Dissertation 2013 Spring Rooted cosmopolitanism and the construction of Chinese identities in transnational spaces School / Department School of Journalism Major Global Media and Communications Student Name Lee Zhuomin Date 2013-05-21
Dissertation 2013 Spring
Rooted cosmopolitanism and the construction of Chinese identities in transnational spaces
School / Department School of Journalism Major Global Media and Communications
Student Name Lee Zhuomin Date 2013-05-21
Fudan University The Construction of Chinese Identities in Transnational Spaces
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Acknowledgements
My sincerest gratitude goes to professors David Maguire and Hong Bing for
their patience and guidance throughout the course of this research. I would also like to
express my heartfelt appreciation to unnamed interviewees cited in this paper for their
friendship, invaluable insight and advice on the practice of journalism in China,
without which I would be unable to grasp the depth and intensity of the profession.
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Abstract Integrating concepts from transnationalism, cosmopolitanism, identity and cultural
studies, this study presents a conceptual framework for examining how identity is
constructed and construed in transnational spaces. Such a topic is currently significant
in a time where increasing globalization and mediatization have led to the rise of a
generation of ‘armchair travelers’. As a consequence an individual’s sense of place
and belonging are simultaneously transformed. These processes form the basis for
examining the conflicts and dilemmas of those working in China’s media system,
which is said to be a transnational space in transformation and transition. Six in-depth
interviews were conducted with Chinese journalists who work in English-language
news media in China. The data confirms that there is little editorial independence
from the political and ideological frameworks that control China’s media system. The
data also offers a fresh perspective on how defining structures impact the
cosmopolitan identity. In the analysis, theoretical implications are discussed,
reconceptualizing the ways in which we understand the local, place, space, value
orientations, and an individual’s sense of belonging.
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Table of Contents Acknowledgements 2
Abstract 3
List of Appendices 6
Introduction 7
1.1 Literature Review 12
1.1.1 The many faces of cosmopolitanism
1.1.2 Transnational social spaces and identity
1.1.3 Rooted cosmopolitanism and identity
12
15
18
1.2 Conceptual Framework 24
1.3 Research Objectives and Questions 27
2. Methodology 29
2.1 Research Strategy
2.2 Research Design
Procedure
Analysis
Sampling
Reflexivity
2.3 Operational Terms
RQ 2
2.4 Potential Limitations of Methodology
3. Findings and Analysis
3.1 Media in China
The reality of ideological and political controls
Media, diplomacy and the transnational experience
29
29
33
33
35
35
3.2 Identity and Cosmopolitanism
Self and the Other
Identities in between spaces and places
4. Conclusion
43
51
References
54
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Rooted cosmopolitanism and the construction of Chinese identities in
transnational spaces: Conversations with journalists
Introduction
It is reasonable to say that the terms globalization and mediatization are seldom
separable. Giddens’ (1990) seminal definition of globalization may best represent this
statement — an “intensification of worldwide social relations, such that local events
are shaped by those happening elsewhere” (p. 64). Similarly, other scholars have also
observed that globalization is an awakening and an intensification of global awareness
(Robertson, 1992); an interconnected fragile global ecology of five scapes
(Appadurai, 1990); a reflection and recognition of world events in a networked
society (Castells, 1996). To sum up briefly, it is clear that a consequence arising from
this phenomenon is the creation of complex forms of interaction and interdependency
with people around the world (Thompson, 1995).
Central to this phenomenon is the role of mediated technologies as a facilitator in
making this possible. Mediated representations are a paradoxical reification of reality
that not only evoke a re-imagination of the world, but also enable us to discern and
come into contact with a world made of diverse cultures all the time (Meyrowitz,
1985; Rantanen, 2005). As the ‘distance’ between us and the Other is reduced through
mass mediated experiences (Silverstone, 2007), scholars have pointed out the
symbolic power of global media from whence we derive a knowledge (Chouliaraki,
2008), an identification (Tomlinson, 1994) and a relationship with the Other
(Hannerz, 1990, p. 239). This symbolic power has also produced implications for
society and, in this respect, there is a moral-ethical disposition surrounding the idea
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that how the Other has been represented in transnational media will have a direct
impact on how we see and treat them in real life (Calabrese, 2005: Calhoun, 2008;
Chouliaraki, 2008; Nussbaum, 2002; Silverstone, 2007; Tester, 2001).
Although responsible representation and the spectacle of the suffering are highly
significant in the field of media and morality, Ong (2009) believes that these
conceptual frameworks lack sufficient examination of how a moral identity is
developed. His argument is not irrelevant to what has been depicted in the literature,
after all a common thread that runs through such a position is the fundamental
relationship between the self and the Other; host vs. stranger, a recognition and
acceptance of difference (Ong, 2009). It is always in relation to someone else.
Ong’s position is one that I am inclined to take because it is a response crucial to
awaken our sense of consciousness so that we are in a better position to make sense of
how we are to participate in world events according to the social roles we see
ourselves playing (Carey, 1989; Mohanty, 2000). More importantly, increasing
engagement with global media means that pre-existing cultural experience and
imagination is also increasingly transformed in inconceivable ways. As a result, it has
implications for the way we see ourselves in such a context (Tomlinson, 2003). Thus,
the transnational experience should no longer merely apply to immigrant and diaspora
groups (Robinson, 2007, p. 137).
This study therefore attempts to fulfill a research gap by looking at the direct impact
of global media experience on identity in everyday lives. Instead of using
globalization, Calhoun (2008) gives reason to use cosmopolitanism as a theoretical
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background because we are so intensely connected today and this puts pressure on our
sense of territory. It also has an impact on our sense of duty towards the Other when
we become implicated in a relationship with him whom we have never met. Thus, by
integrating theoretical literature from cosmopolitanism, culture, media and identity
studies, it brings value to the field of media studies by steering research in this
direction: Firstly, how is identity constructed and construed in a time where people
are able to ‘travel’ so easily from one place to another? Secondly, what tensions can
be identified from living in such a period? Here it is hoped that a new perspective can
be gained from an empirical study that examines the lives of people who work in
transnational spaces. To achieve this, I look at Chinese nationals who are in the
business of global media operating locally in China.
The choice of China as a background study is for its uniqueness as a socialist country
with a capitalist economy. While technology and world trade were rapidly speeding
up throughout the 20th century, China only jumped back onto the bandwagon when it
re-opened to the world in 1979 (Wei, 1995). The concept of globalization re-entered
its history books again under its ‘Open Door Policy’ during Deng Xiaoping’s era
when it began to re-engage again with the world. Subsequently, export-led double-
digit growth over the next 20 years made China the world’s second largest economy,
just behind the United States and ahead of Japan. According to a report by the
National Intelligence Council, an analytical arm of the U.S. government's Office of
the Director of National Intelligence, China’s economy is predicted to surpass that of
the United States by 2030 (China Daily, 2012). The capitalist-style economy
possesses a huge potential for growth and development, even in the current economic
downturn — China’s GDP for 2013 is expected to be 8.2 percent, about 1 percentage
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point higher than a previous prediction (Chen, 2012). By 2020, per capita GDP is
likely to exceed $10,000 (Xinhua, 2012).
Consequently, these domestic economic reforms and reception towards foreign
investment have led to commercialization and marketization of the mainstream media.
These market-oriented policies though, are not in favor of a more liberal and open
press; rather, they are carried out to consolidate political control, support the state’s
objective of economic growth and enhance social stability (Hong & Cuthbert, 1991;
Lee, 1994; Zhao, 2000). Other scholars however, beg to differ (Chan, 2002; Hong,
2011; Ma, 2000). Nevertheless, to date, a state-owned authoritarian media, heavily
controlled and regulated by the Chinese Communist Party, means that the media still
exists to be the voice of the government (Ostini & Fung, 2002).
