Top Banner
WORK A PORTFOLIO OF GRAPHIC DESIGN BY REGINE ABOS
32

Regine Abos Design Work

Jul 22, 2016

Download

Documents

Regine Abos

 
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Regine Abos Design Work

WORK

A PORTFOLIO OF GRAPHIC DESIGN BY REGINE ABOS

Page 2: Regine Abos Design Work
Page 3: Regine Abos Design Work

OXFORD MATHSSTUDENT BOOKS Book series covers

Oxford University Press

Publishing in 2016

Page 4: Regine Abos Design Work

annie facchinetti

foxford mathsstudent

annie facchinetti

1oxford mathsstudent 2

annie facchinetti

oxford mathsstudent

Page 5: Regine Abos Design Work

3annie facchinetti

oxford mathsstudent

annie facchinetti

oxford mathsstudent

annie facchinetti

oxford mathsstudent

Page 6: Regine Abos Design Work
Page 7: Regine Abos Design Work

A STORY OF NATURAL NUMBERS Illustration and book design

Black Dog Books

Winner, Best Designed Children’s Non-Fiction Book, Australian Book Design Awards 2009

Page 8: Regine Abos Design Work
Page 9: Regine Abos Design Work
Page 10: Regine Abos Design Work

THE FOOD BOOK Book design and art direction

Oxford University Press

Winner, Best Designed Secondary Education Book, Australian Book Design Awards 2011

Page 11: Regine Abos Design Work
Page 12: Regine Abos Design Work
Page 13: Regine Abos Design Work
Page 14: Regine Abos Design Work
Page 15: Regine Abos Design Work

London San Francisco

Los Angeles New York

Apple adopted The Food Book App on their golbal billboard ad campaign for the iPad in 2013

Page 16: Regine Abos Design Work
Page 17: Regine Abos Design Work

MYTHS AND LEGENDS Book design

Oxford University Press

Winner, Best Designed Secondary Education Book, Australian Book Design Awards 2010

Page 18: Regine Abos Design Work

2

The Story of Story, D. Tuttle

‘ Legends are the heartbeat of storytelling.’

4

2

Myths & Richard Baines

the ModeRn stoRies Legendsone

& Legends

Myt

hsO

ne

RichaR Baines

Peter allen, song writer

‘ eveRything oLd is new again.’

Richard Baines

Myths Legends

& O n e The Traditional Stories

Page 19: Regine Abos Design Work

2

The Story of Story, D. Tuttle

‘ Legends are the heartbeat of storytelling.’

4

2

Myths & Richard Baines

the ModeRn stoRies Legendsone

& Legends

Myt

hsO

ne

RichaR Baines

Peter allen, song writer

‘ eveRything oLd is new again.’

Richard Baines

Myths Legends

& O n e The Traditional Stories

Page 20: Regine Abos Design Work

eagerly of their ability with the bow and how much they desired the Chief’s beautiful daughters.

Coyote turned to Raven and said, ‘I will win this contest. Just watch.’Back in the bark lodge Dirty Boy said to his grandmother, ‘Cut me a branch

and string me a bow.’ And she cut a branch of red willow bush and strung it with old string. And the boy said, ‘Make me some arrows.’ And she cut twigs for arrows but she did not feather them.

on the day of the great feast everyone in the camp collected to witness the test of strength and skill. All the young men in the camp were there, flexing their muscles and doing a bit of air-bow pulling in readiness.

‘I’m going first,’ said Coyote. He took aim at the eagle and shot twice but both of his arrows fell short. The crowd began to laugh. ‘I need more shots,’ he cried, pulling out a quiver full of arrows, but the people jumped on him and took his arrows away. ‘You are only allowed two shots,’ they told him.

All morning the young men tried to hit the eagle and all morning they failed. Then Dirty Boy said to his grandmother, ‘open the door Grandmother, so that I can see the tree with the eagle on it.’ She opened the bark door, and Dirty Boy sat up in bed, drew back his bow and loosed his arrows. The first one shredded the eagle’s tail feathers. The second killed the bird stone dead.

no one had seen Dirty Boy shoot the arrows. The crowd cheered as the bird fell, and looked around to see who had made the shot. There was a silence and then Raven stuck his big nose in. ‘I shot the bird from the lodge door!’ he shouted. He ran to pick up the eagle and was surprised to find the old woman there before him.

‘This belongs to us,’ she said, and she carried the dead eagle to the Chief and claimed his daughters for her grandson. But the crowd took one look at Dirty Boy and began to laugh.

‘The Chief cannot give his daughters to this scabby-faced, lousy boy. He is sick with sore eyes and a running nose. His hair needs cutting and his scalp cleaning. Look at his clothes. They are disgusting!’

So the Chief designed another contest.‘Tomorrow,’ he said, ‘everyone will go up into the mountains and set two traps.

