EST

0T71m 69118 *CIL a 1042 on 191 on 21.931212 428 621 299 21-19 99K0 an 0295 WF3 11140 WC 4-29

WEST

t om a-36 297 K alt .-10 ATAS 6-40 118029

Continued On Next Column Continued On Next Column Continued On Next Column Continued On Next Column

PARALLELS June28,1991 RaRÍOS

WO 0-39 1676 0-39 KaA on fr

Seal Conhnued

19/1949 an 099.5 -30 12p1 39-36

1177 017 n AOO

K 7MT on 2011* on 1272 40-33 197 an 0195 m 0711 39-33

MICHAEL W. SMITH

Place In This World (Reunion/Geffen) LP: Go West Young Man


Regilnal Reach E 801 S 82% M 88%

W 56%

National Suanry UP 155 DEIS 2 SAME 27 00411

ADDS 5

o Parallel

Reach Pt 50% P2 78% P3 93%

Chart Soomary Pos P1 P2 P3 Tot

1 1 3 1 5

2-5 7 25 33 65 6-15 9 52 31 92

16-40 6 12 4 22 0ns 0 2 0 2

Adds 3 0 0 3 Ch Adds 0 2 0 2

Total 26 96 69 191

Luz

O 104 14-11 1007 24 fr WLI 13-9 0100 26-23 MGI 16-15 0100 10-14 299 22-15 16186 24-23

PW99 2-2 K6La 10W 30-28 7100 4-3 197

WREST

0102 2-1 NICI 14-12 1691 WIG. 3-2 KM 13-9 ACp 20-16 O 981 2736 Me0 3-3

WEST

MIT 11-6 1110 6-5 K1SN 6-2 1212 9-6 KUBE 15-13

EAST

07.792 10-6 WA® 12-9 101999 9-6 W1Al. 3-2 »RE a-24 6012 8-7 W SR 6-5 JET -FP 10-7 IRZ 9-7 wire 3 fr AM 2-1 PW92 12-9 MA. 13-9 i19107 15-15 10101 15-13 WG* 17-14 999111 17-12 WET 11-6 1102 Y-6

98817 10-9 930 9-8 NET 9-6 w ar 6-5 WM 6-2 1616 13-10 AM 24 07

W0p 14-14

SOUR

ASK 14 fr 893 26-14 891.8 10-8 1106 11-8

9220 12-6 195 7-6 .61 10-4 W 83 B-7 NT4 9-7 1L11 0n 0105 8-7 1101 12-9 835I 4-24 W11' 9-8 VL7P 3-3 SOPE 19-15 1177 20 fr 1OII 26-17 PW995 13 fr 10a 10-8 WWI 26-19 502.S 23-16 999A75 7-5 01100 12-9 066E 5-4 WHY 3-3 K EN 13-12 7107 3.3 0.1067 21-16 10.11.11 22-16 *E20 on 192 4-3 2102 15-13 K71111 10-9 60YY 6-5 C. 12-10

MINEST

410 7-4 107947 4-17 WO 9-4 ICR 2-2 OW 5-1 96370 12-8 83105 7-6 MLT 25.16 608l 7-2 0111 10-4 NOG 20-20 2104 12-9 12103 17-10 an 11_B K293 5-4 ASK 9-7 8100 10-9 6007 4-8 AWN 6-4 6107 3-1 1072 .-21 KM 36-15 NOr 12-7

YETI

1095 2-2 K in 9-5 O 00 11-11 MID 5-3 01104 4-4 KM 17-13 1910 10-10 101949 14-12 072)1 10-7 WO 26-18

FAST

WPM 12-12 MIP1 7-6

1,097, 95127 0.74 911 8-4

95211. 5-4 WOG lo -S MTiO 3-2

0770

KA05 7-5 9012 12-7 MLSF 7-6 1.010 19-16 *010 9-5 IOQ 3-2 8210 11-10 398 12-B AIS 6-5 0104 5-3 5105 14-11 CM 7-6 9231 10-6 0101 9-5 10a 11-S 9KE 6-4 51111 21-13 K M 14-6 1811 8-4 10IW 14-10 WIC 15-12

WREST

N5V 19-14 9TTT 6-5 5912 9-7 911.1. 7-5 SOIL 14-10 KO, 13-9 Mini 3-3 9dC 9-6 aT98.4 9210 9-5 194 8-5 O 7t1 8-6 0.9301 6-6 5791 7-3 W196 20-11 WIZT 8-6 9F91O 9.6 NM 1_1 Z99 8-5 9980 7-4 9095 4-3 9P6T 5-3 wow 6-5 WPPP 11-16 81FC 4_4

WLST

Kan 8.6 1196 18-17 297 7-5 9202 11-9 ETAS 16-11 000 11-9 EPTZ 17-13 O 1111 7-5 1117 17-14 WM 5-4 9202 9-4 3.796 2636 197 6-5 0895 12-9 16711 12-11

STEELHEART Ill Never Let You Go (MCA) LP. Steelheart

Total Reporta 125 50% Parallel

Regional Reach Reach P1 12% E 50% P2 52% s 57% P3 74% M 63% 5 28% Chart Suomery

Pas P1 P2 P3 Tot 1 0 2 3 5

National 2-5 0 8 8 16 Sussary 6-15 1 20 22 43 UP 76 16-40 2 27 18 47 DEIS 7 Ons 2 2 1

SAME 21 Adds 0 3 3 6 DOWN 12 Ch Adds 1 2 0 3 ADDS 9 Total 6 64 55 125

KAS;

YSIL5 on 2100 10.12 PA0-01 a-35

3015

11116(.57

SPN6 00 WP. 20-19 CAR 28.24

VAST

USf

0.192 29-26 WEB 23-16 W A1. 6-20 0112 7-3 WS 18-15 JET -01 15-12 WIC m WEE 32-29 PW92 8-6 91101 9991311 34-29 398 9-7 0102 4-29

Kra 13.20 Ml0L5 37-33 99VA7S 24-22 WABe 6-6 41*I 9-7 KEEP 26-26 0.1067 24-21 *JI.O 39-35 WY0 19-1B 2102 5-3 (T10 3-10 609Y 17-16 107.1 21-19

MIDWEST

Md'D a39 Nall 6-5 817 a-29 96310 5-4 83105 21-15 11EE 0-29 *I11 1932 WIC 16-10 2104 4-35 K010 22-16 6293 a27 WOK 13-10 8100 18-8 MIT on NO. 5-2 051 14-13 19W 18-16

WEST

9895 12-11 *III 24-22 CND a

41051 8-16 W16 18-13 WID 43 VAX 29-28 ea, 16.17 11.811 5-4 B98 28-26 *104 13.10 *FAS 18-14 15Ie 11_10 923l 13-15 UGC 21-21 11110 on KM 35-31 KM 01I* 10-11

0100-57

AM 17-11 Noe WCIL 3-3 16.86 19-16 K IND 20-19 (210 11-8 794 3-1 E 0rt 16-26 x9305 1-1 Vi61 3-10 101(F1 9-6 WA27 4-35 9110 9990 1_1

1095 16-13 KPAT 11_10 WISP 10.8 1060 1j.13 KM 7-6 INK 13.14

930 26.27 WS! 7-4 11 P2 a-40 WCP 1_1

sour*

WM 10 fr 1106 26_21 KM 20-14 195 I-1 4015 MAO 5-4 0105 11-9 Mai 2632 WM 12-12 NAPE 7-6 WIZ fr AOKI 16-10

Steelheart Continued

099.5 29-201 10211 9-10

141 LAST

WPB 4-6 5511 5-4 9501 22-20 WM 26-26 4070 11-0 WOE 15-14 MIIO 9-7

Km 6-6 9012 28-26

KOOT 3-2 KPKE 15-13 297 27-20 Ke12 26-25 KM 6-4 0'R 29-27 171T 10-10 7.11.10 15-20 797 9-25 0195 3.2

o.

DAVE STEWART f/CANDY DULFER

Lily Was Here (Arista) LP Saxuality


Parallel Regional Reach Read P1 69% E 83% P2 72% 5 821 P3 821 M 59% u 76% Chart Same ry

Pos P1 P2 P3 Tot 1 0 1 0 1

National 2-5 0 2 3 5 Smeary 6-15 12 33 16 61 UP 145 16-40 22 47 38 107 DEIS 10 Ono 2 4 0 6 SAt£ 25 Adds 0 1 3 4 D0104 0 Ch Adds 0 1 1 2 ADDS 6 Total 36 89 61 186

BAST

0104 10-9 MS 21-18 500018 fr *H.1 439 10197 on IGIO 17-17 2100 17-14 M1;1 26-23 0110-04 20.16 5A9A 13.13 WPC 14_13

18.1799 21-18 O AL 16-14 OS 16-11 0100 1 -12 e97 22-21 WVI 23-21 846000 35-33 0105 16.15

MIDWEST

V08P 16-16 WCI 10-9

1ERT 14-14 10119 23-20 MP 25-23 KEW an

ART

MT 25-20 KIIS 30-77 P61106 4-35 0.112 21-19 011102 26-24 9191 10-7 0106 2-20 91a. 23 fr

I8779T7 22-18 9711 1j.11 KW 2938

E AST

0.192 11-8 604 22-21 *IKZ 13-11 WSP 16-14 WIG 11-10 TI0-01 24-15 CO 15-14 IID°l 16-17 161192 23-1e 8.00 23-1B N0107 29-27 00101 19-15 W3* 25-19 999411 11-0 WIaP an 098 20-17 v1/R 0n 55011 22-19 7102 0-24 WRY 5-4 930 19-17 S POT 4_36 APR 22-19

9R2 21-20 1615 18-12 W7A29h ATOO 20-18

5047*

ABM 12 fr 893 2734 996.7 15-10 1.09 2731 9106 17-13 1008 7-6 I95 9.9 00511 16.15 Wa 15-12 192:0 10-9 12111 n-40 0105 14-13 WSI 26-22 WIT 14-13 WPF 14-12 WAR 10fr PM945 21 fr KKR 16-9 NJ1 22-20 99WT5 14-11 01100 71i W AN 15-10 WM 13-10 eF11 19-16 7107 12-9 111067 29-23 POLO 2736 WK 26-22 992 4-27 2102 16-15 K7112 a-33 1.1121. 24-20

1001050

*5110 22-22 605 12-10 NEE 13-10 WIC 33-30 7104 20-17 92103 25-25 6Oí0 01 1193 19-17 .000E 21-19 OUT 3-t 0001 19-16 N SF 1107 18-15 me 26.23

O 00 4-26 K 195 20-26 (112 26-23 006 20.24 MC 20-18 095 22-20 AOIC an 1110 30-20 KCW 34-31 KM 13-12 MC 33-30 DOD 15-11 101949 a-29 290 22-21 CZO 22-10 190 12-12

ROD STEWART The Motown Song (WB) LP. Vagabond Head

Regional Reach E 501 5 47%

M 39% W 35%

National S»ary UP 0 DENS 1

SAE. 0 DOWN 0 ADDS 106

EAST

M/1 29-25 103011 9-9 95100 27-16 MIDE 4-29 WT0 9-32 4719 29-26 W10

90015

(0X5 30-24 1412 17-16 WS/ 15-13 WAD 1411 WID 24-19 1117 17-14 00 24-20 NIl0 22-18 398 10-7 9050 1410 0154 8-5 *I6 20.16 Ole 23-19 1211 29-28 0101 17-10 100 36-26 0ÁE 17-111 WPP a 1kí8 28-23 9117 21-17 0018 4-21 WIC 31-29

5B11 30-26 9TTT 8-7 wen 391-27 MR 24-18 1C1L 15-13 9091 21_17 1092 25-21 11.70 34-27 1210 25-20 196 26-26 0.9311 20-17 *827 31-23 1/104 22-19 299 93 9950 31-23 109 9-5 N 40P 17-13 WPC 22-15

WLST

1371 27-22 101118

297 26.19 1®Z 16-15 roc 20-16 087 14 -lo O 72 33-30 61x 36-33 3VN 20-17 1ID2 20-16 3396 21-6 F97 20-16 0I95 26-24 0711 10.9


BMA

Parallel Reach

P1 21%

P2 44%

P3 57%

Chart Samar Poe P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 0 0 0 16-40 1 0 0 1

OnO 0 00 0 Adds 6 46 39 91

Ch Adds 4 8 3 15 Total 11 54 42 107

UST

MS WS 1 a-30 894 4-30 S AY* a-25

S77*

Ml DYER

WWI a-29 9ff4 a 9aP WA

WLST

9BKT a-33 61510

111.2

8192

195 1511 WAX 11204

0105

80195 YAPE PC/II

WWI 5001 4111 NULA

PULA 2102 8099 0001

WRIER

PM( 60R NEE 606D 8171a 2104 K3MT . 10W a

38

SOOTS

KM ML51a WID a 52J11 a 0gta WJIa B98

91611 5005 1000 .

