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Roger Waters - PROS AND CONS OF HITCH-HIKING LP full - traduccion acordes.doc

Nov 03, 2015

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PROS AND CONS OF HITCHHIKING-ROGER WATERS

PROS AND CONS OF HITCHHIKING-ROGER WATERS

This is a great album, but before you start, you must learn this:

C Am C/Be-------------------------------------|

B-------------------------------------|

G-------------------------------------|

D------0h2------0h2------0h2----------|

A--3---------0--------0--------0-2----|

E-------------------------------------|

this is basically the main riff of the album,

(sometimes played with variations, such as one more Am bar)

it occurs in almost all of the songs (during the C/Am parts)

You should also kinda strum C and Am while playing this...

This riff will be signified by a *********************\/

at the beginning and ************/\ ending of the riff

-----------------------------------------------

4:30 (Apparently They Were Running Abroad)

-------------------------------------------------

C F C F C Dm Em G G+ Am**********************************************\/

Am C AmWe were moving away from the border

C AmLooking for somewhere to sleep

C AmThe two of us sharing the driving

C AmTwo hitchhikers slumped in the back seat

Hello

C Am

I sneaked a quick look in the mirror

She gave me a smile

C Am I said "Is anyone hungry?

C Am

Should we stop for a while?"

C Am AmSo we pulled off into a layby

C AmHer dress blew up over her head

C AmI said "Would you like to come with me?"

C AmShe said something foreign under her breath

*************************************************/\

F CAnd the sun shone down on her lovely young limbs

F CI thought to myself she's much too good for him

F C FI lay down beside her with tears in my eyes

G F *C Am *G F C C/B...

She said

----------------------------

4:33 (Running Shoes)

----------------------------

Am So I stood by the roadside

(G) FThe soles of my running shoes gripping the tarmac

(G) Am (G) F (G)

Like gunmetal magnets

AmFixed on the front of her Fassbinder face

(G) FWas the kind of a smile

(G) AmThat only a rather dull child could have drawn

(G) F (G)

While attempting a graveyard in the moonlight

AmBut she was impressed

(G) FYou could see that she thought I looked fine

(G) AmAnd when she turned sweeter

(G) FThe reason (between you and me) was

(G) Am F

She'd just seen my green Lamborghini

(You can play a barre-chord G in the middle of Am and F

and visa-versa to link them together)

*********************************************\/

Am C Am So we went for a spin in the country

C AmTo feel the wind in our hair

C AmTo feel the power of my engine

C Am

To feel the thrill of desire

*********************************************/\

C Am C Am F C F C G F (C)

F CAnd then in the trees I heard a twig snap

F CWarning lights flashed on my map

F C

I opened my eyes and to my surprise

----------------------------------------------

4:37 (Arabs With Knives And West German Skies)

----------------------------------------------

G CThere were Arabs with Knives

F AmAt the foot of the bed

G F CRight at the foot of the bed

************************************************\/

C AmOh my God how did they get in here?

C AmI thought we were safe home in England

*************************************************/\

F C FShe said "Come on now kid, it was wrong what you did

G F C AmYou've got to admit it was wrong what you did

G F CYou got to admit it was wrong"

Oh god....Jesus

CSleep Sleep

GI know that I'm only dreaming

Leave her alone..get out..out..get out of my house

CThrough closed eyes

GI see West German skies on the ceiling

FAnd I want to get back to the girl with the rucksack

CTo feel her flaxen hair

GI want to be there

FSee the sun going down behind Krupps steelworks

C G On the outskirts of some German town

CGuten Abend meiner Damen und Herren Ha Ha Ha Ha

G7Willkommen in Konnigsburg Ha Ha Ha Ha

C

Wollen zie danzen mit mir oder drinken Bier Ha Ha Ha Ha

G7

Thank you but......

F# FThis young lady and I

C C7 GWill just finish this bottle of wine

FIt was kind of you...but

CI think we'll just say goodnight

Leave us alone

Goodnight

"Leave us alone

C Could I have the key to one four three please?

F There you are

Thank you, goodnight

C F C

Dm Hello yes I'd like to order breakfast please

Em I'd like coffee for two, and toast with marmalade

G G+

No...marmalade.

------------------------------------------

4:39 (For The First Time Today Part 2)

------------------------------------------

CFor the first time today

F G CI held her naked body next to mine

F Am Dm7In this hotel overlooking the Rhine

G G+

I made her mine

Am G C F Am Dm

Ooh babe...ooh babe

G G+ AmCome with me and stay with me

F AmPlease stay with me

Uh...what is it?

F Stay with me

Am FStay with me

C FStay with me

No...

