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BIBLIOGRAPHY I. Primary Source Soyinka, Wole. Collected Plays l. London: Oxford Univ. Press, 1974, rpt. 1984. Includes: Swamp Dwellers. The. Stromt Breed. The. Road. A Dance Q.f. .t..h.c. Forests. The. LiQn and Jewel. Kongi's Harvest. Trials at Brother Jero. Jero's Metamorphosis, Madmen and Specialists. ------------. £iK Plavs. London: Methuen, 1984. Includes: Trials Q.f. Brother Jero. Jero's Metamorphosis. Camwood Qn Leaves. Kongi's Harvest. Death and King's Horseman. Opera Wonyosj. Regueim Futurologist. London: Rex Collins, 1985. ·---------------. Myth. Literature AD..d. African World. London: Cambridge Univ. Press, 1976 rpt. 1979. ---------------. Q.f. Giants. London: Methuen. 1984. II. Books Achebe, Chinua. Morning nn Creation London: Heinemann. 1975; rpt. 1981. Trouble Kith Nigeria .. London: Heinemann. 1987. Banham (Martin), Clive, Wake. African Theatre Today. London: Pitman Pub. Ltd. 1976. Barness, Jonathan. ed. Works oL Aristole Vol. 2. U.K: Princeton Univ. Press. 1984. Beier, Ulli. ed. Introduction African London: Longman. 1967; rpt. 1979. 241 Literature.
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Page 1: Q.f. andshodhganga.inflibnet.ac.in/bitstream/10603/16646/10/10_bibilograph... · A Dance Qf Masks-Senghor. Achebe, ... Barber, Karina. "Yoruba Oriki and the Deconstruct) ... Ketu

BIBLIOGRAPHY

I. Primary Source

Soyinka, Wole. Collected Plays ~and l. London: Oxford Univ. Press, 1974, rpt. 1984. Includes: ~ Swamp Dwellers. The. Stromt Breed. The. Road. A Dance Q.f. .t..h.c. Forests. The. LiQn and ~ Jewel. Kongi's Harvest. ~ Trials at Brother Jero. Jero's Metamorphosis, Madmen and Specialists.

------------. £iK Plavs. London: Methuen, 1984. Includes: ~ Trials Q.f. Brother Jero. Jero's Metamorphosis. Camwood Qn ~ Leaves. Kongi's Harvest. Death and ~ King's Horseman. Opera Wonyosj.

Regueim ~a Futurologist. London: Rex Collins, 1985.

·---------------. Myth. Literature AD..d. ~ African World. London: Cambridge Univ. Press, 1976 rpt. 1979.

---------------. A~ Q.f. Giants. London: Methuen. 1984.

II. Books

Achebe, Chinua. Morning ~ nn Creation ~. London: Heinemann. 1975; rpt. 1981.

Trouble Kith Nigeria .. London: Heinemann. 1987.

Banham (Martin), Clive, Wake. African Theatre Today. London: Pitman Pub. Ltd. 1976.

Barness, Jonathan. ed. ~Complete Works oL Aristole Vol. 2. U.K: Princeton Univ. Press. 1984.

Beier, Ulli. ed. Introduction ~ African London: Longman. 1967; rpt. 1979.

241

Literature.

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III Articles

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Ahura, Tar. "The Playwright, The play and the Revolutionary African Aesthetics" UFAHAMU XIV 3, 1985. pp. 93-114.

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------------. "From Myth to ideology: The Socio-political con tent · of Soyinka · s war writings", T.he:. Journal o!. Commonwealth Litetature, XXIII, 1, 1988. pp. 116- 129 [Hereafter cited as JeLl. ·

Asgill, EJ. "African Adaptations of Greek Tragedies", African Literature TOday. New York: Africana, 1980. pp. 175-189. [Hereafter cited as Ak!].

Badejo, Oiedre L. "Unmasking the Gods: of Egungun and Demagogues in Three Works by Wole Soyinka", Theatre Journal, 39, May 1987. pp. 204-214 [Hereafter cited as I.J.].

