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Renaissance 1450-1600
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Renaissance

Feb 23, 2016

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Renaissance. 1450-1600. In the history of music, the period from 1450 – 1600 is known as the “ Renaissance” . The word Renaissance literally means “rebirth”. Renaissance. The humanism movement surfaced during the Renaissance period. - PowerPoint PPT Presentation
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Page 1: Renaissance

Renaissance1450-1600

Page 2: Renaissance

Rena

issan

ce

In the history of music, the period from 1450 – 1600 is

known as the “Renaissance”. The word Renaissance literally means “rebirth”.

Page 3: Renaissance

Rena

issan

ce

The humanism movement

surfaced during the Renaissance period. This movement focused on

man and his accomplishments. Christianity and Catholic Church were rocked by the

Protestant Reformer, Martin

Luther (1483 –1546).

Page 4: Renaissance

Rena

issan

ce

Perio

d

In the renaissance period, a

training in music is considered a must for

an educated person. • Everywhere, musicians worked in

towns, courts, and churches.

• The size of church choirs

multiplied. The choirs were predominantly

male.

Page 5: Renaissance

Durin

g th

e Re

naiss

ance

per

iod…

Although the church remained a patron of music, the court became the center of musical activity. • Composers were in demand by kings, dukes and princesses. • The status of musicians was elevated and they were paid higher. • The leading composers came from the Netherlands. • Italy was the leading music center of the Renaissance.

Page 6: Renaissance

Rena

issan

ce

The Renaissance period is sometimes referred to

as “The Golden Age of Polyphony”, because vocal polyphony

culminated to perfection.

Page 7: Renaissance

IMPORTANT EVENTS THATHAPPENED DURING THE

RENAISSANCE

Page 8: Renaissance

Even

ts d

urin

g th

eRe

nais

sanc

e Pe

riod

Literally meaning “rebirth”, the Renaissance became a

rebirth of classical learning. • The writings of ancient

Greeks and Romans were rediscovered and reevaluated.

Page 9: Renaissance

Even

ts d

urin

g th

eRe

nais

sanc

e Pe

riod

The chaotic feudal system of

the Middle Ages was replaced by

the hierarchal state led by the

urban bourgeois or despotic nobles.

• European view of the world was

expanded by the conquest of

Christopher Columbus and

Ferdinand Magellan.

Page 10: Renaissance

Even

ts d

urin

g th

eRe

nais

sanc

e Pe

riod

There was a change in the views of

the Earth and the cosmos as evidenced

by the astronomical studies of Nicolas

Copernicus and later, Galileo

Galilei. • The technology of printing

permitted the wider distribution of the work of

musical composers and enabled

the public to take a closer look at their

musicality.

Page 11: Renaissance

MUSICAL CONTEXT OF THE

RENAISSANCE PERIOD

Page 12: Renaissance

Mus

ical

Con

cept

of

Rena

issa

nce

There has been no increase in

patronage of music greater

than in the Renaissance period. • Music was supported to a

degree not previously seen by the civic

government and the rich courts.

Religious institutions also supported music.

Page 13: Renaissance

Mus

ical

Con

cept

of

Rena

issa

nce

There was an exchange of music between the conquered

and the conqueror. The Renaissance period experienced territorial

expansions by Europeans and increased wealth to European nations.

Page 14: Renaissance

Mus

ical

Con

cept

of

Rena

issa

nce

Colonial expansion resulted in the flowing of great wealth

in European cities. An international musical style was created due to

travel and trade of people to different European countries.

Page 15: Renaissance

Mus

ical

Con

cept

of

Rena

issa

nce

Due to the increased interest in humanist learning, music

became an experience art. Because of the development of the

printing press, music and its literature became available to the people.

Page 16: Renaissance

THE DISTINGUISHINGCHARACTERISTICS OFRENAISSANCE MUSIC

Page 17: Renaissance

Char

acte

rist

ics

ofRe

nais

sanc

e M

usic

The repertoire of instrumental

music expanded and the invention of new musical instruments abound.

The instruments of the period

were enhanced. • Secular music was rising and was

more civilized, but spiritual music

still occupied a dominant position

during the period.

Page 18: Renaissance

Char

acte

rist

ics

ofRe

nais

sanc

e M

usic

Musical harmony was more expressive and unrestrained during

the Renaissance as compared with the medieval period.

Page 19: Renaissance

Poly

phon

ic

Tech

niqu

e

An important polyphonic technique,

imitation, surfaced. Imitation occurs

when one musical line shares or

imitates the sung musical theme of

the preceding line. This gives the

listeners the ability to decipher the musical

composition’s structure. The

Renaissance period between Joaquin

Deprez and Palestrina was known as

the “golden age of the polyphony”.