Whoever catches two otters, one dark and one light, will win my daughters in marriage.’ He said this knowing that Dirty Boy was bedridden and could not walk. ‘This will be the final test. I am the Chief. I cannot go back on my word.’ Again shouts of excitement greeted the announcement and the contestants headed for

[Coyote and Raven

appear in many

Indian tribal stories.

Sometimes they

play the creator role,

sometimes they are

the heroes of the

story, and sometimes

they are tricksters

who get into a bit of

trouble. Brer Rabbit

is much the same.

Find out more about

these three characters.

Select a story that you

particularly like and

retell it to the others in

the group.]

Myths and Legends one: The Traditional Stories8

the mountains.Coyote turned to Raven and said, ‘I will win this contest. Just watch.’Back in the bark lodge Dirty Boy said to his grandmother, ‘Make two traps for

me.’ And she made two thin traps from willow sticks. And the boy said, ‘Set them one either side of the lodge door.’ And she did as he asked.

once in the mountains Coyote set his traps, but he caught nothing. ‘I need more traps,’ he cried, pulling out ten more. ‘Whoever heard of setting only two traps?’ All day and all night he sat by his traps but the next morning they were as empty as before. It was the same story with all the other young men. not a single otter had been caught. It was a very sad and tired collection of folk who made their way down the mountain and gathered outside the Chief’s lodge.

‘Who claims the prize?’ demanded the Chief. no one spoke. ‘Have you come back empty-handed?’ he asked. At that, the grandmother came forward with two handsome otters in her hands,

one dark and one light, and claimed his daughters for her grandson.What was the Chief to do? He had given his word. So, sadly, he handed over

his two beautiful daughters to the old crone. ‘Go with her,’ he said, ‘and she will take you to your husband.’

As they made their way through the camp they passed Raven’s lodge. They could hear cackling and laughter coming from inside the house.

‘I must go in and see what Raven is laughing about,’ said the older of the two girls.

‘no. We were told to follow the old lady,’ said the younger sister.But the older girl went inside Raven’s house and did not come out again. She

became Raven’s wife. now Raven had a big nose. He also had a big head. He was not what anyone would call handsome, and he was not about to change.

The younger girl went into Dirty Boy’s hut. She helped clean and tidy the place and she tended her sick husband with care and devotion.

And everything changed.The old bark hut turned into a fine skin lodge, richly decorated with handsome

carvings. The poles were made from the best hardwoods in the forest. Painted streamers tied to the roof fluttered in the summer breeze.

The lodge stood by itself on the edge of the camp beside a clump of trees. Coyote stared at it, open-mouthed.

‘It wasn’t there last night,’ he muttered.

The Story of Dirty Boy 9

The Story of Story, D. Tuttle

‘ Legends are the heartbeat of storytelling.’

The Heroes1 The Story of Dirty Boy: A North American Indian myth, p xx2 The Mighty Deeds of Beowulf: A Norse legend, p xx3 King Arthur and excalibur: A Celtic legend, p xx

The Women4 Amaterasu Hides her Face: A Japanese myth, p xx5 Artemis and Actaeon: A Greek legend, p xx 6 Deirdre of the Sorrows: An Irish legend, p xx

The Losers7 The Death of Jinini: An Australian Aboriginal myth, p xx8 Daedalus and Icarus: A Greek legend, p xx 9 Pyramus and Thisbe: A Babylonian legend, p xx

Contents

The Heroes

‘Have you heard?’ said Coyote.‘Heard what?’ said Raven.‘We have a visitor.’Coyote and Raven were walking along the riverbank.

It was early in the morning and a mist still hung in the valley. The air smelt sharp and fresh. The two friends were on their way to the Chief’s lodge, a handsome building in the centre of the camp decorated with rich and beautiful carvings. everyone was going to be there, and the paths were full of people walking. There was a sense of excitement, for the Chief was going to make an important announcement.

‘What visitor?’ asked Raven. Coyote said nothing. He nodded towards an old lodge standing by itself on the

edge of the camp beside a clump of trees.

1A north American Indian myth

The Storyof Dirty Boy

Myths and Legends one: The Traditional Stories6

This is a North

American Indian myth

from the Okanagon

tribe who live on the

Washington - British

Columbia border (see

map). What is the

difference between a

myth, a legend, a folk

tale and a fable?

‘It wasn’t there last night,’ he said.The lodge looked shabby. The poles were old and roughly cut from wood that

was already splintered. The roof was a spread of torn and tattered matting. The walls were made from sheets of tree bark roughly cut and hastily tied together.

As Coyote and Raven watched, an old woman came out of the hut. She was dressed in a threadbare poncho that hung off her like an old blanket. She wore a faded cloth over her head, covering a matt of grey hair. She was slightly bent over, and was carrying a kettle. She shuffled off down to the river.

Coyote and Raven peered inside the hut. There was no furniture there, just a scattering of dried rushes from the river. There were some battered pots standing beside a makeshift fireplace in the middle of the room. A bed in one corner was made from a heap of old clothes piled up on the floor.