0101 KM KIAE 2008 a-35 KM

W REST

IQL KOC T94 O 1.11 a-27 Vila WIT 10Ta 9913 6095 . ARP K M 4010

Rod Stewed Continued

1911999 VLSI 1AL

WSP 004G TI0-11 MD WS MO 6-23 P1/992 . ri/2. N.W* a 801949 . 191107 099.5 9-29 W011 6-39 1220 9991311 a

098 98P77 a33 930 5P97 US W Q a WC e-39 #89 -39

WRPE

507H 91F , 95111.

991 8-38 POIP K L28 WIG

YFsi

097 KF'00 ; 11401

K1M 2111* a

K202 9.190 0195 60111

SURFACE

Never Gonna Let You Down(Columbia) LP 3 Deep

Total Reports 163 661 Parallel

Reg1 anal Reach Reach P1 50%

E 70% P2 671

S 74% P3 731 M 501 M 69% Chart Summary

Pos P1 P2 P3 Tot 1 0 0 0 0

National 2-5 4 8 1 13

Su®ary 6-15 12 37 28 77

UP 127 16-40 10 33 24 67

DESS 1 0101 0 3 1 4


DOWN 9 Ch Adds 0 1 0 1

ADDS 2 Total 26 83 54 163

GUT

W715 22-17 Y0o0 13 fr Se.I 12-10 P10-01 26-17

lN*99 9-9 01001 18-17 897 5-4 W4'2 14-11 1/9111 /0 7-6 0105 12_12

WREST

MC 25-22 1001 19-17 107102 6-5 041B 19-14

WEST

1010 31-26 95104 8-16 11115 5-4 K09 9-8 R07-01 20-20 1192 10.8 1001 4 h 11102 1_18 6130 22-20 0106 10-8 101977 12-8 KOBE 22-21

EAST

11.192 19-16 WEB 28-26 107999 25-22 WAAL 11-11 WISE 20.17 *112 20-19 CRP 14-11 WI/ 10 fr 110-89 20.19 QS 12-19 WEE 14.12 PW92 17-16 »AM 7-6 F11*107 6.4 60101 10-7 6W* 7-5 9991311 10-7 Wen 9-9 O98 on inn 23-20 1102 6-5 N1nr 39-3.1 Cl 16-13 161Y 19-11 P46A 13fr WIx 25.24

5®0 IB fr 493 22-21 1074 15-13 0106 24-23 1728 21-20 1651 22-19 5Q2 4-4 War 23-20 IMO 36-26 K ZFn 5-2 0105 13-12 1100 19-15 1161 18-16 WM 25.21 WIT 6-6 *0195 7-6 10a 2735 1983 13-13 99947S 12-8

A BB 16-13 W07 KIWI 9.8 1107 8-8 12.10167 33-30 AAA 14.12 2102 24-27 EM 17-1S P01Y 11-7 11071 23-22

*.E4G 24-23 96510 11-7 00105 17-11 IG1e 6-13 *301 9-18 I104 32.29 X1103 19-12 #171 On

13111 11-11 1161. on 1107 3f-26 91M 10-7

41107 16.15

R05 17-14 ECG( 3-3 K795 20-19 011 12-10 00G 9-9 B95 23-22 P61102 17-16 194 5-18 0100 6-5 O 10 9-7 ( CAP 19-10 1010 -21 9Da 6-7 190 7-4 PM 16-8

UST

(PPP 6-127 N81 15-12 1037P on 9510 16.13 IIOF 21-19 18471 17-17 Kw 5-3 CO 3023

90175

L W 9-10 90I2 16-15 NCR 16-9 AJAD 22-19 MD 10-10 537 15-11 ion 9-7 *J00 12-9 898 15-12 114 22-14 0104 2P-22 VMS 22-18 Me 26-24 CI1 15-14 0101 13-7 10a 30.25 AKE 1}12 S BPF 17-12 91 LP 21-20 1307 17-15 NBS 10..6

WGI T-19 CRT 26-26 Ne0 r7-13 *611 15-11 81L 20.19 10CA 20-16 K OC 13-10 an, 26-16 MO 24-19 794 2535 NM 23-19 BWZT 16-13 9990 36-36 0295 17-10 APR 19-23

WEST

K OOI 16-11 Z91 23-17 KHr2 13-10 MO 18-13 V60 17-13 91u 4-39 9'11R 18-16 1102 16-14 797 16-14 OK95 37-31

T THUNDER

Dirty Love (Geffen) LP. Backstreet Symphony


Regional Reach E 441 S 45% M 42%

W 353

AMA]

Parallel Reach

PI 41

P2 39% P3 73%

Chart &0000ry Pos P1 P2 P3 Tot

1 0 0 0 0 National 2-5 0 2 0 2 Sainary 6-15 0 6 6 12

UP 62 16-40 2 25 35 62 DEIS 8 Oros 0 14 11 25 SAW 31 Adds 0 1 2 3

DOWN 0 Ch Adds 0 0 0 0 ADDS 3 total 2 48 54 104

lAS7

B96 23.21

50018

l0 NEST

0102 2836

1r -SI

up U5T

W an an VAAL 26.29 All, 24-22 NSF on JET -01 9-30 618000 0942 28-26 M_AB 27-23 9990!1 an 7102 15-15

WM 31-26 CEP 4_40 K M 33-27 tan. al

*0CK 16-12 ARP 72-19 96510 35-31 83105 25-25 2711 34-32 12103 01 2700 B-7 905 on NAM c 1072 6-4

WEST

1195 an K1711 6-5 1101 0n 871104 22-22 692 28-23 C00 an

EAST

WPI an

IBe 16_1 021I 22-20 FM 0n 4908 29-28 IIIT a-38

111711 19-15 121113 2-15 WM 23-20

100WE5T

IYTT 30-28 NCIL 90X on /210 33-29 90R 4-28 0.93871 an 2001 2531 *PP 17-13

Wa21 32-30 299 25-22 9990 21-19 9095 10-9 9067 on WFB 36-33 0715 17-14 WPC an

WS ILvr 36-35 747 40_34

5®0 27 fr 196.7 4-34 1106 0n K22B 34-32 195 15-14 0105 . inert 35-30 WiP 33-33 W0724 fr 10.1 19-16 1171 1V-13 aa 38-36

99Wi3 on

Thunder Continued

11,1 39-35 1:3Q9 on 9!.2II 0-3 PSPE on W1P 33.20 #86' an CO 28-27

0aM5 32-29 (012on W5F 2634 WID ROC 31-29 Wl0 4-40 998 36-34 1131 26-20 ifL5 on

KW2 U0-35 1T16 38-35 KM 38-33 Ma 27-24 01x 27-24 KIM 29-26 MIN 29-21 9202 2934 51796 4-30 197 30-28 11(95 29-25

TIT1Y0

My Body Says Yes (Arista) LP Tnyo


Parallel Regional Reach

Reach P1 27%

E 261 P2 38%

S 51 P3 278 M 8%

W 4,8 Chart SI®ary Pos P1 P2 P3 Tot

1 0 0 0 0


Surmary 6-15 3 5 0 8

UP 41 16-40 9 26 6 41

DE9S 6 Ono 1 14 12 27 SAME 29 Adds 1 2 2 5

DOA 0 Ch Adds 0 0 0 0

ADDS 5 Total 14 47 20 81

elu7

CF 4-32 80141 24-20

PW99 18-14 1FLL 25-23 1.11195 19-18 OW 16i42 18-15 ICT11 on PWrIO 14-9

air W01.

95194 23-20 161106 23-20 10.011 25-23 111)2 0-26 101977 29-25

tar 101999 an 5aZ 29-27 WIN 24 fr TIC -01 31-26 M.0. an 9991011 26-25 N91P 24-23 WRIT 17-8

16P1 32-21 WOO on 161Y º1 W1A 19 II NICE dl

001111

996.7 0n 195 18-15 1002 27-26 K2FM 26-20 0105 23-20 RIP on NCIT 011

NO795 4-26 WQ11 an 6 0n 9*1i73 33-26

*A9P 19-15 WM on 1005 an 1107 13.11 21067 20-17 WLO 29-25 WV() 21-17 e a 35-29 WA

MlOVST

83105 15-13 1016 32-29

PEST

O LS5 22-18 I009 29-20 tax an 1006 31-30 01P102

194 2533 60C 23-20 KTMO 29-27 K CAO on

1062 4-33 9083 25-24 KlC 22-19

UST

3077*

K M 1210 an 0.93711 2834

1705 on 10E0 a-38 1T17 37-35 K702 a-39 107.11 an

TRIXTER

Surrender (Mechanic/MCA) LP: Tnxter


Parallel Regional Rch¡ ¡ Reach

E26% Á04 J P2 31% S 3911 P3 55%

M 47%

11 24% Chart Sllonery Pos P7 P2 P3 Tot

1 0 1 0 1


Slllmary 6-15 0 6 7 13 UP 50 16-40 1 21 24 46 DEES 4 On1 0 8 9 17 SAM 24 Adds 0 2 0 2 DOW 0 831 Adds 0 0 0 0 ADDS 2 Total 1 38 41 80

U77

300}8

111Nr37

W9e4 23-19

lEM

EAST

6AIIf 15-43 06112 WSP on WEIR 2733 WEE 33-32 PIP92 19-15 FO*107 0-35 WO0 24.23 99901I :0-19 398 25-02 WCP an

507M

YBBO 31 7r I95 *MR an W7271 28-28 VOLPE or W77 or fr MA 0n WM 4-35

MI 23-21 9IS8 23-15 Wa 28-26 0104 17-15

CII 0n 10WE7T 0101 an

KME 26-26 CO 18-14 61111 on WC9 7-1 OIN 23-21 WM 27-23 19669 25-22 96311 26-20 WIC 12-12 IaNOti AM 36.33 9293 21-20 5B12 on Y101 34-32 CRT 29-27 007 28-26 900 36-35 16uN 25-23 I010 4-40 K107 19-17 196 5-3 IOIT2 16-15 9017 on

01910* º-8 NPR KW 16-14

96T 10.12 9095 39-37 070 on K A1M 12-11 299 24-21 K ai m 9990 4-37 399.5 an Ka95 35-31 9202 31-29 VAT 21-20