In recent years, the advent of the Internet and the Party’s realization of how the media
can be exploited as a diplomatic tool have also brought about some changes (Shirk,
2007). For example, Chinese media companies such as Xinhua, China Daily, Caijing
Magazine and CCTV are also expanding their presence abroad by setting up global
and regional offices (Kusisto, 2012). In an act of reciprocation, the government is also
encouraging foreign communication and information companies to invest in China
(Schiller, 2005). Another example is seen in how the Shanghai Daily newspaper
prides itself locally as ‘Reporting China to the world’.
These global exchanges and collaborations reflect a multitude of implications. Firstly,
China is eager to expand and circulate its content on a global stage to reflect a
positive image of China to a global readership (Castells, 2009, p. 91; Hong, 2011).
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Secondly, China’s media is reminiscent of a transnational space that encourages
exchange and engagement beyond its national borders. Theoretically, access to global
media means increasing awareness of the world, resulting in an increasing openness
and the possibility of a ‘world where there are no Others’ (Giddens, 1990, p.27).
Consequently, Chinese journalists who work in such an environment make for a good
case to study, even as their experience in this space of transition and transformation
impacts their cultural orientations and imagination of the self (Tomlinson, 2003;
Yang, 2003).
This study is organized into four sections. The first section reviews existing literature
on cosmopolitanism. I examine the various ways in which it has been conceptualized
and seek to pull out key points relating to the construction of identities. Its relevance
to the Chinese context will also be outlined. Secondly I discuss the methodology and
reflect main considerations in using in-depth interviews as a means of data collection,
as well as the preferred means of analysis. I present my findings in the third section
and wrap up with some conclusions in the fourth.
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1.1 Literature Review
1.1.1 The many faces of cosmopolitanism
In an age of interaction with people through mediated networks and experiences, the
world is now better understood beyond one’s own immediate time and space
(Mendiata, 2001). These evolving processes and conditions of the contemporary
world have brought forward cosmopolitanism as a new focus for sociological enquiry,
buoyed by other concepts in globalization, transnationalism, universalism and
glocalization (Beck & Sznaider, 2006; Roudometof, 2005; Tomlinson, 2003). Yet,
despite its proliferation in literature, cosmopolitanism is not only heavily contested, it
also lacks defining parameters and agreements on its exact attributes (Calhoun, 2008;
Robinson, 2007; Roudometof, 2005; Skrbis, Kendall & Woodward, 2004). Beck, for
example, suggests that cosmopolitanism and transnationalism are different names for
the same thing, and can be used interchangeably (as cited in Roudometof, 2005). It is
for this reason that Beck and Sznaider (2006) also propose a critical examination of
cosmopolitanism in a different way, involving a redefinition and an insight to ‘key
conceptual, methodological, empirical and normative issues’ in social science today
(p. 2).
For the purpose of this study, the point of departure begins from Kant’s vision of an
utopian cosmopolitan society with everyone engaged in a harmonious relationship of
mutual influences (Nussbaum, 2010). Such a focus necessarily acknowledges the
growing awareness of common risks and interdependence with one another, which in
turn creates a realization of contrasts and differences (Beck, 2006; Vertovec & Cohen,
2002). To this extent, there is a moral-ethical disposition involved in the local-global
binary. As people begin to learn more about the Other beyond the border,
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cosmopolitanism’s basic problem arises — fiercely guarded national boundaries, the
rejection of the visitor and hospitality towards him (Baker, 2009).
The existing theoretical debates on resolving this local-global dilemma in
cosmopolitanism reside in the nation-state taken as the local and as a necessary
variable that must be considered in relation to the community of people studied (Beck
& Sznaider, 2006; Hirst & Held, 2002). Such an assumption stems from a history of
social systems which were coordinated across time and functioned based on the
control of place (Giddens, 1990). Others emphasized the state as a “sovereign system
of government within a particular territory” (Schiller & Fouron, 2001, p. 18),
stressing the principality of territory and boundaries (Atabaki & Mehendale, 2005).
However the birth of technology has shrunk distance and changed the ‘situational
geography’ of social life, such that the “places in which people lived in were no
longer the only places they had access to” (Meyrowitz, 1985, p. 51). In other words,
communities once bound by time and space are now experiencing a time-space
distanciation. As a result, this traditional way of thinking — linked heavily to location
and place — also pointed to the nation-state as a necessary unit of analysis.
Scholars like Beck and Sznaider (2006), and Mitchell (2007) argue that the idea of
cosmopolitanism should no longer be rooted upon the national-global equation
because irreversible multi-dimensional changes in society have changed the very
nature of how states are situated in the world. Instead, cosmopolitanism today is
found at every space and level, highlighting the more important fact that cultural
spheres have merged and overlapped one another. Thus this should also alter the way
in which we see binary opposites in the study of cosmopolitanism such as national-
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global and us-them. Elsewhere, Grande (2006) also pushes this agenda through,
arguing instead, for an analysis of mobility and space because of how it can be further
examined to propel cosmopolitanism studies to higher levels.
Unfortunately, despite being re-conceived and re-conceptualized to take into account
the diverse ways in which cosmopolitanism may be understood, little progress has
been made in attempting to understand a way of identifying oneself against diverse
influences, one in which particular traditions can be rendered transparent so that a
common ground can be met (Skrbis, Kendall & Woodward, 2004; Vertovec & Cohen,
2002)). Furthermore, removing cosmopolitanism from the traditional local-global
continuum to solve this theoretical knot is hardly a solution for two reasons: how
would we then re-conceptualize the traditional national-bound view of the world as a
collection of different cultures and identities, and of diverse backgrounds (Castells,
1997)? And what would this mean for the construction of an individual’s identity,
whose sense of context is still physically rooted in defining structures though he
experiences the world globally (Tomlinson, 1994)?
To this end, I am still inclined to consider the nation-state because the local is the
basis upon which an individual finds practical association and a spiritual anchor to
familiar pillars that support him (Appiah, 1997; Chan, 2005; Mendiata, 2001). Hence,
to ignore it would be to threaten and disrupt continuity from the past (Tomlinson,
2003). Furthermore, the denial of the nation-state would also mean a denial of one’s
sense of self because the formation of cultural identity begins first with an
identification with fixed institutional forms (Delanty, 1999). As a result, the loss of
attachment to defining structures would also lead to an incapacity to search for the
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fundamental root of social meaning (Castells, 2007) or construct an identity that is
sensitive to the Other (Ong, 2009; Skrbis, Kendall & Woodward, 2004). This
awareness, as Baker (2009) points out, is important if we want to make significant
progress in moving towards an ethics of hospitality in the study of cosmopolitanism.
In this current study attempting to understand an individual’s identity construction in
the context of cosmopolitanism, there is no conflict in attaching identities to the
nation-state and then integrating it against a global context because the global and
national are not mutually conflicting (Chan, 2005; Wang, 2000). Furthermore, an
individual’s identity construction is built upon fixed civil and cultural societies which
form the basis for them to reach a comprehensive understanding of collective
experience around them (Castells, 1997). Along these lines, how to re-evaluate and
ultimately reconcile the relationship between attachments to home and the value
beliefs of the wider global community is a question that needs to be addressed in
order to come up with more flexible cultural concepts to study identity (Tomlinson,
2007).
1.1.2 Transnational social spaces and identity
Before moving on, it must first be noted that although Roudometof (2005) makes the
distinction between transnationalism and cosmopolitanism, he nonetheless applies
Beck’s transnational social spaces to aptly describe ‘spaces fostering the construction
of a multitude of identities such as transnational journalism’ (p. 119). Individuals [i.e.:
journalists] who are situated in this space routinely go through the motions of
transnational interactions in everyday life (Roudometof, 2005). The result of this is a
complex relationship between local-global tensions in identities, as well as a neutral
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space of resistance and cultural autonomy (Gupta & Ferguson, 1992). In this neutral
space, cultures can travel (Clifford, 1992), suggesting that the individual is now easily
uprooted from his birth home and transplanted into new territorial and cultural
environments. The individual is thus being located in ‘circles of potential
connections’, his sense of self-belonging developed and reinforced depending on his
cultural orientation (Calhoun, 2008; Nussbaum, 1996). However a key question to ask
is how such cultures were formed to begin with and later on transformed (Gupta &
Ferguson, 2007). An examination into these inherent processes is important because it
would help us delve deeper into the politics of community, solidarity and identity in
an age of evolving cultural experiences.
