Report from Middle Earth Bringing Fanfiction into the EFL Classroom Shannon Sauro Malmö University [email protected] | @shansauro | http://ssauro.info
Report from Middle Earth Bringing Fanfiction into the EFL Classroom
Shannon Sauro Malmö University
[email protected] | @shansauro | http://ssauro.info
Bridging Bridging the Language & Literature Divide
Within ELT and foreign language teacher education in general, there is an interest in bridging the long-‐standing division between literary studies and language training (Paran, 2008).
"writing that continues, interrupts, reimagines, or just riffs on stories and characters other people have already written about."
(Jamison, 2013 p. 17)
Fanfiction Fanfiction
Fanfiction/Fandom & Applied Linguistics
• Case studies of L2 learners’ use of fanfiction in anime fandoms to transition from novice writer in English to successful writer (Black, 2006; 2009)
• Bilingual fanfiction writing practices of young Finnish fans of American television shows to index multilingualism and global citizenship (Leppänen, et al, 2009)
• An L2 English learner’s development of a textual identity through fan site web design and interaction in fan spaces (Lam, 2000)
• Youth writing of self-‐insert fanfiction to confront and examine social issues in their local context (Leppänen, 2008)
Applied Lx
”A rich source of inspiration for the development of …technology-‐mediated tasks can be found in the language play and language use of online media fandoms…“
(Sauro, 2014, p. 242)
TBLT A Task-‐Based Approach
Part I: The Quest Can fanfiction be used in a formal classroom context to bridge the language and literature divide in second language instruction?
• Swedish University • Secondary school English teacher education program • Children’s literature course
• 1st and 3rd semester students • Organized into groups of 2-6 • Engaged in collaborative fanfiction based on a
missing moment from Tolkien’s The Hobbit • Cohort 2013 (n=55), 12 stories • Cohort 2014 (n= 80), 19 stories
Context Context & Participants
Develop an outline of major plot points of a collaborative story that consists of a missing moment from The Hobbit
&
Create a map of an unchartered section of Middle Earth in which this story takes place.
Task 1: Outline & Map
Build upon the outline and map generate in Part I to write a blog-‐based collaborative story (role-‐play story) based on a missing moment from The Hobbit.
Each writer will select one character and contribute 6 paragraphs to the story from that character’s voice and perspective.
Task 2: Collaborative Fanfiction
1. What did the collaborative role-‐play writing process require you to pay careful attention to?
2. Describe at least two linguistic features of your character’s style of speaking or thinking that you were careful to include.
Task 3: Reflective Paper
3. In what way can creative writing like this influence the development of reading, writing, listening and conversation skills in English?
"We discussed several different possibilities for where to place our storyline, but after some initial discussion of a more quest-‐like approach we opted for the tranquillity of The Shire.... I personally believed we opted for the best option since we can work the characters in such a way to add personal flare, at the same time as we gave the impression that the fan fiction portrayed a story that could have taken place within the confines of the book, and which in no way meddled with the outcome of the story.”
(Student 37, Gandalf)
"Smaug is a proud dragon and mostly when he talks he starts his sentences referring to himself. He is an old dragon who frightens whoever who he speaks to with manipulative and dangerous words.” (Student 12, Smaug)
“Bombur can be described best as a fat dwarf with an immense appetite…that is very clumsy, as the rest of the twelve dwarves gladly like to make fun of. Despite the rather poor description of Bombur, I argue that under all the fat is a delicate little dwarf. It is often described in the book indirectly his dissatisfaction with having to come last for everything. Which Bombur for example do when Gandalf will present Bilbo and the dwarves one by one to Beorn.”
(Student 13, Bombur)
Language Development Course Goal Two Writing a Fictional Narrative Using Different Narrative Techniques
Breaking Breaking the Fourth Wall “Bombur, it’s time for you to start hauling or you will receive a one way ticket down the waterfall!” Kili yelled. That got Bombur moving faster than ever, except the time they ran from the skin changer, but that comes later in the story.