Am F Am F Stay with me

----------------------------

4:41 (Sexual Revolution)

----------------------------

Em Hey, girl take out the dagger

C D EmAnd let's have a stab at the sexual revolution

EmHey girl let freedom for all be our rallying call

C D EmTomorrow lets make...our new resolution

C DYeah, but tonight lie still

G D EmWhile I plunder your sweet grave

C D Em

And remember only the poor can be saved

EmHey girl as I've always said I prefer your lips red

C D EmNot what the good Lord made but what he intended

Em

Hey girl don't point the finger at me

C D Em

I am only a rat in a maze like you and only the dead go free

C D

So please hold my hand

G D EmAs we blunder through the maze

C D EmAnd remember nothing can grow without rain

(Thunder)

(Em C Em C Em C Em C )

Em........... C.... Em C D G D EmC D EmDon't point your finger at me

G G/F# Em I awoke in a fever

G G/F# EmThe bedclothes were all soaked in sweat

G G/F# EmShe said "You've been having a nightmare

G G/F# Em And it's not over yet"

C DThen she picked up the doggy in the window

G G/F# Em(The one with the waggly tail)

C D EmAnd she put him to bed between two bits of bread

-------------------------------

4:47 (The Remains Of Our Love)

-------------------------------

G G/F# Em I just cowered in the corner

G G/F# EmMy pyjama coat over my head

G G/F# EmAnd she smiled as she finished her sandwich

G G/F# Em F C FAnd her cold eyes fixed me to my dark history

GAs she brushed the remains

F COf our love from the bed

***************************************\/

C AmAnd when she had turned back the covers

C AmWhen all of the prayers had been read

***************************************/\

FShe said "Come on over here you silly boy

FBefore you catch your death of cold

CI was only joking

FLet's leave behind the city grime

FLet's not compete

CIt could be fine in the country

G FCouldn't it though...come on lets go

C F C F...

I said "OK"

----------------------------------

4:50 (Go FIshing)

----------------------------------

GTo reach for the pie in the sky

Cm

Go fishing my boy!

Bsus4 B Cdim Bsus4 B Em C D Bsus4We set out in the spring

DWith a trunk full of books about everything

Bsus4About solar devices

DAnd how nice natural childbirth is

CdimWe cut down some trees

And we trailed our ideals

Bsus4 BThrough the forest glade

CdimWe dammed up the stream

And the kids cooled their heels

Bsus4 BIn the fishing pool we'd made

Em Em/D We held hands and we exchanged bands

C DAnd we practically lived off the land

Bsus4You adopted a fox cub

DWhose mother was somebody's coat

Bsus4You fed him by hand

And then snuggled him down

DIn the grandfather bed while I wrote

CdimWe grew our own maize

Bsus4And I only occasionally went into town

CdimTo stock up on antibiotics

Bsus4 BAnd shells for the shotgun that I kept around

Em Em/DI told the kids stories while you worked your loom

C DAnd the sun went down sooner each day.

G

*Chapter six in which Eeyore has a birthday

C And gets two presents

D G Daddy...come on dad

Eeyore the old grey donkey stood by the side

C Of the stream and he looked at himself in the water

D "Pathetic" he said, "That's what it is"

Bsus4 B D

"Good morning Eeyore" said Pooh

Cdim Bsus4 B "Oh" said Pooh, He thought for a long time

Bsus4Then the leaves all fell down

Our crops all turned brown

DIt was over

Bsus4As the first snowflakes fell

DI realized all was not well in the camp

CdimThe kids caught bronchitis

Bsus4 BThe space heater ran out of diesel

CdimOne weekend a friend from the East,

Bsus4 BRot his soul, stole your heart

EmI said "**** it then

Em/DTake the kids back to town

C DMaybe I'll see you around"

G C D G Am7 G C G/B

Am7 G And so...leaving all our hopes and dreams

C Am7 DTo the wind and the rain

GTaking only our stash

Am7 GLeft our litter and trash

CAnd set out on the road again

G/B Am7 G On the road again

C On the road again

D G Em On the road

--------------------------------------

4:56 (For The First Time Today Part 1)

--------------------------------------

AmFor the first time today

F G CI feel it's really over

F DmYou were my everyday excuse

G G+

For playing deaf, dumb and blind

Am Who'd have ever thought

F G CThis was how it would end for you and me

F DmTo carry my own millstone

G G+

Out of the trees

Am And I have to admit

I don't like it a bit

F AmBeing left here beside this lonesome road.

D/F# Lonesome road

--------------------------------

4:58 Dunroamin Duncarin Dunlivin

--------------------------------

************************************\/

C Am I nailed ducks to the wall

G C Am Kept my heart in dark ruins

G C AmI built bungalows all over the hills

G C AmDunroamin, duncarin, dunlivin

G C Am Took my girl to the country

G C AmTo sleep out under the moon

C AmNext thing she's going crazy

************************************/\

G C AmShe waits for the real Mr. Right to come

G C Am Gently removing her heart

F GWith his promises of real communication

F# FWho's always picking up the tab

CWho built a bungalow for his mum and dad

FWho took you out to all the shows

CWho worked his fingers to the bone

GWhile you were asleep

F# FI kept you in buttons and bows

CSo you could encourage this creep

F# FWith his neat feet

CAnd his clean fingernails

F# F CWith his wise but twinkling eyes

F CHe's a rock standing out in an ocean of doubt

F GAnd compromise

F# F CI'd like to go on with this bit of a song

F C Describing this schmuck

F G CI'd like to go on, but I'm going to throw up

Am[Not in my rig you don't boy...get the hell out of here]

-------------------------------------

5:01 The Pros And Cons Of Hitchhiking

-------------------------------------

Intro: A G C Am D G

DmAn angel on a Harley

AmPulls across to greet a fellow rolling stone

DmPuts his bike up on it's stand

Leans back and then extends

AmA scarred and greasy hand...he said

G C Am How ya doin bro?...where ya been?...where ya goin'?