POBR 25-23 WFx 12-29 01% t5-11

B AST WEST

NPER 19-15 9002 39-36 5Wl 25-22 CPS 35-31 4170 25-25 0E0 26-26

1Tf2 26-23 502I8 941.40 31-28

MN 27-24 ( 002 on Y97 on

WISP 26-19 8395 on WID 18-17 WM 2732 898 24-24

u 78427

Here I Am (Come And Take AIeXV7rg,n) LP Labour Of Love II


Reglorel rarallel

0 ReachReachReachR

P7 E 63% P2 66% S 71% P3 68% 9 64%

W 67% Chart Summary Pos P1 P2 P3 Tot

1 0 0 5 36 National Spry 2-5

6-15 13

13

48

48

5

33 36 94

UP 113 16-40 5 12 11 28

SAW 33 SAWN

Oros

Adds 0 2

1

2

0 0

1

4 10

ADDS 6 Ch Adds

Total. 1

34

0 81

1

50 2

165

EA6T

111cS 5-3 WOO 14 fr NIA 6-5 1020 19-1 2103 23-20 N7;1 22-19 PR0-nt 4_4 »VA 7-7

07210

11E99 9-4 nu. 1B-16 1100 13-4 17111 P9P10 3-3 0105 5-5

IQAOM

696 .-30 0102 18-14 .0518 6-6 W4 4-4 Mlil YCPL 26-24 9510 7-4 <BE 8-4 101102 10-9 mW 8 5-4

11LS 23-20 1W106 15-10 901-01 8-7 ma 12.7 01102 17-14 129: 9-6 0106 4-4 101977 1-15 O42 4-5 K11ff 13-12

U 4 61.792 5-3 i171999 0-29 134 6-5 6112 04-34 SYSP 6.7 JET -01 5-5 an 7-5 TIo-01 39-31 Wm 10-9 741192 5-13 61.49 11-8 1190107 9-9 40C.10 4-4 999140 15-15 WO 4-30 098 1.-12 98P17 7-7 930 12-9

R 11-2 51 0-

1 5 28-25

whit

5080 36 fr 893 6-8 (96.7 6-11 FE 9-6 17.211 340 5001 2-1 WO( 16-14 ma 6-5 0105 9-8 NCO 11-6 W -5I 16-12 win 10-10 a0195 5-9 WAPE 11-10 P(81 21-18 PW945 11 fr

YqLS 12-7 9911175 42 n1í00 5-2

1118f 19-13 13011 5-5 7107 19-16 0.1067 9-6

41.11.0 15-11 W W 5-4 1192

1102 7-6 19199 20-14 MI 13.12

MTDWE9T

WM 53 107947 10-11 *JI6 10-8 WTI on 96310 39-35 MEE 10-9 1120) 4-4 *011 2104 9-6 11103 7-6 WOK 14-13 1007 1-4 K87 30-28 1107 5-5 K06 13.10 M0I 11-10

CT MS 1413 ma 19-9 KAKI 8-7 1616 e-5 1100 6-7 9CÁ0 8-8 I70 11-11 KN*: 35-25 KIM 5-4 6000 20-17 IT949 5-5 099.5 7-4 Z90 11-8 MU 02-9 VP 6-6

y WPP. 18_17 103018 12-1 950a 6-5 AM l0-7 WOIP 16.0

19070

91312 9-6 iIILSF 13_11 NM 13.10 91v 10-9 AS« 9-7 998 5-3 0104 10-8 *79S 12-8 991E 5-5 1011 9-8 0101 6-6 9011 3-2 1082E 7-7

51131 9-7 R107 9-7 5FIn 19-17 K611 17_13 04110 15-29 W16 7-7

IaDlrsl

WBAI 20-16 KIT! 7-6 M1X 10-8 VNP 12-B WOOL 18_IB MR 12-10 Wk. 21-17 MC 10-7 ax9 25-14 CIO 21.17 794 13-11 1L930M 10-9 W10F 21-20 9910 14-11 APR 12-12

*030

(PAN a-3. 297 18-14 ®Z 15-14 Km 15-12 081 4-2 0V 21-18 9T1fT 21-18 2018 14-11 1832 7-7 3095 30-26 MP 7-6

LUTHER VANDROSS

Power Of Love/Love Power (Epic) LP: Power 01 Love


Regional Reach Reach P1 65%

E 871 0 P2 79%

S 89% P3 84%

M 55% 9 80% Chart 511amery

Poe P1 P2 P3 Tot 1 0 0 2 2

National 2-5 10 44 43 97 S*i ary 6-15 19 32 14 65 UP 123 16-40 5 17 3 25 DEIS 1 On1 0 2 0 2


DOWN 17 at Adds 0 1 0 1

ADDS 2 Total 34 97 62 193

EMT WAS 6-5 MU 8 fr Ne.I 4-3 i0ry7 11-11 1010 12-11 2100 11-18 *100 12-12 8.34 21-20 P10-071 13-2 WOC 12-12

soon 75699 15-15 18095 12-12 7100 9.6 497 13-12 WY2 2-2 KTLA 9-8 P9TPI0 4_4 0105 10-20

MIRES N11A 17-13 Wm 18-16 1000. 7-11 101102 11-8

MST 007 2-2 16104 21-28 9I1S 4.20

165106 9-8 105 10-9 601-271 14_11 Fill 5-9 01102 9-8 6190 7-4 10401 4 jr- WIZ 4-3 K W( B-8

119 UST 27792 3-2

WAA 6 fr 11001 12-8

N9C 19 fr 893 17-16 196.7 11-8 WRY' 5-4 9106 17-9 97213 17-39 16.S7 11-28 am 3.3 11q 6-5 WC0p 2-2 rug 9-7 0105 5-5 91198 18-10 WIT 4-4 61151 7-5 *eR 6-4 0219 4_4 10195 2-2 SAPE 4_4 40M 113 fr III 6-7 PW945 B rr 10YK 8-6 NU0 5-4 WAS 6-4 99WAY3 5-4 01100 6-4

11/17 2-2 001 6-6 7107 4-4 0.1067 5-3 ASA 5-4 14000 15-15 992 17-13 L102 3-5 KM 5-4 NSW 7-6

1110037

18m0 20-16 107947 18-15 YI.I16 31-31 963T0 10-6 (x105 4-2 *WI 5-4 2104 23-25

I eAsr

APIO 3-3 *WT 3-2 1030161 2-2 951E 4-3 *971 6-6 95211 2-14 loll 6-7 0670 6-4

7049

6A10. 2-2 (010 9-3 144..51 54 *J8D 11-9 NU 7-7 WM 3-2 10.100 4-10 990 4-2 898 2

0104 4-2 YfKS 6-3 13e 9-9 92II 7-5 0101 5-3 K0a 6-3 6I6E 3-3 11811 2-1

81131 7-4 KM 4-3 NIM7 2-2 KM 27-23 610110 5-4 11199 2-1

IQDWOST

AM 7-4 ( TT/ 5-9 68W 7-6 (We 3-3 1001 6-3 805 4-20 FM 5-4 MY 15-8 010 5-3

Continued On Next Column Continued On Next Column Continued On Next Column -Parallels Continued on Page 106

ÍOÓeRsR June28,1991 PARALLELS®

Luther Vandroa8 Contnued

9417 5-4 107999 22-18 90E 10-9 vI12 18-16 W5P 3-2 1062 6-4 WIP( 17 fr TIC -FM 6-5 KSs 6-8 WEE 5-4 9092 9-4 wu : 2-2 7111107 8-8 170101 3-2 13173.6 5-3 999010 6-4 1a06 4-3 39e 10-8 9nn 6-2 36P7 a -le T102 5-3 981611 4-2 930 6-4 45T 23-20 913(1 5-11 180f9 5-3

D

L1103 WTI 10-10 98r1 12-10 1107 14_11 1110 43 880r 6-5

MSS 13-17 1001an 1695 10-9 1111 3-2 8081 14-1r 1610 15-14 895 an P49102 7-11 K010 14-7 RUC 23-30 7771 6-5

711104 11-9 MAC 5-7 MC 7-7 we 35-29 290 6-20 112711 18-15

-1

W WARRANT Blind Faith (Columbia) LP: Cherry Pie

Total Reports 50

Regional Reach E 24% S 16%

M 27% W 151

National S3.ml ary UP 12 DEBS 1


330178

IQ01r9T

909 an 31R10 25-23

WEST

[71;1 9tt

434462 on 9ÁA:. an 9112 36T-711 a 173392 WEAN an YPST an 9P« on 917z 38-35 VTC3 an

NiA

794 10-8 2.93871 12-11 8421 5-5 37P1 3-3 991G 6-6 1095 1-4 10112 26-22 VP17 7-7 M1FT 6-5

1007 5-4 MP 5-4 297 6-4

1030'2 3-3 2116 3-2 1697 6-4 173n 4-4 SIN 11-9 1202 4-3 9.196 8-5 197 4-3 8095 9-7 0711 6-4

201 Parallel

Reach P1 41

P2 24% P3 24%

Chart Srr®ary Pos P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 1 1 2 16-40 1 9 3 13

Offs t 16 8 25 Adds 0 4 6 10

Ch Adds 0 0 0 0 Total 2 30 18 50

!00íP

8106 35-31 well an be 27-27 PAPE 40 918 an Cr 480I 28-24 17.50 an 111 29-26

ICUfST

339789 at .O1 a5 96ín3 al 07105 26-24 MIm 14-13 0031 rON 30-25 1012 19-16

01F -ST

1Á711 20-20 1.1 a1 099.5 an 822u on

KEITH WASHINGTON Kissing You (WB) LP: Make Time For Love

Total Reporta 52


S 251 M 11%

W 31%

National Summary UP 26 DEWS 5 SAME 15 DOWN 1

ADDS 5

sAsr

12003 24-21 9P -.5C 4-3

90073

0100 a-29 WVY 6-6 17771 26-22 0105 an

IaDre WI'T 15-15 RA3 6-40 193102 al

9821

35104 0613 1412 MCI 19 h 0106 26-7 KIEL 2 fr 1101977 29.26

N&A

Chart Pos

1

2-5 6-15

16-40 Ore

Adds Ch Adds

Total

141 UST

ASS 8-7 PLAN 40-35 10G% 3431 9080 19-18 PITT at 930 25-23 9008 10 fr

97,777

11072a+ 9R:0 a -3e KA1 13-10 KP7K 10-8 KNr 33-29 IMP 34-34 90AS 993ATS 25-27

1401! 29-27 30099 033

Mine 34T1 31-26

I19T

9787 W0P 4110 an

80118

wID 25-23 LISP 33-30 K10 a1 01IN a

par Nn 17-15 M781 an 1,11111 a-30 9910 on w9P on v7rT on 019

1RT

37'10 an 1772

m z x.

21% Parallel

Reach P1 29%

P2 241 P3 11%

Surma ry P1 P2 P3 Tot

O 0 0 0 2 0 0 2 3 4 1 8 7 18 5 30 2 4 1 7 1 3 1 5

O 0 0 0 15 29 8 52

YET

K1R1 . 811G 25-21 895 27-25 70102 26-23

194 22-20 KOQ 16-16 Ma 25-24 RC.10 38-36

07177

090 17-16

LAST

9 0TR

KA10 WAD 28-21 Rí10 3-28 4137 7-7 2083 40-38 ar Pan 27-25 4184 an

VEST

013 0-40

CRYSTAL WATERS Gypsy Woman (She's Homeless)

(Mercury) Total Reports 144 58%

Parallel Regional Reatl1 Reach

P1 67% E 69% P2 632 S 72% P3 43% M 361 Chart Suarery W 541 Pm P1 P2 P3 Tot

1 1 0 0 1

National 2-5 7 1 0 8 Summary 6-15 11 19 2 32 UP 80 16-40 12 44 24 80 DEBS 12 Oro 3 6 3 12 SAW 35 Adds 1 6 3 10 DOWN 6 1-71 Adds 0 1 0 1 ADDS 11 Total 35 77 32 144

F1T

Crystal Wafers Continued

0AS 12-11 KAU 11 fT 30T91 5-5 1020 7-6 2100 3-2 4Q:R 16-14 10025-1 B94 on PR0-111 22-19 vAVA 16-16 *GC 3-5

went

PK99 28-28 IOLL 21-19 P9695 8380 14-13 Pr96 3-3 i100 21-19 93V2 3-3 RT0 12-12 7777I0 26-25 0105 9-9

996 10-9 wsx 18-19 11111 17-22 MP 12-33 107102 17-15 10118 an

MP.