A figure lay on the bed.‘Hello,’ said Coyote.A dirty, sore-eyed boy levered himself up onto one elbow. His hair hung lank

about his face and Coyote could see the lice moving across his scalp. He was dressed in a single loose gown shredded with holes.

‘Hello,’ said the boy, with a lazy smile. There was a rather nasty smell coming from the hut, and Raven had to go

outside and hold a handkerchief up to his nose. Raven had a big nose, indeed Raven had a big head. He was not what anyone would call handsome.

‘Welcome to our camp,’ said Coyote, and he also left the lodge in a hurry. ‘What a dirty boy,’ he muttered.

As they went on their way they passed the old crone coming back from the river with her kettle of water. They nodded to her, and she gave them a toothless smile.

The day was warming up, and a large crowd had collected outside the Chief’s lodge. As the headman emerged, the crowd fell silent.

‘You all know,’ said the Chief, ‘that I have two daughters.’There was a murmuring among the men and women, for it was well known

that the Chief’s daughters were the two most beautiful girls in the camp.‘Many men have offered themselves in marriage, but my daughters have refused

them all. It is now my duty to find a good husband for them. In a week’s time I will hold a great feast and the main event will be a shooting contest. everyone will be allowed to have two shots at an eagle that will perch in the tall tree. Whoever kills the eagle will take my daughters in marriage.’

The murmurings burst into excited chatter, and all the young men boasted

The Story of Dirty Boy 7

Page 21: Regine Abos Design Work

tuesday, november 10thI watched Four Corners on the ABC last night. Guess what, they don’t have ads! The

program was about the War in Iraq. I sat glued to the set, trying to imagine Dirty Boy

living in those places. It’s hot and dusty out there, and there’s men firing guns into the

air and shells of burnt-out cars sitting by the roadside. There was a pic of a body lying in

a gutter, quite dead. Dirty Boy’s Dad is dead. Omigod. Little children play in the dirt or

smile shyly at the cameras as columns of tanks rumble through the streets. Young women

wear cloths over their heads and peer out of doorways, and old men smoke pipes and play

dominoes outside the bombed-out cafes.

It’s another world out there.

Dirty Boy was sitting under a tree, watching a group of kids kicking a ball around so

I went over and dropped down beside him. ‘Iraq has a good soccer team,’ he told me. ‘In

the past, if you didn’t play well you got shot.’

‘That’s sport today,’ I said.

He grinned.

‘Tell me about Iraq,’ I said. ‘What was it like there?’

Dirty Boy turned towards me. Have I mentioned his eyes? They are a deep brown. I’ve

never seen eyes so liquid. I felt I could drown in them.

‘I can spell xenophobic,’ I told him.

He smiled his bright smile.

‘I think we are going to be friends,’ he said.

‘So,’ I said. ‘Perhaps you should start by telling me your name.’

Myths and Legends one: the ModeRn stoRies22

After reAding

1 What sort of a person is Charlene? Go into detail when discussing her character and provide evidence from the story to support your conclusions.

2 What has Kat learnt about boys during the course of these diary entries? How has she learnt these things? There are two questions here.

3 As Kat writes her diary over the spring months there is a noticeable change in her writing style. How does her style change over this period? Note as many technical alterations as you can.

imAginAtive extension

1 Write your own amusing satirical versions of one of the following, adding illustrations where necessary:• an ad for aftershave or lipstick • a section of the article entitled ‘Meet the Psychic’• Jessie Aged Fifteen’s war poem.

2 Write three diary entries of your own imagining, each one written at a different point in a person’s life. The entries are to be made when the author is 7, 14 and 21 years old respectively. The changes in growth should be reflected in the writing techniques as well as the subject matter. Aim to find some common topic or theme to run through the three entries.

going further

The story of Dirty Boy is a common one in fairytale and legend. Basically it is the

Cinderella story, the tale of a person who has neither power nor looks until someone

comes along who can see into the human heart. These stories are about the gap

between the mask that is shown to the world and the person within. Take this theme and work it into a story of your own in any form you choose: poem, short story, cut-and-paste collage, illustrated wall chart, comic strip, a series of newspaper articles, notes passed in class, or a short dramatic performance.

the stoRy oF diRty Boy 23

Peter allen, song writer

‘ eveRything oLd is new again.’

the LoseRs7 The Dollhouse [A Jinini horror story] p xx8 Kiril and the Skylady [Daedalus and Icarus go to Bulgaria] p xx 9 Love Letter from Ambon p xx

contentsthe heRoes1 The Naming of Dirty Boy [A Dirty Boy story] p xx 2 Oxford University Press Mwangi [Beowulf rides again] p xx3 The Hermit [How the Arthur story came to be told] p xx

the woMen4 Amaterasu Goes Manga [A Japanese manga comic] p xx5 Hunters of the Black Bear [An Artemis and Actaeon adventure] p xx 6 Bird in a Cage [Deidre of the Sorrows Down Under] p xx

the heRoes

Monday, august 24thCharlene tells me she’s going to Alaska to save the whales. She tells me this in Year