DThen he takes your hand

In some strange Californian handshake

GAnd breaks the bone

DmA housewife from Encino

Whose husband's on the golf course

AmWith his book of rules

DmBreaks and makes a 'U' and idles back

AmTo take a second look at you

GYou flex your rod

C AmFish takes the hook

DSweet vodka and tobacco in her breath

G Another number in your little black book

C Em These are the pros and cons of hitchhiking

C Em These are the pros and cons of hitchhiking

D G Oh babe, I must be dreaming

DmI'm standing on the leading edge

AmThe Eastern seaboard spread before my eyes

Dm"Jump" says Yoko Ono

Am"I'm too scared and too good looking" I cried

G"Go on", she says

C Am"Why don't you give it a try?

D GWhy prolong the agony all men must die"

Dm Am Dm Am C C/B Am GDm Do you remember Dick Tracy?

AmDo you remember Shane?

And mother wants you

DmCould you see him selling tickets AmWhere the buzzard circles over [Shane]

The body on the plain

GDid you understand the music Yoko

C AmOr was it all in vain? [Shane]

DThe ***** said something mystical "Herro"

GSo I stepped back on the kerb again

C Em These are the pros and cons of hitchhiking

C Em These are the pros and cons of hitchhiking

D G Oh babe, I must be dreaming again

C Em (repeat and fade)

These are the pros and cons of hitchhiking

----------------------------

5:06 (Every Stranger's Eyes)

----------------------------

C Hello...you wanna cup of coffee?

Dm

I'm sorry, would you like a cup of coffee?

G Ok you take cream and sugar?

CIn truck stops and hamburger joints

In Cadillac limousines

DmIn the company of has-beens

GAnd bent-backs and sleeping forms

On pavement steps

CIn libraries and railway stations

In books and banks

Dm In the pages of history

GIn suicidal cavalry attacks

C C/B AmI recognise...

F G C Myself in every stranger's eyes

CAnd in wheelchairs by monuments

Under tube trains and commuter accidents

Dm In council care and county courtsG At Easter fairs and sea-side resorts

CIn drawing rooms and city morgues

In award winning photographs

Of life rafts in the China seas

DmIn transit camps, under arc lamps

On unloading ramps

G In faces blurred by rubber stamps

C C/B AmI recognise...

F G C Myself in every stranger's eyes

C C/B AmAnd now from where I stand

Dm GUpon this hill I plundered from the pool

C C/B AmI look around, I search the skies

Dm GI shade my eyes, so nearly blind

C C/B AmAnd I see signs of half remembered days

G F Dm GI hear bells that chime in strange familiar ways

C C/B AmI recognai----ise...

F G C F The hope you kindle in your eyes

C F G C Am Dm GCIts oh so easy now

F GAs we lie here in the dark

EmNothing interferes it's obvious

AmHow to beat the tears

DmThat threaten to snuff out

G CThe spark of our love

------------------------

5:11 (Moment Of Clarity)

------------------------

**************************\/

CAnd the moment of clarity

AmFaded like charity does

**************************/\

AmAnd sometimes

F CI put out my hand just to touch your soft hair

F CTo make sure in the darkness that you were still there

FAnd I have to admit

C Am G F CI was just a little afraid, oh yeah

AmBut then...

FI had a little bit of luck

You were awake

CI couldn't take another moment alone.::::::::::::::::::::::::::::::::::::::::::::::::::

LOS PROS Y CONTRAS DE Autostop

Msica y letras de canciones de Roger Waters

Roger comenz a trabajar en el concepto y las canciones de los pros y contras de hacer autostop en la dcada de 1970 y fue slo despus de Pink Floyd disolvi Eso refin la letra y msica. Pros y Contras convirti en su primer lbum "Solo" sin los otros miembros de Pink Floyd como msicos de estudio de copia de seguridad como algunos dicen que fue el caso con el lbum, "The Wall" y "The Final Cut".

Su nueva banda, a la que llam "The Bleeding Hearts Band", se compone de varios grandes msicos de estudio que haba hecho amistad con los aos. Sin embargo para el lbum, y esta primera iteracin de la banda, Roger pidi a otro que Eric Clapton por su guitarrista y principal instrumentista.

Los pros y los contras de hacer autostop fue lanzado en 1984 con conciertos que comienza dos giras en Suecia en breve all-despus. Hubo diferencias triviales en las letras reportados entre los EE.UU. liberacin Pros y contras del lbum y la liberacin britnica, as como letras adicionales cantadas durante la gira Pros y contras.

las letras

4:30 AM (Aparentemente estaban Viajar al extranjero)

Al parecer, en el que viajaban en el extranjero

Y recogieron algunos autoestopistas ... taladro

Despierta que ests soando ... lo ... que ests soando

Nos alejamos de la frontera

Eh qu frontera?