11IS 15-10 PW 106 4-4 0dT 21-20 101-0 18-15 nR 24-21 Pl1002 an 0106 17-17 DEL 3ft.

7.092 22-19 PAW e

N07999 30-28 vAAL 29-27 4LSE 18-16 K53 29-26 do« 29 fr K¢5 3-3

410:7 20-18 WAN 35-29

7011101 11-7 2:101 18-18 w;N 11-9 999a1I 28-21

1.1122 e-7 398 Miff 15-15 1dSP1 7-7 930 20-20 rS1 10-9 Wa 13-9 8079 31-24

601A 12 75

9880 on Cr 893 28-27 196.7 20-17 3678' 29-24 8106 33-32 1128 13-9 91cZ 26-25 w01 29-24 17727 16-12 0105 35-30 0788 12-11 406 0-27 4451 91331 7-6 IMP 6-40 10795 an 11T8. 9D21 30-28 K1S 35-30 88M 28-19 10311 21-21 1107 32-29 0.1067 18-15 921.2 20-32

WPM 30-26 2102 37-26

W.21. an

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9210 15-14 IC1Z 25-20 07105 10-9 1R:to a-37 100I a-40 2104 24-24 1¢93 27-25 920K an 0171 17-15 1000 On MOT 0-24

MILS:

06S 10-9 0003 1-77 7795 on

61111 0-71 8110 23-23 995 26-26 P41102 21-26 1010 MK 23-38 1CÁ0 24_22 13622 1101 19-12 107949 27-22 399.5 -26 290 13-12 Oro 25-23

511 GOT

8119 9501 23-21 1041 0-39

scan{

KA1C5 34-30 9210 10-17 wID 6-28 W231 21-19 O 41: 23-21 4710 a P98 25-20 0102 23-19 We a-20 RZII am 0101 25-19 kW 14-11 0Y3E 36-35 9877 28-28 411-8 20-22 KIM 25-23 361R 23-20 99115 28-26

HUMS?

97x1 16-íC 4998 23-21 wRL 22-20 1071 w8P 32-27 9771 on

rs7 efts a-34 094 a-36 2117 an 1702 31-21 07M 38-36

WILSON PHILLIPS The Dream Is Still Alive (SBK) LP. Wilson Phillips


Regional Reach

E 74% S 841 M 83% W 56%


SAME 11

DOWN 0

ADDS 5

Parallel Reach

P1 48%

P2 76% P3 93%

Chart Su®ary Pos P1 P2 P3 Tot

1 0 0 0 0 2-5 1 2 0 3

6-15 10 24 26 60 16-40 12 63 42 117

los 0 2 0 2 Adds 1 1 0 2

Ch Adds 1 1 1 3

Total 25 93 69 187

1AR

830. 19-11 IRKS 29-24 48.2 10-7 1000 894 15-11

9N111

P4199 22-17 REM 24-22 1190 16-10 0180 24-22 1100 17-15 Pí7 24-19 P*PI0 40-39

19001ST

0102 31-29 9773 11-10 1NC. 11_7 92P. 14-10 1911 12-9 KI13 31-22 1677102 4-26 11110 7-7

IFT

0113 23-19 U P/ 17-13 1194 11-5 1712 20-17 íu80 26-24

513 F 71.392 18-13 990 20.18 197999 24-20 MALL 30.18 9182 26-24 9708 23-18

JET -0 20-35 9032 17-1S 1210 16 it

71C -F71 23-21 KIE 13-11 71792 36-35 454 16-12 739107 19-11 10101 23-17 9338' 15-12 999087 13-9 398 38-14 *PR 37-34 1102 21-16 98P1T 16-15 930 en 9721 30-28 WW2 15-12 31012 22-21 380711 30-26 46/1 19-16

990 1000 22 re 893 24-13

196.7 25-22

478' 28-23 1106 27-22 17.28 27-25 I95 26-25 1412.58 28-24 W07 17-15 WW2 15-12 K2111 0-35 0105 0-33 407 29-25 4001 a 9027 30-26

MLTP 15-14 39r91 25-22 00f 38 fr 768945 19 fr 111K 21-18 1Q1 23-16 WAS 21-20 99MATS 29-20 0100 20-17 WM 21-95 7777 30-28 0107 20-17 6,1061 25-19 YAP 32-27 4h'0 4-30 092 9-7 2102 25-21 2701 24-16 39I9 27-24 9773. 20-18

WOIfST

Hora a-21 107947 0-16 9231 20-17 1472 15-11 0091 12-12 06ST0 20-14 07105 18-18 WE 16-13 1030 21-20 101I 30-27 WIC 18-16 2104 27-19 0800 15-13 R93 11-9 WOK an 8000 22-21 Mil 8-2 4171 20-18 1107 22-20 KIM 22-19 *KR 0-22

3795 13-10 1783 13-11 004 18-18 891D 26-25 KM 26-19 0104 .-23 10T0 5-3 OW 26-22 099.5 26-23 1Z20 26-23

111 east

481 21-18 103[18 20-17

95103 17-15 3116E 20-17 WCP 32-27 95111. 15-11 9011 30-29

34170 16-14

a0e111

KALS 19-16 1012 23-21 1a.91 28-20 WAD 17-14 WIG 21-14 9211 25-21 0817 12-11 4710 23-19 998 22-17 KI.SP 21-12 9104 21-19 97K3 28-22 151E 0-23 1221 20-19 8101 19-13 R00 26-22 810E 39-15 911.0 33-27 MY 23-18 180K 15-10 R10N 21-18 W8S 2416

10186.1

97I1 3433 2011 16-15 9301 26-23 9Pl 19-13

8033. 21-11 1003 -23 4.P9 23 -te 100 21-15 10.1V 30-19 RIO 14_11 T94 19-13 2.9371 7-6 4181 20-16 .71 23-21 Oa 20-16 1091 20-15 166 16-10 9980 27-17 8095 22-15 0741 16-14 8089 20-18 8711 a-31 1779 22-18 4720 20-13

1007 28-23 1706 13-11 297 28-22 1801 11-13 1'716 26-21 090 30-24 8370 21-17 040 31-28 Kiln 26-22 7758 31-26 002 21-17 9.096 16-7 797 29-21 3695 34-33 3717 18-15

3

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AFTERSHOCK Going Through The Motions (Virgin) LP. Aftershock

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1K320 26-20 0105 8-8

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PARALLEL CHART ANALYSIS CHR NATIONAL AIRPLAY

June 28,1991 .109

P1 Major Markets

LW TW

1 Q PAULA ABDUL/Rush Rush (CaptiveNirgin) 2 2 COLOR ME BADD/1 Wanna Sex You Up (Giant/Reprise)

4 Q EMF/Unbelievable (EMI)

7 0 TARA KEMP/Piece Of My Heart (Giant/WB)

i1 0 RYTHM SYNDICATE/PA.S.S.I.O.N. (Impact)

13 0 JESUS JONES/Right Here, Right Now (SBK)

3 7 EXTREMEAdore Than Words (A&M)

s 8 LUTHER VANDROSS/Power Of Love/Love Power (Epic)

10 Q UB40Mere I Am (Come And Take Me) (Virgin)

1s l CORINA/Temptation (Cutting/Atco)

9 11 ANOTHER BAD CREATION/Playground (Motown)

12 ® CRYSTAL WATERS/Gypsy Woman (She's Homeless) (Mercury)

6 13 R.E.M./Losing My Religion (WB)

19 LENNY KRAVITZ/It Ain't Over Til It's Over (Virgin)

17 ® DAVE STEWART I/CANDY DULFERA-ily Was Here (Arista)

14 16 MARIAN CAREYA Don't Wanna Cry (Columbia)

16 17 SURFACEMever Gonna Let You Down (Columbia)

zo CD SALT-N-PEPA/Do You Want Me (Next Plateau)

24 AMY GRANT/Every Heartbeat (A&M)

23 a MICHAEL W. SMITH/Place In This World (Reunion/Geffen)

18 21 LISA FISCHERMow Can I Ease The Pain (Elektra)

e 22 BUCK BOX/Strike It Up (RCA)

27 a D.J. JAllY JEFF & FRESH PRINCE/Summertime (Jive/FICA)

26 m WILSON PHILLIPS/The Dream Is Still Alive (SBK)

zs ® LONDONBEAT/A Better Love (Radioactive)

29 0 ROXETTE/Fading Like A Flower (Every Time You Leave) (EMI)

a/ BRYAN ADAMS/(Everything I Do) I Do... (A&M/Morgan Creek)

21 28 HI -FIVER Like The Way (The Kissing Game) (Jive/RCA)

31 a STEREO M.C.'S/Elevate My Mind (4th & Broadway/Island)

33 HI -FIVER Can't Wait Another Minute (Jive/RCA)

22 31 MICHAEL BOLTON/Love Is A Wonderful Thing (Columbia)

zit 32 AFTER 7/Nights Like This (Virgin)

35 a ESCAPE CLUB/1'11 Be There (Atlantic)

36 Q SANDEE/Love Desire (Fever/Columbia)

F017> 0 CHER/Love And Understanding (Geffen)

34 36 MARC COHNWalking In Memphis (Atlantic)

4o fl GLORIA ESTEFAN/Can't Forget You (Epic)

Fmk -7> BOYZ II MEN/Motownphilly (Motown)

KEITH WASHINGTON/Kissing You (WB)

O BUCK CROWESMard To Handle (Def American)

52 REPORTERS

DEBUT

DEBUT

DEBUT

HOTTEST ROD STEWART (10) BRYAN ADAMS (7) D.J. JAllY JEFF (6) CATHY DENNIS (5)

FIREHOUSE (5) HI -FIVE (5)

LENNY KRAVITZ (5) SEAL 151

PAUU ABDUL (31) EMF (24)

COLOR ME BADD (15) BRYAN ADAMS (14)

RYTHM SYNDICATE (13)

DEBUT

DEBUT

DEBUT

DEBUT

DEBUT

P2 Secondary Markets

LW rw

1 PAULA ABDUL/Rush Rush (CaptiveNirgin) 2 2 COLOR ME BADDA Wanna Sex You Up (Giant/Reprise)

3 0 EMF/Unbelievable (EMI)

e 0 JESUS JONES/Pight Here, Right Now (SBK)

7 Q MICHAEL W. SMITH/Place In This World (Reunion/Geffen)

6 6 LUTHER VANDROSS/Power Of Love/Love Power (Epic)

,4 Q RYTHM SYNDICATE/PA.S.S.I.O.N. (Impact)

9 0 MARC COHN/Walking In Memphis (Atlantic)

10 Q LONDONBEAT/A Better Love (Radioactive)

11 ) UB40Mere I Am (Come And Take Me) (Virgin)


is ® TARA KEMP/Piece Of My Heart (Giant/WB)

s 13 EXTREME/More Than Words (A&M)

22 AMY GRANT/Every Heartbeat (A&M)

16 SURFACE/Neve1 Gonna Let You Down (Columbia)

20 ESCAPE CLUB/1'116e There (Atlantic)

19 DAVE STEWART f/CANDY DULFER/Lily Was Here (Arista)

21 o;) WILSON PHILLIPS/The Dream Is Still Alive (SBK)

23 LENNY KRAVITZ/It Ain't Over 'Til It's Over (Virgin)

17 20 LISA FISCHERMow Can I Ease The Pain (Elektra)

25 ® ROXETTE/Fading Like A Flower (Every Time You Leave) (EMI)

24 Q STEELHEARTA'll Never Let You Go (MCA)

z9 I j CHER/Love And Understanding (Geffen)

