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BERNARD SHAW 1912 ROSA PASTOR
11
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Page 1: Pygmalion

BERNARD SHAW

1912

ROSA PASTOR

Page 2: Pygmalion

ROSA PASTOR

26 July 1856 – 2 November 1950Irish playwright

He wrote about the exploitation of the working class.

 Charter member of the Fabian Society

Concerned about the vagaries of English spelling, Shaw willed a portion of his

wealth to fund the creation of a new phonemic alphabet for the English

language

Page 3: Pygmalion

PICKERING

HIGGINS 

FREDDY

LIZADOOLITTLE

MRS. HIGGINS

Page 4: Pygmalion

Social class differences

ROSA PASTOR

Page 5: Pygmalion

Henry Higgins, a professor of phonetics, makes a bet with his friend Colonel Pickering that

he can turn a Cockney flower girl, Eliza Doolittle, into a refined society lady merely by

teaching her how to speak with an upper class accent and training her in etiquette.

ROSA PASTOR

Page 6: Pygmalion

Finalizing details for the presentation of the work Checking the result

You can change the outside but not inside

Almost a success

ROSA PASTOR

Page 7: Pygmalion

ROSA PASTOR

End of the party

Satisfaction with the success achieved

Page 8: Pygmalion

ROSA PASTOR

“The difference between a lady and a flower girl is not how she

behaves, but how she is treated”

I will teach phonetics

Page 9: Pygmalion

ROSA PASTOR

“While respectability can be learned,

self-respect is something more authentic”

Page 10: Pygmalion

Is the male artist the absolute and perfect that has the power to

create woman the image of his desires?

Can there be a relationship between

a man and a woman over sex and romance?

Does it reflect the beauty of virtue?

What the artist loves, his creation or art that led to the creation exist?

ROSA PASTOR

Page 11: Pygmalion

ROSA PASTOR