Que tengas un buen da ... uh ... have a nice day

Nos alejamos de la frontera

Buscando un lugar para dormir

Nosotros dos compartiendo la conduccin

Dos polizones se desplomaron en el asiento trasero

Hola

Me col un rpido vistazo en el espejo

Ella me dio una sonrisa

Le dije: "Hay alguien con hambre?

Hay que parar un rato? "

As que nos detuvimos en un rea de descanso

Su vestido volaron sobre su cabeza

Le dije: "Te gustara ir conmigo?"

Ella dijo algo extrao en voz baja

Y el sol brillaba sobre sus hermosos miembros jvenes

Me dije a m mismo que ella es demasiado buena para l

Me acost al lado de ella con lgrimas en mis ojos

Ella dijo

4:33 AM (zapatillas)

As que me puse de pie junto a la carretera

Las suelas de mis zapatos para correr de agarre del asfalto

Al igual que los imanes bronce de can

Fijo en el frente de su cara Fassbinder

Era el tipo de sonrisa

Que slo un nio ms bien aburrido podra haber dibujado

Que trataron de hacerles cementerio bajo la luna

Pero ella estaba impresionado

Se poda ver que ella pens que yo vea bien

Se volvi ms dulce y cundo

La razn (entre t y yo) era

Ella acababa de ver mi Lamborghini verde

As que nos fuimos a dar una vuelta en el pas

Para sentir el viento en el pelo

Para sentir el poder de mi motor

Sentir la emocin del deseo

Y luego, en los rboles o un chasquido ramita

Las luces de advertencia se encendieron mi mapa

Abr los ojos y para mi sorpresa

4:37 AM (rabes con cuchillos y West cielos alemanes)

Haba rabes con cuchillos

Al pie de la cama

Justo a los pies de la cama

Oh, Dios mo, cmo llegaron aqu?

Pens que estbamos hogar seguro en Inglaterra

Ella dijo: "Vamos ahora chico, que estaba mal lo que hiciste

Tienes que admitir que fue un error "

Oh dios .... Jess

Sleep Sleep

Yo s que yo slo estoy soando

Djala fuera de mi casa alone..get out..out..get

A travs de los ojos cerrados

Veo cielos de Alemania Occidental en el techo

Y quiero volver

A la chica con la mochila

Para sentir su pelo rubio

Yo quiero estar all

Ver el sol que se esconde

Detrs de aceras Krupps

En las afueras de alguna ciudad alemana

Guten Abend meiner Damen und Herren Ha Ha Ha Ha

Willkommen in Konnigsburg Ha Ha Ha Ha

Wollen tas Danzen mit mir oder drinken Bier Ha Ha Ha Ha

Gracias, pero ......

Esta seorita y yo

Se acaba de terminar esta botella de vino

Fue amable de su parte ... pero

Creo que slo tendremos que decir buenas noches

Djanos en paz

Buenas noches

Djanos en paz

Podra tener la clave para un cuatro tres, por favor?

All son

Gracias, buenas noches

Hola, s me gustara pedir el desayuno por favor

Me gusta el caf para dos, y tostadas con mermelada

No ... mermelada.

4.39 (Por primera vez hoy-Parte 2)

Por primera vez en el da

Sostuve su cuerpo desnudo junto al mo

En este hotel con vistas al Rin

La hice ma

Ooh nena ... ooh nena

Ven conmigo y qudate conmigo

Por favor, qudate conmigo

Uh ... qu es?

Qudate conmigo

Qudate conmigo

Qudate conmigo

No se ...

Qudate conmigo

olvdalo

16:41 (Revolucin Sexual)

Hey girl ...

Saque la daga

Y vamos a tener una pualada en la revolucin sexual

Hey chica

Deje que la libertad para todos sea nuestra llamada del momento

Maana vamos a hacer ... nuestra nueva resolucin

S, pero esta noche flojita

Mientras saquear tu dulce grave

y recuerda

Slo los pobres pueden ser salvados

Hey chica

Como siempre he dicho que prefiero tus labios rojo

No es lo que el buen Dios hizo

Pero lo que pretenda

Hey chica

No apunte con el dedo a m

Yo slo soy una rata en un laberinto como usted

Y slo los muertos en libertad

As que ... por favor toma mi mano

A medida que nos equivocamos en el laberinto

y recuerda

Nada puede crecer sin lluvia

(Trueno)

No apunte

No apunte con su dedo hacia m

Me despert en una fiebre

La ropa de cama fueron empapados en sudor

Ella dijo: "Usted ha estado teniendo una pesadilla

Y no ha terminado todava "

Luego cogi el perrito en la ventana

(El de la cola menea)

Y ella lo acost entre dos pedazos de pan

4:47 AM (Lo que queda de nuestro amor)

Acabo encog en la esquina

Mi abrigo pijama encima de mi cabeza

Y ella sonri mientras terminaba su sndwich

Y sus ojos fros me fijo en mi historia oscura

Como se cepillaba los restos

De nuestro amor de la cama

Y cuando a ella haba dado vuelta a la colcha

Cuando todas las oraciones haban sido ledo

Ella dijo: "Vamos por aqu que chico tonto

Antes de que usted descubre a su muerte de fro

Slo estaba bromeando

Vamos a dejar atrs la mugre de la ciudad

No vamos a competir

Podra ser el final en el pas

No poda l sin embargo ... Vamos permite ir

Le dije: "OK"

Vamos a ir ahora?