O BRYAN ADAMS/(Everything I Do) I Do It... (A&M/Morgan Creek)

13 25 BUCK BOX/Strike It Up (RCA)

re 26 MARIAH CAREYA Don't Wanna Cry (Columbia)

30 CRYSTAL WATERS/Gypsy Woman (She's Homeless) (Mercury)

33 CORINA/Tempation (Cutting/Atco)


3e É' SCORPIONS/Wind 01 Change (Mercury)

31 31 ANOTHER BAD CREATION/Playground (Motown)

37 ® DARYL BRAITHWAITEMigher Than Hope (Epic)

29 33 HI -FIVER like The Way (The Kissing Game) (Jive/RCA)

34 34 SIMPLE MINDS/See The Lights (A&M)

35 35 POISON/Life Goes On (Capitol)

Q NELSON/Only Time Will Tell (DGC)

G AFTER 7/Nights Like This (Virgin)

SALT-N-PEPA/Do You Want Me (Next plateau)

THUNDER/Dirty Love (Geffen)

Q BUCK CROWESMard To Handle (Del American)

122 REPORTERS

ROD STEWART (54) ROBBIE NEVIL (28)

CATHY DENNIS (26) BRYAN ADAMS (20)

GUNS N' ROSES (19)

r T PAUU ABDUL (74)

EMF (55) COLOR ME BADD (50)

JESUS JONES (42) MICHAEL W. SMITH (33)

DEBUT

P3 Smaller Markets °

LW 1v

1 1 PAULA ABDUL/Rush Rush (CaptiveNirgin) 3 0 EMF/Unbelievable (EMI)

s Q MICHAEL W. SMITH/Place In This World (Reunion/Geffen)

8 o LONDONBEAT/A Better Love (Radioactive)

4 5 COLOR ME BADDA Wanna Sex You Up (Giant/Reprise)

6 0 LUTHER VANDROSS/Power Of Love/Love Power (Epic)

7 Q MARC COHNWalking In Memphis (Atlantic)

12 0 JESUS JONES/Right Here, Right Now (SBK)

13 0 ESCAPE CLUB/1'll Be There (Atlantic)

n 1 l LISA FISCHER/How Can I Ease The Pain (Elektra)


16 ® WILSON PHILLIPS/The Dream Is Still Alive (SBK)

14 cip UB40Mere I Am (Come And Take Me) (Virgin,)

20 TARA KEMP/Piece Of My Heart (Giant/WB)

1s ® STEELHEART/I'II Never Let You Go (MCA)

23 C) AMY GRANT/Every Heartbeat (A&M)

24 m ROXETTE/Fading Like A Flower (Every Time Leave) (EMI)

21 1) SURFACE/Never Gonna Let You Down (Columbia)

22 C) DAVE STEWART t/CANDY DULFER/Lily Was Here (Arista)

27 a RYTHM SYNDICATE/PA.S.S.I.O.N. (Impact)

26 eíj LENNY KRAVITZ/It Ain't Over 'Tit It's Over (Virgin)

9 22 EXTREME/More Than Words (A&M)

3, a CHER/Love And Understanding (Geffen)

29 DARYL BRAITHWAITEMigher Than Hope (Epic)

33 0 SCORPIONS/Wind Of Change (Mercury)


18 27 BUCK BOX/Strike It Up (RCA) 0y BRYAN ADAMS/(Everything I Do) I Do It... (A&M/Morgan Creek)

25 29 SIMPLE MINDS/See The Lights (A&M)

,o 30 HUEY LEWIS & THE NEWS/Couple Days Oft (EMI)

28 31 POISON/Life Goes On (Capitol)

® DAVID HALLYDAY/Ooh La La (Scotti Bros.)

36 ® THUNDER/Dirty Love (Geffen)

37 © TRIXTER/Surrender (Mechanic/MCA)

19 35 KANE ROBERTSA)oes Anybody Really Fall In Love... (DGC)

Q NELSON/Only Time Will Tell (DGC)

38 CID REMBRANDTS/Someone (Atco)

39 Q RICK ASTLEY/Move Right Out (RCA)

C CRYSTAL WATERS/Gypsy Woman (She's Homeless) (Mercury)

Q DESMOND CHILD/Love On A Rooftop (Elektra)

74 REPORTERS

DEBUT

DEBUT

DEBUT

JiJJ.=:7 r.:l_J= '

ROD STEWART (42) CATHY DENNIS (23) ROBBIE NEVIL (18)

MICHAEL MORALES (17) CORINA (16)

EMF (42) PAUU ABDUL (37)

COLOR ME BADD (29) JESUS JONES (25) ESCAPE CLUB (20)

PERFORMING WHERE PLAYED Artist/Song/Label Reports CRYSTAL WATERS/Gypsy Woman (She's Homeless) (Mercury) 144 SEAL/Crazy (Sire/WB) 136 DARYL BRAITHWAITEMigher Than Hope (Epic) 132 DESMOND CHILD/Love On A Rooftop (Elektra) 130 NELSON/Only Time Will Tell (DGC) 128 SCORPIONS/Wind Of Change (Mercury) 127 STEELHEARTI11I Never Let You Go (MCA) 125 GLORIA ESTEFAN/Can't Forget You (Epic) 115 BUCK CROWESMard To Handle (Del American) 113 FIREHOUSE/Love 01A Lifetime (Epic) 109 THUNDER/Dirty Love (Geffen) 104 MICHAEL DAMIAN/What A Price To Pay (A&M) 93 TOM PETTY & THE HEARTBREAKERS/Learning To Fly (MCA) 92 RICK ASTLEY/Move Right Out (RCA) 88 AFTER 7/Nights Like This (Virgin) 83 DAVID HALLYDAY/Ooh La La (Scotti Bros.) 82 TITIYO/My Body Says Yes (Arista) 81 TRIXTER/Surrender (Mechanic/MCA) 80 D.J. JAllY JEFF & FRESH PRINCE/Summertime (Jive/RCA) 79 P.C. QUEST/Can I Call You My Girl (Headliner/RCA) 68 HI -FIVER Can't Wait Another Minute (Jive/RCA) 67 REMBRANDTS/Someone (Atco) 64 SALT-N-PEPA/Do You Want Me (Next Plateau) 59 SANDEE/Love Desire (Fever/Columbia) 54 KEITH WASHINGTON/Kissing You (WB) 52 KEITH SWEAT/Your Love - Part 2 (Vintertainment/Elektra) 49 LISA LISA & CULT JAM/Let The Beat Hit 'Em (Columbia) 47 BINGOBOYS/Borrowed Love (Atlantic) 37 STEREO M.C.'S/Elevate My Mind (4th & Broadway/Island) 33 PARTY/Summer Vacation (Hollywood) 31 BOYZ II MEN/Motownphilly (Motown) 30 HEAVY D & THE BOYZ/Now That We Found Love (MCA) 30 FRED SCHNEIDER/Monster (Reprise) 29

Report % Conversion % Top15 %

58% 85% 34% 55% 53% 6% 53% 87% 17% 52% 58% 0% 52% '75% 1% 51% 83% 22% 50% 91% 56% 46% ,62% 8% 46% -" 64%. 7% 44% 59% 2% 42% 73% 18% 38% 65% 13% 37% 60% 4% 35% 61% 4% 33% 80% 36% 33% 76% 31% 33% 60% 16% 32% 76% 25% 32% 63% 16% 27% 57% 36% 27% 76% 25% 26% 73% 28% 24% 86% 67% 22% 78% 33% 21% 77% 25% 20% 73% 19% 19% 53% 8% 15% 51% 0% 13% 94% 39% 13% 74% 17% 12% 93% 29% 12% 63% 16% 12% 52% 20%

PERFORMING WHERE PLAYED is a weekly listing of those records in

New & Active and Significant Action which have a total of 25 or more

reports with at least 50% of the airplay converted to chart that have not lost more than 5 stations from the previous week's total airplay. Note: See Parallels for a complete picture of all station activity. New records with large add totals won't show in Performing Where Played until those adds co-vert to chart numbers.

Repons

1 CRYSTAL WATERS/Gypsy Woman... (Mercury) .. 144 2 SEAL/Crazy (Sire/VVB) 136 3 DARYL BRAITHWAITE/Higher Than Hope (Epic) 132 4 DESMOND CHILD/Love On A Rooftop (Elektra) 130 5 STEELHEART/I'll Never Let You Go (MCA) 125 6 BLACK CROWES/Hard To Handle (Def American) 113 7 THUNDER/Dirty Love (Geffen) 104 8 DAVID HALLYDAY/Ooh La La (Scotti Bros.) 82 9 TITIYO/My Body Says Yes (Arista) 81

10 TRIXTER/Surrender (Mechanic/MCA) 80

New artists have not yet had a CHR Breaker.

110* June 28,1991 CHR 1

NATIONAL AIRPLAY®

BREAKERS CORINA

Temptation (Cutting/Atco) 67% of our reporters playing it. Moves: Up 91, Debuts 19, Same 26, Down 0, Adds 30 including WZPL, KBEQ, FM102, 999KHI, WSTW, WMYF, Z104, KQMQ. See Parallels, moves 29-23.

NEW - _,&\,r -311-1J CRYSTAL WATERS "Gypsy Woman (She's Homeless)" (Mercury) Reports: 144 Moves. Up 80, Debuts 12, Same 35, Down 6, Adds 11 including PWR95, WAEB, G98, WKSI, KKYK, KOMO, WIO0 5.1, KITS 15-10. See Parallels, moves 25-22 on the CHR chart.

SEAL "Crazy" (Sire/WS) Reports: 136. Moves: Up 32. Debuts 32, Same 39, Down 0, Adds 33 including WPGC, WZPL, HOT102. KDWB, KKRZ, TIC - FM, WTHT 21-14, WPST 37.27. K96.7 26-21.

DARYL BRAITHWAITE "Higher Than Hope" (Epic) Reports: 132 Moves: Up 90, Debuts 7, Same 33. Down 0, Adds 2. WAEB, WSPK, WLAN 19-14, 999KHI 31-28, WSTW 23-18, B93 20-17, K106 30-25, KKHT 24.19. See Parallels, moves 37-32 on the CHA chart.

DESMOND CHILD "Love On A Rooftop" (Elektra) Reports: 130, Moves: Up 47, Debuts 25. Same 46, Down 0, Adds 12 including 0102, JET -FM, FM 100, KBFM, W HOT, FLY92 26-22, KC101 30-26, WOGN 32-25.

NELSON "Only Time Will Tell" (DGC) Reports: 128. Moves: Up 58, Debuts 34, Same 20, Down 0, Adds 16 including WEGX, PRO -FM. WTHT, Y107, WZOK, WRON, WBLI 26-22, MOJO 28-25, KXXR 38-29. See Parallels, debuts at number 39 on the CHR chart.

SCORPIONS "Wind Of Change" (Mercury) Reports: 127. Moves: Up 81, Debuts 17, Same 19, Down 0, Adds 10 including K106. WHHY, 2102, Z104, KZ93, K107, 099 5, WAAL 38-33, JET -FM 19-14, PWR92 38-33. See Parallels, moves 39-34 on the CHA chart.

STEELHEART "I'll Never Let You Go" (MCA) Reports 125. Moves: Up 76, Debuts 7, Same 21, Down 12, Adds 9 including PRO -FM, WAAL. KC101, WKRZ, KSND, KWTX, KDWB 28-24, WAEB 23-16, WIKZ 7-3. See Parallels, moves 30-28 on the CHA chart.

GLORIA ESTEFAN "Can't Forget You" (Epic) Reports: 115. Moves: Up 55, Debuts 6, Same 44, Down 0. Adds 10 including KKRZ, WAEB. WKEE. Y102, K106, K107, KKBO 19-15, Y100 15-10, WERZ 23-19.