Bamikunle, Aderemi. "Nigerian playwrights and Nigerian Myths: A look at Soyinka, et al pla.ys". Ca.labar Studies in African literature : Critical theorY and African literature. Nigeria : Heinemann, 1987. pp. 121-131.

Banham, Hartin. "African Literature: Nigerian Dramatists in English and Traditional Nigerian Theatre", JCL., 3, July 1967. pp. 97-120.

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Barber, Karina. "Yoruba Oriki and the Deconstruct).ve criticism". Research in. African Literature. 15, 4 Winter 1984.pp. 497-516 [Hereafter cited as RALJ.

Beilis, Viktor. "Ghosts, People, And Books of Yoruba land", RAL 18, 4, Winter 1987. pp. 447-458.

Bentsi-Enchill. Nil K, "Wole Soyinka in Stockholm", TM.. Literary li.al.f. Yearly, XXVIII, 2, July 1987. pp. 1-6. [Hereafter cited as LHYJ.

Berry, Boyd M. "Kons:ri · s Harvest: A Review" Critical Perspectives Qn ~ Soyinka . London: Heinemann, 1976. pp. 69 - 73.

Biko, Steve. "Black consciousness and the Quest for a true humanity", UFAHAMU, 11, 1, 1981-82. pp. 133 -· 152,..

Bishop, Norma. "A Nigerian Soyinka's transformation Fe~. 1983. pp. 58 - 81.

version of Greek of T..h.e. Bacchae", RAL

Classic: 14. 1

Booth, James. "Self-Sacrifice and Human Sacrifice Soyinka's Death aill1 .the. King's Horseman". RAL.. 19, Spring 1988. pp. 529-550.

in 1

Brockbank, Philip. "Blood and Wine: Tragic Ritual from Aeschylus to Soyinka". Sha.kespeares Suryey ed. Stanely Wells, Vol. 36. London: CUP. 1983. pp. 11-19.

Brown, Lloyd W. "The African heritage and the Harlem Renaissance: A Revaluation", ALI. 7, 1974. pp. 1-9.

Case, Fredrick Ivor. "Negritude and Utopianism", ALI. pp. 65-75.

1974.

Crow, Brian, et al. "Soyinka and the Voice of Vision", J.CL., XVII, 1, 1982. pp. 107-122.

' Croft, Julian. "Beware, soul brother and the Nigerian civil war", LHY, XXI, 1, Jan 1980. pp. 92-101.

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Duerden, Dennis. et al.. African Writers talking: A Collection ~ Interviews. London: Heinemann. 1972. pp. 169-181.

Eghareva, Chris. "The carrier Ritual as medium of v1s1on in Nigerian Drama: The example of Soyinka and Osifisan", Calabar studies ~ African Literature-Critical Theory and African Literature. Nigeria: Heinemann. 1987. pp. 25-36.

El-Miskin, Tijani. " The Kayawar in the context of the Epic tradition" RAL., Vol. 12, No. 3, Fall 1981, pp. 284-308.

Emenyonu, Ernest. "African Literature: What does it take to be its critic?", ALI., 7, 1974. pp. 1-11.

Etherton, M ichae 1. "Trends in African Theatre" . Afr jean Literature Todav: Restrospect and Prospect. 10. New York: Africana, 1979. pp. 57-85.

E~enwa-Ohaeto. "The softening of Iron: The Lyrical control of Soyinka's prose style in~". LHY XXVIII, 2, July 1987. pp. 131-141.

Feuser, Willfried F. "Wole Soyinka: The Problem of authenticity". LHY, XXIII, 2, July 1987, pp. 202-207.

Garuba, Harry. "Derek Walcot and Wole Soyinka". LHY XXVI, 1 Jan. 1985. pp. 63-79.

Gibbs, James. "Tear the painted masks, Join the poison stains: A preliminary study of Wole Soyinka's writings for the The Nigerian Press". RAL., 14, 1, Feb. 1983. pp. 1-58.

------------ ''The Living Dramatist and Shakespeare: A Study of Shakespeare's influence on Wole Soyinka". Shakespeare's Survey. Vol. 39. ed. Stanely -Wells. London: CUP. 1987. pp. 169-178.

