Top Banner
34

 · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form

Nov 01, 2019

Download

Documents

dariahiddleston
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 2:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 3:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 4:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 5:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 6:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 7:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 8:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 9:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 10:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 11:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 12:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 13:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 14:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 15:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 16:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 17:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 18:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 19:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 20:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 21:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 22:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 23:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 24:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 25:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 26:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 27:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 28:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 29:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 30:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 31:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 32:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 33:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form
Page 34:  · Qadiryar composed Var Puran Bhagat in the baint form to enable street-singers and bards to sing with the accompaniment of sarangi but for QiSXQ Puran Bhaget, he used the form