BLACK CROWES "Hard To Handle" (Del American) Reports: 113 Moves: Up 35, Debuts 32, Same 24, Down 0, Adds 22 including KEGL. FLY92, WLAN, WOGN, WGTZ, KJ103, Z100 19-11, WEGX 5-4, WKBO 27.21, WTBX 34-26 See Parallels, debuts at number 40 on the CHA chart.

CATHY DENNIS "Too Many Walls" (Polydor/PLG) Reports. 112. Moves: Up 10, Debuts 28. Same 20. Down 0. Adds 54 including 0105, HOT102, 0106. KPLZ, KUBE, KRXY 34-29, WZKS 36-32, K107 34-29.

FIREHOUSE "Love Of A Lifetime" (Epic) Reports 109. Moves Up 33. Debuts 24, Same 32, Down 0, Adds 20 including PRO -FM. WPHR, WZPL, WKBO, KISN, 0102 35-32. WRVO 20-14, Zt04 36-31

ROD STEWART "The Motown Song" (WB) Reports 107 Moves: Up 0, Debuts 1, Same 0, Down 0, Adds 106 including WXKS, WBLI, WAVA, WNCI, KBEO. KXXR, WKBO. KRXY, KISN, KPLZ.

THUNDER "Dirty Love" (Geffen) Reports: 104. Moves. Up 62, Debuts 8, Same 31, Down 0, Adds 3, G105, WOID. WCIL, WPST 27-22, WYCR 9-6, WHHY 31-26, WIOG 8-7, KMYZ 6-4, KNIN 20-15.

ROBBIE NEVIL "Just Like You" (EMI) Reports: 98. Moves: Up 3, Debuts 12, Same 33, Down 0, Adds 50 including WNVZ, KRXY, KKRZ, KPLZ, H01999, WOGN, WNCI 24.21, WKBO 24-20, K106 38-35.

MICHAEL DAMIAN "What A Price To Pay" (A&M) Reports: 93. Moves. Up 51. Debuts 6, Same 28. Down 1, Adds 7. KC101, WYCR, HOT95. K012, KMCK, WBWB, Z97. KISN 28-23, WAEB 21-17, WOGN 39-33.

TOM PETTY á THE HEARTBREAKERS "Learning To Fly" (MCA) Reports: 92. Moves: Up 41, Debuts 11, Same 29, Down 0, Adds 11 including WRCK, WYCR, G105, K92, KWOD, WKPE, WAAL 34-28, JET -FM 28-22, WOGN 37-30, 999KHI 33-22.

RICK ASTLEY "Move Right Out" (RCA) Reports: 88. Moves: Up 42, Debuts 6. Same 36, Down 0, Adds 4, Y100, WRHT, KYRK. KZZU, WXKS 26-23, WLAN 31-25, WSTW 26-20, K107 28-24.

AFTER 7 "Nights Like This" (Virgin) Reports: 83. Moves: Up 42, Debuts 14, Same 14, Down 1, Adds 12 including HOT97, WAAL KC101, XL1067, WHOT, KKSS, KEGL 7.6, KRXY 1-1, FM102 8-7, K96.7 23-19. See Parallels, moves 40-35 on the CHR Chart.

DAVID HALLYDAY "Ooh La La" (Scotti Bros.) Reports: 82. Moves: Up 51. Debuts 0, Same 21, Down 5, Adds 5, WAAL. WMXF. KJ103, WZKX, WBPR, PWR92 30-25, WOGN 40-28, 999KHI 30-26, 99WAYS 28-24.

TITIYO "My Body Says Yes" (Arista) Reports: 81. Moves: Up 41, Debuts 6, Same 29. Down 0, Adds 5, KRBE. WKZL, PWR102, WYKS, KLYV, PWR99 18.14, PWRPIG 14-9, WTHT 17-8, KZFM 26-20

TRIXTER "Surrender" (Mechanic/MCA) Reports. 80 Moves: Up 50, Debuts 4, Same 24, Down 0, Adds 2, WIKZ, 195, WKBO 23-19, PWR92 19-15, WROK 7-1, 96ST0 26-20, WPRR 19-15, WKSF 24-19.

D.J. JAllY JEFF & FRESH PRINCE "Summertime" (Jive/RCA) Reports: 79 Moves Up 33. Debuts 10, Same 11, Down 0, Adds 25 including 2100, PWR99, KEGL, KITS, KKRZ, KPLZ, 930, 195, HOT97 30-21 0105 22-10, WHYT 16-9. See Parallels, debuts at number 37 on the CHA chart.

PEABO BRYSON "Can You Stop The Rain" (Columbia) Reports. 74 Moves Up 22, Debuts 6, Same 33. Down 0, Adds 13 including Z100, FM102, KC101, G98. FM100. KBFM, WPGC 26-20, Y100 30-27, WAAL 33-29, KZFM 27-19.

P.C. GUEST "Can I Call You My Girl" (Headlinerecords/RCA) Reports. 68. Moves: Up 26. Debuts 4, Same 26. Down 4, Adds 8, WOGN. G98, WMXF, Y107, 103CIR, W NYP, WBPR, KFFM. WNVZ 28-23. WDFX 10-6. KC101 7-5

HI -FIVE "I Can't Walt Another Minute" (Jive/RCA) Reports: 67. Moves: Up 32, Debuts 12, Same 10, Down 0. Adds 13 Including WIOO, B96. WDFX, WHYT, PWRI06. B93, B97 23-18, KTFM 16.11, PWRPIG 23-18, KS104 9.5.

REMBRANDTS "Someone" (Atco) Reports: 64. Moves: Up 39, Debuts 3, Same 21, Down 0, Adds 1, WSTW, 0102 24-19, Z102 22-18, CK105 11.8, WIXX 14-9, WPRR 8-5, KISR 16-11, WBNO 12-9.

ALIAS "Perfect World" (Giant/WB) Reports: 62. Moves: Up 8, Debuts 12. Same 29. Down 0. Adds 13 including B94, JET -FM, PWR92, WLAN, KMYZ, 099.5. KAKS, 103CIR 29-25, KISR 39-35

SALT -N -PEPA "Do You Want Me" (Next Plateau) Reports: 59. Moves: Up 29. Debuts 4, Same 15, Down 6, Adds 5, 2100, WKSE, WKEE. WDJX, WABB, MOJO 23-20, PRO -FM 16-8, WHYT 5-2, KXXR 18-5. See Parallels, moves 36-33 on the CHR chart.

KLF "3 A.M. Eternal" (Arista) Reports: 55. Moves: Up 16, Debuts 7, Same 18, Down 0. Adds 14 including 697, PWRPIG, WPHR, PWR106, WRCK, KZZB, XL1067, HOT97 31-25, WIOO 23.17, K96.7 31-25, WCKZ 21-16.

SANDEE "Love Desire" (Fever/Columbia) Reports 54. Moves: Up 32, Debuts 4, Same 18, Down 0, Adds 0, W100 30-23, KTFM 17-13, PWRPIG 19-15, WKSS 11-10, WOGN 28-21. KZFM 31-22, KKXX 26-10.

KEITH WASHINGTON "Kissing You" (W8) Reports: 52. Moves: Up 26, Debuts 5. Same 15, Down 1, Adds 5. KS104, WZKS, KIKX, KDON, KAKS, WPGC 4-3, KTFM 26-22, WLAN 40-35, KZFM 13-10, KPRR 10-8.

LA'S "There She Goes" (GolDiscs/London/PLG) Reports: 51. Moves Up 9, Debuts 8, Same 24, Down 0. Adds 10 including 999KHI, KTUX, KF95, KATM, 099.5, Z99. KKBO 29-23, WPST 38-35, KWOD 20-13.

WARRANT "Blind Faith" (Columbia) Reports. 50. Moves. Up 12. Debuts 1, Same 27, Down 0. Adds 10 including WIKZ, JET -FM, PWR92, KKHT, WPRR, KNIN, WKRZ 38-35, WOKI 28-24, WRON 30-25

J KEITH SWEAT "Your Love" (Vintertainment/Elektra) Reports: 49. Moves: Up 27, Debuts 2. Same 17. Down 0, Adds 3. PWR106, KHTK. KOIZ, WXKS 18-15, KS104 18-11, HOT977 9-7, WOGN 35-27, HOT949 26-21.

ROD STEWART (106) CATHY DENNIS (54) ROBBIE NEVIL (50)

BRYAN ADAMS (42) GUNS N' ROSES (33)

SEAL (33) CORINA (30)

STEVIE WONDER (29) MICHAEL MORALES (27)

AARON NEVILLE (26)

HOTTEST PAULA ABDUL (142)

EMF (121) COLOR ME BADD (94)

JESUS JONES (77) BRYAN ADAMS (65)

MICHAEL W. SMITH (61) RYTHM SYNDICATE (56)

ESCAPE CLUB (41) LUTHER VANDROSS (35)

STEELHEART (31)

LISA LISA & CULT JAM "Let The Beat Hit 'Em" (Columbia) Reports: 47. Moves: Up 15, Debuts 8. Same 16, Down 0, Adds 8 including HOT102, HOT977, FUN107, 1(106, Y107, WZKX, WXKS 35-29, WPGC 15-9, WNVZ 27-10.

TRIPLETS "Sunrise" (Mercury) Reports: 42. Moves: Up 7, Debuts 2, Same 28, Down 0, Adds 5, 0102, WAEB, KF95, KISR, WVBS, WAAL 40-34, KTUX 30-25, WGTZ 34-28.

FOREIGNER "Lowdown And Dirty" (Atlantic) Reports: 40. Moves: Up 7, Debuts 5, Same 24, Down 0, Adds 4,098, KZZB, W ILN, KG95, FM 100 27-24, KTUX 28-23, KATM 21-16, KFMW 35-32, KFBO 39-35.

GUNS N' ROSES "You Could Be Mine" (Geffen) Reports: 37. Moves. Up 2, Debuts 1, Same t, Down 0, Adds 33 including KEGL. KBEO, PWR92, WLAN, G98, WKRZ, KZZB, WZYP.

BINGOBOYS "Borrowed Love" (Atlantic) Reports: 37. Moves: Up 13, Debuts 4, Same 13. Down 0, Adds 7, KS104, KKFR, HOT977, K106, HOT95, WJAD, WPFR, HOT97 27-22, B95 21-16.

ICY BLU "Pump It" (Giant/WB) Reports 36 Moves: Up 12, Debuts 6, Same 8. Down 0, Adds 10 including PWR95, HOT977, KUBE. K106, WJLO, KYRK, WIOO 33-29, KS104 16-12, KZFM 34-23.

STEREO M.C.'S "Elevate My Mind" (4th & Broadway/Island) Reports: 33. Moves: Up 24, Debuts 2, Same 6, Down 0. Adds 1, WBXX, WIO0 7-6, PWR95 22-19, KTFM 20-15, PWRPIG 36.30, KIIS 10-7, PWR106 1.1

STEVIE WONDER "Gotta Have You" (Motown) Reports: 32. Moves: Up 2, Debuts 0, Same 1, Down O. Adds 29 including PWRPIG, KXXR, WKSS. WMXP. 0105. WAPE, Z102, WPGC 25-21, SLY96 20-16.

DAVE KOZ "Nothing But The Radio On" (Capitol) Reports 32 Moves: Up 8, Debuts 4, Same 14, Down 0, Adds 6, PWR92- KPRR, KYRK, WJMX, KCHX, KTMT, WXKS d-34, KKHT 27-23.