-------------. A Review of "Stephan Larsen. A writer and his gods: A study and Religious Ideas to the writing of Wole Soyinka". RAL., Vol. 15, No. 4, Winter 1984. pp.

247

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-------------- "Essential Soyinka". ~Africa 8-14, June 1992. pp. 964-965.

----------------. "Soyinka in Zimbabwe: A question and Answer session". LHY XXVIII, 2,July 1987. pp. 50-109.

Gorog-Karady, Veronika, "African Oral Narratives". RAL., 15, 2 Spring 1984. pp. 161-18L

Gotrick, Kacke. "Why did Wole Soyinka have to wait so long for the Nobel prize". LHY. XXVIII, 2, July 1987. pp. 17-32.

Gulledge, Jo. "Seminar on A.ke_' with Wole Soyinka". Southern Review. 23 Summer 1987. pp. 507-52.

Hagher, Iyerm.1se. "The Aesthetic problem in the criticism of African drama" . UFAHAMU, 10, 1-8, 1980 - 81. pp. 156-172.

Ibi tokun, Benedict M. "Existential Struggle in Soyinka · s Madamen and. Specialists". Bashiru Vol, 10, No. 1. pp. 20-30.

Iji, Edde M.. "Wole Soyinka and Predecessors: Deviation, conformism and non-conformism", ~Literary Criterion. XXIII, 1-2, 1988. pp. 131-142.

Iyengar, K.R.S. "Wole Soyinka's ~ R.c.a.Q.", lJia, Cheers f.o..r. Commonwealth: Literature. Bombay: Asia Pub. House. 1970. pp. 148-162. -·

-------------- "Soyinka's latest play". L.HY XVII, 2, July 1976. pp. 3-17.

Izevbaye, D.S. "Nigeria". Literature Qf. .t..bc. World in English ed. Brue King. London: Routledge. 1974. pp. 136-153.

---------------"Language and meaning in Soyinka's T.he. Ro.ad" Critical Perspective Qn ~ Soyinka. London: Heinemann. 1976. pp. 90-103.

248

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Jeyifo, Biodun. "What is the will of Ogun? Reflections on Soyinka's Nobel prize and the African liter~ry tradition". LHY, XXIII, 2 July 1987. pp. 142-159.

Johnson, Chris. "Performance and role playing in Soyinka · s Madmen and. Specialists". J.CL.. 10, 3 1976. pp. 26-32.

Jones, Eldred D. "Father of the Man". LH.Y XUIII, 2 July 1987. PP . 111-117 .

Katamba, Francis. "Death and Man in the Earlier works of Wole Soyinka", J.C1. IX, 3 April 1975. pp. 26-32.

Katrak, Ketu H. A Review: "Wole Soyinka: Art, Malogne and Outrage: Essays on Literature and Culture". RAL Vol. 22, No. 4, Winter 1991. pp. 186-189.

Kubayanda, Josaphat B. "Dictatorship, Oppression, and New realism". RAL. Vol. 21, No. 2. Summer 1990. pp. 5-11.

Kronen Field, JZ. "The 'communalistic · African and the 'Indusdualistic' Westerner: Some comments on misleading generali~ations in western criticism of Soyinka and Achebe" Critical Perspectives en. Nigerian Literature London: Heinemann. 1975 rpt. 1979. pp. 237-264.

La Pin, Deidre. "Tale and Trickster in Yoruba Verbal art". RAL Vol. 11, No. 3, 1980. pp. 327-341.

Lindfors, Bernth. "The Early writings Critical Perspectives en. ~ Heinemann, 1976 ., pp. 19-44.

of Wole Soyinka". Soyinka. London:

--------------- "East is East and West is West: Points of Divergence in African Literary History". Awakened consciousness: Studies in Commonwealth Literature New Delhi: Sterling, 1978. pp. 42-49.

Maduakor, Obiajuru. "Soyinka as a Literary Critic". RAL 17, 1 Spring 1986. pp. 1-39.

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------------- "Rhetoric as Technique: Language in Soyinka's The. fuuld._". World Literature Written in English, Vol. 27, No. 1 1987. pp. 27~34.