Page 20: Renaissance

Voca

l Po

lyph

ony

Vocal polyphony culminated to a high

degree of perfection with equal

importance given to four or more

voices. The main forms of spiritual

polyphony are the masses and the

motets. Motets, madrigals, and songs

usually accompanied by a lute or a

small orchestra were the secular

vocal forms. Short polyphonics or dancing

music were the instrumental works of

the Renaissance period.

Page 21: Renaissance

Char

acte

rist

ics

ofRe

nais

sanc

e M

usic

The use of church modes or

modality still predominates

sacred and secular music. • There is the prevalence in

musical compositions of clarity, balance

and euphony in moderation. There

are no extreme contracts in rhythm and

tone color.

Page 22: Renaissance

Char

acte

rist

ics

ofRe

nais

sanc

e M

usic

Musical literature flourished

due to the innovation of printing

press. • Acapella  singing in the church music

developed. It is singing without accompaniment or chorus

without instrumental backup.

Page 23: Renaissance

THE VOCAL FORMS DURING

THE RENAISSANCE

Page 24: Renaissance

Mote

t

It is one of the most important forms of

polyphonic music form in circa 1250 –

1750. • A motet is an unaccompanied choral

accompaniment based on a Latin sacred

text and designed to be performed in the

Catholic service, chiefly at vespers.

• The renaissance motet is a unified piece

with all voices singing the same text. It

is serious and primarily designed for

worship services

Page 25: Renaissance

Mass

Mass is a music for the Catholic church

worship. The leading Italian composer of

the Renaissance period was Giovanni

Pierluigu da Palestrina (1525 – 1594). He

wrote music for the Catholic church which

were highly regarded as models of church

music because of their serenity.

• One of Palestrina’s best masses was Pope

Marcellus Mass written for an acapella

choir of a soprano, alto, two tenors, and

two bases. The six voices imitate each

other and blend well.

Page 26: Renaissance

Madr

igal

The madrigal is an important

secular vocal music of the Renaissance

period. It is a musical composition for solo

voices. Its subject is sentiment and

love. It is sung at social gatherings in the court and

meetings of artistic and learned societies,

unlike the motets which are sung in

church. It is accompanied by a lute or a

harpsichord.

Page 27: Renaissance

Madr

igal

“April is in My Mistress’ Face” by Thomas Morley is a

well – known English Madrigal. • The madrigal began in

Italy and swept England.

Page 28: Renaissance

THE BASIC INSTRUMENTOF THE RENAISSANCE

Page 29: Renaissance

Inst

rum

ents The singing of secular

music is accompanied by instruments.

Page 30: Renaissance

Lute

One of the most popular instrumentals of the Renaissance is the lute which is played by plucking. • It has a pear – shaped body, frets and a varying number of strings. Its peg is slanted back sharply from the rest of the instrument.

Page 31: Renaissance

Giov

anni

Da

Pale

stri

na

Palestrina (1525 – 1594), an Italian, considered as the prolific writer of sacred vocal polyphony, wrote masses, motels, hymns, and other sacred works for the Catholic Church.

Page 32: Renaissance

Orl

ando

di L

asso

Di Lasso (1532 – 1594), a Flemish composer, wrote musical compositions of sacred and secular nature.

He is subjective and passionate in his creations.

Di Lasso wrote Italian madrigals, Latin masses and motets, and German lieder. •

The Penitential Psalms of David is a Lasso creation.

Page 33: Renaissance

Clau

dio

Mon

teve

rdi

Monteverdi (1567 – 1643), an Italian composer, composed

music for operas utilizing chordal accompaniment. Among

his works are the Return of Ulysses and The Coronation of Poppea.

Page 34: Renaissance

Revie

w

Renaissance Period is from 1450 –

1600. • Renaissance means “rebirth”.

• Vocal forms are motet, mass, and

madrigal. • The lute is the basic instrument of the

Renaissance period. • The composers are Giovanni da

Palestrina, Orlando di Lasso and

Claudio Monteverdi.

Page 35: Renaissance

Quiz

1.This term literally means rebirth.

2.This is the basic instrument of the

Renaissance period. 3.Other term for the Renaissance

period; This was named so because vocal polyphony

culminated to perfection during

Renaissance. 4.He was considered as the prolific

writer of sacred vocal polyphony. He wrote

masses, motels, hymns, and other sacred works

for the Catholic Church. 5.Leading music center of Renaissance.

Page 36: Renaissance