(from The Wooden Bridge)
It is lying still, yet it spins around It tries to move but its body is bound All because of the precious it stole Fool us again and they eats it whole
(from The Mirkwood Mysteries)
Foreshadow Foreshadowing Through Song Through coal-‐black sludge, in the thicket you will
trudge With sticky feet, so sticky feet
A safe road you allege, dwarves soon hanging by a thread
Seeing hairy legs, little Ori begs! In the darkness you shall dance, through a pack
of monsters prance. They can’t see you, they can’t see you
But the thing that you carry is not all that merry Not keen to linger, seeks its masters finger
He will see it retrieved, you will all be deceived The Mirkwood will impede you.
(from Down in a Hole)
"I have not worked in this way before with reading and writing where you tend to go back to your book like a dictionary to highlight special features from your character. It was very important to read the book to make the story work. It was too bad that everyone in my group clearly didn't read it since they wrote things that wouldn't be possible according to the book.”
(Student 15, Gollum)
"...I have been forced to become a better listener when it comes to the collaboration part... Because everyone interprets the book differently so it was important to listen carefully, how everyone thought of their character, and the set we chose to write about.”
(Student 41, Balin)
It was kind of hard to make it fuse together as one type of text.
We chose blogger because it was the most simple and none of us had ever written a blog before.
If you try to read it in one sitting, it’s confusing. If you’re a follower, it makes sense.
We wanted to imitate a real blog where authors didn’t know who comes next. This meant we didn’t move forward when we needed to. There was a lack of plot progression.
Inspiration for task and technology and model from the Harry Potter role play fanfic community, Darkness Rising, on LiveJournal. • Communal Blog • Individual players/writers
participated using blogs made for their character
• Stories begin with a prompt or background in a post.
• The story evolves in nested comments
(Sauro, 2014)
“As language educators, we must be attentive to the particular ways that communication technologies transform spatial and temporal relations and, accordingly, be willing to reconsider the understandings and beliefs that have traditionally underlain our practice.”
(Kern, 2014, p. 341)
Reconsider Understandings and Beliefs
“An equally important part of the educational design challenge for technology-‐mediated TBLT is teachers.” – Teachers’ technological needs and motivations – Empirical investigations of teachers who
implement technology-‐mediated TBLT
(González-‐Lloret & Ortega, 2014, p. 9)
Practitioner Practitioner Research & TBLT
Cohort 2013 Provided with a model blog-‐based story from LiveJournal and given instructions to select a blogging platform to publish, to create individual blogs and communal blogs.
– Blogger – Wordpress – Livejournal – A blogging platform they already know.
Blogs (12) – Wordpress, Blogspot.se, Blogggplatsen.se, Publishme.se
The community blog was complicated because it was hard to connect all the character blogs to the community blog. But we finally managed.
Most succeeded in taking advantage of a blog format though one of the lower performing groups published the entire text of their story in one single post, ignoring any of the other tools available in the blogging platform.
Cohort 2014 Provided with the model Livejournal Community as well as examples from Cohort 2013. Revised instructions also allowed students to select from multiple online publishing options in addition to blogs.
Blogs (12) – Wordpress, Blogspot.se, Blogg.se
Archive of Our Own (3) – Online Fanfiction Archives
Facebook (2) – Public Groups
Other (2) – Google Docs, Papyrus
Despite being a tool heavily used by all students in this cohort, only two groups set up public groups on Facebook to host their stories.
We decided to present through a blog but it proved more challenging than we had thought due to formatting issues. Big challenge and no reward. We decided to give up on formatting the title.
We spent a lot of <me managing the blog. Only one of us had used a blog before, but it was
rewarding because we succeeded.
Hosting of multimedia on a group blog to illustrate the performance of a song written as part of their story and performed during the final oral presentation.
So you could, like, jump and skip to chapters and so on. And you could do the whole thing at once. And I had like friends who, like, could, what’s it called. Print it and like have it in booklets. Because they have that function, that digital function.
Our story is so much better looking. Yeah, because, when you have like this blog posts, it comes, like the first is at the bottom and then you have to read up. And that was like really annoying when I looked at the other groups. Because I read most of the other groups, but I shut some of them down after like, okay, now I can’t handle this anymore. Exit. Exit. No.
L: We were really looking forward to comments. M: Nobody has commented.
Compared to other fanfic<on stories on Archive of our Own, ours had, we had a lot of chapters and like preBy short texts. And it was kind of harder to read, in my opinion. It wasn’t one flowing text since it was so very segmented.
