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Renaissance
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Renaissance

Dec 31, 2015

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reuben-delaney

Renaissance. Influences of the Middle Ages. There were 3: Black Death. Killed millions and changed the balance of peasant / workers to nobility. The peasants gained power. Church. Powerful force in society. However losing influence due to corruption (more later!) - PowerPoint PPT Presentation
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Page 1: Renaissance

Renaissance

Page 2: Renaissance

Influences of the Middle Ages

� There were 3:/ Black Death. Killed millions and changed

the balance of peasant / workers to nobility. The peasants gained power.

/ Church. Powerful force in society. However losing influence due to corruption (more later!)

/ Hundred Years War. Forced nationalism in France and England. Peasants’ power in battle overtakes that of nobility.

� How do these affect the Renaissance?

Page 3: Renaissance

Why Italy? Why Now?

� Plenty of money thanks to trade/ Why Italian trade?

¡ Location.¡ Crusades

� Rivalries between city states � Banking

Page 4: Renaissance

Renaissance� What was the renaissance?

/ “Rebirth of learning”. But whose?/ Ideas of ancient Greece and Rome./ Church ignored this knowledge

because…¡ Polytheistic people could not know

more than Church!

/ Thomas Aquinas used Greek knowledge to prove the Bible.

� HUMANISM becomes the force of change during the Renaissance.

Page 5: Renaissance

Humanism� Renaissance Humanism was the reintroduction of classical

thought (knowledge from Ancient Greece & Rome). The Renaissance began in Italy 15th century (1400’s). The revival was based on interpretations of Roman and Greek knowledge. This was a great change from the focus on the Biblical values of the Catholic Church. This knowledge had been largely ignored by the Roman Catholic Church because of its polytheistic base. Humanism emphasized the study of science, philosophy, art, poetry, rhetoric (discussion/debate) and importance of an individual contribution. Renaissance humanists believed that the liberal arts should be practiced by all levels of wealth. One of the things you can look for in art and literature are “classical themes” (Mythological characters, ancient settings, the individual and the elegance of the human form etc.). 

� The crisis of Renaissance humanism came with the trial of Galileo. The church taught that the earth was the center of the universe and Galileo disputed this based on his mathematic and scientific observations.

� This forced academics to choose between the authority of faith and religious teaching or science (a battle which continues to this day…intelligent design, creationism, and evolution). The trial exposed the contradictions between humanism and the teachings of the church, and humanism was branded a “dangerous doctrine”. Galileo was forced to recant (take back) his ideas, even though we now know them to be true, further showing the power of the Church during Renaissance times.

Page 6: Renaissance
Page 7: Renaissance

Geometrical Arrangement of

Figures� The Dreyfus Madonna with the Pomegranate

� Leonardo da Vinci

� 1469

� The figure as architecture!

Page 8: Renaissance

Realism & Expression

� Expulsion fromthe Garden

� Masaccio

� 1427

� First nudes sinceclassical times.

Page 9: Renaissance

Perspective

Perspective!Perspective!Perspective!

Perspective!Perspective!

First use of linear

perspective!

Perspective!Perspective!

� The Trinity

� Masaccio

� 1427

What you are, I once was; what I am, you will

become.

Page 10: Renaissance

Classicism

� Greco-Roman influence.

� Secularism.

� Individualism free standing figures.

� Symmetry/Balance

The “Classical Pose”Medici “Venus” (1c)

Page 11: Renaissance

Artists as Personalities/Celebrities

� Lives of the Most Excellent Painters, Sculptors, andArchitects

� Giorgio Vasari

� 1550

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Lorenzo the Magnificent

1478 - 1521

Cosimo de Medici

1517 - 1574

Page 14: Renaissance

Birth of Venus – Botticelli, 1485

Page 15: Renaissance

Botticelli’s Venus Motif.

10¢ Italian Euro coin.