10 Maths, like she’s texting me. I swear Charlene is into something new every day. I

ask her when she’s going to do this whaling thing, seeing as how she still has to write

her first novel, form a girl band and develop her own range of lingerie. That’s when Mr

Allbot confiscates my phone. Mr Allbot is an Aries, size 22, and his colours are Grey and

Burgundy. He’s the sort of man who drinks chardonnay and pinches young teachers’ bums

at the End Of Year Social. He could of just told me to put the phone away, but oh no, he

has to have a perv. So your going to save the whales? he goes to Charlene, and she goes,

I so am. I’m saving them from the Japs. I’m 15, I’ve got 42,027 signatures on 3 petitions

and I’ve done it in 17 days, do the math. Charlene says math like she’s American. She’s

really Aquarian. I notice Todd grinning at us across the room. Todd’s a total hunk. I try

to grin back. I guess I must of looked a bit embarrassed, like Glenn Close in that episode

where she’s accused of boiling those puppies. Nick gives me a cheerful nudge. Nick knows

what’s going on. I nudge him back but Todd sees it and winks at me which sends shivers

up my spine! Oooo-errr! On my way home I see Dirty Boy. Hey, Dirty Boy! I shout. He

just stands there looking like the kid in the NapiSan Ad whose clothes are covered in

Ground-In Dirt.

wednesday, august 26thSo Charlene has been walking around all day shaking her shoulders and looking down her

1 the naMing oF diRty Boy{a diRty Boy stoRy}

Myths and Legends one: the ModeRn stoRies16

nose. She came bottom in the Maths test and Mr Allbot says she must do it again before

she saves the whales. When he laughs there’s a bar code on his forehead. You so won’t

believe what happens next. Check this out. Todd comes up to me and goes, Wanna see

Resident Evil Three? How good is that? He stands real close to me and I can smell his

body spray by Lynx. It’s called Africa and I can hear the tom toms beating in my head.

Woweee! We’re all set for saturday night. I must ask Charlene whether she recommends

the Waxaway Salon Quality Removal Strips or the new Venus Breeze Razor With The Built-

in Shave Gel Bars.

Friday,august 28thI hate Dirty Boy, he just stands there watching the kids kicking soccer balls around.

Then he sits on a bench and eats his lunch. He’s got funny stuff in there, funny rolled-up

bread or something. No one talks to him. I mean, why would they? Hey, I nearly forgot,

our school was on the telly last night, nothing academic, just seven thousand bats have

taken residence in our mango trees. The ground staff’s tried getting rid of them with nets

and hoses but no good, so they played a Barry Manilow CD at full vol and the bats have

all flown off to the botanic gardens, good result eh? Today’s a real spring day, the wattle’s

out, you can smell the jasmine and I realize my wardrobe is looking a Bit Blah, very Last

Year. After school I go shopping with Charlene, we try on vampy meringues, floaty tops

with sweetheart necklines, glitzy shift dresses, absolutely everything. Eventually I like

decide on the Sunny Girl Dress, Sachi Shoes and Diva Pendant. Charlene says I look Totally

Hot in them, so Go Girl, Strut Your Stuff and Turn Heads.

sunday, august 30thOkay, let me tell you about last night, it so didn’t work out the way I had planned. Me and

Todd met at the cinema, we had Choc Tops and we talked about school and he told me

he was the one to give Dirty Boy his name Dirty Boy. We laughed at that and he held my

hand and we found our seats. Things were going real well and it turns out Todd’s a Leo,

Wow! a Perfect Gentleman, and then the lights went down and Todd changed from being

a Perfect Gentleman to a Snake In The Grass. First it was just a kiss, which was nice, but

What’s In A Kiss? as the song says. The screen was full of dehydrated zombies in a desert

and I was trying to follow the plot but Todd wanted to Go Further. Look, I said, What’s

happening up there? but he just kept on going. I was nervous as I was wearing my Island

Girl Booster Bra and matching Indigo Micro-kissed Boy-shorts and I didn’t want to get

them creased or anything but laundry didn’t seem to be on Todd’s mind. Relax, he goes,

Relax and have a bit of fun your a beautiful girl, there is no plot, there the Undead, and

then he starts to go Too Far. I scream and the whole cinema turns round and has a good

laugh, but I don’t care. Todd is pretending innocent so I scream again and he goes, Your

the stoRy oF diRty Boy 17

Page 22: Regine Abos Design Work
Page 23: Regine Abos Design Work

CONSUMER BEHAVIOUR Book design

Oxford University Press

Winner, Best Designed Higher Education Education Book, Australian Book Design Awards 2015

Page 24: Regine Abos Design Work
Page 25: Regine Abos Design Work
Page 26: Regine Abos Design Work

terry flew

new mediafourth edition

Terry Flew’s fourth edition of New Media combines a comprehensive overview of theories of new media with contemporary case studies.