Haduka, Chidi T. "The black Aesthetic and African Bolekaja Criticism". UFAHAMU, XIV, 3 1985. pp. 139-153.

Hukher j ee, Meenakshi. "Ins ide the outsider" Awakened Consciouness: Studies in Commonwealth Literature. New Delhi, Sterling, 1978. pp. 87-91.

----------- "Caliban's Growth: Impact Commonwealth fiction". Colonial Commonwealth Literature. Bombay: 1984. pp. 217-227.

of Colonialism on consciouness

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Pvt.,

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__ Ng_fir~_, __ E11_an~el_. "'_I'h~ R9l~ of_ the fift_ic_~_n Jlrtte_r_ i_n _national_ liberation and social Reconstruction". Criticism awi Ideology. Sweden: B B AB. 1988. pp. 128-140.

Ngeobo, Lauretha. "African Mother hood-Myth and Reality" Criticism and Ideology. Sweden: B B AB. 1988. pp. 141-154.

Nkosi, Lewis. "Wole Soyinka: Memory of a trip with the Nobel­prize winner". LHY, XVIII, 2 July 1987. pp. 119-130.

Norbec, Edward. "Sacred Rites and Ceremonies: Rites of Passage". Britannica Macropodea. Yc.L_ ~ ed. Philip W Goetz. Editor · in Chief. London: Britannica Encyclopedia, Inc. 1st edn 1768-1771; 15th edn 1987. pp. 844-850.

Obafemi, Olu. "Revolutionary Aesthetics in Recent Nigerian Theatre". Ak!, 12 London: Heinemann, 1982. pp. 118-138.

Oduaran, Akpofire. "Linguistic functions and Literary Style" An inquiry into the language of Wale Soyinka's The. R2ad. RAL, 19, 1 Spring 1988. pp. 341-350.

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Ogunyemi, Chikwenye Okonjo. "Inconoclasts Both: Wale Soyinka and Le Ro i Jones". ALI., London: Heinemann. pp. 25-38. ·

Ohaeto, Ezenwa. "The Softening of Iron". The lyrical control of Soyinka's prose style in AK.E.. the years of Childhood". LHY. XUIII, 2 July 1987. pp. 131-141.

--------------- ''The Nature of Tragedy in Modern African Drama". L.HY, ,23, 2 July 1982. pp. 3-17.

Ojaide, Tanure. "Wale Soyinka's Qgnn_ Abibiman". UFAHAMU, 11, 2, 1982-82. pp. 153-171.

--------------- "The Voice and View Point of the poet in Wo le Soy ink a's "Four Archetypes" . RA1. 14, 1 Feb. 1983. pp. 58-81.

Oko, Akomaye. "Soyinka's Symbolic Models of Social Reality and Dramatic Conflict". LC.. XXIII, 1-2 1988. pp. 87-108.

Gk-onk-wo, iJu-1-ie-t, I. "-The- Hissing Lin-k in Kfricari Literature''. ~ Retrospect and Prospect 10. 1979. pp. 86-105.

Okpewho, Isidore. "Rethinking Myth" . African Literature Today. Vol 11. New York: Africa. 1980. pp. 5-23.

Olajuba, Oludare. "Iwi egungun chants -An Introduction".A.. C. E. QU Nigerian Literature ed. Bernth Lindfors. London: Heinemann. 1975; rpt. 1987. pp. 3-14.

Olatunj i, Olatunde 0, "The Yoruba Oral Poet and the Society". RA1. Vol 10, No. 2. Fall 1979. pp. 179-208.

Oli, Sonny. "Tragedy's Vocal audience".J..C.L. Vol. IX, No. 3, April 1975. pp. 46-62.

0 'Sheel, Patrick. "Athol Fugard 's "Poor Theatre". J.CL_, XII, 3 April 1978. pp. 67-78.

Osundare, Niyi. "Caliban 's course:_ The English Language and Nigeria's underdevelopment". UFAHAHU, 11, 2 1981-82. pp. 96-113.