PARTY "Summer Vacation" (Hollywood) Reports 31. Moves: Up 15, Debuts 0, Same 14, Down 1, Adds 1, KKYK, KXXR 34-31, G98 32-28, KLUC 11-10. WBPR 19-16. WCIL 34-30

HEAVY D. & THE BOYZ "Now That We Found Love" (MCA) Reports 30. Moves: Up 13, Debuts 5, Same 5, Down 0, Adds 7, HOT97, KPRR, WRHT, WJMO, KKMG, KOMO, WBXX, WPGC 16-8, PWRPIG 32-24. KKXX 25-15

BOYZ II MEN "Motownphiily" (Motown) Reports: 30. Moves. Up 15, Debuts 6. Same 4, Down 2, Adds 3, HOT97, WIO0. TIC -FM, WPGC 1-1. KS104 29-23, KKFR 20-14, HOT977 4-2, PWR102 25-12

FRED SCHNEIDER "Monster" (Reprise) Reports: 29. Moves: Up 10, Debuts 5, Same 9. Down 0, Adds 5, WTHT, KZZB, WCKZ, Y107, WZOK. WYCR 24-15, KWOD 21-15, HOT949 25.17, 099 5 13-8.

T'PAU "Only A Heartbeat" (Charisma) Reports: 29. Moves: Up 12, Debuts 0, Same 17, Down 0, Adds 0, 1-1OT949 29-26, 103CIR 28-26, KPXR 20-16, KFTZ 31-28, ZFUN 35-30.

MICHAEL MORALES "I Don't Wanna See You" (Wing/Mercury) Reports: 28. Moves: Uo O. Debuts 0, Same 1, Down 0, Adds 27 including WKBO, WAEB, KZZB, G105, Y107. KTUX. CK105, WIOG, KZZU.

AARON NEVILLE "Everybody Plays The Fool" (A&M) Reports: 27. Moves: Ub 0, Debuts 0, Same 1, Down 0, Adds 26 including WPGC, WNCI, KS104, 117,28, 195. WAPE, WJLO.

YASMIN "Wanna Dance" (Geffen) Reports: 21. Moves: Up 0, Debuts 3, Same 9, Down 0, Adds 9 including WIQO, PWR1 06, KPRR, KKHT, 194, KYRK, KDON, Z90.

DIVINYLS "Make Out Alright" (Virgin) Reports: 20. Moves: Up 8, Debuts 1, Same 9, Down 0, Adds 2, WAAL. KZZU, KRBE 31-29. 693 37-34, WROK 19-11, HOT949 20-16, KISR 40-37. Z99 27-24.

JESSE JAYMES "Shake It (Like A White Girl)" (Delicious Vinyl/Island) Reports. 20. Moves: Up 10, Debuts 2, Same 7, Down 0, Adds 1, KS104, KTFM 0-30, HOT977 13-10, KZFM 38-26, PWR102 16-13, KYRK 31-29, WBPR d-32.

D'ZYRE "Forever Amo'r" (Atlantic) Reports. 19. Moves: Up 9, Debuts 1, Same 8, Down 1, Adds 0. PWR95 11-10. PWR96 20-18, KTFM 21-18. WDFX d-25, WHYT 11-10, KPRR 19-15.

YO-YO "You Can't Play With My Yo -Yo" (East West) Reports: 18. Moves: Up 8. Debuts 1, Same 7, Down 1, Adds 1, B95, WPGC 2-2, WNVZ 12-8, KKFR 13-11, KMEL 5-5, PWR102 13-8, WBXX 22-18.

CYNTHIA "Break Up To Make Up" (Micmac) Reports: 18. Moves: Up 13, Debuts 0, Same 4, Down 0, Adds 1, KKXX, PWR96 11-10, 0105 30-27, K0V-FM 7-6, 0106 26-22. HOT999 4-2, WSPK 26-22, KDON 17.14.

BOB HALLIGAN "Could Have Been You" (Atco) Reports 17. Moves: Up 0, Debuts 0, Same 0, Down 0, Adds 17 including WLAN. WCGO, 99WAYS, WROK, KKHT, KZZU, WWFX, WJMX

RALPH TRESVANT "Do What I Gotta Do" (MCA) Reports 17. Moves. Up 5, Debuts 2, Same 7, Down 0, Adds 3, WMXP, KOMO. WFHT, WNVZ 15-12, FM102 22-17. 895 33-30, PWR102 11.7, KLUC 25-22.

MIKE & THE MECHANICS "Everybody Gets A Second Chance" (Atlantic) Reports 16. Moves: Up 2, Debuts 3, Same 11, Down 0, Adds 0. PRO -FM 25-24. WRVO 0-28, WOID d-35. KISR 37-36, KFBO d-40

SAFIRE "Taste The Bass" (Mercury) Reports: 15. Moves: Up 0, Debuts 1, Same 7, Down 0, Adds 7, PWR95. WNVZ, KPRR, WRHT, KBFM, XL1 067, KCAO, WSPK d-37.

KEEDY "Wishing On The Same Star" (Arista) Reports: 15. Moves: Up 1, Debuts 6, Same 5, Down 0, Adds 3, KOMO. 99KG, KG95. WOGN d-29. WIXX 24-20. WTBX d-33, WIFC d-34.

ANGEL "Your Love Just Ain't Right" (Virgin) Reports: 15 Moves: Up 6. Debuts 1, Same 7, Down 0, Adds I, WKBO, PWR106 20-16, HOT977 on -Op. KZFM 25.17, KKXX 24-16, Z90 d-30

AFTERSHOCK "Going Through The Motions" (Virgin) Reports- 14 Moves Up 7, Debuts 0, Same 1, Down 5, Adds 1, H01949, PWRPIG 28-20, PWR106 21-17. KJ103 21-18, KKXX 30-11,194 8-6, KOMO 13-6, KRO 27-24

TONY TERRY "With You" (Epic) Reports: 13. Moves. Up 4, Debuts 1, Same 2, Down 0, Adds 6, KTFM, FM102. KPRR, PWR102, KNOE, WBXX, WIO0 34-30, WPGC 22.18, KZFM 33-25.

A LIGHTER SHADE OF BROWN "Latin Active" (Duality) Reports: 12 Moves: Up 3. Debuts 3. Same 1, Down 0, Adds 5. PWR106, 0106, HOT977, KKXX. Z90, KTFM 30-24, B95 28-24, PWR102 35-27.

CONTRABAND "All The Way From Memphis" (Impact) Reports. 11. Moves: Up 1, Debuts 1, Same 6. Down O. Adds 3, WVSR, K106, WILN, WPST d-37, WROK on, WGTZ on -Op,

KATM 16-13.

BANDERAS "This Is Your Life" (London/PLG) Reports 11 Moves: Up 4, Debuts 0. Same 6, Down 1, Adds 0, WXKS 27.25, PWR106 31-28, WAAL on, WJMO on, H01949 22-19. WJAD 9-8.

THE DON "In There" (Del Jam/Columbia) Reports 10 Moves Up 0 Debuts 0 Same 0 Down 0, Adds 10, PWR95, WDFX, WHYT, WAAL. WRHT, KKYK, KKSS, B95, KCAO. WBPR

CORO "My Fallen Angel" (Cutting/Charisma) Reports 10 Moves Up 4 Debuts 1 Same 0 Down 0 Adds 5, WOO. KOY-FM, TIC -FM. B95 KCAO HOT97 4-3, PWR96

9-8, WKSS d-27, Z90 20 14

JOMANDA "Got A Love For You" (Big Beat/Atlantic) Reports 10. Moves: Up 4, Debuts 0, Same 3. Down 0, Adds 3, WXKS, W IO0. KKSS. 2100 20.17, 896 28-24, PWR106 26-23, KMEL on, TIC -FM on, WKSS 27-20.

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THE BACK PAGE® JUNE 28, 1991

NATIONAL AIRPLAY OVERVIEW

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1 1 1 1 PAULA ABDUL/Rush Rush (CaptiveNirgin) 3 2 2 2 COLOR ME BADDA Wanna Sex You Up (Giant/Reprise)

e 5 3 0 EMFAJnbelievable (EMI)

20 14 7 0 JESUS JONES/Right Here, Right Now (SBK)

7 6 5 5 LUTHER VANDROSS/Power 01 Love/Love Power (Epic)

23 16 11 0 TARA KEMP/Piece Of My Heart (GiantiWB)

13 11 8 MICHAEL W. SMITH/Place In This.. (Reunion/'Geffen)

12 10 9 Q UB40Mere I Am (Come And Take Me) (Virgin)

16 12 10 0 LONDONBEAT/A Better Love (Radioactive)

31 21 14 t RYTHM SYNDICATE/PA.S.S.I.O.N. (Impact)

15 13 12 MARC COHNWalking In Memphis (Atlantic)

2 3 4 12 EXTREME/ ore Than Words (A&M)

6 4 6 13 R.E.M.Aosing My Religion (WB)

29 23 19 e) DAVE STEWART f/CANDY DULFERAily Was... (Arista)

- 28 22 ® LENNY KRAVITZ/It Ain't Over 'Til It's Over (Virgin)

22 19 16 CID SURFACEMever Gonna Let You Down (Columbia)

- 29 21 45 AMY GRANT/Every Heartbeat (A&M)

38 25 20 WILSON PHILLIPS/The Dream Is Still Alive (SBK)

19 17 15 19 LISA FISCHER/How Can I Ease The Pain (Elektra)

.i 36 26 23 ESCAPE CLUB/I'll Be There (Atlantic)

- 35 28 CD ROXETTE/Fading Like A Flower (Every Time) (EMI)

35 27 25 ¡.. CRYSTAL WATERS/Gypsy Woman... (Mercury)

BREAKER ® CORINA/Temptation (Cutting/Atco)

11 9 13 24 BLACK BOX/Strike It Up (RCA)

5 8 18 25 MARIAH CAREYA Don't Wanna Cry (Columbia)

I DEBUT 1 0 BRYAN ADAMS/(Everything I Do)... (A&M/Morgan Creek)

- - 31 5 CHER/Love And Understanding (Geffen)

37 33 30 STEELHEARTA'll Never Let You Go (MCA)

26 24 24 29 ANOTHER BAD CREATION/Playground (Motown)

7 17 30 MICHAEL BOLTON/Love Is A Wonderful... (Columbia)

9 15 26 31 HI -FIVER Like The Way (The Kissing Game) (Jive/RCA)

- - 37 Q DARYL BRAITHWAITEMIgher Than Hope (Epic)

- 39 36 a SALTN-PEPA/Do You Want Me (Next Plateau)

- - 39 Q SCORPIONSANind Of Change (Mercury)

- - 40 AFTER 7/Nights Like This (Virgin)

- 38 35 36 SIMPLE MINDS/See The Lights (A&M)

DEBUT > ffl D.J. JAllY JEFF & FRESH.../Summertime (Jive/RCA)

_ 40 30 38 POISON/Life Goes On (Capitol)

DEBUT > a NELSON/Only Time Will Tell (DGC)

DEBUT > BLACK CROWESMard To Handle (Del American)

MLA Pg. 110; PlaylIsts Pg. 96; Parallels Pg. 101; Parallel Chart Analysis Pg. 109

.:J!J!-r .rl/tl'JiJJrí1f11 3 2

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30 24 23 a 10 12 18 24

HRE AKiEsi - 29 26 a - - 28 5 - - 29 a - 30 a

DEBUT > 0

PAULA ABDUL/Rush Rush (CaptiveNirgin) EXTREME/More Than Words (A8M)

LUTHER VANDROSS/Power Of Love/Love Power (Epic)

GLORIA ESTEFAN/Can't Forget You (Epic)

MICHAEL W. SMITH/Place In This... (Reunion/Geften)

GLENN FREY/Part Of Me, Part Of You (MCA)

DARYL HALL & JOHN OATES/Starting All... (Arista)

NATALIE COLE wMAT COLEAJnforgettable (Elektra)

MICHAEL BOLTON/Love Is A Wonderful... (Columbia)

MARIAN CAREYA Don't Wanna Cry (Columbia)

WILSON PHILLIPS/The Dream Is Still Alive (SBK)

STYX/Love At First Sight (A&M)

MARC COHN/Walking In Memphis (Atlantic)