Based on a historic understanding of new media developments, the book explores the role of new media in a globally networked society. It examines the social, political and economical impact of new technologies in creativity, industry and culture from a cross-disciplinary perspective.

It balances local context with global perspective and provides insights into the practicalities of working and living in the new media environment.

new to this edition: New chapters on ‘Transforming Higher Education’ and ‘Online

Activism and Networked Politics’.

Substantially revised chapter ‘Online News and the Future of

Journalism’.

Updated and new case studies, topics and examples throughout.

Key Concepts and Theories now highlighted at relevant points

throughout the text.

terry flew is Professor of Media and Communication in the

Creative Industries Faculty, Queensland University of Technology.

flew new media 170 x 245 spine: 15.2mm colours: 4 colours (CMYK

newmedia

fourth edition

flew

explores the social, political and economic impacts of new media

FLE_NM4_77853_CVR_SI.indd 1 12/11/13 9:57 AM

human

resource

managementin australia & new zealand

management

in australia and new zealand

nel wernerdu plessis fazeywordsworth erwee pillaymackinnon millett

PITER NEL Et que coratem re, quis rem faciis mil molut acerunt ureium apideruntios ipsaniet temporumque voluptat nwertnger tely.

AMANDA WERNER et haruntium facepudit vidunt. Luptatur, qui omnitiu riorpor rumquo imagnimus, aboremp orerovi que voluptat dolo.

ANDRIES DU PLESSIS dolorescil int laut volore dolo odigentur si ut ullictibusam harcit eos si dellupisci blaut aut odigentur si ut ullictibusam harcit eo.

MIKE FAZEY et haruntium facepudit vidunt. Luptatur, qui omnitiu riorpor rumquo imagnimus, aboremp orerovi.

RUSSEL WORDSWORTH dionectetur? Qui officat urepeli scitatem incto corporum. Et que coratem re, faciis mil molut qui omnitiu riorpor r.

RONEL ERWEE acerunt ureium apideruntios ipsaniet quodi temporumque voluptat dolorescil int laut volore dolo ureium apideruntios ipsaniet.

SOMA PILLAY odigentur si ut ullictibusam harcit es si acerunt ureium apideruntios ipsaniet quodi temporumque voluptat.

BRUCE HEARN MACKINNON omnitiu riorpor rumquo imagnimus, aboremp dionectetur? Qui officat urepeli scitatem ureium apideruntios ipsaniet.

BRUCE MILLET incto corporum. Et que coratem re, quis rem faciis mil molut acerunt ureium apideruntios quodi temp s rem faciis mil molut acerunt urei.

human resource

Et que coratem re, quis rem faciis mil molut acerunt ure-

ium apideruntios ipsaniet quodi temporumque voluptat

dolorescil int laut volore dolo odigentur si ut ullictibusam

harcit eos si dellupisci blaut aut et haruntium facepudit

vidunt. Luptatur, qui omnitiu riorpor rumquo imagnimus,

aboremp orerovi dionectetur? Qui officat urepeli scitatem

incto corporum. Et que coratem re, quis rem faciis mil

molut acerunt ureium apideruntios ipsaniet quodi tempo-

rumque voluptat dolorescil int laut volore dolo odigentur

si ut ullictibusam harcit eos si dellupisci blaut aut et

haruntium facepudit vidunt. Luptatur, qui omnitiu riorpor

rumquo imagnimus, aboremp orerovi dionectetur? Qui

officat urepeli scitatem incto corporum. Et que coratem

re, quis rem faciis mil molut acerunt ureium apideruntios

ipsaniet quodi temporumque voluptat dolorescil int laut

volore dolo odigentur si ut ullictibusam harcit eos si del-

lupisci blaut aut et haruntium facepudit vidunt.

mil molut acerunt ureium apideruntios ipsaniet quodi

temporumque voluptat dolorescil int laut volore dolo

odigentur si ut ullictibusam harcit eos si dellupisci blaut

aut et haruntium facepudit vidunt. Luptatur, qui omnitiu

riorpor rumquo imagnimus, aboremp orerovi dionectetur?

Logo LogoOBHLogo

KEY FEATURES

• il molut acerunt ureium apideruntios ipsaniet quodi temporumque voluptat dolores-

cil int laut volore dolo odigentur si ut ullictibusam harcit eos si dellupisci blaut aut et

haruntium facepudit vidunt.

• Luptatur, qui omnitiu riorpor rumquo imagnimus, aboremp orerovi dionectetur? Qui

officat urepeli scitatem incto corporum.

• Et que coratem re, quis rem faciis mil molut acerunt ureium apideruntios ipsaniet

quodt. Qui officat urepeli scitatem incto corporum.