251

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------------- "Words of Iron, Sentences of Thunder: Soyinka's Prose Style". Ak!, 13 1987. pp. 24-37.

Owomoyela, Oyekan. "Folklore and Yoruba Theatre" Critical Perspectives Qll Nigerian Literature. London: Heinemann. 1975, rpt. 1979. pp. 27-40.

------------- "Creative Historiography Determinism in Nigerian Theatre". RAL., 1986. 234-251.

and 17,

Critical 2 Summer

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Priest, Richrd. "Soyinka's Brother Jere: Prophet, Politician and Trickster" . C-ritical Perspectives Qll lt.cLl.e. Soyioka. London~ Heinemann. 1976. pp. 79-86.

_ Ralp_h-_Baman, Mark-. "Lead-ei's and -Lei'-t over-s: -A --R-eading -of Soyinka's Death and. .t...W:. King's Horseman". RAL., 14, 1 Feb. 1983. pp. 81-102.

Riemenschneider, Dieter. "The Biafra war in Nigerian Literature". J.C.L. Vol. XVIII, No. 1. pp. 55-68.

Richards, David. "Owe I'esin O'ro: Proverbs like horses" Wole Soyinka's Death and~ King's Horseman. ~ XIX, 1 1984. pp. 85-106.

Richards, Sandra L .. "Nigerian Independence on Stage: Responses from 'Second gene rat ion' playwrights". LL 39 May 1987. pp. 215-227.

Ruthven, Malise. "The Fundamentalism Project". T.L.S. Apr_il. 30 1993. p. 14.

Samatar, Ahemed I. "Africa: Is there hope?". UFAHAMU, XIV, 2 1985. pp. 9-26.

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Schecnner, Richard, et al. "Talking with Peter Brook". I.IlR. J 109 Spring 1986. pp. 55-71.

Sekoni, Ropo. "Metaphor as Basis of form in Soyinka's Drama". RAL. 14,1 Feb. 1983. pp. 43-57.

Senanu, KE. "Thoughts on creating popular Theatre". Critical Perspectives Qll H..Q.1.e.. Soyinka. London: Heinemann. 1976 pp. 74-78.

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"Soyinka and the Nobel Prize: The Swedisl;l W[Y, Vol. XXVIII, No. 2, July 1987. pp. 11-

Soyinka, Wole. "Noble lecture 1986: This past must address its present". E.li.L.A, 102 October 1987. pp. 762-71.

------~------- "Shakespeare and the Living Dra-matist". Shakespeare's Suryey Vol. 36, ed, Stanely Wells. London: CUP. 1983. pp.

·- - -

-------------- "Ethics, Ideology and the Critic" Criticism ~ IdeologY. Sweden: Bohuslaningens Booktryckeri AB, 1985. pp. 26-54.

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Swarnalatha, T. Prasad. "Soyinka- "The Lion" And the concept of Negritude". Commonwealth QuarterlY. 2, 1 June 1978. pp. 82-95.

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Tripathi, P.D., "The Lion and the Jewel: A comparative and thematic study". Bashiru, 11, 1 19 .... pp. 82-100.

Umukoro, Simon Obikepko. "Structure as Meaning in Wale Soyinka's l'.M Ro..ad.". LHY XXVII., 2 July 1986. 51-62.

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-------------- "The Ogun Hero and political vision in Soyinka's Drama". LHY, XXVII, 2 July 1987. pp. 172-183.

· ------------- "Specifying the Other: The Nature of the supernatural character in Modern African Drama". Calabar Studies in African Literature ~ Critical Theorv and African literature. Nigeria: Heinemann. 1987. pp. 69-80.

Weste 1 y, David. "A Bib 1 iography of African Epic·· . RAL. Vol. 22, No. 4, Winter 1991. pp. 99-115.

Wilkinson, Jane. ed. Talking Hiih African Writers James Currey. 1992. pp. 90-108.

London:

Wilkinson, Nick. "Demoke's choice in Soyinka's A Dance Q!. .t..h.e. Forests". Critical perspectives Q.ll. H..Qk Soyinka London: Heinemann, 1976. pp. 69-73.

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