Top Banner
Elizabethan Age and Shakespeare Notes
33
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Romeo and Juliet Intro

Elizabethan Age and

Shakespeare Notes

Page 2: Romeo and Juliet Intro

Era is named after Elizabeth I, monarch of England (1558-1603)

During her reign, a Renaissance (French for re-birth) of the arts and sciences was occurring.

The Renaissance (1350-1600) marked a transition from the medieval to the modern world in Western Europe.

English drama produced during this time is known as Elizabethan Drama

Page 3: Romeo and Juliet Intro

In general, there was not much scenery in Elizabethan drama; costumes were quite elaborate and there were many props

For example, a pig bladder full of blood was used for Juliet’s death scene in Romeo and Juliet.

All roles were played by men. Sometimes actors had to learn as many as six parts at a time.

Young boys played the female parts. That is why there are few romance scenes on stage.

Page 4: Romeo and Juliet Intro

Shakespeare’s Early Life Born April 23, 1564 Birthplace: Henley Street, Stratford-on-

Avon, not far from London Parents: John Shakespeare; Mary Arden,

from a wealthy family inherited land to William because he was

the oldest of eight children

Page 5: Romeo and Juliet Intro

Married Anne Hathaway on November 27, 1582 (he was 18, she was 26)

Oldest daughter, Susanna, was born six months later

1585- twins born - Hamnet and Judith Hamnet died at age 11 (profoundly

affected Shakespeare; Hamlet is a variation of that name)

Page 6: Romeo and Juliet Intro

Shakespeare’s Career He wrote 154 sonnets and two long

poems He wrote 37 plays. Most of his sonnets were written between

1592-1594 because the theaters were closed due to the Black Plague

By the time he was 32, he was considered the best writer of comedy and tragedy

He died on his 52nd birthday (April 23,1616)

Page 7: Romeo and Juliet Intro

The Globe was the most important of the public theaters

“Groundlings,” - paid a penny for admission, stood in the open court

Usually from the lower class liked to throw food yelled at the actors on stage and sometimes even sat on the stage, especially if they

didn’t like what they were seeing.

The higher priced tickets were two and three cents.

Public Theaters

Page 8: Romeo and Juliet Intro

History of The Globe built in 1599 seated 2,100 people Shakespeare was one of ten owners 1613—burnt down (waterproof thatch roof

caught on fire during a performance of Henry VIII--- cannon)

Page 9: Romeo and Juliet Intro
Page 10: Romeo and Juliet Intro

Background to Romeo and Juliet

written about 1595 probably his 13th play idea taken from “The Tragical History of

Romeo and Juliet,” a poem by Arthur Brooke (1562)

Unlike his other tragedies, Shakespeare allows chance, or fate, to determine the destiny of the hero and heroine (Romeo and Juliet) more than their tragic flaws do.

Page 11: Romeo and Juliet Intro

Shakespearean Style and

Figurative Language

Page 12: Romeo and Juliet Intro

Freytag’s Pyramid

Act 3 : Climax

Act 2: Rising Action

Act I: Exposition

Ac t 4: Falling Action

Act 5: Resolution

Page 13: Romeo and Juliet Intro

The chief poetic form Shakespeare used was blank verse, or unrhymed iambic pentameter.

Examples: Shall I compare thee to a summer’s day?

Blank Verse

Page 14: Romeo and Juliet Intro

Soliloquies: a speech made by an actor who is alone on stage, intended to reveal his thoughts

Asides: remarks made by a character that are meant to be heard by the audience and perhaps one other character on stage, but no one else. Asides are usually ironic because they inform the

audience about something of which the other characters are ignorant.

Page 15: Romeo and Juliet Intro

Conventions: agreements between the artist and the audience.

For example, it was assumed that all characters spoke in poetic form unless they were commoners; the dialogue was meant to be blunt or the dialogue was relating serious information (as in a royal document or letter).

Anachronisms: out of place objects, customs or beliefs.

For example, the Romans in the play Julius Caesar didn’t wear Roman attire. Rather they wore elaborate Elizabethan costumes.

Page 16: Romeo and Juliet Intro

Tragic flaw: a flaw, or error, in the tragic hero that is the cause of his downfall.