• Et que coratem re, quis rem faciis mil molut acerunt ureium apideruntios ipsaniet

quodi temporumque voluptat dolorescil int laut volore

• dolo odigentur si ut ullictibusam harcit eos si dellupisci blaut aut et haruntium

facepudit vidunt.

Et que coratem re, quis rem faciis mil molut acerunt ureium apideruntios ipsaniet quodi temporumque voluptat dolorescil int laut volore dolo odigentur si ut ul-

lictibusam harcit eos si dellupisci blaut aut et haruntium facepudit vidunt. Luptatur,

qui omnitiu riorpor rumquo imagnimus, aboremp orerovi dionectetur? Qui officat

urepeli scitatem incto corporum. Et que coratem re, quis rem faciis mil molut acerunt

ureium apideruntios ipsaniet quodi temporumque voluptat dolorescil int laut volore

dolo odigentur si ut ullictibusam harcit eos si dellupisci blaut aut et haruntium

facepudit vidunt. Luptatur, qui omnitiu riorpor rumquo imagnimus, aboremp orerovi

dionectetur? Qui officat urepeli scitatem incto corporum. Et que coratem re, quis rem

faciis mil molut acerunt ureium apideruntios ipsaniet quodi temporumque voluptat

dolorescil int laut volore dolo odigentur si ut ullictibusam harcit eos si dellupisci

blaut aut et haruntium facepudit vidunt.

pieter nel

amanda werner

andries du plessis

mike fazey

ronel erwee

soma pillay

bruce hearn mackinnon

bruce millett

russell wordsworth

PRINCIPLES AND PRACTICE

JAMES MAHONEY

STRATEGICCOMMUNICATI N

STRATE

GIC

CO

MM

UN

ICATI N

JAM

ES M

AH

ON

EY

Good communication strategy can help your team kick goals

This book explores the principles behind strategic communication planning and the professional practice involved in researching, writing and implementing a communication strategy. This framework can be used to plan specifi c strategies for a range of specialisations, including corporate communication, community relations, fi nancial and investor relations, government relations and lobbying, internal communication, marketing communication and public relations.

Key Features

• Focuses on high-level strategic communication in supporting business directions

• Shows how communication strategycan be linked to the way in whichorganisations plan their businessactivities in three time ‘horizons’: whatthey need to do now; in the mid-term; and in the long term

• Includes exercises throughout the text,which encourage readers to think morebroadly about communication strategyand how it links to business planning

• Draws attention to key theories withIn Theory panels, which demonstrate the important links between theoryand practice

MAHONEY 9780195576894 format: 170 x 245 CMYK Spine: 15mm 2colour pantone: P 803C (yellow) and P 7547C (black)

James Mahoney is a Senior Lecturer in Public Relations and Course Convenor of the Master of Strategic Communication program at

the University of Canberra. He is a Fellow, and former National Secretary, of the Public Relations Institute of Australia.

PANTONE 803 C

PANTONE 7547 C

MAH_SC_76894_COV_5pp.indd 1 7/09/12 9:24 AM

KEN JONESDEBR A CREEDY

THIRDEDITION

HEALTHAND

HUMANBEHAVIOUR

2O

RG

AN

ISATIO

NA

L B

EH

AV

IOU

R

CREED

JONES

PILLAY

SECOND EDITION

The obook is a truly integrated e-text with extra

content and resources built in. Additional video,

audio and links to further content are live within

the text, and an integrated dictionary and note-

taking features ensure an obook gives you the best

aspects of both print and digital.

Your Organisational Behaviour obook includes:

• hotlinked learning objectives—click on the

learning objective to be taken to the relevant

content within the chapter

• interviews with marketing professionals

• instant access to video examples

• audio chapter summaries that can be used for

revision purposes

• embedded weblinks

• ‘live’ chapter revision questions and answers to

test your knowledge

• integrated dictionary and note-taking features.

To access your obook go to oxforddigital.com.au.

Create an account.

Enter the code.

Download the text.

For any technical issues, please contact:

[email protected]

BLANK SPACE for the placement of the activation code sticker

ANDREW CREED consed quiscimus etur, to

maiores tanum in cumet

MICHAEL JONES et rereped excerup tatio.

Et rem ex eium sus nis et alis et, totatur rerro

imolupt assequi blam que pore voloreiundi

SOMA PILAY spid exeriam esciis se pratum

dolent ut earumet aciminc tectium

Ullabor sequatur. Te si dolorro tem nectotae aut

libus niatur apit aut autat. Si sus, cume il escia qui

cupti rem derrovit moluptatio. Et aspid exeriam

esciis se pratum dolent ut earumet aciminc

tectium, consere icilis eaquatur, sitibus, simusa

sitium faccus nonem nis everiti beature, consed

quiscimus etur.

