EDITORIAL ROUTTNG 8-9-94 TO: ENTERTAINMENT S = Recharged Robert Conrad has arrived at last o o I o ! € o @ o ! D ! o o ! E ! o o o z o € o o Irl { o a o ; o P By Frank l,ovece Go ahead. Knock him off. He dares you. Or, well, the old Robert Conrad would. In fact, that was the image he maintained in three years' worth of famous battery commercials, or in a plethora of tough-guy roles in TV movies and series from "Hawaiian Eye" (1959-63) to "High Mountain Rangers" (1988) - and most notably as special agent James T. West on the cult-classic series "The Wild Wild West" (1965-69), which was recently immortalized as a Columbia House home-video collection. The new Robert Conrad? He's a pussycat. A bobcat, maybe, but a pussycat nonetheless. With a steady stream of TV movies that he stars in and produces, and with "Wild Wild West" keeping his youthful tough-guy self alive on video and in syndicated reruns, the S9-year-old Conrad is pos- itively purring. "An actor knoros when he's being re- discovered," Conrad says cheerfully. "I'm being rediscovered by a whole new audience in their 20s who would never have seen 'Wild Wild West' on the net- work. They come up to you and say, 'Oh, weren't you in...?' or'I loved you in last week's episode.' The only problem," he notes, "is I'm not that person on the screen an)'rnore. But I'm really happy with the change. I'm much happier today than I ever was then." James West would have been shocked to hear it. West, of course, was Conrad's karate-kicking, secret- agent heartthrob in the American Old West, a l9th-century James Bond. Traveling the frontier in a specially designed train, he used pseudo-sci- entific gadgets galore against would- be world tyrants - always with a cool-eyed quip and the invaluable help of Artemus Gordon (the late Ross Martin), a master of disguise. The show was an almost surreally imaginative adventure-fantasy, with an audacity and originality that's given it both a cult-following and a book, "The Wild Wild West: The Series," by Susan E. Kesler (Arnett Press, l9BB). Yet even though it's Conrad's sig- nature series, the show isn't the actor's favorite. That, he says, is "Centennial" (1978-79), the epic 24- episode adaptation of James A. Mich ener's best-selling novel, in which Conrad played the seminal role of French trapper Pasquinel. "It was more of a dramatic piece," he explains. "Performing in 'Wild Wild West' was very studied, very 'l'm being rediscovered by a whole new audience in their 2Os. l'm not that person on the screen anymore. But I'm really happy with the change. I'm much happier today than I ever was then.' stoic - there weren't a lot of places to go with the character. Anytime you wanted to do something emotionally with him, it was, 'Don't do that,'be- cause they wanted this comic-strip character." Adding dimension to James West "would have been like having Superman show fear." "It was a tough role to play," Conrad remembers. "I don't think I could even play it today, frankly. Even when Ross and I did the returns-of' - the TV movies "The Wild Wild West Revisited" (1979) and "More Wild Wild West" (1980) - "they were never of good quality. Ross and I both agreed that weld lost the edge." If so, that's about the only edge the feisty Conrad has lost. The toughness he displays 0n screen came to him honestly, out of a hardscrabble Chica- go childhood where, as Conrad Robert Falk, he was born to a l5-year- old mother and a perpetually missing father who, he eventually' discovered, "had three sons by two women." Conrad dropped out of high school at 1? to work, eventually returning for his degree and going on briefly to Northwestern University. He was an amateur boxer, sang with a local nightclub band, and, with the en- couragement of actor Nick Adams, tried Hollywood. He became a stunt man, opening the door to movies - a non-speaking debut in "Juvenile Jungle" (1957), a speaking role in "Thundering Jets" (1958) - and television, starting with an episode of "Maverick" in 1959. That same year he began his stint as detective Tom Lopaka in "Hawaiian Eye," the first of nine series in which he's starred. Conrad was married for 25 years to Joan Kenlay, with whom he had chil- dren Joan (a producer in his pro- duction company), Nancy (a sometime producer-actress), Christy, and actors Shane and Christian. In 1978, during his troubled marriage, Conrad met then l?-year-old Miss National Teenager LaVelda Fann, whom he later married. They have three young children: Kaja, Camille and Chelsea. He has another daugh- ter from a long-ago liaison, who has "been in and out of my life - she's not in it right now. lt happens." What is in his life righti'now is nearly a half-dozen TV movies in var- ious stages of development, and an action feature, "Samurai Cowboy," that's already opened overseas. But Conrad has a spinal problem that makes walking painful (though not tennis or skiing, he says), and more and more, he likes staying close to home in tiny Bear Valley, Calif., in the rugged Sierra Nevada Mountains. "When you're young," Conrad re- flects, "it's a question of where is it you're going to go. Well," he adds happily, "I'm therel I've gone to where I want to be." OI994 NEWSPAPER ENTERPRISE ASSN. FRANK LOVECE STAR VIEW