Dnde le gustara ir cario?

Mmm ... Vermont ... Wyoming (s)

Wyoming ... eh eh

Nios ... (lo que) vamos a Wyoming

Cario ... Qu camino es Wyoming?

Enganchar un derecho aqu

Vas por el camino equivocado

Yo s eso

S que los nios ...

Vamos a ver cuntos ... Volvos que pasan

En el camino a nuestra nueva vida en el pas

Una ...

Jade no hagas eso, eso es muy malo

4:50 AM (Go Fishing)

Como coches van por ech el ojo de mi mente

Durante mochilas sobre bastidores de techo

Ms all del horizonte

Dnde vendedores de sueos

Trabajar procesadores de plstico blanco

Invite a los incautos

Para llegar al castillo en el aire

Ir a pescar a mi hijo!

Nos pusimos en marcha en la primavera

Con un bal lleno de libros sobre todo

Acerca de los dispositivos solares

Y lo bonito es el parto natural

Cortamos algunos rboles

Y remolcada nuestros ideales

A travs del claro del bosque

Nos represado la corriente

Y los nios se enfriaron Sus talones

En la piscina de la pesca que habamos hecho

Nos dimos la mano e intercambiamos bandas

Y prcticamente vivan de la tierra

Usted adopt un cachorro de zorro

Cuya madre era el abrigo de alguien

Usted le dio de comer con la mano

Y entonces l se acurruc acurruc

Por la cama abuelo mientras escriba

Crecimos nuestro propio maz

Y slo de vez en cuando iba a la ciudad

Para abastecerse de antibiticos

Y conchas para la escopeta que me mantienen en torno a

Me cont las historias de los nios mientras trabajaba su telar

Y el sol se puso ms pronto cada da.

* El captulo seis en el que Eeyore Es el cumpleaos

Y tiene dos regalos

Pap ... vamos pap

Eeyore el burro gris viejo se detuvo al lado

De la corriente y se mir en el agua

"Pattico", dijo, "Eso es lo que es"

"Buenos das Eeyore", dijo Pooh

"Oh," dijo Pooh, El pens durante mucho tiempo

Las hojas cayeron todos

Nuestros cultivos todos se volvieron marrn

Se haba acabado

Al caer los primeros copos de nieve

Me di cuenta de que no todo estaba bien en el campamento

Los nios atrapados bronquitis

El calentador se qued sin diesel

Un fin de semana un amigo desde el Este

Rot His Soul

Rob su corazn

Le dije: "A la mierda entonces

Llevar a los nios de regreso a la ciudad

Tal vez te ver por ah "

Y as ... dejando todas nuestras esperanzas y sueos

Para el viento y la lluvia

Tomando slo nuestro alijo

Quede nuestra basura y la basura

Y se puso en el camino de nuevo

En el camino de nuevo

Bye Bye pap, adis pap

Usted puede traer a la perla que es una maldita buena chica

Pero no traiga Liza

4:56 AM (Por primera vez hoy-Parte 1)

Por primera vez en el da

Siento que es realmente ms

Usted fue mi excusa cotidiana

Para jugar sordo, mudo y ciego

Quin habra pensado alguna vez

Este era cmo iba a terminar para ti y para m

Para llevar a mi propia piedra de molino

Fuera de los rboles

Y tengo que admitir

No me gusta que sea un poco

Quedarse aqu al lado de este camino solitario.

camino solitario

camino solitario

4:58 AM (Dunroamin, Duncarin, Dunlivin)

Oye chico, que en busca de un ascensor? ... Levntate aqu

Cmo va todo buen amigo?

Clav los patos a la pared

Limpiado mi corazn en ruinas oscuras

Constru bungalows todo las colinas

Dunroamin, duncarin, dunlivin

Llev a mi nia al pas

Para dormir bajo la luna

Lo siguiente que se est volviendo loca

Las mujeres son como ese chico

Qu demonios puede hacer?

Ella espera a que el verdadero Sr. derecho de venir

Retirar con cuidado su corazn

Con sus promesas de comunicacin real

Vi un programa sobre eso en la TV ........

Quin est siempre pagando la cuenta

Quin construy un bungalow para su mam y pap

Me .....

Que te sac a todos los espectculos

Quin Sus dedos trabajaban al hueso

Me ....

Mientras dormas

Era yo ... yo lo hice

Te segu en botones y lazos

Cristo toda esa ropa

Por lo que podra fomentar esta fluencia

Con sus pies aseados

Y sus uas limpias

Con Sus sabias pero centelleantes ojos

Est una roca que sobresala en un ocano de duda

Obtener Movin ', salir de la carretera ya maricn Goddam

y el compromiso

Me gustara seguir con este pedazo de una cancin

Al describir este idiota

Me gustara seguir, pero voy a vomitar

No en mi equipo no lo hace chico ... lrgate de aqu

5:01 AM (Los Pros y contras de hacer autostop)

Un ngel en una Harley

Saca a travs de saludar a un compaero de la piedra rodante

Pone su bicicleta para arriba en l de soporte

Se inclina hacia atrs y luego se extiende

Una mano llena de cicatrices y grasiento ... dijo

Cmo ests hermano? ... Dnde has estado? ... Dnde vas?