Pit ullecto quatur, sedipide dolenetur re earci con

• atquatas dic to dis ma verates conse con pore

nonsed min nimiliquiat deriosa nduntini ant re

niatureritas volectatias

int apelest optas

• autem et aperibus venimustios poruptas quatibus

qui quuntest, coreptas dolenit aestet volest,

quam adit omnisciis venienim arum conserfera

• veni cum veruptas doluptatem isim quatur aut

rem faccatur abore, il ium aut quidis a il mos net

di dolorrum volupicit, simus dolor alis id et

ANDREW CREED MICHAEL JONES SOMA PILLAY O RG

ANIS AT IO N AL BEH

AVI OUR

B E HA VI OU R

SECOND EDITION

9 780195 525601

ISBN 978-0-19-552560-1

Every copy of this text comes with a Free Book Title .

Obooks are integrated etexts with extra content and resources that you can access anytime through any internet capable device.

Helping you study with:

• Simple and fast navigation.

• Search for key concepts, words and phrases.

• Extra activities and examples are all listed in the books main menu for easy access.

• Video, audio and links to further content are live within the text.

• Make highlights and add your own notes that you can save and export.

• Bookmarks and notes are visible from the book’s menu for quick access while revising.

• Includes the online Australian Concise Dictionary.

oxforddigital.com.auYour portal to Oxford’s premium digital learning resources

To see a video of all this obook’s features visit oup.com.au/BOOKURLAccess your obook at oxforddigital.com.au

Page 27: Regine Abos Design Work

Geoffrey Moore

1. The Meaning of Land

2. Fixtures and Waste

3. Torrens Title: Indefeasibility

Of Title and Exceptions

4. Torrens Title: Priorities

between Unregistered Interests

5. Old System Title

6. Co-ownership

7. Mortgages

8. Leases

9. Easements

10. Positive Covenants

11. Restrictive Covenants

12. The Doctrine of Tenure and

Estates

13. Native Title: The Mabo

(No. 2) Case

14. Native Title: The Wik Peoples

Case

15. Native Title at Common Law

16. Native Title Act 1993

Third edition

REAL PROPERTY

4Third editionREAL PROPERTY

Geoffrey Moore

MOORE Real Property 3e • CMKY • 190mm x 245mm • spine: 27.86mm

Clear, detailed explanation of key cases (particularly

High Court cases) makes the material accessible, and

enables readers to better appreciate the judicial reason

behind property laws.

New to this edition

• New chapter on The Doctrine of Tenures and Estates

• New chapters on Mabo and Wik

• New chapters on common law and statutory Native Title

Geoffrey Moore is a practising Barrister and the

Director of Courses and a Senior Lecturer in the Faculty

of Law at the University of Technology, Sydney.

Cover image by Trampoline

Real Property is an essential introduction to real property law in New South Wales.

MOO_RP3_79031_COV_SI.indd 1 22/04/13 1:35 PM

kathy bowreymichael handler dianne nicol kimberlee weatherall

australian intellectual propertycommentary, law and practice second edition

australian intellectual property

second edition

bowreyhandler nicol weatherall

9 780195 598469

ISBN 978-0-19-559846-9

visit us at: oup.com.au or contact customer service: [email protected]

Intellectual property laws now impact on our daily lives in much more obvious ways than in the past and affect how we access or engage with technology, medicine, nature, education and entertainment. This text uses broader social and economic contexts to locate the black-letter law in the everyday, making it an accessible introduction to IP that will equip students with a foundation of legal knowledge for either entry-level legal practice or to progress into more specialised postgraduate study of IP law.

In relation to the key areas—copyright, design, patents, confidential information, passing off and trade marks —the book provides:

• A policy overview of the legal category, its history and emerging trends

• An explanation of the structure of the legislation and associated rights

• Leading case extracts to elucidate key legal principles and tensions.

key features• With a primary focus on Australian law, this text also has an awareness of comparative law, especially

UK, EU and US law.

• A unique casebook methodology and approach to the selection of cases that covers the basics, while keeping current policy challenges and international perspectives at the fore.

new to this edition• New chapter—‘Criteria for Subsistence of Copyright’

• Extensive discussion of the impact of the Intellectual Property Laws Amendment (Raising the Bar) Act 2012 (Cth), including comparative reference to EU and US case law

• Discussion of key policy proposals, including the Australian Law Reform Commission’s Report No 122, Copyright and the Digital Economy (2013) and the Advisory Council on Intellectual Property’s Review of the Designs System: Options Paper (2014)

• New cases and extracts including National Rugby League Investments v Singtel Optus (2012); Roadshow Films v iiNet (2012); Seafolly v Fewstone (2014); Research Affiliates v Commissioner of Patents (2014); D’Arcy v Myriad Genetics (2014); DC Comics v Cheqout (2013); Cantarella Bros v Modena Trading (2014) and many more.

Kathy Bowrey is a Professor in the Faculty of Law at The University of New South Wales.

Michael Handler is an Associate Professor in the Faculty of Law at The University of New South Wales.