Foil: two contrasting characters, used to highlight the differences between the two.

Page 17: Romeo and Juliet Intro

Simile A comparison of two different things or

ideas through the use of the words “like” or “as.”

It is a stated comparison, where the author says one thing is like another e.g., The warrior fought like a lion.

Page 18: Romeo and Juliet Intro

Metaphor A direct comparison of two seemingly

unlike objects The author states the one thing is another. It is usually a comparison between something

that is real or concrete and something that is abstract.

e.g., Life is but a dream.

Page 19: Romeo and Juliet Intro

Personification A kind of metaphor which gives inanimate

objects or abstract ideas human characteristics. e.g., The wind cried in the dark.

Page 20: Romeo and Juliet Intro

Hyperbole A deliberate, extravagant, and often

outrageous exaggeration. It may be used either for serious or comic

effect. e.g., The shot that was heard ‘round the

world.’

Page 21: Romeo and Juliet Intro

Understatement (Meiosis) The opposite of hyperbole. It is a kind of irony which deliberately

represents something as much less than it really is.

e.g., I could probably manage to survive on a salary of two million dollars per year.

Page 22: Romeo and Juliet Intro

Paradox A statement which contradicts itself. It may

seem almost absurd. Although it may seem to be at odds with

ordinary experience, it usually turns out to have a coherent meaning, and it reveals a truth that is normally hidden.

e.g., The more you know, the more you know you don’t know.

Page 23: Romeo and Juliet Intro

Oxymoron A form of paradox which combines a pair of

contrary terms into a single expression. This combination usually serves the

purpose of shocking the reader into awareness. e.g., sweet sorrow

Page 24: Romeo and Juliet Intro

Pun A play on words which are identical or

similar in sound but which have sharply diverse meanings.

Puns may have serious or humorous uses. In Romeo and Juliet as Mercutio is dying,

he says, “Ask for me tomorrow and you shall find me a grave man.”

Page 25: Romeo and Juliet Intro

Irony – contradiction between what is real and what is expected

Verbal irony – when what is said has a different meaning than what is normally intended. It is simple to stop smoking. I’ve done it many

times.

Page 26: Romeo and Juliet Intro

Situational Irony - When what happens contradicts what is expected. For example, Romeo tries to make peace with

the Capulets, ends up killing Tybalt, and is banished.

Dramatic Irony – When the audience knows something the characters do not. For example, we know Juliet is not dead.

Romeo believes she is dead and stabs himself (dummy).

Page 27: Romeo and Juliet Intro

Sarcasm A type of irony in which a person appears

to be praising something while he is actually insulting it. As I fell down the stairs head-first, I heard her

say, “Look at that coordination.”

Page 28: Romeo and Juliet Intro

Antithesis A direct contrast of structurally parallel word

groupings generally for the purpose of contrast sink or swim

Page 29: Romeo and Juliet Intro

Apostrophe A form of personification in which the

absent or dead are spoken to as if present Oh William Shakespeare, What dost thou mean

by thy ramblings? Or

The inanimate is spoken to as if it is animate (alive).

Page 30: Romeo and Juliet Intro

Allusion A reference to a mythological, literary,

historical, or Biblical person, place, or thing. Hey Romeo, cool your jets and get your hands

off my daughter!

Page 31: Romeo and Juliet Intro

Synecdoche (Si-neck-da-key) A form of metaphor A part of something is used to signify the

whole. Also, the reverse can be true where the

whole can represent the part. Canada played the U.S. in the hockey finals. (In

reality, the Canadian team, played the U.S. team, not the entire country.)

Page 32: Romeo and Juliet Intro

Synecdoche (cont’d) Another form involves the container

representing the thing being contained. the pot is boiling. (In reality, the pot isn’t boiling,

just the water in it).

Also, it can involve the material from which an object is made standing for the object. The quarterback tossed the pigskin.

Page 33: Romeo and Juliet Intro

Metonymy The name of one thing is applied to another

thing with which it is closely associated I love Shakespeare.

(A person doesn’t really love the man; he really means he loves to read Shakespeare’s plays.)