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Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter

Feb 22, 2023

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Steven Penrod
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Page 1: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 2: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 3: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 4: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 5: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 6: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 7: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 8: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 9: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 10: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 11: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 12: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 13: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter
Page 14: Raymond Jonson and the Chicago Little Theatre, 1912-1917: The Influence of the Simple Stage Aesthetic on an American Modernist Painter