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Renaissanc e Art in the 1400 – 1600
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Renaissance

Dec 30, 2015

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Santiago Martin

Renaissance. Art in the. 1400 – 1600. Read Chapter 8 The Renaissance Spirit in Italy. Overview. Italian/Early 1400-1490 Italian/High 1500-1600 Northern/Late 1500-1600 one can argue about dates: 1300 – 1520 1400 – 1600. map. map. Renaissance. - PowerPoint PPT Presentation
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Page 1: Renaissance

Renaissance

Art in the

1400 – 1600

Page 2: Renaissance

Read Chapter Read Chapter 88

The The Renaissance Renaissance Spirit in ItalySpirit in Italy

Page 3: Renaissance

Overview • Italian/Early 1400-1490

• Italian/High 1500-1600

• Northern/Late 1500-1600

• one can argue about dates:

1300 – 1520

1400 – 1600

Page 4: Renaissance

map

Page 5: Renaissance

map

Page 6: Renaissance

Renaissance• 1st period to name itself and say nasty

things about earlier times:“Gothic” & “Dark Ages”

• Term means “Rebirth”• Looking back to Classical culture –

Ancient Greece and Rome• Names! Artists known by name – 1st

contemporary art historian (1550); Individuality celebrated in this era

Page 7: Renaissance

Renaissance• Church is still the biggest power

structure• Beginning of banking• Private fortunes & power – The

Medici• Starts in Italy – specifically Florence

Page 8: Renaissance

Man loves himself once again

The Return of Humanism

Page 9: Renaissance

Filippino LippiFlorentine, 1457 - 1504Portrait of a Youth, c. 1485oil and tempera on panel, 52.1 x 36.5 cm (20 1/2 x 14 3/8 in.)

Page 10: Renaissance

. . . I feel that I have come to some understanding of why man is the most fortunate of living things and, consequently, deserving of all admiration; of what may be the condition in the hierarchy of beings assigned to him, which draws upon him the envy, not of the brutes alone, but of the astral beings and of the very intelligences which dwell beyond the confines of the world.

from Pico della Mirandola's Oration on the Dignity of Man (1486)

see also p. 189

Page 11: Renaissance

Donatello, David, 1432

p. 203

Page 12: Renaissance

Donatello, David, 1432

Tuscan hat

p. 203

Page 13: Renaissance
Page 14: Renaissance

Style of helmet & art symbolic reference to other Italian city-states

Love of texture

Donatello,David, 1432

Goliath’s headdetail

Page 15: Renaissance

Donatello, David, 1432

1st free-standing, life size nude sculpture since antiquity!

• contrapposto; but not just an imitation of past models

• for private collection

• David = underdog = Florence

• Goliath = giant = Milan & other central Italian cities in league against Florence

Page 16: Renaissance

Donatello, David, 1432

Inscription:

“The victor is whoever defends the fatherland. God crushes the wrath of an enormous foe. Behold - a boy overcame a great tyrant! Conquer, O citizens! Kingdoms fall through luxury, cities rise through virtues. Behold the neck of pride, severed by the hand of humility.”

p. 203

Page 17: Renaissance

An earlier Donatello David (c.1410)

Page 18: Renaissance

Florence CathedralBrunelleschi dome

p. 193-197

CONFIDENCE REDISCOVERED!

Page 19: Renaissance

NOT the way it was done . . .

Page 20: Renaissance

Florence CathedralBrunelleschi dome

Page 21: Renaissance

Tower designed by Giotto,

1334

Page 22: Renaissance

View of Duomo from Pitti Palace (across the river)

Page 23: Renaissance

View from the Duomo

Uffizzi Pitti Palace

Page 24: Renaissance

Pazzi Chapel

Post & lintel returns;

GEOMETRY

Brunelleschi

p. 197

Page 25: Renaissance

Pazzi Chapel

p. 197

Page 26: Renaissance

Pitti Palace

Page 27: Renaissance
Page 28: Renaissance

Alberti (façade architect), Santa Maria Novella, Florence, 1470

By the numbers:

2:1

3:1

4:1

not in text

Page 29: Renaissance

p. 202

Page 30: Renaissance

MasaccioTrinity1427-28Fresco21' 10 1/2" x 10' 4 Santa Maria Novella, Florence

1st use of linear perspective

p. 198

Page 31: Renaissance

Masaccio, Tribute Money, c. 1427

p. 199

Page 32: Renaissance

Tribute Money,detail

Note use of chiaroscuro

(light and dark shading) to

create volume in the clothes.

Page 33: Renaissance

Ghiberti, LorenzoThe Gates of Paradise 1425-52Bronze with gilding

p. 195-196

Page 34: Renaissance

Ghiberti, LorenzoThe Gates of Paradise 1425-52Bronze with gilding

p. 195-196

Page 35: Renaissance

Ghiberti, LorenzoThe Gates of Paradise 1425-52Bronze with gilding

Page 36: Renaissance

Ghiberti, LorenzoThe Gates of Paradise 1425-52Bronze with gilding

Page 37: Renaissance

Ghiberti, LorenzoDetail from the Gates of Paradise The story of Joseph1425-52Bronze with gilding80 x 80 cmBaptistery, Florence not in text

Page 38: Renaissance

BOTTICELLI, SandroThe birth of Venusc. 1485, Tempera on canvas(67 7/8 x 109 5/8 in.)

NOT IN TEXT

Page 39: Renaissance

p. 199

BOTTICELLI, SandroPrimaverac. 1482. Tempera on wood203 x 314 cm

Page 40: Renaissance

BOTTICELLI, SandroPrimaverac. 1482. Tempera on wood203 x 314 cm

Page 41: Renaissance

BOTTICELLI, SandroVenus and Marsc. 1485. Egg tempera and oil on poplar69 x 173.5 cm not in text

NOT BIBLICAL!

Page 42: Renaissance

KEY IMAGEPERIOD:

PLACE:

ARTIST:

TITLE:

DATE:

IDEA:

p. 203

Early RenaissanceFlorence

Donatello

David

1432

HUMANISM

Page 43: Renaissance

KEY IMAGEPERIOD:

ARTIST:

TITLE:

IDEA:

p. 199

Renaissance

Botticelli

La Primavera (Birth of Spring)

Pre-Christian imagery (neo-Platonism)

Page 44: Renaissance

KEY IMAGE

p. 197

PERIOD:

ARTIST:

TITLE:

IDEA:

Renaissance

Brunelleschi

Pazzi Chapel

Geometric proportions

Page 45: Renaissance

Summary – Italian Renaissance• POLITICS – Italian city-states; power from money

• EARLY RENAISSANCE – Florence

• HIGH RENAISSANCE –

• ART – Classical ideals revived

• IDEAS – Humanism returns

• MUSIC –