It is through Bourdieu’s field analysis (1983) that we may understand how individuals
function within transnational social spaces. Bourdieu is interested in understanding
how power is subtly expressed and manifested in institutional structures (Swartz,
1997). His theoretical framework shifts focus away from the specific individual and
towards the tensions and conflicts within the arenas of everyday social life (Swartz,
1997, p. 129). Field analysis has its merits in helping one recognize power relations
throughout different structured spaces, and how actors may struggle against
institutionalized hierarchies within these arenas (Johnson, 1993; Swartz, 1997;
Thompson, 1991). This provides a more holistic understanding of self-identity
because it also takes into consideration the conditions under which identity is being
molded and transformed. For example, it recognizes the social construction of
identity, emphasizing the self as a representation of a particular categorical
membership, as well as aspects of the self in relation to others by using them as a
‘mirror’ (MacInnes, 2006). With respect to the media industry, field analysis also
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illustrates how journalists are relatively positioned against wider structures of political
power and state policies, and how they are at the same time pressured in their
immediate environments to negotiate their own ways of producing content (Said,
1983).
To put this view into perspective, China’s media can be seen as a transnational social
space and a window where cultures are exchanged as state-owned media branch out
across the world (Schiller, 2005). Even the state news agency Xinhua is gradually
shedding its function as the mouthpiece of the government to be a media company
with global orientations (Hong, 2011). However, while the business models of
China’s media companies have liberalized, the same cannot be said of its media
system (Ma, 2000). Power is overtly expressed through fixed legitimate laws and
invisible influences that maintain the Party’s status quo. This heavy control points to
subordination to the Chinese Communist Party whereby the media acts as an advocate
for government policies (Shirk, 2007), national identity-construction (Li, 2009; Xu,
2006), as well as a diplomacy tool to influence foreign publics (Wang, 2008).
This authoritarianism has also led practitioners within the system to be careful about
what they publish, and this practice of self-regulation also extends to content
generated online. To this end, some scholars have alluded this means of regulation to
the idea of ‘panopticon’, the fear that ‘Big Brother’ is watching their every move, so
people self-regulate and self-censor in order to avoid legal repercussions (Endeshaw,
2004; MacKinnon, 2011; Tsui, 2003). In addition, Tsui (2003) also observes a
phenomenon of peer regulation whereby Internet users monitor one other, therefore
creating a decentralized structure of control. To add empirical support, Chan and
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Zhou’s (2011) study illustrate how Netizens in China still have reservations about
expressing political opinions in China.
These various functions of China’s media demonstrate a system that is not
independent of the political and ideological structures. Indeed, it cannot be detached
from its political ties because it is precisely that which determines how information is
being constructed, distributed and interpreted (Ostini & Fung, 2002). While curtailing
free speech has been said to be suitable for Asian societies because of a strong belief
in Confucian values such as respect for hierarchy and social order, scholars have
criticized it as a poor excuse for political parties to maintain their legitimacy and
control (Doh, 2011; Ong, 1997). Indeed, I am inclined to see these regulations as an
extension on the curb on political freedom because of how China’s strictly enforced
regulations work to secure individuals in their place (Buckley, 2011; MacKinnon,
2011). As a result, these observations in Chinese society also reflect the importance of
taking the local — national, social and political realms — into consideration when
placing the study of media in the context of cosmopolitanism.
1.1.3 Rooted cosmopolitanism and identity
Ong’s (2009) position on an ‘ecstatic cosmopolitanism’, i.e. a construction of an
identity that is first and foremost at the pinnacle of the moral hierarchy examined
against other people in a globalizing world of difference, was considered for the
theoretical foundation of this paper. Though such a position is vital for the
construction of a moral identity, its conceptual diversity also makes it open to
interpretation, sometimes at the expense of it being merely an ideal (Skrbis, Kendall,
& Woodward, 2004).
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Rather than rejecting Ong (2009) completely, I build upon his research to consider
Appiah’s (1997) notion of rooted cosmopolitanism as a theoretical background to
explain the relationship between conflicting identities in a generation of increasing
multiple affiliations. For Appiah (1997), it is possible that an individual can be
attached to his home but also take pleasure in the differences in people around him. In
such a world, the individual is shaped by local cultural practices, which ensures that it
will continue to be sustained and passed on. When they move, they take along with
them these cultures, the result of which is a local life characterized by ‘long term
persistent processes of cultural hybridization’ (p. 619).
In this moral climate of cosmopolitanism, Appiah’s idea of a rooted cosmopolitanism
gives one the freedom to continue to identify with existing social structures and at the
same time take on new collective ones expressed appropriately in different ways to
suit various contexts (Freedman, 2005). This can also be a dilemma because the very
identity one is born into and nurtured throughout necessarily begins from a self
shaped in affiliation to shared institutional identities, later on reshaped and re-
cultivated based on life experiences which may be in conflict with the ethical
demands of a person’s initial allegiance. However, though oxymoronic, it is a term
that is no less important for its relevance to describe someone with attachments to a
physical history, nation or community, and yet be a ‘citizen of the world’. For Appiah
and others (Chan, 2005; Hall, 2002; Nussbaum, 2002; Ong, 2009; Roudometof,
2005), an individual can pledge allegiance to one's country and still take on global
identities or identify with universal values.
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Rooted cosmopolitanism dispels the anxiety of a disappearing heterogeneity and
allows us to see cosmopolitanism as a continuous flow, rather than moments of
contrasting performances (Appiah, 2005; Ong, 2009). It takes away the either/or
continuum, enabling us to better appreciate identity understood in relation to the
changing cultural contexts (Tomlinson, 2003). Scholars have theorized this approach
to studying self-identity as a symbolic project and a way of being and becoming (Hall,
1996a; Thompson, 1995). As a consequence, an individual can also be detached from
the social psychology of everyday local life as they weave in and out of the rhythm of
different spaces and overlapping cultures. This phenomenon results in a complex
situation where an individual’s sense of self and well-being are often renewed and
contested (Meyrowitz, 1985; Tomlinson, 2003, p. 272), oftentimes in a “condition of
boundless, loneliness, tentative about himself and self-conscious” (Chan, 2005, p. 13).
It is thus what Tomlinson describes as a ‘distanciated identity’ (1999), one in which a
person lives constantly in a process of imagination within ‘imagined communities’
(Appadurai, 1990). While one may be quick to downplay the significance of
‘imagined identities’, Appiah is also quick to remind us that imagined does not mean
unreal, for “nothing could be more powerful than the human imagination” (Freedman,
2005).
Before I attempt to apply rooted cosmopolitanism in the context of China, a brief
background on the current local situation is necessary to put things in context. To be
clear, the Chinese newsroom is undergoing a perplexing period of transition and
transformation — uneven degrees of liberalization has led to relative degrees of
autonomy, different tensions and pressures within the newsroom (Chan, 2002; Hong,
2011; Ma, 2000). This results in a situation whereby its workers are likely to find
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themselves in a typical commercial media organization that adheres to practices based
on an agenda that serves an overarching corporate directive (Allan, 1999). One of the
reasons behind these changes can be attributed to the fact that the Party is also
actively using the media to reach out to the world to further its diplomatic agendas
(Hong, 2011; Wang, 2008). Using news media as a public diplomacy tool though,
must be tactfully managed because a country will only possess ‘smart’ power if its
information is seen as credible (Wilson, 2008). Conversely, diplomatic outreach
efforts will be counter-productive if foreign publics perceive information to be
propaganda (Nye, 2008; Wilson, 2008).