Researcher (& Practitioner) Positionality
“Researchers who are trained in their own discipline’s methodological tradition can be unaware of the presuppositions of their discipline’s methodology without having gone through a critical reflection process or having been exposed to alternative paradigms and their assumptions.”
(Lin, 2015, p. 22)
Positionality
“users’ interpretation of what is made possible by the technology, based on their own technological competence and communicative intent”
(Tagg & Seargeant, 2014, p. 165)
Affordances Affordances
“The idea that there is no universal medium adequate for all tasks may be obvious, but it is of key pedagogical importance, for when educators design tasks they also need to consider which of the various available mediums will be most compatible with the goals of those tasks.”
(Kern, 2014, p. 342)
Compatibility Task Compatibility
Until the Next Journey 1. Is it really fanfiction if the students aren’t actually fans? 2. How well does in-‐class fanfiction reflect genre norms? 3. Is this something that can be done with young learners or
less proficient learners?
References References Black, R.W. (2009). Online fan fiction, global identities, and imagination. Research in the Teaching of English, 43, 397-‐425. Black, R.W. (2006). Language, culture, and identity in online fanfiction. E-‐learning, 3, 180–184. Chan, P.K. (1999). Literature, language awareness and EFL. Language Awareness 8(1), 38-‐50. Chapelle, C. A. (2014). Afterward: Technology-‐mediated TBLT and the evolving role of the innovator in M. González-‐Lloret and L. Ortega (Eds.). Technology-‐mediated TBLT: Researching technology and tasks, (pp. 323-‐334). . Amsterdam/Philadelphia: John Benjamins. González-‐Lloret, M., & Ortega, L. (2014). Towards technology-‐mediated TBLT: An introduction. In M. González-‐Lloret & L. Ortega (Eds.), Technology-‐mediated TBLT: Researching technology and tasks (pp. 1-‐22). Amsterdam/Philadelphia: John Benjamins. Jamison, A. (2013). ‘Why Fic?’ in A. Jamison (ed.). Fic: Why fanfiction is taking over the world. Dallas, TX: Smart Pop Books. Kern, R. (2014). Technology as Pharmakon: The promise and perils of the Internet for foreign language education. The Modern Language Journal, 98(1), 340-‐357. Lam, W. S. E. (2006). Re-‐envisioning language, literacy, and the immigrant subject in new mediascapes. Pedagogies: An International Journal, 1(3), 171–195. Leppänen, S., Pitkänen-‐Huhta, A., Piirainen-‐Marsch, A., Nikula, T., & Peuronen, S. (2009). Young people’s translocal new media uses: A multiperspective analysis of language choice and hetero-‐glossia. Journal of Computer-‐Mediated Communication, 14, 1080–1107. Leppännen, S. (2008). Cybergirls in trouble? Fan fiction as a discursive space for interrogating gender and sexuality. In C.R. Caldas-‐Coulthard and R. Iedema (Eds.). Identity trouble: Critical discourse and contested identities, (pp. 156-‐179). Houdsmills, UK: Pallgrave Macmillan. Lin, A.Y.M. (2015). Researcher positionality. In F.M. Hult & D.C. Johnson (Eds.), Research methods in language policy and planning: A practical guide (pp. 21-‐32). Malden, MA: Wiley-‐Blackwell. Paran, A. (2008). The role of literature in instructed foreign language learning and teaching: An evidence-‐based survey. Language Teaching 41/4: 465-‐496. Sauro, S. (2014). Lessons from the fandom: Task models for technology-‐enhanced language learning. In M. González-‐Lloret & L. Ortega (Eds). Technology-‐mediated TBLT: Researching technology and tasks, (pp. 239-‐262). Amsterdam/Philadelphia: John Benjamins. Tagg, C., & Seargeant, P. (2014). Audience design and language choice in the construction and maintenance of translocal communities on social network sites. In P. Seargeant & C. Tagg (Eds.), The language of social media: identity and community on the Internet (pp. 161-‐185). New York: Palgrave Macmillan. Van den Branden, K. (2006). Introduction: Tasks-‐based language teaching in a nutshell. In K. Van den Branden (Ed.). Task-‐based language education: From theory to practice, (pp. 1-‐16). Cambridge: Cambridge University Press.
Slides available at https://mah.academia.edu/ShannonSauro