2002 Euro Coin

Page 16: Renaissance

� David by Donatello

� 1430

� First free-form bronze since Roman times!

The Liberation of Sculpture

Page 17: Renaissance

Baldassare Castiglione by Raphael,

1514-1515� Castiglione

represented the humanist “gentleman” as a man of refinement and self-control.

� Book “The Courtier” defined the Renaissance Man

Page 18: Renaissance

The Renaissance “Man”

� Broad knowledge about many things in different fields.

� Deep knowledge/skill in one area.� Able to link information from

different areas/disciplines and create new knowledge.

� The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.

Page 19: Renaissance

Self-Portrait -- da Vinci, 1512

1452 - 1519

� Artist

� Sculptor

� Architect

� Scientist

� Engineer

� Inventor

Page 20: Renaissance

� Vitruvian Man

� Leonardo daVinci

� 1492

TheL’uomo

universale

Page 21: Renaissance

Mona Lisa – da Vinci, 1503-4

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A Macaroni Mona

ParodyThe Best Form of Flattery?

Page 23: Renaissance

A Picasso Mona

Page 24: Renaissance

An Andy Warhol Mona

Page 26: Renaissance

Mona Lisa OR da Vinci??

Page 27: Renaissance

Refractory

Convent of Santa

Maria delle

Grazie

Milan

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The Last Supper - da Vinci, 1498& Geometry

Page 29: Renaissance

horizontal

vert

ical

Perspective!

The Last Supper - da Vinci, 1498

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� Detail of Jesus

� The Last Supper

� Leonardo da Vinci

� 1498

Deterioration

Page 31: Renaissance

A Da Vinci “Code”:St. John or Mary Magdalene?

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Leonardo, the Scientist (Biology):Pages from his Notebook

� An example of the humanist desire to unlock the secrets of nature.

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Leonardo, the Scientist (Anatomy):

Pages from his Notebook

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Leonardo, the Inventor:

Pages from his Notebook

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Man Can Fly?

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A study of siege defenses.

Studies of water-lifting devices.

Leonardo, the Engineer: Pages from his

Notebook

Page 37: Renaissance

Brunelleschi’s Dome

Page 38: Renaissance

A Contest to Decorate the Cathedral: Sacrifice of Isaac

PanelsBrunelleschi Ghiberti

Page 39: Renaissance

Ghiberti – Gates of ParadiseBaptistry Door, Florence – 1425 -

1452The Winner!

Page 40: Renaissance

� The Pieta

� MichelangeloBuonarroti

� 1499

� marble

Page 41: Renaissance

� David

� MichelangeloBuonarotti

� 1504

� Marble

Page 42: Renaissance

15c

16c

What

a

difference

a

century

makes!

Page 43: Renaissance
Page 44: Renaissance

The Sistine Chapel

Michelangelo Buonarroti

1508 - 1512

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The Sistine Chapel’s Ceiling

Michelangelo Buonarroti1508 - 1512

Page 46: Renaissance

The Sistine Chapel Details

The Creation

of the Heavens

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The Sistine Chapel Details

Creation of Man

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The Sistine Chapel Details

The Fall from Grace

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The Sistine Chapel Details

The Last Judgment

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The School of Athens – Raphael, 1510 -11

Raphael

Da Vinci

Michelangelo

Page 51: Renaissance

Aristotle:looks to thisearth [thehere and

now].

Plato:looks to theheavens [or

the IDEALrealm].

The School of Athens – Raphael, details

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Averroes

Hypatia

Pythagoras

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Zoroaster

Ptolemy

Euclid

Page 54: Renaissance

Flaying of Marsyas Titian, 1576

Apollo

Stages of life for the artist. (TITIAN?)

Page 55: Renaissance

Arnolfini and His Bride� Full of

symbolism. Lots of commentary about the era/ Appearance/ Dog/ Shoes/ Bed/ Window/ Fruit/ Chandelier/ Mirror

Page 56: Renaissance