However, Ma (2000) points out that despite these apparently democratic progresses in
China’s media system, one must be aware that the state still sustains power. There
still exist overarching political controls with rules and regulations that journalists
must adhere to so as not to fall into legal or economic pitfalls. Socially, these tensions
between rapid commercialization and ideological control are also beginning to
produce a generation that increasingly feels a greater sense of freedom, are more
discerning, and support rather than oppose universal values of democracy and
freedom (Luo, 2002; MacKinnon, 2011; Wang, 2006; Weber, 2002). These dilemmas
and overlapping situations therefore become the source of symbolic violence as they
upset and transform the local experience for this generation of ‘armchair travelers’
(Wang, 2000, p. 109).
Against this background, Chinese journalists working in its media system make for a
fascinating and insightful context to study as they struggle to make sense of the
changing relationship between institutional influences, and their own prevailing
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beliefs, attitudes and values. Because the impact is eventually felt on their own sense
of identity and belonging, understanding how this rooted cosmopolitan identity is
constructed and construed has increasing significance because it also addresses a key
question of how Chinese people go about their everyday lives as individuals
interacting with one another and with the Other; in other words, it is ‘a question best
answered at the level of everyday life’ (Chan, 2005, p. 35).
Adding to this, I therefore suggest that journalists are a particular group of people that
we should be looking at because of their unique position to represent people and
issues via mediated environments. To this end, they are also the best people to
develop what Silverstone (2007) calls the Mediapolis — a media as a moral ethical
social space. Putting it in context, it also “promote[s] a new sensibility of cultural
openness, human mutuality and global ethical responsibility” (Tomlinson, 2007, p.
363).
Finally, if being a ‘rooted cosmopolitan’ is about being able to relate to different
spheres of influences, then its construction must go beyond the discourse of class, of
how only the rich and elite can be cosmopolitans because they have access to
passports, destinations, and financial and cultural capital (Bauman, 1998; Lamont &
Aksartova, 2002). Hence, the present research intends to address this by scrutinizing
issues of cosmopolitanism from a different perspective — a bottom-up approach, in
order to give voice and independence to the individual (Clifford, 1992; Yuracko,
2003). This allows for reflexivity in identifying how cosmopolitanism is played out
by individuals in creative and unpredictable ways (Calhoun, 2008; Ong, 2009).
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1.2 Conceptual Framework
To briefly conclude, the literature above has attempted to highlight issues in
cosmopolitanism arising from contemporary socio-changes such as mediatization,
globalization and transnationalism. As the individual resides locally, and experiences
the world globally, he can experience conflicting loyalties between institutional
influences and his own set of cultural values that make up his sense of self-identity.
As a round up, the following model will be used to illustrate a proposed conceptual
framework for the current study:
At a macro level, the state-controlled nature of China’s media means that it functions
as an ideological propaganda machine. That China’s media does not function
independently of the nation-state means that it cannot be studied out of the context of
socio-political structures (Appiah, 1997; Chan, 2005; Mendiata, 2001). Using it as a
tool for public diplomacy also means that there is an effort to extend its media outlets
into the global world, thus making it an in-between in the local-global binary
(Castells, 2009; Shirk, 2007; Wang, 2008).
Against these institutional pressures, China’s media can also be read as an abstract,
neutral and culturally autonomous space (Gupta & Ferguson, 2007) that is at the same
time a potential ground for a rooted cosmopolitan identity to be realized because of
Local (Socio-political, ideological structures)
Global and the Other
China’s Media (Transnational social space)
JOURNALISTS
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how, as a window, it transforms the local experience and produces an increasing
awareness of the Other (Giddens, 1990; Tomlinson, 2007). In relation to the Chinese,
notions of self-identity are constantly challenged as society undergoes this period of
unprecedented changes (Wang, 2000; Xin, 2010).
One way of studying identity construction in a space of culturally blurred boundaries
is to look at how people express themselves through meaning embedded within
artifacts and practices such as photographs, language, dance and paintings (Clifford,
1986). The examination of such a symbolic exchange is reminiscent of what Geertz
said — ‘human thought is social’ (Geertz, 1973, p.361) — suggesting that these
artifacts act as a language through which members in a society communicate and
share experiences and ideas with one another (Bourdieu, 1990; Carey, 1989; Morley,
2000).
This approach likens identity to language, a collective possession shared and
understood by all and that enables one to achieve self-understanding (Palmer, 2003;
Tomlinson, 2003) because “we do not see reality as it is but as our languages are”
(Castells, 1996, p. 370). In addition, Anderson (1991) posits that how people see
themselves in shared spaces enhances the human imagination such that symbols and
histories are constructed to reify abstract societal norms.
However, analyzing artifacts as a means to study identity construction is not without
problems because it assumes a collective identity that people strongly identify
themselves strictly with. This position ignores the fact that individuals are unique
entities who can also identify themselves in different ways and as belonging to
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different [sometimes overlapping] spheres of influence; as Hall (1996b) argues,
“identities are never unified and, in late modern times, are increasingly fragmented
and fractured” (p. 4). Furthermore, while cultural practices do construct meaning
through symbolic communication, it does not necessarily mean that it constructs
identity in the process (Tomlinson, 2003).
Instead, another anthropological approach would be to situate oneself in a direct
involvement with the subject to be studied. This approach involves acknowledging
the processes of self-transformation against the logic of a subject’s cultural and social
context (Delanty, 2006; Tomlinson, 2003). This would mean identifying constructs as
extensions of identity that highlight degrees of closeness towards different spheres of
influence. Such an approach is beneficial as the individual can recognize how what
they are taught from young is later reshaped and re-cultivated throughout their life
experiences (Freedman, 2005). In addition, I intend to take such an approach because
this human inter-subjectivity allows for reflexivity in the understanding of the
dynamism of culture (Clifford, 1986; Fabian, 1971; Pinney, 1990; Pink, 2003). And
while Geertz (1973) resists this subjective cultural analysis in anthropology and
sociology, others (Calhoun, 2008; Kellner & Pierce, 2007; Tyler, 1986; Rabinow,
1986; Yuracko, 2003) have supported this in favor of understanding the core of
cultures in context.
With respect to examining cosmopolitanism, Burawoy et al’s (2000) study has
provided suggestions on how abstract ideals may be operationalized into more
meaningful constructs that are easily related to. Similarly, Wang’s (2000) study on the
effects of globalization on the Taiwanese imagination shows how identity can be
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examined in the context of a symbiotic relationship between the global and national.
However these suggestions do not burrow deeper into the implications of
cosmopolitan transformations on the new spaces of identity imagination for the
individual. To this extent, this study aims to undertake empirical work to address this.
1.3 Research Objectives and Questions
As the literature suggests, China’s media system is undergoing a period of transition
and transformation. Even as modernization and marketization has led to the birth of a
commercial press driven by profit-making motivations, the potential for the editorial
team to function independently beyond ideological underpinnings is still relatively
blurred (Ma, 2000). A solid comprehension of existing structural powers and
limitations is necessary if we are to have a firm grasp of how identity is developed.
This is because it will form the basis for understanding how individuals deal with
immediate institutional hierarchies within everyday arenas (Johnson, 1993; Swartz,
1997; Thompson, 1991). This informs the first research question:
RQ1: How do prevailing political, ideological and commercial motivations
influence the practice of newsmaking in China today?
In field analysis, text producers are perceived to struggle as they are relatively
positioned in different spheres of cultures (Bourdieu, 1983). This is applied to
individuals who are locked in a dynamic and organic maze of place and power in
transnational social spaces (Gupta & Ferguson, 1997; Roudometof, 2005). In order to
understand how a rooted cosmopolitanism is constructed as individuals sweep in and
out of different spaces, the next research question is posited:
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RQ2: How do journalists negotiate identity and distance in their jobs?