Dianne Nicol is a Professor in the Law Faculty and Chair of Academic Senate at The University of Tasmania.

Kimberlee Weatherall is an Associate Professor in the Sydney Law School at The University of Sydney.

TITLE: BOW_AIP2_98469 FORMAT: 245 MM X 170 MM SPINE: 41 MM COLOURS USED: CMYK

cyan magenta yellow blackBOW_AIP2_98469_CVR_SI.indd 1 23/04/15 2:01 PM

VARIOUS COVER DESIGNS

Oxford University Press

2012 – 2015

Page 28: Regine Abos Design Work

TAKEAWAY HOT CHOCOLATES CONSUMED Information design and data visualisation(personal project)

Data compiled using takeaway hot chocolate cups collected around Melbourne from 1 April 2014 to 31 May 2014 and published to regineabos.wordpress.com

2014

Page 29: Regine Abos Design Work

CAFéS

CoFFee SpeCiAliStS

CrÊperieS

ChoColAte ShopS

pÂtiSSerieS

Cafe VueD.O.C. Espresso

Grub food vanBEETROOT HOT CHOC

SonidoCOLOMBIAN HOT CHOC

Cumulus Inc.Alice Nivens

Lemon,Middle and Orange

Little King

St Ali (Rueand Co)

Fräus

My Sister Says

Station Street CafeHammer

Oli and LeviStagger Lee’s

St Ali North

Clement

Place

Axil CoffeeRoasters Roule Galette

Rue de Crêperie

Brunetti

Humble

Chez DréLe Petit Gâteau

DARK CHOCOLATE

Lindt Café

Max BrennerMEXICAN SPICY CHOCOLATE

ChokolaitCHILLI CHOCOLATE

Pana Chocolate

San ChurroAZTECA (CHILLI & CINNAMON)

The Belgian Quarter

CHILLI DARK CHOCOLATE

Koko Black

CacaoCHILLI DARK CHOCOLATE

TheobromaCHILLI CHOCOLATE

ShocolateTHE CHEF’S SPECIAL

XocolatlROSE DARK CHOCOLATE

GânacheCHILLI DARK CHOCOLATE

Helados HaujaCLOVE AND CINNAMON Waffeé

Acland St CantinaOAXACAN HOT CHOC

WITH QUESO FRESCO

SALTED HOT CHOC

SUPER THICK HOT CHOC

WITH BAILYS IRISH CREAM

HOT CHOCwith BRAZIL NUT MILK,

VANILLA, CINNAMON

(STRENGTH: 7/10)

(VERY ANISEEDY!)THAT WASN’T ON THE BOARD

Monsieur Truffe88% VENEZUELAN SINGLE ORIGIN

miSCellAneouS

andTong

Holder

CAFéS

CoFFee SpeCiAliStS

CrÊperieS

ChoColAte ShopS

pÂtiSSerieS

Cafe VueD.O.C. Espresso

Grub food vanBEETROOT HOT CHOC

SonidoCOLOMBIAN HOT CHOC

Cumulus Inc.Alice Nivens

Lemon,Middle and Orange

Little King

St Ali (Rueand Co)

Fräus

My Sister Says

Station Street CafeHammer

Oli and LeviStagger Lee’s

St Ali North

Clement

Place

Axil CoffeeRoasters Roule Galette

Rue de Crêperie

Brunetti

Humble

Chez DréLe Petit Gâteau

DARK CHOCOLATE

Lindt Café

Max BrennerMEXICAN SPICY CHOCOLATE

ChokolaitCHILLI CHOCOLATE

Pana Chocolate

San ChurroAZTECA (CHILLI & CINNAMON)

The Belgian Quarter

CHILLI DARK CHOCOLATE

Koko Black

CacaoCHILLI DARK CHOCOLATE

TheobromaCHILLI CHOCOLATE

ShocolateTHE CHEF’S SPECIAL

XocolatlROSE DARK CHOCOLATE

GânacheCHILLI DARK CHOCOLATE

Helados HaujaCLOVE AND CINNAMON Waffeé

Acland St CantinaOAXACAN HOT CHOC

WITH QUESO FRESCO

SALTED HOT CHOC

SUPER THICK HOT CHOC

WITH BAILYS IRISH CREAM

HOT CHOCwith BRAZIL NUT MILK,

VANILLA, CINNAMON

(STRENGTH: 7/10)

(VERY ANISEEDY!)THAT WASN’T ON THE BOARD

Monsieur Truffe88% VENEZUELAN SINGLE ORIGIN

miSCellAneouS

andTong

Holder

Page 30: Regine Abos Design Work
Page 31: Regine Abos Design Work

SONGS STUCK IN MY HEAD Information design and data visualisation(personal project)

Data pbserved for the month of January 2015 and published to regineabos.wordpress.com

2012

Page 32: Regine Abos Design Work

SONGS STUCK IN MY HEAD Information design and data visualisation(personal project)