Luego toma tu mano

En un extrao apretn de manos californiano

Y rompe el hueso

Que tengas un buen da

Un ama de casa de Encino

Cuyo marido est en el campo de golf

Con su libro de reglas

Escapadas y hace una 'U' y Idles espalda

Para tomar un segundo vistazo a usted

Usted flexiona la varilla

Pescado toma el gancho

Dulce vodka y el tabaco en el aliento

Otro nmero en su pequeo libro negro

Estos son los pros y los contras de hacer autostop

Estos son los pros y los contras de hacer autostop

Oh nena, debo estar soando

Estoy parado en el borde de ataque

La propagacin litoral oriental ante mis ojos

"Jump", dice Yoko Ono

"Tengo demasiado miedo y demasiado guapo" Llor

"Adelante", dice

"Por qu no darle una oportunidad?

Por qu prolongar la agona que todos los hombres deben morir "

Recuerdas Dick Tracy?

Te acuerdas de Shane?

Y madre te quiere

Podra verlo venta de entradas

Cuando los crculos ms ratonero

Shane

El cuerpo en la llanura

Entendi la msica Yoko

O fue en vano?

Shane

La perra dijo algo mstico "Herro"

Entonces di un paso atrs en la acera de nuevo

Estos son los pros y los contras de hacer autostop

Estos son los pros y los contras de hacer autostop

Oh nena, debo estar soando de nuevo

Estos son los pros y los contras de hacer autostop

5:06 AM (Cada Strangers Eyes)

Hola ... quieres una taza de caf?

Lo siento, te gustara una taza de caf?

Ok de tomar leche y azcar?

En las paradas del carro y las hamburgueseras

En limusinas Cadillac

En compaa de viejas glorias

Y se inclin-backs y formas de dormir

En los pasos de pavimento

En las bibliotecas y estaciones de ferrocarril

En los libros y los bancos

En las pginas de la historia

En los ataques de caballera suicidas

Yo reconozco ...

Yo mismo en los ojos de todos los extraos

Y, en silla de ruedas por los monumentos

Bajo los trenes de metro y de cercanas accidentes

En la atencin del Consejo y de los tribunales de distrito

En las ferias de Semana Santa y centros tursticos junto al mar

En salones y morgues de la ciudad

En obras ganadoras

De balsas salvavidas en los mares de China

En los campamentos de trnsito, bajo las lmparas de arco

En rampas de descarga

En las caras enmascaradas por sellos de goma

Yo reconozco ...

Yo mismo en los ojos de todos los extraos

Y ahora desde donde estoy

Sobre esta colina que saquearon de la piscina

Miro a mi alrededor, yo busco los cielos

Yo sombra mis ojos, por lo que casi ciego

Y veo signos de los das recordados a medias

Oigo campanas Eso Chime en extraas formas familiares

Yo reconozco ...

La esperanza que enciende en sus ojos

Es oh tan fcil ahora

Como mentimos aqu en la oscuridad

Nada interfiere es obvio

Cmo vencer las lgrimas

Que amenazan con extinguir

La chispa de nuestro amor

5:11 AM (The Moment of Clarity)

Y la momento de claridad

Faded como la caridad lo hace

A veces

Abro un ojo

Y puse mi mano slo para tocar tu cabello suave

Para asegurarse de que en la oscuridad que todava estabas all

Y tengo que admitir

Yo slo era un poco de miedo, oh s

Pero entonces ...

Tuve un poco de suerte

Estabas despierto

No pude tomar otro momento a solas.

::::::::::::::::::::::::::::::::::::::::::::::::::

THE PROS AND CONS OF HITCHHIKING

Music and Lyrics by Roger Waters

Roger began work on the concept and songs of The Pros and Cons of HitchHiking in the late 1970's and it was only after Pink Floyd disbanded that he refined the lyrics and music. Pros and Cons became his first "Solo" album without the other Pink Floyd members as backup studio musicians as some say was the case with the albums, "The Wall" and "The Final Cut."His new band, which he called"The Bleeding Hearts Band,"was composed of various great studio musicians he had befriended over the years. However for the album, and this first iteration of the band, Roger called upon non other than Eric Clapton for it's lead guitarist and main instrumentalist.The Pros and Cons of HitchHiking was released in 1984 with concerts beginning two tours in Sweden shortly there-after. There weretrivial differencesin the lyrics reported between the US Pros and Cons album release and the British release, as well as extra lyrics sung during the Pros and Cons tour.The lyrics

4.30 AM (Apparently They Were Travelling Abroad)

Apparently they were travelling abroad

And they picked up some hitchhikers...drill

Wake up you're dreaming...what...you're dreaming

We were moving away from the border

Uh what border?

Have a nice day...uh...have a nice day

We were moving away from the border

Looking for somewhere to sleep

The two of us sharing the driving

Two hitchhikers slumped in the back seat

Hello

I sneaked a quick look in the mirror

She gave me a smile

I said "Is anyone hungry?