From the above, it is hoped that the results will answer the final research question:
RQ3: What tensions can be identified between institutional pressures and their
own identities?
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2. Methodology
2.1 Research strategy
This chapter presents the overall methodological approach, taking into consideration
the rationale, ethical issues and the limitations of the method employed. Six in-depth
interviews were conducted over a two-week period. Although the integration of
different methods would allow for a richer and more impactful study (Esterberg,
2002), I chose to utilize only one method because it fitted soundly into the research
questions posited in the previous section. To this end, in-depth interviews were
selected as the most appropriate means of data collection because this direct form of
contact enabled me to be aware of how meaning is produced and interpreted in
context (Lister & Wells, 2001).
2.2 Research design
Firstly, a list of potential respondents was drawn up, mostly comprising my ex-
colleagues from Shanghai Daily. I also depended on my personal contacts to snowball
the request to reach out to any Chinese journalist interested in sharing with me their
experiences working as a journalist in China. The process generated a long list of
respondents, of which only six agreed to participate in the study. Two work at
international news bureaus while the rest are currently employed in state-owned
English-language news media.
2.2.1 Procedure
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All respondents were contacted via email. The purpose of the email was to get their
permission to be interviewed and, by agreeing, they understood their rights [see
Appendix A]. Respondents could choose not to be identified by their name or
organization. They were free to remove their responses fully from the study at any
point in time and no reason needed be given. It was important to flag these points up
front because some of them only agreed to speak with me upon condition of
anonymity. Others were doing so without their company’s approval. Nevertheless, as
a precaution, all respondents cited in this study are anonymous, identified only by
their age, gender and place of birth [see Appendix D].
Respondents could choose to be interviewed over the phone, face-to-face or in
writing, at a place and time of their convenience. They received no remuneration for
participation, though a complimentary cup of tea or coffee was extended as a form of
gratitude. All interviews were audio-recorded for transcribing purposes and a typical
interview lasted no more than 45 minutes. At the end of the interview, they were
reminded that they could contact me if they had any questions. They were also asked
if they could recommend anyone else who would be happy to share their experiences
for this study.
Interviews followed an open-ended, semi-structured style because it allowed me the
flexibility of expanding on interesting points during the session. The semi-structured
approach was also chosen because it enabled respondents to break down the
complexity of their thoughts and feelings, thus enabling them to elaborate their ideas
in their own terms (Silverman, 1993). This was certainly appropriate when discussing
abstract constructs such as identity and culture. As a result, I was able to extract rich
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responses which would otherwise not be generated through a structured close-ended
means of query (Holstein & Gubrium, 1997). While certain questions had to be
tweaked accordingly to various background and experiences, the interview guide was
still closely followed to focus on the main topics.
2.2.2 Analysis
Responses were coded and analyzed thematically. This involved establishing a coding
frame to fit common topics and themes into sub-categories. This means of analysis
was deemed to be the most appropriate because data collected via open-ended, semi-
structured interviews was assumed to be rich and diverse (Esterberg, 2002; Flick,
1998; Richards, 2005). This would make it easier to identify similar subjects to
answer the research questions. Furthermore, a thematic coding and analysis would
allow me to make comparisons across the interviews and in the meantime be open-
minded about how the data played out (Flick, 1998).
2.2.3 Sampling
I determined that journalists should preferably be employed in mainstream media
outlets. It did not matter which beat they were covering as long as they were involved
in current affairs. They should be working in a typical newsroom so that they could
describe the constraints and struggles [or the lack thereof] against the local laws and
regulations. Although this study is examined against China’s media as a transnational
space, journalists who work in international media were also taken into the sample
because of the complexity of the contemporary media scene (Cottle, 2008). Chinese
and international media’s sets of values differ in that while the former functions on
the authority of the political and ideological mandate (Chan, 2002), the latter has its
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own agency in supporting certain agendas (Walgrave & Manssens, 2000). This
difference is thus assumed to have an impact on how individuals see themselves.
2.2.4 Reflexivity
Through the interviews, I found myself sharing my own experiences as an example
because the identity question was quite difficult to break down. This high level of
involvement is deemed to be inappropriate because of how it can influence the results
of the study in favor of the researcher’s research objectives (Holstein & Gubrium,
1997). However this level of subjectivity was not so much to steer respondents in a
certain direction but to build a conducive environment for them to think deeper and
further (Holstein & Gubrium, 1997). Additionally Marcus and Fischer (1999) also
justifies this subjectivity because respondents are not merely informants, they are also
participants in helping me understand their universe.
2.3 Operational terms
RQ 2:
A rooted cosmopolitan identity means that one is able to identify and accept the local
and global at the same time (Freedman, 2005). Although it is qualitatively measurable
and observable (Roudometof, 2005), I measure it according to upbringing
experiences, cultural values, beliefs and lifestyles. These constructs can be said to be
an extension of identity as it distinguishes the degree of attachment towards their own
worlds (Delanty, 1999; Ong, 2009; Skrbis, Kendall & Woodward, 2004).
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Distance is operationalized using Beck’s (2002) idea of ‘cosmopolitanization’,
explained as the degree to which an individual feels near or far from ‘life-worlds’ and
towards people who live within or without state borders. It is characterized by the
capacity to be open to other people and cultures (Urry, 2000). For the purpose of this
study, distance is operationalized as the degree to which an individual swings in
between an attachment to local institutional practices, norms and beliefs, and global
ones.
2.4 Potential limitations of methodology
The scientific rigor of in-depth interviews has been critiqued because it occurs in an
artificially constructed environment. This means that it is not only difficult to extract
true meaning out of coded discursive systems (Morgan, 2010), the circumstances
under which it has taken place could also have been adjusted according to an
interviewer bias, thus producing less-than-objective partial results (Silverman, 1993).
However, this limitation does not mean that in-depth interviews are an inappropriate
means of gathering data. Rather than focusing on the degree of ‘truthfulness’, it is the
interaction during the conversation that matters because after all, “knowledge is
power and one does not know everything” (Clifford, 1986, p. 7).
Although in-depth interviews are not meant to draw generalizations across the
population, they offer a useful means of probing deeper into the ‘whys’ and the
‘hows’, extracting responses and thoughts respondents themselves might not even be
aware of (Berger, 1998; Gaskell, 2000). They therefore enabled me to explore and
expand upon the breadth of responses and concentrate on delving deeper into issues
where appropriate. It is also for this reason that I chose in-depth interviews over a
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structured paper-and-pen questionnaire, of which it would not be possible to probe
deeper into abstract and sometimes unexplainable feelings of nationalism and
cosmopolitanism.
Focus group sessions were also considered as a potential means of data collection
because of how they can generate a rich variety of responses (Kitzinger, 1995).
However a focused one-to-one conversation in confidence would be more appropriate
for respondents to share very personal information about their own histories, as well
as personal opinions about China that could be politically sensitive (Holstein &
Gubrium, 1997; Silverman, 1993).
In a similar example, Lamont and Aksartova (2002) have also utilized in-depth
interviews to understand cultural practices of working class citizens against a
background of cosmopolitanism, thus demonstrating in-depth interviews as a useful
means of obtaining rich information from the grassroots level.
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3. Findings and Analysis
3.1 Media in China
3.1.1 The reality of ideological and political controls
One of the research objectives of this study is to understand the current media
situation in China. While many scholars have been optimistic about a new dawn for a
more democratic country (Hong & Cuthbert, 1991; Jiang, 2010; Lei, 2011), this
vision is hardly the case, as Respondent E offered:
Do you know the Jasmine Revolution? People are asking for media reforms
but that’s not going to happen. The Chinese government cannot stand for the
laws on media to be relaxed.
