SECOND GRADE Range PiCCOlO=! E The range required for each scale or arpeggio is indicated by a number in brackets e.g. two octaves (2). Scales Arpeggios Chromatic Scale Sustained Notes Sustained Scale Major Scales: D (2), Bb (1), C (2) [Piccolo (1)], G (2) Harmonic Minor Scales: B (1), G (2), E (2) Melodic Minor Scales: E (2), D (2) MM = 60 - two notes to each beat Articulation Patterns: (a), (b) [eight notes per slur - minimum], (d) and (g) Major arpeggios: D (2), Bb (1), C (2) [Piccolo (1)], G (2) Minor arpeggios: B (l), G (2), E (2), D (2) MM = 60 - two notes to each beat Articulation Patterns: (a) and (b) To begin on F (2) and D (2) MM = 60 - two notes to each beat Articulation Patterns: (a) and (b) Any note of G major scale (range: first octave) held for ten seconds duration. To be played at a consistent dynamic level of mezzo-forte. Anyone of the major scales for this grade, one octave (first octave) ascending and descending in minims. MM = 60, breathing every eight beats or every four notes. Articulation: Each note tongued. ,f , , \ ) i ' 0/ " <;,,' ,- 12 AMES AIIans Publishing
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Range Flute~~e-~ E The range required for each scale or ... · ... [Piccolo (1)], G (2) ... from The Microjazz Flute Collection ; 1 . Christopher Nc (born l' Cheerily . J ... Christopher
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SECOND GRADE
Range PiCCOlO=!Flute~~e-~ E ~O~
The range required for each scale or arpeggio is indicated by a number in brackets e.g. two octaves (2).
Scales
Arpeggios
Chromatic Scale
Sustained Notes
Sustained Scale
Major Scales: D (2), Bb (1), C (2) [Piccolo (1)], G (2) Harmonic Minor Scales: B (1), G (2), E (2) Melodic Minor Scales: E (2), D (2)
MM ~ = 60 - two notes to each beat Articulation Patterns: (a), (b) [eight notes per slur - minimum], (d) and (g)
Major arpeggios: D (2), Bb (1), C (2) [Piccolo (1)], G (2) Minor arpeggios: B (l), G (2), E (2), D (2)
MM ~ =60 - two notes to each beat Articulation Patterns: (a) and (b)
To begin on F (2) and D (2)
MM ~ =60 - two notes to each beat Articulation Patterns: (a) and (b)
Any note of G major scale (range: first octave) held for ten seconds duration. To be played at a consistent dynamic level of mezzo-forte.
Anyone of the major scales for this grade, one octave (first octave) ascending and descending in minims.
MM ~ = 60, breathing every eight beats or every four notes. Articulation: Each note tongued.
, f
, , \ ) i '
0/ " <;,,' ,
12 AMES AIIans Publishing
SCALES
Gm~m ~
rt~~1 D~m
~t~§ Bb major
Vi~
Cmajor
~i~~
I Gharmonic
¥i~~ Eharmoni
ri~~1 Emelod~
~i~~1 Dmelod~
~t~~.
AIIans Publishing AMES 13
ARPEGGIOS
Gmajor~rt ~ J 1==J~J~ Dmajor~
~I~~j~~ Bb major
~'I~ I Cmajor
~IJg~ailiJJ I
Cmajor [Piccolo]
~IEtE1 FE g ~
Bminor
~I G minor
VI_~J~~
Dminor~2
~1~lfJd 14 AMES Allans Publishing
CHROMATIC SCALES
Comme
~i~
Commencing on 0 #
~t
- I
SUSTAINED NOTES
SUSTAINED SCALE -Example
AIIans Publishing AMES 15
LIST A No.2
Pillow Dance from 44 Violin DUOS(I) Bela Bartok
(1881-1945)
Allegretto J= 116
iJ§-~-J~I_ --=====-= f
~v_
20
"1 §' !~~¥f
>
sf
37
't~~ ~ sf sf
~§.~~~ "1 ~ sf P sf
(I) This piece is arrangement of a violin duo. The parts have been reversed in some bars.
AMES All Music Publishing, Melbourne. 4
LIST B No.1
Aria from Kleine Kammermusik, Partita No.2
Georg Philipp Telemann (1681-1767)
Presto
15
~
19
_A~
22
f4 F J 3 J J J j§. :~
AMEB All Music Publishing, Melbourne. 6
LIST C No.1
Venezuelan Holiday from The Microjazz Flute Collection 1