LISA FISCHER/How Can I Ease The Pain (Elektra)

SURFACEMever Gonna Let You Down (Columbia)

CHER/Love And Understanding (Geffen)

WHITNEY HOUSTON/Miracle (Arista)

BRUCE HORNSBY & THE RANGE/Set Me In... (RCA)

AMY GRANT/Baby, Baby (A&M)

PEABO BRYSON/Can You Stop The Rain (Columbia)

D. STEWART f/C. DULFERAiIy Was Here (Arista)

AMY GRANT/Every Heartbeat (A&M) MIKE & THE MECHANICS/Everybody Gets A... (Atlantic)

ROD STEWART/Rhythm Of My Heart (WB)

BRYAN ADAMS/(Everything I Do)._ (A&M/Morgan Creek)

RICK ASTLEY/Move Right Out (RCA)

ESCAPE CLUBA'll Be There (Atlantic)

KEITH WASHINGTONMissing You (WB)

BONNIE RAITT/Something To Talk About (Capitol)

ROD STEWART/The Motown Song (WB)

New & Active Pg. 84 Adds & Hots Pg. 83

Associate Reporten, Full -Service Pg. 86

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9 6 5 © 1, 9 7 0 14 11 9 © 12 10 8 0

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19 16 12 Q 13 12 11 0 17 15 13

20 19 15

24 20 17 ® 18 17 16

25 23 19

36 24 21

22 22 20

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4 3 4 18

32 26 23

- 38 28 Q' 1 1 3 21

31 27 24 © 40 35 27 a - - 33

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35 34 30 i+ - - 38

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LDEBUT >a 8 8 10 34

[ DEBUT >m - 39 37 0

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( DEBUT >a

WHITNEY HOUSTON/Miracle !Arista) LISA FISCHERMow Can I Ease The Pain (Elektra)

RALPH TRESVANT/Do What I Gotta Dc (MCA)

DAMIAN DAME/Exclusivity (LaFace/Arista)

FREDDIE JACKSON/Main Course (Capitol)

BOYZ II MEN/Motownphilly (Motown)

GUY/Do Me Right (MCA)

STEVIE WONDER/Gotta Have You (Motown)

LEVERT/Baby I'm Ready (Atlantic)

AFTER 7/Nights Like This (Virgin)

HI -FIVER Can't Wait Another Minute (Jive/FICA)

SOUNDS OF BLACKNESS/Optimistic (Perspective/A&M)

GENE RICE/You're Gonna Get Served (RCA)

PEABO BRYSON/Can You Stop The Rain (Columbia)

GLADYS KNIGHT/Men (MCA)

RUDE BOYSMeaven (Atlantic)

D.J. JAllY JEFF & FRESH.../Summertime (Jive/RCA)

EN VOGUE/Don't Go (Atlantic)

SHIRLEY MURDOCKAn Your Eyes (Elektra)

BEBE & CECE WINANS/Addictive Love (Capitol)

LUTHER VANDROSS/Power Of Love/Love Power (Epic)

SMALL CHANGEANhy (Mercury)

JEFFREY OSBORNE/The Morning After I Nade... (Arista)

VESTA/Special (A&M)

TROOPrLEVERT/for The Love Of Money... (Giant/Reprise)

JASMINE GUY/Just Want To Hold You (W3)

PAULA ABDUL/Rush Rush (CaptiveNirgin)

RYTHM SYNDICATE/PA.S.S.I.O.N. (Impact)

ARETHA FRANKLIN/Everyday People (Arista)

READY FOR THE WORLD/Straight Down To... (MCA)

RAY PARKER JR./She Needs To Get Some (MCA)

RIFF/1f You're Serious (SBK)

LISA LISA/Let The Beat Hit 'Em (Columbia)

O'JAYS/Emotionally Yours (EMI)

HEAVY D & THE BOYZ/Now That We've Fount... (MCA)

CHERYL "PEPSII" REILY/How Can You... 'Columbia) AL B. SUREIMad Enuf (WB)

PHIL PERRY/Amazing Love (Capitol)

TONY TERRY/With You (Epic)

SWEET OBSESSION/I'm A Good Woman (Epic)

New 8. Active, TOP 10 Recurrente Pg. 76

LW 1W

2 O ELECTRONIC/Electronic (WB) 3 © SIOUXSIE & THE BANSHEES/Superstition (Geffen) 4 0 R.E.M./Out Of Time (WB) 6 0 CROWDED HOUSE/Chocolate Cake (Track) (Capitol) 1 5 ELVIS COSTELLO/Mighty Like A Rose (WB)

,1 0 LA'S/La's (Go!Discs/London/PLG) 7 Q SIMPLE MINDS/Real Life (A&M) 8 B VIOLENT FEMMESANhy Do Birds Sing? (Slash/Reprise)

14 0 FARM/Spartacus (Sire/Reprise) 17 m SEAL/Seal (SireiwB)

Complete TOP 30 New Rock Chart Pg. 94

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SPECIAL EFX/Peace Of The World (GRP) DAN SIEGEL/Going Home (Epic) CRUSADERS/Healing The Wounds (GRP) EARL KLUGH/Midnight In Sun Juan (WB) CHRIS REA/Auberge (Atco) FREDDIE RAVEL/Midnight Passion (Verve Forecast/PolyGram)

7 MICHAEL TOMLINSON/Living Things (Mesa) 14 0 CANDY DULFER/Saxuality (Arista) 17 0 DOTSERO/Jubilee (Nova)

7 10 MARK SLONIKER/Perlectly Human (Music West)

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Complete TOP 30 NAC Chart Pg. 87

rrJJ J Jj iJ rJ1 11 ! 1.mí 1 -i -i LW no/

O TUCK & PATTI/Dream (Windham Hill/Jazz) 3 © EDDIE DANIELS/This Is Now (GRP)

6 MARLON JORDAN OUINTET/Learson's Return (Columbia) JAMES MOODY/Honey (Novus/RCA)

4 O HARPER BROTHERS/Artistry (Verve)' 2 6 WYNTON MARSALIS/Standard TimeNol. 2... (Columbia) 7 7 ROY HARGROVE/Public Eye (Novus/RCA)

11 0 MILT JACKSON/The Harem (Music Master) 12 CO ELLIS MARSALIS TRIO/E!lis Marsalis Trio (Blue Note)

10 BOB SHEPPARD/Tell Tale Signs (Windham Hill) Keeps bulut dui to continued growth.

Complete TOP 30 Contemporary Jazz Chart Pg. 87

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5 5 4 © - 10 8 0 - 9 5 (D 8 7 6 O 1 1 3 7

_ - 9 0 19 15 12 0

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BREAKER CLI

BREAKER ® 25 21 14 ®

7 8 10 14

21 20 16 ® BREAKER BREAKER a

4 6 u 18

20 22 19 0 BREAKER

15 14 13 21

34 28 27

BREAKER a - 33 30 a 33 27 26 11)50

42 38 C)35

30 29 / - 41 36 y 45 39 35 a 6 13 17 30

38 31 34 ® - - 45 ® 10 11 20 33

11 12 15 34

- - 47 ® 41 35 39 Q 46 37 37 5 55 48 42 Q - - 53

42 38 40 Z

TOM PETTY & THE.../Learning To... (MCA) VAN HALEN/Poundcake (WB)

LYNYRD SKYNYRD 1991/Smokestack Lightning (Atlantic)

38 SPECIAL/The Sound Of Your Voice (Charisma)

FOREIGNER/Lowdown And Dirty (Atlantic)

R.E.M./Texarkana (WB)

BLACK CROWES/Seeing Things (Del American)

GUNS N' ROSES/You Could Be Mine (Geffen)

OUEENSRYCHE/Jet City Woman (EMI)

SCORPIONS/Wind Of Change (Mercury)

ALLMAN BROTHERS/End Of The Line (Epic)

BRYAN ADAMS/(Everything I Do)_. (A&M/Morgan Creek)

SKID ROW/Monkey Business (Atlantic)

JESUS JONES/flight Here, Right Now (SBK)

TATTOO RODEOBeen Your Fool (Atlantic)

RIC OCASEK/flockaway (Reprise)

ALICE COOPER/Hey Stocpid (Epic)

JOE WALSH/Ordinary Average... (Pyramid/fpic Associated)

ALICE IN CHAINS/Man In The Box (Columbia)

EXTRE®'IEMole Hearted (A&M) ALDO NOVA/Blood On The Bricks (Mercury) DRIVIN N CRYIN/Build A Fire (Island)

BULLETBOYSMang On St Christopher (WB)

MOODY BLUES/Say It With Love (Polydor/PLG)

OUEENA Can't Live With You (Hollywood)

YES/Saving My Heart (Arista)

JUNKYARD/All The Time In The World (Geffen)

BONNIE RAITT/Something To Talk About (Capitol) JOE JACKSON/Oh Well (Virgin)

YES/Lift Me Up (Arista)

LAW/Miss You In A Heartbeat (Atlantic)

VAN HALENAiight Now (WB)

THUNDER/Dirty Love (Geffen)

CONTRABAND/All The Way From Memphis (Impact) VAN HALEN/Runaround (WB)

SCHOOL OF FISH/3 Strange Days (Capitol)

DAVID LEE ROTH/Tell The Truth (WB)

BILLY SOUIER/Facts Of Life (Capitol)

DOOBIE BROTHERS/Rollin' On (Capitol)

CINDERELLAJThe More Things Change (Mercury)

Complete TOP 60 Tracks Chart Pg. 92; LP Chart Pg. 93

i!Jl1Jf!Y 3 2

WKS WK5 LW TW

9 5

12 7

2

5

0 ALAN JACKSON/Don't Rock The... (Arista) © RICKY VAN SHELTONA Am A Simple Man (Columbia)

e 3 3 3 RANDY TRAVIS/Point Of Light (WB)

13 8 6 0 BILLY DEAN/Somewhere In My Broken... (SBK/Capitol)

1 1 1 5 GARTH BROOKS/The Thunder Rolls (Capitol)

15 11 8 0 SHENANDOAH/The Moon Over Georgia (Columbia)

6 6 4 7 PAM TILLIS/One Of Those Things (Arista)

16 12 a ROB CROSBY/She's A Natural (Arista)

19 14 r1 TRAVIS TRITTMere's A Quarter (Call Someone...) (WB)

17 15 12 m MARTY STUART/Till I Found You (MCA)

18 16 13 m DON WILLIAMS/Lord Have Mercy On A Country_. (RCA)

23 18 14 ® ALABAMAMere We Are (RCA)

25 20 16 el TRISHA YEARWOOD/Sne's In Love With... (MCA)

z1 n 15 REBA McENTIRE/Eallin' Out Of Love (MCA)

36 24 19 ® GEORGE STRAIT/You Know Me Better... (MCA)

20 19 17 m HANK WILLIAMS JR.Af It Will It Will (WB/Curb)

24 21 18 Ci PATTY LOVELESS/Blue Memories (MCA)

32 25 21 0 VINCE GILL/Liza Jane (MCA)

29 26 23 (D HAL KETCHUM/Small Tcwn Saturday Night (Curb)

34 27 24 E'a' L GREENWOOD w/S. BOGGUSSMopekssly_. (Capitol)

BREAKERS

BREAKER Q COLLIN RAYE/All I Can Be (Is A Sweet Memory) (Epic)

DEBUTS

DEBUT > C) KATHY MATTEA/Whole Lotta Holes (Mercury)

DEBUT LIONEL CARTWRIGHT/Leap Of Faith (MCA)

DEBUT @ RONNIE MILSAP/Since I Don't Have You (RCA) r

DEBUT ) @ EDDIE LONDONAf We Can't Do It Right (RCA)

Complete TOP 50 Country Chart Pg. 80;

Country Song Information Index Pg. 82

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RR-1991-06-28.pdf - World Radio History

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