Respondents who work in international news bureaus also unanimously agreed that it
was seldom possible for them to undertake investigative reporting or be overly critical
of the government. Essentially, they would not touch sensitive topics such as the
PLA, Xinjiang or Tibet because of their statuses as Chinese citizens and the legal
trouble they and their families could potentially fall into.
There is nothing you are not allowed to do, but you have to judge the
sensitivity/danger of the news.
Respondent E
These restrictions that apply to Chinese journalists reveal that they still have to work
within political boundaries. One of the reasons why this is so lies in the fact that the
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Party is eager to avoid irrational and aggressive confrontations which may challenge
its nationalist legitimacy and destabilize society and the country’s long-term
economic development strategy (Zhao, 2000).
Overall in the local system, there is little editorial independence evident in how the
overall hierarchy controls the process in which stories are pitched and dealt with. In
the Chinese context, potentially sensitive stories are all the more managed with care.
This is because it is a known fact that the news outlet might be closed down if
someone does not toe the line (Respondent B, personal communication, April 19,
2013); in extreme cases, the journalist himself has to personally bear the
consequences (Repnikova, 2013). In response, a journalist would then have to
anticipate how the government might respond to the story. This also includes covering
the issue from all angles, as fair and as balanced as possible, as well as ensure that
both sides of the story are adequately represented (Respondent F, personal
communication, April 26, 2013). While fairness and balance are the norm in western
models of journalism, here, a Chinese journalist does so to insure himself against
legal trouble should he come under fire for his story. Thus, this degree of fear and
skepticism illustrates the lack of freedom from a legitimate structural political power.
Respondents who work in state-owned media also felt the most control directly from
their immediate editors. For example, stories must first be approved before they can
begin developing them. The reasons behind these approvals stem more from political
sensitivity than from newsworthiness (Respondent A, personal communication, April
18, 2013). Additionally, Respondent A also shared that whenever there was a
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breaking story, the municipal government would disseminate a set of guidelines on
how to report it and beat reporters would then have to adhere accordingly to this list.
To be clear, institutional authority exists in most newsrooms around the world (Allan,
1999; Ostini & Fung, 2002). Getting top-down approvals is also the norm for any
reporter working in a typical newsroom. This is acknowledged by Respondent E who
explained that his stories are pitched and managed based on his company’s overall
corporate directive as well as towards the interest of his western clients. However, the
contrast between local and international operations was also demonstrated when
Respondent E shared that his foreign bosses were more concerned about logistical
arrangements when deciding whether or not to go ahead with a story. On the other
hand, in a Chinese system, editors are more concerned with the potential trouble they
could get themselves into if a story is mismanaged.
These visible controls reflect Ostini and Fung’s (2002) categorization of China’s press
model as authoritarian, but a degree of freedom also exists within this
authoritarianism, depending on the type of newspaper (Chan, 2002). This spectrum of
freedom ranges from the institutionalized People’s Daily and Xinhua News on the far
right to the liberal Southern Weekend on the far left. Respondent D for instance, said
that when he used to work on diplomatic news at Xinhua, “it wasn’t news at all, just
purely dictation. It was the extreme side of Xinhua”. On the other hand, Respondent
C, working at a local Chinese-owned media company, did not feel the controls were
that strict on her. Although the editorial department was directly under control of the
municipal government, she described her relationship as horizontal, often with room
for negotiation. Journalists were free to discuss the types of stories they could
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produce. As such, newsworthiness and currency were often at the core of the stories
they worked on.
That Chinese reporters are still hard-pressed to function within the laws and
regulations of the state reveals two things: firstly, this is contrary to Zhang’s (2006)
study on how bureaucracy at the top is beginning to be more open-minded about
liberalizing the media environment. Although his study involved in-depth interviews
with senior officials, clearly these responses have not been adequately translated into
action. Secondly, results from this study also amplify the fact that at the end of the
day, while journalists in China can be change-makers, they are no dissidents
(Repnikova, 2013).
Implications
From a theoretical perspective, the empirical results have contradicted scholars who
claim that the nation-state should be taken out of the equation in studying
cosmopolitanism (Beck & Sznaider, 2006; Grande, 2006; Mitchell, 2007).
Furthermore, in the study of the media, place should all the more be taken into
consideration because its close relationship with local political structures and
commercial networks determines how news ultimately is created, distributed and
interpreted (Ostini & Fung, 2002).
These sources and directions of power illustrate that the individual is subject to a uni-
directional top-down and horizontal power of discourse from his social surroundings.
Because ‘the most fundamental form of power lies in the ability to shape the human
mind’ (Castells, 2009, p. 3), building a foundation based on known fixed institutional
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forms and their pressures enhances our understanding of how a cosmopolitan identity
is constructed — on one hand it helps us to recognize how the individual responds
precisely to these demands on him; on the other, how he reconciles his own values
with these institutional pressures which may come into conflict with his.
3.1.2 Media, diplomacy and the transnational experience
Before being employed at their current jobs, most respondents had previously worked
in local Chinese media. While the most obvious difference was the language of
reporting, the local media was also felt to be more strictly controlled (Respondent F,
personal communication, April 25, 2013). And for a good reason — the bulk of
Chinese news is after all, consumed by a domestic audience. Regulating information
flows thus helps to maintain the status quo in society, something the CCP is keen on
because an unstable society has the potential to threaten its legitimacy (Economy,
2008). Similarly, content produced in these news outlets are tailored more towards
local tastes and interests. Conversely, content in English-language news is written
with a foreign audience in mind. For example, Respondent A shared the following:
At Shanghai Daily, we are concerned about the expats in Shanghai. The first
thing you will think about is—will foreigners be interested in my topic? What
would they like to know? Would this attract them to read?
If readership opinion is important [and it is], one might be tempted to suggest this is
likely to lead to better journalism in the sense that there will be a natural response to
the market’s demand for truth and accountability. Unfortunately this is not the case in
China. As a transnational space, English-language news media in China is the
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aperture connecting the world to what goes on in China; it functions as a public
diplomacy tool to present a positive image of China by representing her in a favorable
manner (Gilboa, 2001).
Here, respondents’ comments fit in with what has been said in the literature: China
prioritizes its image in the international arena. In her ‘peaceful rise’ to become a
global superpower, she has reached out to her global and regional neighbors through a
variety of soft and hard power strategies in an effort to establish strong relationships
(China Daily, 2012; Cai, 2005; Economy, 2008; Liu, 2006). Unfortunately China’s
economic and diplomatic activities have been viewed with suspicion because they are
seen to be a threat to international security (Bland & Dyer, 2012; Roy, 1996;
Schmindt, 2008). This negative perception has been her greatest obstacle in being
accepted as a friendly partner and player in world politics (Liu, 2006; Nye, 2008). The
media has thus often been suggested as a vehicle to reach out to foreign publics
(Pamlin, 2012; Schmindt, 2008; Wang, 2008). To this end, journalists working under
the Party’s umbrella objective play a key role in fulfilling that diplomatic mission by
bringing that cheerful image to the world. For example, Respondent D shared that in
Xinhua, diplomatic news is literally received from above, packaged and then
disseminated. This shows the direct involvement of the Party in controlling sensitive
news about China.
Consequently, while scholars maintain that the lack of information credibility can be
counter-productive to diplomatic outreaches, data from these in-depth interviews shed
light on how China has the potential to move towards ‘smart’ power (Nye, 2008;
Wilson, 2008). Portraying China in a positive light is not only a top-down directive, it
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is also volunteered at the journalist’s level. As Respondent B shared, she was doing so
out of her own initiative and with balance and objectivity — traits valued in western
journalism (Tuchman, 1972; Schudson, 2001).
My status in [media] is quite special. Yes, I am Chinese and country image is
important, but balanced reporting is still key. I’m not defending everything my
country does; what I’m trying to say is there are always two sides to a coin.