Should we stop for a while?"

So we pulled off into a layby

Her dress blew up over her head

I said "Would you like to come with me?"

She said something foreign under her breath

And the sun shone down on her lovely young limbs

I thought to myself she's much too good for him

I lay down beside her with tears in my eyes

She said

4.33 AM (Running Shoes)

So I stood by the roadside

The soles of my running shoes gripping the tarmac

Like gunmetal magnets

Fixed on the front of her Fassbinder face

Was the kind of a smile

That only a rather dull child could have drawn

While attempting a graveyard in the moonlight

But she was impressed

You could see that she thought I looked fine

And when she turned sweeter

The reason (between you and me) was

She'd just seen my green Lamborghini

So we went for a spin in the country

To feel the wind in our hair

To feel the power of my engine

To feel the thrill of desire

And then in the trees I heard a twig snap

Warning lights flashed on my map

I opened my eyes and to my surprise

4.37 AM (Arabs with Knives and West German Skies)

There were Arabs with Knives

At the foot of the bed

Right at the foot of the bed

Oh my God how did they get in here?

I thought we were safe home in England

She said "Come on now kid, it was wrong what you did

You've got to admit it was wrong"

Oh god....Jesus

Sleep Sleep

I know that I'm only dreaming

Leave her alone..get out..out..get out of my house

Through closed eyes

I see West German skies on the ceiling

And I want to get back

To the girl with the rucksack

To feel her flaxen hair

I want to be there

See the sun going down

Behind Krupps steelworks

On the outskirts of some German town

Guten Abend meiner Damen und Herren Ha Ha Ha Ha

Willkommen in Konnigsburg Ha Ha Ha Ha

Wollen zie danzen mit mir oder drinken Bier Ha Ha Ha Ha

Thank you but......

This young lady and I

Will just finish this bottle of wine

It was kind of you...but

I think we'll just say goodnight

Leave us alone

Goodnight

Leave us alone

Could I have the key to one four three please?

There you are

Thank you, goodnight

Hello yes I'd like to order breakfast please

I'd like coffee for two, and toast with marmalade

No...marmalade.

4.39 (For the First Time Today-Part 2)

For the first time today

I held her naked body next to mine

In this hotel overlooking the Rhine

I made her mine

Ooh babe...ooh babe

Come with me and stay with me

Please stay with me

Uh...what is it?

Stay with me

Stay with me

Stay with me

No...

Stay with me

Forget it

4.41 AM (Sexual Revolution)

Hey...girl

Take out the dagger

And let's have a stab at the sexual revolution

Hey girl

Let freedom for all be our rallying call

Tomorrow lets make...our new resolution

Yeah, but tonight lie still

While I plunder your sweet grave

And remember

Only the poor can be saved

Hey girl

As I've always said I prefer your lips red

Not what the good Lord made

But what he intended

Hey girl

Don't point the finger at me

I am only a rat in a maze like you

And only the dead go free

So...please hold my hand

As we blunder through the maze

And remember

Nothing can grow without rain

(Thunder)

Don't point

Don't point your finger at me

I awoke in a fever

The bedclothes were all soaked in sweat

She said "You've been having a nightmare

And it's not over yet"

Then she picked up the doggy in the window

(The one with the waggly tail)

And she put him to bed between two bits of bread

4.47 AM (The Remains of Our Love)

I just cowered in the corner

My pyjama coat over my head

And she smiled as she finished her sandwich

And her cold eyes fixed me to my dark history

As she brushed the remains

Of our love from the bed

And when she had turned back the covers

When all of the prayers had been read

She said "Come on over here you silly boy

Before you catch your death of cold

I was only joking

Let's leave behind the city grime

Let's not compete

It could be fine in the country

Couldn't it though...come on lets go

I said "OK"

Are we going to go now?

Where would you like to go darling?

Mmm...Vermont...Wyoming (yes)

Wyoming...huh huh

Children...(what) we're going to Wyoming

Darling...Which way is Wyoming?

Hook a right here

You're going the wrong way

I know that

I know children...

Let's see how many...Volvos we pass

On the way to our new life in the country

...One

Jade don't do that, that's really negative

4.50 AM (Go Fishing)

As cars go by I cast my mind's eye

Over back packs on roof racks

Beyond the horizon

Where dream makers

Working white plastic processors

Invite the unwary

To reach for the pie in the sky

Go fishing my boy!

We set out in the spring

With a trunk full of books about everything

About solar devices

And how nice natural childbirth is

We cut down some trees

And we trailed our ideals

Through the forest glade

We dammed up the stream

And the kids cooled their heels

In the fishing pool we'd made

We held hands and we exchanged bands

And we practically lived off the land

You adopted a fox cub

Whose mother was somebody's coat

You fed him by hand

And then snuggled snuggled him down

By the grandfather bed while I wrote

We grew our own maize

And I only occasionally went into town

To stock up on antibiotics

And shells for the shotgun that I kept around

I told the kids stories while you worked your loom

And the sun went down sooner each day.