Respondent B
In addition, although Respondent C desired to depict a positive image of Shanghai,
she knew it would be detrimental to the credibility of the story because the audience
would eventually figure out the truth for themselves anyway. In a similar empirical
research carried out by Hong (2011), the state-owned news agency Xinhua is
gradually changing its operations from that of a propaganda machine to a news
organization with global orientations. Clearly, using the media as a diplomatic tool is
on the Party’s list of top priorities.
Implications
It is beyond the scope of this paper to elaborate on how the government and
individuals work together to fulfill China’s public diplomacy goals. Rather, China’s
transnational media space can be said to be a platform that helps reinforce national
identities, as the overall directive on public and media diplomacy [that is, using the
media to communicate, resolve conflict and influence public opinion in foreign
societies (Gilboa, 2001)] has raised a sense of Chinese pride. This is not necessarily
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government driven, but can be initiated from the people themselves. This is
particularly so where the idea of representing ‘home’ and ‘country’ is concerned
(Respondent A, personal communication, April 18, 2013). For example, Respondent
B insists that both sides of a ‘complicated China’ must always be taken into
consideration when there is negative coverage because, as a huge country, China
cannot always control all aspects of political, economical and social life. A real
transnational exchange occurs through this bi-directional outreach — Chinese not
only want to reach out to people on the outside, they also desire that outsiders respond
accordingly by seeing China in a better light. Thus, there exists no conflict between
institutional instructions and their own.
However, this enriched sense of being Chinese does not mean that they become more
nationalistic, i.e. wholly believing in and agreeing with the government’s perspective
towards communism, selflessness, social harmony and Chinese ‘greatness’. For
example, Respondent E did not agree with the government’s exaggerated protection
of pandas [considered to be a national treasure and epitome of Chinese culture] during
the Sichuan earthquake even when many were in need of help. Respondent E’s
personal values on cherishing human lives are universal and were at that point in time
in conflict with the government’s. There are also professional values [though not
necessarily universal] which he has picked up and he strongly identifies with. For
example on journalistic practices, he did not agree with the local custom of paying
journalists for a press release to be published in the papers the next day. These
observations are reminiscent of what has been said in the literature about identity.
Firstly, it validates that in cosmopolitanism, it is possible to have nations without
nationalism (Delanty, 1999). In relation to universality, no one is clearly homogenous
Fudan University The Construction of Chinese Identities in Transnational Spaces
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(Waldron, 1992); despite the re-shaping of values and beliefs, there is a heart of
universality entrenched at the core of all human beings and this just becomes
reinforced at particular moments. Finally, that no psychological struggle is felt in
going against the grain of wider national beliefs also complements Appiah’s notion of
rooted cosmopolitanism (1992). Here, it is also appropriate to add that Respondent F
also supports Appiah’s concept as she shared that she seldom speaks highly of
authorities in her own country because it is the media’s responsibility to see that they
behave and contribute to society.
3.2 Identity and Cosmopolitanism
3.2.1 Self and the Other
To begin with, all respondents had difficulty answering the self-identity question
because it was something they had never thought about. Personally, I wish I could be
more articulate about what I meant when referring to the ‘cosmopolitan identity
crisis’. But they would also not be able to grasp the conceptual complications of
cosmopolitanism had I told them straight to their face.
When asked what were the types of values and beliefs respondents were inculcated
with from a young age, most identified these values as universal, rather than Chinese.
For example, do no evil, be good and be honest. Here, they recognized that there was
no pressure in choosing between an allegiance to shared institutional identities and
new ones adopted later on in life. Through a comparison of local/cultural and
universal values, the conversations also raised an enhanced sense of the Other. This
makes sense because an individual’s own cultural identity is made conscious when
there is an encounter with distinguishable differences (Cohen, 1982; Palmer, 2003;
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Triandafyllidou, 1998). More importantly, giving thought to these values allowed one
to be sensitive to the self because the Other brought about the realization of difference
in values from the ones they were familiar with in their own worlds (Delanty, 1999;
Ong, 2009; Skrbis, Kendall & Woodward, 2004).
The Chinese are more sensitive and less straightforward. They take care to be
politically correct and focus on not hurting the friendship, whereas foreigners
are more open and direct. But they are from a different culture, so it’s OK.
Respondent B
In transnational media, information not only travels from inside out but also outside
in, giving respondents an idea of how they were being portrayed in the Other media.
For example, Respondent F shared that most of the time, China has been represented
fairly, truthfully and objectively when she reads about how the country has been
reported in foreign media. To add a theoretical perspective, this space of exchange
melts social and cultural boundaries, giving rise to the potential for chaos and
ambivalence (Bauman, 1991). The lack of order in today’s society can lead to the
suppression and exclusion of strangers (Hall, 1997; Marotta, 2002), but I am inclined
to be more optimistic than this. By sharpening our consciousness towards the Other,
walls are taken down as the increased knowledge of self and the Other continues into
an endless cycle of understanding (Chan, 2005, p. 11). This is further expressed and
reinforced in areas of daily work, especially when dealing with victims of natural
disasters in news coverage. Respondent E shared:
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I have seen a lot more things others have not. It’s a privilege. If you look at
survivors’ faces after an earthquake, be it the 2008 one in Sichuan or the
Japanese one in 2011, they all look the same. We are all human beings after
all.
His response illustrates a sense of moral duty and compassion attached to this
encounter. Despite cultural, historical and physical distance, people who live out of
state borders are actually spiritually brought a lot closer in death and suffering (Beck,
2002; Silverstone, 2007). In covering the suffering of the Other, Respondent E saw
his own humanity reflected and realized a commonality between him and the victims
despite living and experiencing different ‘life-worlds’. There is a mortality that is
universal and this is the thread that connects all of us. More importantly, this finding
brings empirical value to how the development of a moral identity and consciousness
is often identified first in those who work in the media (Ong, 2009); this comes about
as a result of their daily engagement with the Other through mediated spaces, which
pulls their distance together (Silverstone, 2007).
-
The global experience through their everyday work lives did not immediately make
respondents feel detached from their own local experiences or what they have been
taught growing up. This is because I took it for granted that the cosmopolitan identity
is only discovered upon engagement with everyday work in a transnational
environment. Yet clearly the Internet in daily life, overseas education, friends from
abroad, learning another language and living in an international city like Shanghai
also contributed to their cosmopolitan experience (Rantanen, 2005). In fact, Delanty
(1999) goes as far as saying that the evolution of media and communications has
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made everyone cosmopolitan. For example, Respondent B spoke about how her
perspective of China changed upon entering university:
I used to think China is OK! This was before knowing the world because back
then there was no basis for comparison. I often took things for granted, that
it’s natural for certain things to happen as with anywhere around the world.
Rather than how they saw the world differently, prolonged exposure in a transnational
environment impacted the way they saw China. This came about through interaction
with international friends and about how China was being represented and read in a
different light. This impact of the world also translated into a change in professional
values. Respondent D shared:
Xinhua was boring. I knew I wasn’t doing journalism, but I also didn’t know
what real journalism was.
Like him, respondents who went overseas to further their studies in the field of
journalism saw the need to do so because they wanted to expose themselves to how
journalism was practiced in the west. They knew they would not be able to fully grasp
the diverse characteristics of media models such as liberalism, libertarianism and
democracy if they remained in China (Respondent A, personal communication, April
18, 2013). It came to a realization of how overseas news media operate differently —
news is news. Just report the facts and get to the point (Respondent E, personal
communication, April 25, 2013). Exposure to another cultural world was a surreal
experience, an awakening in which their own sense of self-identity began to be called
Fudan University The Construction of Chinese Identities in Transnational Spaces
45
to question when they returned from abroad. As a consequence, it led to a re-
evaluation of previous experiences and snowballed into bigger questions of their own
existence. Respondent A shared:
My values have changed. You won’t come to work just because of the salary.
When you are in touch with the world all the time, your horizons are widened.
In terms of conflict, I often get asked [by my international friends] if there is
anything such as news in China.
Implications
What might the global experience and the exposure to the Other mean for the self?
Existing literature suggests that a cultural awareness is produced, intensifying the
sense of belonging where the self is being located in ‘circles of potential connections’
(Calhoun, 2008; Nussbaum, 1996). At the same time, this can also translate into
complex socio-psychological feelings of momentary loss, uncertainty and profound
questions of existentialism (Appadurai, 1990; Meyrowitz, 1985). These happenings
can also threaten to disrupt the continuity from the past (Tomlinson, 2003).
It is at this point that one begins to return to a fixed and familiar entity where it is
possible to find comfort and solace. When changes occur, the individual reaffirms
himself as a citizen from his country, citing tangible ownership of artifacts such as a
passport or identity card, as well as historical experiences with physical places as a
confirmation of his own identity (Respondent A, personal communication, April 18,
2013). Temporarily he goes back ‘home’, but this reaffirmation of the national
identity does not mean that he cuts off all ties with the Other.
Fudan University The Construction of Chinese Identities in Transnational Spaces
46
The experience of being lost will help you to be more accepting towards
different cultures, including how to communicate with people from different
backgrounds. You will be more forgiving when misunderstandings occur and
be more open-minded when there’s something you cannot understand.
Respondent A
The cosmopolitan identity is constructed through historical experience.
Simultaneously a sense of moral consciousness towards the Other is developed,
making the individual more sensitive to his presence and needs. As one takes this
identity along through to the present, the individual is constantly in contact with it,
giving him the opportunity to wear that cosmopolitan identity when an opportunity
arises. Finally, frequent contact and exposure to the Other will not only lead to a
growing maturity in acceptance, it will also produce a better perspective of how the
self is understood when mirrored against the Other.
3.2.2 Identities in between spaces and places
Today, the self is forced to live in a world with many identities (Delanty, 1999).
Nussbaum (1996) describes such a person as a ‘voluntary exile’, one who has chosen
to be out there rather than back at home because the world has a lot more to offer.
Firstly, most respondents could not explain their reasons for their choice, only that
curiosity played the most critical role. On reasons to go overseas to further her studies
in journalism, Respondent A offered:
Fudan University The Construction of Chinese Identities in Transnational Spaces
47
I hoped to learn better English and to be more international. I wanted to see
what were the kinds of concepts they taught in school there.
Being employed in the media and, for that matter, studying communications was an
uncommon route because it offered limited choices for employment or stability upon
graduation. Against these societal norms, all respondents shared that they went ahead
with their choices out of a genuine interest for the discipline, with moral and financial
support from their parents. They also shared that life decisions they had chosen for
themselves were vastly different from most of their peers who chose to lead life the
safe and boring way (Respondent C, personal communication, April 19, 2013).
To confirm this, I turned again to Zhu and He’s (2002) contemporary Chinese value
orientations of materialism and post-materialism. For example, values cited here
included being employed in a stable government job, participating in the corporate rat
race and striving for the biggest houses and cars. Indeed, I was thus able to distinguish
respondents from the mainstream Chinese identity.
Despite these inherent differences, there were moments when respondents preferred to
hang out with their Chinese friends because of a common language, culture and
background. Yet there were also times they preferred to discuss issues with their
international colleagues because of shared global experiences. Respondent E for
instance, shared that when he undertakes risky assignments, his international
colleagues respect him for his dedication to the profession. His Chinese friends on the
other hand assume that he does so because the job pays well. Positioned somewhere
in the middle where cultures mix and clash, these findings are an indication of how
Fudan University The Construction of Chinese Identities in Transnational Spaces
48
identities take on a double life, shifting focus across overlapping spheres of influence
where appropriate (Nagota, 1974; Waldron, 1992).
Implications
Examining the processes of construction and continuation of identity is a complex
endeavor and it is not always immediately clear how it comes about. To this end, the
above findings have so far indicated that it is often discovered and modified when
examined against wider structures such as institutional pressures and the Other. Up till
this point, the significant other [i.e. ‘a kind of non-identity, providing the self with a
means of distinguishing itself from others’ (Delanty, 1999, p. 365)] in the immediate
environment also plays a critical role in allowing the individual to explore and
discover his own space for a cosmopolitan identity to develop.
As a consequence of these differences, there is a space of conflict and resistance when
situated in either sphere (Kellner & Pierce, 2007), especially when “what separates
the real and the ideal is experienced as a deep psychological and spiritual chasm that
tears the mind and the body apart” (Chan, 2005, p. 7). But rather than constantly
finding tensions and conflicts between these two worlds, this culturally autonomous
space also provides familiar comforts, particularly when there is an ease and
flexibility by which individuals are able to cross over into different cultures.
For example, Respondent C’s sharing helps us understand that this hybridity [neither
western nor Chinese] is not necessarily a bad thing, as it does not personally affect the
individual. As a result, the sharing of different views works towards creating a better
Fudan University The Construction of Chinese Identities in Transnational Spaces
49
understanding of different worldviews and cultures, while maintaining one’s own
traditions at the same time.
It’s like working on two pieces of fabric on a sewing machine. One is Chinese,
the other western. I sew them together and make it into a nice piece of dress. I
sew it to make it fit my style. Do I lose anything from my own identity? No.
Finally, while Appadurai (1990) suggests that the process of migration and mediation
have created spaces in between for identities to flourish, and while Castells (1996)
proposes the Internet as a foundation for identities to be situated in a new spaceless
and timeless culture, findings from these interviews add on to these existing literature
by presenting a fresh concept of space built upon imagination, another dimension an
individual embraces for comfort.
4. Conclusion
This purpose of this study has been to seek a clearer understanding of how identities
are constructed and how they change throughout an era of globalization and
mediatization. With China’s media system used as an institutional background, six
interviews were conducted to understand this phenomenon. Although this study
cannot speak for the whole population of Chinese journalists working in China, it
nonetheless brings value to the study of cosmopolitanism as it has reified a
theoretically abstract ideal.
There are evident flaws in this study: Firstly, political and social structures of power
are assumed to be the main points of contestation against individuals and the
Fudan University The Construction of Chinese Identities in Transnational Spaces
50
institutional values they are subjected to. Yet, findings reveal that the individual also
struggle against their immediate environments. Secondly, this study is based on the
assumption that the cosmopolitan experience is first discovered upon working at a
transnational media company. The results show that other factors are also at play to
create this realization. Yet, these flaws do not invalidate the purpose and outcome of
this study. Rather, it has made an additional contribution to academia by shedding
light on the influences that have impacted the continuation or disruption of the self.
From a bottom-up approach, it has illustrated how individuals construct a new
imaginative space to develop their own culture of comfort.
While this study has only explored self-identity in cosmopolitan environments, there
is still a lot of room for exploring cosmopolitanism, especially in authoritarian
countries such as China. Exposure to a world deemed more exciting and with so much
more to offer has led Respondent E to remain in a city of diverse cultures like
Shanghai. As a result, he often struggles with his duty to be a filial son to his parents
back home. Tensions are so much more evident when traditional values of home and
family are in conflict with respondents’ newly adopted ones. However I am not
proposing an investigation into a conflict between cross cultural values. Rather, what
would be interesting is to see how an individual deals with identifiable conflicts
between his own internalized beliefs and those he decides to take on in the course of
his life.
Finally, this study can be taken forward by critically examining how Chinese
journalists choose to represent themselves to an external audience. This would further
Fudan University The Construction of Chinese Identities in Transnational Spaces
51
contribute to studies on media and public diplomacy (Gilboa, 2008), another area in
media studies and globalization that is in severe need of exploration.
Fudan University The Construction of Chinese Identities in Transnational Spaces
52
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