*Chapter six in which Eeyore has a birthday

And gets two presents

Daddy...come on dad

Eeyore the old grey donkey stood by the side

Of the stream and he looked at himself in the water

"Pathetic" he said, "That's what it is"

"Good morning Eeyore" said Pooh

"Oh" said Pooh, He thought for a long time

The leaves all fell down

Our crops all turned brown

It was over

As the first snowflakes fell

I realized all was not well in the camp

The kids caught bronchitis

The space heater ran out of diesel

One weekend a friend from the East

Rot his soul

Stole your heart

I said "Fuck it then

Take the kids back to town

Maybe I'll see you around"

And so...leaving all our hopes and dreams

To the wind and the rain

Taking only our stash

Left our litter and trash

And set out on the road again

On the road again

Bye Bye Daddy, Bye Daddy

You can bring Pearl she's a darn nice girl

But don't bring Liza

4.56 AM (For the First Time Today-Part 1)

For the first time today

I feel it's really over

You were my everyday excuse

For playing deaf, dumb and blind

Who'd have ever thought

This was how it would end for you and me

To carry my own millstone

Out of the trees

And I have to admit

I don't like it a bit

Being left here beside this lonesome road.

Lonesome road

Lonesome road

4.58 AM (Dunroamin, Duncarin, Dunlivin)

Hey kid, you looking for a lift?...Get on up here

How's it going good buddy?

I nailed ducks to the wall

Kept my heart in dark ruins

I built bungalows all over the hills

Dunroamin, duncarin, dunlivin

Took my girl to the country

To sleep out under the moon

Next thing she's going crazy

Women are like that kid

What the hell can you do?

She waits for the real Mr. Right to come

Gently removing her heart

With his promises of real communication

I saw a program about that on TV........

Who's always picking up the tab

Who built a bungalow for his mum and dad

Me.....

Who took you out to all the shows

Who worked his fingers to the bone

Me....

While you were asleep

It was me...I did

I kept you in buttons and bows

Christ all those clothes

So you could encourage this creep

With his neat feet

And his clean fingernails

With his wise but twinkling eyes

He's a rock standing out in an ocean of doubt

Get movin', get off the road ya Goddam faggot

And compromise

I'd like to go on with this bit of a song

Describing this schmuck

I'd like to go on, but I'm going to throw up

Not in my rig you don't boy...get the hell out of here

5.01 AM (The Pros and Cons of Hitchhiking)

An angel on a Harley

Pulls across to greet a fellow rolling stone

Puts his bike up on it's stand

Leans back and then extends

A scarred and greasy hand...he said

How ya doin bro?...where ya been?...where ya goin'?

Then he takes your hand

In some strange Californian handshake

And breaks the bone

Have a nice day

A housewife from Encino

Whose husband's on the golf course

With his book of rules

Breaks and makes a 'U' and idles back

To take a second look at you

You flex your rod

Fish takes the hook

Sweet vodka and tobacco in her breath

Another number in your little black book

These are the pros and cons of hitchhiking

These are the pros and cons of hitchhiking

Oh babe, I must be dreaming

I'm standing on the leading edge

The Eastern seaboard spread before my eyes

"Jump" says Yoko Ono

"I'm too scared and too good looking" I cried

"Go on", she says

"Why don't you give it a try?

Why prolong the agony all men must die"

Do you remember Dick Tracy?

Do you remember Shane?

And mother wants you

Could you see him selling tickets

Where the buzzard circles over

Shane

The body on the plain

Did you understand the music Yoko

Or was it all in vain?

Shane

The bitch said something mystical "Herro"

So I stepped back on the kerb again

These are the pros and cons of hitchhiking

These are the pros and cons of hitchhiking

Oh babe, I must be dreaming again

These are the pros and cons of hitchhiking

5.06 AM (Every Strangers Eyes)

Hello...you wanna cup of coffee?

I'm sorry, would you like a cup of coffee?

Ok you take cream and sugar?

In truck stops and hamburger joints

In Cadillac limousines

In the company of has-beens

And bent-backs and sleeping forms

On pavement steps

In libraries and railway stations

In books and banks

In the pages of history

In suicidal cavalry attacks

I recognise...

Myself in every stranger's eyes

And in wheelchairs by monuments

Under tube trains and commuter accidents

In council care and county courts

At Easter fairs and sea-side resorts

In drawing rooms and city morgues

In award winning photographs

Of life rafts in the China seas

In transit camps, under arc lamps

On unloading ramps

In faces blurred by rubber stamps

I recognise...

Myself in every stranger's eyes

And now from where I stand

Upon this hill I plundered from the pool

I look around, I search the skies

I shade my eyes, so nearly blind

And I see signs of half remembered days

I hear bells that chime in strange familiar ways

I recognise...

The hope you kindle in your eyes

It's oh so easy now

As we lie here in the dark

Nothing interferes it's obvious

How to beat the tears

That threaten to snuff out

The spark of our love

5.11 AM (The Moment of Clarity)

And the moment of clarity

Faded like charity does

Sometimes

I open one eye

And I put out my hand just to touch your soft hair

To make sure in the darkness that you were still there

And I have to admit

I was just a little afraid, oh yeah

But then...

I had a little bit of luck

You were awake

I couldn't take another moment alone.